Gas Lighter Quotes

The little dragon turned on Vimes a gaze that would be guaranteed to win it the award for Dragon the Judges would Most Like to Take Home and Use as a Portable Gas Lighter.

Fred had trocharised a bloated cow and the farmer had been so impressed by the pent up gas hissing from the abdomen that Fred had got carried away and applied his cigarette lighter to the canula. A roaring sheet of flame had swept on to some straw bales and burned the byre to the ground.

In depression, buy gas balloons; they would make you feel lighter.

I glance around the set—everyone is buzzing like worker bees getting ready for the shot. Cordelia’s getting primped and powdered by a makeup girl, Vanessa is speaking with a few of the cameramen, and the convertible I’m supposed to drive is just sitting there . . . all by its lonesome. And look at that—someone left the keys in the ignition. Stealthily, I sidle up to Sarah. “Have you ever driven in a convertible?” She looks up sharply, like she didn’t see me approach. “Of course I have.” My hands slide into my pockets and I lean back on my heels. “Have you ever been in a convertible driven by a prince?” Her eyes are lighter in the sun, with a hint of gold. They crinkle as she smiles. “No.” I nod. “Perfect. We do this in three.” Now she looks nervous. “Do what?” I spot James across the way, eyes scanning the crowd—far enough away that he’ll never get over here in time. “Three . . .” “I don’t know what you mean.” “Two . . .” “Henry . . .” “One.” “I . . .” “Go, go, go!” “Go where?” she asks, loud enough to draw attention. So I wrap my arm around her waist, lift her off her feet, carry her to the car, and swing her up and into the passenger seat. Then, I jump into the driver’s side. “Shit!” James curses. But then the engine is roaring to life. I back out, knocking over a food service table, and the tires screech as I turn around and drive across the grounds . . . toward the woods. “The road is that way!” Sarah yells, the wind making her long, dark hair dance and swirl. “I know a shortcut. Buckle up.” We fly into the woods, sending a flurry of leaves in our wake. The car bounces and jostles, and I feel Sarah’s hand wrapped around my arm—holding on. It feels good. “Duck.” “What?” I push her head down and crouch at the same time, to avoid getting whipped in the face by the low-branch of a pine tree. After we’re past it, Sarah sits up, owl-eyed, and looks back at the branch and then at me. I smirk. “If you wanted me to push your head down, love, you could’ve just said so.” “You’re insane!” I hit the gas hard, swerving around a stump. “What? You’re the only one who gets to make dirty jokes?” We have a sharp turn coming up ahead. I lay my arm across Sarah’s middle. “Hold on.

In the Volksgarten “I’d like to have a blue balloon! A blue balloon is what I’d like!” “Here’s a blue balloon for you, Rosamunde!” It was explained to her then that there was a gas inside that was lighter than the air in the atmosphere, as a consequence of which, etc. etc. “I’d like to let it go—,” she said, just like that. “Wouldn’t you rather give it to that poor little girl over there?” “No, I want to let it go—!” She lets the balloon go, keeps looking after it, till it disappears in the blue sky. “Aren’t you sorry now you didn’t give it to the poor little girl?” “Yes, I should’ve given it to the poor little girl.” “Here’s another blue balloon, give her this one!” “No, I want to let this one go too up into the blue sky!”— She does so. She is given a third blue balloon. She goes over to the poor little girl on her own, gives this one to her, saying: “You let it go!” “No,” says the poor little girl, peering enraptured at the balloon. In her room it flew up to the ceiling, stayed there for three days, got darker, shriveled up and fell down dead, a little black sack. Then the poor little girl thought to herself: “I should have let it go outside in the park, up into the blue sky, I’d’ve kept on looking after it, kept on looking—!” In the meantime, the rich little girl gets another ten balloons, and one time Uncle Karl even buys her all thirty balloons in one batch. Twenty of them she lets fly up into the sky and gives ten to poor children. From then on she had absolutely no more interest in balloons. “The stupid balloons—,” she said. Whereupon Aunt Ida observed that she was rather advanced for her age! The poor little girl dreamed: “I should have let it go up into the blue sky, I’d’ve kept on looking and looking—!

All at once, something wonderful happened, although at first, it seemed perfectly ordinary. A female goldfinch suddenly hove into view. She lighted weightlessly on the head of a bankside purple thistle and began emptying the seedcase, sowing the air with down. The lighted frame of my window filled. The down rose and spread in all directions, wafting over the dam’s waterfall and wavering between the tulip trunks and into the meadow. It vaulted towards the orchard in a puff; it hovered over the ripening pawpaw fruit and staggered up the steep faced terrace. It jerked, floated, rolled, veered, swayed. The thistle down faltered down toward the cottage and gusted clear to the woods; it rose and entered the shaggy arms of pecans. At last it strayed like snow, blind and sweet, into the pool of the creek upstream, and into the race of the creek over rocks down. It shuddered onto the tips of growing grasses, where it poised, light, still wracked by errant quivers. I was holding my breath. Is this where we live, I thought, in this place in this moment, with the air so light and wild? The same fixity that collapses stars and drives the mantis to devour her mate eased these creatures together before my eyes: the thick adept bill of the goldfinch, and the feathery coded down. How could anything be amiss? If I myself were lighter and frayed, I could ride these small winds, too, taking my chances, for the pleasure of being so purely played. The thistle is part of Adam’s curse. “Cursed is the ground for thy sake, in sorrow shalt thou eat of it; thorns also and thistles shall it bring forth to thee.” A terrible curse: But does the goldfinch eat thorny sorrow with the thistle or do I? If this furling air is fallen, then the fall was happy indeed. If this creekside garden is sorrow, then I seek martyrdom. I was weightless; my bones were taut skins blown with buoyant gas; it seemed that if I inhaled too deeply, my shoulders and head would waft off. Alleluia.

CHASING THE NIGHT Trouble starts when I come around Everything’s painted red when I’m in town Light me up and watch me burn it down If you’re anointing a devil, I’ll take my crown Foot on the gas, add fuel to the fire I’m already high and going higher Charging faster, ready to ignite Headed for disaster, chasing the night You turn wrong when you turn right White light at first sight Oh, you’re chasing the night But it’s a nightmare chasing you Life’s coming to me in flashes Wearing my bruises like badges Don’t know when I learned to play with matches Must want it all to end in ashes Foot on the gas, add fuel to the fire I’m already high and going higher Charging faster, ready to ignite Headed for disaster, chasing the night You turn wrong when you turn right White light at first sight Oh, you’re chasing the night But it’s a nightmare chasing you Foot on the gas, add fuel to the fire I’m already high and going higher Foot on the gas, add fuel to the fire Look me in the eye and flick the lighter Oh, you’re chasing the night But it’s a nightmare, honey, chasing you

I love this song, can you turn it up?” I reached and turned the dial up on the Vance Joy song “Red Eye.” Adam bobbed his head to the music. At the stoplight I looked over at him. He was wearing the black beanie my brother had given him, his black Wayfarers, and the hospital gown. I laughed. He turned to me and smiled. “What?” he said. “You’re cute.” “Oh yeah? Wanna fool around?” He grinned. I was glad that Adam couldn’t see my eyes welling up behind my sunglasses. The car behind us honked. I hit the gas and my car lurched forward from the intersection. “How much time do we have?” I asked. “What? Are you serious?” “Yes, Adam, I am serious.” He was having a good day. He reached for my phone. “We have like an hour and a half before Leah freaks out.” I knew I was taking a big chance, but how could I say no to him? There was so much joy in him that day just because he got to go to the drive-thru at In-N-Out. “Okay.” I glanced over at him and flattened my lips. “You better not have a seizure on me.” “I can’t think of a better place to have a seizure. Although I can see how that wouldn’t be much fun for you.” I laughed hysterically. “Oh man, I didn’t mean literally on me; I meant on my watch.” “Well, Charlotte, I don’t have much control over that, but I’ll try. You know what helps?” “What?” “Alcohol.” “Really?” As we passed the Four Seasons he said, “Pull in here.” “This is too expensive, Adam.” “What? Are you crazy?” The energy in the car was tangible. “This may be the last time I ever go to a hotel with a girl. I’m paying. I have a ton of money. Come on, Charlotte, please?” His mood was instantly lighter than it had been in several days. “Okay.” I did a U-turn and pulled into the driveway of the hotel.

The journey of these algae during their vertical migration is quite extraordinary, considering their size. A change of depth by ten meters is equivalent to us walking eighteen kilometers. We know that algae and other plankton can travel considerably more than fifty meters during their vertical migration down and back up, which would mean that we would have to travel 180 kilometers every day. The small creatures do not swim these large distances actively. Instead, they make themselves lighter or heavier than water by filling their cell with gas bubbles or getting rid of them. 6

Latitude Back then I was committed to the color blue, felt moved to paint my walls, nails, furniture the same shade of teal. Now my body swells at the window with casual longing. Do you believe in saltwater gargling. As a cure. At the gas station I felt proud to specify it was the navy lighter we wanted. Often the bravest thing I do all day is open my mouth. On every beach washes up the memory of some other beach when I didn’t evaluate my own body. Last night Orion’s Belt filled me with dread because everyone I have shown it to has exited my life with no warning. Still, I couldn’t help myself. The light was brief and obvious.

When you add the Alka-Seltzer, it reacts with the water to make tiny bubbles of carbon dioxide gas. These bubbles attach to the blobs of colored water (food colored water) and float to the top. When the bubbles pop at the top, the colored blobs drop to the bottom. When you apply heat to the mixture (flashlight), the heavier liquid (water) absorbs the heat and expands because it becomes less dense. Since the density of water and oil is similar the moment the water is heated, it becomes lighter than the oil and also causes the colored water blob to rise. It sometimes changes the shape of the bubbled-blobs from the Alka-Seltzer, making the shapes and colors prettier and different. When it cools, it drops back down. The Alka-Seltzer will ultimately finish, at which point you can put more Alka-Seltzer. You can also try a stronger light source for more heat to adjust the view. 16. Cloud in a Jar Question: How is a cloud formed? Hypothesis (Form Your Educated Guess Here): _________________________________________________________________________ _________________________________________________________________________ Materials: Jar Hot water Food coloring Matches Paper towel Plastic baggie with ice cubes Procedure:

The Bright Lights of Sarajevo After the hours that Sarajevans pass queuing with empty canisters of gas to get the refills they wheel home in prams, or queuing for the precious meagre grams of bread they’re rationed to each day, and often dodging snipers on the way, or struggling up sometimes eleven flights of stairs with water, then you’d think the nights of Sarajevo would be totally devoid of people walking streets Serb shells destroyed, but tonight in Sarajevo that’s just not the case The young go walking at stroller’s pace, black shapes impossible to mark as Muslim, Serb or Croat in such dark, in unlit streets you can’t distinguish who calls bread hjleb or hleb or calls it kruh. All take the evening air with stroller’s stride no torches guide them, but they don’t collide except as one of the flirtatious ploys when a girl’s dark shape is fancied by a boy’s. Then the tender radar of the tone of voice shows by its signals she approves his choice. Then match or lighter to a cigarette to check in her eyes if he’s made progress yet. And I see a pair who’ve certainly progressed beyond the tone of voice and match-flare test and he’s about, I think, to take her hand and lead her away from where they stand on two shell scars, where, in ‘92 Serb mortars massacred the breadshop queue and blood-dunked crusts of shredded bread lay on this pavement with the broken dead. And at their feet in holes made by the mortar that caused the massacre, now full of water from the rain that’s poured down half the day, though now even the smallest clouds have cleared away leaving the Sarajevo star-filled evening sky ideally bright and clear for bomber’s eye in those two rain-full shell-holes the boy sees fragments of the splintered Pleiades, sprinkled on those death-deep, death-dark wells splashed on the pavement by Serb mortar shells. The dark boy-shape leads dark girl-shape away to share one coffee in a candlelit café until the curfew, and he holds her hand behind AID flour-sacks refilled with sand

The Bright Lights of Sarajevo After the hours that Sarajevans pass queuing with empty canisters of gas to get the refills they wheel home in prams or queuing for the precious meagre grams of bread they’re rationed to each day, and often dodging snipers on the way, or struggling up sometimes eleven flights of stairs with water, then you’d think the nights of Sarajevo would be totally devoid of people walking streets Serb shells destroyed, but tonight in Sarajevo that’s just not the case – The young go walking at stroller’s pace black shapes impossible to mark as Muslim, Serb or Croat in such dark in unlit streets you can’t distinguish who calls bread hjleb or hleb or calls it kruh. All take the evening air with stroller’s stride no torches guide them, but they don’t collide except as one of the flirtatious ploys when a girl’s dark shape is fancied by a boy’s. Then the tender radar of the tone of voice shows by its signals she approves his choice. Then match or lighter to a cigarette to check in her eyes if he’s made progress yet. And I see a pair who’ve certainly progressed beyond the tone of voice and match-flare test and he’s about, I think, to take her hand and lead her away from where they stand on two shell scars, where, in 1992 Serb mortars massacred the breadshop queue and blood-dunked crusts of shredded bread lay on this pavement with the broken dead. And at their feet in holes made by the mortar that caused the massacre, now full of water from the rain that’s poured down half the day, though now even the smallest clouds have cleared away leaving the Sarajevo star-filled evening sky ideally bright and clear for bomber’s eye in those two rain-full shell-holes the boy sees fragments of the splintered Pleiades, sprinkled on those death-deep, death-dark wells splashed on the pavement by Serb mortar shells. The dark boy-shape leads dark girl-shape away to share one coffee in a candlelit café until the curfew, and he holds her hand behind AID flour-sacks refilled with sand.

Umm five, no six, flashlights. Four sleeping bags. Four mylar blankets. Forty N95 masks. Two hundred surgical gloves. Two binoculars. Four butane torch lighters. Six packs of waterproof matches. Two flints. Six road flares. Two hatchets. Five permanent markers. Two gas masks. Two multitools. Six fishhooks with line. Two rolls of duct tape. Two first-aid kits. Two envelopes of cash.” “Should be ten thousand dollars

I knew exactly what was going on, but I unfortunately didn't have a firearm. (Adam have most likely offered someone 6000 Euros, to end this all, then and there. Tomas. 10%) Only a mini baseball bat. A Louisville Slugger. And Martina’s weapon of choice: a broom. The witches’ vehicle. Before I could tell him to go to Hell, a neighbor exited the building and let the stranger claiming to be from the gas company inside. Now the stranger dressed in black was running up the 94 stairs. I could hear his footsteps approaching. I didn't have time to react, grab the biggest knife from the kitchen, and stand by my entrance door. He was already upstairs, right outside my apartment door. He began knocking loudly and aggressively, whether with his metal ring or a lighter. I looked through the peephole, but he had covered it with a black folder, which I soon realized was an iPad. Covering his face. Covering my eyes. The same speech repeated played through the iPad, ensuring that I wouldn't recognize his voice and open the door. „I am from the gas company, looking for Tomas Adam Nyapi.” He kept playing in a prerecorded voice on the iPad outside my door, "Open up", "It's the gas company", and "We are looking for Tomas Adam Nyapi." I was trying to pay attention and make sense of it all, trying to figure out who it could be. But the Catalan girl couldn't keep quiet and yelled at the person in Spanish with her strong Catalan accent, after a minute or two: "Who are you and what do you want? Go away before I call the police!" Suddenly, the stranger began sprinting down the 94 stairs upon realizing that I wasn't alone. In case the reason for his visit wasn't clear enough. He was running so fast that he nearly stumbled, clearly determined to prevent me from catching up with him. I swung open my door and peered down the stairwell, straining my eyes to discern his identity, but the darkness obscured any details in the vertical tunnel below. By the time he reached the bottom of the stairs, I hurried to my loggia to catch a glimpse of him. He was tall and thin, with long legs, and his strides were hurried and distinct, unlike anyone else. Deep inside, I knew it was Mario Larese. Mister Twister. I recognized his movements, but it wasn't until 2023 that I had concrete confirmation. An evidence orgy. Mario had been sent to either spy on me or seek revenge for my closure of the club, with him being responsible for triggering the landslide, the avalanche. The mafia had dispatched Mario to finish what he/they had started. With Adam and the rest of them. Mario. Adam. Nico. Ferran. „The Beatles.” „Plus Yoko.” The Nazi junkies had sent him to deliver the final blow, the fatal shot, the kill. It was Mario who was accountable - the thief, the liar, the "Romanian gypsy." To deliver „The Final Solution”, to sever ties. And keep that 60,000 as well of course. Shortly after the stranger (Mario) had left our address Martina called me on the phone.

Mom sprinted down the driveway and hugged Myron as though he'd just been released by Hamas terrorists. She also hugged Brenda. So did everyone else. Dad was in the back at the barbecue. A gas grill now, thank goodness, so Dad could stop loading on the lighter fluid with a hose. He wore a chef's hat somewhat taller than a control tower and an apron that read REFORMED VEGETARIAN.

Everything is made up of atoms. These atoms vibrate and create solid, liquid and gas. When these atoms vibrate at high frequency, it results in a solid state. When the frequency is a little slower, it results in a liquid state and in the case of gas, vibrational frequency is the least. This vibrational frequency can be called energy. The person who stole shadows of people changed the vibrational frequency of their atoms or in other words he manipulated with the life energy of people and made it slower. This resulted in making the bodies disappear bit by bit and therefore shadows became lighter and lighter and finally became extinct.