β
A library is infinity under a roof.
β
β
Gail Carson Levine
β
In books and in life, you need to read several pages before someone's true character is revealed.
β
β
Gail Carson Levine
β
If someone asks you how you are, you are meant to say FINE. You are not meant to say that you cried yourself to sleep last night because you hadn't spoken to another person for two consecutive days. FINE is what you say.
β
β
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
β
There's nothing wrong with reading a book you love over and over. When you do, the words get inside you, become a part of you, in a way that words in a book you've read only once can't.
β
β
Gail Carson Levine (Writing Magic: Creating Stories that Fly)
β
In principle and reality, libraries are life-enhancing palaces of wonder.
β
β
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
β
Sometimes you simply needed someone kind to sit with you while you dealt with things.
β
β
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
β
Step follows step,
Hope follows Courage,
Set your face towards danger,
Set your heart on victory.
β
β
Gail Carson Levine (The Two Princesses of Bamarre (The Two Princesses of Bamarre, #1))
β
I suspect it may be like the difference between a drinker and an alcoholic; the one merely reads books, the other needs books to make it through the day."
(Interview with The Booklovers blog, September 2010)
β
β
Gail Carriger
β
Creativity could be described as letting go of certainties.
β
β
Gail Sheehy
β
I wished sheβd never stop squeezing me. I wished I could spend the rest of my life as a child, being slightly crushed by someone who loved me.
β
β
Gail Carson Levine (Ella Enchanted (Ella Enchanted, #1))
β
Although itβs good to try new things and to keep an open mind, itβs also extremely important to stay true to who you really are.
β
β
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
β
It is helpful to know the proper way to behave, so one can decide whether or not to be proper.
β
β
Gail Carson Levine (Ella Enchanted (Ella Enchanted, #1))
β
I simply didn't know how to make things better. I could not solve the puzzle of me.
β
β
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
β
How ghastly for her, people actually thinking, with their brains, and right next door. Oh, the travesty of it all.
β
β
Gail Carriger (Soulless (Parasol Protectorate, #1))
β
In the end, what matters is this: I survived.
β
β
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
β
Time only blunts the pain of loss. It doesnβt erase it.
β
β
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
β
Sometimes you canβt let go of the past without facing it again.
β
β
Gail Tsukiyama (The Samurai's Garden)
β
I know now that we never get over great losses; we absorb them, and they carve us into different, often kinder, creatures.
β
β
Gail Caldwell (Let's Take the Long Way Home: A Memoir of Friendship)
β
I have been waiting for death all my life. I do not mean that I actively wish to die, just that I do not really want to be alive.
β
β
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
β
A vampire, like a lady, never reveals his true age.
β
β
Gail Carriger (Soulless (Parasol Protectorate, #1))
β
These days, loneliness is the new cancerβa shameful, embarrassing thing, brought upon yourself in some obscure way. A fearful, incurable thing, so horrifying that you dare not mention it; other people donβt want to hear the word spoken aloud for fear that they might too be afflicted, or that it might tempt fate into visiting a similar horror upon them.
β
β
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
β
When you're struggling hard to manage your own emotions, it becomes unbearable to have to witness other people's, to have to try and manage theirs too.
β
β
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
β
I never gossip. I observe. And then relay my observations to practically everyone.
β
β
Gail Carriger (Timeless (Parasol Protectorate, #5))
β
Some people, weak people, fear solitude. What they fail to understand is that you don't need anyone, you can take care of yourself.
β
β
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
β
When the silence and the aloneness press down and around me, crushing me, carving through me like ice, I need to speak aloud sometimes, if only for proof of life.
β
β
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
β
Here's to bottle caps,the Yankees, and 'birds', and most of all"...he paused and lowered his voice to a whisper.." and,most of all to a beautiful girl named Molly who refuses to believe the man-the man who loves her more than she'll ever know
β
β
Gail McHugh (Collide (Collide, #1))
β
Every part of you was made for me. Your lips were made to kiss mine, your eyes were made to wake up to me looking at you in my bed every morning, and your f***ing tongue was made to roll my name off of it. I am more certain of us than I'm certain that I require oxygen to breathe.
β
β
Gail McHugh (Collide (Collide, #1))
β
I find lateness exceptionally rude; itβs so disrespectful, implying unambiguously that you consider yourself and your own time to be so much more valuable than the other personβs.
β
β
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
β
There are scars on my heart, just as thick, as disfiguring as those on my face. I know theyβre there. I hope some undamaged tissue remains, a patch through which love can come in and flow out. I hope.
β
β
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
β
And so, with laughter and love, we lived happily ever after.
β
β
Gail Carson Levine (Ella Enchanted (Ella Enchanted, #1))
β
That's funny, you're funny. I like you, I'm quite taken by you.
β
β
Gail Carson Levine (Ella Enchanted (Ella Enchanted, #1))
β
Mothers and their children are in a category all their own. There's no bond so strong in the entire world. No love so instantaneous and forgiving.
β
β
Gail Tsukiyama (Dreaming Water)
β
It's no good choosing your first husband from a school for evil geniuses. Much too difficult to kill.
β
β
Gail Carriger (Etiquette & Espionage (Finishing School, #1))
β
A philosophical question: if a tree falls in a forest and no one is around to hear it, does it make a sound? And if a woman who's wholly alone occasionally talks to a pot plant, is she certifiable? I think that it is perfectly normal to talk to oneself occasionally. It's not as though I'm expecting a reply. I'm fully aware that Polly is a houseplant.
β
β
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
β
When you become a teenager, you step onto a bridge. You may already be on it. The opposite shore is adulthood. Childhood lies behind. The bridge is made of wood. As you cross, it burns behind you
β
β
Gail Carson Levine (Writing Magic: Creating Stories that Fly)
β
I want to be with you forever and beyond...
β
β
Gail Carson Levine (Ella Enchanted (Ella Enchanted, #1))
β
When you want something this badly, you don't just give up. You fight and fight until you absolutely can't fight anymore.
β
β
Gail McHugh (Collide (Collide, #1))
β
There are days when I feel so lightly connected to the earth that the threads that tether me to the planet are gossamer thin, spun sugar. A strong gust of wind could dislodge me completely, and Iβd lift off and blow away, like one of those seeds in a dandelion clock. The threads tighten slightly from Monday to Friday.
β
β
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
β
You can't have too much dog in a book.
β
β
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
β
Your voice changes when youβre smiling, it alters the sound somehow.
β
β
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
β
Cats were not, in her experience, an animal with much soul. Prosaic, practical little creatures as a general rule. It would suit her very well to be thought catlike.
β
β
Gail Carriger (Soulless (Parasol Protectorate, #1))
β
Even a snail will eventually reach its destination.
β
β
Gail Tsukiyama (The Street of a Thousand Blossoms)
β
Iβve never felt so heartbroken and so in love at the same time. If you wouldβve told me the day we met that you were going to break my heartβ and that days, months, or even years would pass, that I would still be hurting like thisβit wouldnβt have stopped me from falling in love with you.
β
β
Gail McHugh (Collide (Collide, #1))
β
You are about as covert as a sledgehammer.
β
β
Gail Carriger (Soulless (Parasol Protectorate, #1))
β
The moment hung in time like a drop of honey from a spoon, heavy, golden.
β
β
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
β
Steampunk is...the love child of Hot Topic and a BBC costume drama
β
β
Gail Carriger
β
I feel sorry for beautiful people. Beauty, from the moment you possess it, is already slipping away, ephemeral. That must be difficult.
β
β
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
β
Lord Maccon was built like a brick outhouse, with opinions twice as unmoving and often equally full of crap.
β
β
Gail Carriger (Blameless (Parasol Protectorate, #3))
β
I have died and gone to the land of bad novels.
β
β
Gail Carriger (Blameless (Parasol Protectorate, #3))
β
I was born singing. Most babies cry, I sang an aria.
β
β
Gail Carson Levine (Fairest)
β
Obscenity is the distinguishing hallmark of a sadly limited vocabulary.
β
β
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
β
I trust you to find the good in me, but the bad I must be sure you don't overlook.
β
β
Gail Carson Levine (Ella Enchanted (Ella Enchanted, #1))
β
When I write, I make discoveries about my feelings.
β
β
Gail Carson Levine (Writing Magic: Creating Stories that Fly)
β
He is clearly bookish. I did not follow a single word of their conversation at dinner last night, not one jot of it. He must be bookish.
β
β
Gail Carriger (Soulless (Parasol Protectorate, #1))
β
Sometimes bad choices bring us to the right people, Emily.
β
β
Gail McHugh (Collide (Collide, #1))
β
She filed the image away as an excellent and insulting question to ask the earl at an utterly inappropriate future moment.
β
β
Gail Carriger (Soulless (Parasol Protectorate, #1))
β
If you need to stop an asteroid, you call Superman. If you need to solve a mystery, you call Batman. But if you need to end a war, you call Wonder Woman.
β
β
Gail Simone
β
Things change, people change, but that doesn't mean you should forget the past.
β
β
Gail Carson Levine
β
Do you like to slide?" His voice was eager.
Stair rails! Did he suspect me? I forced a sigh. "No, Majesty. I'm terrified of heights."
"Oh." His polite tone had returned.
"I wish I could enjoy it. This fear of heights is an affliction."
He nodded, a show of sympathy but not much interest. I was losing him.
"Especially," I added, "as I've grown taller.
β
β
Gail Carson Levine (Ella Enchanted (Ella Enchanted, #1))
β
No thank you,β I said. βI donβt want to accept a drink from you, because then I would be obliged to purchase one for you in return, and Iβm afraid Iβm simply not interested in spending two drinksβ worth of time with you.
β
β
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
β
She moved with such purpose it was as though she walked with exclamation marks.
β
β
Gail Carriger (Changeless (Parasol Protectorate, #2))
β
If I couldn't sleep, I could read.
β
β
Gail Carson Levine (Ella Enchanted (Ella Enchanted, #1))
β
I suppose one of the reasons weβre all able to continue to exist for our allotted span in this green and blue vale of tears is that there is always, however remote it might seem, the possibility of change.
β
β
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
β
Who judges the judge who judges wrong?
β
β
Gail Carson Levine (Fairest)
β
The vampire's eyes were open, and he was staring at her intently. It was as though he were trying to speak to her with simply the power of a glare.
Alexia did not speak glare-ish.
β
β
Gail Carriger (Soulless (Parasol Protectorate, #1))
β
I want the late-night drives, the sunset watching, the screaming, the yelling, and the crying. I know I'll definitely want the make-up sex that comes after all of the screaming and crying. I want the good, the bad, and the in-between. All of it is what's going to make us amazing together.
β
β
Gail McHugh (Collide (Collide, #1))
β
LOL could go and take a running jump. I wasnβt made for illiteracy; it simply didnβt come naturally.
β
β
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
β
Alexia figured, delightedly, that this meant he did, in fact, tend to traipse around his private apartments in the altogether. Marriage was becoming more and more of an attractive prospect.
β
β
Gail Carriger (Soulless (Parasol Protectorate, #1))
β
Doll, you're going to get me out of your system as much as I'm going to get you out of mine. It's impossible.
β
β
Gail McHugh (Collide (Collide, #1))
β
What they never tell you about grief is that missing someone is the simple part.
β
β
Gail Caldwell (Let's Take the Long Way Home: A Memoir of Friendship)
β
Youβve made me shiny, Laura,β I said. I tried to stop it, but a little tear ran down the side of my nose. I wiped it away with the back of my hand before it could dampen the ends of my new hair. βThank you for making me shiny.
β
β
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
β
My dearest girl,' said the vampire finally, examining Lord Maccon with an exhausted but appreciative eye, 'such a banquet. Never been one to favor werewolves myself, but he is very well equipped, now, is he not?'
Miss Tarabotti gave him an arch look. 'My goodies,' she warned.
Humans,' chuckled the vampire, 'so possessive.
β
β
Gail Carriger (Soulless (Parasol Protectorate, #1))
β
The ill-informed masses included her own family among their ranks, a family that specialized in being both inconvenient and asinine.
β
β
Gail Carriger (Soulless (Parasol Protectorate, #1))
β
Iβm not sure Iβd like to be burned. I think I might like to be fed to zoo animals. It would be both environmentally friendly and a lovely treat for the larger carnivores. Could you request that?
β
β
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
β
Everything seems simpler from a distance.
β
β
Gail Tsukiyama (The Street of a Thousand Blossoms)
β
I know now that we never get over great losses; we absorb them, and they carve us into different, often kinder, creatures. ...We tell the story to get them back, to capture the traces of footfalls through the snow.
β
β
Gail Caldwell (Let's Take the Long Way Home: A Memoir of Friendship)
β
You're Only the fairest when your fairest to yourself
β
β
Gail Carson Levine
β
We were written for one another, and I wouldn't change one line in our romance novel. The good, the bad, the in between. It's ours. We own it.
β
β
Gail McHugh (Pulse (Collide, #2))
β
Drualt took Freya's warm hand,
Her strong hand,
Her sword hand,
And pressed it to his lips,
Pressed it to his heart.
Come with me,' he said.
Come with me to battle,
My love. Tarry at my side.
Stay with me
When battle is done.
Tarry at my side.
Laugh with me,
And walk with me
The long, long way.
Tarry with me,
My love, at my side.
β
β
Gail Carson Levine (The Two Princesses of Bamarre (The Two Princesses of Bamarre, #1))
β
Highland werewolves had a reputation for doing atrocious and highly unwarranted *things*, like wearing smoking jackets to the dinner table.
β
β
Gail Carriger (Soulless (Parasol Protectorate, #1))
β
With the weight of his body, he pressed her back against the wall, and licked the soft spot below her earlobe. "Tell me how much you f***ing want me," he breathed.
β
β
Gail McHugh (Collide (Collide, #1))
β
She had tried to steer me towards vertiginous heels again - why are these people so incredibly keen on crippling their female customers? I began to wonder if cobblers and chiropractors had established some fiendish cartel.
β
β
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
β
Classic author moment, "Oh dear, did I kill that character or not?
β
β
Gail Carriger
β
Hush Hattie!" I said, intoxicated with my success. "I don't want to go to my room. Everyone must know I shan't marry the prince." I ran to the door to our street, opened it, and called out into the night, "I shan't marry the prince." I turned back into the hall and ran to Char and threw my arms about his neck. "I shan't marry you." I kissed his cheek. He was safe from me.
β
β
Gail Carson Levine (Ella Enchanted (Ella Enchanted, #1))
β
I may be a werewolf and Scottish, but despite what you may have read about both, we are not cads!
β
β
Gail Carriger (Soulless (Parasol Protectorate, #1))
β
Miss Tarabotti was not one of life's milk-water misses--in fact, quite the opposite. Many a gentleman had likened his first meeting with her to downing a very strong cognac when one was expecting to imbibe fruit juice--that is to say, startling and apt to leave one with a distinct burning sensation.
β
β
Gail Carriger (Soulless (Parasol Protectorate, #1))
β
A faint smile touched Emilyβs mouth. βYou want kids?β
βI want bucketloads tucked neatly into a minivan,β he laughed.
βGavin Blake in a minivan?β
βAbsolutely,β he replied, reaching for his beer. βA funky forest green one, too.
β
β
Gail McHugh (Collide (Collide, #1))
β
Ivy waved the wet handkerchief, as much as to say, words cannot possibly articulate my profound distress. Then, because Ivy never settled for meaningful gestures when verbal embellishments could compound the effect, she said, "Words cannot possibly articulate my profound distress.
β
β
Gail Carriger (Changeless (Parasol Protectorate, #2))
β
Did men ever look in the mirror, I wondered, and find themselves wanting in deeply fundamental ways? When they opened a newspaper or watched a film, were they presented with nothing but exceptionally handsome young men, and did this make them feel intimidated, inferior, because they were not as young, not as handsome? Did they then read newspaper articles ridiculing those same handsome men if they gained weight or wore something unflattering?
β
β
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
β
She asks why I like her.
Might as well ask
Why I breathe.
Maybe tomorrow I won't
Breathe or like her
Anymore.
Maybe tomorrow the tides
Will stop.
Maybe tomorrow will bring
No more rainbows.
Maybe tomorrow
She will stop
Asking useless questions.
β
β
Gail Carson Levine (The Wish)
β
I canβt promise you itβll always be sweet and tender because you and I fight hard. But Iβm pretty sure it wonβt be a horror ride either because you and I love even harder. What I can promise is youβll always mean more to me than my next breath, and itβll always be you in my life. No one else.
β
β
Gail McHugh (Pulse (Collide, #2))
β
There are two kinds of people. One kind, you can just tell by looking at them at what point they congealed into their final selves. It might be a very nice self, but you know you can expect no more suprises from it. Whereas, the other kind keep moving, changing... They are fluid. They keep moving forward and making new trysts with life, and the motion of it keeps them young. In my opinion, they are the only people who are still alive. You must be constantly on your guard against congealing.
β
β
Gail Godwin (The Finishing School)
β
Well, my love,β said Alexia with prodigious daring to Lord Maccon, βshall we?β The earl started to move forward and then stopped abruptly and looked down at her, not moving at all. βAm I?β
βAre you what?β She peeked up at him through her tangled hair, pretending confusion. There was no possible way she was going to make this easy for him.
βYour love?β
βWell, you are a werewolf, Scottish, naked, and covered in blood, and I am still holding your hand.β
He sighed in evident relief. βGood. That is settled, then.
β
β
Gail Carriger (Soulless (Parasol Protectorate, #1))
β
Every form of happiness is private. Our greatest moments are personal, self-motivated, not to be touched. The things which are sacred or precious to us are the things we withdraw from promiscuous sharing. But now we are taught to throw everything within us into public light and common pawing. To seek joy in meeting halls. We haven't even got a word for the quality I mean--for the self-sufficiency of man's spirit. It's difficult to call it selfishness or egotism, the words have been perverted, they've come to mean Peter Keating. Gail, I think the only cardinal evil on earth is that of placing your prime concern within other men. I've always demanded a certain quality in the people I liked. I've always recognized it at once--and it's the only quality I respect in men. I chose my friends by that. Now I know what it is. A self-sufficient ego. Nothing else matters.
β
β
Ayn Rand
β
I mean to say, really, I am near to developing a neurosis - is there anyone around who doesn't want to study or kill me?"
Floote raised a tentative hand.
"Ah, yes, thank you, Floote."
"There is also Mrs Tunstell, madam," he offered hopefully, is if Ivy were some kind of consolation prize.
"I notice you don't mention my fair-weather husband."
"I suspect, at this moment, madam, he probably wants to kill you."
Alexia couldn't help smiling. "Good point.
β
β
Gail Carriger (Blameless (Parasol Protectorate, #3))
β
I kissed her," he explained, aggrieved.
"Mmm, yes, I had the dubious pleasure of witnessing that, ah-hem, overly public occurrence." Lyall sharpened his pen nib, using a small copper blade that ejected from the end of his glassicals.
"Well! Why hasn't she done anything about it?" the Alpha wanted to know.
"You mean like whack you upside the noggin with that deadly parasol of hers? I would be cautious in that area if I were you.
β
β
Gail Carriger (Soulless (Parasol Protectorate, #1))
β
Whenever I'd been sad or upset before, the relevant people in my life would simply call my social worker and I'd be moved somewhere else. Raymond hadn't phoned anyone or asked an outside agency to intervene. He'd elected to look after me himself. I'd been pondering this, and concluded that there must be some people for whom difficult behavior wasn't a reason to end their relationship with you. If they liked you -- and, I remembered, Raymond and I had agreed that we were pals now -- then, it seemed, they were prepared to maintain contact, even if you were sad, or upset, or behaving in very challenging ways. This was something of a revelation.
β
β
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
β
I wasn't good at pretending, that was the thing. After what had happened in that burning house, given what went on there, I could see no point in being anything other than truthful with the world. I had, literally, nothing left to lose. But, by careful observation from the sidelines, I'd worked out that social success is often built on pretending just a little. Popular people sometimes have to laugh at things they don't find very funny, or do things they don't particularly want to, with people whose company they don't particularly enjoy. Not me. I had decided, years ago, that if the choice was between that or flying solo, then I'd fly solo. It was safer that way. Grief is the price we pay for love, so they say. The price is far too high.
β
β
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
β
There was nothing to tempt me from the choice of desserts, so I opted instead for a coffee, which was bitter and lukewarm. Naturally, I had been about to pour it all over myself but, just in time, had read the warning printed on the paper cup, alerting me to the fact that hot liquids can cause injury. A lucky escape, Eleanor! I said to myself, laughing quietly. I began to suspect that Mr. McDonald was a very foolish man indeed, although, judging from the undiminished queue, a wealthy one.
β
β
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
β
I want it all, Emily. I want to spend my nights holding hands with you,β he breathed the words into her ear. βI want the all-day texting.β He kissed her temple and caressed her cheek. βI want the laughing and the forehead kisses.β He softly ran his lips over her forehead. βI want the date nights, the movie watching, and the breakfast making.β He dragged his hands through her hair, his teeth tugging gently at her bottom lip. βI want the late-night drives, the sunset watching, the screaming, the yelling, and the crying.β Still kissing her, he smiled against her mouth. βI know Iβll definitely want the make up sex that comes after the screaming and the crying. In want the good, the bad and e in between. All of it is what's going to make us amazing together,
β
β
Gail McHugh (Collide (Collide, #1))