G Boy Quotes

We've searched our database for all the quotes and captions related to G Boy. Here they are! All 100 of them:

And so much depends, I told Augustus, upon a blue sky cut open by the branches of the trees above. So much depends upon the transparent G-tube erupting from the gut of the blue-lipped boy. So much depends upon the observer of the universe.
John Green (The Fault in Our Stars)
According to the conventions of the genre, Augustus Waters kept his sense of humor till the end, did not for a moment waiver in his courage, and his spirit soared like an indomitable eagle until the world itself could not contain his joyous soul. But this is the truth, a pitiful boy who desperately wanted not to be pitiful, screaming and crying, poisoned by an infected G-tube that kept him alive, but not alive enough. I wiped his chin and grabbed his face in my hands and knelt down close to him so that I could see his eyes, which still lived. 'I'm sorry. I wish it was like that movie, with the Persians and the Spartans.' 'Me too,' he said. 'But it isn't,' I said. 'I know,' he said. 'There are no bad guys.' 'Yeah.' 'Even cancer isn't a bad guy really: Cancer just wants to be alive.
John Green (The Fault in Our Stars)
Little blossom in peach and red Trapping boys with your pretty head; Tease and play, be coy and smart For you will one day break his heart
A.G. Howard (Splintered (Splintered, #1))
The first two facts which a healthy boy or girl feels about sex are these: first that it is beautiful and then that it is dangerous.
G.K. Chesterton
While an elderly man in his mid-eighties looks curiously at a porno site, his grandson asks him from afar, “‘What are you reading, grandpa?’” “‘It’s history, my boy.’” “The grandson comes nearer and exclaims, “‘But this is a porno site, grandpa, naked chicks, sex . . . a lot of sex!’” “‘Well, it’s sex for you, my son, but for me it’s history,’ the old man says with a sigh.” All of people in the cabin burst into laughter. “A stale joke, but a cool one,” added William More, the man who just told the joke. The navigator skillfully guided the flying disc among the dense orange-yellow blanket of clouds in the upper atmosphere that they had just entered. Some of the clouds were touched with a brownish hue at the edges. The rest of the pilots gazed curiously and intently outwards while taking their seats. The flying saucer descended slowly, the navigator’s actions exhibiting confidence. He glanced over at the readings on the monitors below the transparent console: Atmosphere: Dense, 370 miles thick, 98.4% nitrogen, 1.4% methane Temperature on the surface: ‒179°C / ‒290°F Density: 1.88 g/cm³ Gravity: 86% of Earth’s Diameter of the cosmic body: 3200 miles / 5150 km.
Todor Bombov (Homo Cosmicus 2: Titan: A Science Fiction Novel)
A to the G to the U to STD I’m D boy because I’m from D I’m the crazy guy, the lunatic on beat Sending listeners to Hong Kong with my rap my tongue technology
Agust D. Suga BTS
One of my heroes, G.K. Chesterton, said, "The old fairy tales endure forever. The old fairy tale makes the hero a normal human boy; it is his adventures that are startling; they startle him because he is normal." Discovering that the modern world can still contain the wonder and strangeness of a fairy tale is part of what my novels are about.
Regina Doman
What are the chances of a cobra biting Harold, Jeeves?" "Slight, I should imagine, sir. And in such an event, knowing the boy as intimately as I do, my anxiety would be entirely for the snake.
P.G. Wodehouse (The Inimitable Jeeves (Jeeves, #2))
So much depends upon the transparent G-tube erupting from the gut of the blue-lipped boy. So much depends upon this observer of the universe"......."And you say you don't write poetry.
John Green (The Fault in Our Stars)
Boyhood, like measles, is one of those complaints which a man should catch young and have done with, for when it comes in middle life it is apt to be serious.
P.G. Wodehouse (The Adventures of Sally)
He's officially taken house burglary to the next level. Forget stealing a bed, a key, a home for the night. He's stealing families and their Sunday lunches.
C.G. Drews (The Boy Who Steals Houses (The Boy Who Steals Houses, #1))
We're stealing a house, because you know what we need?" Avery shakes his head. "We are the kings of nowhere," Sammy says. "We only need us." He's a very good liar.
C.G. Drews (The Boy Who Steals Houses (The Boy Who Steals Houses, #1))
My dear sir,” said the sheikh. “God likes catching His servants unprepared. The boy has set down what is obviously the first plate of food he has seen in a long while in order to thank his Creator. There are few acts of piety more honest than that.
G. Willow Wilson (Alif the Unseen)
You'll wear a loincloth. That's how I make roach-boy's clothes." Imagining Jeb and Morpheus in such an intimate position is both sexy and comical. As vain as Morpheus is, a lot of bickering about fashion choices must've taken place.
A.G. Howard (Ensnared (Splintered, #3))
No, please. It's – you're allowed to hurt. It's not a contest.
C.G. Drews (The Boy Who Steals Houses (The Boy Who Steals Houses, #1))
I was like you once, long time ago. I believed in the dignity of man. Decency. Humanity. But I was lucky. I found out the truth early, boy. And what is the truth, Stark? It's all very simple. There's no such thing as the dignity of man. Man is a base, pathetic and vulgar animal.
Charles Grandison Finney (The Circus of Dr. Lao)
The boy bled for you—a whole body’s worth of blood. There’s no love greater than that. He belongs to you alone.” His words are surprisingly beautiful and kind, and somewhere in my heart, I know he’s right. But how long will I have to wait for Jeb to have the courage to admit it to himself? Morpheus touches the scars on my palm. “But let us not forget that you bled for me. So to whom do you belong, Alyssa?
A.G. Howard (Splintered (Splintered, #1))
ring aroung the roses, the body decomposes. hush, hush, hush, hush we'll all tumble down down, down into the deep. Give the twids our souls to keep. silent slumber on the web, ne'er to raise a restless head and if we wake the first will come, and sing us back to sleep as one hush,hush, hush, hush, we'll all tumble down if we fail to find our rest, sister two will raid our nest. she'll make us live as broken toys, discarded by the girls and boys. and no more rest will ever be for we'll be locked in misery Hush, hush, hush, hush we're all slumbered down
A.G. Howard
Poor control-freak Jeb. Your world’s way off-kilter when little Alyssa’s not tripping over her chastity belt. Is that it, bad boy?
A.G. Howard (Splintered (Splintered, #1))
Here was a boy who made monsters, or perhaps was a monster himself. All because he couldn't face the fact, the guilt, the sorrow, the rage, of his sister being dead.
C.G. Drews (Don't Let the Forest In)
Lewis: "Oh, no." Kaitlyn: "Lewis?" Lewis: "Hi, Kaitlyn. Hi. Rob." Rob: "G'way, Lewis. I'm sleeping." Kaitlyn: "Hi. Anna." Anna: "Hi, Kait." Lewis: "Hi, Anna." Gabriel: "And good night, John-Boy! Shut the hell up, all of you!
L.J. Smith (The Strange Power (Dark Visions, #1))
I suppose the fundamental distinction between Shakespeare and myself is one of treatment. We get our effects differently. Take the familiar farcical situation of someone who suddenly discovers that something unpleasant is standing behind them. Here is how Shakespeare handles it in "The Winter's Tale," Act 3, Scene 3: ANTIGONUS: Farewell! A lullaby too rough. I never saw the heavens so dim by day. A savage clamour! Well may I get aboard! This is the chase: I am gone for ever. And then comes literature's most famous stage direction, "Exit pursued by a bear." All well and good, but here's the way I would handle it: BERTIE: Touch of indigestion, Jeeves? JEEVES: No, Sir. BERTIE: Then why is your tummy rumbling? JEEVES: Pardon me, Sir, the noise to which you allude does not emanate from my interior but from that of that animal that has just joined us. BERTIE: Animal? What animal? JEEVES: A bear, Sir. If you will turn your head, you will observe that a bear is standing in your immediate rear inspecting you in a somewhat menacing manner. BERTIE (as narrator): I pivoted the loaf. The honest fellow was perfectly correct. It was a bear. And not a small bear, either. One of the large economy size. Its eye was bleak and it gnashed a tooth or two, and I could see at a g. that it was going to be difficult for me to find a formula. "Advise me, Jeeves," I yipped. "What do I do for the best?" JEEVES: I fancy it might be judicious if you were to make an exit, Sir. BERTIE (narrator): No sooner s. than d. I streaked for the horizon, closely followed across country by the dumb chum. And that, boys and girls, is how your grandfather clipped six seconds off Roger Bannister's mile. Who can say which method is superior?" (As reproduced in Plum, Shakespeare and the Cat Chap )
P.G. Wodehouse (Over Seventy: An Autobiography with Digressions)
Our long wanderings have made a man out of him, too. They have not only strengthened his frame and hardened his constitution, but they have given stability to his character. He is thoughtful and prudent, and his advice will always be valuable, while of his courage I have no doubt.
G.A. Henty
G-Men been tryin’ to snag him for years. It ain’t gonna happen. He’s smart. He’s heartless. He’s ice cold. He’s been a killer since he was twelve. He’s survived much worse than you. And, by the way, don’t think he won’t take out a few Feds if he wants to. You’re just a bunch a shitkickers to him. Who’s gonna arrest him? Huh? Cause it won’t be anyone around here. You boys need to look elsewheres for your glory and medals. That badge you got don’t mean nothin’ on these streets.
A.G. Russo (Bangtails, Grifters, and a Liar's Kiss (O'Shaughnessy Investigations Inc. 2))
The boy is of an outspoken disposition, and had made an opprobrious remark respecting my personal appearance." "What did he say about your appearance?" "I have forgotten, sir," said Jeeves, with a touch of austerity. "But it was opprobrious.
P.G. Wodehouse (The Inimitable Jeeves (Jeeves, #2))
you are boys, your God is a woman. If you are women, your God is a boy. If you are men, your God is a maiden. The God is where you are not. So: it is wise that one has a God; this serves for your perfection. A maiden is the pregnant future. A boy is the engendering future. A woman is: having given birth. A man is: having engendered.
C.G. Jung (The Red Book: A Reader's Edition)
Do you get the feeling that they're talking about someone else other than an article?" Kami stared at her fork, lying forlornly askew on her plate. "I don't know what you could mean! You are talking crazy!" " They are talking about boys," Dad told Tomo and Ten. " I believe your mother may have concerns about Kami and a Lynburn boy. Possibly in a tree. Potentially k-i-s-s-i-n-g. I couldn't say.
Sarah Rees Brennan (Unspoken (The Lynburn Legacy, #1))
Tony:...but you need something to do about Noah. Paul: I know, I know. The only problem being that (a) he thinks I'm getting back with my ex-boyfriend, (b) he thinks I'll only hurt him, because (c) I've already hurt him and (d) someone else has already hurt him, which means that I'm hurting him even more. So (e) he doesn't trust me, and in all fairness, (g) every time I see him, I (h) want everything to be right again and I (i) want to kiss him madly. This means that (j) my feelings aren't going away anytime soon, but (k) his feelings don't look likely to budge, either. So either (l) I'm out of luck, (m) I'm out of hope, or (n) there's a way to make it up to him that I'm not thinking of. I could (o) beg, (p) plead, (q) grovel, or (r) give up. But, in order to do that, I would have to sacrifice my (s) pride, (t) reputation, and (u) self-respect, even though (v) I have very little of them left and (w) it probably wouldn't work anyway. As a result, I am (x) lost, (y) clue-free, and (z) wondering if you have any idea whatsoever what I should do.
David Levithan (Boy Meets Boy)
This is the age of the specialist, and years ago Rollo had settled on his career. Even as a boy, hardly capable of connected thought, he had been convinced that his speciality, the one thing he could do really well, was to inherit money.
P.G. Wodehouse (The Man Upstairs and Other Stories)
He's so empty. They tried to stitch him back together, but too much already fell out. Stars and buttons and caramel truffles.
C.G. Drews (The Boy Who Steals Houses (The Boy Who Steals Houses, #1))
Just as we all like love tales because there is an instinct of sex, we all like astonishing tales because they touch the nerve of the ancient instinct of astonishment. This is proved by the fact that when we are very young children we do not need fairy tales: we only need tales. Mere life is interesting enough. A child of seven is excited by being told that Tommy opened a door and saw a dragon. But a child of three is excited by being told that Tommy opened a door. Boys like romantic tales; but babies like realistic tales -- because they find them romantic. In fact, a baby is about the only person, I should think, to whom a modern realistic novel could be read without boring him.
G.K. Chesterton
Sam looks down at his fingers wrapped around Avery's phone. "I'll catch him if he falls." "Who catches you?" Moxie says. Sam stitches on a pretend smile. "It doesn't matter.
C.G. Drews (The Boy Who Steals Houses (The Boy Who Steals Houses, #1))
I suppose even Dictators have their chummy moments, when they put their feet up and relax with the boys, but it was plain from the outset that if Roderick Spode had a sunnier side, he had not come with any idea of exhibiting it now. His manner was curt. One sensed the absence of the bonhomous note. ... Here he laid a hand on my shoulder, and I can't remember when I have experienced anything more unpleasant. Apart from what Jeeves would have called the symbolism of the action, he had a grip like the bite of a horse. "Did you say 'Oh yes?'" he asked. "Oh no," I assured him.
P.G. Wodehouse (The Code of the Woosters (Jeeves, #7))
What George was thinking was that the late king Herod had been unjustly blamed for a policy which had been both statesmanlike and in the interests of the public. He was blaming the mawkish sentimentality of the modern legal system which ranks the evisceration and secret burial of small boys as a crime.
P.G. Wodehouse (A Damsel in Distress)
A family. A home. I really want a... h-home.” “But you can’t steal it.” “I know,” Sam whispers. I know I know I know. “You have to build it.
C.G. Drews (The Boy Who Steals Houses (The Boy Who Steals Houses, #1))
A fried shrimp sandwich?” “It is a po’boy.
Lisa Gillis (Snow Storms (Silver Strings G, #3))
But this was the truth, a pitiful boy who desperately wanted not to be pitiful, screaming and crying, poisoned by an infected G-tube that kept him alive, but not alive enough.
John Green (The Fault in Our Stars)
He wants to be invisible. An invisible boy with an invisible song in his head.
C.G. Drews (A Thousand Perfect Notes)
A child's instinct is almost perfect in the matter of fighting; a child always stands for the good militarism as against the bad. The child's hero is always the man or boy who defends himself suddenly and splendidly against aggression. The child's hero is never the man or boy who attempts by his mere personal force to extend his mere personal influence. In all boys' books, in all boys' conversation, the hero is one person and the bully the other. That combination of the hero and bully in one, which people now call the Strong Man or the Superman, would be simply unintelligible to any schoolboy.... But really to talk of this small human creature, who never picks up an umbrella without trying to use it as a sword, who will hardly read a book in which there is no fighting, who out of the Bible itself generally remembers the "bluggy" [bloody] parts, who never walks down the garden without imagining himself to be stuck all over with swords and daggers--to take this human creature and talk about the wickedness of teaching him to be military, seems rather a wild piece of humour. He has already not only the tradition of fighting, but a far manlier and more genial tradition of fighting than our own. No; I am not in favour of the child being taught militarism. I am in favour of the child teaching it.
G.K. Chesterton
Footsteps approach the kitchen. Garrett wanders in, wiping sweat off his brow. When he notices Sabrina, he brightens. “Oh good. You’re here. Hold on—gotta grab something.” She turns to me as if to say, Is he talking to me? He’s already gone, though, his footsteps thumping up the stairs. At the table, Hannah runs a hand through her hair and gives me a pleading look. “Just remember he’s your best friend, okay?” That doesn’t sound ominous. When Garrett returns, he’s holding a notepad and a ballpoint pen, which he sets on the table as he sits across from Sabrina. “Tuck,” he says. “Sit. This is important.” I’m so baffled right now. Hannah’s resigned expression doesn’t help in lessening the confusion. Once I’m seated next to Sabrina, Garrett flips open the notepad, all business. “Okay. So let’s go over the names.” Sabrina raises an eyebrow at me. I shrug, because I legitimately don’t know what the fuck he’s talking about. “I’ve put together a solid list. I really think you’re going to like these.” But when he glances down at the page, his face falls. “Ah crap. We can’t use any of the boy names.” “Wait.” Sabrina holds up a hand, her brow furrowed. “You’re picking names for our baby?” He nods, busy flipping the page. My baby mama gapes at me. I shrug again. “Just out of curiosity, what were the boy names?” Grace hedges, clearly fighting a smile. He cheers up again. “Well, the top contender was Garrett.” I snicker loud enough to rattle Sabrina’s water glass. “Uh-huh,” I say, playing along. “And what was the runner-up?” “Graham.” Hannah sighs. “But it’s okay. I have some kickass girl names too.” He taps his pen on the pad, meets our eyes, and utters two syllables. “Gigi.” My jaw drops. “Are you kidding me? I’m not naming my daughter Gigi.” Sabrina is mystified. “Why Gigi?” she asks slowly. Hannah sighs again. The name suddenly clicks in my head. Oh for fuck’s sake. “G.G.,” I mutter to Sabrina. “As in Garrett Graham.” She’s silent for a beat. Then she bursts out laughing, triggering giggles from Grace and eventually Hannah, who keeps shaking her head at her boyfriend. “What?” Garrett says defensively. “The godfather should have a say in the name. It’s in the rule book.” “What rule book?” Hannah bursts out. “You make up the rules as you go along!” “So?
Elle Kennedy (The Goal (Off-Campus, #4))
Ideas are dangerous, but the man to whom they are least dangerous is the man of ideas. He is acquainted with ideas, and moves among them like a lion-tamer. Ideas are dangerous, but the man to whom they are most dangerous is the man of no ideas. The man of no ideas will find the first idea fly to his head like wine to the head of a teetotaller. It is a common error, I think, among the Radical idealists of my own party and period to suggest that financiers and business men are a danger to the empire because they are so sordid or so materialistic. The truth is that financiers and business men are a danger to the empire because they can be sentimental about any sentiment, and idealistic about any ideal, any ideal that they find lying about, just as a boy who has not known much of women is apt too easily to take a woman for the woman, so these practical men, unaccustomed to causes, are always inclined to think that if a thing is proved to be an ideal it is proved to be the ideal.
G.K. Chesterton (Heretics)
But my point is, homosexual is genetic. ‘Gay’ is a choice. ‘Gay’ is the admitting to yourself that you are not only homosexual, but you embrace it. You find joy in it. You’re thankful for it!
B.G. Thomas (The Boy Who Came In From the Cold (The Boy Who Came in From the Cold #1))
The scented cloud permeates the air and coats our tongues, triggering images: licorice tobacco and a seductive fae with an agenda, ocean salt and a mortal boy's sweat, maple syrup and a father's love, a mother's sacrifice and a lunar garden rich with lilies and honeysuckle.
A.G. Howard (Ensnared (Splintered, #3))
Cedric nodded to Snape. Snape knew the ghost didn’t like to talk to him. Something about a ghost talking to a painting seemed to disturb the boy. Nothing technically human on either end, Snape figured.
G. Norman Lippert (James Potter and the Hall of Elders' Crossing (James Potter, #1))
Sorry to interrupt, boys and girls,” Logan calls out, “but it’s time to put your p’s and v’s away. Gotta go, G.” I shoot Garrett a blank look. “P’s and v’s?” Half the time I can barely make sense of Logan’s made-up acronyms and abbreviations. Garrett grins at me. “Oh come on, really? Even I got one. It’s grade school shit.” I think it over, then blush. “How exactly does one put away their vagina?” He snickers. “Ask Logan. Actually, please don’t.
Elle Kennedy (The Deal (Off-Campus, #1))
Everybody leaves.” “I’m not leaving.
C.G. Drews (The Boy Who Steals Houses (The Boy Who Steals Houses, #1))
She is the sun and her eyes burn stars.
C.G. Drews (The Boy Who Steals Houses (The Boy Who Steals Houses, #1))
Sammy.' He gasps for breath. 'I ran all the - way - over here - to rescue you -' He sucks in a ragged lungful of air. 'And you're just kissing - in the sunset? You little jerk.
C.G. Drews (The Boy Who Steals Houses (The Boy Who Steals Houses, #1))
If something even remotely sexist comes out of you mouth again,' Moxie says, her eyes glinting, 'I will take a pound of flesh per word.
C.G. Drews (The Boy Who Steals Houses (The Boy Who Steals Houses, #1))
We believe in the wrong things. That's what frustrates me the most. Not the lack of belief, but the belief in the wrong things. You want meaning? Well, the meanings are out there. We're just so damn good at reading them wrong. I don't think meaning is something that can be explained. You have to understand it on your own. It's like when you're starting to read. First, you learn the letters. Then, once you know what sounds the letters make, you use them to sound out words. You know that c-a-t leads to cat and d-o-g leads to dog. But then you have to make that extra leap, to understand that the word, the sound, the "cat" is connected to an actual cat , and that "dog" is connected to an actual dog. It's that leap, that understanding, that leads to meaning. And a lot of the time in life, we're still just sounding things out. We know the sentences and how to say them. We know the ideas and how to present them. We know the prayers and which words to say in what order. But that's only spelling" It's much harder to lie to someone's face. But. It is also much harder to tell the truth to someone's face. The indefatigable pursuit of an unattainable perfection, even though it consist in nothing more than in the pounding of an old piano, is what alone gives a meaning to our life on this unavailing star. (Logan Pearsall Smith) Being alone has nothing to do with how many people are around. (J.R. Moehringer) You could be standing a few feet away...I could have sat next to you on the subway, or brushed beside you as we went through the turnstiles. But whether or not you are here, you are here- because these words are for you, and they wouldn't exist is you weren't here in some way. At last I had it--the Christmas present I'd wanted all along, but hadn't realized. His words. The dream was obviously a sign: he was too enticing to resist. Wow. You must have a lot of faith in me. Which I appreciate. Even if I'm not sure I share it. I could do this on my own, and not freak out that I had no idea what waited for me on the other side of this night. Hope and belief. I'd always wanted hope, but never believed that I could have such an adventure on my own. That I could own it. And love it. But it happened. Because I'm So uncool and so afraid. If there was a clue, that meant the mystery was still intact I fear you may have outmatched me, because not I find these words have nowhere to go. It's hard to answer a question you haven't been asked. It's hard to show that you tried unless you end up succeeding. This was not a haystack. We were people, and people had ways of finding eachother. It was one of those moments when you feel the future so much that is humbles the present. Don't worry. It's your embarrassment at not having the thought that counts. You think fairy tales are only for girls? Here's ahint- ask yourself who wrote them. I assure you, it wasn't just the women. It's the great male fantasy- all it takes is one dance to know that she's the one. All it takes is the sound of her song from the tower, or a look at her sleeping face. And right away you know--this is the girl in your head, sleeping or dancing or singing in front of you. Yes, girls want their princes, but boys want their princesses just as much. And they don't want a very long courtship. They want to know immediately. Be careful what you;re doing, because no one is ever who you want them to be. And the less you really know them, the more likely you are to confuse them with the girl or boy in your head You should never wish for wishful thinking
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
Stop torturing yourself, her friends said. Stop living in the past. He was gone. Capital G--Gone. He wasn't coming back. She should focus not on the pain, but on the possibility. Something good would come from all this heartache, something always did. Everything, her friends told her, happened for a reason. She should start looking for the silver lining. She thought she might start looking for new friends.
Aryn Kyle (Boys and Girls Like You and Me: Stories)
I am not good at deception,' said Tuesday gloomily, flushing. Right, my boy, right,' said the President with a ponderous heartiness, 'You aren't good at anything.
G.K. Chesterton (The Man Who Was Thursday)
He can't be an invisible boy when she can see him. He can't steal houses or the girl inside them, but he can build a bridge of moons and caramel cakes to get back to her.
C.G. Drews (The Boy Who Steals Houses (The Boy Who Steals Houses, #1))
I know it's common for old people to complain about the modern moment, and lament the passing of a golden age when children were polite and you could buy a kilo of meat for pennies, but in our case, my boy, I think I am not mistaken when I say that something fundamental has changed about the world in which we live. We have reached a state of constant reinvention. Revolutions have moved off the battlefield and on to home computers.
G. Willow Wilson (Alif the Unseen)
I was like you once, long time ago. I believed in the dignity of man. Decency. Humanity. But I was lucky. I found out the truth early, boy. And what is the truth, Stark? It's all very simple. There's no such thing as the dignity of man. Man is a base, pathetic and vulgar animal.
Charles G. Finney (The Circus of Dr. Lao)
It was the look which Ajax had in his eyes when he defied the lightning, the look which nervous husbands have when they announce their intention of going round the corner to bowl a few games with the boys. One could not say definitely that Lord Marshmoreton looked pop-eyed. On the other hand, one could not assert truthfully that he did not.
P.G. Wodehouse
Professor Longbottom only assigned us to write about spynuswort because it’s one of the three most useful plants in the magical world. If we were to write about every one of its uses, we’d be turning in encyclopedias, you silly boy.
G. Norman Lippert (James Potter and the Hall of Elders' Crossing (James Potter, #1))
Whether success will crown the effort, or whether God wills it otherwise, it is not for man to discuss; it is enough that the work is there, and it is our duty to do it.
G.A. Henty (The Boy Knight: A Tale of the Crusades)
There’s a plan. If you’re willing to fight it hard enough, you can make it detour for a while, but you’re still going to end up wherever God wants you to be. G
Homer Hickam (Rocket Boys (The Coalwood Series #1))
Children played guessing games, telling each other whether the gun fired was and AK-47, a G3, an RPG, or a machine gun.
Ishmael Beah (A Long Way Gone: Memoirs of a Boy Soldier)
When gangs took over the [abandoned public land in Philadelphia] and the neighborhood took a turn for the worse, horses became a way of saving lives. By getting boys interested in raising a horse rather than killing another human being, these cowboys gave the youth something positive: father figures, focus, and the ability to stand tall.
G. Neri (Ghetto Cowboy (the inspiration for Concrete Cowboy))
I believe he is attempting to pray,” said Sheikh Bilal. “But he isn’t clean. He hasn’t performed the ablution or checked the direction of Mecca, or begun in the correct position.” “My dear sir,” said the sheikh. “God likes catching His servants unprepared. The boy has set down what is obviously the first plate of food he has seen in a long while in order to thank his Creator. There are few acts of piety more honest than that.
G. Willow Wilson (Alif the Unseen)
How is a boy’s mind to expand if he does not ask questions, and who should be so well able to answer his questions as his father?
G.A. Henty (The Cat of Bubastes A Tale of Ancient Egypt)
He's not exactly a stranger anymore. He showed Jack how to do a backflip. Someone tipped sand down his shirt. He gave Moxie a leg up over the chain fence on the way home. He's eaten their potato salad and worn their clothes. The trouble is he stole it all, every moment. And that's the part people don't overlook. They feel betrayed. Betrayed people have the hardest fists.
C.G. Drews (The Boy Who Steals Houses (The Boy Who Steals Houses, #1))
You bet against your own son?” “Just like you, the boy doesn’t pay attention. And seeing that she’s just like her mother, he didn’t stand a chance against Braith of the Darkness.” “Mum?” Addolgar said to his mother. “Because I love him,” she reminded them all as she’d been doing for centuries. “That’s what I’m doing with your father. I love him. So, honestly—just let it go already.
G.A. Aiken (A Tale of Two Dragons (Dragon Kin, #0.2))
If the characters are not wicked, the book is." We must tell stories the way God does, stories in which a sister must float her little brother on a river with nothing but a basket between him and the crocodiles. Stories in which a king is a coward, and a shepherd boy steps forward to face the giant. Stories with fiery serpents and leviathans and sermons in whirlwinds. Stories in which murderers are blinded on donkeys and become heroes. Stories with dens of lions and fiery furnaces and lone prophets laughing at kings and priests and demons. Stories with heads on platters. Stories with courage and crosses and redemption. Stories with resurrections.
G.K. Chesterton
French Louis Seymour of the West Canada Creek, who knew how to survive all alone in a treacherous wilderness, and Mr. Alfred G. Vanderbilt of New York City and Raquette Lake, who was richer than God and traveled in his very own Pullman car, and Emmie Hubbard of the Uncas Road, who painted the most beautiful pictures when she was drunk and burned them in her woodstove when she was sober, were all ten times more interesting to me than Milton's devil or Austen's boy-crazy girls or that twitchy fool of Poe's who couldn't think of any place better to bury a body than under his own damn floor.
Jennifer Donnelly (A Northern Light)
Don't blame me, Pongo,' said Lord Ickenham, 'if Lady Constance takes her lorgnette to you. God bless my soul, though, you can't compare the lorgnettes of to-day with the ones I used to know as a boy. I remember walking one day in Grosvenor Square with my aunt Brenda and her pug dog Jabberwocky, and a policeman came up and said the latter ought to be wearing a muzzle. My aunt made no verbal reply. She merely whipped her lorgnette from its holster and looked at the man, who gave one choking gasp and fell back against the railings, without a mark on him but with an awful look of horror in his staring eyes, as if he had seen some dreadful sight. A doctor was sent for, and they managed to bring him round, but he was never the same again. He had to leave the Force, and eventually drifted into the grocery business. And that is how Sir Thomas Lipton got his start.
P.G. Wodehouse (Uncle Fred in the Springtime)
Now keep in mind that the typical Greek myth goes something like this: innocent shepherd boy is minding his own business, an overflying god spies him and gets a hard-on, swoops down and rapes him silly; while the victim is still staggering around in a daze, that god’s wife or lover, in a jealous rage, turns him–the helpless, innocent victim, that is–into let’s say an immortal turtle and e.g. power-staples him to a sheet of plywood with a dish of turtle food just out of his reach and leaves him out in the sun forever to be repeatedly disemboweled by army ants and stung by hornets or something. So if Arachne had dissed anyone else in the Pantheon, she would have been just a smoking hole in the ground before she knew what hit her.
Neal Stephenson (Cryptonomicon)
Are you the Bully, the Pride of the School , or the Boy who is Led Astray and takes to Drink in Chapter Sixteen?" "The last, for choice," said Mike, "but I've only just arrived, so I don't know.
P.G. Wodehouse (Mike and Psmith (Classics To Go))
Hallo, Bertie." "Hallo, old turnip. Where have you been all this while?" "Oh, here and there! Ripping weather we're having, Bertie." "Not bad." "I see the Bank Rate is down again." "No, really?" "Disturbing news from Lower Silesia, what?" "Oh, dashed!" He pottered about the room for a bit, babbling at intervals. The boy seemed cuckoo. "Oh, I say, Bertie!" he said suddenly, dropping a vase which he had picked off the mantelpiece and was fiddling with. "I know what it was I wanted to tell you. I'm married.
P.G. Wodehouse
The one that sang, old Janine, was always whispering into the g***** microphone before she sang. She'd say, 'And now we like to geeve you our impression of Vooly Voo Fransay. Eet ees the story of leetle Fransh girl who comes to a beeg ceety, just like New York, and falls een love wees a leetle boy from Brookleen. We hope you like eet.' Then, when she was all done whispering and being cute as hell, she'd sing some dopey song, half in English and half in French, and drive all the phonies in the place mad with joy.
J.D. Salinger (The Catcher in the Rye)
James Heron stepped from the personal transport as Herbert, the family’s outmoded android butler, opened the front door of Scrabo Farm. There were infinitely more efficient and newer model android servants available, but neither James Heron nor his sister Niamh L’Estrange would dream of scrapping the mechanical attendant that had served the family so well, and enlivened their childhood with its fussy care of them both. “Hello, Herbert, is my sister home?” Answering in the slightly mechanical voice that James had liked so much when he was a boy, Herbert said, “She is in her study, Captain. I have alerted her to your arrival.
Patrick G. Cox (First into the Fray (Harry Heron #1.5))
No, no, pretty boy,” she said close to his ear. “You should never get between two strong women fighting. That is not your place. Your place is just to be pretty and satisfy one of my daughters.” “Woman,” Talan warned, “get your hands off me.” The giant laughed. “Look, comrades! He is so very saucy! I love saucy boys!
G.A. Aiken (Feel the Burn (Dragon Kin, #8))
It was some time before this happened, for he had got a very fine hand indeed. I suppose it wasn't often that the boys of Market Snodsbury Grammar School came across a man public-spirited enough to call their head master a silly ass, and they showed their appreciation in no uncertain manner. Gussie may have been one over the eight, but as far as the majority of those present were concerned he was sitting on top of the world.
P.G. Wodehouse (Right Ho, Jeeves (Jeeves, #6))
I examined every detail under a magnifying glass without once finding the slightest clue. And in doing so I always felt the piercing inquiring gaze of the page boy who had come to demand his dues, who was waiting in the gray light of dawn on the empty field for me to accept the challenge and avert the misfortune lying ahead of him.
W.G. Sebald (Austerlitz)
Somewhere deep in the background I always knew that I was two persons. One was the son of my parents, who went to school and was less intelligent, attentive, hard-working, decent, and clean than many other boys. The other was grown up—old, in fact—skeptical, mistrustful, remote from the world of men, but close to nature, the earth, the sun, the moon, the weather, all living creatures, and above all close to the night, to dreams, and to whatever “God” worked directly in him.
C.G. Jung (Memories, Dreams, Reflections)
GEORGE AND MARLEE UP IN A TREE! K-I-S-S-I-N-G! We stopped. There was a kid over there, standing by a hackberry bush. I’d never seen him before, not at Mary Day or anywhere else. He wasn’t but four and a half feet tall, and stocky. He had on gray shorts that went down all the way to his knees, and a green sweater with orange stripes. It was rounded out up top with little boy-tits and a poochy belly underneath. He had a beanie on his head, the stupid kind with a plastic propeller. His
Stephen King (The Bazaar of Bad Dreams)
My mind blurs to a ripple of pleasure when his soft, full lips at last make contact with mine. He starts to deepen the kiss, but pauses, intent on the glass behind me. “You gotta be kidding.” I glance over my shoulder. Outside, Morpheus hangs on the glass in moth form, level with my head, glaring at us with his bulbous gaze. Even without a face, his smugness is apparent. His favorite pastime is interrupting Jeb’s romantic moments. I try not to laugh, but can’t help myself. “Cocky son of a bug.” Jeb sets me on the floor and draws the dropcloth tighter around me. A barn owl swoops from the sky and skims the glass. Morpheus launches off in a tizzy, trying to outrun the bird. Now Jeb’s the one laughing. I slap his shoulder. “Hey, that’s not funny.” “Ah, he’ll be okay.” Jeb raises an eyebrow, watching the aerial pursuit taking place outside the glass. “It’s a new genus of vegetarian owls. They’re only in it for the chase. Besides, Morphie-boy can change to his other form anytime he wants.”
A.G. Howard (Ensnared (Splintered, #3))
Jim watched them eat, his eyes fixed on every morsel that entered their mouth. When the oldest of the four soldiers had finished he scraped some burnt rice and fish scales from the side of the cooking pot. A first-class private of some forty years, with slow, careful hands, he beckoned Jim forward and handed him his mess tin. As they smoked their cigarettes the Japanese smiled to themselves, watching Jim devour the shreds of fatty rice. It was his first hot food since he had left he hospital, and the heat and greasy flavour stung his gums. Tears swam in his eyes. The Japanese soldier who had taken pity on Jim, recognising that this small boy was starving, began to laugh good-naturedly, and pulled the rubber plug from his metal water-bottle. Jim drank the clear, chlorine-flavoured liquid, so unlike the stagnant water in the taps of the Columbia Road. He choked, carefully swallowed his vomit, and tittered into his hands, grinning at the Japanese. Soon they were all laughing together, sitting back in the deep grass beside the drained swimming-pool.
J.G. Ballard (Empire of the Sun)
He realized that he agonized over everything all the time, and he admitted that part of the problem in the Carter game had been his own lack of belief in his abilities. He knew the reason why he was like this, that it was the price he paid for carefully watching out for himself ever since he had been a little boy. 'I've never taken a chance in life,' he said. 'I need to run in front of traffic bucknacked and get arrested.
H.G. Bissinger
He felt the full warmth of that pleasure from which the proud shut themselves out; the pleasure which not only goes with humiliation, but which almost is humiliation. Men who have escaped death by a hair have it, and men whose love is returned by a woman unexpectedly, and men whose sins are forgiven them. Everything his eye fell on it feasted on, not aesthetically, but with a plain, jolly appetite as of a boy eating buns. He relished the squareness of the houses; he liked their clean angles as if he had just cut them with a knife. The lit squares of the shop windows excited him as the young are excited by the lit stage of some promising pantomime. He happened to see in one shop which projected with a bulging bravery on to the pavement some square tins of potted meat, and it seemed like a hint of a hundred hilarious high teas in a hundred streets of the world. He was, perhaps, the happiest of all the children of men. For in that unendurable instant when he hung, half slipping, to the ball of St. Paul's, the whole universe had been destroyed and re-created.
G.K. Chesterton (The Collected Works of G.K. Chesterton Volume 07: The Ball and the Cross; Manalive; the Flying Inn)
And how do you know he has a big dick? You’ve seen him once. And it was a five-second ‘Oh, that’s my boss, Kline’ conversation while we were walking across the parking lot. You haven’t even met him in person.” “Five seconds is all I need.” She tapped the side of her head. “You know my cockdar is off the chain. I can sense a giant swinging penis pendulum from at least ten miles away. It’s a God-given talent, Georgie.” I choked on my wine. “Let’s not bring God into this.” She raised an eyebrow. “God knows the G-spot needs a more than adequate-sized wiener to get the job done.” “I’m pretty sure that comment just got you wait-listed for heaven.
Max Monroe (Tapping the Billionaire (Billionaire Bad Boys, #1))
My name's Bassington-Bassington, and the jolly old Bassington-Bassingtons - I mean the Bassington-Bassingtons aren't accustomed - " Old Blumenfeld told him in a few brief words pretty much what he thought of the Bassington-Bassingtons and what they weren't accustomed to. ... "You got to work good for my pop!" said the stout child, waggling his head reprovingly at Cyril. "I don't want any bally cheek from you!" said Cyril, gurgling a bit. "What's that?" barked old Blumenfeld. "Do you understand that this boy is my son?" "Yes, I do," said Cyril. "And you both have my sympathy!" "You're fired!" bellowed old Blumenfeld, swelling a good bit more. "Get out of my theatre!
P.G. Wodehouse (The Inimitable Jeeves, Volume 1)
[Sonnet] You jerk you didn't call me up" You jerk you didn't call me up I haven't seen you in so long You probably have a fucking tan & besides that instead of making love tonight You're drinking your parents to the airport I'm through with you bourgeois boys All you ever do is go back to ancestral comforts Only money can get—even Catullus was rich but Nowadays you guys settle for a couch By a soporific color cable t.v. set Instead of any arc of love, no wonder The G.I. Joe team blows it every other time Wake up! It's the middle of the night You can either make love or die at the hands of the Cobra Commander _________________ To make love, turn to page 121. To die, turn to page 172.
Bernadette Mayer
Who can tell me what S-I-N-G stands for?” asked one of the instructors. “Sing?” offered a girl, chewing gum. A few people snickered. Kate hoped she was joking but feared she wasn’t. “Um, yes,” drawled the teacher, “but I meant, what do the letters stand for?” Stomach. Instep. Nose. Groin. A brawny boy raised his hand. “Stomach, instep, nose, groin?” “Very good!” Kate wanted to point out that Corsai didn’t have stomachs, insteps, noses, or groins, and if you got close enough to hit a Malchai, it would probably rip your throat out.
Victoria E. Schwab (This Savage Song (Monsters of Verity, #1))
Sixty-five years ago [written 2009], in a brief lull between storms in a remarkably stormy June, even by the standards of Channel weather, the heirs of Harold and the kinsmen of the Conqueror came to Normandy. They were supported by the remnants of their first, North American, empire, the two great nations that they had planted in the New World in the time of Good Queen Bess and James 6th and 1st: the Americans, who had rebelled in the name of the rights of Englishmen, and the Canadians, who had stood loyal in the name of the Crown. … The honours of these regiments are ancient and moving: Minden and Malplaquet, Mysore, Badajoz, Waterloo, Inkerman, Gallipoli, the Somme, Imjin. None shines more brightly than Normandy 1944. The paths of glory may lead but to the grave; yet all, even golden boys and girls, must come to dust. It is a better path to the grave than any of the others, not because glory is something to seek, but because, not once or twice in our long island story, the way of duty has been the path to glory; and duty is to be done. …Let us now praise famous men, and our fathers that begat us.
G.M.W. Wemyss
Your explanation has been quite clear, thank you, Franz,’ Wing said, still frowning. ‘I just think that financial corruption on this scale may be a little more than I can get my head around.’ ‘Poor old ninja boy,’ Shelby said, smiling. ‘Knows twenty-seven ways to take you down with just his pinky, but can’t actually count to twenty-seven.’ ‘So this makes perfect sense to you, I suppose,’ Wing said, handing the sheet to Shelby. ‘Yeah, it’s easy,’ Shelby said, pointing out one area of the diagram. ‘See this piece here is just gobbledegook.’ Her finger moved to another area. ‘Whereas this section is premium-grade incomprehensible gibberish and this section,’ her finger moved again, ‘appears to be mostly in Greek.’ ‘Am I to take it that you have not studied for the test tomorrow at all then?’ Wing asked, raising an eyebrow. ‘Nope,’ Shelby said with a grin. ‘There’s going to be some good old-fashioned last-minute cramming later though. Either that or I’m going to just sit near my best bud Franz here and he’s going to write out all the answers in nice, b-i-i-i-i-g, easily legible letters. Right, bud?’ ‘This is being what I normally do,’ Franz said with a sigh, ‘isn’t it?
Mark Walden (Deadlock (H.I.V.E., #8))
When the business man rebukes the idealism of his office-boy, it is commonly in some such speech as this: "Ah, yes, when one is young, one has these ideals in the abstract and these castles in the air; but in middle age they all break up like clouds, and one comes down to a belief in practical politics, to using the machinery one has and getting on with the world as it is." Thus, at least, venerable and philanthropic old men now in their honoured graves used to talk to me when I was a boy.But since then I have grown up and have discovered that these philanthropic old men were telling lies. What has really happened is exactly the opposite of what they said would happen. They said that I should lose my ideals and begin to believe in the methods of practical politicians. Now, I have not lost my ideals in the least; my faith in fundamentals is exactly what it always was. What I have lost is my old childlike faith in practical politics. I am still as much concerned as ever about the Battle of Armageddon; but I am not so much concerned about the General Election. As a babe I leapt up on my mother's knee at the mere mention of it. No; the vision is always solid and reliable. The vision is always a fact. It is the reality that is often a fraud. As much as I ever did, more than I ever did, I believe in Liberalism. But there was a rosy time of innocence when I believed in Liberals.
G.K. Chesterton (Orthodoxy)
We read a good novel not in order to know more people, but in order to know fewer. Instead of the humming swarm of human beings, relatives, customers, servants, postmen, afternoon callers, tradesmen, strangers who tell us the time, strangers who remark on the weather, beggars, waiters, and telegraph-boys--instead of this bewildering human swarm which passes us every day, fiction asks us to follow one figure (say the postman) consistently through his ecstasies and agonies. That is what makes one impatient with that type of pessimistic rebel who is always complaining of the narrowness of his life and demanding a larger sphere. Life is too large for us as it is: we have all too many things to attend to. All true romance is an attempt to simplify it, to cut it down to plainer and more pictorial proportions. What dullness there is in our life arises mostly from its rapidity; people pass us too quickly to show us their interesting side. By the end of the week we have talked to a hundred bores; whereas, if we had stuck to one of them, we might have found ourselves talking to a new friend, or a humorist, or a murderer, or a man who had seen a ghost.
G.K. Chesterton (The Glass Walking Stick)
Boy doesn’t know what the Wocket is,” Ted said mournful y to the rest of the group. “And his dad’s the owner of the famous Marauder’s Map. Just think how much easier this would be if we could get our hands on that bit of skul duggery. James, let me introduce you to the rest of the Gremlins, a group you may indeed hope to join, depending on how things go tonight, of course.” Ted stopped, turned and threw his arm wide, indicating the three others skulking along with them. “My number one, Noah Metzker, whose only flaw is his unwitting relationship to his fifth-year prefect brother.” Noah bowed curtly at the waist, grinning. “Our treasurer,” Ted continued, “if we ever manage to come across any coin, Sabrina Hildegard.
G. Norman Lippert (James Potter and the Hall of Elders' Crossing (James Potter, #1))
And for the first time in years, Rick realizes how fortunate he is and was. All the wonderful actors he's worked with through the years—Meeker, Bronson, Coburn, Morrow, McGavin, Robert Blake, Glenn Ford, Edward G. Robinson. All the different actresses he got to kiss. All the affairs he had. All the interesting people he got to work with. All the places he got to visit. All the fun stories he got to live. All the times he saw his name and picture in the papers and magazines. All the nice hotel rooms. All the fuss people made over him. All the fan mail he never read. All the times driving through Hollywood as a citizen in good standing. He looks around at the fabulous house he owns. Paid for by doing what he used to do for free when he was a little boy: pretending to be a cowboy.
Quentin Tarantino (Once Upon a Time in Hollywood)
There you see two typical members of the class which has down-trodden the poor for centuries. Idlers! Non-producers! Look at the tall thin one with the face like a motor-mascot. Has he ever done an honest day's work in his life? No! A prowler, a trifler, and a blood-sucker! And I bet he still owes his tailor for those trousers!" He seemed to me to be verging on the personal, and I didn't think a lot of it. Old Bittlesham, on the other hand, was pleased and amused. "A great gift of expression these fellows have," he chuckled. "Very trenchant." "And the fat one!" proceeded the chappie. "Don't miss him. Do you know who that is? That's Lord Bittlesham! One of the worst. What has he ever done except eat four square meals a day? His god is his belly, and he sacrifices burnt-offerings to it. If you opened that man now you would find enough lunch to support ten working-class families for a week." "You know, that's rather well put," I said, but the old boy didn't seem to see it. He had turned a brightish magenta and was bubbling like a kettle on the boil. "Come away, Mr Wooster," he said. "I am the last man to oppose the right of free speech, but I refuse to listen to this vulgar abuse any longer." We legged it with quiet dignity, the chappie pursuing us with his foul innuendoes to the last. Dashed embarrassing.
P.G. Wodehouse (The Inimitable Jeeves (Jeeves, #2))
How long Archibald slept he could not have said. He woke some hours later with a vague feeling that a thunderstorm of unusual violence had broken out in his immediate neighborhood. But this, he realized as the mists of slumber cleared away, was an error. The noise which had disturbed him was not thunder but the sound of someone snoring. Snoring like the dickens. The walls seemed to be vibrating like the deck of an ocean liner.... His spirit was not so completely broken as to make him lie supinely down beneath that snoring. The sound filled him, as snoring fills every right-thinking man, with a seething resentment and a passionate yearning for justice, and he climbed out of bed with the intention of taking the proper steps through the recognized channels. It is the custom nowadays to disparage the educational methods of the English public school and to maintain that they are not practical and of a kind to fit the growing boy for the problems of afterlife. But you do learn one thing at a public school, and that is how to act when somebody starts snoring. You jolly well grab a cake of soap and pop in and stuff it down the blighter's throat. And this is what Archibald proposed - God willing - to do.
P.G. Wodehouse
If a boy fires off a gun, whether at a fox, a landlord or a reigning sovereign, he will be rebuked according to the relative value of these objects. But if he fires off a gun for the first time it is very likely that he will not expect the recoil, or know what a heavy knock it can give him. He may go blazing away through life at these and similar objects in the landscape; but he will be less and less surprised by the recoil; that is, by the reaction. He may even dissuade his little sister of six from firing off one of the heavy rifles designed for the destruction of elephants; and will thus have the appearance of being himself a reactionary. Very much the same principle applies to firing off the big guns of revolution. It is not a man's ideals that change; it is not his Utopia that is altered; the cynic who says, "You will forget all that moonshine of idealism when you are older," says the exact opposite of the truth. The doubts that come with age are not about the ideal, but about the real. And one of the things that are undoubtedly real is reaction: that is, the practical probability of some reversal of direction, and of our partially succeeding in doing the opposite of what we mean to do. What experience does teach us is this: that there is something in the make-up and mechanism of mankind, whereby the result of action upon it is often unexpected, and almost always more complicated than we expect.
G.K. Chesterton
She sometimes takes her little brother for a walk round this way," explained Bingo. "I thought we would meet her and bow, and you could see her, you know, and then we would walk on." "Of course," I said, "that's enough excitement for anyone, and undoubtedly a corking reward for tramping three miles out of one's way over ploughed fields with tight boots, but don't we do anything else? Don't we tack on to the girl and buzz along with her?" "Good Lord!" said Bingo, honestly amazed. "You don't suppose I've got nerve enough for that, do you? I just look at her from afar off and all that sort of thing. Quick! Here she comes! No, I'm wrong!" It was like that song of Harry Lauder's where he's waiting for the girl and says, "This is her-r-r. No, it's a rabbut." Young Bingo made me stand there in the teeth of a nor'-east half-gale for ten minutes, keeping me on my toes with a series of false alarms, and I was just thinking of suggesting that we should lay off and give the rest of the proceedings a miss, when round the corner there came a fox-terrier, and Bingo quivered like an aspen. Then there hove in sight a small boy, and he shook like a jelly. Finally, like a star whose entrance has been worked up by the personnel of the ensemble, a girl appeared, and his emotion was painful to witness. His face got so red that, what with his white collar and the fact that the wind had turned his nose blue, he looked more like a French flag than anything else. He sagged from the waist upwards, as if he had been filleted. He was just raising his fingers limply to his cap when he suddenly saw that the girl wasn't alone. A chappie in clerical costume was also among those present, and the sight of him didn't seem to do Bingo a bit of good. His face got redder and his nose bluer, and it wasn't till they had nearly passed that he managed to get hold of his cap. The girl bowed, the curate said, "Ah, Little. Rough weather," the dog barked, and then they toddled on and the entertainment was over.
P.G. Wodehouse
In the campaign of 1876, Robert G. Ingersoll came to Madison to speak. I had heard of him for years; when I was a boy on the farm a relative of ours had testified in a case in which Ingersoll had appeared as an attorney and he had told the glowing stories of the plea that Ingersoll had made. Then, in the spring of 1876, Ingersoll delivered the Memorial Day address at Indianapolis. It was widely published shortly after it was delivered and it startled and enthralled the whole country. I remember that it was printed on a poster as large as a door and hung in the post-office at Madison. I can scarcely convey now, or even understand, the emotional effect the reading of it produced upon me. Oblivious of my surroundings, I read it with tears streaming down my face. It began, I remember: "The past rises before me like a dream. Again we are in the great struggle for national life.We hear the sounds of preparation--the music of boisterous drums--the silver voices of heroic bugles. We see the pale cheeks of women and the flushed faces of men; and in those assemblages we see all the dead whose dust we have covered with flowers..." I was fairly entranced. he pictured the recruiting of the troops, the husbands and fathers with their families on the last evening, the lover under the trees and the stars; then the beat of drums, the waving flags, the marching away; the wife at the turn of the lane holds her baby aloft in her arms--a wave of the hand and he has gone; then you see him again in the heat of the charge. It was wonderful how it seized upon my youthful imagination. When he came to Madison I crowded myself into the assembly chamber to hear him: I would not have missed it for every worldly thing I possessed. And he did not disappoint me. A large handsome man of perfect build, with a face as round as a child's and a compelling smile--all the arts of the old-time oratory were his in high degree. He was witty, he was droll, he was eloquent: he was as full of sentiment as an old violin. Often, while speaking, he would pause, break into a smile, and the audience, in anticipation of what was to come, would follow him in irresistible peals of laughter. I cannot remember much that he said, but the impression he made upon me was indelible. After that I got Ingersoll's books and never afterward lost an opportunity to hear him speak. He was the greatest orater, I think, that I have ever heard; and the greatest of his lectures, I have always thought, was the one on Shakespeare. Ingersoll had a tremendous influence upon me, as indeed he had upon many young men of that time. It was not that he changed my beliefs, but that he liberated my mind. Freedom was what he preached: he wanted the shackles off everywhere. He wanted men to think boldly about all things: he demanded intellectual and moral courage. He wanted men to follow wherever truth might lead them. He was a rare, bold, heroic figure.
Robert Marion La Follette (La Follette's Autobiography: A Personal Narrative of Political Experiences)
I did say that to deny the existence of evil spirits, or to deny the existence of the devil, is to deny the truth of the New Testament; and that to deny the existence of these imps of darkness is to contradict the words of Jesus Christ. I did say that if we give up the belief in devils we must give up the inspiration of the Old and New Testaments, and we must give up the divinity of Christ. Upon that declaration I stand, because if devils do not exist, then Jesus Christ was mistaken, or we have not in the New Testament a true account of what he said and of what he pretended to do. If the New Testament gives a true account of his words and pretended actions, then he did claim to cast out devils. That was his principal business. That was his certificate of divinity, casting out devils. That authenticated his mission and proved that he was superior to the hosts of darkness. Now, take the devil out of the New Testament, and you also take the veracity of Christ; with that veracity you take the divinity; with that divinity you take the atonement, and when you take the atonement, the great fabric known as Christianity becomes a shapeless ruin. The Christians now claim that Jesus was God. If he was God, of course the devil knew that fact, and yet, according to this account, the devil took the omnipotent God and placed him upon a pinnacle of the temple, and endeavored to induce him to dash himself against the earth… Think of it! The devil – the prince of sharpers – the king of cunning – the master of finesse, trying to bribe God with a grain of sand that belonged to God! Casting out devils was a certificate of divinity. Is there in all the religious literature of the world anything more grossly absurd than this? These devils, according to the Bible, were of various kinds – some could speak and hear, others were deaf and dumb. All could not be cast out in the same way. The deaf and dumb spirits were quite difficult to deal with. St. Mark tells of a gentleman who brought his son to Christ. The boy, it seems, was possessed of a dumb spirit, over which the disciples had no control. “Jesus said unto the spirit: ‘Thou dumb and deaf spirit, I charge thee come out of him, and enter no more into him.’” Whereupon, the deaf spirit (having heard what was said) cried out (being dumb) and immediately vacated the premises. The ease with which Christ controlled this deaf and dumb spirit excited the wonder of his disciples, and they asked him privately why they could not cast that spirit out. To whom he replied: “This kind can come forth by nothing but prayer and fasting.” Is there a Christian in the whole world who would believe such a story if found in any other book? The trouble is, these pious people shut up their reason, and then open their Bible.
Robert G. Ingersoll
It was Day Three, Freshman Year, and I was a little bit lost in the school library,looking for a bathroom that wasn't full of blindingly shiny sophomores checking their lip gloss. Day Three.Already pretty clear on the fact that I would be using secondary bathrooms for at least the next three years,until being a senior could pass for confidence.For the moment, I knew no one,and was too shy to talk to anyone. So that first sight of Edward: pale hair that looked like he'd just run his hands through it, paint-smeared white shirt,a half smile that was half wicked,and I was hooked. Since, "Hi,I'm Ella.You look like someone I'd like to spend the rest of my life with," would have been totally insane, I opted for sitting quietly and staring.Until the bell rang and I had to rush to French class,completely forgetting to pee. Edward Willing.Once I knew his name, the rest was easy.After all,we're living in the age of information. Wikipedia, iPhones, 4G ntworks, social networking that you can do from a thousand miles away.The upshot being that at any given time over the next two years, I could sit twenty feet from him in the library, not saying a word, and learn a lot about him.ENough, anyway, for me to become completely convinced that the Love at First Sight hadn't been a fluke. It's pretty simple.Edward matched four and a half of my If My Prince Does, In Fact, Come Someday,It Would Be Great If He Could Meet These Five Criteria. 1. Interested in art. For me, it's charcoal. For Edward, oil paint and bronze. That's almost enough right there. Nice lips + artist= Ella's prince. 2. Not afraid of love. He wrote, "Love is one of two things worth dying for.I have yet to decide on the second." 3.Or of telling the truth. "How can I believe that other people say if I lie to them?" 4.Hot. Why not?I can dream. 5.Daring. Mountain climbing, cliff dying, defying the parents. Him, not me. I'm terrified of an embarrassing number of things, including heights, convertibles, moths, and those comedians everyone loves who stand onstage and yell insults at the audience. 5, subsection a. Daring enough to take a chance on me.Of course, in the end, that No. 5a is the biggie. And the problem. No matter how muuch I worshipped him,no matter how good a pair we might have been,it was never, ever going to happen. To be fair to Edward,it's not like he was given an opportunity to get to know me. I'm not stupid.I know there are a few basic truths when it comes to boys and me. Truth: You have to talk to a boy-really talk,if you want him to see past the fact that you're not beautiful. Truth: I'm not beautiful. Or much of a conversationalist. Truth: I'm not entirely sure that the stuff behind the not-beautiful is going to be all that alluring, either. And one written-in-stone, heartbreaking truth about this guy. Truth:Edward Willing died in 1916.
Melissa Jensen (The Fine Art of Truth or Dare)
Our friend Tuesday," said the President in a deep voice at once of quietude and volume, "our friend Tuesday doesn't seem to grasp the idea. He dresses up like a gentleman, but he seems to be too great a soul to behave like one. He insists on the ways of the stage conspirator. Now if a gentleman goes about London in a top hat and a frock-coat, no one need know that he is an anarchist. But if a gentleman puts on a top hat and a frock-coat, and then goes about on his hands and knees — well, he may attract attention. That's what Brother Gogol does. He goes about on his hands and knees with such inexhaustible diplomacy, that by this time he finds it quite difficult to walk upright." "I am not good at goncealment," said Gogol sulkily, with a thick foreign accent; "I am not ashamed of the cause." "Yes you are, my boy, and so is the cause of you," said the President good-naturedly. "You hide as much as anybody; but you can't do it, you see, you're such an ass! You try to combine two inconsistent methods. When a householder finds a man under his bed, he will probably pause to note the circumstance. But if he finds a man under his bed in a top hat, you will agree with me, my dear Tuesday, that he is not likely ever to forget it. Now when you were found under Admiral Biffin's bed—" "I am not good at deception," said Tuesday gloomily, flushing. "Right, my boy, right," said the President with a ponderous heartiness, "you aren't good at anything.
G.K. Chesterton (The Man Who Was Thursday: A Nightmare)