Fur Babies Quotes

We've searched our database for all the quotes and captions related to Fur Babies. Here they are! All 74 of them:

A mother's body remembers her babies-the folds of soft flesh, the softly furred scalp against her nose. Each child has it's own entreaties to body and soul.
Barbara Kingsolver
What kind of shapeshifter has orange fur anyway?" "Weredingo." Now I'd seen everything. Well, at least he didn't steal my baby.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
Give him to me," said Anne. "Not everybody wants to French kiss the dog, Mal." The blond, heavily tattooed man grinned, handing the fur baby over. "But he's a great kisser. I taught him myself.
Kylie Scott (Deep (Stage Dive, #4))
So ... I'm larking through the Baby Gap, looking at tiny capri pants and sweaters that cost more than ... I don't know, more than they should. And I get totally sucked in by this ridiculous, tiny fur coat. The kind of coat a baby might need to go to the ballet. In Moscow. In 1918. To match her tiny pearls.
Rainbow Rowell (Attachments)
Oh dear,” Diandra muttered again as I looked down at the baby tiger in my arms. All I felt was the soft, thick fur of the cub, the pads of its cute, fluffy paws. All I saw was her proud nose and rounded ears and beautiful, pale blue eyes looking up at me with complete trust. Oh shit. I was in love.
Kristen Ashley (The Golden Dynasty (Fantasyland, #2))
A mother's body remembers her babies--the folds of soft flesh, the softly furred scalp against her nose. Each child has its own entreaties to body and soul. It's the last one, though, that overtakes you. I can't dare say I loved the others less, but my first three were all babies at once, and motherhood dismayed me entirely. . . . That's how it is with the firstborn, no matter what kind of mother you are--rich, poor, frazzled half to death or sweetly content. A first child is your own best food forward, and how you do cheer those little feet as they strike out. You examine every turn of flesh for precocity, and crow it to the world. But the last one: the baby who trails her scent like a flag of surrender through your life when there will be no more coming after--oh, that's love by a different name. She is the babe you hold in your arms for an hour after she's gone to sleep. If you put her down in the crib, she might wake up changed and fly away. So instead you rock by the window, drinking the light from her skin, breathing her exhaled dreams. Your heart bays to the double crescent moons of closed lashes on her cheeks. She's the one you can't put down.
Barbara Kingsolver (The Poisonwood Bible)
If there was a Hell, my mom said you'd go there for wearing fur coats or buying a cream rinse tested on baby rabbits by escaped Nazi scientists in France.
Chuck Palahniuk (Damned (Damned, #1))
Despite being only pounds in his hedgie form, he was all male baby.
Celia Kyle (Hedging His Bets (Honey and Fur, #1))
What happened?" "This happened." He shifted his arms to reveal a bundle of tiny, knobby joints and fluffy patches of black and white. A newborn goat. "Oh, my goodness." She knelt behind him, peering over his shoulder. "Surely not Marigold?" "I told you so," he said irritably. As if she'd be intimidated by gruff words from a man cradling a newborn goat in his arms. She'd always known he had a capacity for gentleness. I told you so, too. She reached to stroke the little goat's fur. Gabriel's shoulder muscle flinched in annoyance. "My shirt was ruined, I'll have you know. Completely unsalvageable. And then this runtish little thing wouldn't stop shivering." "Would it help if I told you that I've never found you so wildly attractive as I do in this moment?" "No.
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
Freckles never tired of studying the devotion of a fox mother to her babies. To him, whose early life had been so embittered by continual proof of neglect and cruelty in human parents toward their children, the love of these furred and feathered folk of the Limberlost was even more of a miracle than to the Bird Woman and the Angel.
Gene Stratton-Porter (Freckles)
Well right about that time, people, A fur trapper Who was strictly from commercial (Strictly Commershil) Had the unmedicated audacity to jump up from behind my igyaloo (Peek-a-Boo Woo-ooo-ooo) And he started in to whippin' on my fav'rite baby seal With a lead-filled snow shoe . . .
Frank Zappa (Apostrophe ('))
Dante took the baby from the woman, cradled her against his broad chest, uncaring for the drool he got on his suit, cooing to her. “You missed Daddy, didn’t you, princess?” Then the fluffiest cat she'd seen walked out and rubbed against Dante's legs, getting fur over his pants. Zephyr’s ovaries melted. What was it about a big man with babies and kittens?
RuNyx (The Finisher (Dark Verse, #4))
To our children. Born and unborn. Tiny humans or fur babies. Without you, there’s no purpose. Thank you for being you and loving us unconditionally.
Missy Johnson (Breaking Noah)
<> I was at the mall last night, walking around by myself, trying not to spend money, trying not to think about a delicious Cinnabon...and I found myself walking by the Baby Gap. I've never been in a Baby Gap. So, I decided to duck in. On a lark. <> Right. On a lark. I'm familiar with those. <> So...I'm larking through the Baby Gap, looking at tiny capri pants and sweaters that cost more than...I don't know, more than they should. And I get totally sucked in by this ridiculous, tiny fur coat. The kind of coat a baby might need to go to the ballet. In Moscow. In 1918. To match her tiny pearls.
Rainbow Rowell (Attachments)
Quote taken from Chapter 1: "Is Petey Samson a bloodhound for real?” Blue asked. “I could’ve sworn he’s a mixed breed, what my folks used to call a pound mutt.” “Oh, brother,” Alma said. “I wished you hadn’t said that.” “I’ll have you know Petey Samson is no pound mutt,” Isabel said, shaking her finger at Blue. “His best breeding lies in his bloodhound line,” she said. “I didn’t know that,” Blue said. “Pay no mind to Isabel,” Alma said. “She’s just being overprotective of her fur baby.
Ed Lynskey (The Amber Top Hat (Isabel & Alma Trumbo #4))
A house cat is not really a fur baby, but it is something rather more remarkable: a tiny conquistador with the whole planet at its feet. House cats would not exist without humans, but we didn’t really create them, nor do we control them now. Our relationship is less about ownership than aiding and abetting.
Abigail Tucker (The Lion in the Living Room: How House Cats Tamed Us and Took Over the World)
Eyes closed a knee in his back hand at his neck forcing his face into the floor of the elevator rough under his cheek smell of vomit and matted fur "God don't hurt me" struggles against indignity his pajamas pulled down around his knees a needle sunk deep into his thigh twists moans and all of it loose like water flowing salt tickles inner edges of his eyes into his mouth twists onto his back arms over his head raw wails of anguish break off in pieces hurt his ears "Baby it's okay" Leo is over him lifts coaxing "Let's get up off the floor huh?" arm around his waist sags heavy his wrist aches where Leo holds him dragged along the watery dark he rolls off Leo's shoulder to the bed eyes closed hands folded in prayer between his legs can't look "God don't hurt me. Please.
Judith Guest
Studies suggest How may I help you officer? is the single most disarming thing to say and not What’s the problem? Studies suggest it’s best the help reply My pleasure and not No problem. Studies suggest it’s best not to mention problem in front of power even to say there is none. Gloria Steinem says women lose power as they age and yet the loudest voice in my head is my mother. Studies show the mother we have in mind isn’t the mother that exists. Mine says: What the fuck are you crying for? Studies show the baby monkey will pick the fake monkey with fake fur over the furless wire monkey with milk, without contest. Studies show to negate something is to think it anyway. I’m not sad. I’m not sad. Studies recommend regular expressions of gratitude and internal check-ins. Studies define assertiveness as self-respect cut with deference. Enough, the wire mother says. History is a kind of study. History says we forgave the executioner. Before we mopped the blood we asked: Lord Judge, have I executed well? Studies suggest yes. What the fuck are you crying for, officer? the wire mother teaches me to say, while America suggest Solmaz, have you thanked your executioner today?
Solmaz Sharif (Look: Poems)
Our pet are our babies. We're not rational about them. Feathers or furs or scales, they're the center of entire worlds.
Nicole Snow (No Good Doctor (Heroes of Heart's Edge, #2))
People who have nothing to prove offer practical baby gifts: sturdy cotton rompers made to withstand the cycle of vomit and regular washing. People who are competing for the titles of best-loved aunts and uncles - people like my sisters and me - send satin pants and delicate hand-crafted sweaters accompanied by notes reading "P.S. The fur collar is detachable.
David Sedaris (Dress Your Family in Corduroy and Denim)
One woman had married a dog and given birth to puppies, only to peel back the fur to see they were actually babies underneath. Animals were simply nonhuman people, with the same ability to make conscious decisions, and humanity simmered under their skins. You could see it in the way they sat together for meals, or fell in love, or grieved. And this went both ways: Sometimes, in a human, there would turn out to be a hidden bit of a beast.
Jodi Picoult (The Tenth Circle)
She was iron,” I whispered. “Iron and steel and granite and everything strong packaged up in feathers and goose down and kitten fur and everything soft. She was the most precious gift I’ve ever received and will be until I have my own babies.
Kristen Ashley (The Hookup (Moonlight and Motor Oil, #1))
We know of ESB's potential for mind control largely through the work of Jose Delgado. One signal provoked a cat to lick its fur, then continue compulsively licking the floor and bars of its cage. A signal designed to stimulate a portion of a monkey's thalamus, a major midbrain center for integrating muscle movements, triggered a complex action: The monkey walked to one side of the cage, then the other, then climbed to the rear ceiling, then back down. The animal performed this same activity as many times as it was stimulated with the signal, up to sixty times an hour, but not blindly— the creature still was able to avoid obstacles and threats from the dominant male while carrying out the electrical imperative. Another type of signal has made monkeys turn their heads, or smile, no matter what else they were doing, up to twenty thousand times in two weeks. As Delgado concluded, "The animals looked like electronic toys." 
Even instincts and emotions can be changed: In one test a mother giving continuous care to her baby suddenly pushed the infant away whenever the signal was given. Approach-avoidance conditioning can be achieved for any action simply by stimulating the pleasure and pain centers in an animal's or person's limbic system. 
Eventual monitoring of evoked potentials from the EEG, combined with radio-frequency and microwave broadcasts designed to produce specific thoughts or moods, such as compliance and complacency, promises a method of mind control that poses immense danger to all societies —tyranny without terror.
Robert O. Becker (The Body Electric: Electromagnetism and the Foundation of Life)
I was never a child; I never had a childhood. I cannot count among my memories warm, golden days of childish intoxication, long joyous hours of innocence, or the thrill of discovering the universe anew each day. I learned of such things later on in life from books. Now I guess at their presence in the children I see. I was more than twenty when I first experienced something similar in my self, in chance moments of abandonment, when I was at peace with the world. Childhood is love; childhood is gaiety; childhood knows no cares. But I always remember myself, in the years that have gone by, as lonely, sad, and thoughtful. Ever since I was a little boy I have felt tremendously alone―and "peculiar". I don't know why. It may have been because my family was poor or because I was not born the way other children are born; I cannot tell. I remember only that when I was six or seven years old a young aunt of mind called me vecchio―"old man," and the nickname was adopted by all my family. Most of the time I wore a long, frowning face. I talked very little, even with other children; compliments bored me; baby-talk angered me. Instead of the noisy play of the companions of my boyhood I preferred the solitude of the most secluded corners of our dark, cramped, poverty-stricken home. I was, in short, what ladies in hats and fur coats call a "bashful" or a "stubborn" child; and what our women with bare heads and shawls, with more directness, call a rospo―a "toad." They were right. I must have been, and I was, utterly unattractive to everybody. I remember, too, that I was well aware of the antipathy I aroused. It made me more "bashful," more "stubborn," more of a "toad" than ever. I did not care to join in the games played by other boys, but preferred to stand apart, watching them with jealous eyes, judging them, hating them. It wasn't envy I felt at such times: it was contempt; it was scorn. My warfare with men had begun even then and even there. I avoided people, and they neglected me. I did not love them, and they hated me. At play in the parks some of the boys would chase me; others would laugh at me and call me names. At school they pulled my curls or told the teachers tales about me. Even on my grandfather's farm in the country peasant brats threw stones at me without provocation, as if they felt instinctively that I belonged to some other breed.
Giovanni Papini (Un uomo finito)
You know, I still feel in my wrists certain echoes of the pram-pusher’s knack, such as, for example, the glib downward pressure one applied to the handle in order to have the carriage tip up and climb the curb. First came an elaborate mouse-gray vehicle of Belgian make, with fat autoid tires and luxurious springs, so large that it could not enter our puny elevator. It rolled on sidewalks in a slow stately mystery, with the trapped baby inside lying supine, well covered with down, silk and fur; only his eyes moved, warily, and sometimes they turned upward with one swift sweep of their showy lashes to follow the receding of branch-patterned blueness that flowed away from the edge of the half-cocked hood of the carriage, and presently he would dart a suspicious glance at my face to see if the teasing trees and sky did not belong, perhaps to the same order of things as did rattles and parental humor. There followed a lighter carriage, and in this, as he spun along, he would tend to rise, straining at his straps; clutching at the edges; standing there less like the groggy passenger of a pleasure boat than like an entranced scientist in a spaceship; surveying the speckled skeins of a live, warm world; eyeing with philosophic interest the pillow he had managed to throw overboard; falling out himself when a strap burst one day. Still later he rode in one of those small contraptions called strollers; from initial springy and secure heights the child came lower and lower, until, when he was about one and a half, he touched ground in front of the moving stroller by slipping forward out of his seat and beating the sidewalk with his heels in anticipation of being set loose in some public garden. A new wave of evolution started to swell, gradually lifting him again from the ground, when, for his second birthday, he received a four-foot-long, silver-painted Mercedes racing car operated by inside pedals, like an organ, and in this he used to drive with a pumping, clanking noise up and down the sidewalk of the Kurfurstendamm while from open windows came the multiplied roar of a dictator still pounding his chest in the Neander valley we had left far behind.
Vladimir Nabokov
It was like being alive twice, seeing the world twice, and the new vision came through the eyes of a small, curious, unstoppable being who had never seen it before. We had our own little mindfulness coach, reminding us that when all else fails us in this life we can love our own toes, or the velvet coolness of a dog's ear, or his downy fur. People told us how we would fall in love with our baby, but not how through him we would fall in love with everything else again too.
Susanne Antonetta
I couldn’t sleep, so I got up and took a walk around the house. Alex’s mother cat just had a batch of baby kittens and I sat on the porch and just kept looking at them. It was a revelation! Without drugs! Without anything but kittens whose fur is like all the softness in the world put together. It was so soft that when I closed my eyes I wasn’t sure I was even touching it, I put the little gray one, named Happiness, up to my ear, and felt the warmth in her tiny body and listened to her incredible purring. Then she tried to nurse my ear and the feeling in me was so big I thought I was going to break wide open. It was better than a drug trip, a thousand times better, a million times, a trillion times. These things are real! The softness was not a hallucination; the sounds of the night, the cars swishing by, the crickets. I was really there. I heard it! I saw it and I felt it and that’s the way I want life to always be! And that’s the way it will be!
Beatrice Sparks (Go Ask Alice (Anonymous Diaries))
PROLOGUE   Zoey “Wow, Z, this is a seriously awesome turnout. There are more humans here than fleas on an old dog!” Stevie Rae shielded her eyes with her hand as she looked around at the newly lit-up campus. Dallas was a total jerk, but we all admitted that the twinkling lights he’d wrapped around the trunks and limbs of the old oaks gave the entire campus a magickal, fairy-like glow. “That is one of your more disgusting bumpkin analogies,” Aphrodite said. “Though it’s accurate. Especially since there are a bunch of city politicians here. Total parasites.” “Try to be nice,” I said. “Or at least try to be quiet.” “Does that mean your daddy, the mayor, is here?” Stevie Rae’s already gawking eyes got even wider. “I suppose it does. I caught a glimpse of Cruella De Vil, a.k.a. She Who Bore Me, not long ago.” Aphrodite paused and her brows went up. “We should probably keep an eye on the Street Cats kittens. I saw some cute little black and white ones with especially fluffy fur.” Stevie Rae sucked air. “Ohmygoodness, your mamma wouldn’t really make a kitten fur coat, would she?” “Faster than you can say Bubba’s drinkin’ and drivin’ again,” Aphrodite mimicked Stevie Rae’s Okie twang. “Stevie Rae—she’s kidding. Tell her the truth,” I nudged Aphrodite. “Fine. She doesn’t skin kittens. Or puppies. Just baby seals and democrats.” Stevie Rae’s brow furrowed. “See, everything is fine. Plus, Damien’s at the Street Cats booth, and you know he’d never let one little kitten whisker be hurt—let alone a whole coat,” I assured my BFF, refusing to let Aphrodite mess up our good mood. “Actually, everything is more than fine. Check out what we managed to pull off in a little over a week.” I sighed in relief at the success of our event and let my gaze wander around the packed school grounds. Stevie Rae, Shaylin, Shaunee, Aphrodite, and I were manning the bake sale booth (while Stevie Rae’s mom and a bunch of her PTA friends moved through the crowd with samples of the chocolate chip cookies we were selling, like, zillions of). From our position near Nyx’s statue, we had a great view of the whole campus. I could see a long line at Grandma’s lavender booth. That made me smile. Not far from Grandma, Thanatos had set up a job application area, and there were a bunch of humans filling out paperwork there. In the center of the grounds there were two huge silver and white tents draped with more of Dallas’s twinkling lights. In one tent Stark and Darius and the Sons of Erebus Warriors were demonstrating weaponry. I watched as Stark was showing a young boy how to hold a bow. Stark’s gaze lifted from the kid and met mine. We shared a quick, intimate smile
P.C. Cast (Revealed (House of Night #11))
Nothing is forgotten, all is permitted. In a stinking cave, muttering babies scream and scratch, furs undulate in copulation. In one corner, bright-eyed first marks are daubed on a wall. They are marks to function, marks of place, of time. They are marks to draw results and persist beyond one human lifetime. Instinct has arisen, snake-like, coiling itself into intuition and suggesting the very power of suggestion. No one noted down from a book this process, it grew from watching the elements, closeness to life-sources, death-forces that modern persons are divorced from. On this damp stone there is a curve, it is land, horizon, ejaculation, movement.
Genesis P-Orridge (Book of Lies: The Disinformation Guide to Magick and the Occult (Disinformation Guides))
She was the first close friend who I felt like I’d re­ally cho­sen. We weren’t in each other’s lives be­cause of any obli­ga­tion to the past or con­ve­nience of the present. We had no shared his­tory and we had no rea­son to spend all our time to­ gether. But we did. Our friend­ship in­ten­si­fied as all our friends had chil­dren – she, like me, was un­con­vinced about hav­ing kids. And she, like me, found her­self in a re­la­tion­ship in her early thir­ties where they weren’t specif­i­cally work­ing to­wards start­ing a fam­ily. By the time I was thirty-four, Sarah was my only good friend who hadn’t had a baby. Ev­ery time there was an­other preg­nancy an­nounce­ment from a friend, I’d just text the words ‘And an­other one!’ and she’d know what I meant. She be­came the per­son I spent most of my free time with other than Andy, be­cause she was the only friend who had any free time. She could meet me for a drink with­out plan­ning it a month in ad­vance. Our friend­ship made me feel lib­er­ated as well as safe. I looked at her life choices with no sym­pa­thy or con­cern for her. If I could ad­mire her de­ci­sion to re­main child-free, I felt en­cour­aged to ad­mire my own. She made me feel nor­mal. As long as I had our friend­ship, I wasn’t alone and I had rea­son to be­lieve I was on the right track. We ar­ranged to meet for din­ner in Soho af­ter work on a Fri­day. The waiter took our drinks or­der and I asked for our usual – two Dirty Vodka Mar­ti­nis. ‘Er, not for me,’ she said. ‘A sparkling wa­ter, thank you.’ I was ready to make a joke about her un­char­ac­ter­is­tic ab­sti­nence, which she sensed, so as soon as the waiter left she said: ‘I’m preg­nant.’ I didn’t know what to say. I can’t imag­ine the ex­pres­sion on my face was par­tic­u­larly en­thu­si­as­tic, but I couldn’t help it – I was shocked and felt an un­war­ranted but in­tense sense of be­trayal. In a de­layed re­ac­tion, I stood up and went to her side of the ta­ble to hug her, un­able to find words of con­grat­u­la­tions. I asked what had made her change her mind and she spoke in va­garies about it ‘just be­ing the right time’ and wouldn’t elab­o­rate any fur­ther and give me an an­swer. And I needed an an­swer. I needed an an­swer more than any­thing that night. I needed to know whether she’d had a re­al­iza­tion that I hadn’t and, if so, I wanted to know how to get it. When I woke up the next day, I re­al­ized the feel­ing I was ex­pe­ri­enc­ing was not anger or jeal­ousy or bit­ter­ness – it was grief. I had no one left. They’d all gone. Of course, they hadn’t re­ally gone, they were still my friends and I still loved them. But huge parts of them had dis­ap­peared and there was noth­ing they could do to change that. Un­less I joined them in their spa­ces, on their sched­ules, with their fam­i­lies, I would barely see them. And I started dream­ing of an­other life, one com­pletely re­moved from all of it. No more chil­dren’s birth­day par­ties, no more chris­ten­ings, no more bar­be­cues in the sub­urbs. A life I hadn’t ever se­ri­ously con­tem­plated be­fore. I started dream­ing of what it would be like to start all over again. Be­cause as long as I was here in the only Lon­don I knew – mid­dle-class Lon­don, cor­po­rate Lon­don, mid-thir­ties Lon­don, mar­ried Lon­don – I was in their world. And I knew there was a whole other world out there.
Dolly Alderton (Good Material)
Rory's big labradoodle made a snap judgement that Frankie was everything her life had been missing up until now. She flung herself into the girl's arms, wiggling and whining, a shaggy mass of chocolate-colored enthusiasm. "Mistral likes you, I see." While he, the one who filled the dog's food dish, had gotten nothing but suspicious glances since he arrived two days earlier. "of course you like me" she said, baby-talking into the dog's fur, "I'm extremely likeable." If the dog's expression was any indication, Frankie was about to get nominated for sainthood.... She glanced at him. "Maybe she'd like you more if you weren't so... testosterone-y." "But then you might like me less
Roxanne Snopek (Saving the Sheriff (Three River Ranch, #3.5))
a’ these?” I asked, because I knew I couldn’t do it myself. Penelope smiled and took the dead rabbit without blinking. Other hand asked for my knife. “Maybe you should collect some wood,” she said, soft enough that it didn’t sound like an order but firm enough that I knew she meant it. She went off by the fire while I dragged back a few thick branches what had fallen in the storm. I tended the flames and watched her working. Gentle and soft she went at that rabbit like it was a teddy bear she didn’t want to rip. Prized off the skin ’stead a’ pulling it. Nicked at the fur ’round the feet ’stead a’ chopping them off. I couldn’t watch. “Stop it, stop it,” I said, shaking my head. “It ain’t a baby
Beth Lewis (The Wolf Road)
Now let me tell you something. I have seen a thousand sunsets and sunrises, on land where it floods forest and mountains with honey coloured light, at sea where it rises and sets like a blood orange in a multicoloured nest of cloud, slipping in and out of the vast ocean. I have seen a thousand moons: harvest moons like gold coins, winter moons as white as ice chips, new moons like baby swans’ feathers. I have seen seas as smooth as if painted, coloured like shot silk or blue as a kingfisher or transparent as glass or black and crumpled with foam, moving ponderously and murderously. I have felt winds straight from the South Pole, bleak and wailing like a lost child; winds as tender and warm as a lover’s breath; winds that carried the astringent smell of salt and the death of seaweeds; winds that carried the moist rich smell of a forest floor, the smell of a million flowers. Fierce winds that churned and moved the sea like yeast, or winds that made the waters lap at the shore like a kitten. I have known silence: the cold, earthy silence at the bottom of a newly dug well; the implacable stony silence of a deep cave; the hot, drugged midday silence when everything is hypnotised and stilled into silence by the eye of the sun; the silence when great music ends. I have heard summer cicadas cry so that the sound seems stitched into your bones. I have heard tree frogs in an orchestration as complicated as Bach singing in a forest lit by a million emerald fireflies. I have heard the Keas calling over grey glaciers that groaned to themselves like old people as they inched their way to the sea. I have heard the hoarse street vendor cries of the mating Fur seals as they sang to their sleek golden wives, the crisp staccato admonishment of the Rattlesnake, the cobweb squeak of the Bat and the belling roar of the Red deer knee-deep in purple heather. I have heard Wolves baying at a winter’s moon, Red howlers making the forest vibrate with their roaring cries. I have heard the squeak, purr and grunt of a hundred multi-coloured reef fishes. I have seen hummingbirds flashing like opals round a tree of scarlet blooms, humming like a top. I have seen flying fish, skittering like quicksilver across the blue waves, drawing silver lines on the surface with their tails. I have seen Spoonbills flying home to roost like a scarlet banner across the sky. I have seen Whales, black as tar, cushioned on a cornflower blue sea, creating a Versailles of fountain with their breath. I have watched butterflies emerge and sit, trembling, while the sun irons their wings smooth. I have watched Tigers, like flames, mating in the long grass. I have been dive-bombed by an angry Raven, black and glossy as the Devil’s hoof. I have lain in water warm as milk, soft as silk, while around me played a host of Dolphins. I have met a thousand animals and seen a thousand wonderful things. But— All this I did without you. This was my loss. All this I want to do with you. This will be my gain. All this I would gladly have forgone for the sake of one minute of your company, for your laugh, your voice, your eyes, hair, lips, body, and above all for your sweet, ever-surprising mind which is an enchanting quarry in which it is my privilege to delve.
Gerald Durrell
Loupe, are you listening to me? I am your husband, it is my job to protect you. I cannot do that, if you insist on ignoring me and engaging some madwoman-" "You know what, my darlings?" Loupe continued loudly, still looking at the pups. "I almost didn't call for you. I love you so much, it would destroy me if anything happened to you. But," she said clearly, "then I realized that trying to protect you from all danger would only keep you weak. I would much rather you grow to be big, strong, confident wolves. And I never want you to be afraid. Of anyone." There was a long pause as she continued to ruffle the pups' fur and make baby noises at them. Finally, Etienne knelt beside her and sighed. "I'm an adult, you know," he muttered. "You could have just said that to me." Loupe raised an eyebrow at him, but didn't say anything. -Etienne and Loupe
Jennifer Blackstream (Before Midnight (Blood Prince, #1))
I learned many things at Dixie County High School. There was a class called Life Management. One week we brought in a 5lb sacks of flour. For 2 weeks we were to carry this around as our baby. It needed to return intact to get a grade. But tape could be used for repairs. So the first night I wrapped my Piggy Wiggly-brand flour baby in 2 rolls of duct tape. Added a face. Glued on some orange faux fur hair. Five pounds became 8. They grow up so fast! Over the next week we tossed this tape baby against brick walls. No harm was done. Parenting came naturally it seemed. Until we decided to drop junior out a car window while heading down County Road 55A. It bounced off the road and out into a field. We searched... but never found that sack of flour. It might be out there still. The next morning I told my teacher what had happened. Baby went out a window. Was lost in a field. She just stared. Told me not to tell anyone else this story. I still got full credit though. No one expected much of parents back then.
Damon Thomas (Some Books Are Not For Sale (Rural Gloom))
(It’s a doozy! I could listen to it all day long.) Nikki Lane—“Gone, Gone, Gone,” “Coming Home to You” Patterson Hood—“Belvedere,” “Back of a Bible” Ryan Bingham—“Guess Who’s Knocking” American Aquarium—“Casualties” Devil Doll—“The Things You Make Me Do” American Aquarium—“I’m Not Going to the Bar” Hank Williams Jr.—“Family Tradition” David Allan Coe—“Mama Tried” John Paul Keith—“She’ll Dance to Anything” Carl Perkins—“Honey, Don’t” Scott H. Biram—“Lost Case of Being Found” The Cramps—“The Way I Walk” The Reverend Horton Heat—“Jimbo Song” Justin Townes Earle—“Baby’s Got a Bad Idea” Old Crow Medicine Show—“Wagon Wheel,” “Hard to Love” Dirty River Boys—“My Son” JD McPherson—“Wolf Teeth” Empress of Fur—“Mad Mad Bad Bad Mama” Dwight Yoakam—“Little Sister” The Meteors—“Psycho for Your Love” Hayes Carll—“Love Don’t Let Me Down” HorrorPops—“Dotted with Hearts” Buddy Holly—“Because I Love You” Chris Isaak—“Baby Did a Bad Bad Thing” Jason Isbell—“The Devil Is My Running Mate” Lindi Ortega—“When All the Stars Align” Three Bad Jacks—“Scars” Kasey Anderson and the Honkies—“My Blues, My Love
Jay Crownover (Rowdy (Marked Men, #5))
Colby was quietly shocked to find Tate not only at his door the next morning, but smiling. He was expecting an armed assault following their recent telephone conversation. “I’m here with a job offer.” Colby’s dark eyes narrowed. “Does it come with a cyanide capsule?” he asked warily. Tate clapped the other man on the shoulder. “I’m sorry about the way I’ve treated you. I haven’t been thinking straight. I’m obliged to you for telling me the truth about Cecily.” “You know the baby’s yours, I gather?” Tate nodded. “I’m on my way to Tennessee to bring her home,” he replied. Colby’s eyes twinkled. “Does she know this?” “Not yet. I’m saving it for a surprise.” “I imagine you’re the one who’s going to get the surprise,” Colby informed him. “She’s changed a lot in the past few weeks.” “I noticed.” Tate leaned against the wall near the door. “I’ve got a job for you.” “You want me to go to Tennessee?” Colby murmured dryly. “In your dreams, Lane,” Tate returned. “No, not that. I want you to head up my security force for Pierce Hutton while I’m away.” Colby looked around the room. “Maybe I’m hallucinating.” “You and my father,” Tate muttered, shaking his head. “Listen, I’ve changed.” “Into what?” “Pay attention. It’s a good job. You’ll have regular hours. You can learn to sleep without a gun under your pillow. You won’t lose any more arms.” He added thoughtfully, “I’ve been a bad friend. I was jealous of you.” “But why?” Colby wanted to know. “Cecily is special. I look out for her, period. There’s never been a day since I met her when she wasn’t in love with you, or a time when I didn’t know it.” Tate felt warmth spread through his body at the remark. “I’ve given her hell. She may not feel that way, now.” “You can’t kill love,” Colby said heavily. “I know. I’ve tried.” Tate felt sorry for the man. He didn’t know how to put it into words. Colby shrugged. “Anyway, I’ve learned to live with my ghosts, thanks to that psychologist Cecily pushed me into seeing.” He scowled. “She keeps snakes, can you imagine? I used to see mine crawling out of whiskey bottles, but hers are real.” “Maybe she’s allergic to fur,” Tate pointed out. Colby chuckled. “Who knows. When do I start?” he added. “Today.” He produced a mobile phone and dialed a number. “I’m sending Colby Lane over. He’s my relief while I’m away. If you have any problems, report them to him.” He nodded as the person on the other end of the line replied in the affirmative. He closed up the phone. “Okay, here’s what you need to do…
Diana Palmer (Paper Rose (Hutton & Co. #2))
She hadn’t always been obsessed with babies. There was a time she believed she would change the world, lead a movement, follow Dolores Huerta and Sylvia Mendez, Ellen Ochoa and Sonia Sotomayor. Where her bisabuela had picked pecans and oranges in the orchards, climbing the tallest trees with her small girlbody, dropping the fruit to the baskets below where her tías and tíos and primos stooped to pick those that had fallen on the ground, where her abuela had sewn in the garment district in downtown Los Angeles with her bisabuela, both women taking the bus each morning and evening, making the beautiful dresses to be sold in Beverly Hills and maybe worn by a movie star, and where her mother had cared for the ill, had gone to their crumbling homes, those diabetic elderly dying in the heat in the Valley—Bianca would grow and tend to the broken world, would find where it ached and heal it, would locate its source of ugliness and make it beautiful. Only, since she’d met Gabe and become La Llorona, she’d been growing the ugliness inside her. She could sense it warping the roots from within. The cactus flower had dropped from her when she should have been having a quinceañera, blooming across the dance floor in a bright, sequined dress, not spending the night at her boyfriend’s nana’s across town so that her mama wouldn’t know what she’d done, not taking a Tylenol for the cramping and eating the caldo de rez they’d made for her. They’d taken such good care of her. Had they done it for her? Or for their son’s chance at a football scholarship? She’d never know. What she did know: She was blessed with a safe procedure. She was blessed with women to check her for bleeding. She was blessed with choice. Only, she hadn’t chosen for herself. She hadn’t. Awareness must come. And it did. Too late. If she’d chosen for herself, she would have chosen the cactus spines. She would’ve chosen the one night a year the night-blooming cereus uncoils its moon-white skirt, opens its opalescent throat, and allows the bats who’ve flown hundreds of miles with their young clutching to their fur as they swim through the air, half-starved from waiting, to drink their fill and feed their next generation of creatures who can see through the dark. She’d have been a Queen of the Night and taught her daughter to give her body to no Gabe. She knew that, deep inside. Where Anzaldúa and Castillo dwelled, where she fed on the nectar of their toughest blossoms. These truths would moonstone in her palm and she would grasp her hand shut, hold it tight to her heart, and try to carry it with her toward the front door, out onto the walkway, into the world. Until Gabe would bend her over. And call her gordita or cochina. Chubby girl. Dirty girl. She’d open her palm, and the stone had turned to dust. She swept it away on her jeans. A daughter doesn’t solve anything; she needed her mama to tell her this. But she makes the world a lot less lonely. A lot less ugly.  
Jennifer Givhan (Jubilee)
He missed the women he’d never get to sleep with. On the other side of the room, tantalizing at the next table, that miracle passing by the taqueria window giving serious wake. They wore too much make up or projected complex emotions onto small animals, smiled exactly so, took his side when no one else would, listened when no one else cared to. They were old money or fretted over ludicrously improbable economic disasters, teetotaled or drank like sailors, pecked like baby birds at his lips or ate him up greedily. They carried slim vocabularies or stooped to conquer in the wordsmith board games he never got the hang of. They were all gone, these faceless unknowables his life’s curator had been saving for just the right moment, to impart a lesson he’d probably never learn. He missed pussies that were raring to go when he slipped a hand beneath the elastic rim of the night-out underwear and he missed tentative but coaxable recesses, stubbled armpits and whorled ankle coins, birthmarks on the ass shaped like Ohio, said resemblance he had to be informed of because he didn’t know what Ohio look like. The size. They were sweet-eyed or sad-eyed or so successful in commanding their inner turbulence so that he could not see the shadows. Flaking toenail polish and the passing remark about the scent of a nouveau cream that initiated a monologue about its provenance, special ingredients, magic powers, and dominance over all the other creams. The alien dent impressed by a freshly removed bra strap, a garment fancy or not fancy but unleashing big or small breasts either way. He liked big breasts and he liked small breasts; small breasts were just another way of doing breasts. Brains a plus but negotiable. Especially at 3:00am, downtown. A fine fur tracing an earlobe, moles at exactly the right spot, imperfections in their divine coordination. He missed the dead he’d never lose himself in, be surprised by, disappointed in.
Colson Whitehead (Zone One)
It’s annoying not being able to see you,” I said in place of a good morning.  I flipped to my stomach and propped myself up with my elbows to get a better look at him. “If you don’t talk, and I can’t see your face, how am I ever supposed to figure out what you’re thinking?” I reached out to move some hair out of the way, but he stopped me in a blurred move, catching my wrist gently in his hand.  He didn’t let me any closer.  First, he ditched me on dinner night then he wouldn’t let me touch him?  The thought stopped me.  I really hadn’t touched him before either, at least not as a man.  Maybe he was like me, a little standoffish.  I could understand that. “Seriously, Clay, what kind of bribe is it going to take for you to get rid of some of that hair?” He flashed his elongated canines at me again in explanation. “Can’t we at least trim it back some?”  Okay maybe a lot, but I knew to start with baby steps. He tugged my hand to his chest, laying it flat.  So much for my theory about not wanting to be touched.  I patiently allowed it because with him, everything was guessing or pantomime.  His chest warmed my palm. Using his free hand, he tapped my mouth.  I frowned, perplexed. “What, you want me to be mute like you?”  Was he hinting I talked too much? He shook his head and reached out again.  This time, he cupped my jaw and lightly ran his thumb over my bottom lip.  The gentle touch caused the pull in my stomach to intensify.  Though I couldn’t see his eyes, I read his intent. “Whoa!”  I scrambled out of the bed as if it had caught fire. He stayed where I left him and turned his head to study me as I stood trembling beside the bed.  I nervously rubbed a sweaty palm, the one that had moments before rested on his chest, against my leg.  His whiskers twitched down.  I couldn’t recall him frowning at me before. I almost asked where that idea suddenly came from, but guessed it was long overdue.  According to the Elders, when an unMated male finds his female, he begins a courtship of sorts.  The end goal is to Claim his Mate. But Clay hadn’t courted me.  He just lived here in his fur.  And sometimes cooked for me.  And sometimes helped me with chores...and when he wasn’t around, I felt disappointed and missed him.  My fearful expression slackened to one of stunned amazement.  He had been courting me these last few months.  Clever dog. Not
Melissa Haag (Hope(less) (Judgement of the Six #1))
I was never a child; I never had a childhood. I cannot count among my memories warm, golden days of childish intoxication, long joyous hours of innocence, or the thrill of discovering the universe anew each day. I learned of such things later on in life from books. Now I guess at their presence in the children I see. I was more than twenty when I first experienced something similar in my self, in chance moments of abandonment, when I was at peace with the world. Childhood is love; childhood is gaiety; childhood knows no cares. But I always remember myself, in the years that have gone by, as lonely, sad, and thoughtful. Ever since I was a little boy I have felt tremendously alone―and "peculiar". I don't know why. It may have been because my family was poor or because I was not born the way other children are born; I cannot tell. I remember only that when I was six or seven years old a young aunt of mind called me [i]vecchio[/i]―"old man," and the nickname was adopted by all my family. Most of the time I wore a long, frowning face. I talked very little, even with other children; compliments bored me; baby-talk angered me. Instead of the noisy play of the companions of my boyhood I preferred the solitude of the most secluded corners of our dark, cramped, poverty-stricken home. I was, in short, what ladies in hats and fur coats call a "bashful" or a "stubborn" child; and what our women with bare heads and shawls, with more directness, call a [i]rospo[/i]―a "toad." They were right. I must have been, and I was, utterly unattractive to everybody. I remember, too, that I was well aware of the antipathy I aroused. It made me more "bashful," more "stubborn," more of a "toad" than ever. I did not care to join in the games played by other boys, but preferred to stand apart, watching them with jealous eyes, judging them, hating them. It wasn't envy I felt at such times: it was contempt; it was scorn. My warfare with men had begun even then and even there. I avoided people, and they neglected me. I did not love them, and they hated me. At play in the parks some of the boys would chase me; others would laugh at me and call me names. At school they pulled my curls or told the teachers tales about me. Even on my grandfather's farm in the country peasant brats threw stones at me without provocation, as if they felt instinctively that I belonged to some other breed.
Giovanni Papini (Un uomo finito)
Antonia Valleau cast the first shovelful of dirt onto her husband’s fur-shrouded body, lying in the grave she’d dug in their garden plot, the only place where the soil wasn’t still rock hard. I won’t be breakin’ down. For the sake of my children, I must be strong. Pain squeezed her chest like a steel trap. She had to force herself to take a deep breath, inhaling the scent of loam and pine. I must be doing this. She drove the shovel into the soil heaped next to the grave, hefted the laden blade, and dumped the earth over Jean-Claude, trying to block out the thumping sound the soil made as it covered him. Even as Antonia scooped and tossed, her muscles aching from the effort, her heart stayed numb, and her mind kept playing out the last sight of her husband. The memory haunting her, she paused to catch her breath and wipe the sweat off her brow, her face hot from exertion in spite of the cool spring air. Antonia touched the tips of her dirty fingers to her lips. She could still feel the pressure of Jean-Claude’s mouth on hers as he’d kissed her before striding out the door for a day of hunting. She’d held up baby Jacques, and Jean-Claude had tapped his son’s nose. Jacques had let out a belly laugh that made his father respond in kind. Her heart had filled with so much love and pride in her family that she’d chuckled, too. Stepping outside, she’d watched Jean-Claude ruffle the dark hair of their six-year-old, Henri. Then he strode off, whistling, with his rifle carried over his shoulder. She’d thought it would be a good day—a normal day. She assumed her husband would return to their mountain home in the afternoon before dusk as he always did, unless he had a longer hunt planned. As Antonia filled the grave, she denied she was burying her husband. Jean-Claude be gone a checkin’ the trap line, she told herself, flipping the dirt onto his shroud. She moved through the nightmare with leaden limbs, a knotted stomach, burning dry eyes, and a throat that felt as though a log had lodged there. While Antonia shoveled, she kept glancing at her little house, where, inside, Henri watched over the sleeping baby. From the garden, she couldn’t see the doorway. She worried about her son—what the glimpse of his father’s bloody body had done to the boy. Mon Dieu, she couldn’t stop to comfort him. Not yet. Henri had promised to stay inside with the baby, but she didn’t know how long she had before Jacques woke up. Once she finished burying Jean-Claude, Antonia would have to put her sons on a mule and trek to where she’d found her husband’s body clutched in the great arms of the dead grizzly. She wasn’t about to let his last kill lie there for the animals and the elements to claim. Her family needed that meat and the fur. She heard a sleepy wail that meant Jacques had awakened. Just a few more shovelfuls. Antonia forced herself to hurry, despite how her arms, shoulders, and back screamed in pain. When she finished the last shovelful of earth, exhausted, Antonia sank to her knees, facing the cabin, her back to the grave, placing herself between her sons and where their father lay. She should go to them, but she was too depleted to move.
Debra Holland (Healing Montana Sky (Montana Sky, #5))
…a wolf creature with yellow fur and black stripes. It were about the size of a real large dog. I can remember it to this day, cos it were the first one I had ever seen. It had a long muzzle and stripes on its sides like a tiger. The tail were thick and the fur so fine and smooth it were like it didn’t have hair. It’s like a wolf, I heard me mother say and indeed it looked like those wolves I seen in me fairytale books. It stared at us with huge black eyes, then it opened its jaw real slow til I thought it could swallow a baby. I’ll go bail if it were not the most bonny, handsomest thing I ever seen..
Louis Nowra (Into That Forest)
His fur caught on fire, and then he started running around like Steve Balmer during a Los Angeles Clippers rally. "Burn, baby burn!
R.K. Davenport (Stampy Vs. Sparklez (The Enderdome Battles Book 2))
Daddy?” “I’m right here, baby.” Lumps form in my throat, going all the way down into the core of me. It’s his voice. His. Right there. I reach toward the doorknob but I don’t get to turn it. Nick smashes at me with his head, pushing against my lower jaw and cheek, like a blow. His muzzle moves my head away from the door. He presses his face in between me and the wood. Fur gets in my mouth. I spit it out and push at him. “That’s my dad. My dad.” I slap the door. “He’s on the other side. The pixies will get him.” Nick shows me his teeth. “I can’t lose him again, Nick.” The wolf snarls like he’s ready to bite. My head jerks back and away, but then I steady myself. “Get . . . out . . . of . . . the . . . way.” Pushing against his thick neck, I slam my hands against him over and over again, pummeling him. He doesn’t budge. “Move!” I order. “Move.” “Zara, is there a wolf in there with you? Do not trust him,” my dad’s voice says, calmly, really calmly. I grab a fistful of fur and freeze. All at once it hits me that something is not right. My dad would never be calm if I was in my bedroom with a wolf. He’d be stressed and screaming, breaking the door down, kicking it in like he did once when I was really little and had accidentally locked myself in the bathroom and couldn’t get the lock out of the bolt because it was so old. He’d kicked that door down, splintering the wood, clutching me to him. He’d kissed my forehead over and over again. “I’d never let anything happen to you, princess,” he’d said. “You’re my baby.” My dad would be kicking the door in. My dad would be saving me. “Let me in,” he says. “Zara . . .” Letting go of Nick, I stagger backward. My hands fly up to my mouth, covering it. Nick stops snarling at me and wags his fluffy tail. How would my dad know that it is a wolf in here and not a dog? How would he know that it isn’t pixies? I shudder. Nick pounds next to me, pressing his side against my legs. I drop my hands and plunge my fingers into his fur, burying them there, looking for something. Maybe comfort. Maybe warmth. Maybe strength. Maybe all three.
Carrie Jones (Need (Need, #1))
Now my face is flushed too. And then out of nowhere, I’m leaning toward Annie. I’m not thinking. I’m too tired and worn out to think. I’m inches away from her now. She smells like baby powder and mint. She freezes. Her face is stiff, her eyes too large. And then the tiny Annie smile flashes across her lips and I know she wants to kiss me too. Her lips feel springy, her breath smells like spearmint, her hair is as soft as puppy fur. Who knew kissing Annie Bomini would feel so nice? We sit there for a minute, my arm warm against hers. The sun is down now, but it isn’t night yet. One time is gone and the other has not yet begun. We get up and start walking back to 64. “Forget we did that,” I say. “I’ve already forgotten,” she says. But I’m still holding her hand and I won’t let go.
Gennifer Choldenko (Al Capone Does My Homework)
The wind grows bitterly cold and I wrap my fur cape around my shoulders and neck. I picture Meh-gan back in the cave, her fragile human body pinkish-blue with chills. I am not there to bundle her in thicker furs, or to get her hot tea when she is cold and too distracted to take care of herself. I feel a pang of worry; someone will think of my mate and take care of her if the cold gets to be too much, surely. The fires must be kept warm and the humans protected, especially the sweet human that carries my son.
Ruby Dixon (Having the Barbarian's Baby (Ice Planet Barbarians, #6.1))
To the right the reptilian bodies flew up and aside, as if bulldozed. Someone strong and very motivate was tearing down the battlefield. "What the hell is that?" Alix said. "That's my honey-bunny." Curran burst into the open, a seven-and-a-half-foot-tall monster clothed in steel muscle and gray fur. Faint stripes crossed his limbs like dark whip marks. Blood dripped from his clawed hands. On the left side, a patch of his skin was missing, muscle exposed and raw. He grabbed the nearest lizard, twisted it with a loud snap, and tossed it aside. "Hey, baby." "Hi." I beheaded a lizard. "Where are the kids?" "With the MSDU." He disemboweled a beast with a quick swipe of his claws. "You're having all this fun without me." "I'm not doing much. Just having tea and cookies." I cut at another lizard. "Thinking deep thoughts." I love you. "Then I'll join you." He loved me, too.
Ilona Andrews (Magic Shifts (Kate Daniels, #8))
OH FUCK, BABY," I groaned, my eyes sliding closed as my body pulsed with pleasure. Fur rippled along my skin as my wolf shuddered with need. He wanted to be dominating our mate, but it was my turn. "Suck it hard, Larissa. Oh, yeah. Fuck!" I forced my eyelids up so I could watch my mate take my cock to the back of her throat. Holding her hair in one fist, I helped guide her head up and down, fucking her mouth like I was gonna be doing to her pussy real soon. She raised her eyes to mine, and I almost lost it right then. She looked so damn gorgeous on her knees with her pretty lips wrapped around me, and her eyes filled with desire.
Fiona Davenport (Her Alpha (Shifted Love, #2))
If you want to talk, cry, laugh, eat junk food till you’re sick, or do all of the above, you just say the word. Or if you’d rather we leave you alone so you can snuggle with your fur-babies,
Shannon Messenger (Nightfall (Keeper of the Lost Cities, #6))
Is it time for them to be fed?” Bridget called out in a sleepy, husky voice. “Nay,” Cathal replied. “They are just purring.” He continued to stare at his sons as he heard the rustle of the bedclothes and, a moment later, Bridget appeared at his side wrapped in one of the bed furs. “My sons are purring, Bridget.” Bridget looked down at her lovely, perfect little babies. They were both on their backs, letting the sun warm their plump little bellies. They were also, most definitely, purring. She bit the inside of her cheek to keep herself from laughing. “Ah, so they are.” “Men dinnae purr.” “They arenae men. They are wee bairns.” Cathal
Hannah Howell (The Eternal Highlander (McNachton Vampires, #1))
What You Pray Toward “The orgasm has replaced the cross as the focus of longing and the image of fulfillment.” —Malcolm Muggeridge, 1966 I. Hubbie 1 used to get wholly pissed when I made myself come. I’m right here!, he’d sputter, blood popping to the surface of his fuzzed cheeks, goddamn it, I’m right here! By that time, I was in no mood to discuss the myriad merits of my pointer, or to jam the brakes on the express train slicing through my blood, It was easier to suffer the practiced professorial huff, the hissed invectives and the cold old shoulder, liver-dotted, quaking with rage. Shall we pause to bless professors and codgers and their bellowed, unquestioned ownership of things? I was sneaking time with my own body. I know I signed something over, but it wasn’t that. II. No matter how I angle this history, it’s weird, so let’s just say Bringing Up Baby was on the telly and suddenly my lips pressing against the couch cushions felt spectacular and I thought wow this is strange, what the hell, I’m 30 years old, am I dying down there is this the feel, does the cunt go to heaven first, ooh, snapped river, ooh shimmy I had never had it never knew, oh i clamored and lurched beneath my little succession of boys I cried writhed hissed, ooh wee, suffered their flat lapping and machine-gun diddling their insistent c’mon girl c’mon until I memorized the blueprint for drawing blood from their shoulders, until there was nothing left but the self-satisfied liquidy snore of he who has rocked she, he who has made she weep with script. But this, oh Cary, gee Katherine, hallelujah Baby, the fur do fly, all gush and kaboom on the wind. III. Don’t hate me because I am multiple, hurtling. As long as there is still skin on the pad of my finger, as long as I’m awake, as long as my (new) husband’s mouth holds out, I am the spinner, the unbridled, the bellowing freak. When I have emptied him, he leans back, coos, edges me along, keeps wondering count. He falls to his knees in front of it, marvels at my yelps and carousing spine, stares unflinching as I bleed spittle unto the pillows. He has married a witness. My body bucks, slave to its selfish engine, and love is the dim miracle of these little deaths, fracturing, speeding for the surface. IV. We know the record. As it taunts us, we have giggled, considered stopwatches, little laboratories. Somewhere beneath the suffering clean, swathed in eyes and silver, she came 134 times in one hour. I imagine wires holding her tight, her throat a rattling window. Searching scrubbed places for her name, I find only reams of numbers. I ask the quietest of them: V. Are we God?
Patricia Smith (Teahouse of the Almighty)
Montreal October 1704 Temperature 55 degrees “Remember how in Deerfield there was nobody to marry? Remember how Eliza married an Indian? Remember how Abigail even had to go and marry a French fur trader without teeth?” Mercy had to laugh again. It was such a treat to laugh with English friends. “Your man doesn’t have teeth?” “Pierre has all his teeth. In fact, he’s handsome, rich and an army officer. But what am I to do about the marriage?” Sarah was not laughing. She was shivering. “I do not want that life or that language, Mercy, and above all, I do not want that man. If I repeat wedding vows, they will count. If I have a wedding night, it will be real. I will have French babies and they will be Catholic and I will live here all my life.” Sarah rearranged her French scarf in a very French way and Mercy thought how much clothing mattered; how changed they were by what they put on their bodies. “The Catholic church won’t make you,” said Mercy. “You can refuse.” “How? Pierre has brought his fellow officers to see me. His family has met me and they like me. They know I have no dowry, but they are being very generous about their son’s choice. If I refuse to marry Pierre, he and the French family with whom I live will be publicly humiliated. I won’t get a second offer of marriage after mistreating this one. The French family will make me a servant. I will spend my life waiting on them, curtseying to them, and saying ‘Oui, madame.’” “But surely ransom will come,” said Mercy. “Maybe it will. But what if it does not?” Mercy stared at her feet. Her leggings. Her moccasins. What if it does not? she thought. What if I spend my life in Kahnawake? “What if I stay in Montreal all my life?” demanded Sarah. “A servant girl to enemies of England.” The world asks too much of us, thought Mercy. But because she was practical and because there seemed no way out, she said, “Would this Frenchman treat you well?” Sarah shrugged as Eben had over the gauntlet, except that when Eben shrugged, he looked Indian, and when Sarah shrugged, she looked French. “He thinks I am beautiful.” “You are beautiful,” said Eben. He drew a deep breath to say something else, but Nistenha and Snow Walker arrived beside them. How reproachfully they looked at the captives. “The language of the people,” said Nistenha in Mohawk, “is sweeter to the ear when it does not mix with the language of the English.” Mercy flushed. This was why she had not been taken to Montreal before. She would flee to the English and be homesick again. And it was so. How she wanted to stay with Eben and Sarah! They were older and would take care of her…but no. None of the captives possessed the freedom to choose anything or take care of anyone. It turned out that Eben Nims believed otherwise. Eben was looking at Sarah in the way every girl prays some boy will one day look at her. “I will marry you, Sarah,” said Eben. “I will be a good husband. A Puritan husband. Who will one day take us both back home.” Wind shifted the lace of Sarah’s gown and the auburn of one loose curl. “I love you, Sarah,” said Eben. “I’ve always loved you.” Tears came to Sarah’s eyes: she who had not wept over her own family. She stood as if it had not occurred to her that she could be loved; that an English boy could adore her. “Oh, Eben!” she whispered. “Oh, yes, oh, thank you, I will marry you. But will they let us, Eben? We will need permission.” “I’ll ask my father,” said Eben. “I’ll ask Father Meriel.” They were not touching. They were yearning to touch, they were leaning forward, but they were holding back. Because it is wrong? wondered Mercy. Or because they know they will never get permission? “My French family will put up a terrible fuss,” said Sarah anxiously. “Pierre might even summon his fellow officers and do something violent.” Eben grinned. “Not if I have Huron warriors behind me.
Caroline B. Cooney (The Ransom of Mercy Carter)
Deerfield, Massachusetts February 29, 1704 Temperature 0 degrees Mercy could not keep up the pace. Gradually the line passed her by, until she was walking with Eben Nims, and she must not fall farther behind than that, because the Indians behind Eben were the end of the line. Daniel held tight and sucked his thumb. But not only did Marah refuse to walk, she kept yelling that her feet were cold, and she wanted Stepmama, and she needed her mittens, and she was hungry. Mercy could walk, though not fast enough, and she could carry, though not easily. But she could not supply food, warmth or Stepmama. Mercy tried to believe that Stepmama was up ahead of her with the baby; that it was so crowded and chaotic Mercy could not spot her. But in her heart, she did not think Stepmama had left the stockade. “The savage put food in my pack, Mercy,” said Eben quietly. “If you slip your hand into the opening near my left shoulder, there’s a loaf of bread on top.” They walked on, considering whether the Indians would tomahawk her for stealing Eben’s own bread. Well, they’d shortly tomahawk Marah for whining, so Mercy might as well get on with it. She set the two children down, and Eben bent his knees so she could reach and Mercy fished around in the pack. She slid the loaf out. It was long and fat and crusty. Her Indian was watching. Mercy looked straight at him while she ripped off a chunk for Marah. He did nothing. Mercy decided to give some to Jemima too, which would give her something to do besides whine. She would give bread to Eliza and hope food would break Eliza’s grieving stupor. Marah didn’t take a single bite. She threw the bread across the snow. “I want Mama!” she said fiercely. She glared at Mercy, as if all this hiking and shivering were Mercy’s fault. Mercy could not abandon the bread out there in the snow. She was going to need that bread. It was all they had, and somehow Mercy had become responsible for Marah and Daniel and Ruth and Eliza and Jemima, and probably even for Eben. Mercy stepped off the trodden path to retrieve the crust, but her Indian stopped her, shaking his head. On his face was no expression but the one painted in black. His arms were tattooed with snakes that curled their fangs when he tightened his muscles. How could he go half bare in this weather? she thought, and then remembered that she wore his rabbit-lined cloak. Daniel, sitting happily on her hip, reached out from under the rabbit fur and patted the snake. The Indian tensed his upper arm to make the snake slither. Daniel giggled, so the Indian did it again, and it seemed to Mercy that he actually smiled at Daniel. Then, blessedly, he took Marah for her.
Caroline B. Cooney (The Ransom of Mercy Carter)
But the physical health of these young monkeys hid a devastating sickness: they had been wrecked by loneliness. Their short lives had been defined by total isolation, and they proved incapable of even the most basic social interactions. They would maniacally rock back and forth in their metal cages, sucking on their thumbs until they bled. When they encountered other monkeys, they would shriek in fear, run to the corners of their cages, and stare at the floor. If they felt threatened, they would lash out in vicious acts of violence. Sometimes these violent tendencies were turned inward. One monkey ripped out its fur in bloody clumps. Another gnawed off its own hand. Because of their early deprivation, these babies had to be isolated for the rest of their lives.
Jonah Lehrer (How We Decide)
Coert raised a brow. “Threatening criminal charges against asshole animal abusers is being paternal?” “Taking care of your baby, no matter what form she comes in, even if she’s covered in fur . . . yes, it absolutely is.
Kristen Ashley (The Time in Between (Magdalene, #3))
What kind of shapeshifter has orange fur anyway?” “Weredingo.” Now I’d seen everything. Well, at least he didn’t steal my baby.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
No sooner was she twenty-three years old than she was twenty-eight; no sooner twenty-eight than thirty-one; time is speeding past her while she examines her existence with a cold, deadly gaze that takes aim at the different areas of her life, one by one-the damp studio crawling with roaches, mold growing in the grout between tiles; the bank loan swallowing all her spare cash; close, intense friendships marginalized by newborn babies, polarized by screaming sweetness that leaves her cold; stress-soaked days and canceled girls’ nights out, but, legs perfectly waxed, ending up jabbering in dreary wine bars with a bevy or available women, shrieking with forced laughter, and always joining in, out of cowardice, opportunism; occasional sexual adventures on crappy mattresses, or against greasy, sooty garage doors, with guys who are clumsy, rushed, stingy, unloving; an excess of alcohol to make all this shine; and the only encounter that makes her heart beat faster is with a guy who pushes back a strand of her hair to light her cigarette, his fingers brushing her temple and the lobe of her ear, who has mastered the art of the sudden appearance, whenever, wherever, his movements impossible to predict, as if he spent his life hiding behind a post, coming out to surprise her in the golden light of a late afternoon, calling her at night in a nearby cafe, walking toward her one morning from a street corner, and always stealing away just as suddenly when it’s over, like a magician, before returning … That deadly gaze strips away everything, even her face, even her body, no matter how well she takes care of it-fitness magazines, tubes of slimming cream, and one hour of floor barre in a freezing hall in Docks Vauban. She is alone and disappointed, in a sate of disgrace, stamping her feet as her teeth chatter and disillusionment invades her territories and her hinterland, darkening faces, ruining gestures, diverting intentions; it swells, this disillusionment, it multiplies, polluting the rivers and forests inside her, contaminating the deserts, infecting the groundwater, tearing the petals from flowers and dulling the luster in animals’ fur; it stains the ice floe beyond the polar circle and soils the Greek dawn, it smears the most beautiful poems with mournful misfortune, it destroys the planet and all its inhabitants from the Big Bang to the rockets of the future, and fucks up the whole world- this hollow, disenchanted world.
Maylis de Kerangal (The Heart)
I was still pissed. “What kind of shapeshifter has orange fur anyway?” “Weredingo.” Now I’d seen everything. Well, at least he didn’t steal my baby.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
Favorite Books to read: Books with fur babies, subject suicide, stories set in Tokyo, Disney books. Be picky. Refer to no book list.
Me
A 4-year-old loves her toy puppy’s golden brown fur. Her teenage brother is annoyed by its loud bark. Her mom sees it as a tool to keep the 4-year-old busy. Her baby sister finds the puppy’s big teeth scary. Her dad considers it an overpriced piece of plastic. The same toy evokes different feelings depending on how one looks at it. We see what we seek. When you don’t attend to attention — when you’re inattentive — life may pass you by. The tulips come and go, the seasons change, and the baby climbs out of the crib, off the bunk bed and on to the college dorm. We forget that joy is in the details. As a Jewish prayer says, “Days pass, and the years vanish, and we walk sightless among miracles.” Intentional trained attention is directed by your will. This trained attention pulls you away from distractions to savor a more wholesome morsel of life. Trained attention doesn’t deny or repress reality. It gives you temporary freedom from negativity. You stop carrying the entire load of the past and the future in your head. Trained attention is focused, relaxed, compassionate, nonjudgmental, sustained, deep and intentional. This meditative attention is essential to experiencing flow. Its optimal practice helps you forget yourself, immerses you in the world’s novelty, and frees your mind for creativity and joy.
Amit Sood (The Mayo Clinic Guide to Stress-Free Living)
to explore if he wants, but don’t force it. Make the car familiar by allowing Kitty to cheek rub and spread his scent to claim the car as purr-sonal territory, and he'll feel more relaxed and happy during travels. Give Him Smell Comfort. Place the kitten’s bed, blanket, or a towel you've petted him with inside the car on the back seat. That way, his scent is already inside. Spraying Feliway on the towel or car upholstery also may help the baby feel more relaxed. Sit For A While. While inside the car, take care that small kittens don't squirm into cubbyholes under the dashboard. Five minutes is long enough. Repeat this five-minute car visit a couple times a day for several days, extending the time whenever the kitty stays calm. Be ready to get the kitty back into safe, non-scary surroundings should he act overwhelmed.  You might see fluffed fur, downward turned ears, a flailing tail and hear vocalizations from hisses and growls to yowls of protest. Some cats won’t want to leave the carrier, and that’s fine. In those cases, keep the carrier covered with a towel, and don’t worry about him exploring the car.
Amy Shojai (Complete Kitten Care)
We get too sentimental over dead animals. We turn maudlin. But only those with fur, only those who look like us, at least a little. Those with big eyes, eyes that face front. Those with smallish noses or modest beaks. No one laments a spider. Nor a crab. Hookworms rate no wailing. Fish neither. Baby seals make the grade, and dogs, and sometimes owls. Cats almost always. Do we think they are like dead children? Do we think they are part of us, our animal soul stashed somewhere near the heart, fuzzy and trusting, and vital and on the prowl, and brutal towards other forms of life, and happy most of the time, and also stupid? (Why almost always cats? Why do dead cats call up such ludicrous tears? Why such deep mourning? Because we can no longer see in the dark without them? Because we’re cold without their fur? Because we’ve lost our hidden second skin, the one we’d change into when we wanted to have fun, when we wanted to kill things without a second thought, when we wanted to shed the dull grey weight of being human?)
Margaret Atwood
I’ll hiss at you all I fucking want, Mom.” Bared teeth sharpened as amber spread through Sophie’s pupils. “I went to her because of you. Because I don’t want you to live like a troll for the rest of your life. And you can’t-,” A growl ran over Sophie’s words as her upper lip split, the septum of her nose sliding down towards it. “Baby no! Don’t!” Gloria pleaded. Bones cracked as Sophie tore off her clothing. “Why not? She waaants to meeeeet you anywaay aaahhh.” The words strained against the background of popping bones. She kicked her skirt from around her ankles as fur raced up her spine, spreading from the base of her tail. “Huuurts,” She ground out as she fell down to the floor. “Always does during the new moon,” I said, raising myself up on tiptoes to watch the transformation. Gloria watched her daughter change, with wide eyes and a shaking head, but Taya had gone so pale, I feared she’d faint. “She will not hurt you. Right, Sophie? You just wanted to show them.” Sophie made a gargle of sounds that might have been a yes as her hips narrowed in a series of violent snaps, seeming to squeeze muscle up into her neck. Torso reshaped, the transformation continued down through her limbs, muscles swelling with the stretching of bones. Fingers bent backwards as they thickened to the fleshy digits of paws. The sickle-like claws folded back into the tips before a wave of tawny golden fur hid them away. That fur lightened to white on her chest and chin. With the change finished, she sank down onto the floor with a relieved sound somewhere between a meow and a human sigh. I recognized the signs of a shift forced by spending too long in human form. I’d be running into my own limit soon. If Sophie had been human since we exited that cave then the pressure to change had probably been immense
Daniel Potter (Soul Shock (Full Moon Medic #3))
Dolly is a ten-year-old bichon frise. Her fur smells like bran flakes and her breath smells like rotting flesh. Most of the time she’s a languid, trip-over dog, a little cat of a dog, though in her usual stance, splayed sideways on the floor, she looks more like a baby polar bear. She came with the flat and has a greater claim to its ownership than I do.
Soula Emmanuel (Wild Geese)
They’re a lot bigger than the last ones,” I say. “Yeah, they must be four weeks old. She must have dropped this litter early. Can you sit with your legs out to hold them?” Without a subterranean den, we had to coral them somehow. Inside the copse, there is barely room to move. I drop down to a sitting position with my legs splayed out, and the pups wiggle en masse against my thigh. Their noses press against my pant leg. They calm down and begin to nuzzle into each other. Dirt streaks their coats, which range from coal to warm gray. Their heads are covered in dense auburn fur, and all of them have now closed their milky-gray eyes. I stare at them in disbelief at the thought that, not so long ago, settlers threw dynamite into wolf puppy dens. Their muzzles appear foreshortened and out of proportion to the long and wide jaws they will grow into one day. Something compels one pup to move closer and closer to me until the little wolf wedges its nose firmly into my groin. The other pups trail behind it, tunneling between each other and pawing their way over one another until all four are piled together between my legs. I try not to think about the fact that suddenly I am a temporary nursemaid to some of the world’s rarest wolves while their mother likely paces a few dozen yards away. Adjusting the puppies is futile, as they seem hardwired to nuzzle their way into the warmest, tightest spot they can find. The brambles, while thick on the outside, form a natural opening in the middle that is just large enough for a wolf to circle around in. The mother had dug a very shallow earthen dish - only a few inches deep - to keep her babies in. “Doesn’t seem like much of a den,” I remark. “I thought we’d find another big hole in the ground.” “It varies,” Ryan says. “Sometimes we find them in these bowl depressions, usually where the woods are thicker and the ground is flatter, like here. But sometimes they’re in holes. When the ground is sloped, they’ll dig back into the slope. That’s the most typical kind of den. But we’ve found them in storm culverts, too. It’s all over the map.” Ryan sets to work pulling out rubber gloves, blood-sample supplies and ID chips. Chris snaps and cracks his way to us. He crawls through the copse and curses at the dense vegetation. Finally, he reaches the inner sanctum, where there is barely enough room to sit Indian style jammed up against Ryan’s legs and mine. Roomy for a wolf, maybe, but cramped for three human adults. “What a sorry little den,” Chris remarks. He glances at the scratched-out dirt bed and porous brush overhead. Rain drips through, wetting our heads. “Is she nearby?” “Somewhere over there.” Ryan gestures behind us. “She’s not going far, though, you can be sure of that. These guys squealed their guts out.
T. DeLene Beeland (The Secret World of Red Wolves: The Fight to Save North America's Other Wolf)
A Clean Egg She is washing eggs at the kitchen sink when she feels it. It feels like a little pulse between her palms. She looks down at the egg she is holding, which has a large green smear across it. Eggs must be washed carefully. Eggs come out of their chickens covered in slime, and then they roll around in their nests and always wind up covered in chicken shit before she can come out to collect them, so the washing is important. She has a special brush for washing eggs. She’s using it now, against this smear, when she feels the pulse again. She sets down the brush. There is something moving inside the egg. It is not, of course, a baby chicken. She has no rooster, and so all of the eggs her chickens lay are merely eggs, unfertilized. They were never going to be baby chickens. It is not even a tragedy. Besides, the thing moving inside the egg does not feel to her like a chick. Don’t ask her how she knows that. She cups the egg in two hands. It is warm, and whatever is inside is tapping at the curved walls rhythmically, steadily, like the egg is not an egg but a heart, or a room. Could it be a little naked fairy, like the ones in the pictures her aging aunts send her, the ones they seem to think she’d like to hang on her clean walls? Could it be something more extravagant, like a little giraffe, its neck all curled up inside the egg like a fiddlehead, or a miniature tiger with wet fur and sharp, tiny claws? Could it be the other thing, the thing she has been waiting for, alone in this white house, with her chickens and her one goat and her resistance to the society of others? A crack appears in the smooth white wall of the egg. The thing inside is trying to get out. She will, in a moment or two, finally find out what it is, how many legs, what it looks like, if it looks like her, if it looks like him. The crack becomes a dark slice. The slice becomes a dark hole. She closes her eyes. She tips her hands apart. She stomps the egg into the carpet.
Emily Temple
Trey held out his hand to Taryn. “Come on, baby.” Many days a week, she and Trey would go play in the forest while he was in Cujo form and then lie near the lake while she read the newspaper, all the while running her fingers through his coarse fur. Occasionally some of the pack would join in on their play in their wolf forms and then collapse beside her and Cujo, enjoying the close contact with their Alpha pair.
Suzanne Wright (Feral Sins (The Phoenix Pack, #1))
Cloudstreet, by Tim Winton; Song of Solomon, by Toni Morrison; White Fur, by Jardine Libaire; and—oh, baby—Adultery and Other Choices, by Andre Dubus, who might be the writer Vivi loves most.
Elin Hilderbrand (Golden Girl)
I’m going to call you Motherwort,” I whispered, petting the baby fur as she scarfed down the food. “Wort for short, because motherwort is so good at healing girls, and this one right here”—I jabbed my thumb at myself—“has had a day.
Jess Lourey (Litani)
His liger roused with a warning growl. Watch yourself. Despite all his warning instincts urging him to turn and face the approaching threat, he didn’t budge when a very large man came to stand beside him. “You Leo?” “Yup.” “You’re the one my daughter’s got her mind set on?” “Yup.” The other man grunted. For a moment, they both stared in silence. “Just so you know, that’s my baby girl.” “I know.” “She’s fucking delicate,” Meena’s father rumbled as his daughter stomped her foot on the ground to a song, got her heel stuck, yanked, broke the heel, teetered, and fell, knocking a tray of drinks from a passing waiter’s hands. “I will keep her from harm.” Even if that harm was sometimes from herself. “If you ever make her cry, I will hunt you down and skin you myself. I can fetch a fine price for liger’s fur on the black market.” The threat didn’t even make him blink. “While I cannot condone the murder and sale of a pride member, I can appreciate your sentiment, sir. But no fears. It is not my intention to make her cry.” Scream, yes, but that would be in pleasure and wasn’t something he felt a need to divulge. “You’ve been warned.” With those final words, the man melted back into the crowd and left Leo to his vigil. For a while longer, he watched Meena, amused at how disaster loved to lurk around her. But despite her mishaps, nothing could ruin the smile on her lips.
Eve Langlais (When an Omega Snaps (A Lion's Pride, #3))
You clean up nice, for a werewolf.” “And you’re not so bad for a vamp,” he growled, his eyes roaming over my reflection in the mirror. “In fact, you look fucking gorgeous.” “Thanks.” I could feel myself blushing at the way he was looking at me. In the mirror, I could see my cheeks getting pink. “Hey,” he murmured stroking one finger lightly over my hot cheek. “What’s wrong—can’t take a compliment?” “You’re just embarrassing me,” I said, not meeting his eyes. “Stop looking at me like that.” “Like what?” His deep voice seemed to go right through me and the delicious scent of leather and fur invaded my senses, making it hard to think. “I don’t know,” I said. “Like… like you’re the big bad wolf and you want to eat me up.” The minute I said the words I regretted them. They were too charged with meaning—too easy to misconstrue. Especially when I could feel the heat of his big body climbing my skin like an electric current, and his warm, masculine scent was driving me crazy. “Of course I want to eat you, baby,” he murmured, catching my eyes in the mirror and holding them with his own, which had suddenly gone wolf gold. “There’s nothing I’d like more.” “Victor…” I shifted uneasily, pressing my thighs together tightly under the thin dress. “You know what I mean.” “And you know what I mean, too,” he growled softly.
Evangeline Anderson (Scarlet Heat (Born to Darkness, #2; Scarlet Heat, #0))
It was decaffeinated jazz he sent to WJZ via Western Union lines from the Hotel Pennsylvania. A distant echo of New Orleans, yet it spoke to listeners.” The ’20s style was lively, rich with saxophone and violin and well-sprinkled with novelty tunes. Lopez was instantly identified by his theme, Nola, given a dexterous workout on the Lopez keyboard. Whiteman had Gershwin: his Rhapsody in Blue concert at Aeolian Hall on Feb. 12, 1924, established his reputation. And though Whiteman was slow to find his way into radio, he was a major force in band music of the ’20s. George Olsen was a master of popular music: his 1925 recording Who was a bestseller, followed by such period hits as The Varsity Drag, Because My Baby Don’t Mean Maybe Now, and Doin’ the Raccoon, a testament to the national passion for fur coats.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
SLITHY TOVE Doorman at the Slithy Tove was a fat white rabbit. He had a blood-flecked head protruding from beer-stained neck fur and a large pocket watch in his big white mittens. The big hand was pointing to twelve, the little hand pointing to three. That’s three o’clock in the morning of the night just begun. Two door whores were trying to blag their way in without a coding symbol. Rabbit was dealing them grief. I flashed my laminated access-all-areas after-gig party passcode, formed to the shape of a small and cute puppy dog half-cut with a human baby, dappled in fur; overleaf, a photo of Dingo Tush, naked but for his (authorized) autograph. Around the edge of the pass ran the slogan – Dingo Tush. Barking for Britain tour. Presented by Das Uberdog Enterprises.
Jeff Noon (Vurt: 30th Anniversary Edition)