Funeral Goodbye Quotes

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When it comes to death, we know that laughter and tears are pretty much the same thing. And so, laughing and crying, we said good-bye to my grandmother. And when we said goodbye to one grandmother, we said good-bye to all of them. Each funeral was a funeral for all of us. We lived and died together. All of us laughed when they lowered my grandmother into the ground. And all of us laughed when they covered her with dirt. And all of us laughed as we walked and drove and rode our way back to our lonely, lonely houses.
Sherman Alexie (The Absolutely True Diary of a Part-Time Indian)
Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me. But a shift has occurred since I stepped up to take Prim's place, and now it seems I have become someone precious. At first one, then another, then almost every member of the crowd touches the three middle fingers of their left hand to their lips and holds it out to me. It is an old and rarely used gesture of our district, occasionally seen at funerals. It means thanks, it means admiration, it means good-bye to someone you love.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
My pops once said goodbyes are “the most possible impossible” ’cause you never wanna say them, but you’d be stupid not to when given the shot. I’m getting cheated out of mine because the wrong person showed up at my funeral.
Adam Silvera (They Both Die at the End)
I love you best, and I'll miss you forever.
C.J. Redwine (The Shadow Queen (Ravenspire, #1))
But a shift has occurred since I stepped up to take Prim’s place, and now it seems I have become someone precious. At first one, then another, then almost every member of the crowd touches the three middle fingers of their left hand to their lips and holds it out to me. It is an old and rarely used gesture of our district, occasionally seen at funerals. It means thanks, it means admiration, it means good-bye to someone you love.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Standing Here My entire world far beneath my feet, I should be filled with pride. Instead, I feel overwhelmed by a sense of defeat. Suddenly it comes to me, toes tempted to test the ledge, that there is a way out of this. Clam surety flows through my veins, and as I turn to wave good-bye, I wonder if it will hurt or if a single person will cry at my funeral. I take a deep breath, a final taste of sweet mountain air. I conjure Leona, Emily. Move my feet closer. Closer There's Grandma One, Grandma Two, and their spouses, waiting for me. I see Dad. Cara. Mommy. I screw up my courage, step over
Ellen Hopkins (Impulse (Impulse, #1))
But when you lose someone, you don’t lose them all at once, and their dying doesn’t stop with their death. You lose them a thousand times in a thousand ways. You say a thousand goodbyes. You hold a thousand funerals.
Sara Seager (The Smallest Lights in the Universe: A Memoir)
They say funerals are not for the dead but for the living. Those rites are what permit you to move on, so if you don’t deal with the remains, you can never deal with the memories. That might be true; we may have walked in their dust down on Venice Minor, but it’s not the same as a proper good-bye.
Ann Aguirre (Aftermath (Sirantha Jax, #5))
Funerals see the end of a life but at the party afterwards, it is like a form of resurrection: the person we have just said goodbye to is back in the room as people share their tales. The
Graham Norton (The Life and Loves of a He Devil)
It was a haunting tune, unresigned, a cry of heartache for all in the world that fell apart. As ash rose black against the brilliant sky, Fire's fiddle cried out for the dead, and for the living who stay behind and say goodbye.
Kristin Cashore
And I realized that sure Indians were drunk and sad and displaced and crazy and mean but dang we knew how to laugh. When it comes to death, we know that laughter and tears are pretty much the same thing. And so, laughing and crying, we said good-bye to my grandmother. And when we said good-bye to one grandmother, we said good-bye to all of them. Each funeral was a funeral for all of us. We lived and died together. All of us laughed when they lowered my grandmother into the ground. And all of us laughed when they covered her with dirt. And all of us laughed as we walked and drove and rode our way back to our lonely, lonely houses.
Sherman Alexie (The Absolutely True Diary of a Part-Time Indian)
A sea of red lights, and I slow down. My job now is to gather everyone together and tell them we have to let her go. I won't tell anyone over the phone, because I didn't like hearing the news from the doctor that way. I have maybe a week to handle the arrangements, as the doctor said, but the arrangements are overwhelming. How do I learn how to run a family? How do I say goodbye to someone I love so much that I've forgotten just how much I love her?
Kaui Hart Hemmings (The Descendants)
To the everlasting credit of the people of District 12, not one person claps. Not even the ones holding betting slips, the ones who are usually beyond caring. Possibly because they know me from the Hob, or knew my father, or have encountered Prim, who no one can help loving. So instead of acknowledging applause, I stand there unmoving while they take part in the boldest from of dissent they can manage. Silence. Which says we do not agree. We do not condone. All of this is wrong. Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me. But a shift has occurred since I stepped up to take Prim's place, and now it seems I have become someone precious. At first one, then another, then almost every member of the crowd touches the three middle fingers of their left hand to their lips and holds it out to me. It is an old and rarely used gesture of our district, occasionally seen at funerals. It means thanks, it means admiration, it means good-bye to someone you love.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
The funeral was beautiful. I didn't mind it, really. It wasn't exactly Pop's funeral, to me. When I'd been alone with him, there in the little room, well, that was it, as far as I was concerned. I'd said good-bye to him, sort of, then. This was just something you had to go through with, on account of other people and out of respect for Pop.
Fredric Brown (The Fabulous Clipjoint (Ed & Am Hunter #1))
Funerals are for the living. For saying good-bye.
Jessica Brody (The Chaos of Standing Still)
Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me. But a shift has occurred since I stepped up to take prim's place, and now it seems I have become someone precious. At first one, then another, then almost every member of the crowd touches the three middle fingers of their left hand to their lips and hold it out to me. It is an old and rarely use gesture of our district, occasionally seen a funerals. It means thanks, it means admiration, it means goodbye to someone you love.
Collins Suzan
We live to produce information, or improve on it. Nietzsche had the Latin pun aut liberi, aut libri—either children or books, both information that caries through the centuries…I am here to die a heroic death for the sake of the collective, to produce offspring (and prepare them for life and provide for them), or eventually, books, —my information, that is, my genes, the anti-fragile in me, should be the ones seeking immortality, not me. Then say goodbye, have a nice funeral in St. Sergius (Mar Sarkis) in Amioun, and, as the French say, place aux autres—make room for others (p. 370-371).
Nassim Nicholas Taleb (Antifragile: Things That Gain from Disorder)
When an animal dies, another of the same species may cling to the body, eat the body, or look bored. Bees expel dead bodies from the hive or, if that is impossible, embalm them in honey. Elephants "say" a ritualistic good-bye, and touch their dead before slowly walking away. Corvids often accept the death of a companion without much fuss, but they at times have “funerals,” where scores of birds lament over the corpse of a deceased crow. But it is a bit odd that people should investigate whether animals “comprehend death,” as if human beings understood what it means to die. Is death a prelude to reincarnation? A portal to Heaven or Hell? Complete extinction? Union with all life? Or something else? All of these views can at times be comforting, yet people usually fear death, quite regardless of what they claim to believe. In the natural world, killing seems a casual affair. Human beings, of course, kill on a massive scale, but most of us can only kill, if at all, by softening the impact of the deed through rituals such as drink or prayer. The strike of a spider, a heron, or a cat is swift and, seemingly, without inhibition or remorse. They pounce with a confidence that could indicate ignorance, indifference, or else profound knowledge. Could this be, perhaps, because animals cannot conceive of killing, since they are not aware of death? Could it be because they understand death well, far better than do human beings? If animals envision the world not in terms of abstract concepts but sensuous images, the soul might appear as a unique scent, a rhythmic motion, or a tone of voice. Death would be the absence of these, though without that absolute finality that we find so severe. Perhaps the heron that snaps a fish thinks his meal lives on, as he one day will, in the form of currents in the pond.
Boria Sax (The Raven and the Sun: Poems and Stories)
The Japanese painter Ryuzaburo Umehara left a will saying that there was no need for a funeral and that condolence offerings were not to be accepted. He wrote that the living should not be troubled for the sake of the deceased.
Fumio Sasaki (Goodbye, Things: The New Japanese Minimalism)
In a windowless nook of a downtown Roanoke funeral parlor, not far from where Tess once roamed the streets, Patricia caressed the back of the scar, as if cupping a baby's head, and told her poet goodbye. It was January 2, Tess's birthday. She would have been twenty-nine. Patricia tucked the treasures of her daughter's life inside the vest--a picture of her boy and one of his cotton onesies that was Tess's favorite, some strands of Koda's hair, and a sand dollar.
Beth Macy (Dopesick: Dealers, Doctors, and the Drug Company that Addicted America)
When a child disappears, the space she’d occupied is immediately filled with dozens of people. And these people—relatives, friends, police officers, reporters from both TV and print—create a lot of energy and noise, a sense of communal intensity, of fierce and shared dedication to a task. “But amid all that noise, nothing is louder than the silence of the missing child. It’s a silence that’s two and a half to three feet tall, and you feel it at your hip and hear it rising up from the floorboards, shouting to you from corners and crevices and the emotionless face of a doll left on the floor by the bed. “It’s a silence that’s different from the one left at funerals and wakes. The silence of the dead carries with it a sense of finality; it’s a silence you know you must get used to. But the silence of a missing child is not something you want to get used to; you refuse to accept it, and so it screams at you. “The silence of the dead says, Goodbye. “The silence of the missing says, Find me.
Dennis Lehane (Gone, Baby, Gone (Kenzie & Gennaro, #4))
member of the crowd touches the three middle fingers of their left hand to their lips and holds it out to me. It is an old and rarely used gesture of our district, occasionally seen at funerals. It means thanks, it means admiration, it means good-bye to someone you love.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
every member of the crowd touches the three middle fingers of their left hand to their lips and holds it out to me. It is an old and rarely used gesture of our district, occasionally seen at funerals. It means thanks, it means admiration, it means good-bye to someone you love.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
At first one, then another, then almost every member of the crowd touches the three middle fingers of their left hand to their lips and holds it out to me. It is an old an rarely used gesture of our district, occasionally seen at funerals. It means thanks, it means admiration, it means goodbye to someone you love.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
At first one, then another, then almost every member of the crowd touches the three middle fingers of their left hand to their lips and holds it out to me. It is an old and rarely used gesture of our district, occasionally seen at funerals. It means thanks, it means admiration, it means good-bye to someone you love.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Shelton pushed Ben lightly. “Remember when you couldn’t flare without losing your temper? So Hi kicked you from behind to get you mad, and you threw him in the ocean?” Ben snorted. “He deserved it.” “I was providing a service,” Hi protested. “I recall Tory once trying to eat a mouse.” I pinched my nose. “Ugh, don’t remind me.” Ella giggled. “One time Cole lost his flare while carrying a boulder. It pinned his leg for an hour.” Then everyone had a story. Our funeral became a wake. The mood lifted as we swapped flare stories. It was cathartic. A way to say good-bye. I caught Ben smiling at me. “I remember when Tory sniffed that mound of bird crap in the old lighthouse. I thought she’d vomit on the spot.” Chance laughed. “I knew she was too clever. Always with a trick up her sleeve.” The boys glanced at each other. Their smiles faded. Something passed between them. Abruptly, both looked at me. I could see a question in their eyes. A resolve to see something through. They talked. Oh God, they talked about me. They’re going to make me choose. In a flash of dread, I realized I could delay this no longer. With another jolt, I realized I didn’t need to. There was no point putting it off. There was also no decision to make. My eyes met a dark, intense pair staring back earnestly. Longingly. Fearfully. I smiled. Even as my heart pounded. Before anyone spoke, I stepped forward, legs shaking so badly I worried I might fall. But my second foot successfully followed the first. I walked over to Ben’s side. Slipped my hand inside his. Squeezed for dear life. Ben’s eyes widened. He gasped quietly, his chest rising and falling. I met his startled gaze. Smiled through my blushes. A goofy smile split Ben’s face, one I’d never seen before. His fingers crushed mine. No decision to make. Tearing my eyes from Ben, I looked at Chance, found him watching me with a glum expression. Then he sighed, a wry smile twisting his lips. Chance nodded slightly. Not one word spoken. Volumes exchanged. The silence stretched, like a living breathing force. Finally, Hi cleared his throat. “Um.” My face burned scarlet as I remembered our audience. Ella was gaping at me, a delighted grin on her face. Shelton looked like he might turn and run. Hi was rubbing the back of his neck, his face twisted in an uncomfortable grimace. Still no one said a word. This was the most painful moment of my life. “So . . .” Hi drummed his thighs, eyes fixed to the pavement. “Right. A lot just happened there. Weirdly without anyone talking, but, um, yeah.
Kathy Reichs (Terminal (Virals, #5))
Papi will have two funerals. Papi will have two ceremonies. Papi will be mourned in two countries. Papi will be said goodbye to here and there. Papi had two lives. Papi has two daughters. Papi was a man split in two, playing a game against himself. But the problem with that is that in order to win, you also have to lose.
Elizabeth Acevedo (Clap When You Land)
It will enable each person to realize that he is not a game-playing robot put on this planet to be given a Social Security number and to be spun on the assembly line of school, college, career, insurance, funeral, goodbye. . . . Man is going to have to explore the infinity of inner space, to discover the terror and adventure and ecstasy that lie within us all.
Don Lattin (The Harvard Psychedelic Club: How Timothy Leary, Ram Dass, Huston Smith, and Andrew Weil Killed the Fifties and Ushered in a New Age for America)
To change the subject, he tells them about Dr. Kashen’s funeral, where Dr. Li gave a eulogy. “People who don’t love math always accuse mathematicians of trying to make math complicated,” Dr. Li had said. “But anyone who does love math knows it’s really the opposite: math rewards simplicity, and mathematicians value it above all else. So it’s no surprise that Walter’s favorite axiom was also the most simple in the realm of mathematics: the axiom of the empty set. “The axiom of the empty set is the axiom of zero. It states that there must be a concept of nothingness, that there must be the concept of zero: zero value, zero items. Math assumes there’s a concept of nothingness, but is it proven? No. But it must exist. “And if we are being philosophical—which we today are—we can say that life itself is the axiom of the empty set. It begins in zero and ends in zero. We know that both states exist, but we will not be conscious of either experience: they are states that are necessary parts of life, even as they cannot be experienced as life. We assume the concept of nothingness, but we cannot prove it. But it must exist. So I prefer to think that Walter has not died but has instead proven for himself the axiom of the empty set, that he has proven the concept of zero. I know nothing else would have made him happier. An elegant mind wants elegant endings, and Walter had the most elegant mind. So I wish him goodbye; I wish him the answer to the axiom he so loved.” They
Hanya Yanagihara (A Little Life)
Yesterday, I went to see Gladwell, who is home for a few days. A terrible blow has struck them, his young sister, so full of life, with dark eyes and hair, had fallen from a horse at Blackheath; they found her unconscious and she died five hours later, without regaining consciousness. She was seventeen years old. As soon as I heard the news, I went to see them, knowing that Gladwell was home. I left at eleven o’clock; and had a long walk to Lewisham. I crossed London from one end to the other and didn’t arrive at my destination until almost five o’clock. They had all just come back from the funeral; the whole household was in mourning. I was happy to have come, but confused, truly upset by the spectacle of a pain so great and so venerable. “Blessed are they that mourn, blessed are they that sorrow, but always rejoice, blessed are the pure in heart for they shall see God. Blessed are those that find love on their road, who are bound together by God, for to them all things will work together for their good.” I chatted for a long time, until evening, with Harry, about everything, the kingdom of God, the Bible; we chatted further, we walked up and down the station platform. Never will we forget the moments before we said goodbye.
Vincent van Gogh (The Letters of Vincent van Gogh)
Senor sempere and I were friends for almost forty years, and in all that time we spoke about God and the mysteries of life on only one occasion. Almost nobody knows this, but Sempere had not set foot in a church since the funeral of his wife Diana, to whose side we bring him today so that they might lie next to one another forever. Perhaps for that reason people assumed he was an atheist, but he was truly a man of faith. He believed in his friends, in the truth of things and in something to which he didn't dare put a name or a face because he said as priests that was our job. Senor Sempere believed we are all a part of something, and that when we leave this world our memories and our desires are not lost, but go on to become the memories and desires of those who take our place. He didn't know whether we created God in our own image or whether God created us without quite knowing what he was doing. He believed that God, or whatever brought us here, lives in each of our deeds, in each of our words, and manifests himself in all those things that show us to be more than mere figures of clay. Senor Sempere believed that God lives, to a smaller or greater extent, in books, and that is why he devoted his life to sharing them, to protecting them and to making sure their pages, like our memories and our desires are never lost. He believed, and made me believe it too, that as long as there is one person left in the world who is capable of reading them and experiencing them, a small piece of God, or of life, will remain. I know that my friend would not have liked us to say our farewells to him with prayer and hymns. I know that it would have been enough for him to realsie that his friends, many of whom have come here today to say goodbye, will never forget him. I have no doubt that the Lord, even though old Sempere was not expecting it, will recieve our dear friend at his side, and I know that he will live forever in the hearts of all those who are here today, all those who have discovered the magic of books thanks to him, and all those who, without even knowing him, will one day go through the door of his little bookshop where, as he liked to say, the story has only just begun. May you rest in peace, Sempere, dear friend, and may God give us all the opportunity to honour your memory and feel grateful for the priviledge of having known you.
Carlos Ruiz Zafón
You see in death a separation. But death also connects us. It is our one common destination. That is why we gather, many of us who would never connect otherwise. It's not just to say goodbye to the departed. Let's be honest, it's too late for that anyway. No, we are not just here to say goodbyes, but to say hello. Hello to friends and family who we have neglected. Now we huddle and outwardly share memories, while internally we all ponder the fragility of our own mortality.
Nate Hamon
Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me. But a shift has occurred since I stepped up to take prim's place, and now it seems I have become someone precious. At first one, then another, then almost every member of the crowd touches the three middle fingers of their left hand to their lips and hold it out to me. It is an old and rarely use gesture of our district, occasionally seen a funerals. It means thanks, it means admiration, it means goodbye to someone you love.
Suzanna Collins
«I’ve never been to a funeral until today. I see dazzling arrangements of red, yellow, and purple flowers with long, green stems. I see a stained-glass window with a white dove, a yellow sun, a blue sky. I see a gold cross, standing tall, shiny, brilliant. And I see black. Black dresses. Black pants. Black shoes. Black bibles. Black is my favorite color. Jackson asked me about it one time. “Ava, why don’t you like pink? Or yellow? Or blue?” ”I love black,” I said. ”It suits me.” ”I suit you,” he said. I’m not so sure I love black anymore. And then, beyond the flowers, beneath the stained-glass window, beside the cross, I see the white casket. I see red, burning love disappear forever. As we pull away, my eyes stay glued to the casket. It’s proof that sometimes life does not go on. I look around. If tears could bring him back, there’d be enough to bring him back a hundred times. That’s not what I’m thinking. I’m thinking, I hate good-byes. It’s like I was a garden salad with a light vinaigrette, and Jackson was a platter of seafood Cajun pasta. Alone, we were good. Together, we were fantastic. Memories might keep him alive. But they might kill me.»
Lisa Schroeder (I Heart You, You Haunt Me)
Despite what Kristy wrote in the notebook, I know she felt a little funny holding a club meeting on Friday, the day before Mimi’s funeral, but I really wanted to. Janine and I weren’t going back to school until Monday because there was too much to do at home and with everything all out of order like that, I at least wanted to hold regular club meetings, and Mom and Dad had given their permission. I didn’t like special attention. I wanted my life to go on as usual, or, as Kristy said, as if nothing had happened. That was pretty difficult when I wasn’t going to school, so if we’d stopped our club meetings, I don’t know what I’d have done.
Ann M. Martin (Claudia and the Sad Good-bye (The Baby-sitters Club, #26))
You were great tonight, helping with Candice’s wound and the funeral ceremony for Chaz . . . such as it was.” “I only did what needed doing, and as for your friend’s funeral, it was a beautiful good-bye you all gave him,” she murmured. “Simple but pure. You honored him well, Kellan.” The phrase she used—one reserved for the solemnest occasions in Breed traditions—touched him in a way he couldn’t express. Instead, he tipped her chin up on the edge of his hand and kissed her. Not the hungered kind of kiss that they’d been sharing each time they’d connected since her arrival back in his life a few days ago but a kiss shaped by tender caring and gratitude, by profound respect . . . and, yes, love. He loved this woman. His woman.
Lara Adrian (Edge of Dawn (Midnight Breed, #11))
She blew a warm breeze on his face and rustled his hair and embraced him in a warm haze and he felt her nonthreatening presence. She looked down and saw his face stained with tears, nobody could reach him in his grief but she could. He saw her and blew her a kiss goodbye. She flew down in a haze in a white dress with wings and whispered into his ear “please don’t cry I am in a better place. Marriage was forever. Love and life was forever. My body died but my soul lives on for eternity”. (Katie) “The rain stopped suddenly and the grey sky cleared into a bright blue colour and a glowing warm orange sun appeared to show her appreciation. A perfect blue sky remained on the dark winter’s day until after the ceremony and the hailstone and rain commenced again and the dark sky reappeared as the funeral car drove away
Annette J. Dunlea
I didn’t know my dad in person and I never got to say goodbye to him at his funeral and I thought it would be nice to say a few words now that I sort of feel I know him a bit better.’ She gave a nervous smile, and pushed a strand of hair from her face. ‘So. Will … Dad. When I first found out you were my real father, I’ll be honest, I was a bit freaked out. I’d hoped my real dad was going to be this wise, handsome man, who would want to teach me stuff and protect me and take me on trips to show me amazing places that he loved. And what I actually got was an angry man in a wheelchair who just, you know, killed himself. But because of Lou, and your family, over the last few months I’ve come to understand you a bit better. ‘I’ll always be sad and maybe even a bit angry that I never got to meet you, but now I want to say thank you too. “. You gave me a lot, without knowing it. I think I’m like you in good ways – and probably a few not-so-good ways. You gave me blue eyes and my hair colour and the fact that I think Marmite is revolting and the ability to do black ski runs and … Well, apparently you also gave me a certain amount of moodiness – that’s other people’s opinion, by the way. Not mine.’ ‘But mostly you gave me a family I didn’t know I had. And that’s cool. Because, to be honest, it wasn’t going that well before they all turned up.’ Her smile wavered. ‘ So, um, Will … Dad, I’m not going to go on and on because speeches are boring and also that baby is going to start wailing any minute, which will totally harsh the mood. But I just wanted to say thank you, from your daughter, and that I … love you and I’ll always miss you, and I hope if you’re looking down, and you can see me, you’re glad. That I exist. Because me being here sort of means you’re still here, doesn’t it?’ Lily’s voice cracked and her eyes filled with tears. Her gaze slid towards Camilla, who gave a small nod.
Jojo Moyes (After You (Me Before You, #2))
The morning after / my death” The morning after my death we will sit in cafés but I will not be there I will not be * There was the great death of birds the moon was consumed with fire the stars were visible until noon. Green was the forest drenched with shadows the roads were serpentine A redwood tree stood alone with its lean and lit body unable to follow the cars that went by with frenzy a tree is always an immutable traveller. The moon darkened at dawn the mountain quivered with anticipation and the ocean was double-shaded: the blue of its surface with the blue of flowers mingled in horizontal water trails there was a breeze to witness the hour * The sun darkened at the fifth hour of the day the beach was covered with conversations pebbles started to pour into holes and waves came in like horses. * The moon darkened on Christmas eve angels ate lemons in illuminated churches there was a blue rug planted with stars above our heads lemonade and war news competed for our attention our breath was warmer than the hills. * There was a great slaughter of rocks of spring leaves of creeks the stars showed fully the last king of the Mountain gave battle and got killed. We lay on the grass covered dried blood with our bodies green blades swayed between our teeth. * We went out to sea a bank of whales was heading South a young man among us a hero tried to straddle one of the sea creatures his body emerged as a muddy pool as mud we waved goodbye to his remnants happy not to have to bury him in the early hours of the day We got drunk in a barroom the small town of Fairfax had just gone to bed cherry trees were bending under the weight of their flowers: they were involved in a ceremonial dance to which no one had ever been invited. * I know flowers to be funeral companions they make poisons and venoms and eat abandoned stone walls I know flowers shine stronger than the sun their eclipse means the end of times but I love flowers for their treachery their fragile bodies grace my imagination’s avenues without their presence my mind would be an unmarked grave. * We met a great storm at sea looked back at the rocking cliffs the sand was going under black birds were leaving the storm ate friends and foes alike water turned into salt for my wounds. * Flowers end in frozen patterns artificial gardens cover the floors we get up close to midnight search with powerful lights the tiniest shrubs on the meadows A stream desperately is running to the ocean The Spring Flowers Own & The Manifestations of the Voyage (The Post-Apollo Press, 1990)
Elinor Wylie
What does a mind that is focused on hope look like? I read recently about a woman who had been diagnosed with cancer and was given three months to live. Her doctor told her to make preparations to die, so she contacted her pastor and told him how she wanted things arranged for her funeral service—which songs she wanted to have sung, what Scriptures should be read, what words should be spoken—and that she wanted to be buried with her favorite Bible. But before he left, she called out to him, “One more thing.” “What?” “This is important. I want to be buried with a fork in my right hand.” The pastor did not know what to say. No one had ever made such a request before. So she explained. “In all my years going to church functions, whenever food was involved, my favorite part was when whoever was cleaning dishes of the main course would lean over and say, You can keep your fork. “It was my favorite part because I knew that it meant something great was coming. It wasn’t Jell-O. It was something with substance—cake or pie—biblical food. “So I just want people to see me there in my casket with a fork in my hand, and I want them to wonder, What’s with the fork? Then I want you to tell them, Something better is coming. Keep your fork.” The pastor hugged the woman good-bye. And soon after, she died. At the funeral service people saw the dress she had chosen, saw the Bible she loved, and heard the songs she loved, but they all asked the same question: “What’s with the fork?” The pastor explained that this woman, their friend, wanted them to know that for her—or for anyone who dies in Christ—this is not a day of defeat. It is a day of celebration. The real party is just starting. Something better is coming.
John Ortberg Jr. (If You Want to Walk on Water, You've Got to Get Out of the Boat)
After I returned from that morning, our telephone rang incessantly with requests for interviews and photos. By midafternoon I was exhausted. At four o’clock I was reaching to disconnect the telephone when I answered one last call. Thank heavens I did! I heard, “Mrs. Robertson? This is Ian Hamilton from the Lord Chamberlain’s office.” I held my breath and prayed, “Please let this be the palace.” He continued: “We would like to invite you, your husband, and your son to attend the funeral of the Princess of Wales on Saturday in London.” I was speechless. I could feel my heart thumping. I never thought to ask him how our name had been selected. Later, in London, I learned that the Spencer family had given instructions to review Diana’s personal records, including her Christmas-card list, with the help of her closest aides. “Yes, of course, we absolutely want to attend,” I answered without hesitating. “Thank you so much. I can’t tell you how much this means to me. I’ll have to make travel plans on very short notice, so may I call you back to confirm? How late can I reach you?” He replied, “Anytime. We’re working twenty-four hours a day. But I need your reply within an hour.” I jotted down his telephone and fax numbers and set about making travel arrangements. My husband had just walked in the door, so we were able to discuss who would travel and how. Both children’s passports had expired and could not be renewed in less than a day from the suburbs where we live. Caroline, our daughter, was starting at a new school the very next day. Pat felt he needed to stay home with her. “Besides,” he said, “I cried at the wedding. I’d never make it through the funeral.” Though I dreaded the prospect of coping with the heartbreak of the funeral on my own, I felt I had to be there at the end, no matter what. We had been with Diana at the very beginning of the courtship. We had attended her wedding with tremendous joy. We had kept in touch ever since. I had to say good-bye to her in person. I said to Pat, “We were there for the ‘wedding of the century.’ This will be ‘the funeral of the century.’ Yes, I have to go.” Then we just looked at each other. We couldn’t find any words to express the sorrow we both felt.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
Imagine you are Emma Faye Stewart, a thirty-year-old, single African American mother of two who was arrested as part of a drug sweep in Hearne, Texas.1 All but one of the people arrested were African American. You are innocent. After a week in jail, you have no one to care for your two small children and are eager to get home. Your court-appointed attorney urges you to plead guilty to a drug distribution charge, saying the prosecutor has offered probation. You refuse, steadfastly proclaiming your innocence. Finally, after almost a month in jail, you decide to plead guilty so you can return home to your children. Unwilling to risk a trial and years of imprisonment, you are sentenced to ten years probation and ordered to pay $1,000 in fines, as well as court and probation costs. You are also now branded a drug felon. You are no longer eligible for food stamps; you may be discriminated against in employment; you cannot vote for at least twelve years; and you are about to be evicted from public housing. Once homeless, your children will be taken from you and put in foster care. A judge eventually dismisses all cases against the defendants who did not plead guilty. At trial, the judge finds that the entire sweep was based on the testimony of a single informant who lied to the prosecution. You, however, are still a drug felon, homeless, and desperate to regain custody of your children. Now place yourself in the shoes of Clifford Runoalds, another African American victim of the Hearne drug bust.2 You returned home to Bryan, Texas, to attend the funeral of your eighteen-month-old daughter. Before the funeral services begin, the police show up and handcuff you. You beg the officers to let you take one last look at your daughter before she is buried. The police refuse. You are told by prosecutors that you are needed to testify against one of the defendants in a recent drug bust. You deny witnessing any drug transaction; you don’t know what they are talking about. Because of your refusal to cooperate, you are indicted on felony charges. After a month of being held in jail, the charges against you are dropped. You are technically free, but as a result of your arrest and period of incarceration, you lose your job, your apartment, your furniture, and your car. Not to mention the chance to say good-bye to your baby girl. This is the War on Drugs. The brutal stories described above are not isolated incidents, nor are the racial identities of Emma Faye Stewart and Clifford Runoalds random or accidental. In every state across our nation, African Americans—particularly in the poorest neighborhoods—are subjected to tactics and practices that would result in public outrage and scandal if committed in middle-class white neighborhoods.
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)
‌* When the coughing stopped, there was nothing but the nothingness of life moving on with a shuffle, or a near-silent twitch. ‌* Mistakes, mistakes, it’s all I seem capable of at times ‌*No matter how many times she was told that she was loved, there was no recognition that the proof was in the abandonment. ‌*It’s much easier, she realized, to be on the verge of something than to actually be it ‌*When death captures me,” the boy vowed, “he will feel my fist on his face.”. ‌*he’d turned for one last look at his family as he left the apartment. Perhaps then the guilt would not have been so heavy. No final goodbye. No final grip of the eyes. Nothing but goneness. ‌ *Wrecked, but somehow not torn into pieces. ‌*Life had altered in the wildest possible way, but it was imperative that they act as if nothing at all had happened. ‌*“If we gamble on a Jew,” said Papa soon after, “I would prefer to gamble on a live one,” and from that moment, a new routine was born. *‌you should know it yourself—a young man is still a boy, and a boy sometimes has the right to be stubborn.” ‌*The fire was nothing now but a funeral of smoke, dead and dying, simultaneously. ‌*Even death has a heart.. ‌* In truth, I think he was afraid. Rudy Steiner was scared of the book thief’s kiss. He must have longed for it so much. He must have loved her so incredibly hard. So hard that he would never ask for her lips again and would go to his grave without them. ‌*There is death. Making his way through all of it. On the surface: unflappable, unwavering. Below: unnerved, untied, and undone. *‌That damn snowman,” she whispered. “I bet it started with the snowman—fooling around with ice and snow in the cold down there.” Papa was more philosophical. “Rosa, it started with Adolf.” *‌There were broken bodies and dead, sweet hearts. Still, it was better than the gas ‌*They were French, they were Jews, and they were you. ‌*Sometimes she sat against the wall, longing for the warm finger of paint to wander just once more down the side of her nose, or to watch the sandpaper texture of her papa’s hands. If only she could be so oblivious again, to feel such love without knowing it, mistaking it for laughter and bread with only the scent of jam spread out on top of it. *‌Himmel Street was a trail of people, and again, Papa left his accordion. Rosa reminded him to take it, but he refused. “I didn’t take it last time,” he explained, “and we lived.” War clearly blurred the distinction between logic and superstition. ‌*Silence was not quiet or calm, and it was not peace. ‌*“I should have known not to give the man some bread. I just didn’t think.” “Papa, you did nothing wrong.” “I don’t believe you. ‌ * I’m an idiot.” No, Papa. You’re just a man.. ‌*What someone says and what happened are usually two different things ‌* despised by his homeland, even though he was born in it ‌ *“Of course I told him about you,” Liesel said. She was saying goodbye and she didn’t even know it. ‌*Say something enough times and you never forget it ‌*robbery of his life? ‌*Those kinds of souls always do—the best ones. The ones who rise up and say, “I know who you are and I am ready. Not that I want to go, of course, but I will come.” Those souls are always light because more of them have been put out. More of them have already found their way to other places ‌*One could not exist without the other, because for Liesel, both were home. Yes, that’s what Hans Hubermann was for Liesel Meminger ‌*DEATH AND LIESEL It has been many years since all of that, but there is still plenty of work to do. I can promise you that the world is a factory. The sun stirs it, the humans rule it. And I remain. I carry them away.
Markus Zusak (THE BOOK THIEF)
And as I watched the car pull away toward the cemetery, the little white funeral flag waving good-bye, I felt blessed to be breathing, to have my heart beating.
Lesley Kagen (Whistling In the Dark)
Calamitosus est animus futuri anxius, or why worry about tomorrow, when your funeral is today. Goodbye.
Dorothy Dunnett (Pawn in Frankincense (The Lymond Chronicles, #4))
I always thought that funerals were meant for the living to say good-bye to a loved one. I never would have guessed that it’s actually the other way around.
Anthony Greer (The Messengers (The Messengers, #1))
no funeral, no body, and no way to say goodbye.
Jessica N. Watkins (Grand Hustle)
Though I dreaded the prospect of coping with the heartbreak of the funeral on my own, I felt I had to be there at the end, no matter what. We had been with Diana at the very beginning of the courtship. We had attended her wedding with tremendous joy. We had kept in touch ever since. I had to say good-bye to her in person. I said to Pat, “We were there for the ‘wedding of the century.’ This will be ‘the funeral of the century.’ Yes, I have to go.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
Now place yourself in the shoes of Clifford Runoalds, another African American victim of the Hearne drug bust.2 You returned home to Bryan, Texas, to attend the funeral of your eighteen-month-old daughter. Before the funeral services begin, the police show up and handcuff you. You beg the officers to let you take one last look at your daughter before she is buried. The police refuse. You are told by prosecutors that you are needed to testify against one of the defendants in a recent drug bust. You deny witnessing any drug transaction; you don’t know what they are talking about. Because of your refusal to cooperate, you are indicted on felony charges. After a month of being held in jail, the charges against you are dropped. You are technically free, but as a result of your arrest and period of incarceration, you lose your job, your apartment, your furniture, and your car. Not to mention the chance to say good-bye to your baby girl. This is the War on Drugs. The
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)
When Bindi, Robert, and I got home on the evening of Steve’s death, we encountered a strange scene that we ourselves had created. The plan had been that Steve would get back from his Ocean’s Deadlist film shoot before we got back from Tasmania. So we’d left the house with a funny surprise for him. We got large plush toys and arranged them in a grouping to look like the family. We sat one that represented me on the sofa, a teddy bear about her size for Bindi, and a plush orangutan for Robert. We dressed the smaller toys in the kids’ clothes, and the big doll in my clothes. I went to the zoo photographer and got close-up photographs of our faces that we taped onto the heads of the dolls. We posed them as if we were having dinner, and I wrote a note for Steve. “Surprise,” the note said. “We didn’t go to Tasmania! We are here waiting for you and we love you and miss you so much! We will see you soon. Love, Terri, Bindi, and Robert.” The surprise was meant for Steve when he returned and we weren’t there. Instead the dolls silently waited for us, our plush-toy doubles, ghostly reminders of a happier life. Wes, Joy, and Frank came into the house with me and the kids. We never entertained, we never had anyone over, and now suddenly our living room seemed full. Unaccustomed to company, Robert greeted each one at the door. “Take your shoes off before you come in,” he said seriously. I looked over at him. He was clearly bewildered but trying so hard to be a little man. We had to make arrangements to bring Steve home. I tried to keep things as private as possible. One of Steve’s former classmates at school ran the funeral home in Caloundra that would be handling the arrangements. He had known the Irwin family for years, and I recall thinking how hard this was going to be for him as well. Bindi approached me. “I want to say good-bye to Daddy,” she said. “You are welcome to, honey,” I said. “But you need to remember when Daddy said good-bye to his mother, that last image of her haunted him while he was awake and asleep for the rest of his life.” I suggested that perhaps Bindi would like to remember her daddy as she last saw him, standing on top of the truck next to that outback airstrip, waving good-bye with both arms and holding the note that she had given him. Bindi agreed, and I knew it was the right decision, a small step in the right direction. I knew the one thing that I had wanted to do all along was to get to Steve. I felt an urgency to continue on from the zoo and travel up to the Cape to be with him. But I knew what Steve would have said. His concern would have been getting the kids settled and in bed, not getting all tangled up in the media turmoil. Our guests decided on their own to get going and let us get on with our night. I gave the kids a bath and fixed them something to eat. I got Robert settled in bed and stayed with him until he fell asleep. Bindi looked worried. Usually I curled up with Robert in the evening, while Steve curled up with Bindi. “Don’t worry,” I said to her. “Robert’s already asleep. You can sleep in my bed with me.” Little Bindi soon dropped off to sleep, but I lay awake. It felt as though I had died and was starting over with a new life. I mentally reviewed my years as a child growing up in Oregon, as an adult running my own business, then meeting Steve, becoming his wife and the mother of our children. Now, at age forty-two, I was starting again.
Terri Irwin (Steve & Me)
It was a sunny, beautiful day.a day you felt good to be alive. Tobad amy Cahill was surrounded by the dead. Amy bowed her head and squeezed Her eyes shut. She was only sixteen, but she had attended too many funerals. She had said to many goodbyes
Jude Watson
The corpse fluid had dripped onto the brown Carinthian suit of one of the pallbearers, & he vomited beside a funeral wreath propped up against a garden fence. On its black ribbon, in golden letters, was written A Last Goodbye.
Josef Winkler (When the Time Comes)
Till We  Meet  Again I  walked a  road with  flowers blooming A road  filled with  flowers  and sunshine The golden  glow  of  the sky  pours  over my  velvety  skin I’ve seen  in  the distance  my  family  standing They  look  sadder,  they cannot  see my  smile I  call  unto  them,  but  they  cannot  hear me My voice echoes through  the distance I  saw  the ones looking up  and then  side to  side Yet  their eyes don’t  fall  upon  mine “Why  would they  cry?” I  asked  God “Why  don’t  they  see me  waving back?” God  stood next  to  me and smiled He said , t “ S oon  they’d feel  a  raindrop on heir foreheads and they’ll  look  up  to  see you  smile.” I  asked  again,  “But  how  can  they  hear me?” He  said, name.” “I’ll  tap  on  their  shoulders  and  whisper  your “Will  they  know  it is me calling?” “Yes,”  God  said,  “because in  that  whisper  you w y ould say  goodbye to  them till  one day ou’ll  meet  again.
Chimnese Davids (Redeeming Soul)
Standing in on autopsies is tough, but it’s part of my job. Bereaved family members go to funerals. They remember the dearly departed in eulogies and they start the process of saying good-bye. For homicide cops, autopsies are a way of saying hello. What the M.E. uncovers in an autopsy is usually a starting point. By learning everything we can about the victims at the moment of death, we begin trying to find out what happened to them and why. And with unidentified victims, it’s even more basic than that. Before we can find out who killed them, we have to know who they are. And in this case, once we established the victim’s identity, we needed to ascertain if her death was related to the others we were investigating.
J.A. Jance (Fire And Ice (J.P. Beaumont, #19 / Joanna Brady, #14))
Yeah Dad. I’m in here.” Curtis laughed. He knew Ruxs could be a little blunt and heavy-tempered, but he was sure his dads trusted him. A few seconds later Ruxs came through the door, quickly taking in the scene in front of him. His dad wasn’t stupid – he was a detective – so surely he could put the pieces together. Curtis tried to give his dad a look that said “please for the love of god, don’t embarrass me.” Ruxs looked over at Genesis. “How’s it going, G-Man?” Curtis mouth dropped open. Oh hell. “Pretty good, Ruxs. Long time no see.” “Yeah it has been a while. It’s a big surprise to see you here with my boy,” Ruxs said eyeing him carefully. “Dad,” Curtis hissed. Boy? Really? Ruxs ignored him, maintaining his glaring eye contact with Genesis. “Your team’s off to a damn good start this season. That Florida game was close. Y’all got a tough schedule this year.” Genesis sat forward but didn’t stand. “I’m up for the challenge.” “I bet you are.” “Dad.” Curtis scowled again. “You just here for the weekend, Genesis? I would think the coach would have y’all on a pretty tight curfew.” “I got a weekend pass,” Genesis answered with an easy smile. “So you’ll be leaving soon, right?” “Dad. Genesis was at the funeral. Did you know that?” Ruxs tilted his head in question. “Really. No I didn’t realize. All I saw were a bunch of grown. Ass. Men. I must didn’t distinguish.” Curtis’ eyes bugged out of his head. When he looked at Genesis, he didn’t seem fazed. But he on the other hand was humiliated. “I will be leaving tonight. I just came down to show my support. But I’ll be back next week for Thanksgiving break and I’d like to take Curtis on a date, if it’s alright with —” “Hell no,” Ruxs said, not letting Genesis finish. Green walked in before Curtis could say a word. “There you are, Curtis. I was wondering where you’d disappeared…” Green stopped, noticing Ruxs and Genesis’ stare off. “Oh.” Curtis turned to Genesis. “You want to go out with me? I’d like that.” “You can like it all you want,” Ruxs butted in. Curtis gave his dad his most angry look. “I’m not some sixteen year old debutant. What the heck has gotten into you?” “Curtis your grandma is leaving, she wants to say goodbye to you. Why don’t you go on downstairs,” Green said, stepping aside. “We’re gonna talk to Genesis.” Curtis was reluctant to leave, but he did. This was beyond embarrassing. He was almost eighteen. Almost grown. About to graduate and go off to college. He wasn’t even a virgin. Why were they acting like this? Curtis had been on dates. He’d had a steady boyfriend his whole sophomore and junior year, now here they were behaving like they were protecting his untainted virtue.
A.E. Via (Here Comes Trouble (Nothing Special #3))
...what I'm saying isn't for him. If my words were for him they would be different; softer, and more meaningful. They would be whispered in his ear instead of projected to a crowd.
Cheyenne Berandi (The Last Word: an anthology of memories)
I held on to a belief that if even one of these leaves started growing roots, this would not be a complete tragedy. Over the next week, though, every single leaf dried out. Instead of just collapsing and dying the one time, my plant created thirty little pieces out of itself and divided its death into thirty little funerals.
Jonny Sun (Goodbye, Again: Essays, Reflections, and Illustrations)
Funerals allow for us to meet with others, remember someone’s life, and begin processing our own grief. The departed encourage us to mourn, as it’s only natural. But the true nature of the grief process sets in weeks, months, and years after we say goodbye ceremonially.
Tyler Henry (Here & Hereafter: How Wisdom from the Departed Can Transform Your Life Now)
I wouldn’t leave him here either, no more than I would say goodbye. Because this wasn’t goodbye. I would never utter that word to the keeper of my heart, and I would never relinquish the promise I’d made to him with the blood cut from my veins mixed with his own, which I’d taken from the wound that had stolen him from me. I had never wanted to be a queen. But now a crown of flames would ignite like a funeral pyre upon my brow, and my one and only “decree would be to seek out the end to all who had crossed me, and make them scream as they were forced to bow at my feet.
Caroline Peckham (Sorrow and Starlight (Zodiac Academy, #8))
She grew flowers in it. As I wash my mother’s face, I tell her how beautiful she is, how brave, how her beauty and bravery live on in her grandchildren. Her face is relaxed, peaceful. Her earth memory body has not left yet, but when I see her the next day, embalmed and in the casket in the funeral home, it will be gone. Where does it go? It is heavier than the spirit who lifted up and flew. I think of it making the rounds to every place it has loved to say goodbye. Goodbye to the house where I brought my babies home, she sings. Goodbye to June’s Bar where I was the shuffleboard queen. I cannot say goodbye yet. I will never say goodbye.
Joy Harjo (An American Sunrise)
A funeral is supposed to be a way to say goodbye. You look inside yourself and find a place to put your grief, not somewhere hidden, not the top shelf or the back of a cupboard, but maybe by a window, where it can catch the light.
Beth Lincoln (The Swifts: A Dictionary of Scoundrels)
This was not their little game as usual, “funeral” as pick-me-up, designed to give them a chance at a new life when they felt most at wit’s end with their old. This funeral was a real goodbye. Only, none of them knew that yet.
Steven Rowley (The Celebrants)
You’ve survived a war, Alex. You’ve survived everything life has thrown at you. That night at the funeral home, you said you were going to find your way back to me. But I think I was always supposed to find my way back to you. I’ll come for you. Just wait for me.”
 “I’ll wait a lifetime if it means I could touch you again,” he says before he slams his lips onto mine. With lips like dynamite, we say goodbye as the flames behind us swallow up all of the bad memories. All the pain.
Dolores Lane (Writing with Blood (The Blood Duet Book 2))
Grief, what a son of a bitch, Ariel, we have a surfeit of it, far too much, you and me and most of us in this century and the wreckage of centuries that came before. A son of a bitch, but absolutely necessary. Without pain, life means nothing. The tree needs the sound it makes as it falls, so it can be heard, at least in the future, its way of demanding witnesses. Which is why we need funeral rites, great or small, the outpouring of sorrow, the long and short good-bye, like the one your people have just held for Allende, why the worst sin is to disappear a body and deny the mourning, a crime against life because it doesn't allow life to go on, other trees to grow from the soil of the tree as it dies away. And that's why the refrain, do not speak ill of the dead, makes sense. We're not erasing the bad acts, the mistakes and blindness, the cruelty and selfishness, the damage caused to others. But it's healthy to rescue, at least once in each person's odyssey, what's best for the future. And if we become extinct? No last rites, no words about us, no stories told, death will have the last word. So we have to tell that story now, before it's too late.
Ariel Dorfman
That liminal space of twilight seemed, to me, the right time to hold a funeral. There was something wrong about standing around a coffin at ten o’clock in the morning, and then having to just… continue with your day. Eat lunch. Run errands. Twilight felt more fitting somehow—saying goodbye as the day says goodbye, and letting the stars rise over a quiet night of reflection. If you simply wanted to tumble into bed and cry yourself to sleep, you could; and no one would expect you to make conversation or politely pick at a plate of buffet pasta.
E.E. Holmes (Daughters of Sea and Storm (The Vesper Coven, #1))
I was seeing a crow funeral, as impossible as that seemed. They’d gathered for White Wing. To say good-bye? To honor him? I couldn’t
Elizabeth J. Church (The Atomic Weight of Love)
Alone, [Chamcha] all at once remembered that he and Pamela had once disagreed, as they disagreed on everything, on a short-story they’d both read, whose theme was precisely the nature of the unforgivable. Title and author eluded him, but the story came back vividly. A man and a woman had been intimate friends (never lovers) for all their adult lives. On his twenty-first birthday (they were both poor at the time) she had given him, as a joke, the most horrible, cheap glass vase she could find, in colours a garish parody of Venetian gaiety. Twenty years later, when they were both successful and greying, she visited his home and quarrelled with him over his treatment of a mutual friend. In the course of the quarrel her eye fell upon the old vase, which he still kept in pride of place on his sitting-room mantelpiece, and, without pausing in her tirade, she swept it to the floor, crushing it beyond hope of repair. He never spoke to her again; when she died, half a century later, he refused to visit her deathbed or attend her funeral, even though messengers were sent to tell him that these were her dearest wishes. ‘Tell her,’ he said to the emissaries, 'that she never knew how much I valued what she broke.’ The emissaries argued, pleaded, raged. If she had not known how much meaning he had invested in the trifle, how could she in all fairness be blamed? And had she not made countless attempts, over the years, to apologize and atone? And she was dying, for heaven’s sake; could not this ancient, childish rift be healed at last? They had lost a lifetime’s friendship; could they not even say goodbye? 'No,’ said the unforgiving man. – 'Really because of the vase? Or are you concealing some other, darker matter?’ – 'It was the vase,’ he answered, 'the vase, and nothing but.’ Pamela thought the man petty and cruel, but Chamcha had even then appreciated the curious privacy, the inexplicable inwardness of the issue. 'Nobody can judge an internal injury,’ he had said, 'by the size of the superficial wound, of the hole.
Salman Rushdie
We live in our stories, and the best stories go on. Funerals see the end of a life but at the party afterwards, it is like a form of resurrection: the person we have just said goodbye to is back in the room as people share their tales.
Graham Norton (The Life and Loves of a He Devil)
Planning funeral make it simple and less stressful for your loved ones. It gives you total control of your final goodbye.
Danny LeBlanc