Patch Up Relationship Quotes

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I want him and even if it's frightening, even if I may not be completely ready for a relationship, I want him. Now... And tomorrow, and all the following days.
Stephanie Witter (Patch Up (Patch Up, #1))
Clothes could have more meaning and longevity if we think less about owning the latest or cheapest thing and develop more of a relationship with the things we wear. Building a wardrobe over time, saving up and investing in well-made pieces, obsessing over the perfect hem, luxuriating in fabrics, and patching and altering our clothes are old-fashioned habits. But they’re also deeply satisfying
Elizabeth L. Cline (Overdressed: The Shockingly High Cost of Cheap Fashion)
To patch up a relationship, understanding is the needle, and love is the thread.
Matshona Dhliwayo
But it’s a lie. No relationship is perfect. There’s always an ugly story swept under a rug of happy pictures and smiles. ‘Cause when you find the one, it’s just too fuckin’ hard to give them up, no matter the pain, no matter the shame, no matter the cost. So we have to patch up that fuckin’ rift, and love with a broken love. And it will challenge us to love harder, stronger, with more faith. Love fierce enough to overcast that rift, to make sure it never breaks open again.
Cole Books (Keeping Jahleel (Loving All Wrong, #1.5))
Improve meaningful relationships Try using empathy to patch up some of your own relationships. Having fractured relationships has been proven to cause physical and psychological damage. Empathy and forgiveness activate the same region of the brain, which means the more you hone your empathy skills, the easier it is to forgive and be forgiven. Meaningful friend and family relationships are the most important factors determining true happiness, well above having a lot of money.
Jessica Joelle Alexander (The Danish Way of Parenting: What the Happiest People in the World Know About Raising Confident, Capable Kids)
Jesus knew that many of his listeners believed the old wineskin (or way of doing things) was good enough. They were comfortable with their beliefs and practices, but Jesus hadn't come to patch up old religious traditions. He was offering a new garment, a new wineskin, a way of life that didn't abolish the old ways, but fulfilled them. The teaching illuminated my own need to remain pliable before God. I realize that I must have a softer housing for my growing faith, one that can flex and change as God is at work inside of me. All too often I find myself clinging to that which is comfortable and familiar, rather than embracing the challenges that emerge with change and growth. Sometimes I shy away from people who have strong views that differ from mine, even though sharing a great conversation... could temper both our viewpoints and deepen our relationship. Why do I run away from strong opinions and potential conflict? Am I too comfortable and unwilling to change? Such a realization highlights the need for the Spirit in my life not just to discern and distinguish, but also to illuminate and invite me to move forward into the fullness of life with him." -Scouting the Divine
Margaret Feinberg (Scouting the Divine: My Search for God in Wine, Wool, and Wild Honey)
...their relationship was a point of near-constant discussion in Night Vale, all of their imperfections and faults, which made them individuals worth loving. They had built those faults into the usual messy, comfortable, patched-up, beautiful structure that any functioning long-term relationship ended up being.
Joseph Fink
of the problem was that Chaos got a little creation-happy. It thought to its misty, gloomy self: Hey, Earth and Sky. That was fun! I wonder what else I can make. Soon it created all sorts of other problems—and by that I mean gods. Water collected out of the mist of Chaos, pooled in the deepest parts of the earth, and formed the first seas, which naturally developed a consciousness—the god Pontus. Then Chaos really went nuts and thought: I know! How about a dome like the sky, but at the bottom of the earth! That would be awesome! So another dome came into being beneath the earth, but it was dark and murky and generally not very nice, since it was always hidden from the light of the sky. This was Tartarus, the Pit of Evil; and as you can guess from the name, when he developed a godly personality, he didn't win any popularity contests. The problem was, both Pontus and Tartarus liked Gaea, which put some pressure on her relationship with Ouranos. A bunch of other primordial gods popped up, but if I tried to name them all we’d be here for weeks. Chaos and Tartarus had a kid together (don’t ask how; I don’t know) called Nyx, who was the embodiment of night. Then Nyx, somehow all by herself, had a daughter named Hemera, who was Day. Those two never got along because they were as different as…well, you know. According to some stories, Chaos also created Eros, the god of procreation... in other words, mommy gods and daddy gods having lots of little baby gods. Other stories claim Eros was the son of Aphrodite. We’ll get to her later. I don’t know which version is true, but I do know Gaea and Ouranos started having kids—with very mixed results. First, they had a batch of twelve—six girls and six boys called the Titans. These kids looked human, but they were much taller and more powerful. You’d figure twelve kids would be enough for anybody, right? I mean, with a family that big, you’ve basically got your own reality TV show. Plus, once the Titans were born, things started to go sour with Ouranos and Gaea’s marriage. Ouranos spent a lot more time hanging out in the sky. He didn't visit. He didn't help with the kids. Gaea got resentful. The two of them started fighting. As the kids grew older, Ouranos would yell at them and basically act like a horrible dad. A few times, Gaea and Ouranos tried to patch things up. Gaea decided maybe if they had another set of kids, it would bring them closer…. I know, right? Bad idea. She gave birth to triplets. The problem: these new kids defined the word UGLY. They were as big and strong as Titans, except hulking and brutish and in desperate need of a body wax. Worst of all, each kid had a single eye in the middle of his forehead. Talk about a face only a mother could love. Well, Gaea loved these guys. She named them the Elder Cyclopes, and eventually they would spawn a whole race of other, lesser Cyclopes. But that was much later. When Ouranos saw the Cyclops triplets, he freaked. “These cannot be my kids! They don’t even look like me!” “They are your children, you deadbeat!” Gaea screamed back. “Don’t you dare leave me to raise them on my own!
Rick Riordan (Percy Jackson's Greek Gods)
Look, all your reasons are really stupid,” I say. “People in relationships need each other like I need you. I know it’s exhausting taking care of me, and I’m sorry. I can try to give you a break, and we can use this summer to get back on track. I really think this is just a rough patch.” Jamie shakes his head. I finally turn and look at him. He’s looking at his hands again. “So that’s it? You’re not even going to try? After all this time together?” “I can’t do it anymore, Autumn.” “You said you would love me forever.” I’m not going to let him off easy. “I do love you, just not that way anymore,” Jamie says. “You still love me,” I say. “You just can’t feel it right now. Sometimes that happens to me, and I just wait and it always comes back. I don’t break up with you. I just give it time.
Laura Nowlin (If He Had Been with Me)
If a writer has to find a rhythm if his novel is to come 'right', a rhythm which he may well discover in the rhythm of an individual sentence, then likewise a reader has to find a corresponding rhythm in his reading, which may equally well be discovered in responding to local effect. The intimacy of this relationship between writer and reader is well caught in a recent observation made by Graham Greene, 'Novels should always have, if not dull, then at least level patches. That's where the excessive use of film technique, cutting sharply from intensity to intensity is harmful. . . . The writer needs level passages for his subconscious to work up to the sharp scenes . . . and the reader needs those level patches too, so that he can share in the processes of creation—not by conscious analysis, but by absorption?' To reflect on the wide-ranging effects of rhythm in reading would seem to be one way of making a start on tracing that obscure route that leads from 'absorption' to 'conscious analysis'.
Ian Gregor (Reading the Victorian novel: Detail into form (Vision critical studies))
People who have been wronged by an emotionally immature person may start to think they’re at fault if they continue to feel hurt by what the person did. Emotionally immature people expect you to take them off the hook immediately. If it feels better to blame you for not forgiving them fast enough, that’s what they’ll do. After a rift, many people will make what relationship expert John Gottman calls a repair attempt (1999), apologizing, asking for forgiveness, or making amends in a way that shows a desire to patch things up. But emotionally immature people have a completely unrealistic idea of what forgiveness means. To them, forgiveness should make it like the rift never happened, as though a completely fresh start is possible. They have no awareness of the need for emotional processing or the amount of time it may take to rebuild trust after a major betrayal. They just want things to be normal again. Others’ pain is the only fly in the ointment. Everything would be fine if others would just get past their feelings about the situation.
Lindsay C. Gibson (Adult Children of Emotionally Immature Parents: How to Heal from Distant, Rejecting, or Self-Involved Parents)
Every relationship is like a garden and every garden has weeds. Arguments are the little weeds of our relationship that grow up around the things we intentionally plant. Some arguments don’t seem so bad and are easy to work around whenever they pop up. Others are ugly enough that you go nuclear on them. That patch of land is abandoned as scorched earth for a couple of years. Either way, the weeds always come back as reliably as the days and the seasons despite our attempt to get rid of them once and for all. This is true of the arguments we have but also the arguments we don’t have. Arguments don’t end because they have long, long roots.
Buster Benson (Why Are We Yelling?: The Art of Productive Disagreement)
The Governor paused and looked reflectively over at Bond. He said: ‘You’re not married, but I think it’s the same with all relationships between a man and a woman. They can survive anything so long as some kind of basic humanity exists between the two people. When all kindness has gone, when one person obviously and sincerely doesn’t care if the other is alive or dead, then it’s just no good. That particular insult to the ego – worse, to the instinct of self-preservation – can never be forgiven. I’ve noticed this in hundreds of marriages. I’ve seen flagrant infidelities patched up, I’ve seen crimes and even murder forgiven by the other party, let alone bankruptcy and every other form of social crime. Incurable disease, blindness, disaster – all these can be overcome. But never the death of common humanity in one of the partners. I’ve thought about this and I’ve invented a rather high-sounding title for this basic factor in human relations. I have called it the Law of the Quantum of Solace.
Ian Fleming (For Your Eyes Only (James Bond, #8))
Toward an Organic Philosophy SPRING, COAST RANGE The glow of my campfire is dark red and flameless, The circle of white ash widens around it. I get up and walk off in the moonlight and each time I look back the red is deeper and the light smaller. Scorpio rises late with Mars caught in his claw; The moon has come before them, the light Like a choir of children in the young laurel trees. It is April; the shad, the hot headed fish, Climbs the rivers; there is trillium in the damp canyons; The foetid adder’s tongue lolls by the waterfall. There was a farm at this campsite once, it is almost gone now. There were sheep here after the farm, and fire Long ago burned the redwoods out of the gulch, The Douglas fir off the ridge; today the soil Is stony and incoherent, the small stones lie flat And plate the surface like scales. Twenty years ago the spreading gully Toppled the big oak over onto the house. Now there is nothing left but the foundations Hidden in poison oak, and above on the ridge, Six lonely, ominous fenceposts; The redwood beams of the barn make a footbridge Over the deep waterless creek bed; The hills are covered with wild oats Dry and white by midsummer. I walk in the random survivals of the orchard. In a patch of moonlight a mole Shakes his tunnel like an angry vein; Orion walks waist deep in the fog coming in from the ocean; Leo crouches under the zenith. There are tiny hard fruits already on the plum trees. The purity of the apple blossoms is incredible. As the wind dies down their fragrance Clusters around them like thick smoke. All the day they roared with bees, in the moonlight They are silent and immaculate. SPRING, SIERRA NEVADA Once more golden Scorpio glows over the col Above Deadman Canyon, orderly and brilliant, Like an inspiration in the brain of Archimedes. I have seen its light over the warm sea, Over the coconut beaches, phosphorescent and pulsing; And the living light in the water Shivering away from the swimming hand, Creeping against the lips, filling the floating hair. Here where the glaciers have been and the snow stays late, The stone is clean as light, the light steady as stone. The relationship of stone, ice and stars is systematic and enduring: Novelty emerges after centuries, a rock spalls from the cliffs, The glacier contracts and turns grayer, The stream cuts new sinuosities in the meadow, The sun moves through space and the earth with it, The stars change places. The snow has lasted longer this year, Than anyone can remember. The lowest meadow is a lake, The next two are snowfields, the pass is covered with snow, Only the steepest rocks are bare. Between the pass And the last meadow the snowfield gapes for a hundred feet, In a narrow blue chasm through which a waterfall drops, Spangled with sunset at the top, black and muscular Where it disappears again in the snow. The world is filled with hidden running water That pounds in the ears like ether; The granite needles rise from the snow, pale as steel; Above the copper mine the cliff is blood red, The white snow breaks at the edge of it; The sky comes close to my eyes like the blue eyes Of someone kissed in sleep. I descend to camp, To the young, sticky, wrinkled aspen leaves, To the first violets and wild cyclamen, And cook supper in the blue twilight. All night deer pass over the snow on sharp hooves, In the darkness their cold muzzles find the new grass At the edge of the snow.
Kenneth Rexroth (Collected Shorter Poems)
War makes you numb. So does intensive contemplation about life, or past relationships. You become a fucking surgeon, seeing only the body that needs to be repaired, patched up or improved. Absolutely desensitized, and unable to humanly respond to the stimuli life throws at you.
Jaka Tomc (You Only Die Once: A Short Story)
She used to hate conflict and had associated this feeling with a churning stomach and the notion that things were in discord, breaking down, hopeless. You could patch things up later, glue the relationship back together, but the cracks remained. Sooner or later it broke for good. Now, though, it was a good feeling. It meant she'd acted. Headed off a threat. Conflict wasn't necessarily a portent of decay. Instead, it was a weapon to keep that decay away from you—if you had the balls to use
Edward W. Robertson (Cut Off (Breakers, #5))
Imagine looking up at a cloudy sky with small patches of bright blue. The clouds are the limitations fogging your view, and the bright blue sky is you. Your only goal is to remove the clouds, one at a time, so you can shine through the limitless nature of your being - a nature that is extremely attractive to other people. But in order to remove these clouds, we need to rewrite the stories that created them in the first place.
Ryuu Shinohara (The Magic of Manifesting Love: 15 Advanced Manifestation Techniques to Stop Chasing, Start Attracting, and Become Magnetic to Your Dream Relationship (Law of Attraction Book 3))
Dandelions represent the easy way. You pick up a dandelion and it's so soft, and it's so easy and even fun sometimes to blow the seeds everywhere. And you don't even realize what you're doing. Nothing happens right then, except you get a pretty little show in the breeze. It's not until later, sometimes, a long time later, that you look out in your garden and realize what you did. It's easy, love, to pull back, to hide in yourself, to run and say you're just taking some time, to keep all of your emotions inside, maybe even to think you're protecting me from something. It would be easier still for me to let you do that. To watch you blow those dandelion seeds everywhere, and pretend it won't damage anything. To pretend we won't wake up one summer morning to discover we've allowed a huge patch of weeds to grow between us, opening up cracks in the foundation of our marriage. Thorns, on the other hand... they're not easy. They hurt. They make you want to give up on the whole plant sometimes. But if you don't give up, love, if you fight through it, allow yourself to be hurt - the result is beautiful and strong. And it will last forever if you care for it.
Breeana Puttroff
Andy’s Message Around the time I received Arius’ email, Andy’s message arrived. He wrote: Young, I do remember Rick Samuels. I was at the seminar in the Bahriji when he came to lecture. Like you I was at once mesmerized by his style and beauty, which of course was a false image manufactured by the advertising agencies and sales promoters. I was surprised to hear your backroom story of him being gangbanged in the dungeon. We are not ones to judge since both of us had been down that negative road of self-loathing. This seems to be a common thread with people whom others considered good-looking or beautiful. In my opinion, it’s a fake image that handsome people know they cannot live up to. Instead of exterior beauty being an asset, it often becomes a psychological burden. During the years when I was with Toby, I delved in some fashion modeling work in New Zealand. I ventured into this business because it was my subconscious way of reminding me of the days we posed for Mario and Aziz. It was also my twisted way of hoping to meet another person like me, with the hope of building a loving long-term relationship. It was also a desperate attempt to break loose from Toby’s psychosomatic grip on my person. Ian was his name and he was a very attractive 24 year old architecture student. He modeled to earn some extra spending money. We became fast friends, but he had this foreboding nature which often came on unexpectedly. A sentence or a word could trigger his depression, sending the otherwise cheerful man into bouts of non-verbal communication. It was like a brightly lit light bulb suddenly being switched off in mid-sentence. We did have an affair while I was trying to patch things up with Toby. As delightful as our sexual liaisons were there was a hidden missing element, YOU! Much like my liaisons with Oscar, without your presence, our sexual communications took on a different dynamic which only you as the missing link could resolve. There were times during or after sex when Ian would abuse himself with negative thoughts and self-denigration. I tried to console him, yet I was deeply sorrowed about my own unresolved issues with Toby. It was like the blind leading the blind. I was gravely saddened when Ian took his own life. Heavily drugged on prescriptive anti-depressant and a stomach full of extensive alcohol consumption, he fell off his ten story apartment building. He died instantly. This was the straw that threw me into a nervous breakdown. Thank God I climbed out of my despondencies with the help of Ari and Aria. My dearest Young, I have a confession to make; you are the only person I have truly loved and will continue to love. All these years I’ve tried to forget you but I cannot. That said I am not trying to pry you away from Walter and have you return to me. We are just getting to know each other yet I feel your spirit has never left. Please make sure that Walter understands that I’m not jeopardizing your wonderful relationship. I am happy for the both of you. You had asked jokingly if I was interested in a triplet relationship. Maybe when the time and opportunity arises it may happen, but now I’m enjoying my own company after Albert’s passing. In a way it is nice to have my freedom after 8 years of building a life with Albert. I love you my darling boy and always will. As always, I await your cheerful emails. Andy. Xoxoxo
Young (Unbridled (A Harem Boy's Saga, #2))
So, tell me, what did you think of my Bram?” Abigail asked as she settled herself in the chair, looking as if she fully intended to stay for a while. “Don’t you think we should discuss your daughter first?” Abigail immediately turned stubborn. “Not particularly. There’s nothing much to say about Iris other than that she loathes me and we don’t share an amicable relationship. Now Bram, on the other hand, is a delightful subject to speak about.” Lucetta settled into the bubbles. “Why do you imagine he was wearing that patch when there’s evidently nothing wrong with his eye?” “It was so gallant of him to whisk you into the castle and bring you up to this tower room, wasn’t it?” Abigail countered, as if Lucetta hadn’t posed a question. “Do you believe he enjoys assuming a pirate persona when he’s at his leisure? Although . . . now that I consider the matter, what does he do when he’s not at his leisure?” Lucetta countered right back. Abigail crossed her arms over her chest and immediately took to looking a little grumpy. “I’m not exactly certain what Bram does, dear. My son-in-law, Phillip—Bram’s father—made a rather large fortune when he invested in a sugar plantation years ago down in Cuba. Because of that fortune, Bram, along with his brother and sister, aren’t required to pursue professions, or make advantageous marriages, although . . . I’m sure Bram does something to occupy his time.” “And
Jen Turano (Playing the Part (A Class of Their Own, #3))
now the time to reckon with that question? We may begin to feel tendrils of doubt, the upwelling of inconvenient longings and needs, an uneasy sense that suppression or chronic discord will not be sustainable. We may encounter dread, fear, and a desire to escape through work, or screens, or drink. We’re dimly aware we may have to lose in order to gain, that painful upheavals may be the cost of emotional growth or inner peace. Oscillating between what is and what could be, between reality and possibility, between embracing and relinquishing, we feel disoriented and confused. When things feel bad, two options may loom up in our minds: endure (for the children, the shared history, the finances, the stability, the vow) or strive (for something more, another chance, a better relationship). Surrender or escape. Give in or start over. Depressive resignation or manic flight. These occur to us largely because it’s not at all clear where else to go. But the thought that soon follows is that we want to be honest, and we ask ourselves, what is the line between seizing vitality and manically defending against decline? What’s the difference between “settling” and acceptance? How might the effort to have more in our lives unwittingly result in less? When does accepting limits help us to make the most of what we have, and when does it signal premature resignation? Our dawning awareness of life’s limits means we know that we’ve reached the point where dismantling what we have and starting something new does not come cheaply. We know there’s really no such thing as “starting over,” only starting something different and trailing the inevitable complications in our wake. The acting out we see around us, which till now we’ve casually dismissed, begins to looks like one way that people try to combat the stasis of depression with the action of escape, attempting to transcend (at least temporarily) the “hitting a wall” feeling that this life stage can induce.
Daphne de Marneffe (The Rough Patch: Marriage and the Art of Living Together)
The work is in facing authentic emotion and vulnerability. The work is in the challenge of opening up—to being present, to listening, to learning about feelings, to having hard conversations, to facing reality. The work is in having the courage to take risks, and to speak one’s truth and listen to the other, in the effort to create an intimate relationship. When
Daphne de Marneffe (The Rough Patch: Marriage and the Art of Living Together)
The work is in facing authentic emotion and vulnerability. The work is in the challenge of opening up—to being present, to listening, to learning about feelings, to having hard conversations, to facing reality. The work is in having the courage to take risks, and to speak one’s truth and listen to the other, in the effort to create an intimate relationship. When people don’t take those risks, they shut down and disengage, and then marriage can’t possibly feel like anything but boring and static.
Daphne de Marneffe (The Rough Patch: Marriage and the Art of Living Together)
As pschologists will point out, what dooms couples isn't that they argue; it's that they don't know how to make up.
The School of Life (How Ready Are You For Love?: A path to more fulfilling and joyful relationships (School of Life))
After a rift, many people will make what relationship expert John Gottman calls a repair attempt (1999), apologizing, asking for forgiveness, or making amends in a way that shows a desire to patch things up. But emotionally immature people have a completely unrealistic idea of what forgiveness means. To them, forgiveness should make it like the rift never happened, as though a completely fresh start is possible. They have no awareness of the need for emotional processing or the amount of time it may take to rebuild trust after a major betrayal. They just want things to be normal again. Others’ pain is the only fly in the ointment. Everything would be fine if others would just get past their feelings about the situation.
Lindsay C. Gibson (Adult Children of Emotionally Immature Parents: How to Heal from Distant, Rejecting, or Self-Involved Parents)
You know the first time we said I love you it got all banged up? She took a beating in that warehouse in Kallisti Square. I was patching her up in an emergency medical bay. Blood everywhere, both of us faint from hunger and adrenaline. One of her teeth looked like it wasn't going to make it. I tied my shirt around her head to soak up the worst of it. She said: 'He kicked me right in the face,' at just the same second as I said, 'I love you.' She laughed and she kissed me. The Kallisti water tower exploded. And after that, we always said 'I love you right in the face.' And bit by bit, that's how a couple gets pounded together out of two busted people.
Catherynne M. Valente (Radiance)
If the first thing you do on hitting a rough patch with someone you love is to make personal attacks, you still've a lot to learn about relationships.
Nitya Prakash
Wolves avoid people whenever possible. The number of attacks by wolves on humans is low. Most of the ones people hear about are undocumented stories from ancient times. There have been two cases in North America where individuals were killed by a wolf pack, but there’s conflicting evidence on even these two. Wolves have an amazing lack of interest in attacking people. Moose On the Loose Sandy Sisti My relationship with a moose cow and her calf began on May 21 when I stopped to photograph the pair. The calf was less than one day old. The moose cow had ventured to a secluded area to give birth. Her little calf was born on a small island in the middle of the Shoshone River, just twelve miles outside of Yellowstone’s East Entrance. Choosing such an isolated place isn’t unusual, since moose often give birth on islands in an effort to keep their helpless calves safe for the first few days of their lives. Unfortunately the extremely warm weather in 2014 caused the mountain snows to melt rapidly, flooding parts of the Shoshone River. While watching the pair, I couldn’t help but notice that the rising water was swallowing up their tiny island. Only a few bare patches were left where the moose could bed down. At the same time the flooding was stranding the cow and her newborn calf. The young fellow could barely stand and when he was able to get to his feet a few times a day to nurse, it was obviously quite an effort. I worried that this drama would end badly, so on that very first day I vowed to myself that I wouldn’t spend any more time with the cow and her calf for fear of the heartbreak I would feel if tragedy struck. I stuck to my vow for four days, although I would always quickly glance over at the mother and calf each time I drove past. The pair was stuck on a small bit of land far from the opposite shore. I couldn’t imagine how the little calf could ever make it across the rushing floodwaters to freedom and to an area where his mother could graze. For those first few days, the calf didn’t move much. He spent most of his time sleeping alongside his mother or standing to nurse as the river continued to rise. When the calf was five days old, I was surprised to see him up and about as I drove past on my way home from Yellowstone. Although he wasn’t yet steady on his feet, he was able to follow his mother around their island as she grazed. I spent six hours watching the pair that day and from that moment on I knew I could no longer keep my vow to not get emotionally involved. I grew attached to the little family and became very concerned that the calf would never be able to safely swim across the river to the mainland. A friend of mine had already contacted Wyoming Game and Fish and informed them of the situation. He was told that nature must be allowed to run its course. So all I could do was watch and wait. By Day Six of the calf’s life the moose cow had eaten all of
Carolyn Jourdan (Dangerous Beauty: Encounters with Grizzlies and Bison in Yellowstone)
From the last three decades of psychological research, we know that our minds are formed in relationships. This means not simply that our minds are concerned with relationships (which they are), but that relationships shape the ways we process and experience reality. Psychology has made huge strides in mapping the connections between early attachment, emotional development, and adult intimate relationships. Throughout life, our emotions signal what’s important, and what’s important—at any age—is satisfying relationships. In a real sense, then, marriage picks up where childhood left off. As a close relationship that engages body, heart, and mind, marriage offers a powerful lifelong vehicle for knowing another, being known, and developing our deep emotional life. Overall, research finds that the most important factors in whether our relationships are satisfying all have to do with emotions: how we tune into our emotions, experience them, manage them, communicate about them, calm them enough to respond to others, and align them with our behavior and goals. Throughout this book, I will sum up the key capacities of healthy emotional relating as curiosity, compassion, and control. When we’re curious, we are open to trying to understand our own and the other’s truth. When we’re compassionate, we feel empathy for our own and the other’s struggles. When we exert self-control, we contain and communicate our emotional responses to others in ways that are accurate, sensitive, and likely to get heard. The triad of curiosity, compassion, and (self-)control takes us toward a sense of personal agency, and away from holding our partner responsible for our own feelings. It helps us build the inner capacities we need to reckon well with the rough patch. Finding a way to be happy in marriage depends on our ability to exercise emotional skill, flexibility, and resilience. But
Daphne de Marneffe (The Rough Patch: Marriage and the Art of Living Together)
sublimation a term that references a cor paradox of healthy adult life, namely that we need to give up in order to get. We we accept the limits and structure of a role-be it to parent to child, husband to wife, teacher to student- we paradoxically gain freedom to express the full range of emotion within that role. This bargain can be surprisingly hard to strike because the gain is tied to the loss. Accepting the need to behave within the limits of roles involves relinquishment for sure: the frustration of wises, the loss of a fantasy of infinite possibilities, even grief at what we cannot have. But all told, it's a productive and creative exchange. Reinvesting time and energy into our limits life often yields the greatest bounty of fruits, even if we are aware that somewhere over there is an exotic variety we'll never get a chance to try. Holding onto limits even when they are tested, is what allows us to conserve and preserve those things we care most about nurturing whether it's a stable home for our children , the time and energy to pay attention to them, or the pleasure to develop our interests. Having confidence in our boundaries also allows for the flourishing of much more diverse relationships.
Daphne de Marneffe (The Rough Patch: Marriage and the Art of Living Together)
Before starting work on being more mature it’s worth being aware that it’s possible to achieve a fake kind of maturity in relationships. All of us have some degree of pretend maturity in our repartee of relating. We’re prone to doing a patch-up job on the immaturity blocks we inherit from the generations of our families’ anxious sensitivities so that they’re hidden from view as much as possible. Any patching up we do can make us look pretty impressive at times as we switch on our most confident persona. This counterfeit type of maturity is not always unhelpful as it enables us to rise to many challenges in life and cope beyond our usual capacities. This “winging it” kind of maturity can be an adaptive advantage, but it can also be a bit of a trap in giving us an inflated view of our maturity.1
Jim Herrington (The Leader's Journey: Accepting the Call to Personal and Congregational Transformation)
In the seesaw scenario one partner feels she needs or wants, and she anxiously presses her partner to respond or agree. In the grip of her own emotions, she can't think about him as a separate person, with needs and constraints of his own. If he doesn't respond as she hopes it's hard for her to imagine a nuanced or exonerating reason (for example that he didn't understand what she was asking for or has a different point of view). Instead she's likely to chalk it up to rejection or neglect. Instead of coming to her air her partner is deciding to stay "up" and leave her "down". Each partner must vie to be heard, seen, or responded to. The two individuals each fear that one's fain is the other's loss; there's not enough to go around. The atmosphere can quickly deteriorate to one of blame, defensiveness, taking things personally and feeling wronged. In the golden ring mind set, a partner may feeling the same intense need as in the seesaw example, but she has the emotional wherewithal not to panic, to withstand frustration, and to trust in her partner's good intentions. Rather than propel her experience into her partner she is able to place her need in a ring that we'll call the relationship. Her partner does the same. The relationship then becomes a shared space for expression. Each partner brings his or her individual feelings into the ring and they think together about the problem at hand. Both implicitly recognize that there are tow people each with a complex mind and body which means that they can't expect their communication to be magically, telepathically received.
Daphne de Marneffe (The Rough Patch: Midlife and the Art of Living Together)