Fumbling Good People Quotes

Being mindful of Aunt Kathy’s presence, I turned to reading the Bible while sitting in the living room. It was my way ofkeeping my aunt at bay. Yet, my facade didn’t sustain me for long. I got called to the dining table anyway. Next, I was told to follow Jerry’s instructions once we left the house. Then to my surprise, Aunt Kathy made breakfast for me anyway. Immediately, I was on high alert! “Oh hell, how do I get beyond this meal!” There I was staring at bread blackened on one side and too soggy to fall off the plate. The bacon was two inches thick and fried hard enough to be a shoe insert. The grits had settled to a pace. My eggs were a perfect substitute for popcorn. Even though I had no appetite, I had to gobble something down or risk being ridiculed by my aunt. Aunt Kathy made her own homemade peach preserves. It was extremely sweet and more concentrated than Playdough. I knew if she saw me using her sauce, she’d overlook the other items I left untouched. If lucky, thefermentation was potent enough to buzz me all day long. So, I made sure she’ll see me spreading that paste all over my charcoal toast. Of course, I made the yummy sound “yums” as I took bite after bite. Fortunately, Aunt Kathy fell hook, line, and sinker for my facade. “I seeyou love that jelly! But I’m not going to let you eat all my jam! People will pay lots of money for that good stuff!” “Yes Ma’am,” I said. Simply amazing! Being she had food she thought I liked, there was a limit.   But if I hated something then I had to be force-fed. As Aunt Kathy talked, I fumbled and moved my food around as she gave me directives for the day. “When school is over, make sure to wait on the steps for your brother.” “Yes Ma’am,” I said once again.

He who is capable of really reading a writer will have his every question answered by the works themselves. For example, Kafka depicts the dreams & visions of his lonely, difficult life and it is these dreams & visions alone that should preoccupy us & not the interpretations that sharp-witted critics can give these writings. Their interpreting is an intellectual sport, one that is good for clever people who can read & write books on African sculpture or 12-tone music but who never get to the heart of works of art because they stand at the gate fumbling with their 100 keys, blind to the fact that the gate is not really locked.

what is the expression which the age demands? the age demands no expression whatever. we have seen photographs of bereaved asian mothers. we are not interested in the agony of your fumbled organs. there is nothing you can show on your face that can match the horror of this time. do not even try. you will only hold yourself up to the scorn of those who have felt things deeply. we have seen newsreels of humans in the extremities of pain and dislocation. you are playing to people who have experienced a catastrophe. this should make you very quiet. speak the words, convey the data, step aside. everyone knows you are in pain. you cannot tell the audience everything you know about love in every line of love you speak. step aside and they will know what you know because you know it already. you have nothing to teach them. you are not more beautiful than they are. you are not wiser. do not shout at them. do not force a dry entry. that is bad sex. if you show the lines of your genitals, then deliver what you promise. and remember that people do not really want an acrobat in bed. what is our need? to be close to the natural man, to be close to the natural woman. do not pretend that you are a beloved singer with a vast loyal audience which has followed the ups and downs of your life to this very moment. the bombs, flame-throwers, and all the shit have destroyed more than just the trees and villages. they have also destroyed the stage. did you think that your profession would escape the general destruction? there is no more stage. there are no more footlights. you are among the people. then be modest. speak the words, convey the data, step aside. be by yourself. be in your own room. do not put yourself on. do not act out words. never act out words. never try to leave the floor when you talk about flying. never close your eyes and jerk your head to one side when you talk about death. do not fix your burning eyes on me when you speak about love. if you want to impress me when you speak about love put your hand in your pocket or under your dress and play with yourself. if ambition and the hunger for applause have driven you to speak about love you should learn how to do it without disgracing yourself or the material. this is an interior landscape. it is inside. it is private. respect the privacy of the material. these pieces were written in silence. the courage of the play is to speak them. the discipline of the play is not to violate them. let the audience feel your love of privacy even though there is no privacy. be good whores. the poem is not a slogan. it cannot advertise you. it cannot promote your reputation for sensitivity. you are students of discipline. do not act out the words. the words die when you act them out, they wither, and we are left with nothing but your ambition. the poem is nothing but information. it is the constitution of the inner country. if you declaim it and blow it up with noble intentions then you are no better than the politicians whom you despise. you are just someone waving a flag and making the cheapest kind of appeal to a kind of emotional patriotism. think of the words as science, not as art. they are a report. you are speaking before a meeting of the explorers' club of the national geographic society. these people know all the risks of mountain climbing. they honour you by taking this for granted. if you rub their faces in it that is an insult to their hospitality. do not work the audience for gasps ans sighs. if you are worthy of gasps and sighs it will not be from your appreciation of the event but from theirs. it will be in the statistics and not the trembling of the voice or the cutting of the air with your hands. it will be in the data and the quiet organization of your presence. avoid the flourish. do not be afraid to be weak. do not be ashamed to be tired. you look good when you're tired. you look like you could go on forever. now come into my arms. you are the image of my beauty.

Sometimes it looks like you're going nowhere or that you're headed in the wrong direction. I'm learning that the decision itself is rarely the point. The point is becoming more fully ourselves in the presence of God, connecting with Him and with each other, and living our lives as though we believe He is good and beautiful. The point is being honest about where you are and what you need and then looking around in your own community for people to walk with you and with whom you can walk. I spent years wishing people would support me only to later realize I was waiting around for something to come to me when I was perfectly capable of going out and getting it. I'm convinced God is less interested in where we end up then He is in who we are becoming. Whether we're employed or unemployed, encouraged or discouraged, filled with vision or fumbling in the fog. More than anything, our Father just wants to be with us. The most common way He shows His "withness" to us is in the actual, physical presence of other people.

And yet that performance has a method. Trump's artlessness, like Mark Antony's, is only apparent. Listen, for example, as he performs one of his favorite riffs. He begins by saying something critical of Mexicans and Chinese. Then he turns around and says, 'I love the Mexican and Chinese people, especially the rich ones who buy my apartments or stay at my hotels or play on my golf courses.' It's their leaders I criticize, he explains, but then in a millisecond he pulls the sting from the criticism: 'they are smarter and stronger than our leaders; they're beating us.' And then the payoff all this has been leading up to, the making explicit of what has been implied all along. 'If I can sell them condominiums, rent space to them in my building at my price, and outfox them in deals, I could certainly outmaneuver them when it came to trade negotiations and immigration.' (And besides, they love me.) Here is the real message, the message that makes sense of the disparate pieces of what looks like mere disjointed fumbling: I am Donald Trump; nobody owns me. I don't pander to you. I don't pretend to be nice and polite; I am rich and that's what you would like to be; I'm a winner; I beat people at their own game, and if you vote for me I will beat our adversaries; if you want wonky policy details, go with those losers who offer you ten-point plans; if you want to feel good about yourselves and your country, stick with me. So despite the lack of a formal center or an orderly presentation, Trump was always on point because the point was always the same. He couldn't get off message because the one message was all he had.

Do you know how long I’ve wanted you? You’re like sunlight and water and air to me. All you need do is walk across my line of sight and my whole world lights up.” “You love your crusade more than you love me,” Kate said, her lips trembling. “You’ll kill yourself! You’ll die because you’re too arrogant to think another doctor could work with those patients as well as you.” She stepped forward, bumping against him and grabbing the lapels of his coat. “Please . . . we could be so good together.” He pulled away. “Don’t touch me, Kate. Don’t come near me. I love you, but you don’t know the meaning of the word. You only love when it’s easy, when there are no storm clouds on the horizon.” “Trevor, I’m afraid.” “Of course you’re afraid!” he shouted. “Do you imagine for one second that I’m not? But I won’t give in to it. I would lay down my life for you. I would lay down my life for any one of the thirty-two people lying in those beds upstairs, and I won’t turn my back on them. If I run away from what I’ve been fighting for all my life, then I begin dying. Then my purpose will be over.” She flinched and began straightening her shirt. “I’ve got to get out of here.” “Don’t go.” She twisted away to fumble with the doorknob. He tried to turn her to face him. “Kate, don’t go, please. Stay and fight this out.” She shook him off and fled from the closet as though it were on fire. He braced his hands on the doorframe, watching her dart around the people in the hallway. He wanted to run after her, drag her back into the closet, and plead with her to stay.

When you know you don't know everything,' he says, 'you keep learning. And there's always more to learn. That would be my higher level of advice. Learn everything, study everything. Regard everybody as a potential teacher. When you are the smartest one in the room, you can get really contemptuous of other people. But at some point, you realize there are lots of other criteria by which people may excel. Somebody may be incredibly talented at music or art, or absolutely astonishing at human relationships or something else. We have to give credit to all these things as values. You shouldn't think, "Well, I'm better than everybody else because I'm good at this one thing." Humility can allow you to put what you've got into service and understand that that's our function.

I panted as he pulled me back through the entryway, hands on my waist, kissing the whole way, and collapsed backward onto the gray leather couch, which felt softer than my skin. I fell on top of him, straddling his lap. He kissed his way down my neck and across the collar of my blouse, leaving a trail of fire behind. "Enough of that," I panted, ripping my shirt over my head. Thank goodness I'd worn a decent bra today---blue satin with a bow in the middle, not frayed or torn anywhere. He eyed it with a growl of approval, but maybe it wasn't a growl for the bra at all, because a moment of fumbling over my back and---pop---I shook off my now unfastened bra. "And to think you didn't like me at first." He drank me in unabashedly, his eyes roaming from belly to breasts to nose to eyes, and each inch his eyes traveled made me feel more and more powerful. Like I could go anywhere, do anything. Except all I wanted to do was right here. I ground against him, feeling his cock already hard and strong under his zipper. "Who says I like you now?" He gasped and pulled me tighter onto him. "If this is what you do to people you don't like, what do you do to people you do like?" I silenced him with another kiss as I rubbed up and down him again. Now my own sex was throbbing, and I sucked in a breath with every movement. I kept moving up and down as he kissed my breasts, tongue tracing lightly over each nipple. When I couldn't take it anymore, I tumbled to the side, lying down on the couch and pulling him on top of me. Because his was an expensive couch and not the cheap one my old roommate had bought at Ikea, there was plenty of room for us to writhe without making me feel like I might topple off the edge. He went down to kiss my breasts again... and kept going. His tongue slid down my stomach, did a lazy circle around my belly button. I clenched my teeth, holding back a beg for more as he slowly, slowly, way too slowly unzipped my skirt and tugged it down. I kicked it off, along with my underwear, when he reached my knees, nearly clipping him on the ear. When I felt close to the edge, I reached down and pulled him up. My hand moved down and took over, zeroing in on just the right spot on my clit. It didn't take long. I shuddered against his shoulder, biting back a cry, then wondered why I was biting it back and let it out. Breathing hard, my head collapsed back into the cushion. I was a little worried that now post-orgasm clarity would descend upon me and be like, What the hell are you doing, Julie? but the post-orgasm clarity seemed to approve. With a wink and a nudge, it made me pull away, and the desire roared back inside me. "That's why it's great to have a clitoris," I told Bennett. "Multiple orgasms.

how difficult it is to say, “Boy, did I mess up,” without the protective postscript of self-justification—to say “I dropped a routine fly ball with the bases loaded” rather than “I dropped the ball because the sun was in my eyes” or “because a bird flew by” or “because it was windy” or “because a fan called me a jerk.” A friend returning from a day in traffic school told us that as participants went around the room, reporting the violations that had brought them there, a miraculous coincidence had occurred: Not one of them had broken the law! They all had justifications for speeding, ignoring a stop sign, running a red light, or making an illegal U-turn. He became so dismayed (and amused) by the litany of flimsy excuses that, when his turn came, he was embarrassed to give in to the same impulse. He said, “I didn’t stop at a stop sign. I was entirely wrong and I got caught.” There was a moment’s silence, and then the room erupted in cheers for his candor. There are plenty of good reasons for admitting mistakes, starting with the simple fact that you will probably be found out anyway—by your family, your company, your colleagues, your enemies, your biographer. But there are more positive reasons for owning up. Other people will like you more. Someone else may be able to pick up your fumble and run with it; your error might inspire someone else’s solution. Children will realize that everyone screws up on occasion and that even adults have to say “I’m sorry.” And if you can admit a mistake when it is the size of an acorn, it will be easier to repair than if you wait until it becomes the size of a tree, with deep, wide-ranging roots.

No one likes to be told there’s something wrong with them, especially something like their genes, which they can’t change.” “You think there’s really something wrong with you?” “I guess so. It’s like a disease, right? They can see it in our genes. That’s not really up for debate, is it?” “I’m not saying your genes aren’t different,” I say. “I’m just saying that doesn’t mean one set is damaged and one set isn’t. The genes for blue eyes and brown eyes are different too, but are blue eyes ‘damaged’? It’s like they just arbitrarily decided that one kind of DNA was bad and the other was good.” “Based on the evidence that GD behavior was worse,” Christina points out. “Which could be caused by a lot of things,” I retort. “I don’t know why I’m arguing with you when I’d really like for you to be right,” Christina says, laughing. “But don’t you think a bunch of smart people like these Bureau scientists could figure out the cause of bad behavior?” “Sure,” I say. “But I think that no matter how smart, people usually see what they’re already looking for, that’s all.” “Maybe you’re biased too,” she says. “Because you have friends--and a boyfriend--with this genetic issue.” “Maybe.” I know I’m fumbling for an explanation, one I may not really believe, but I say it anyway: “I guess I don’t see a reason to believe in genetic damage. Will it make me treat other people better? No. The opposite, maybe.” And besides, I see what it’s doing to Tobias, how it’s making him doubt himself, and I don’t understand how anything good can possibly come from it. “You don’t believe things because they make your life better, you believe them because they’re true,” she points out. “But--” I speak slowly as I mull that over--“isn’t looking at the result of a belief a good way of evaluating if it’s true?” “Sounds like a Stiff way of thinking.” She pauses. “I guess my way is very Candor, though. God, we really can’t escape factions no matter where we go, can we?” I shrug. “Maybe it’s not so important to escape them.” Tobias walks into the dormitory, looking pale and exhausted, like he always does these days. His hair is pushed up on one side from lying on his pillow, and he’s still wearing what he wore yesterday. He’s been sleeping in his clothes since we came to the Bureau. Christina gets up. “Okay, I’m going to go. And leave you two...to all this space. Alone.” She gestures at all the empty beds, and then winks conspicuously at me as she walks out of the dormitory. Tobias smiles a little.

What do you think about it?” I say. “I don’t know. I guess it makes me angry.” She frowns. “No one likes to be told there’s something wrong with them, especially something like their genes, which they can’t change.” “You think there’s really something wrong with you?” “I guess so. It’s like a disease, right? They can see it in our genes. That’s not really up for debate, is it?” “I’m not saying your genes aren’t different,” I say. “I’m just saying that doesn’t mean one set is damaged and one set isn’t. The genes for blue eyes and brown eyes are different too, but are blue eyes ‘damaged’? It’s like they just arbitrarily decided that one kind of DNA was bad and the other was good.” “Based on the evidence that GD behavior was worse,” Christina points out. “Which could be caused by a lot of things,” I retort. “I don’t know why I’m arguing with you when I’d really like for you to be right,” Christina says, laughing. “But don’t you think a bunch of smart people like these Bureau scientists could figure out the cause of bad behavior?” “Sure,” I say. “But I think that no matter how smart, people usually see what they’re already looking for, that’s all.” “Maybe you’re biased too,” she says. “Because you have friends--and a boyfriend--with this genetic issue.” “Maybe.” I know I’m fumbling for an explanation, one I may not really believe, but I say it anyway: “I guess I don’t see a reason to believe in genetic damage. Will it make me treat other people better? No. The opposite, maybe.” And besides, I see what it’s doing to Tobias, how it’s making him doubt himself, and I don’t understand how anything good can possibly come from it. “You don’t believe things because they make your life better, you believe them because they’re true,” she points out. “But--” I speak slowly as I mull that over--“isn’t looking at the result of a belief a good way of evaluating if it’s true?” “Sounds like a Stiff way of thinking.” She pauses. “I guess my way is very Candor, though. God, we really can’t escape factions no matter where we go, can we?” I shrug. “Maybe it’s not so important to escape them.” Tobias walks into the dormitory, looking pale and exhausted, like he always does these days. His hair is pushed up on one side from lying on his pillow, and he’s still wearing what he wore yesterday. He’s been sleeping in his clothes since we came to the Bureau. Christina gets up. “Okay, I’m going to go. And leave you two...to all this space. Alone.” She gestures at all the empty beds, and then winks conspicuously at me as she walks out of the dormitory. Tobias smiles a little.

You are my friend, Prairie Flower. If I tell you what is in my heart, will you promise never to tell?" Prairie Flower laid a hand on Jesse's shoulder, pulling it away quickly when her friend flinched in pain. "I will not betray my friend." Taking a deep breath, Jesse lifted her head. "When Rides the Wing comes near to me, my heart sings.But I do not believe that he cares for me.I am clumsy in all of the things a Lakota woman must know.I cannot speak his language without many childish mistakes. And..." Jesse reached up to lay her hand on her short hair, "I am nothing to look at.I am not..." Prairie Flower grew angry. "I have told you he cares for you.Can you not see it?" Jesse shook her head. Prairie Flower spoke the unspeakable. "Then,if you cannot see that he cares for you in what he does,you must see it in what he has not done. You have been in his tepee. Dancing Waters has been gone many moons." "Stop!" Jesse demanded. "Stop it! I..just don't say any more!" She leaped up and ran out of the tepee-and into Rides the Wind, who was returning from the river where he had gone to draw water. Jesse knocked the water skins from both of his hands. Water spilled out and she fumbled an apology then bent stiffly to pick up the skins, wincing with the effort. "I will do it, Walks the Fire." His voice was tender as he bent and took the skins from her. Jesse protested, "It is the wife's job." She blushed, realizing that she had used a wrong word-the word for wife, instead of the word for woman. Rides the Wind interrupted before she could correct herself. "Walks the Fire is not the wife of Rides the Wind." Jesse blushed and remained quiet. A hand reached for hers and Rides the Wind said, "Come, sit." He helped her sit down just outside the door of the tepee. The village women took note as he went inside and brought out a buffalo robe. Sitting by Jesse,he placed the robe on the ground and began to talk. "I will tell you how it is with the Lakota. When a man wishes to take a wife..." he described Lakota courtship. As he talked, Jesse realiced that all that Prairie Flower had said seemed to be true.He had,indeed, done nearly everything involved in the courtship ritual. Still, she told herself, there is a perfectly good explanation for everything he has done. Rides the Wind continued describing the wedding feast. Jesse continued to reason with herself as he spoke. Then she realized the voice had stopped and he had repeated a question. "How is it among the whites?How does a man gain a wife?" Embarrassed,Jesse described the sparsest of courtships, the simplest wedding.Rides the Wind listened attentively. When she had finished, he said, "There is one thing the Lakota brave who wishes a wife does that I have not described." Pulling Jesse to her feet, he continued, "One evening, as he walks with his woman..." He reached out to pick up the buffalo robe.He was aware that the village women were watching carefully. "He spreads out his arms..." Rides the Wind spread his arms,opening the buffalo robe to its full length, "and wraps it about his woman," Rides the Wind turned toward Jesse and reached around her, "so that they are both inside the buffalo robe." He looked down at Jesse, trying to read her expression.When he saw nothing in the gray eyes, he abruptly dropped his arms. "But it is hot today and your wounds have not healed.I have said enough.You see how it is with the Lakota." When Jesse still said nothing, he continued, "You spoke of a celebration with a min-is-ter.It is a word I do not know.What is this min-is-ter?" "A man who belives in the Bible and teaches his people about God from the Bible." "What if there is no minister and a man and a woman wish to be married?" Jesse grew more uncomfortable. "I suppose they would wait until a minister came.

The point is clear enough—public goods and decreasing cost phenomena cause private market decisions to go wrong. Market prices will fail to approximate true scarcity values in terms of wants; they will be loaded with misinformation, and producers’ profit calculations will leave out of account much of the private benefit associated with public goods. The ‘invisible hand’ will fumble: people’s decentralized market choices will not efficiently cater to their tastes.

I don’t know that there’s ever an age where you feel like you have your shit together. We all sort of just…fumble our way through life and hope we’re good people doing the right thing, you know? Sometimes I think that’s what life is all about.

Are you waiting for the other shoe to drop?” I ask. There’s a term for this irrational fear of joy: cherophobia (chero is the Greek word for “rejoice”). People with cherophobia are like Teflon pans in terms of pleasure—it doesn’t stick (though pain cakes on them as if to an ungreased surface). It’s common for people with traumatic histories to expect disaster just around the corner. Instead of leaning into the goodness that comes their way, they become hypervigilant, always waiting for something to go wrong. That might be why Rita still fumbled for tissues in her purse even though she knew a fresh box was beside her on the table. Better not to get used to a full box of tissues, or a surrogate family next door, or people purchasing your art, or the man you’re dreaming about giving you a big fat kiss in the parking lot. Don’t delude yourself, sister! The second you get too comfortable—whoosh!—it will all go away. For Rita, joy isn’t pleasure; it’s anticipatory pain.

People have often asked me how we girls managed any privacy in a house with so many boys and no private rooms. It was difficult. We used to bathe with a washcloth from a pan of water. We would first start with our necks and faces and wash down as far as possible. Then we would wash the road dust from our feet and wash up as far as possible. Later, when the boys were out of the room, we would wash “possible.” It was these circumstances that led to a very embarrassing mishap that I have told very few people and would not relate here if it were not so funny. We had an outdoor bathroom, and there were times in the middle of the night when it was very inconvenient to dress and go out into the cold just to take a leak. For these times there was a little room, actually a closet, that had in it what was called a “slop jar” or “slop bucket.” It was actually an enameled pot with flared sides that was made to accommodate a woman squatting over it to do her business. The closet had no door as such, just a sort of curtain hung on a tight piece of wire. After dark when the fire had died down, it could afford some kind of privacy at least. One night when I was about sixteen or seventeen, I had been out on a date and got home fairly late. Everybody was already in bed, and I didn’t want to wake them and alert Mama and Daddy to the hour of my homecoming. I was absolutely bustin’ to pee, so I fumbled my way through the dark until I found the curtain to the closet and stepped inside. I dropped my panties and hiked up my skirt and assumed the position over the slop jar. I was feeling relieved in a physical sense and quite grown-up and somewhat smug that I “pulled it off,” so to speak. But suddenly, here in the middle of my little triumph, or more accurately here in the middle of my rump, came the cold nose of an unexpected intruder. A raccoon had gotten into the house, and unbeknownst to me, we were sharing the closet as well as a very intimate moment. When I felt that cold nose on my butt, I screamed bloody murder and literally peed all over myself. Of course I woke the whole house with my unscheduled concert. Daddy grabbed the poker to fend off an intruder. Mama started praying. The little kids cried, and the big kids just ran around confused. When everybody found out what had happened, they all had a good laugh at my expense. Except, of course, the raccoon. Once the lights were turned on, he acted like any man caught in a compromising position with a lady and bolted for the door. I often think of that moment at times when I’m feeling “too big for my britches,” and it tends to have a humbling effect.

What I find is that we don’t even have the vocabulary to describe our feelings in useful detail—three-quarters of the people have a hard time coming up with a “feeling” word. When the words do come, they don’t usually tell us very much. People fumble around a bit, hem and haw, and then use the most commonplace terms we all rely on—I feel fine, good, okay …

It's the ugliness of his fucking soul that riles me. I don't care if he calls me a mongrel bastard.' Eris had called him such things today, she realised. Rage rippled through her. 'It's just that, ally or not, I hate him. He's so slick and unruffled and... I can't stand him.' He set down his fork and stared toward the window behind him. 'Eris and his twisted word games and politics are an enemy I don't know how to handle. Every time I meet with him, I feel like he's got the upper hand. Like I can only catch up to him, and he sees through my every fumbling attempt at being clever. Maybe that makes me a stupid brute after all.' True sorrow filled his eyes- and enough self-loathing that Nesta rose from her seat. He went still as she rounded the table, only lifting his head when she leaned against the edge of the table beside his plate. 'Rhys should kill him and be done with it.' 'If anyone is going to kill Eris, it will be Mor or me.' His hazel eyes were nearly pleading. Not with her, she knew, but with fate. 'But killing him would prove him and his ilk right about me. And regardless of how I feel about Eris, he would be a better High Lord than Beron. No matter what I want, there's still the well-being of the Autumn Court to consider.' Cassian was good. In his soul, in his warrior's heart, Cassian was good in a way Nesta knew most people were not. In a way she knew she was not and would never be. He was not a warrior who killed on a whim, but a male who carefully considered every life he had to take. Who'd defend what he loved until death. And Eris... He'd hurt Cassian. With what he'd done to Morrigan, yes, but also with the words so similar to ones that Nesta herself had wielded. The wound lay in Cassian's eyes, as raw as any injury. Shame rushed through her. Shame, and anger, and a wild sort of desperation. She couldn't abide the pain in his eyes, teetering on the brink of despair. Couldn't stand the absence of the grinning and winking and swaggering she knew so well. She'd do anything to get rid of that look in his eyes. Even for a few moments.

[N]obody seems to have the tools, clout, or conceptual framework we need to fix it, or even to come up with a good plan to protect ourselves from the greatest dangers. [...] And while smart, dedicated, and thoughtful people fumble with political machinery that doesn't work, such as carbon-pricing markets, protests, and the United Nations, all of us in the Global North go about our business, driving, flying, leaving lights on, running heaters and air conditioners, eating meat, charging our devices, living unsustainable lives predicated on easy consumption.

As I’ve been telling you, Cassandra, you need to be cautious. People are not always what they seem.” Cass lifted her chin and forced herself to sound casual. “I feel very safe here on San Domenico.” She added, for good measure, “Especially now that you’re staying with us.” Luca smiled faintly. “I’m glad to hear it. I thought maybe you were finding my presence burdensome.” He flicked his eyes toward the mantel clock. “You should probably get dressed.” Luca was already dressed. He wore black breeches and boots with a wine-colored silk doublet that fit snugly across his broad shoulders. A gold embroidered velvet cape hung from one shoulder. Most of his thick blondish hair was covered by a small-brimmed black velvet hat adorned with a plume of burgundy and white feathers. “You look nice,” Cass said, partially to soften him and partially because it was true. “So do you,” he responded instantly. “I mean, you will--I mean, you do now too, but--” She turned back toward her room as Luca fumbled over his words. His politeness was sort of charming. So different from the men in the streets who hollered and clapped when women walked by. He probably wouldn’t even try to kiss her again unless she specifically told him it was all right. For a brief second, Cass wondered what it would be like to stand on her tiptoes and press her mouth against Luca’s pale lips. His beard had grown out some in the past few days. What would it feel like against the smooth skin of her cheek?