Full Figured Woman Quotes

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Suppose something goes wrong? Suppose you need a big full-figure woman like me to help straighten things out?" Lula
Janet Evanovich (Four to Score (Stephanie Plum, #4))
Soon after the completion of his college course, his whole nature was kindled into one intense and passionate effervescence of romantic passion. His hour came,—the hour that comes only once; his star rose in the horizon,—that star that rises so often in vain, to be remembered only as a thing of dreams; and it rose for him in vain. To drop the figure,—he saw and won the love of a high-minded and beautiful woman, in one of the northern states, and they were affianced. He returned south to make arrangements for their marriage, when, most unexpectedly, his letters were returned to him by mail, with a short note from her guardian, stating to him that ere this reached him the lady would be the wife of another. Stung to madness, he vainly hoped, as many another has done, to fling the whole thing from his heart by one desperate effort. Too proud to supplicate or seek explanation, he threw himself at once into a whirl of fashionable society, and in a fortnight from the time of the fatal letter was the accepted lover of the reigning belle of the season; and as soon as arrangements could be made, he became the husband of a fine figure, a pair of bright dark eyes, and a hundred thousand dollars; and, of course, everybody thought him a happy fellow. The married couple were enjoying their honeymoon, and entertaining a brilliant circle of friends in their splendid villa, near Lake Pontchartrain, when, one day, a letter was brought to him in that well-remembered writing. It was handed to him while he was in full tide of gay and successful conversation, in a whole room-full of company. He turned deadly pale when he saw the writing, but still preserved his composure, and finished the playful warfare of badinage which he was at the moment carrying on with a lady opposite; and, a short time after, was missed from the circle. In his room,alone, he opened and read the letter, now worse than idle and useless to be read. It was from her, giving a long account of a persecution to which she had been exposed by her guardian's family, to lead her to unite herself with their son: and she related how, for a long time, his letters had ceased to arrive; how she had written time and again, till she became weary and doubtful; how her health had failed under her anxieties, and how, at last, she had discovered the whole fraud which had been practised on them both. The letter ended with expressions of hope and thankfulness, and professions of undying affection, which were more bitter than death to the unhappy young man. He wrote to her immediately: I have received yours,—but too late. I believed all I heard. I was desperate. I am married, and all is over. Only forget,—it is all that remains for either of us." And thus ended the whole romance and ideal of life for Augustine St. Clare. But the real remained,—the real, like the flat, bare, oozy tide-mud, when the blue sparkling wave, with all its company of gliding boats and white-winged ships, its music of oars and chiming waters, has gone down, and there it lies, flat, slimy, bare,—exceedingly real. Of course, in a novel, people's hearts break, and they die, and that is the end of it; and in a story this is very convenient. But in real life we do not die when all that makes life bright dies to us.
Harriet Beecher Stowe (Uncle Tom’s Cabin)
... it is fatal for anyone who writes to think of their sex. It is fatal to be a man or woman pure and simple; one must be woman-manly or man-womanly. It is fatal for a woman to lay the least stress on any grievance; to plead even with justice any cause; in any way to speak consciously as a woman. And fatal is no figure of speech; for anything written with that conscious bias is doomed to death. It ceases to be fertilized. Brilliant and effective, powerful and masterly, as it may appear for a day or two, it must wither at nightfall; it cannot grow in the minds of others. Some collaboration has to take place in the mind between the woman and the man before the art of creation can be accomplished. Some marriage of opposites has to be consummated. The whole of the mind must lie wide open if we are to get the sense that the writer is communicating his experience with perfect fullness.
Virginia Woolf (A Room of One’s Own)
The Chair I’m writing to you, who made the archaic wooden chair look like a throne while you sat on it. Amidst your absence, I choose to sit on the floor, which is dusty as a dry Kansas day. I am stoic as a statue of Buddha, not wanting to bother the old wooden chair, which has been silent now for months. In this sunlit moment I think of you. I can still picture you sitting there-- your forehead wrinkled like an un-ironed shirt, the light splashed on your face, like holy water from St. Joseph’s. The chair, with rounded curves like that of a full-figured woman, seems as mellow as a monk in prayer. The breeze blows from beyond the curtains, as if your spirit has come back to rest. Now a cloud passes overhead, and I hush, waiting to hear what rests so heavily on the chair’s lumbering mind. Do not interrupt, even if the wind offers to carry your raspy voice like a wispy cloud.
Jarod Kintz (A Letter to Andre Breton, Originally Composed on a Leaf of Lettuce With an Ink-dipped Carrot)
I heard that when white folks go fishin they do somethin called 'catch and release.' Catch and release? I nodded solemnly, suddenly nervous and curious at the same time. 'That really bothers me', Denver went on. 'I just can't figure it out. 'Cause when colored folks go fishin, we really proud of what we catch, and we take it and show it off to everybody that'll look. Then we eat what we catch...in other words, we use it to SUSTAIN us. So it really bothers me that white folks would go to all the trouble to catch a fish, when when they done caught it, just throw it back in the water.' He paused again, and the silence between us stretched a full minute. Then: 'Did you hear what I said?' I nodded, afraid to speak, afraid to offend. Denver looked away, searching the blue autumn sky, then locked onto me again with that drill-bit start. 'So, Mr. Ron, it occurred to me: If you is fishin for a friend you just gon' catch and release, then I ain't got no desire to be your friend.' I returned Denver's gaze with what I hoped was a receptive expression and hung on. Suddenly his eyes gentled and he spoke more softly than before: 'But if you is lookin for a REAL friend, then I'll be one. Forever.
Ron Hall (Same Kind of Different as Me: A Modern-Day Slave, an International Art Dealer, and the Unlikely Woman Who Bound Them Together)
Great. Lovely. Can I have your hat?” “My … hat?” The elderly woman looked up at the oversized hat. The sides drooped magnificently, and the thing was festooned with flowers. Like, oodles of them. Silk, he figured, but they were really good replicas. “You have a lady friend?” Aunt Gin asked. “You wish to give her the hat?” “Nah,” Wayne said. “I need to wear it next time I’m an old lady.” “The next time you what?” Aunt Gin grew pale, but that was probably on account of the fact that Wax went stomping by, wearing his full rusting mistcoat. That man never could figure out how to blend in.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
In Chloe, a great city, the people who move through the streets are all strangers. At each encounter, they imagine a thousand things about one another; meetings which could take place between them, conversations, surprises, caresses, bites. But no one greets anyone; eyes lock for a second, then dart away, seeking other eyes, never stopping. A girl comes along, twirling a parasol on her shoulder, and twirling slightly also her rounded hips. A woman in black comes along, showing her full age, her eyes restless beneath her veil, her lips trembling. At tattooed giant comes along; a young man with white hair; a female dwarf; two girls, twins, dressed in coral. Something runs among them, an exchange of glances link lines that connect one figure with another and draws arrows, stars, triangles, until all combinations are used up in a moment, and other characters come on to the scene: a blind man with a cheetah on a leash, a courtesan with an ostrich-plume fan, an ephebe, a Fat Woman. And thus, when some people happen to find themselves together, taking shelter from the rain under an arcade, or crowding beneath an awning of the bazaar, or stopping to listen to the band in the square, meetings, seductions, copulations, orgies are consummated among them without a word exchanged, without a finger touching anything, almost without an eye raised. A voluptuous vibration constantly stirs Chloe, the most chaste of cities. If men and women began to live their ephemeral dreams, every phantom would become a person with whom to begin a story of pursuits, pretenses, misunderstandings, clashes, oppressions, and the carousel of fantasies would stop.
Italo Calvino
He shot her a grin brimming with deliberate wickedness. "Today, I want to lead you astray." Her returning smile was a little shy but full of a quiet mischief he figured most people never saw. "Are you sure I'm not already beyond redemption?" He chuckled. "How could you be with a name like Angelica?" She made a face. "I'm an Annie, not an Angelica." "I prefer Angel." "Do you like your women angelic?" He chuckled. "No baby, I like my woman exactly as she is.
Nalini Singh (The Magical Christmas Cat (Breeds, #12.5; Feline Breeds, #11; Murphy Sisters, #2; Psy-Changeling, #3.5))
Sometimes I want to quit - not performing, but being a woman altogether. I want to throw my hands in the air after reading a mean Twitter comment and say, "All right, you got me. You figured me out. I'm not pretty. I'm not thin. I don't deserve love. I have no right to use my voice. I will start wearing a burka and move to a small town upstate and wait tables at a pancake house." So much has changed about me since I was that confident, happy girl in high school. In the years since then, I've experienced a lot of desperation and self-doubt, but in a way, I've come full circle. I know my worth. I embrace my power. I say if I'm beautiful. I say if I'm strong. You will not determine my story. I will. I'll speak and share and fuck and love, and I will never apologise for it. I am amazing for you, not because of you. I am not who I sleep with. I am not my weight. I am not my mother. I am myself. And I am all of you.
Amy Schumer (The Girl with the Lower Back Tattoo)
Few words are so revealing of western sexual prejudice as the word Goddess, in contrast to the word God. Modern connotations vastly differ from those of the ancients, to whom the Goddess was a full-fledged cosmic parent figure who created the universe and its laws, ruler of Nature, Fate, Time, Eternity, Truth, Wisdom, Justice, Love. Birth, Death, etc.
Barbara G. Walker (The Woman's Encyclopedia of Myths and Secrets)
Where are you?” she shouted. “Don’t you see us?” taunted the woman’s voice. “I thought Hecate chose you for your skill.” Another bout of queasiness churned through Hazel’s gut. On her shoulder, Gale barked and passed gas, which didn’t help. Dark spots floated in Hazel’s eyes. She tried to blink them away, but they only turned darker. The spots consolidated into a twenty-foot-tall shadowy figure looming next to the Doors. The giant Clytius was shrouded in the black smoke, just as she’d seen in her vision at the crossroads, but now Hazel could dimly make out his form—dragon-like legs with ash-colored scales; a massive humanoid upper body encased in Stygian armor; long, braided hair that seemed to be made from smoke. His complexion was as dark as Death’s (Hazel should know, since she had met Death personally). His eyes glinted cold as diamonds. He carried no weapon, but that didn’t make him any less terrifying. Leo whistled. “You know, Clytius…for such a big dude, you’ve got a beautiful voice.” “Idiot,” hissed the woman. Halfway between Hazel and the giant, the air shimmered. The sorceress appeared. She wore an elegant sleeveless dress of woven gold, her dark hair piled into a cone, encircled with diamonds and emeralds. Around her neck hung a pendant like a miniature maze, on a cord set with rubies that made Hazel think of crystallized blood drops. The woman was beautiful in a timeless, regal way—like a statue you might admire but could never love. Her eyes sparkled with malice. “Pasiphaë,” Hazel said. The woman inclined her head. “My dear Hazel Levesque.” Leo coughed. “You two know each other? Like Underworld chums, or—” “Silence, fool.” Pasiphaë’s voice was soft, but full of venom. “I have no use for demigod boys—always so full of themselves, so brash and destructive.” “Hey, lady,” Leo protested. “I don’t destroy things much. I’m a son of Hephaestus.” “A tinkerer,” snapped Pasiphaë. “Even worse. I knew Daedalus. His inventions brought me nothing but trouble.” Leo blinked. “Daedalus…like, the Daedalus? Well, then, you should know all about us tinkerers. We’re more into fixing, building, occasionally sticking wads of oilcloth in the mouths of rude ladies—” “Leo.” Hazel put her arm across his chest. She had a feeling the sorceress was about to turn him into something unpleasant if he didn’t shut up. “Let me take this, okay?
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
Dr. Jeffrey Korchak: [reading aloud] Dear attractive woman number 2, only once in my life have I responded to a person the way I've responded to you, but I've forgotten when it was or even if it was in fact me that responded. I may not know much, but I know that the wind sings your name endlessly, although with a slight lisp that makes it difficult to understand if I'm standing near an air conditioner. I know that your hair sits atop your head as though it could sit nowhere else. I know that your figure would make a sculptor cast aside his tools, injuring his assistant who was looking out the window instead of paying attention. I know that your lips are as full as that sexy french model's that I desperately want to fuck. I know that if for an instant I could have you lie next to me, or on top of me, or sit on me, or stand over me and shake, then I would be the happiest man in my pants. I know all of this, and yet you do not know me. Change your life; accept my love. Or, at least let me pay you to accept it.
Steven Soderbergh
Until the Crone figure was suppressed, patriarchal religions could not achieve full control of men's minds. Such religions tended not only to ascetic rejection of the physical experiences of life, but also to fearful rejection of the Divine Old Woman, and by extension of old women generally.
Barbara G. Walker (The Crone: Woman of Age, Wisdom, and Power)
I went to the room in Great Jones Street, a small crooked room, cold as a penny, looking out on warehouses, trucks and rubble. There was snow on the windowledge. Some rags and an unloved ruffled shirt of mine had been stuffed into places where the window frame was warped and cold air entered. The refrigerator was unplugged, full of record albums, tapes, and old magazines. I went to the sink and turned on both taps all the way, drawing an intermittent trickle. Least is best. I tried the radio, picking up AM only at the top of the dial, FM not at all." The industrial loft buildings along Great Jones seemed misproportioned, broad structures half as tall as they should have been, as if deprived of light by the great skyscraper ranges to the north and south." Transparanoia owns this building," he said. She wanted to be lead singer in a coke-snorting hard-rock band but was prepared to be content beating a tambourine at studio parties. Her mind was exceptional, a fact she preferred to ignore. All she desired was the brute electricity of that sound. To make the men who made it. To keep moving. To forget everything. To be that sound. That was the only tide she heeded. She wanted to exist as music does, nowhere, beyond maps of language. Opal knew almost every important figure in the business, in the culture, in the various subcultures. But she had no talent as a performer, not the slightest, and so drifted along the jet trajectories from band to band, keeping near the fervers of her love, that obliterating sound, until we met eventually in Mexico, in somebody's sister's bed, where the tiny surprise of her name, dropping like a pebble on chrome, brought our incoherent night to proper conclusion, the first of all the rest, transactions in reciprocal tourism. She was beautiful in a neutral way, emitting no light, defining herself in terms of attrition, a skinny thing, near blond, far beyond recall from the hard-edged rhythms of her life, Southwestern woman, hard to remember and forget...There was never a moment between us that did not measure the extent of our true connection. To go harder, take more, die first.
Don DeLillo (Great Jones Street)
A small container of Rocky Road lands on the counter next to me. “I figured Rocky Road was appropriate to pave the way to brown town,” she says with a laugh. The man in front of me takes his receipt, and the cashier, a younger woman, reaches for our purchases as soon as Banner starts laughing at her own joke. The cashier’s eyes go wide when she comprehends. “Brown Town? Is that up in the foothills, Logan? I’m not sure I’ve heard of it,” a familiar voice says from behind me. Oh, for Christ’s sake. I turn around to face Mrs. Harris, her hands full with a box of tea and a bottle of melatonin, but when I open my mouth to respond, nothing comes out. Banner smiles sweetly and says, “It’s just south of Pussy Ridge. At least, I’m pretty sure it is.” I choke, and the cashier’s face turns red. “Pussy Ridge. I haven’t heard of that either. I’ll have to ask Mr. Harris to get out the Rand McNally so we can take a drive there this weekend. I do love my weekend drives.” I have no idea how Banner is keeping a straight face, but she replies, “I love a good long ride too. Especially when it gets a little rough.” The older woman smiles. “Me too. Emmy has never been a fan, though. She’s always gotten carsick at the littlest bump.” Banner finally grins. “That explains so much about her.” The cashier’s eyes are tearing up as I shove money at her before I bag the ice cream, Doritos, and lube myself. “See you later, Mrs. Harris. You’ll have to let us know how that drive goes.
Meghan March (Real Good Man (Real Duet, #1))
I’ve done you a disservice,” he said at last. “It’s only fair to let you know, but you won’t have a normal life span.” I bit my lip. “Have you come to take my soul, then?” “I told you that’s not my jurisdiction. But you’re not going to die soon. In fact, you won’t die for a long time, far longer than I initially thought, I’m afraid. Nor will you age normally.” “Because I took your qi?” He inclined his head. “I should have stopped you sooner.” I thought of the empty years that stretched ahead of me, years of solitude long after everyone I loved had died. Though I might have children or grandchildren. But perhaps they might comment on my strange youthfulness and shun me as unnatural. Whisper of sorcery, like those Javanese women who inserted gold needles in their faces and ate children. In the Chinese tradition, nothing was better than dying old and full of years, a treasure in the bosom of one’s family. To outlive descendants and endure a long span of widowhood could hardly be construed as lucky. Tears filled my eyes, and for some reason this seemed to agitate Er Lang, for he turned away. In profile, he was even more handsome, if that was possible, though I was quite sure he was aware of it. “It isn’t necessarily a good thing, but you’ll see all of the next century, and I think it will be an interesting one.” “That’s what Tian Bai said,” I said bitterly. “How long will I outlive him?” “Long enough,” he said. Then more gently, “You may have a happy marriage, though.” “I wasn’t thinking about him,” I said. “I was thinking about my mother. By the time I die, she’ll have long since gone on to the courts for reincarnation. I shall never see her again.” I burst into sobs, realizing how much I’d clung to that hope, despite the fact that it might be better for my mother to leave the Plains of the Dead. But then we would never meet in this lifetime. Her memories would be erased and her spirit lost to me in this form. “Don’t cry.” I felt his arms around me, and I buried my face in his chest. The rain began to fall again, so dense it was like a curtain around us. Yet I did not get wet. “Listen,” he said. “When everyone around you has died and it becomes too hard to go on pretending, I shall come for you.” “Do you mean that?” A strange happiness was beginning to grow, twining and tightening around my heart. “I’ve never lied to you.” “Can’t I go with you now?” He shook his head. “Aren’t you getting married? Besides, I’ve always preferred older women. In about fifty years’ time, you should be just right.” I glared at him. “What if I’d rather not wait?” He narrowed his eyes. “Do you mean that you don’t want to marry Tian Bai?” I dropped my gaze. “If you go with me, it won’t be easy for you,” he said warningly. “It will bring you closer to the spirit world and you won’t be able to lead a normal life. My work is incognito, so I can’t keep you in style. It will be a little house in some strange town. I shan’t be available most of the time, and you’d have to be ready to move at a moment’s notice.” I listened with increasing bewilderment. “Are you asking me to be your mistress or an indentured servant?” His mouth twitched. “I don’t keep mistresses; it’s far too much trouble. I’m offering to marry you, although I might regret it. And if you think the Lim family disapproved of your marriage, wait until you meet mine.” I tightened my arms around him. “Speechless at last,” Er Lang said. “Think about your options. Frankly, if I were a woman, I’d take the first one. I wouldn’t underestimate the importance of family.” “But what would you do for fifty years?” He was about to speak when I heard a faint call, and through the heavy downpour, saw Yan Hong’s blurred figure emerge between the trees, Tian Bai running beside her. “Give me your answer in a fortnight,” said Er Lang. Then he was gone.
Yangsze Choo (The Ghost Bride)
Now here is an interesting thing about my life journey. Choosing a partner for me has certainly been an evolving process, at first it was about finding a 'good' woman, and the most appropriate "market" for sourcing out such kind of a woman, at first I thought, was the church. And coming from a strong church background myself, that was easy, however, it was not as wow or soul-stimulating as I expected it to be. To be quite honest, it was a very soul-starving experience. And I'm not putting the blame on anyone here. I probably needed that to figure out what or who it was that my soul was truly meant for. The thing about a lot of 'good' women is that they are almost always pro religion/morality but not necessarily pro DEPTH/GROWTH, and that can become a very frustrating thing for someone like me who enjoys growing, living his life full out and out of the box.
Lebo Grand
If you are struggling with the decision to stick around or cut him loose, ask yourself what kind of affair it was and how you found out?  Was it a one-time slip up that he was so riddled with guilt over that he confessed his sin?  Were you tipped off by a third-party?  Or, was it full-fledged affair that took place over months or even years?  Did you have to turn into a female version of Sherlock Holmes to figure out what the hell was going on?
Leslie Braswell (Ignore the Guy, Get the Guy: The Art of No Contact: A Woman's Survival Guide to Mastering a Breakup and Taking Back Her Power)
She had her head down, her back half turned to me. But even from that partial view, I could see that she was, as David had said, a striking woman: creamy skin, a glossy fall of obsidian hair, which she wore unbound and uncovered. Even in her loose robe it was possible to discern long, slender legs, a supple rounding of hips, and generous breasts, against which the baby lay, his thick shock of hair bearing fiery witness to his paternity. When David presented her she looked up, and I took a step backward. Her eyes were unexpected: a luminous blue. Also shocking: despite her tall, full figure, the face that gazed up at me was the face of a child. She was very young.
Geraldine Brooks
In every age a general misdirection of what may be called sexual "taste"... [is] produce[d by the devil and his angels]. This they do bu working through the small circle of artists, dressmakers, actresses, and advertisers who determine the fashionable type. The aim is to guide each sex away from those members of the other with whom spiritually helpful, happy, and fertile marriages are most likely. Thus [they] have now for many centuries triumphed over nature to the extent of making certain secondary characteristics of the male (such as the beard) disagreeable to nearly all the females-and there is more in that than you might suppose. As regards the male taste [they] have varied a good deal. At one time [they] have directed it to the statuesque and aristocratic type of beauty, mixing men's vanity with their desires and encouraging the race to breed chiefly from the most arrogant and prodigal women. At another, [they] have selected an exaggeratedly feminine type, faint and languishing, so that folly and cowardice, and all the general falseness and littleness of mind which go with them, shall be at a premium. At present [they] are on the opposite tack. The age of jazz has succeeded the age of the waltz, and [they] now teach men to like women whose bodies are scarcely distinguishable from those of boys. Since this is a kind of beauty even more transitory than most, [they] thus aggravate the female's chronic horror of growing old (with many [successful] results) and render her less willing and less able to bear children. And that is not all. [They] have engineered a great increase in the license which society allows to the representation of the apparent nude (not the real nude) in art, and its exhibition on the stage or the bathing beach. It is all a fake, or course; the figures in the popular art are falsely drawn; the real women in bathing suits or tights are actually pinched in and propped up to make them to appear firmer and more slender and more boyish than nature allows a full-grown woman to be. Yet at the same time, the modern world is taught to believe that it is being "frank" and "healthy" and getting back to nature. As a result [they] are more and more directing the desires of men to something which does not exist-making the role of the eye in sexuality more and more important and at the same time making its demands more and more impossible.
C.S. Lewis (The Screwtape Letters)
Suddenly, opposite the Théâtre des Variétés, I saw a profile to my liking. A good head and a full figure. I was charmed, and said ‘By Jove! What a fine girl!’ “It only remained for me to see her face. A woman’s face is the dessert, while the rest is ... the roast. “I hastened on and overtook her, and she turned around suddenly under a gas lamp. She was charming, quite young, dark, with large black eyes, and I immediately invited her to supper. She accepted without any hesitation, and a quarter of an hour later we were sitting at supper in my lodgings. ‘Oh, how comfortable it is here!’ she said as she came in, and she looked about her with evident satisfaction at having found a supper and a room on that bitter night. She was superb, so beautiful that she astonished me, and her figure fairly captivated me.
Guy de Maupassant (A Very French Christmas: The Greatest French Holiday Stories of All Time))
Lady Isabeau was tall for a woman, nearly as tall as Molly, but slender where Molly was stout, with a smooth immobile face that looked as if it had been carved from ivory, pale and serene. Hob stared at her: glossy black hair bound about the brows with a broad white linen fillet and partly concealed by a veil that draped down her neck; dark eyes beneath dark brows plucked thin; unsmiling lips, full and well-shaped. There was so little expression on her face, and its beauty was so unworldly, that Hob had a moment when he thought her an apparition, or a graven figure. “Blanche comme la neige,” came to his mind, a song Molly had taught him, “belle comme le jour.” The thinnest of scars ran from her hairline down her forehead, divided her left eyebrow, and curved along her cheek to the corner of her mouth, and seemed at once to augment her beauty and to reinforce its carven stillness, as if some wright's chisel had slipped in the course of fashioning her visage. A linen band of the sort known as a barbette ran down from the fillet at her temples and passed under her chin, framing her face, and rendering her features all the more austere. Her gown was a muted purple; heavy embroidery of red and blue circled its neckline, and it was gathered by a zone of gray silk, sewn with pearls, that circled her hips. From this belt depended a silver ring, as wide around as a big man's fist. On the ring was a bunch of black iron keys, of varying sizes: the symbol and reality of her standing as administrator of the household. As she spoke, she fiddled with the keys as though they were prayer beads; they gave off a continual muted clink, just barely audible to Hob above the rumble of voices, the thuds and thumps of plank tabletops settling onto their trestles.
Douglas Nicholas
Of course, she won’t figure it out,’ Pyotr Stepanovich responded like a perfect fool, ‘because legally, you see… Oh, you! And what if she did figure it out! All this kind of thing is so easily erased from the minds of women; you don’t know women yet! Besides, it’s to her full advantage to marry you because she’s the one who’s disgraced herself; and besides, I was the one who gave her all that stuff about the “barque”: I saw right away that one could have an effect on her with the “barque” business, and so that’s the calibre of girl she is. Don’t worry, she’ll step across those bodies tra-la-la, the more so since you’re completely, completely innocent, isn’t that so? Except that she’ll save up those corpses to needle you with later on, maybe in the second year of your marriage. Every woman, when she goes to the altar, stores up something of this sort from her husband’s past, but then, you know — what can happen in a year or so? Ha, ha, ha!
Fyodor Dostoevsky (Demons)
Which got Thomas thinking. What religious book was any better? The Holy Bible, full of power and poetry, was also filled with tall tales. Thomas had found them enthralling, but in the end they were all just stories, less important than the Sky Woman story, the manidoog at creation, the Nanabozho stories. To them all, especially the humorless book Elnath and Vernon had left, Thomas preferred their supernatural figure Nanabozho, who fooled ducks, got angry at his own butt and burnt it off, created a shit mountain to climb down when stuck high in a tree, had a wolf for his nephew, and no conscience at any time, who painted the kingfisher lovely colors and by trickery fed his children when they starved, who threw his penis over his shoulder and his balls to the west, who changed himself to a stump and made his penis look like a branch where the kingfisher perched, who killed a god by shooting its shadow, and created everything useful and much that was essential, like laughter.
Louise Erdrich (The Night Watchman)
Some incidents of facial profiling have been more inconvenient than others. I’ll never forget walking through airport security when I was flying to give a speech to a Christian men’s group in Montana. The Department of Homeland Security screeners obviously didn’t recognize me as “Jase the Duckman” from Duck Dynasty, and I felt like I was one wrong answer away from being led to an interrogation room in a pair of handcuffs! Hunting season had recently ended, so my hair and beard were in full bloom! The security screeners saw a Bible in my bag, and I guess they figured I was a Christian nut because of my long hair and bushy beard. Somehow, I made it through the metal detector and an additional pat-down, and I guess they couldn’t find a justifiable reason to detain me. But as I was getting my belongings back together, I accidentally bumped into a woman. She screamed! It must have been an involuntary reflex. It was a natural response, because she thought I was going to attack her. Once she finally settled down, I made my way to the gate and sat down to compose myself. After a few minutes, a young boy walked up and asked me for my autograph. Finally, I thought to myself. Somebody recognizes me from Duck Dynasty. Not everyone here believes I’m the Unabomber! Man, I could have used the kid about twenty minutes earlier, when I was trying to get through security! I looked over at the boy’s mother, and she was smiling from ear to ear. I realized they were very big fans. I signed my name on a piece of paper and handed it to the kid. “Can I ask you a question?” he said. “Sure, buddy,” I said. “Ask me anything you want.” “How much does Geico pay y’all?” he asked. My jaw dropped as I looked at the kid. “Wait a minute, man,” I said. “I’m not a caveman!” “What do you mean?” the boy asked. “I’m Jase the Duckman,” I said. “You know--from Duck Dynasty? Quack, quack?” It didn’t take me long to realize the boy had no idea what I was talking about. In a matter of minutes, I went from being a potential terrorist to being a caveman selling insurance.
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
Indeed, food and femininity were intertwined for me from very early on. Cooking was the domain not of girls, but of women. You weren’t actually allowed to cook until you mastered the basics of preparing the vegetables and dry-roasting and grinding the spices. You only assisted by preparing these mise en places for the older women until you graduated and were finally allowed to stand at the stove for more than boiling tea. Just as the French kitchens had their hierarchy of sous-chefs and commis, my grandmother’s kitchen also had its own codes. The secrets of the kitchen were revealed to you in stages, on a need-to-know basis, just like the secrets of womanhood. You started wearing bras; you started handling the pressure cooker for lentils. You went from wearing skirts and half saris to wearing full saris, and at about the same time you got to make the rice-batter crepes called dosas for everyone’s tiffin. You did not get told the secret ratio of spices for the house-made sambar curry powder until you came of marriageable age. And to truly have a womanly figure, you had to eat, to be voluptuously full of food.
Padma Lakshmi (Love, Loss, and What We Ate: A Memoir)
The more I saw her, the more she enchanted me. She was exquisitely beautiful. Her slenderness was a charm. I was lost in contemplation. What was passing in my mind I should have some difficulty in explaining. I was full of indulgence for her life, full of admiration for her beauty. The proof of disinterestedness that she gave in not accepting a rich and fashionable young man, ready to waste all his money upon her, excused her in my eyes for all her faults in the past. There was a kind of candour in this woman. You could see she was still in the virginity of vice. Her firm walk, her supple figure, her rosy, open nostrils, her large eyes, slightly tinged with blue, indicated one of those ardent natures which shed around them a sort of voluptuous perfume, like Eastern vials, which, close them as tightly as you will, still let some of their perfume escape. Finally, whether it was simple nature or a breath of fever, there passed from time to time in the eyes of this woman a glimmer of desire, giving promise of a very heaven for one whom she should love. But those who had loved Marguerite were not to be counted, nor those whom she had loved.
Alexandre Dumas fils (La Dame aux Camélias)
The secrets of the kitchen were revealed to you in stages, on a need-to-know basis, just like the secrets of womanhood. You started wearing bras; you started handling the pressure cooker for lentils. You went from wearing skirts and half saris to wearing full saris, and at about the same time you got to make the rice-batter crepes called dosas for everyone’s tiffin. You did not get told the secret ratio of spices for the house-made sambar curry powder until you came of marriageable age. And to truly have a womanly figure, you had to eat, to be voluptuously full of food. This, of course, was in stark contrast to what was considered womanly or desirable in the West, especially when I started modeling. To look good in Western clothes you had to be extremely thin. Prior to this, I never thought about my weight except to think it wasn’t ever enough. Then, with modeling, I started depending on my looks to feed myself (though my profession didn’t allow me to actually eat very much). When I started hosting food shows, my career went from fashion to food, from not eating to really eating a lot, to put it mildly. Only this time the opposing demands of having to eat all this food and still look good by Western standards of beauty were off the charts. This tug-of-war was something I would struggle with for most of a decade.
Padma Lakshmi (Love, Loss, and What We Ate: A Memoir)
Occam's Razor: The simplest theory that fits the facts corresponds most closely to reality. Fit this, Jillian--why do I treat you so horribly? He grimaced. The simplest theory that encompassed the full range of asinine behavior he exhibited around Jillian was that he was hopelessly in love with her, and if he wasn't careful she would figure it out. He had to be cold, perhaps cruel, for Jillian was an intelligent woman and unless he maintained a convincing facade she would see right through him. He drew a deep breath and steeled his will. "You were saying?" He arched a sardonic brow. Powerful men had withered into babbling idiots beneath the sarcasm and mockery of that deadly gaze. But not his Jillian, and it delighted him as much as it worried him. She held her ground, even leaned closer, ignoring the curious stares and perked ears of the onlookers. Close enough that her breath fanned his neck and made him want to seal his lips over hers and draw her breath into his lungs so deeply that she'd need him to breathe it back into her. She looked deep into his eyes, then a smile of delight curved her mouth. "You do remember," she whispered fiercely. "I wonder what else you lie to me about," she murmured, and he had the dreadful suspicion she was about to start applying a scientific analysis to his idiotic behavior. The she'd know, and he'd be exposed for the love-struck dolt he was.
Karen Marie Moning (To Tame a Highland Warrior (Highlander, #2))
Blast. This day had not gone as planned. By this time, he was supposed to be well on his way to the Brighton Barracks, preparing to leave for Portugal and rejoin the war. Instead, he was…an earl, suddenly. Stuck at this ruined castle, having pledged to undertake the military equivalent of teaching nursery school. And to make it all worse, he was plagued with lust for a woman he couldn’t have. Couldn’t even touch, if he ever wanted his command back. As if he sensed Bram’s predicament, Colin started to laugh. “What’s so amusing?” “Only that you’ve been played for a greater fool than you realize. Didn’t you hear them earlier? This is Spindle Cove, Bram. Spindle. Cove.” “You keep saying that like I should know the name. I don’t.” “You really must get around to the clubs. Allow me to enlighten you. Spindle Cove-or Spinster Cove, as we call it-is a seaside holiday village. Good families send their fragile-flower daughters here for the restorative sea air. Or whenever they don’t know what else to do with them. My friend. Carstairs sent his sister here last summer, when she grew too fond of the stable boy.” “And so…?” “And so, your little militia plan? Doomed before it even starts. Families send their daughters and wards here because it’s safe. It’s safe because there are no men. That’s why they call it Spinster Cove.” “There have to be men. There’s no such thing as a village with no men.” “Well, there may be a few servants and tradesmen. An odd soul or two down there with a shriveled twig and a couple of currants dangling between his legs. But there aren’t any real men. Carstairs told us all about it. He couldn’t believe what he found when he came to fetch his sister. The women here are man-eaters.” Bram was scarcely paying attention. He focused his gaze to catch the last glimpses of Miss Finch as her figure receded into the distance. She was like a sunset all to herself, her molten bronze hair aglow as she sank beneath the bluff’s horizon. Fiery. Brilliant. When she disappeared, he felt instantly cooler. And then, only then, did he turn to his yammering cousin. “What were you saying?” “We have to get out of here, Bram. Before they take our bollocks and use them for pincushions.” Bram made his way to the nearest wall and propped one shoulder against it, resting his knee. Damn, that climb had been steep. “Let me understand this,” he said, discreetly rubbing his aching thigh under the guise of brushing off loose dirt. “You’re suggesting we leave because the village is full of spinsters? Since when do you complain about an excess of women?” “These are not your normal spinsters. They’re…they’re unbiddable. And excessively educated.” “Oh. Frightening, indeed. I’ll stand my ground when facing a French cavalry charge, but an educated spinster is something different entirely.” “You mock me now. Just you wait. You’ll see, these women are a breed unto themselves.” “These women aren’t my concern.” Save for one woman, and she didn’t live in the village. She lived at Summerfield, and she was Sir Lewis Finch’s daughter, and she was absolutely off limits-no matter how he suspected Miss Finch would become Miss Vixen in bed.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
I was in a copse of pine trees, and the pine was overpowering my scent. The pheromones of the big cat mingled with the pine and I spun around. I was smelling and looking for the flash of white, but I couldn’t see it. I grew angry and I pawed at the earth. The aroma of the soil cleansed my nose as I leaned down and sniffed deeply. I slowly closed and opened my eyes. As I looked ahead I saw something. There, further on, I had another glimpse of the large white cat. She was stopped and her hindquarters were in the air. I stared, trying to figure out what she was doing. Her forepaws and head were on the ground, but her hind was wiggling. She was next to a tree, marking it, so I slowly paced in a zigzag pattern as I walked close to her. I was being cautious because poachers had been known to employ shifters to entice real animals in the wild. She turned her head and growled at me. I took it as an invite to come closer. I ran up to her and started circling. She was an albino panther as I thought. I paced closer, breathing deep. I was in the middle of Ohio, outside of a lost cougar and a few bobcats there were no big cats here, at least not counting lycanthropes, and this creature didn’t smell like one of those. Her rump almost wagged in anticipation, and I felt my tiger body respond. I circled her, taking a swipe in her direction to see if she was going to respond negatively to me. The pink eyes followed me and she growled. I walked up to her, sniffed her face and neckline. I didn’t smell any other male on her, and I walked to her raised rump. Burying my nose in her groin I smelled deeper, and she shifted her body. I felt it before I could see it. She was shifting, changing from albino panther to human. I sat on my hindquarters as I watched. Her white fur seemed to melt from her, sliding upwards, starting with her back legs. The flesh and fur on her feet slid forward, leaving human feet and calves. It was fully fleshed, unlike some lycanthrope changes when they’re younger. The calves of her legs appeared, and slowly slid up. The panther flesh was sliding forward, slowly and methodically. Across her ass and groin, now lower back and stomach. The pheromones I smelled earlier were coming from her, the human form. I stood and started pacing behind her, and her panther head shook in a very human gesture. I stopped, fighting the desire to lean forward and lick her wetness with my large tongue. The flesh was sliding forward and as her teats turned into breasts, I growled in need. Next were her shoulders and arms, then her head and hands. As the transformation ended, there was a pile of fur and flesh lying in front of her. Her human form was beautiful; a full figured woman with long white hair, that was perfectly natural. She looked to be in her early forties, but didn’t have a line on her face that she didn’t want. In the corners of her eyes were small, but beautiful, crow’s feet, laugh lines surrounded her mouth. She laid out with her former form under her, laying on it, propped up by her elbows. She smiled with the confidence of someone who was used to being in charge. Her long hair flowed around her shoulders, framing her body. She reminded me of someone, but I couldn’t figure out who.
Todd Misura (Divergence: Erotica from a Different Angle)
And that unfortunate loss? Was that really an accident,or did you lose deliberately so I wouldn't have to pay the bill?" He shrugged. "My lips are sealed." "I should have known." Once on the open highway he turned on the radio,and they both sang along with Garth as he lamented his papa being a rolling stone. When the song ended,Marilee looked over. "I'll consider that a sermon. According to Garth, a woman would be a fool to lose her heart to a man who'd rather drive a truck than be home with her." Wyatt winked,and in his best imitation of Daffy's smoky voice he said, "Honey, a man may love the open road,but any female with half a brain can figure out how to compete with a truck.Just bat those pretty little red-tipped lashes at any male over the age of twelve, and his brain turns to mush.Next thing you know, instead of revving up his engine, he's on his hands and knees, carrying a toddler on his back around a living room full of toys and baby gear." Though the image was a surprisingly pretty one,Marilee had to wipe tears from her eyes,she was laughing so hard. When she caught her breath she managed to say, "You've got Daffy down so perfectly,you could probably answer the phone at the Fortune Saloon and no one would believe it wasn't her." "She's easy." He chuckled. "I think she's the only female with a voice that's deeper than mine." She looked out the window at the full moon above Treasure Chest Mountain in the distance. "It's a shame to waste such a pretty night.Maybe you ought to pull over and park.We can make out like teenagers." "Not a bad idea." At his arched brow she added, "It would give me a chance to see if I could turn your brain to mush." "Believe it.
R.C. Ryan (Montana Destiny)
Blood pressure check!” The doorknob rattled, as if the nurse were intending just to walk in, but the lock held, thank God. The nurse knocked again. “Oh, shit,” Gina breathed, laughing as she scrambled off of him. She reached to remove the condom they’d just used, encountered . . . him, and met his eyes. But then she scooped her clothes off the floor and ran into the bathroom. “Mr. Bhagat?” The nurse knocked on the door again. Even louder this time. “Are you all right?” Oh, shit, indeed. “Come in,” Max called as he pulled up the blanket and leaned on the button that put his bed back up into a sitting position. The same control device had a “call nurse” button as well as the clearly marked one that would unlock the door. “It’s locked,” the nurse called back, as well he knew. “Oh, I’m sorry,” he said, as he wiped off his face with the edge of the sheet. Sweat much in bed, all alone, Mr. Bhagat? “I must’ve . . . Here, let me figure out how to . . .” He took an extra second to smooth his hair, his pajama top, and then, praying that the nurse had a cold and couldn’t smell the scent of sex that lingered in the air, he hit the release. “Please don’t lock your door during the day,” the woman scolded him as she came into the room, around to the side of his bed. It was Debra Forsythe, a woman around his age, whom Max had met briefly at his check-in. She had been on her way home to deal with some crisis with her kids, and hadn’t been happy then, either. “And not at night either,” she added, “until you’ve been here a few days.” “Sorry.” He gave her an apologetic smile, hanging on to it as the woman gazed at him through narrowed eyes. She didn’t say anything, she just wrapped the blood pressure cuff around his arm, and pumped it a little too full of air—ow—as Gina opened the bathroom door. “Did I hear someone at the door?” she asked brightly. “Oh, hi. Debbie, right?” “Debra.” She glanced at Gina, and then back, her disgust for Max apparent in the tightness of her lips. But then she focused on the gauge, stethoscope to his arm. Gina came out into the room, crossing around behind the nurse, making a face at him that meant . . .? Max sent her a questioning look, and she flashed him. She just lifted her skirt and gave him a quick but total eyeful. Which meant . . . Ah, Christ. The nurse turned to glare at Gina, who quickly straightened up from searching the floor. What was it with him and missing underwear? Gina smiled sweetly. “His blood pressure should be nice and low. He’s very relaxed—he just had a massage.” “You know, I didn’t peg you for a troublemaker when you checked in yesterday,” Debra said to Max, as she wrote his numbers on the chart. Gina was back to scanning the floor, but again, she straightened up innocently when the nurse turned toward her. “I think you’re probably looking for this.” Debra leaned over and . . . Gina’s panties dangled off the edge of her pen. They’d been on the floor, right at the woman’s sensibly clad feet. “Oops,” Gina said. Max could tell that she was mortified, but only because he knew her so well. She forced an even sunnier smile, and attempted to explain. “It was just . . . he was in the hospital for so long and . . .” “And men have needs,” Debra droned, clearly unmoved. “Believe me, I’ve heard it all before.” “No, actually,” Gina said, still trying to turn this into something they could all laugh about, “I have needs.” But it was obvious that this nurse hadn’t laughed since 1985. “Then maybe you should find someone your own age to play with. A professional hockey player just arrived. He’s in the east wing. Second floor.” She lowered her voice conspiratorially. “Lots of money. Just your type, I’m sure.” “Excuse me?” Gina wasn’t going to let one go past. She may not have been wearing any panties, but her Long Island attitude now waved around her like a superhero’s cape. She even assumed the battle position, hands on her hips.
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
The pink?" she suggested, holding the shimmering rose-colored satin in front of Sara's half-clad figure. Sara held her breath in awe. She had never worn such a sumptuous creation. Silk roses adorned the sleeves and hem of the gown. The short-waisted bodice was finished with a stomacher of silver filigree and a row of satin bows. Lily shook her head thoughtfully. "Charming, but too innocent." Sara suppressed a disappointed sigh. She couldn't imagine anything more beautiful than the pink satin. Busily Monique discarded the gown and sorted through the others. "The peach. No man will be able to keep his eyes from her in that. Here, let us try it, chérie." Raising her arms, Sara let the dressmaker and her assistant Cora pull the gauzy peach-hued gown over her head. "I think it will have to be altered a great deal," Sara commented, her voice muffled beneath the delicate layers of fabric. The gowns had been fitted for Lily's lithe, compact lines. Sara was more amply endowed, with a generous bosom and curving hips, and a tiny, scoped-in waist... a figure style that had been fashionable thirty years ago. The current high-waisted Grecian mode was not particularly flattering to her. Monique settled the gown around Sara's feet and then began to yank the back of it together. "Oui, Lady Raiford has the form that fashion loves." Energetically, she hooked the tight bodice together. "But you, chérie, have the kind that men love. Draw in your breath, s'il vous plaît." Sara winced as her breasts were pushed upward until they nearly overflowed from the low-cut bodice. The hem of the unusually full skirt was bordered with three rows of graduated tulip-leaves. Sara could hardly believe the woman in the mirror was herself. The peach gown, with its transparent layers of silk and shockingly low neckline, had been designed to attract a man's attention. It was too loose at the waist, but her breasts rose from the shallow bodice in creamy splendor pushed together to form an enticing cleavage.
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
The blinking message light on the phone screamed at us when we walked into the bedroom of our suite. Marlboro Man audibly exhaled, clearly wishing the world--and his brother and the grain markets and the uncertainties of agriculture--would leave us alone already. I wish they’d leave us alone, too. In light of the recent developments, though, Marlboro Man picked up the phone and dialed Tim to get an update. I excused myself to the bathroom to freshen up and put on a champagne satin negligee in an effort to thwart the external forces that were trying to rob me of my husband’s attention. I brushed my teeth and spritzed myself with Jil Sander perfume before opening the door to the bedroom, where I would seduce my Marlboro Man away from his worries. I knew I could win if only I applied myself. He was just getting off the phone when I entered the room. “Dammit,” I heard him mumble as he plopped down onto the enormous king-size bed. Oh no. Jil Sander had her work cut out for her. I climbed on the bed and lay beside him, resting my head on his arm. He draped his arm across my waist. I draped my leg around his. He sighed. “The markets are totally in the shitter.” I didn’t know the details, but I did know the shitter wasn’t a good place. I wanted to throw out the usual platitudes. Don’t worry about it, try not to think about it, we’ll figure it out, everything will be okay. But I didn’t know enough about it. I knew he and his brother owned a lot of land. I knew they worked hard to pay for it. I knew they weren’t lawyers or physicians by profession and didn’t have a whole separate income to supplement their ranching operation. As full-time ranchers, their livelihoods were completely reliant on so many things outside of their control--weather, market fluctuations, supply, demand, luck. I knew they weren’t home free in terms of finances--Marlboro Man and I had talked about it. But I didn’t understand enough about the ramifications of this current wrinkle to reassure him that everything would be okay, businesswise. And he probably didn’t want me to. So I did the only thing I could think of to do. I assured my new husband everything would be okay between us by leaning over, turning off the lamp, and letting the love between us--which had zero to do with markets or grains--take over.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Then call me Pierce because we're friends." He bent in close in the turn, eyes gleaming as they dropped to her lips. "Intimate friends, if I get my wish." This time there was no mistaking his meaning. But he was so practiced and smooth that she couldn't help herself-she laughed. When that made him frown, she tried to suppress her amusement, but that only made her laugh harder. "What's so funny?" he muttered. "I'm sorry," she said, swallowing her amusement. "It's just that I've heard my brothers make such insinuations to women in that tone of voice for years, but I've never been on the receiving end." Pierce's smile would rival that of Casanova. "I don't know why not," he said in a lazy drawl. His gaze raked her appreciatively as they swirled about the room. "Tonight, in that purple gown, you look particularly fetching. The color suits you." "Thank you." Minerva had been trying to get her to stop wearing browns and oranges for years, but Celia had always pooh-poohed her sister's opinions. It was only after Virginia had said exactly the same thing last month that she'd begun to think she should listen. And to order new gowns accordingly. "You're a lovely woman with the figure of a Venus and a mouth that could make a man-" "You can stop now." Her amusement vanished. She'd be flattered if he meant a single word, but clearly this was just a game to him. "I don't need the full rogue treatment, I assure you." Interest sparked in his eyes. "Hasn't it occurred to you that I might be sincere?" "Only if you're sincerely trying to seduce me." He cast her a blatantly carnal glance as he held her tighter. "Well, of course I'm trying to seduce you. What else would I be doing?" She pitched her voice over the music. "I'm a respectable woman, you know." "What has that got to do with anything?" She arched an eyebrow at him as they moved in consort. "Even a respectable woman might be tempted into, say, slipping out with a gentleman for a walk in the moonlit courtyard. And if said gentleman should happen to steal a kiss or two-" "Lord Devonmont!" "Fine." He smiled ruefully. "Bu you can't blame me for trying. You do look ravishing this evening." "There you go again," she said, exasperated. "Can you never talk to a woman as if she's a normal person?" "How dull that would be." When she frowned, he shook his head. "Very well. What scintillating topics of conversation did you have in mind?
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Officer Gurney ran a strip of yellow tape around the back area of the café, roping it off so no one could disturb the site. Then he scanned the crowd. His eyes lit on a comfortably plump woman wearing a red down jacket that made her look even plumper. She had a short brownish-blond ponytail that stuck out through a hole in her red baseball hat. “Brenda,” said Officer Gurney. “What do you think?” Grover was in danger of being late for school by this time. He’d already been late twice this month. If he was late again, he might get a note sent home to his parents. But he had to risk it. This was too interesting to miss. The woman stepped forward. Grover knew her, of course; everyone did. Mrs. Brenda Beeson was the one who had figured out the Prophet’s mumbled words and explained what they meant. She and her committee—the Reverend Loomis, Mayor Orville Milton, Police Chief Ralph Gurney, and a few others—were the most important people in the town. Officer Gurney raised the yellow tape so Mrs. Beeson could duck under it. She stood before the window a long time, her back to the crowd, while everyone waited to see what she would say. Clouds sailed slowly across the sun, turning everything dark and light and dark again. To Grover, it seemed like ages they all stood there, holding their breath. He resigned himself to being late for school and started thinking up creative excuses. The front door of his house had stuck and he couldn’t get it open? His father needed him to help fish drowned rats out of flooded basements? His knee had popped out of joint and stayed out for half an hour? Finally Mrs. Beeson turned to face them. “Well, it just goes to show,” she said. “We never used to have people breaking windows and stealing things. For all our hard work, we’ve still got bad eggs among us.” She gave an exasperated sigh, and her breath made a puff of fog in the chilly air. “If this is someone’s idea of fun, that person should be very, very ashamed of himself. This is no time for wild, stupid behavior.” “It’s probably kids,” said a man standing near Grover. Why did people always blame kids for things like this? As far as Grover could tell, grown-ups caused a lot more trouble in the world than kids. “On the other hand,” said Mrs. Beeson, “it could be a threat, or a warning. We’ve heard the reports about someone wandering around in the hills.” She glanced back at the bloody rag hanging in the window. “It might even be a message of some sort. It looks to me like that stain could be a letter, maybe an S, or an R.” Grover squinted at the stain on the cloth. To him it looked more like an A, or maybe even just a random blotch. “It might be a B,” said someone standing near him. “Or an H,” said someone else. Mrs. Beeson nodded. “Could be,” she said. “The S could stand for sin. Or if it’s an R it could stand for ruin. If you’ll let me have that piece of cloth, Ralph, I’ll show it to Althea and see if she has anything to say about it.” Just then Wayne Hollister happened to pass by, saw the crowd, and chimed in about what he’d seen in the night. His story frightened people even more than the blood and the broken glass. All around him, Grover heard them murmuring: Someone’s out there. He’s given us a warning. What does he mean to do? He’s trying to scare us. One woman began to cry. Hoyt McCoy, as usual, said that Brenda Beeson should not pronounce upon things until she was in full possession of the facts, which she was not, and that to him the
Jeanne DuPrau (The Prophet of Yonwood)
He eyed her hungrily. "Now, eat your cake or whatever it is and try to be a good girl." "It's German apple puff, for your information. Have you tried it? It's delicious. Here." She leaned slowly across the table and fed him a bite from her spoon. He helped himself to a leisurely look at her décolletage as he opened his mouth and accepted. "Mm. That is good." "Told you so." Her eyes twinkled as she leaned back in her chair in leisurely contentment. "I thought you said a while ago you had no room left for the sweets." "I'm pacing myself. Besides---" She took another dainty nibble off her dessert spoon. "There were no corsets in the trunk of goodies your servants brought me, so, you see, I'm wonderfully free to make a glutton of myself." This little fact arrested his full attention. His stare homed in on her figure--- what he could see of it over the table. "You mean...?" "Indeed, Your Grace. Tonight, I go au naturel." She laughed like she enjoyed teasing him and took another remorseless bite of German apple puff. Rohan watched her with strange sensations of delight. God, she was a maddening woman. An unpredictable blend of innocence and passion. Intelligent, mercurial. Her prickly side amused him, but he liked her even better like this, open and relaxed. Uncorseted. In her scintillating humor, she threw off light like the candle glow as it played over the cut-crystal facets of their wine goblets. In short, she enchanted him. Maybe she had inherited some of her ancestor Valerian's magic. Rohan had a feeling he was doomed. He could sense a most unforeseen bond growing between them and did not know what to make of it. "Staring again, Your Grace?" "I've just decided you are rather naughty. And I like it." She shrugged. "You said we were celebrating. Anyway, it's your fault. If you wanted me to behave, you shouldn't have made me try so many wines." "Why on earth would I want that?" he asked softly. "Hm." She caught a bead of condensation running down the shaft of her narrow champagne flute on her fingertip and brought it to her lips. Damn, but just watching her got him hard.
Gaelen Foley (My Dangerous Duke (Inferno Club, #2))
She looked at me a long time, watching me sweep the floor, wearing that damn fool dress. I didn't say a word. Just kept on sweeping. Finally, she placed her small foot on the broom and stopped it. I had to look up at her then. Them eyes was staring down at me. I can't say they was kind eyes. Rather they was tight as balled fists. Full. Firm. Stirred. The wind seemed to live in that woman's face. Looking at her was like staring at a hurricane.
James McBride
When Mike returned from Vietnam, Richard began hanging out with him. He was twelve. To Richard, Mike was special—a bona fide, real live hero, a man who’d gone into battle and come back victorious, with medals and Polaroid photos to prove he had been there and done it. In these pictures—which Mike showed Richard many times—there were Vietnamese women on their knees being forced to perform fellatio on Mike. In each he looked grimly at the camera and held a cocked .45 to the woman’s head, genuine fear in the woman’s eyes. Mike kept these black-and-white pictures, all bent by handling, in a shoebox at the top of a closet. He also kept eight shrunken heads he’d brought back from ’Nam in a battered suitcase under his bed. He told Richard he’d used the heads as pillows in Vietnam. Mike was married to a shapely Mexican-American redhead named Jessie with a full figure and strong personality.
Philip Carlo (The Night Stalker: The Disturbing Life and Chilling Crimes of Richard Ramirez)
Her text went on to suggest the issues with voting machines were somehow connected to human trafficking, a central fear for believers in the QAnon conspiracy theory. It was a striking example of how Q was blending with Stop the Steal. “We could find all of the trafficking rings, we can track all the money in minutes,” the woman continued. “I really wanna be part of this. I am available my kids are all grown I’m ready to put my whole heart and full time exposing this just fraud in Jesus name.” These were the true believers. I am not naming the woman because she’s not a public figure. While I think it’s vital the public knows what people in power did in the leadup to January 6th, I’m not in the business of publicly shaming ordinary American citizens. That said, the woman’s text is worth pointing out because it is indicative of the type of alarming content that was pouring into Meadows’s phone. It was deeply troubling to see such crazed rhetoric reaching a man who was, at the time, White House chief of staff. If all the conspiracy allegations had not already seeped into the White House, they were there now.
Denver Riggleman (The Breach: The Untold Story of the Investigation into January 6th)
Crush approached the table. “Let me tell you a little something about love. Maybe I haven’t been around as long as you, but I’ve lived a full life. We all want love. It’s in our nature to need someone who’s there for us. I get where you’re coming from, because I was destructive. I lost the only woman I’ll ever love, and that’s a fact. But I got Raven, and I got friends who I never thought would stick around this long. Love comes in different forms. Don’t get fixated on the one that everyone’s chasing, or you’ll never see what you’ve already got. Look around. You think the chuckleheads you work with are just temporary? You marked your skin to show unity, and you’re willing to lay down your life for the other. That’s love. It’s a different kind of love. You can’t pick and choose what fate deals you.” He leaned in and took the shot, sinking the ball. “Once you figure all that shit out, you won’t need the drugs anymore.
Dannika Dark (Evildoer (Crossbreed, #12))
. . .a peal of laughter sounded from within the room where the firelight was. . . .it was a boy’s laughter, and the joy of it called to the unhappy Marianne as nothing in her life had ever called to her before. He was standing on the hearthrug as a lord of creation should, his legs straddling arrogantly, his arms above his head as he stretched himself, his laughter caught up upon a prodigious yawn. He was broad-shouldered, strong, yet possessed of an elegance that was strangely mature, taller than she was but much younger. . .the brilliance of it was entangled in the wildly untidy shock of red-gold curly hair and there seemed sparks in his tawny eyes. His face was round and ruddy, with freckles on the nose, but finely featured. He had full red lips and a deep cleft in his chin, and he showed a great deal of pink tongue as he yawned. His coat and waistcoat of vivid emerald green cloth were stained with seawater and torn linings protruded from the pockets. His white cravat was soiled, the straps that should have fastened his long peg-top trousers beneath his instep had snapped, so that they coiled round his legs like delirious green snakes, and his shoes needed a polish. Never was a male so much in need of female attention or so blissfully unaware of his need. . . .she stood with her back against the door, stiff and ungainly, staring at him with great dark eyes that seemed to devour his face with the intensity of her gaze, and she could not move or speak because her heart was beating so madly that it made her feel sick and faint. Her figure might have delayed to plump itself out into the womanly roundness proper to her age, but her heart did not delay to claim this male creature for her own. She was in love, in love at sixteen, desperately in love, as Juliet was, and with a boy who for all his height and strength and maturity was only a child of thirteen years. It was absurd. But then Marianne was never at any time in the least like other girls.
Elizabeth Goudge (Green Dolphin Street)
Kim Dokja x Hansooyoung PART 1 [I shall kill you, Yoo Joonghyuk.] ~ Kim Dokja pg 4110 46. ⸢(Looks like you still don't know how it works. The heroine loses her consciousness, her hand falling away. And the male hero awakens! You see, in all the movies I've seen so far…) pg 4112 47. These idiots, I even died so that you two could talk to each other, but this…' She figured that she really needed to give these two men a harsh earful when she arrived there. But, when she pushed past the bushes and stepped forward, the ensuing spectacle freaked her out in a rather grand manner. Kwa-aaang!! Bang!!! Yoo Joonghyuk was mercilessly slamming his sword down on Kim Dokja, currently sprawled out on the ground. "Hey!! You crazy son of a bitch!!" pg 4125 48. There were plenty of things she wanted to ask, but she chose not to. Instead, she poked Kim Dokja's cheek and spoke up. "Still, this guy looks like he got completely fooled, doesn't he." "Looks that way." "How did it go?" "He went crazy and attacked me." Han Sooyoung smirked and lightly pinched Kim Dokja's cheek as if she was proud of him. pg 4127 49. the events of her dying at Yoo Joonghyuk's sword, me fighting against him, and then, passing out from his attack, and finally, sharing a conversation with Yoo Sangah inside the Library… Han Sooyoung approached the bed before I noticed it and pinched my cheek. "In any case, Kim Dokja. You can be really adorable sometimes." pg 4144 50. The moment Han Sooyoung's fist bumped into mine, she was completely enveloped in bright light. As I watched her figure disappear, I became aware once more that she had become my companion for real. pg 4165 51. ⸢And…⸥ My heart began powerfully pounding away. ⸢The woman that I used to love.⸥ pg 4189 52. Her emotionless eyes; the beauty spot just below one of them; and her lips that always mocked me for fun, now arching up in a smooth line. "Proceed with the execution pg 4191 53. "But, should you be doing something like that? She's originally your bride, isn't she?" "Correction. She was supposed to be one. The throne was usurped on the first day of the wedding, however." Oh, I see. So, it's that sort of development? I felt just a bit relieved now. Han Sooyoung and Yoo Joonghyuk as a couple? hadn't allowed any dating at the workplace yet, so hell no. pg 4202 54. ⸢By the time you're reading this book, I…⸥ I steeled my heart and read the next line of the text. ⸢…I'd still be living a pretty good life, I guess. Hahah, were you scared?⸥ This idiot… pg 4212 55. The following words were eerily similar to a certain body of text that I was familiar with. ⸢The you reading this story will definitely make it out of here alive.⸥ Han Sooyoung's afterwords came to an end there. For the longest time, I couldn't tear my eyes away from the full-stop at the end of the sentencepg4216 56. "Looks like the company's internal rules need to be changed somewhat…" pg 4234 57. She spoke in a fed-up tone of voice. And then, issued an order to me. "Marry me, Ricardo Von Kaizenix." pg 4244 58. "I didn't want to extend her 50 years by even one minute if I could help it." I was being serious here. The moment I arrived in this world and realized that Han Sooyoung had to spend 50 years here, I just couldn't escape from this one overwhelming emotion. Someone was sacrificed again because of me. Han Sooyoung who had to endure the time frame of 50 years – could she still maintain a normal, functioning mind? Was she able to maintain the ego of the Han Sooyoung that I know of?pg4254 59. Her palm smacked me in the back of the head again. God damn it, this punk… "The third method, 'Romance'." "And its contents are?" "Marry Yuri di Aristel." "And just what did you choose?" "The third method?" "And are we currently married?" "Nope." "And why the hell not?!" pg 4256
shing shong (OMNISCIENT READER'S VIEWPOINT (light novel vol2))
These days, it is perhaps even more psychologically seamless than ever for an ordinary woman to spend her life walking toward the idealized mirage of her own self-image. She can believe—reasonably enough, and with the full encouragement of feminism—that she herself is the architect of the exquisite, constant, and often pleasurable type of power that this image holds over her time, her money, her decisions, her selfhood, and her soul. — Figuring out how to “get better” at being a woman is a ridiculous and often amoral project—a subset of the larger, equally ridiculous, equally amoral project of learning to get better at life under accelerated capitalism.
Jia Tolentino (Trick Mirror)
The orders which you are about to receive have come from me,” she said, standing above them on the iron stairs, speaking with resonant clarity. “The men who’ll issue them are acting under my instructions. The interlocking control system has broken down. It will now be replaced by human labor. Train service will be resumed at once.” She noticed some faces in the crowd staring at her with a peculiar look: with a veiled resentment and the kind of insolent curiosity that made her suddenly conscious of being a woman. Then she remembered what she wore, and thought that it did look preposterous—and then, at the sudden stab of some violent impulse that felt like defiance and like loyalty to the full, real meaning of the moment, she threw her cape back and stood in the raw glare of light, under the sooted columns, like a figure at a formal reception, sternly erect, flaunting the luxury of naked arms, of glowing black satin, of a diamond flashing like a military cross.
Ayn Rand (Atlas Shrugged)
Nobody knows a woman as her milliner does. This is because, for a woman, buying a hat is an emotional thing. When she is in the full glory of youth and beauty, she buys a hat to cap the climax of her glamour. When she grows old, she buys a hat to turn back a little the relentless hands of time. When life slips out of the even way, a woman buys a hat. Sometimes in joy, sometimes in sorrow, but always for a purpose that is mixed up with her heart, and always she buys for her figure. Her figure cannot change from one moment to the next – but I have seen her face perform just this miracle. And when I see her eyes brighten and her chin lift as she turns her head, I feel very happy for my hat. Women have come to me for a hat to make their dreams come true. (Sometimes they do.) They have come to me in disappointment or grief, for a hat to take their minds off their troubles. (It very often works.) They have come for a hat to hold a husband. (This is more difficult, but not impossible.) They have come for a hat to catch a husband. (This is easy.) Being a milliner is sometimes like being a doctor. I prescribe a hat covered with pink roses to drive the blues away. I advise a daring hat for the woman who feels that she is in a rut, and wants to get out. For the girl who wants to get her man, I make a young, innocent, romantic hat, to make her look like a flower.
Lilly Daché
A thought nagged him: if Lynn Bracken reported to Patchett in full, he would have yanked his people before the police could bring them in—the way Inge, Bergeron and son disappeared immediately pre–Nite Owl. Two possibles on that—she was playing an angle or their rutting had her confused and she was stalling to figure the upshot. Most likely the former—the woman cut her last confused breath at birth. He could still taste her.
James Ellroy (L.A. Confidential (L. A. Quartet #3))
Pardon me.” She slowed to a stop beside me. “What happened to the Braxton I met months ago? The woe-is-me-hockey-is-just-my-job Braxton?” Placing both hands on her hips, I leaned in for a kiss, savoring the taste of her lips before pulling back. “He fell in love, and the work took on new meaning.” “I think you’re full of shit. Willing to say anything to get the girl. Saw a wounded bird and figured the key to landing her was a relatable story. Shameful, Braxton. Really.” I arched an eyebrow before throwing one arm straight in the air. “That’s it. To the penalty box, you go!” “What?” Her laughter floated behind me as I dragged her to the box and unlatched the door. “What was my offense?” “Two minutes for being a smartass.” She huffed, but I could hear the smile in her voice. “Bullshit call, Stripes.” Fuck. I love this woman.
Siena Trap (Second-Rate Superstar (Connecticut Comets Hockey, #3))
She pointed to a sundress with bright yellow lemons on it. "That's cute. I love lemons." Ay, Dios mio! Carolina cringed. She sounded like a fool. It was like Baby's "I carried a watermelon" line in Dirty Dancing. Why was she so awkward? "You'd look stunning in that." Enrique signaled to a woman who worked there. A saleswoman walked over to them from the back of the shop. She quickly and professionally assessed Carolina's body and then picked one of the bright dresses off the rack. "This should fit you. Shall I put it in a room for you, miss?" "Sure." Carolina followed her right to the dressing room. The dark hair on her arms stood at full attention and her heart raced. Nerves and anticipation swirled through her--- this whole day seemed like a fantasy, but it was tough for her to just live in the moment. She undressed and slipped the dress over her head. The soft fabric caressed her body, accentuating her curves. She stared at her figure in the mirror. She looked... sexy. Carolina had never seen herself as sensual, but in this dress, in the soft, warm glow of the dressing room lights, she was a knockout. The saleswoman had also placed some bright red pumps in the room. Carolina loved high heels and never had a problem walking in them, because she had spent so many years dancing with the Ballet Folklórico. Carolina's eyes practically bugged out of her head when she saw their bottoms, and she stroked the red soles--- they were Louboutins, an identifying detail she knew about from Blanca's endless fashion magazines. Blanca dreamed of owning a pair one day. She would be so jealous. Luckily, they were the same size, so Carolina would let Blanca borrow them. There was only one problem with Carolina's outfit--- her underwear didn't work with the dress. Her broad, wide bra elastics showed under the thin spaghetti straps, and her panties were too dark. She leaned out of the curtain. "Ma'am." The saleslady walked back over to her. "Can I get you something else?" "Yes. A bra and some panties." Carolina told the lady her sizes, and the lady went around the corner, returning later with an adorable matching yellow lace bra and thong. A thong. Her face crinkled. "Do you have anything with, uh, fuller coverage?" "Of course, dear. But not in the yellow. Do you want to match the bra?" Carolina did want to match the bra. It was such a cute set. She exhaled, stepping out of her comfort zone and into the lingerie. She again looked at herself in the mirror. She practically couldn't recognize herself--- a gorgeous young woman on a romantic day trip with a man whom she really liked.
Alana Albertson (Kiss Me, Mi Amor (Love & Tacos))
Hefting the weapon in a clumsy grip, she aimed it towards the gap in the door just as she saw a figure appear, and squeezed off a round. Quick reactions and his assailant’s poor aim were about the only things that saved Mason from taking a round full in the chest. Twisting aside just as the woman opened fire, he was in time to see the round bury itself in the wall beside him. The echoing crack of the shot reverberated around the room, loud as thunder, followed immediately by a second.
Will Jordan (Deception Game (Ryan Drake #5))
Larry King Larry King is one of the premier figures in American broadcasting, and his show, Larry King Live, on CNN, is one of the longest-running television programs currently on the air. The summer of 2007 will mark his fiftieth anniversary in broadcasting. I first met Princess Diana at a party in Los Angeles. As at so many parties in LA, there were famous people from all walks of life--actors, broadcasters, executives, authors, politicians, journalists. But there was only one princess, and she stood out from the crowd, talking and smiling and taking the time to give each person some personal attention. I kept her in the corner of my eye, waiting for an opportunity to talk to her. But she was spending so much time with every guest! Eventually, I made my way over to where she stood, and waited for a chance to finally meet this illustrious lady. Her pictures did not do her justice. I had seen her many times on TV and in the papers, of course, but seeing her in person was a whole new experience. She was absolutely beautiful. Her face was radiant, animated and full of life. She had honesty in her eyes, which made her approachable, and she had this uncanny ability to make everyone around her comfortable. I have interviewed thousands of people in my career, and this is a quality that I’ve always known is essential for a broadcaster. But for Diana, it seemed to come completely naturally. Within the first five seconds of meeting her, I felt like we had been friends for years. It was a big party and she was the star. Everybody wanted to talk to her. Not a big surprise--after all, she had interesting things to say about so many different topics. I always respected her work with land mines and AIDS, I knew her importance to the fashion world, and her role as a princess in the Royal Family made her one of the hottest topics of the tabloids. Yet she chatted about her sons and her friends with everybody--Diana was an extraordinary woman with an unassuming air, and it was an absolute pleasure to be in her presence. When we were introduced, her eyes lit up and she grabbed my hand. She said, “Oh, you’re Larry from the telly!” We laughed and spoke for a little while about our families, and I was amazed at how well she remembered all of the little details I mentioned. After all of the people she had met that night, she was bright-eyed and curious about everything. My only regret from the first time we met was that we didn’t have a few more hours to talk! I blushed when she mentioned a few interviews I had done earlier in the year. I didn’t know she had seen me on CNN. It was a warm, friendly greeting that I will never forget.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
Explain yourself, Mr. Mulberry.” Suddenly feeling as if he were a mere boy instead of a full-grown man, Everett decided on the spot that charm might just be the way to handle this rather troubling situation. “I was . . . well, you see, I know it was a little improper, kissing Millie and all . . . but she’s completely irresistible to me, and . . . I’m rather afraid I lost my head for a moment.” “Try again.” “Ah . . . hmm . . .” was all he could come up with to say. “I thought so.” Mr. Kenton stopped slapping the bat against his hand and moved forward, a rather intimidating sight, even given that the man was positively ancient. Coming to a stop right in front of Everett, Mr. Kenton sent Millie, who was a lovely shade of pink, a fond look, before his eyes hardened as he directed his attention back to Everett. “I’m going to be perfectly frank with you, Mr. Mulberry. Miss Millie is an orphan, and as such, she has no father to look after her interests. Having said that, I’m telling you right now that you will view me as her fatherly figure at this particular moment in time. You will also explain to me exactly what your intentions are for this fine, fine young lady who deserves better than to be hurt by a scoundrel like you.” Right there, as he was being threatened by an elderly gentleman, one who still retained possession of a rather sturdy-looking bat, Everett knew, without a glimmer of a doubt, that he was truly and irrevocably in love with Miss Millie Longfellow. Whether it was her warmth or natural zest for life, she had a way about her that drew people in, and . . . he could no longer deny his feelings for the woman. Unable
Jen Turano (In Good Company (A Class of Their Own Book #2))
What is it?” he asked quietly, his eyes full of concern. “What have you been doing that’s so terrible?” A great shudder of anguish moved through Velvet. Once he learned the truth Hank would never forgive her, but there had been enough running away, and she couldn’t bring herself to lie. Not to this man. She accepted the handkerchief he offered and dried her face. “Things was hard after Pa and Eldon died,” she managed to say, mopping at her eyes again. Hank nodded, his gaze tender, silently urging her to go on. Velvet drew in a deep breath and gripped a picket of the gate in one hand. For the first time in her life she thought she might faint. “I did cleanin’ work mostly till I came to Fort Deveraux. I’d heard I could make a lot of money here, washin’ clothes for the soldiers.” She paused and looked away for a moment, drawing strength from the orange and crimson blaze of the setting sun. “I found out soon enough that there were a lot of other women here lookin’ to wash clothes—there just wasn’t enough work to go around. I—I ended up takin’ money from men.” For a moment Hank just stood there, the color draining out of his skin. “For what?” he asked, his voice a low rasp. Velvet felt as though she was being torn apart piece by piece, organ by organ. She lowered her eyes for a moment, then met Hank’s gaze squarely. He knew—she could see that—but he was going to make her tell him. “For sleepin’ with me,” she said. With a muttered exclamation Hank turned away, his broad shoulders stiff beneath the rough, plain fabric of his shirt. Velvet reached out her hand, then let it fall helplessly to her side. She’d lost him a second time, and the experience was a cruel one. She doubted she’d ever recover from it. “I’m sorry,” she whispered. He whirled so suddenly that Velvet was startled and leapt backward. His face was taut with anger and pain. “You were my woman,” he whispered with hoarse fury. “How could you have let another man touch you?” The resilience that had allowed Velvet to survive the many hardships life had dealt her surged to the fore. She advanced on Hank, raging. “I wasn’t your woman. I wasn’t anybody’s woman. I was all alone in this world, and I did what I had to do!” Hesitantly Hank lifted his hand to her face. His thumb brushed away a tear. “There wasn’t a day or a night that I didn’t think about you, Velvet.” She hugged herself, afraid to hope or trust. “I didn’t love none of those men,” she said miserably. “I could only stand lettin’ them touch me because I pretended they was you.” Hank’s smile was soft and infinitely sad. “I’m not going to lose you again because of pride,” he said. “I don’t like that you took money from those men, but I figure I love you enough to get by that in time. All that really matters to me is now, Velvet. Now and next week and next year, and all the years after that, when you and I are going to be together.” Velvet hardly dared to believe her ears. She’d had very little good fortune in her life; she didn’t know how to deal with much besides trouble. “Folks around here won’t ever forget—there’ll be talk—” He laid two fingers to her lips, silencing her. “I don’t care,” he said. “I’ve found you. That’s all that’s important.” With a sob, Velvet let her head drop against Hank’s sturdy chest. Tenderly he enfolded her in his arms. “Hush, now,” he said. “Things are going to be different after this. Very different.” An
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
From the earliest of times, the eye has had a privileged place in the conventions of Arabic poetry.22 As Richard Ettinghausen put it, In [Arabic courtly poetry] one reads that the ideal Arab woman must be so stout that she nearly falls asleep… . Her breasts should be full and rounded, her waist slender and graceful, her belly lean, her hips sloping, and her buttocks so fleshy as to impede her passage through a door. [Her neck is said to be] like that of a gazelle, while her arms are described as well rounded, with soft delicate elbows, full wrists, and long fingers. Her face [has] white cheeks, … and her eyes are those of a gazelle with the white of the eye clearly marked.23 Far from expanding creatively on this set of classical formulas, the figures of feminine beauty in the Nights often repeat them mechanically. This story cycle is filled with over a dozen derivative poems that repeat, in cliché terms, this same image of the beloved’s eye.
Philip F. Kennedy (Scheherazade's Children: Global Encounters with the Arabian Nights)
Slowly he turned and looked directly at Amelia. A little shock went through her as their gazes met. Although they were standing several yards apart, she felt the full force of his notice. His expression was not tempered by warmth or kindness. In fact, he looked pitiless, as if he had long ago found the world to be an uncaring place and had decided to accept it on its own terms. As his detached gaze swept over her, Amelia knew exactly what he was seeing: a woman dressed in serviceable clothes and practical shoes. She was fair skinned and dark haired, of medium height, with the rosy-cheeked wholesomeness common to the Hathaways. Her figure was sturdy and voluptuous, when the fashion was to be reed-slim and wan and fragile. Without vanity, Amelia knew that although she wasn’t a great beauty, she was sufficiently attractive to have caught a husband. But she had risked her heart once, with disastrous consequences. She had no desire to try it again. And God knew she was busy enough trying to manage the rest of the Hathaways. Rohan looked away from her. Without a word or a nod of acknowledgment, he walked to the back entrance of the club. His pace was unhurried, as if he were giving himself time to think about something. There was a distinctive ease in his movements. His strides didn’t measure out distance so much as flow over it like water.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
If the time comes you need to talk about it, you can share anything you need to with me. I won’t judge you--not for anything.” Loretta stiffened. “What could you judge me for?” She pulled away. Rachel averted her face. “Oh, Aunt Rachel, not you, too? Is it a crime to live through something like this and emerge unharmed? I did starve myself. I chose death, just like any self-respecting woman would. But then he promised to bring me home, and I started eating again. He hadn’t harmed me, and I figured--” Loretta broke off. It was clear as rain Aunt Rachel didn’t believe her. “Merciful heaven, would you rather I was dead?” Amy groaned and tossed her head. Lowering her voice, Rachel replied, “No, I wouldn’t rather you were dead!” She lifted trembling hands to her face. “Lord, no. I--oh, Loretta Jane, no. I love you. I just can’t understand. You come home looking fit as a fiddle, claiming they didn’t touch you? I saw you kiss him with my own eyes. And Tom said you shared the Comanche’s bed, that it appeared you were receiving good treatment. I can only wonder what you had to do to survive so you could be here tonight. It’s amazing what we women can live through--the things we’re willing to put up with just to get by. Look at me. Stuck here in this unforgiving land with a man I despise. Do you think having him touch me is pleasant? But I let him and pretend I like it. Without him, where would the three of us be?” Loretta couldn’t answer. For an instant it was like being mute again, her throat felt so tight. She could understand Uncle Henry’s not believing her. He was one tier short of a full cord, anyway, and a body expected him to be an imbecile. But Aunt Rachel? That hurt--a bone-deep hurt that would be a long time in easing. Even if eloquence had been hers, Loretta would have offered no defense. She knew the truth, and that would have to be enough. Aunt Rachel stood up and wiped her palms on her shift. “I’m here if you need an ear. You can count on me.” With that, she left the loft. Loretta wrapped her arms around her knees and gazed out the window at the moonlit yard, remembering another night, a lifetime ago, when Hunter had sat astride his black stallion there, his arm lifted to her in a salute, his fisted hand holding her stolen bloomers. How could it be that a Comanche understood the song her heart sang and her own aunt did not?
Catherine Anderson (Comanche Moon (Comanche, #1))
The Right Intake Protein, protein, protein. Is there any other food group that causes so much angst? Have too little and you may be in trouble, have too much and you may be in greater trouble. Proteins are the main building blocks of the body making muscles, organs, skin and also enzymes. Thus, a lack of protein in your diet affects not only your health (think muscle deficiency and immune deficiency) but also your looks (poor skin and hair). On the other hand, excess protein can be harmful. “High protein intake can lead to dehydration and also increase the risk of gout, kidney afflictions, osteoporosis as well as some forms of cancer,” says Taranjeet Kaur, metabolic balance coach and senior nutritionist at AktivOrtho. However, there are others who disagree with her. "In normal people a high-protein natural diet is not harmful. In people who are taking artificial protien supplements , the level of harm depends upon the kind of protein and other elements in the supplement (for example, caffiene, etc.) For people with a pre- existing, intestinal, kidney or liver disease, a high-protein diet can be harmful," says leading nutritionist Shikha Sharma, managing director of Nutri-Health.  However, since too much of anything can never be good, the trick is to have just the right amount of protein in your diet.  But how much is the right amount? As a ballpark figure, the US Institute of Medicine recommends 0.8 gm of protein per kilogram of body weight. This amounts to 56 gm per day for a 70 kg man and 48 gm per day for a 60 kg woman.  However, the ‘right’ amount of protein for you will depend upon many factors including your activity levels, age, muscle mass, physical goals and the current state of health. A teenager, for example, needs more protein than a middle-aged sedentary man. Similarly, if you work out five times a day for an hour or so, your protein requirement will go up to 1.2-1.5 gm per kg of body weight. So if you are a 70kg man who works out actively, you will need nearly 105 gm of protein daily.   Proteins are crucial, even when you are trying to lose weight. As you know, in order to lose weight you need to consume fewer calories than what you burn. Proteins do that in two ways. First, they curb your hunger and make you feel full. In fact, proteins have a greater and prolonged satiating effect as compared to carbohydrates and fats. “If you have proteins in each of your meals, you have lesser cravings for snacks and other such food items,” says Kaur. By dulling your hunger, proteins can help prevent obesity, diabetes and heart disease.   Second, eating proteins boosts your metabolism by up to 80-100 calories per day, helping you lose weight. In a study conducted in the US, women who increased protein intake to 30 per cent of calories, ended up eating 441 fewer calories per day, leading to weight loss. Kaur recommends having one type of protein per meal and three different types of proteins each day to comply with the varied amino acid requirements of the body. She suggests that proteins should be well distributed at each meal instead of concentrating on a high protein diet only at dinner or lunch. “Moreover, having one protein at a time helps the body absorb it better and it helps us decide which protein suits our system and how much of it is required by us individually. For example, milk may not be good for everyone; it may help one person but can produce digestive problems in the other,” explains Kaur. So what all should you eat to get your daily dose of protein? Generally speaking, animal protein provides all the essential amino acids in the right ratio for us to make full use of them. For instance, 100 gm of chicken has 30 gm of protein while 75gm of cottage cheese (paneer) has only 8 gm of proteins (see chart). But that doesn’t mean you need to convert to a non-vegetarian in order to eat more proteins, clarifies Sharma. There are plenty of vegetarian options such as soya, tofu, sprouts, pulses, cu
Anonymous
Alycia’s mother was sitting in an armchair in the corner of the library without moving—been there a long time. She’d wandered down a distant road. A mental road, said Rafe. First she’d knitted with total focus, then she’d unraveled the knitting. She was covered in a blanket, and when I went up to her to ask if she needed something—a courtesy I rarely extended to a parent—the dip in the blanket, in her lap, was full of cut-up pieces of yarn. She acted like I wasn’t there, plus she was holding scissors. I figured I’d move on. “She’s dissociating,” I heard a mother tell a father. The therapist, probably. “Detachment from reality. It’s like that time the four of us went down to Cabo. Remember?” “Oh right. The time with the tranny sex worker? And the donkey in the sombrero?” “Bill, Jesus,” said the mother. “We don’t say tranny anymore.” The day felt formless, a crazy woman in her chair snipping, some fathers beside the fireplace talking in stoned voices about utopia. (Their pot was garbage next to the Oracle, said Terry with contempt. But he’d filled a freezer bag with it anyway.) Time ran together in the dark. Day for night, night for day, and the lost power made the house static and dim against the wind.
Lydia Millet (A Children's Bible)
He slowed his pace—not for the artwork, which didn’t interest him at all, but to let the distance between them grow and allow him to appreciate her among this world of art, gazing upon the beauty of this Eastern woman along with the full-figured Greek gods, angels, and the Blessed Virgin in the surrounding classical oil paintings. Like the glass pyramid in the courtyard, she soon blended into the environment and became part of the sacred realm of art. Without her, this place would be missing something. In a reverie or a dream or a vision, he let time pass by quietly.
Liu Cixin (The Dark Forest (Remembrance of Earth’s Past, #2))
Islam is aniconic. In other words, images, effigies, or idols of Allâh are not allowed, although verbal depiction abounds. There was a question long debated in Islam: can we see Allâh? The Prophet said in a hadith, "In Paradise the faithful will see Allâh with the clarity with which you see the moon on the fourteenth night (the full moon)." Theologians debated what this could mean, but the Sûfîs have held that you can see Allâh even in this world, through the "eye of the heart." The famous Sûfî martyr al-Hallaj said in a poem, "ra'aytu rabbi bi-'ayni qalbî" (I saw my Lord with the eye of my heart). Relevant to the focus of this paper is that Sûfîs have always described this theophanic experience as the vision of a woman, the female figure as the object of ru'yah (vision of Allâh).
Laurence Galian (Jesus, Muhammad and the Goddess)
FAVOUR FOR A FAVOUR,” the raven squawked, and then a second raven swooped down, ripped more of the roof free and grabbed a warrior running at Orka in its talons, lifted him high and threw him, spinning and screaming, from the tower. “FOUND YOUR FRIENDS LOOKING FOR YOU,” the first raven cawed as it rose higher on beating wings, and two small shapes swept close, buzzing into the room in a blur of wings. One landed upon a woman’s shoulder, a chitinous, segmented body and a too-human face, bulbous eyes under grey-sagging skin, and a mouth full of too many sharp-spiked teeth. A tail curled up over its back, tapering to a needle-thin sting, which whipped forwards and stabbed the woman in the cheek. “Finally, Spert found you, mistress,” Spert said as the woman staggered and choked and dropped her sword, hands grasping for her face. Her veins were turning black, spreading from the sting in her cheek across her face like a diseased spiderweb, down her neck. She tried to speak, to scream, but her tongue was already black and swelling. She collapsed and Spert’s wings buzzed, hovering and darting after his next victim. Another small figure sped around the room on parchment-thin wings: sharpclawed Vesli, with Breca’s spear in her fist, stabbing it into faces as she flew. Orka smiled and growled, looking for new people to kill.
John Gwynne (The Shadow of the Gods (The Bloodsworn Saga, #1))
Orpheus literally had his hands full, holding on to her while she struggled to break away from him and plunge into the water, time after time. How the other Argonauts laughed! Jason was exasperated. He needed Orpheus to keep the rowers working together and he was short by three men since the battle. He couldn’t spare anyone else from the crew to keep the girl from killing herself. When he ordered Herakles to grab her and tie her to the mast, our “dove” showed us that she spoke our language well enough to spew blistering curses and threats. “Listen to that!” Herakles exclaimed with an exaggerated shudder. “She’s a witch’s daughter, sure enough. She’ll put a spell on me if I offend her.” “Stop that nonsense and control the brat,” Jason snapped. “Alas, beloved prince, I can’t.” Herakles sighed and hung his head with such a pathetic air that Milo, Hylas, and I stuffed our knuckles into our mouths to stifle snickers. “I made a vow to Hera not to touch a woman until we come to Colchis.” That was too much for Hylas. He burst into hoots of laughter, and Milo and I joined in, until we had to clutch one another to keep from falling over. I was still trying to catch my breath when Jason’s foot shot out and dealt me an undeniable kick in the behind. “You think this is funny? You watch her!” he barked at me. “If anything happens to the scrawny little bitch, we’ll stick you in a dress, hand you over to her flea-bitten relatives, and be halfway to Colchis before they figure out they’ve been duped. If you’re lucky, they’ll kill you quickly. If not, they might decide to use their knives to turn you into the daughter they lost. See if you can laugh your way out of that, boy!” He showed his teeth in a satisfied smirk and didn’t understand why I kept on laughing at his threat, even while I walked off to assume my new job as the girl’s keeper.
Esther M. Friesner (Nobody's Prize (Nobody's Princess, #2))
As Lucetta continued going on and on about what he should do, in that rather bossy manner he’d never imagined she possessed, he found himself having a bit of a difficult time concentrating on what she was saying. Her lips were moving rapidly, and while he was certain she was probably giving him sound advice, he found himself more concerned with the idea that it seemed to him as if she’d done something to her lips—something that made them seem quite spinster-looking, as if their very plumpness had been squeezed right out of them. The lips he was looking at now truly did seem to belong to a woman who’d sport a wart on her face, but . . . how had she managed to make them appear so unattractive, so . . . Taking a step closer to her, he leaned forward, trying to puzzle out the mystery behind her lips. They looked thin, which was very peculiar, although . . . perhaps it was the wart she’d so cleverly put right above the upper lip that was . . . “Why are you staring at me like that? Has the wart moved?” Dragging his attention away from the wart in question, he looked up and caught her eye through the smudged lenses that he had no idea how she could see out of. Instead of answering her, though, his hand rose, almost of its own accord it seemed, and the next thing he knew, he’d plucked the phony wart straight off her face. “What has gotten into you?” she demanded. “I need that wart, and . . . did you just throw that over your shoulder?” “It was disgusting,” he said, dusting his hands together, pleased with himself over taking control of the wart even though Lucetta looked about ready to strangle him. “It was meant to be disgusting.” “Well, now it’s gone.” Lucetta let out a grunt before she tried to scoot around him, seemingly intent on looking for the wart he’d just tossed aside. Before she could pass him, though, he reached out, took hold of her shoulders and felt her tense. “What are you doing?” Instead of answering her, he drew her closer, smiling just a touch when he heard her take a swift intake of breath. “Bram . . . really . . . what are you doing?” “Trying to figure something out,” he said as he moved one of his hands from her shoulder and used a single finger to take a poke at her lip. “It’s still full,” he said, more to himself than to her. He poked it again before he pulled at her lower lip, exposing her teeth in the process. “You no longer appear to be missing your teeth.” “Stop that.” She smacked his hand away. “I knew I shouldn’t have snuck that second cookie backstage. It must have knocked the gum off.” “You used gum?” Lucetta nodded. “I did, Black Jack gum, created by Mr. Thomas Adams, who opened the first gum factory with his sons in 1870, although I suppose now is not actually the time to recite history when faced with such a concerning situation.” She blew out a breath. “I’m normally very careful when I use gum to make it appear as if I’m missing teeth, but I must have swallowed it when I ate that cookie.” “Do you think that’ll hurt you?” Bram asked slowly. “Hard to know at this point.” She closed her eyes and shook her head a mere moment later. “No, I haven’t read anything regarding a medical condition one can expect after swallowing gum.” Bram frowned as Lucetta opened her eyes. “You know it’s really not a normal occurrence for people to be able to summon up random tidbits like that at will, don’t you?” A ghost of a smile played around Lucetta’s mouth. “I’ve never claimed to be normal, Bram.” That smile struck him straight through his heart. It was a genuine smile, with a bit of a self-deprecating edge to it, and . . . Without allowing himself a second to reconsider, he leaned toward her as his hand moved from her shoulder to her waist, and pulling her ever so slowly against him, he lowered his lips to hers.
Jen Turano (Playing the Part (A Class of Their Own, #3))
Joe nudged Sean’s arm. “I swear, I could tell time by how often Emma looks at you just by counting off the seconds.” Sean resisted the urge to turn and look. “She’s nervous, that’s all.” “That’s not nerves.” “I think I know her better than you do.” Joe laughed. “You’ve known her a week.” “Ten days.” “Hate to burst your bubble, but I’ve known her longer than ten days. Not well, but I’ve run into her at Mike and Lisa’s. Not that it matters. That look on a woman’s face is pretty universal.” “There’s no look.” “Oh, there’s a look,” Kevin said. “There might be a look,” Leo added. “Mike and I can’t see,” Evan added. “We’re facing the wrong way. We could turn around, but she might wonder why we’re all staring at her.” Even though he figured his cousins were pulling his leg, Sean angled his body a little so he could see her in his peripheral vision. Okay, so she was looking at him. A lot. But Joe and Kevin were still full of crap because there was no look.The glances were too quick to read anything into, never mind the kind of message they were implying she was sending. He watched her watching him for a while, and then Aunt Mary told them to get the meat ready so they could fire the grill. Since his cousins made for more than enough chefs stirring the soup and he needed a break from the visual game of tag he and Emma were playing he grabbed a beer and made his way to the big toolshed. It was the unofficial Kowalski man cave, where females feared to tread. Even Aunt Mary would just stand outside and bellow rather than cross the threshold.
Shannon Stacey (Yours to Keep (Kowalski Family, #3))
cooking with mud was rolling around in it until only our eyes weren’t caked with brown sludge. I loved him on our hour-long bike rides when we played Would You Rather until we had to pull off to the side of the road because we were laughing so hard. I loved him through high school when he was the obsession of almost every girl at our school, but he always put me first. I loved him when he became my first boyfriend and showed me what it felt like to be cherished. I loved him over our long-distance relationship when receiving his text messages would make my day. And I love him now as he gets ready to commit his life to another woman. I will love him forever, and no amount of time or varying circumstances are going to change that. Jax is my best friend. He will always hold the other half of my heart in the figurative BFF necklace that we share. He will be my friend forever. I hop onto my bed and lie back as I click my phone screen, pulling up my Favorites list. My thumb hovers over his name. I take a deep breath and touch his name. My heart thrums wildly as his phone rings twice on the other end. His voice comes through my earpiece, and I almost cry from happiness. I can move to New York tomorrow with no regrets because the world is right as long as Jax and I are friends again. “Little Love.” His voice sounds anxious, hesitant. “Hey, mister.” Another rogue tear escapes, but this tear is full of happiness.
Ellie Wade (A Beautiful Kind of Love (Choices, #1))
Without Sally the Sleuth, there would be no Superman. In fact, without the pulp heroine with a penchant for solving crimes in a state of undress, there would be no Batman either. Or Wonder Woman. Or even the Avengers. This statement reeks of hyperbole, clearly. From her black and white pulp origins in 1934 to her full colour comic books outings in the 1950s, Sally spent the bulk of her time fighting off goons and cracking cases in a series of adventures that were an odd mix of heroism and hedonism. She’s a fascinating figure in the history of comic books in her own right, but an unusual and little known one, especially in comparison to globally beloved superhero icons. Nonetheless, not only does the superhero industry owe its existence to Sally the Sleuth, it owes it twice over.
Tim Hanley (Sally the Sleuth)
But when he texts at four P.M. all of that fantasy is disrupted. She wants to cry thinking of how nice it would be if he had just texted her yesterday, or even this morning. To experience the excitement and the butterflies without the goddamn panic. How nice it would be if he cared about her enough to let her shave her legs a full day in advance. He writes, What u into. He’s at the job site, telling the guys which earth to move, or he’s at a bar two miles from the site having a cold Miller, or he’s on the toilet at the bar typing on his phone. Fuck. What u into, Lina knows, means I will fuck you right now if you can get near to where I am within the allotted time. What u into. I’m free for the rest of the night. River. River, she copied. See you there. The kids are home. All the women she knows—there aren’t many—who might be able to watch the kids are busy. She knows they’re busy because she calls, texts, and Facebook messages every one of them. Her parents watched the kids just yesterday and they’ll call her a bad mom. She would take the heat but they’re not home. Eventually one woman calls Lina back. In the voice mail she’d left, Lina promised $15 an hour. That’s a high figure for the area. The woman says she can watch the children. She feels exhilarated. She found a woman, she ordered a pizza, she went to her husband’s job site and dropped the Bonneville off and picked up his car and left the Bonneville keys and is driving to the river in the Suburban. She is crazed, panicked, afraid that she won’t get there on time. A little after five P.M. he texts, Waiting. What the fuck, she thinks. What the fuck do I do. She’s afraid to say how far away she is because he will write, Better not. Better not makes her want to vomit.
Lisa Taddeo (Three Women)
Then I had an exhilarating thought: I could design the kind of relationship I wanted! I could think up what I wanted, and if my commitment was strong enough, it would come into being. I quickly sketched out my desires on a piece of paper. I wanted someone who was honest and loving, someone for whom taking responsibility was no struggle. I wanted a woman who would be willing and able to join me in a relationship where both of us expressed our full creativity. I didn’t have any requirements as to size, shape, or age: All I was really interested in was the quality of our ongoing interactions. If there was honesty, if there was responsibility, if there was a mutual commitment to creativity and spiritual growth, I would be happy. I really wanted a spiritual partner for the journey, someone for whom relationship itself could be integral to our unfolding evolution. It took me less than ten minutes to clarify what I wanted. Then I added a radical clause: If it was not in the cosmic plan for me to have this high-quality relationship, I would gladly be alone. I vowed never to settle for anything less than what I really wanted, (...). I figured I would be better off by myself than I would be replaying these old dramas for the next fifty years. I vowed this deep in my soul. It was a done deal.
Gay Hendricks (The Conscious Heart: Seven Soul-Choices That Create Your Relationship Destiny)
Lou sat on the dock and stared into the blue depths of Waterton Lake to where a figure floated under the surface. It was the woman who’d walked into Emerald Bay, her pockets full of stones, but in the dream, the woman’s face was a mirror of Lou’s own.
Danika Stone (The Dark Divide)
But if, for me, this desire that a woman should appear added something more exalting to the charms of nature, they in their turn enlarged what I might have found too restricted in the charms of the woman. It seemed to me that the beauty of the trees was hers also, and that her kisses would reveal to me the spirit of those horizons, of the village of Roussainville, of the books which I was reading that year; and, my imagination drawing strength from contact with my sensuality, my sensuality expanding through all the realms of my imagination, my desire no longer had any bounds. Moreover - just as in moments of musing contemplation of nature, the normal actions of the mind being suspended, and our abstract ideas of things set aside, we believe with the profoundest faith in the originality, in the individual existence of the place in which we may happen to be - the passing figure whom my desire evoked seemed to be not just any specimen of the genus "woman," but a necessary and natural produce of this particular soil. For at that time everything that was not myself, the earth and the creatures upon it, seemed to me more precious, more important, endowed with a more real existence than they appear to full-grown men. And between the earth and its creatures I made no distinction. [...] But to wander thus among the woods of Roussainville without a peasant-girl to embrace was to see those woods and yet know nothing of their secret treasure, their deep-hidden beauty. That girl whom I invariably saw dappled with the shadows of their leaves was to me herself a plant of local growth, merely of a higher species than the rest, and one whose structure would enable me to get closer than through them to the intimate savour of the country. I could believe this all the more readily (and also that the caresses by which she would bring that savour to my senses would themselves be of a special kind, yielding a pleasure which I could never derive from anyone else) since I was still, and must for long remain, in that period of life when one has not yet separated the fact of this sensual pleasure from the various women in whose company one has tasted it, when one has not yet reduced it to a general idea which makes one regard them thenceforward as the interchangeable instruments of a pleasure that is always the same. Indeed, that pleasure does not even exist, isolated, distinct, formulated in the consciousness, as the ultimate aim for which one seeks a woman's company, or as the cause of the preliminary perturbation that one feels. Scarcely does one think of it as a pleasure in store for one; rather does one call it her charm; for one does not think of oneself, but only of escaping from oneself. Obscurely awaited, immanent and concealed, it simply raises to such a paroxysm, at the moment when at last it makes itself felt, those kisses, of the woman by our side, that it seems to us, more than anything else, a sort of transport of gratitude for her kindness of heart and for her touching predilection for us, which we measure by the blessings and the happiness that she showers upon us.
Marcel Proust (Swann's Way)
A full figured woman may proudly flaunt her dangling behind but unknown to many, they bruise as they cruise. In a stampede however, it dawns on her that her admired ‘superior’ posterior is a liability in reality.
Vincent Okay Nwachukwu (Weighty 'n' Worthy African Proverbs - Volume 1)
When pulchritude combines with magnitude, a full figured woman requires fortitude to maintain rectitude in the face of a multitude of men with a teasing attitude. She has a choice; relapse into lassitude or express gratitude; it all depends on her aptitude. However, the vicissitude of fortune can elevate her from servitude to a higher altitude.
Vincent Okay Nwachukwu
He finishes up in a couple more minutes and comes striding over. He gives me a few close looks before he leans over to stow the full bag in the cargo compartment. “What’s going on?” “Nothing.” “Something wrong with you?” “No, of course not.” I force a smile. His frown deepens, but he doesn’t question me further. He swings his leg over the seat and then waits until I’ve climbed on behind him. I wrap my arms around him, but I don’t lean forward or hold him as tightly as I did on the way here. I keep my back straight. It shouldn’t upset me. When I let Mack go two years ago, I knew he’d see other women. That was the point. He needed to find someone who could give him what he wanted, what he deserved, and that could never be me. But I thought he’d been retreating from the world for the past six months. I thought he’d been holed up on his own, licking his wounds. I’ve been so worried about him because it’s not like him at all. Yet evidently he’s had the time and interest for screwing around with Lily. Mack is silent for most of the drive, breaking the quiet only to tell me to duck my head when we pass by that building with the guys out front. He’s so uncommunicative that I actually jerk in surprise when he suddenly barks out, “Tell me what the hell happened!” “Nothing happened. I told you.” When he makes a guttural sound I can hear over the buzz of the engine, I add, “That one guy came over and asked if I wanted to be his woman.” “Yeah, I figured. That shouldn’t have upset you.” “It didn’t upset me.” “Did Lily say something to upset you?” I don’t like the way he says her name. Like he knows her. It’s such a silly and irrational feeling that I want to tamp it down, but I can’t. “No, of course not. She was friendly. She was very relieved to hear we aren’t together.” There’s no way I can see Mack’s expression in this position, but I swear I can sense his frown. He’s thinking. Trying to figure out my mood. I tell myself to shut up. Anything else I say is going to give him further clues, and it will be mortifying if he realizes how I’m feeling. For some reason, I fail to listen to my good advice and ramble on instead. “She’s got a lot of hopes for you. Went on and on about how great a guy you are. And how hot. I guess the two of you have had some good times together, and she’s hoping it will turn into something serious.” He’s breathing faster and louder. After a minute, he asks gruffly, “You jealous?” “No! Of course I’m not jealous. I’m reporting on the conversation since you asked.” “Sounds like you’re jealous.
Claire Kent (Beacon (Kindled #8))