“
You expected to be sad in the fall. Part of you died each year when the leaves fell from the trees and their branches were bare against the wind and the cold, wintery light. But you knew there would always be the spring, as you knew the river would flow again after it was frozen. When the cold rains kept on and killed the spring, it was as though a young person died for no reason.
”
”
Ernest Hemingway (A Moveable Feast)
“
These days grief seems like walking on a frozen river; most of the time he feels safe enough, but there is always that danger that he will plunge through.
”
”
David Nicholls (One Day)
“
This is what it means to age, I think. The days are long, but the years are short.
”
”
Ariel Lawhon (The Frozen River)
“
A moral character is attached to autumnal scenes; the leaves falling like our years, the flowers fading like our hours, the clouds fleeting like our illusions, the light diminishing like our intelligence, the sun growing colder like our affections, the rivers becoming frozen like our lives--all bear secret relations to our destinies.
”
”
François-René de Chateaubriand (Mémoires d'Outre-Tombe)
“
Like all mothers, I have long since mastered the art of nursing joy at one breast and grief at the other.
”
”
Ariel Lawhon (The Frozen River)
“
Memory is a wicked thing that warps and twists. But paper and ink receive the truth without emotion, and they read it back without partiality. That, I believe, is why so few women are taught to read and write. God only knows what they would do with the power of pen and ink at their disposal.
”
”
Ariel Lawhon (The Frozen River)
“
With so many trees in the city, you could see the spring coming each day until a night of warm wind would bring it suddenly in one morning. Sometimes the heavy cold rains would beat it back so that it would seem that it would never come and that you were losing a season out of your life. This was the only truly sad time in Paris because it was unnatural. You expected to be sad in the fall. Part of you died each year when the leaves fell from the trees and their branches were bare against the wind and the cold, wintry light. But you knew there would always be the spring, as you knew the river would flow again after it was frozen. When the cold rains kept on and killed the spring, it was as though a young person had died for no reason.
In those days, though, the spring always came finally but it was frightening that it had nearly failed.
”
”
Ernest Hemingway (A Moveable Feast)
“
We are in the twilight years of a long love affair, and it has recently occurred to me that a day will come when one of us buries the other. But, I remind myself, that is the happy ending to a story like ours. It is a vow made and kept. Till death do us part. It is the only acceptable outcome to a long and happy marriage, and I am determined not to fear that day, whenever it arrives. I am equally determined to soak up all the days between.
”
”
Ariel Lawhon (The Frozen River)
“
Raven has lost deeply, again and again, and she, too, has buried herself. There are pieces of her scattered all over. Her heart is nestled next to a small set of bones buried beside a frozen river, which will emerge with the spring thaw, a skeleton ship rising out of the water”.
”
”
Lauren Oliver (Pandemonium (Delirium, #2))
“
But you knew there would always be the spring, as you knew the river would flow again after it was frozen. When the cold rains kept on and killed the spring, it was as though a young person had died for no reason.
”
”
Ernest Hemingway (A Moveable Feast)
“
It’s an unimaginative accusation and one that I am frankly tired of hearing. Witchcraft. As though there is no other explanation for a woman who excels at her work.
”
”
Ariel Lawhon (The Frozen River)
“
Listening is a skill acquired by the doing.
”
”
Ariel Lawhon (The Frozen River)
“
I want the world to remember that small acts, done in love, matter every bit as much as the ones that make the newspaper and the history books.
”
”
Ariel Lawhon (The Frozen River)
“
The act of mothering is not limited to the bearing of children.
”
”
Ariel Lawhon (The Frozen River)
“
Though you never think it possible, you can celebrate and grieve in the same breath. It is a holy abomination.
”
”
Ariel Lawhon (The Frozen River)
“
And then I cry. Mostly for Rebecca and the tiny, unwanted beating heart deep within her womb. But also for myself. And our daughters. And for every other woman who lives, suffers, and dies by the mercurial whims of men.
”
”
Ariel Lawhon (The Frozen River)
“
These days grief seems like walking on a frozen river; most of the time he feels safe enough, but there is always that danger that he will plunge through. Now he hears the ice creak beneath him, and so intense and panicking is the sensation that he has to stand for a moment, press his hands to his face and catch his breath.
”
”
David Nicholls (One Day)
“
They had a year of joy, twelve months of the strange heaven which the salmon know on beds of river shingle, under the gin-clear water. For twenty-four years they were guilty, but this first year was the only one which seemed like happiness. Looking back on it, when they were old, they did not remember that in this year it had ever rained or frozen. The four seasons were coloured like the edge of a rose petal for them.
”
”
T.H. White (The Once and Future King (The Once and Future King, #1-5))
“
She’d been only eight when Arobynn Hamel, her mentor and the King of the Assassins, found her half-submerged on the banks of a frozen river and brought her to his keep on the border between Adarlan and Terrasen.
”
”
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
“
you cannot make a child be anything he is not.
”
”
Ariel Lawhon (The Frozen River)
“
Martha Ballard is the great-aunt of Clara Barton, founder of the American Red Cross. She is also the great-great-grandmother of Mary Hobart, one of the first female physicians in the United States.
”
”
Ariel Lawhon (The Frozen River)
“
This is the part no one talks about anymore. Not in civilized company at least. When a war is over, you stop discussing the cost. The reality. The blood-soaked soil or the grave markers or the collateral damage. The ways we kill our enemies in order to claim victory. History is written by the men who live. Not the ones who die. But I’ve heard these stories myself.
”
”
Ariel Lawhon (The Frozen River)
“
Langdon watched the phone plummet down and splash into the dark waters of the Nervión River. As it disappeared beneath the surface, he felt a pang of loss, staring back after it as the boat raced on.
“Robert,” Ambra whispered, “just remember the wise words of Disney’s Princess Elsa.”
Langdon turned. “I’m sorry?”
Ambra smiled softly. “Let it go.
”
”
Dan Brown (Origin (Robert Langdon, #5))
“
The joy of having sons is that they worship their mothers. Until one day, suddenly, they don’t. I am not like you, he realizes. We are different. Then, that boy—once small and sweet—begins the long, hard process of separation, until at last he rips the seam. But the holes where mother and son were once knit together remain.
”
”
Ariel Lawhon (The Frozen River)
“
And then I laugh. If anyone had told me two decades ago, when I was buried in small children and endless chores, that one day I would sit at my desk in a warm, quiet house while the snow fell outside and complain of loneliness, I would have slapped them.
”
”
Ariel Lawhon (The Frozen River)
“
This, a simple piece of bedding, is the answer. Everyone must sleep, and to do so beneath a warm quilt, tenderly made, is the first thing that helps a house become a home.
”
”
Ariel Lawhon (The Frozen River)
“
I peer at him, skeptical. “You’ve been reading Shakespeare again.” He shrugs, then yanks the blade free. “I like the way he delivers an insult.
”
”
Ariel Lawhon (The Frozen River)
“
It does not matter that I had two more daughters after burying those three. The loss is still as fresh and painful as though it happened yesterday. When they died, generations died with them.
”
”
Ariel Lawhon (The Frozen River)
“
You forget that I’m a winter creature, Saeris,” Fisher murmured. “I don’t crave the attention of the sun. The snowcapped mountains, the forest, the frozen river… those places are my home. You are home.
”
”
Callie Hart (Brimstone (Fae & Alchemy, #2))
“
The jury acquitted every man tried of rape that day,” I say after a moment. “But they fined a woman into poverty for spreading lies about a judge’s daughter.
”
”
Ariel Lawhon (The Frozen River)
“
I am not a woman given easily to tears. They’re useless things that serve only to make your voice waver and your cheeks wet.
”
”
Ariel Lawhon (The Frozen River)
“
Ah, drink again
This river that is the taker-away of pain,
And the giver-back of beauty!
In these cool waves
What can be lost?--
Only the sorry cost
Of the lovely thing, ah, never the thing itself!
The level flood that laves
The hot brow
And the stiff shoulder
Is at our temples now.
Gone is the fever,
But not into the river;
Melted the frozen pride,
But the tranquil tide
Runs never the warmer for this,
Never the colder.
Immerse the dream.
Drench the kiss.
Dip the song in the stream.
”
”
Edna St. Vincent Millay
“
Laurel Thatcher Ulrich, the Pulitzer Prize–winning historian and professor, studied the diary and wrote the definitive biography of a woman who should have vanished from history. If not for one diary and the power of words.
”
”
Ariel Lawhon (The Frozen River)
“
As I rise from the table, it occurs to me that part of what I feel, watching them, is a sense of betrayal. I carried these children into the world, paid their entrance fee with dues rendered upon my own
”
”
Ariel Lawhon (The Frozen River)
“
Memory is a wicked thing that warps and twists. But paper and ink receive the truth without emotion, and they read it back without partiality. That, I believe, is why so few women are taught to read and write.
”
”
Ariel Lawhon (The Frozen River)
“
How can the court be certain that you and Mistress Foster have not conspired to wrongly accuse Colonel North?” I swallow a sigh. I will never understand why men think that women work so hard to destroy them. In my experience it is usually the opposite.
”
”
Ariel Lawhon (The Frozen River)
“
She left a medical legacy in this country that is unmatched. And it is all thanks to the diary she kept. Just words on paper, right? Seemingly meaningless
”
”
Ariel Lawhon (The Frozen River)
“
Labor renders every woman a novice. Every time is the first time, and the only expertise comes from those assembled to help.
”
”
Ariel Lawhon (The Frozen River)
“
Only a fool would be upset to find a vein of silver running through his beloved territory.
”
”
Ariel Lawhon (The Frozen River)
“
woman is never more vulnerable than while in labor. Nor is she ever stronger.
”
”
Ariel Lawhon (The Frozen River)
“
I remembered something my grandfather had told me. He said, “Never underestimate the cunning of an old river coon. When the nights are dark and the ground is frozen and slick, they can pull some mean tricks on a hound. Sometimes the tricks can be fatal.
”
”
Wilson Rawls (Where the Red Fern Grows)
“
and move a section of hair above my right ear to inspect a thick streak of silver hidden beneath the part. I lift it, coiling the hair around my finger, marveling at this single patch of silver. Ephraim shifts on the bed, and I hear the soft pad of feet on the floorboards. “I like it,” he says lifting the streak from my hand. He slides it through his fingers. “It is one thing to be old,” I tell him, “and another to feel old. That makes me feel old.” “Well, it makes me feel like a king.” He smiles at my curious look. “Only a fool would be upset to find a vein of silver running through his beloved territory.
”
”
Ariel Lawhon (The Frozen River)
“
She did not know how long she fell with them.
But then there was a rushing, roaring below—a frozen river. Whispers and foggy light were rising to meet them. No, not rising—this was the bottom.
An end to the abyss. And an end to her, perhaps, at last.
She didn't know if the Valg princes' hissing was from anger or pleasure as they slammed into that frozen river at the bottom of her soul.
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
What is a memory, anyway? Is it an indelible record, unimpeachable, frozen in some synaptic arrangement and stored away for some moment it might be needed in the future? Or is it subject to editing and revision, something plastic that our brains can shape into another form we can handle, something less toxic than the original, something less able to poison us?
”
”
Jon Harrison (The Banks of Certain Rivers)
“
But there is something very important I must know before I can do that.” “What?” “Your name.” “Mrs. Page.” “No,” I tell her. “Page is your husband’s name. And missus is the thing you became on your wedding day. What is the one you were given at birth?
”
”
Ariel Lawhon (The Frozen River)
“
I am not God—nor do I desire to be—but, being privy to much of what goes on behind closed doors in this town, I have a rather good idea what secrets might be recorded, then later revealed, if more women took up the pen.
”
”
Ariel Lawhon (The Frozen River)
“
I did not take you for the kind of woman who would punish the innocent for the sins of the guilty.
”
”
Ariel Lawhon (The Frozen River)
“
Just as they reached the bridge, Alix heard the planes returning – and soon after came deafening explosions to either side of them. Plumes of water rose into the air as bombs fell into the river and the fragile bridge shook alarmingly. Tito quickly dismounted Swallow, leading his horse onto the wooden pontoon. Alix got down too and followed, her head bowed in an attempt to shut out the cacophony of noises. As she reached the end of the pontoon, ready to climb up the old bridge, she heard a horse scream behind her. She jerked round in the direction of the noise and saw Nikola’s horse throwing up its head and prancing sideways, refusing to set foot on the bridge. Nikola remained mounted, struggling to keep control.
Above her she heard Tito shout, ‘Dismount, you fool!’ But it was too late. Nikola gave the horse a cut with his whip. It reared and then bucked, throwing Nikola over its head into the turbulent waters of the river below. Alix watched, terror stricken, for him to surface. But there was no sign. Though it was mere seconds, it felt as if she was frozen in place forever. Then she heard the sound of another body entering the water. Drago had been close behind her but now she realised he was missing. Paralysed with fear, she looked down at the rushing waters below her. A few more seconds passed and then Drago reappeared, holding Nikola under the arms.
”
”
Holly Green (A Call to Home (Women of the Resistance Book 3))
“
Look longer at the picture. It vibrates with Leonardo’s understanding that no moment is discrete, self-contained, frozen, delineated, just as no boundary in nature is sharply delineated. As with the river that Leonardo described, each moment is part of what just passed and what is about to come. This is one of the essences of Leonardo’s art: from the Adoration of the Magi to Lady with an Ermine to The Last Supper and the Mona Lisa, each moment is not distinct but instead contains connections to a narrative.
”
”
Walter Isaacson (Leonardo Da Vinci)
“
One of the greatest skills that I have as a midwife is to sit in silence. I cannot count the number of times that I have wordlessly held a hand as grief explodes in a room. The only antidote to this kind of despair is to create a bulwark of immovable calm. To sit and be. To pray and offer comfort. To watch the shadows cut tracks along the wall as the sun slowly moves across the sky. To say nothing when there are no words that can console.
”
”
Ariel Lawhon (The Frozen River)
“
read by candlelight instead. It is the only time I allow myself this indulgence. The joy of falling into another life, another world, is the one thing that mitigates the frustration of a sleepless night.
”
”
Ariel Lawhon (The Frozen River)
“
To name a thing is a proprietary act. It is a commitment. Of ownership or care or loyalty. It means something. With that single word I have declared that this little beast is mine, and that I have a responsibility to protect her.
”
”
Ariel Lawhon (The Frozen River)
“
I cannot say why it is so important that I make this daily record. Perhaps because I have been doing so for years on end? Or maybe-if I am being honest- it is because these markings of ink and paper will one day be the only proof that I have existed in this world. That I lived and breathed. That I loved a man and the many children he gave me. It is not that I want to be remembered, per se. I have done nothing remarkable. Not by the standards of history, at least. But I am here. And these words are the mark I will leave behind. So yes, it matters that I continue this ritual.
”
”
Ariel Lawhon (The Frozen River)
“
And the Angels…were frozen in hard marble silence and at a distance life awoke, and there was a rattle of lean wheels, a slow clangor of shod hoofs. And he heard the whistle wail along the river. Yet, as he stood for the last time by the Angels, he was like a man who stands upon a hill above the town he has left, yet he does not say “The town is near,” but turns his eyes upon the distant soaring hills...
”
”
Thomas Wolfe
“
Gormenghast.
Withdrawn and ruinous it broods in umbra: the immemorial masonry: the towers, the tracts. Is all corroding? No. Through an avenue of spires a zephyr floats; a bird whistles; a freshet beats away from a choked river. Deep in a fist of stone a doll's hand wriggles, warm rebellious on the frozen palm. A shadow shifts its length. A spider stirs...
And darkness winds between the characters.
- Gormenghast
”
”
Mervyn Peake
“
The native people believe that the fox presents itself only in times of great uncertainty. That it acts as a guide.
”
”
Ariel Lawhon (The Frozen River)
“
read and write. God only knows what they would do with the power of pen and ink at their disposal.
”
”
Ariel Lawhon (The Frozen River)
“
It rains upon the just and the unjust, love. And we no more deserve this than our friends or neighbors do.
”
”
Ariel Lawhon (The Frozen River)
“
I collect people. I come by this honestly. In the same way that others collect rocks or stamps or coins, my own father collected people.
”
”
Ariel Lawhon (The Frozen River)
“
betrayal. I carried these children into the world, paid their entrance fee with dues rendered upon my own body, and now they no longer need me.
”
”
Ariel Lawhon (The Frozen River)
“
Being scarred and being scary are not the same thing.
”
”
Ariel Lawhon (The Frozen River)
“
Disbelief, it turns out, is belief of its own kind. It is a river that flows against the overbearing currents of time and truth to make the opposite journey. It gathers all the mysteries of the ocean and returns them to their frozen origins. In the form of a glacier, it holds its head high up to look at god hiding behind the mists of heaven. What is the purpose of belief if even god can’t put the world back the way you worshipped it?
”
”
Shubhangi Swarup (Latitudes of Longing)
“
All night, snow.
Open the window,
stretch my arms out.
Keep my eyes open
in the white, whipping wind.
There are few cars on the highway.
The river's frozen in places.
In a city that never stops,
I can hardly hear anything.
For tonight, the city gives me
what I need.
”
”
Cordelia Jensen (Skyscraping)
“
This is how it has been between us for the last few years. I know why, but still, it hurts. The joy of having sons is that they worship their mothers. Until one day, suddenly, they don’t. I am not like you, he realizes. We are different. Then, that boy—once small and sweet—begins the long, hard process of separation, until at last he rips the seam. But the holes where mother and son were once knit together remain.
”
”
Ariel Lawhon (The Frozen River)
“
This is a new, bittersweet milestone of motherhood. They have gotten bigger, as have their problems. But they have also grown wiser, and that is a miracle because wisdom is not a thing you can acquire for your children.
”
”
Ariel Lawhon (The Frozen River)
“
Everything within takes place after Jack died and before my mom and I drowned in a burning ferry in the cool tannin-tinted Guaviare River, in east-central Colombia, with forty-two locals we hadn't yet met. It was a clear and eyeblue day, that day, as was the first day of this story, a few years ago in January, on Chicago's North Side, in the opulent shadow of Wrigley and with the wind coming low and searching off the jagged half-frozen lake.
”
”
Dave Eggers (You Shall Know Our Velocity!)
“
Nope. I actually died. One hundred per cent: guts impaled, vital organs burned, head smacked into a frozen river from forty feet up, every bone in my body broken, lungs filled with ice water. The medical term for that is dead. Gee, Magnus, what did it feel like? It hurt. A lot. Thanks for asking.
”
”
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
“
And that was the thing: you couldn't just stand there gawking at the world. A car slipped by. Then another. It was as if she'd stood frozen by the river of the world and gratefully stepped back into it, resuming her place... The world waited, cold, grim, alive, beautiful. There was no saying no to it.
”
”
Liz Rosenberg (Home Repair: A Moving Novel About One Woman's Journey from Heartbreak to Hope)
“
With so many trees in the city, you could see the spring coming each day until a night of warm wind would bring it suddenly in one morning. [...] Part of you died each year when leaves fell from the tress and their branches were bare against the wind and the cold, wintry light. But you knew there would always be the spring, as you knew the river would flow again after it was frozen.
”
”
Ernest Hemingway
“
Well I knew when I first laid eyes on her
I could never be free
One look at her and I knew right away
She should always be with me
Well the dream dried up a long time ago
Don't know where it is anymore
True to life, true to me
Was the girl from the red river shore
Well I'm wearing the cloak of misery
And I've tasted jilted love
And the frozen smile upon my face
Fits me like a glove
Well I can't escape from the memory
Of the one I'll always adore
All those nights when I lay in the arms
Of the girl from the red river shore
Well we're living in the shadows of a fading past
Trapped in the fires of time
I've tried not to ever hurt anybody
And to stay out of the life of crime
And when it's all been said and done
I never did know the score
One more day is another day away
From the girl from the red river shore.
”
”
Bob Dylan (Lyrics, 1962-2001)
“
Within seconds, I am immersed in a make-believe world of English aristocracy. But it does not escape my attention that, had my own ancestors enjoyed such comfort, I would be living across the sea, and not here in the vast wilds of the new world.
”
”
Ariel Lawhon (The Frozen River)
“
She’d been only eight when Arobynn Hamel, her mentor and the King of the Assassins, found her half-submerged on the banks of a frozen river and brought her to his keep on the border between Adarlan and Terrasen. While training her to be his finest and most loyal assassin, Arobynn had never allowed her to return home to Terrasen. But she still remembered the beauty of the world before the King of Adarlan had ordered so much of it burned. Now there was nothing left for her there, nor would there ever be.
”
”
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
“
In winter night Massachusetts Street is dismal, the ground's frozen cold, the ruts and pock holes have ice, thin snow slides over the jagged black cracks. The river is frozen to stolidity, waits; hung on a shore with remnant show-off boughs of June-- Ice skaters, Swedes, Irish girls, yellers and singers--they throng on the white ice beneath the crinkly stars that have no altar moon, no voice, but down heavy tragic space make halyards of Heaven on in deep, to where the figures fantastic amassed by scientists cream in a cold mass; the veil of Heaven on tiaras and diadems of a great Eternity Brunette called night.
”
”
Jack Kerouac (Maggie Cassidy)
“
I have only the children that I have.
”
”
Ariel Lawhon (The Frozen River)
“
Remember that the next time you panic and call a man to do a woman’s job.
”
”
Ariel Lawhon (The Frozen River)
“
Doubt and fear are not the same thing,
”
”
Ariel Lawhon (The Frozen River)
“
Although it is human nature, I suppose.” “Hypocrisy?” “Well, yes. They feel better about themselves whenever anyone else is caught doing the same.
”
”
Ariel Lawhon (The Frozen River)
“
There is much that men could learn from nature if we would only listen.
”
”
Ariel Lawhon (The Frozen River)
“
A fox. Tentative, she sets one paw onto the ice. Then another. She hesitates, for she knows how fickle the river can be.
”
”
Ariel Lawhon (The Frozen River)
“
Memory is a wicked thing that warps and twists. But paper and ink receive the truth without emotion, and they read it back without partiality.
”
”
Ariel Lawhon (The Frozen River)
“
And She knows, because She warns him, and Her instincts never fail, That the Female of Her Species is more deadly than the Male. —Rudyard Kipling, “The Female of the Species
”
”
Ariel Lawhon (The Frozen River)
“
My book and heart shall never part.
”
”
Ariel Lawhon (The Frozen River)
“
Ephraim squeezes my hand again, but harder this time. “How many worries would you have me carry today, love? Those of a stranger as well?
”
”
Ariel Lawhon (The Frozen River)
“
Memory is a wicked thing that warps and twists. But paper and ink receive the truth without emotion, and they read it back without partiality.
”
”
Ariel Lawhon (The Frozen River)
“
And whatever his life may be now—different than you’d imagined all those years ago when he grew in your womb and curled into the hand you set upon your stomach—he is perfect.
”
”
Ariel Lawhon (The Frozen River)
“
Today was not a day for the sounds of life. Today was for the hollow wind rustling branches, for the rushing of a half-frozen river, for the crunch of snow under her boots.
”
”
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
“
On the semi-frozen river below, a duck quacked insistently, sounding like a grumpy old man agruing with a cashier.
”
”
Chris Pavone (The Expats (Kate Moore, #1))
“
Wednesday, November 8th, 1893
Here I sit in the still winter night on the drifting ice-floe, and see only stars above me. Far off I see the threads of life twisting themselves into the intricate web which stretches unbroken from life’s sweet morning dawn to the eternal death-stillness of ice. Thought follows thought—you pick the whole to pieces, and it seems so small—but high above all towers one form … Why did you take this voyage? … Could I do otherwise? Can the river arrest its course and run up hill? My plan has come to nothing. That palace of theory which I reared, in pride and self-confidence, high above all silly objections has fallen like a house of cards at the first breath of wind. Build up the most ingenious theories and you may be sure of one thing—that fact will defy them all. Was I so very sure? Yes, at times; but that was self-deception, intoxication. A secret doubt lurked behind all the reasoning. It seemed as though the longer I defended my theory, the nearer I came to doubting it. But no, there is not getting over the evidence of that Siberian drift-wood. But if, after all, we are on the wrong track, what then? Only disappointed human hopes, nothing more. And even if we perish, what will it matter in the endless cycles of eternity?
”
”
Fridtjof Nansen (Farthest North: The Incredible Three-Year Voyage to the Frozen Latitudes of the North (Modern Library Exploration))
“
call her a witch. It’s an unimaginative accusation and one that I am frankly tired of hearing. Witchcraft. As though there is no other explanation for a woman who excels at her work.
”
”
Ariel Lawhon (The Frozen River)
“
Standing by the frozen glass, he stared down at the icy, barely lit streets running towards the river Seine, the bell-clanging local church, then to the sky like black lead. ("Israbel")
”
”
Tanith Lee (Best New Horror 16 (The Mammoth Book of Best New Horror, #16))
“
You expected to be sad in the fall. Part of you died each year when the leaves fell from the trees and their branches were bare against the wind and the cold, wintery light. But you knew there would always be the spring, as you knew the river would flow again after it was frozen. -Ernest Hemingway
”
”
Erica Cope (Pieces of Me)
“
What was magic, after all, but something that happened at the snap of a finger? Where was the magic in that? It was mumbled words and weird drawings in old books, and in the wrong hands it was as dangerous as hell, but not one half as dangerous as it could be in the right hands. The universe was full of the stuff; it made the stars stay up and the feet stay down.
But what was happening now . . . this was magical. Ordinary men had dreamed it up and put it together, building towers on rafts in swamps and across the frozen spines of mountains. They’d cursed and, worse, used logarithms. They’d waded through rivers and dabbled in trigonometry. They hadn’t dreamed, in the way people usually used the word, but they’d imagined a different world, and bent metal around it. And out of all the sweat and swearing and mathematics had come this . . . thing, dropping words across the world as softly as starlight.
”
”
Terry Pratchett (Going Postal (Discworld, #33; Moist von Lipwig, #1))
“
Even in the crisp night air, being near her felt like standing under the sun. Warmth seeped from her body and flowed along the ground, like a river of heat seeking to penetrate the frozen places inside his chest.
”
”
Jamie Beck (Worth the Wait (St. James, #1))
“
This is the trouble faced by any woman who sets pen to paper in a busy household. I am never guaranteed the certainty of quiet, much less a solid length of time to chase my thoughts and bind them together. That is the luxury of men with libraries, butlers, and wives. Mothers find a different way to get their work done. Ha! There it is! A glimmer. I grab hold of the tail end of the thought as it skitters by, then chase it so that it won’t evaporate.
”
”
Ariel Lawhon (The Frozen River)
“
Monday, February 1. A snowstorm… Thursday, February 4. It snowed… Saturday, February 6. A very cold day… Sunday, February 7. Clear and excessive cold… Monday, February 8. Terrible, cold, and windy… “God, I hate winter,” I say,
”
”
Ariel Lawhon (The Frozen River)
“
Gooddy refers here to “personal” time, as contrasted with “clock” time, and the extent to which personal time departs from clock time may become almost unbridgeable with the extreme bradykinesia common in postencephalitic parkinsonism. I would often see my patient Miron V. sitting in the hallway outside my office. He would appear motionless, with his right arm often lifted, sometimes an inch or two above his knee, sometimes near his face. When I questioned him about these frozen poses, he asked indignantly, “What do you mean, ‘frozen poses’? I was just wiping my nose.
”
”
Oliver Sacks (The River of Consciousness)
“
He watched the stars go dark as the sun breathed fire into the sky, and when it finally cleared the ridge on the far side of the river, he bathed in the rays of gorgeous warmth streaming into his alcove and toasting the frozen stone.
”
”
Blake Crouch (Pines (Wayward Pines, #1))
“
because every aspen in this great expanse of forest is connected by a single root system. They give life, one to another, and work to replace what the loggers take. There is much that men could learn from nature if we would only listen.
”
”
Ariel Lawhon (The Frozen River)
“
This afternoon, being on Fair Haven Hill, I heard the sound of a saw, and soon after from the Cliff saw two men sawing down a noble pine beneath, about forty rods off. I resolved to watch it till it fell, the last of a dozen or more which were left when the forest was cut and for fifteen years have waved in solitary majesty over the sprout-land. I saw them like beavers or insects gnawing at the trunk of this noble tree, the diminutive manikins with their cross-cut saw which could scarcely span it. It towered up a hundred feet as I afterward found by measurement, one of the tallest probably in the township and straight as an arrow, but slanting a little toward the hillside, its top seen against the frozen river and the hills of Conantum. I watch closely to see when it begins to move. Now the sawers stop, and with an axe open it a little on the side toward which it leans, that it may break the faster. And now their saw goes again. Now surely it is going; it is inclined one quarter of the quadrant, and, breathless, I expect its crashing fall. But no, I was mistaken; it has not moved an inch; it stands at the same angle as at first. It is fifteen minutes yet to its fall. Still its branches wave in the wind, as it were destined to stand for a century, and the wind soughs through its needles as of yore; it is still a forest tree, the most majestic tree that waves over Musketaquid. The silvery sheen of the sunlight is reflected from its needles; it still affords an inaccessible crotch for the squirrel’s nest; not a lichen has forsaken its mast-like stem, its raking mast,—the hill is the hulk. Now, now’s the moment! The manikins at its base are fleeing from their crime. They have dropped the guilty saw and axe. How slowly and majestic it starts! as it were only swayed by a summer breeze, and would return without a sigh to its location in the air. And now it fans the hillside with its fall, and it lies down to its bed in the valley, from which it is never to rise, as softly as a feather, folding its green mantle about it like a warrior, as if, tired of standing, it embraced the earth with silent joy, returning its elements to the dust again. But hark! there you only saw, but did not hear. There now comes up a deafening crash to these rocks , advertising you that even trees do not die without a groan. It rushes to embrace the earth, and mingle its elements with the dust. And now all is still once more and forever, both to eye and ear.
I went down and measured it. It was about four feet in diameter where it was sawed, about one hundred feet long. Before I had reached it the axemen had already divested it of its branches. Its gracefully spreading top was a perfect wreck on the hillside as if it had been made of glass, and the tender cones of one year’s growth upon its summit appealed in vain and too late to the mercy of the chopper. Already he has measured it with his axe, and marked off the mill-logs it will make. And the space it occupied in upper air is vacant for the next two centuries. It is lumber. He has laid waste the air. When the fish hawk in the spring revisits the banks of the Musketaquid, he will circle in vain to find his accustomed perch, and the hen-hawk will mourn for the pines lofty enough to protect her brood. A plant which it has taken two centuries to perfect, rising by slow stages into the heavens, has this afternoon ceased to exist. Its sapling top had expanded to this January thaw as the forerunner of summers to come. Why does not the village bell sound a knell? I hear no knell tolled. I see no procession of mourners in the streets, or the woodland aisles. The squirrel has leaped to another tree; the hawk has circled further off, and has now settled upon a new eyrie, but the woodman is preparing [to] lay his axe at the root of that also.
”
”
Henry David Thoreau (The Journal, 1837-1861)
“
BACK IN SCHOOL, I loved ending stories that way. It’s the perfect conclusion, isn’t it? Billy went to school. He had a good day. Then he died. The end. It doesn’t leave you hanging. It wraps everything up nice and neat. Except in my case, it didn’t. Maybe you’re thinking, Oh, Magnus, you didn’t really die. Otherwise you couldn’t be narrating this story. You just came close. Then you were miraculously rescued, blah, blah, blah. Nope. I actually died. One hundred percent: guts impaled, vital organs burned, head smacked into a frozen river from forty feet up, every bone in my body broken, lungs filled with ice water. The medical term for that is dead. Gee, Magnus, what did it feel like? It hurt. A lot. Thanks for asking. I
”
”
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
“
You expected to be sad in the fall. Part of you died each year when the leaves fell from the trees and their branches were bare against the wind and the cold, wintry light. But you knew there would always be the spring, as you knew the river would flow again after it was frozen. When the cold rains kept on and killed the spring, it was as though a young person had died for no reason.
”
”
Ernest Hemingway (A Moveable Feast: The Restored Edition)
“
Our parents tread the frozen river first. They crack the ice, their feet get wet, sometimes they even sink. They take the risks, so your feet stay dry. But not following their path doesn’t always mean going in an opposite direction. You just have to avoid the cracks.
”
”
Megan Clawson (Falling Hard for the Royal Guard)
“
Every man and woman present thought how the neatly drawn lines and words upon the maps were in truth ice-covered pools and rivers, silent woods, frozen ditches and high, bare hills and every one of them thought how many sheep and cattle and wild creatures died in this season.
”
”
Susanna Clarke (Jonathan Strange & Mr Norrell)
“
Life is never like a full stop. Full stops are like frozen ice, like dark clouds, like rotten mud.
But here rivers are born out of frozen ice, lightening sparkles by the clash of dark clouds, the lotus rises from the mud.
Isn’t this glory of our life?
This is the story to sing this glory of life.
”
”
Mahesh Thakkar (sun rises in the night)
“
But, I remind myself, that is the happy ending to a story like ours. It is a vow made and kept. Till death do us part. It is the only acceptable outcome to a long and happy marriage, and I am determined not to fear that day, whenever it arrives. I am equally determined to soak up all the days between. “Two
”
”
Ariel Lawhon (The Frozen River)
“
You think it will break your heart to have a child who suffers in this way. One who is seen as damaged. You think, perhaps, that it is your fault somehow. That if only you’d done something different, taken better care of him, this would have never happened. And then he asks you to dance on a cold January evening, and you realize that perhaps you are a fool. And whatever his life may be now—different than you’d imagined all those years ago when he grew in your womb and curled into the hand you set upon your stomach—he is perfect.
”
”
Ariel Lawhon (The Frozen River)
“
I need my friends to be interesting. To have vim and vigor.
”
”
Ariel Lawhon (The Frozen River)
“
It’s the game we play—a dance of concern and denial.
”
”
Ariel Lawhon (The Frozen River)
“
What a poisonous bunch-backed toad,
”
”
Ariel Lawhon (The Frozen River)
“
Witchcraft. As though there is no other explanation for a woman who excels at her work.
”
”
Ariel Lawhon (The Frozen River)
“
I swear to God Almighty,” I mutter under my breath as we canter away from the barn, “if you pitch me onto the frozen ground, I will have you turned into glue within a fortnight.
”
”
Ariel Lawhon (The Frozen River)
“
But?” “I didn’t say ‘but.’ ” “Not out loud ye didna.
”
”
Ariel Lawhon (The Frozen River)
“
He is utterly helpless and totally to blame for his wife’s recent agony.
”
”
Ariel Lawhon (The Frozen River)
“
And She knows, because She warns him, and Her instincts never fail, That the Female of Her Species is more deadly than the Male.
”
”
Ariel Lawhon (The Frozen River)
“
We are in the twilight years of a long love affair, and it has recently occurred to me that a day will come when one of us buries the other.
”
”
Ariel Lawhon (The Frozen River)
“
But I won’t collect them all as the berries are also a favorite source of winter food for rabbits and foxes.
”
”
Ariel Lawhon (The Frozen River)
“
Memory is a wicked thing that warps and twists.
”
”
Ariel Lawhon (The Frozen River)
“
wiser, and that is a miracle because wisdom is not a thing you can acquire for your children.
”
”
Ariel Lawhon (The Frozen River)
“
So no, Mrs. Ballard, you might not be pretty, but I’ll be damned if you are not the most beautiful woman I have ever seen.
”
”
Ariel Lawhon (The Frozen River)
“
This is what it means to age, I think. The days are long, but the
”
”
Ariel Lawhon (The Frozen River)
“
Your name?"
"Mrs. Page."
"No," I tell her. "Page is your husband's name. And missus is the thing you became on your wedding day. What is the one you were given at birth?"
"Melody.
”
”
Ariel Lawhon (The Frozen River)
“
Memory is a wicked thing that warps and twists. But paper and ink receive the truth without emotion, and they read it back without partiality
”
”
Ariel Lawhon (The Frozen River)
“
My husband is fond of saying that I am not generous with my smiles, that they must be earned, but I think that is unfair. There is usually just so little to smile about.
”
”
Ariel Lawhon (The Frozen River)
“
It has been known for centuries that wealthy and beautiful women—those
”
”
Ariel Lawhon (The Frozen River)
“
collect people. I come by this honestly. In the same way that others collect rocks or stamps or coins, my own father collected people.
”
”
Ariel Lawhon (The Frozen River)
“
If wishes were horses, then beggars would ride,
”
”
Ariel Lawhon (The Frozen River)
“
Any man worth his salt knows it’s a woman who does the choosing. And anyone who thinks differently is a fool.
”
”
Ariel Lawhon (The Frozen River)
“
There is only this frozen ground, this river of black water, this empty well, this blankness, these ghosts, nothing to do but forget about shelter and become the storm.
”
”
Mikel Jollett (Hollywood Park)
“
home. This is what it means to age, I think. The days are long, but the years are short.
”
”
Ariel Lawhon (The Frozen River)
“
I will never understand why men think that women work so hard to destroy them. In my experience it is usually the opposite.
”
”
Ariel Lawhon (The Frozen River)
“
It's an unimaginative accusation and one that I am frankly tired of hearing. Witchcraft. As though there is no other explanation for a woman who excels at her work.
”
”
Ariel Lawhon (The Frozen River)
“
Oh, how faint grows the heart of man when he plucks it—still beating—from his chest and lays it at the foot of a woman.
”
”
Ariel Lawhon (The Frozen River)
“
Clearly the writers of the law know little about women and nothing about childbirth.
”
”
Ariel Lawhon (The Frozen River)
“
Words can be a gift, but so can silence.
”
”
Ariel Lawhon (The Frozen River)
“
It is hard to have an oldest child, but harder still to have a youngest.
”
”
Ariel Lawhon (The Frozen River)
“
The act of mothering is not limited to the bearing of children. This is another thing that I have learned in all my long years of midwifery. Labor may render every woman a novice, but pregnancy renders every woman a child. Scared. Vulnerable. Ill. Exhausted. Frail. A pregnant woman is, in most ways, a helpless woman. Her emotions are erratic. Her body betrays her.
”
”
Ariel Lawhon (The Frozen River)
“
...Would you like to know the view I have out of my window, since you love snow? So here you are: the broad whiteness of the Moldau, and along that whiteness, little black silhouettes of people cross from one shore to the other, like musical notes. For example, the figure of some boy is dragging behind him a D-sharp: a sledge. Across the river there are snowy roofs in a distant, lightweight sky...
I walked around the cathedral along a slippery path between snowdrifts. The snow was light, dry: grab a handful, throw it up, and it disperses in the air like dust, as if flying back up. The sky darkened. In it appeared a thin golden moon: half of a broken halo. I walked along the edge of the fortress wall. Old Prague lay below in the thickening mist. The snowy roofs clustered together, cumbrous and dim. The houses seemed to have been piled anyhow, in a moment of terrible and fantastic carelessness. In this frozen storm of outlines, in this snowy semi-darkness, the streetlamps and windows were burning with a warm and sweet lustre, like well-licked punch lollipops. In just one place you could also see a little scarlet light, a drop of pomegranate juice. And in the fog of crooked walls and smoky corners I divined an ancient ghetto, mystical ruins, the alley of Alchemists...
”
”
Vladimir Nabokov (Letters to Vera)
“
They’re only the record of one woman’s meticulous daily life. But those pages were preserved and passed to Dolly (Ballard) Lambard. She gave them to her daughter Sarah, who passed them on to Dr. Mary Hobart, who donated them to the Maine State Library, where they sat until they were organized and bound by Lucy (Lambard) Fessenden. Many years later, law librarian Edith L. Hary made those pages available to the public. And finally, Cynthia McCausland translated all six million bytes of text so that the full transcript could be published by Picton Press.
”
”
Ariel Lawhon (The Frozen River)
“
These things matter to me, Daniel, says the man with six days to live. They are sitting on the porch in the last light. These things matter to me, son. The way the hawks huddle their shoulders angrily against hissing snow. Wrens whirring in the bare bones of bushes in winter. The way swallows and swifts veer and whirl and swim and slice and carve and curve and swerve. The way that frozen dew outlines every blade of grass. Salmonberries thimbleberries cloudberries snowberries elderberries salalberries gooseberries. My children learning to read. My wife's voice velvet in my ear at night in the dark under the covers. Her hair in my nose as we slept curled like spoons. The sinuous pace of rivers and minks and cats. Fresh bread with too much butter. My children's hands when they cup my face in their hands. Toys. Exuberance. Mowing the lawn. Tiny wrenches and screwdrivers. Tears of sorrow, which are the salt sea of the heart. Sleep in every form from doze to bone-weary. Pay stubs. Trains. The shivering ache of a saxophone and the yearning of a soprano. Folding laundry hot from the dryer. A spotless kitchen floor. The sound of bagpipes. The way horses smell in spring. Red wines. Furnaces. Stone walls. Sweat. Postcards on which the sender has written so much that he or she can barely squeeze in the signature. Opera on the radio. Bathrobes, back rubs. Potatoes. Mink oil on boots. The bands at wedding receptions. Box-elder bugs. The postman's grin. Linen table napkins. Tent flaps. The green sifting powdery snow of cedar pollen on my porch every year. Raccoons. The way a heron labors through the sky with such a vast elderly dignity. The cheerful ears of dogs. Smoked fish and the smokehouses where fish are smoked. The way barbers sweep up circles of hair after a haircut. Handkerchiefs. Poems read aloud by poets. Cigar-scissors. Book marginalia written with the lightest possible pencil as if the reader is whispering to the writer. People who keep dead languages alive. Fresh-mown lawns. First-basemen's mitts. Dish-racks. My wife's breasts. Lumber. Newspapers folded under arms. Hats. The way my children smelled after their baths when they were little. Sneakers. The way my father's face shone right after he shaved. Pants that fit. Soap half gone. Weeds forcing their way through sidewalks. Worms. The sound of ice shaken in drinks. Nutcrackers. Boxing matches. Diapers. Rain in every form from mist to sluice. The sound of my daughters typing their papers for school. My wife's eyes, as blue and green and gray as the sea. The sea, as blue and green and gray as her eyes. Her eyes. Her.
”
”
Brian Doyle (Mink River)
“
I imagined the choreographer’s love as a fall into the frozen river, losing myself in the dark water like a soft annihilation. What would happen when I needed to surface and found the hole frozen back over. What he did, I wanted, true. And I feared what I wanted, the urge to jump over, dive deep. What he’d done was crack something new inside of me and let it break the world.
”
”
Alyssa Songsiridej (Little Rabbit)
“
Perhpas if I call out to Rat he might hear," said the Mole to himself, but without much hope.
Rat! Ratty! O Rat, please hear me!" he called out as loudly as he could, holding up his lantern as he did so, waving it about/ But the wind rushed and roared around him even more, and snatched his weak words away the moment they were they were uttered, and scattered them wildly and uselessly as if they were flakes of snow,
Even worse, the light of the lantern began to gutter, and then, quiet suddenly, an extra strong gust of wind blew it out.
Well then," said the daunted but resolute Mole, putting the spent lantern on the ground, "there's nothing else for it! Frozen rivers are dangerous thinngs, no doubt, but I must try to cross, despite the dangers."
--The Willows in the Winter
”
”
William Horwood
“
The raft was seized, with a noise like needles knitting, and we were hemmed in for winter -- river and the old channel's oxbow lake having frozen solid. By now, we guessed we were not two ordinary river travelers...it must have been the river that was extraordinary: a marvel that protected us by the same mysterious action that had given a common horse wings and changed a woman into a laurel tree.
”
”
Norman Lock
“
of the American Red Cross. She is also the great-great-grandmother of Mary Hobart, one of the first female physicians in the United States. She left a medical legacy in this country that is unmatched.
”
”
Ariel Lawhon (The Frozen River)
“
I’m gonna sit here in my place on the hill behind the house. Waiting. And watching.
And nothing moving down there.
The valley look pretty bare in the snow. Just the house, gray and lonely down by the river all frozen. I got to think what I’m gonna do now that everyone gone.
But I got my dog head on.
The dog gonna tell me what to do. The dog gonna help me.
The house look proper empty – don’t it, dog?
”
”
S.D. Crockett (After the Snow (After the Snow, #1))
“
I can remember a time, when my sons were younger, when they loved throwing stones over the bridge into the river. They loved the splash and the noise. Being boys, they loved the disturbance that it caused.
”
”
Ariel Lawhon (The Frozen River)
“
Arobynn Hamel, the King of the Assassins. Chaol gritted his teeth as he finished stuffing the last of the white sheets into the hallway closet. He’d been thinking a good deal about Celaena’s old master in the past few days. Arobynn was smart enough to have put things together when he found a washed-up orphan right after the Princess of Terrasen went missing, her body vanished into the half-frozen Florine River.
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
unyielding loyalty to a man I despise—is that Lidia North is a weak woman. Timid. Milquetoast. She has no metal in her spine, no opinions of her own. I need my friends to be interesting. To have vim and vigor.
”
”
Ariel Lawhon (The Frozen River)
“
Men may perish, but the world will neither celebrate nor mourn. It will go on.' His smile thinned. 'Would you like to know how?'
'No.'
'Animals will swell to fill the void left by men," he told her. 'And over-swell it, perhaps. There will be other extinctions and other recoveries. The sky will clear, but those who see it will not marvel at its many colors. Those ruins will collapse, burying treasures like this-' He waved at the walls. '-and this-' He picked up the spoon from her coffee tray and tossed it down again with a clatter. '-forever, but the world will go on. Years become centuries so easily when no one is there to count them. Centuries become millennia. The forests will reclaim the lands that Men have razed. Rivers will carve canyons across the scars left by this fallen cities. Mountains will rise up, trapping seas to dry under and uncaring sun and leaving the bones of whales to bleach in the newborn deserts for no one to find, no one to be inspired by thoughts of giants and dragons. And still the worlds will go on, and I will go on with it through ages that can only be measured by the coming and going of glaciers. The stars themselves will shift in the heavens and no one will be there to invent names for their new alignments or remember the stories of the old ones, no one but me. In time, the sun itself will begin to cool. Here on Earth, the world goes on and on as its remaining life passes through its last changes and dies away. It will be quiet. And lonely.' His mouth curved into a bitter line. 'But I'll live.'
'Stop it,' Lan whispered through numb lips.
'I read once that the sun will someday swell and engulf this world before it burns itself out. Perhaps I will finally die with it. Or perhaps I' will continue to endure... my ashes pulled eternally apart through the frozen vacuum of space, and I with no more mouth to scream... still alive.
”
”
R. Lee Smith (Land of the Beautiful Dead)
“
The day before last, Jon had made the mistake of wishing he had hot water for a bath.
“Cold is better,” she had said at once, “if you’ve got someone to warm you up after. The river’s only part ice yet, go on.”
Jon laughed. “You’d freeze me to death.”
“Are all crows afraid of gooseprickles? A little ice won’t kill you. I’ll jump in with you to t’prove it so.”
“And ride the rest of the day with wet clothes frozen to our skins?” he objected.
“Jon Snow, you know nothing. You don’t go in with clothes.”
“I don’t go in at all,” he said firmly, just before he heard Tormund Thunderfist bellowing for him (he hadn’t, but nevermind).
”
”
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
“
What your mother does not yet understand,” I tell the baby, my voice choked with emotion, “is that there are some losses in this life that we do not live long enough to fully grieve. And I’ll not give her another one.
”
”
Ariel Lawhon (The Frozen River)
“
The world must be peopled!” Benedick so helpfully observed in Much Ado About Nothing. It remains my favorite Shakespeare play for that line alone, though the rest of his monologue about Beatrice’s virtues doesn’t hurt.
”
”
Ariel Lawhon (The Frozen River)
“
Is it anything to do with this?” she said. The thing she took out of her bag was battered and travel-worn as if it had been hurled into prehistoric rivers, baked under the sun that shines so redly on the deserts of Kakrafoon, half buried in the marbled sands that fringe the heady vapored oceans of Santraginus V, frozen on the glaciers of the moon of Jaglan Beta, sat on, kicked around spaceships, scuffed and generally abused, and since its makers had thought that these were exactly the sorts of things that might happen to it, they had thoughtfully encased it in a sturdy plastic cover and written on it, in large friendly letters, the words “Don’t Panic.
”
”
Douglas Adams (The Ultimate Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide to the Galaxy #1-5))
“
Others, of course—Seth Parker among them—call her a witch. It’s an unimaginative accusation and one that I am frankly tired of hearing. Witchcraft. As though there is no other explanation for a woman who excels at her work.
”
”
Ariel Lawhon (The Frozen River)
“
All I ever learned was that, having reached that limit, another horizon would open up, and that I had to keep on driving myself, escaping toward a horizon line that was forever receding, until today, here, as I walked beside the frozen river, the entire horizon turned back and came at me from all sides and its lines passed through me, creating a central point that did not impinge on me but rather came back to my hands and feet like a boomerang.
”
”
Bohumil Hrabal (All My Cats)
“
But something shifted once I turned fifty. My body started rebelling at the inconsistent schedule. And now my entire physical being protests the long night. The combative conversations with Dr. Page and Mrs. Hendricks have left me drained.
”
”
Ariel Lawhon (The Frozen River)
“
The charge states that on the night of August tenth, Joseph North and Joshua Burgess broke into the home of Isaac Foster and injured the wife of said Mr. Foster.” He looks to Rebecca. “Is that the charge you are bringing before this court?
”
”
Ariel Lawhon (The Frozen River)
“
As I rise from the table, it occurs to me that part of what I feel, watching them, is a sense of betrayal. I carried these children into the world, paid their entrance fee with dues rendered upon my own body, and now they no longer need me.
”
”
Ariel Lawhon (The Frozen River)
“
Part of you died each year when the leaves fell from the trees and their branches were bare against the wind and the cold, wintry light. But you knew there would always be the spring, as you knew the river would flow again after it was frozen.
”
”
Ernest Hemingway (A Moveable Feast: The Restored Edition)
“
New Rule: Republicans must stop pitting the American people against the government. Last week, we heard a speech from Republican leader Bobby Jindal--and he began it with the story that every immigrant tells about going to an American grocery store for the first time and being overwhelmed with the "endless variety on the shelves." And this was just a 7-Eleven--wait till he sees a Safeway. The thing is, that "endless variety"exists only because Americans pay taxes to a government, which maintains roads, irrigates fields, oversees the electrical grid, and everything else that enables the modern American supermarket to carry forty-seven varieties of frozen breakfast pastry.Of course, it's easy to tear government down--Ronald Reagan used to say the nine most terrifying words in the Englishlanguage were "I'm from the government and I'm here to help." But that was before "I'm Sarah Palin, now show me the launch codes."The stimulus package was attacked as typical "tax and spend"--like repairing bridges is left-wing stuff. "There the liberals go again, always wanting to get across the river." Folks, the people are the government--the first responders who put out fires--that's your government. The ranger who shoos pedophiles out of the park restroom, the postman who delivers your porn.How stupid is it when people say, "That's all we need: the federal government telling Detroit how to make cars or Wells Fargo how to run a bank. You want them to look like the post office?"You mean the place that takes a note that's in my hand in L.A. on Monday and gives it to my sister in New Jersey on Wednesday, for 44 cents? Let me be the first to say, I would be thrilled if America's health-care system was anywhere near as functional as the post office.Truth is, recent years have made me much more wary of government stepping aside and letting unregulated private enterprise run things it plainly is too greedy to trust with. Like Wall Street. Like rebuilding Iraq.Like the way Republicans always frame the health-care debate by saying, "Health-care decisions should be made by doctors and patients, not government bureaucrats," leaving out the fact that health-care decisions aren't made by doctors, patients, or bureaucrats; they're made by insurance companies. Which are a lot like hospital gowns--chances are your gas isn't covered.
”
”
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
“
We are in the twilight years of a long love affair, and it has recently occurred to me that a day will come when one of us buries the other. But, I remind myself, that is the happy ending to a story like ours. It is a vow made and kept. Till death do us part. It
”
”
Ariel Lawhon (The Frozen River)
“
Winter tightened its grip on Alaska. The vastness of the landscape dwindled down to the confines of their cabin. The sun rose at quarter past ten in the morning and set only fifteen minutes after the end of the school day. Less than six hours of light a day. Snow fell endlessly, blanketed everything. It piled up in drifts and spun its lace across windowpanes, leaving them nothing to see except themselves. In the few daylight hours, the sky stretched gray overhead; some days there was merely the memory of light rather than any real glow. Wind scoured the landscape, cried out as if in pain. The fireweed froze, turned into intricate ice sculptures that stuck up from the snow. In the freezing cold, everything stuck -- car doors froze, windows cracked, engines refused to start. The ham radio filled with warnings of bad weather and listed the deaths that were as common in Alaska in the winter as frozen eyelashes. People died for the smallest mistake -- car keys dropped in a river, a gas tank gone dry, a snow machine breaking down, a turn taken too fast. Leni couldn't go anywhere or do anything without a warning. Already the winter seemed to have gone on forever. Shore ice seized the coastline, glazed the shells and stones until the beach looked like a silver-sequined collar. Wind roared across the homestead, as it had all winter, transforming the white landscape with every breath. Trees cowered in the face of it, animals built dens and burrowed in holes and went into hiding. Not so different from the humans, who hunkered down in this cold, took special care.
”
”
Kristin Hannah (The Great Alone)
“
The fining of unwed mothers is a cruel system, meant to humiliate women, and therefore dissuade them from carnal activity. But given that women do not conceive children on their own, and there is no law that fines men for their participation, it is the worst kind of hypocrisy as well.
”
”
Ariel Lawhon (The Frozen River)
“
No one moved. No one spoke. They seemed be riveted by whatever it was they saw in his eyes.
“Place me like a seal over your heart, like a seal on your arm; for love is as strong as death, its jealousy unyielding as the grave.”
A few gasps erupted.
His voice rang out, bold, clear.
“It burns like blazing fire, like a mighty flame. Many waters cannot quench love; rivers cannot wash it away.”
It was safe to say everyone was awake now. He’d startled most of his parishioners and aroused the rest of them.
“Evie Duggan …”
And all the heads official swiveled to follow the beam of the reverend’s gaze. Then swiveled back to him.
Then back to Eve.
Whose heart was in her eyes.
“ … You are the seal upon my heart. You are the fire and flame that warms me, heals me, burns me. You are the river that cools me and carries me. I love you. And love may be as strong as death, but you … I know now you are my life.”
A pin would have echoed like a dropped kettle in the church then.
Eve was absolutely riveted. Frozen, her eyes burning into his.
“And though I wish I could have protected you and kept you safe from some of the storms of your life, I find cannot regret any part of your past. For it has made you who you are. Loyal, passionate, brave, kind, remarkable. You need repent nothing.”
The last word fell like a gavel.
Not a single person moved or breathed.
“There are those who think good is a pastime, to engage in like embroidery or target shooting. There are those who think beauty is a thing of surface, and forget that it’s really of the soul. But good is something you are, not something you do. And by that definition, I stand before you today and declare that Evie Duggan is one of the best people I have ever had the privilege of knowing.
”
”
Julie Anne Long (A Notorious Countess Confesses (Pennyroyal Green, #7))
“
I am fifty-four years old, and that boy is my last. This knowledge is both a relief and a sadness—I have brought nine children into this world, after all, and only six are still living. Like all mothers, I have long since mastered the art of nursing joy at one breast and grief at the other.
”
”
Ariel Lawhon (The Frozen River)
“
On nights like this, no amount of physical exhaustion can induce my mind to shutter, so I read by candlelight instead. It is the only time I allow myself this indulgence. The joy of falling into another life, another world, is the one thing that mitigates the frustration of a sleepless night.
”
”
Ariel Lawhon (The Frozen River)
“
The physician, a grave, maternal young fellow, told me with an air of peaceable certainty, "You have been underfed and overtaxed for five or six months. You have spent yourself. There's nothing more to spend. Lie down, rest. Lie down like the rivers frozen in the valleys in winter. Lie still. Wait.
”
”
Ursula K. Le Guin (The Left Hand of Darkness)
“
When he reached the Neva he stood still for a minute and turned a keen glance up the river into the smoky frozen thickness of the distance, which was suddenly flushed crimson with the last purple and blood -red glow of sunset, still smouldering on the misty horizon... . Night lay over the city, and the
”
”
Fyodor Dostoevsky (White Nights)
“
When you walk along a wooded path
In the nature my heart held so dear,
Remember the joy that it gave me
And know that I’ll always be near.
When a robin announces his presence
Singing solo as day becomes new
The doe lifts her head to listen
As her fawn drinks the freshness of dew.
When an otter glides through the river,
His swim is a masterful one.
He engages his mate in a playful chase
Then they climb on the rocks to sun.
When the rustling leaves touch the autumn sky,
Boasting colors of russet and gold
Geese wing on their southern-most journey
To escape from the beckoning cold.
When the North wind blows through the towering pines
It delivers a mid winter’s chill
While snowflakes drift softly on fresh frozen lakes
And the call of the wild becomes still.
In each of these things, remember me.
And know that I’ll always be near.
The woodlands, God’s wondrous Creation,
In His nature my heart held so dear.
”
”
Kris Nelson
“
There were worse things than death.
There would be a leap and a moment suspended, then a long hopeless curve to the rocks and river below. They would fall like leaves between clouds of swifts and then be washed away by the thundering rapids. Bramble clung to that thought. If their bodies washed away then there could be no identification, no danger of reprisals on her family.
She hung on tighter.
The roan's hindquarters bunched under her and they were in the air. It was like she had imagined: the leap, and then the moment suspended in air that seemed to last forever.
Below her the swifts boiled up through the river mist, swerving and swooping, while she and the roan seemed to stay frozen above them. Bramble felt, like a rush of air, the presence of the gods surround her. The shock made her lose her balance and begin to slide sideways.
She felt herself falling.
With an impossible flick of both legs, the roan shrugged her back onto his shoulders. Then the long curve downward and she braced herself to see the cliffs rushing past as they fell.
Time to die.
Instead she felt a thumping jolt that flung her from the roan's back and tossed her among the rocks at the cliff's edge on the other side.
On the other side.
Her sight cleared, although the light still seemed dim. Her hearing came back a little. On the other side of the abyss a jumble of men and hounds were milling, shouting, astonished and very angry.
"You can't do that!" one yelled. "It's impossible!"
"Well, he shagging did it!" another said. "Can't be impossible!"
"Head for the bridge!" Beck shouted. "We can still get him! I want that horse!
”
”
Pamela Freeman (Blood Ties (Castings, #1))
“
Jonathan recovered the day after Cyrus. Then Lucy the one after that. Their fevers broke and their coughs faded and their lungs cleared. Their voices never so much as wavered. And when they asked after their sisters, we had only tears for an answer. Though you never think it possible, you can celebrate and grieve in the same breath. It is a holy abomination.
”
”
Ariel Lawhon (The Frozen River)
“
I... move a section of hair above my right ear to inspect a thick streak of silver hidden beneath the part. . .
"It is one thing to be old," I tell him, "and another to feel old. That makes me feel old."
"Well i t makes me feel like a king." He smiles at my curious look. "Only a fool would be upset to find a vein of silver running through his beloved territory.
”
”
Ariel Lawhon (The Frozen River)
“
As has been true every year since I began my inventory, the majority of babies I delivered were girls. Twenty-seven last year. I do not consider myself a superstitious woman, but I find comfort in these numbers. Every midwife I have ever known has cautioned that an abundance of male births for multiple years in a row means looming war. One of them—old, bitter, and widowed—had buried every child of her own and, in the calcification of her grief, would refer to such boys as “the cannon fodder of kings.” I have never delivered a boy—either from my body or with my hands—and not thought of those words. Of my own nine children, six were girls, and I have always taken this as a good omen. It makes me hopeful that the wars of this country are behind us.
”
”
Ariel Lawhon (The Frozen River)
“
You expected to be sad in the fall. Part of you died each year when the leaves fell from the trees and their branches were bare against the wind and the cold, wintry light. But you knew there would always be the spring, as you knew the river would flow again after it was frozen. When the cold rains kept on and killed the spring, it was as though a young person had died for no reason.
”
”
rnestHemingway (A Moveable Feast)
“
To make his point, Ivan staged a sensational demonstration. Some time before Christmas he had arrested two Lithuanians employed in the Moscow Kremlin. He charged them with plotting to poison him. The accusations against Jan Lukhomski and Maciej the Pole did not sound very credible; but their guilt or innocence was hardly relevant. They were held in an open cage on the frozen Moskva River for all the world to see; and on the eve of the departure of Ivan’s envoy to Lithuania, they were burned alive in their cage.50 As the ice melted under the fierce heat of the fire and the heavy iron cage sank beneath the water, taking its carbonized occupants down in a great hiss of steam, one could have well imagined that something was being said about Lithuania’s political future.
”
”
Norman Davies (Europe: A History)
“
With bare feet in the dirt, fulmia, ten times with conviction, will shake the earth to its roots, if you have the strength, Jaga’s book had told me, and the Dragon had believed it enough not to let me try it anywhere near the tower. I had felt doubtful, anyway, about conviction: I hadn’t believed I had any business shaking the earth to its roots. But now I fell to the ground and dug away the snow and the fallen leaves and rot and moss until I came to the hard-frozen dirt. I pried up a large stone and began to smash at the earth, again and again, breaking up the dirt and breathing on it to make it softer, pounding in the snow that melted around my hands, pounding in the hot tears that dripped from my eyes as I worked. Kasia was above me with her head flung up, her mouth open in its soundless cry like a statue in a church. “Fulmia,” I said, my fingers deep in the dirt, crushing the solid clods between my fingers. “Fulmia, fulmia,” I chanted over and over, bleeding from broken nails, and I felt the earth hear me, uneasily. Even the earth was tainted here, poisoned, but I spat on the dirt and screamed, “Fulmia,” and imagined my magic running into the ground like water, finding cracks and weaknesses, spreading out beneath my hands, beneath my cold wet knees: and the earth shuddered and turned over. A low trembling began where my hands drove into the ground, and it followed me as I started prying at the roots of the tree. The frozen dirt began to break up into small chunks all around them, the tremors going on and on like waves. The branches above me were waving wildly as if in alarm, the whispering of the leaves becoming a muted roaring. I straightened up on my knees. “Let her out!” I screamed at the tree: I beat on its trunk with my muddy fists. “Let her out, or I’ll bring you down! Fulmia!” I cried out in rage, and threw myself back down at the ground, and where my fists hit, the ground rose and swelled like a river rising with the rain. Magic was pouring out of me, a torrent: every warning the Dragon had ever given me forgotten and ignored. I would have spent every drop of myself and died there, just to bring that horrible tree down: I couldn’t imagine a world where I lived, where I left this behind me, Kasia’s life and heart feeding this corrupt monstrous thing. I would rather have died, crushed in my own earthquake, and brought it down with me. I tore at the ground ready to break open a pit to swallow us all.
”
”
Naomi Novik (Uprooted)
“
I follow him to a table at the back and sink onto the bench with a groan. This is a new thing I’ve discovered about myself in recent years. The noises. Stand and groan. Sit and grunt. Some days it seems that I can hardly take a step without some part of my body creaking or cracking and this—even more than the gray hairs and the crow’s-feet at my eyes—makes me feel as though I am racing down the final stretch of middle age.
”
”
Ariel Lawhon (The Frozen River)
“
We are in the twilight years of a long love affair, and it has recently occurred to me that a day will come when one of us buries the other. But, I remind myself, that is a happy ending to a story like ours. It is a vow made and kept. Till death do us part. It is the only acceptable outcome to a long and happy marriage, and I am determined not to fear that day, whenever it arrives. I am equally determined to soak up all the days between.
”
”
Ariel Lawhon (The Frozen River)
“
Near London Bridge, where the river had frozen to a depth of some twenty fathoms, a wrecked wherry boat was plainly visible, lying on the bed of the river where it had sunk last autumn, overladen with apples. The old bumboat woman, who was carrying her fruit to market on the Surrey side, sat there in her plaids and farthingales with her lap full of apples, for all the world as if she were about to serve a customer, though a certain blueness about the lips hinted the truth. ’Twas a sight King James specially liked to look upon, and he would bring a troupe of courtiers to gaze with him.
”
”
Virginia Woolf (Orlando: A Biography)
“
The oddness of my encounter with the fox still feels like a portent of some kind, a lingering in the air, like a fog that doesn’t burn away with the midday sun. Ephraim will neither laugh at me nor be alarmed. He will simply nod and think on it, the way he does with most things. If I give him enough time, he might even have an explanation. Some men think in a straight line, like an arrow off the string. They go to logic, to the easy conclusion, and avoid the waterways of the mind. But not Ephraim. His head is all rivers and streams, and with a mind like that a thought could run anywhere.
”
”
Ariel Lawhon (The Frozen River)
“
Trying to get to 124 for the second time now, he regretted that conversation: the high tone he took; his refusal to see the effect of marrow weariness in a woman he believed was a mountain. Now, too late, he understood her. The heart that pumped out love, the mouth that spoke the Word, didn't count. They came in her yard anyway and she could not approve or condemn Sethe's rough choice. One or the other might have saved her, but beaten up by the claims of both, she went to bed. The whitefolks had tired her out at last.
And him. Eighteen seventy-four and whitefolks were still on the loose. Whole towns wiped clean of Negroes; eighty-seven lynchings in one year alone in Kentucky; four colored schools burned to the ground; grown men whipped like children; children whipped like adults; black women raped by the crew; property taken, necks broken. He smelled skin, skin and hot blood. The skin was one thing, but human blood cooked in a lynch fire was a whole other thing. The stench stank. Stank up off the pages of the North Star, out of the mouths of witnesses, etched in crooked handwriting in letters delivered by hand. Detailed in documents and petitions full of whereas and presented to any legal body who'd read it, it stank. But none of that had worn out his marrow. None of that. It was the ribbon. Tying his
flatbed up on the bank of the Licking River, securing it the best he could, he caught sight of something red on its bottom. Reaching for it, he thought it was a cardinal feather stuck to his boat. He tugged and what came loose in his hand was a red ribbon knotted around a curl of wet woolly hair, clinging still to its bit of scalp. He untied the ribbon and put it in his pocket, dropped the curl in the weeds. On the way home, he stopped, short of breath and dizzy. He waited until the spell passed before continuing on his way. A moment later, his breath left him again. This time he sat
down by a fence. Rested, he got to his feet, but before he took a step he turned to look back down the road he was traveling and said, to its frozen mud and the river beyond, "What are these people? You tell me, Jesus. What are they?"
When he got to his house he was too tired to eat the food his sister and nephews had prepared. He sat on the porch in the cold till way past dark and went to his bed only because his sister's voice calling him was getting nervous. He kept the ribbon; the skin smell nagged him, and his weakened marrow made him dwell on Baby Suggs' wish to consider what in the world was harmless. He hoped she stuck to blue, yellow, maybe green, and never fixed on red.
Mistaking her, upbraiding her, owing her, now he needed to let her know he knew, and to get right with her and her kin. So, in spite of his exhausted marrow, he kept on through the voices and tried once more to knock at the door of 124. This time, although he couldn't cipher but one word, he believed he knew who spoke them. The people of the broken necks, of fire-cooked blood and black girls who had lost their ribbons.
What a roaring.
”
”
Toni Morrison (Beloved)
“
Bodies like this give sexual desire its meaning! It’s for this that penises rise like drawbridges and vaginas become engorged with blood! It’s for this that people throw snot-nosed kids into ravines, cross raging rivers, or ice-pick up the wrong side of frozen waterfalls! It’s for this that politicians undo their flies in election season, porn magazines with their pages stuck together are found stacked in church basements, people chop off body parts and mail them to ex-lovers, risk hair on palms, stolen wallets, planes flying into buildings, and lice that hop like chess figurines on a board whose players are ever changing.
”
”
Barry Webster (The Lava in My Bones)
“
In the Japanese vision of winter, in Japanese poetry, and Japanese prints have an imagery of the “floating world,” where there is no notion that winter has in any way fallen from the hand of God, or is in any way evidence of cosmic organization. The Japanese idea of winter simply speaks of winter as simultaneously empty and full; the emptying out of nature by cold, and it’s also the filling up of the world by wind and snow… the Japanese idea of winter marked the final transformation of winter, and the idea of winter in Europe in the nineteenth century…Monet gets from the Japanese wood block prints a new infatuation with pure white-not a white that’s laid down unvaryingly with a single brushstroke, but instead a white that is made up kaleidoscopically with tiny touches of prismatic color. This is sweet winter at its sweetest, a winter so sweet that it loses the tang of the picturesque and becomes entirely exquisite- not pretty but deeply, renewingly lovely…winter becomes another kind of spring, a spring for aesthetes who find April’s green too common, but providing the same emotional lift of hope, the same pleasure of serene, unfolding slowness; the slow weight of frost, the chromatic varnishing of snow on the boughs of the chestnut tree, the still dawn scene, the semi-frozen river.
”
”
Adam Gopnik (Winter: Five Windows on the Season (The CBC Massey Lectures))
“
In the deep woods of the far North, under feathery leaves of fern, was a great fairyland of merry elves, sometimes called forest brownies.
These elves lived joyfully. They had everything at hand and did not need to worry much about living. Berries and nuts grew plentiful in the forest. Rivers and springs provided the elves with crystal water. Flowers prepared them drink from their flavorful juices, which the munchkins loved greatly.
At midnight the elves climbed into flower cups and drank drops of their sweet water with much delight. Every elf would tell a wonderful fairy tale to the flower to thank it for the treat.
Despite this abundance, the pixies did not sit back and do nothing. They tinkered with their tasks all day long. They cleaned their houses. They swung on tree branches and swam in forested streams. Together with the early birds, they welcomed the sunrise, listened to the thunder growling, the whispering of leaves and blades of grass, and the conversations of the animals.
The birds told them about warm countries, sunbeams whispered of distant seas, and the moon spoke of treasures hidden deeply in the earth.
In winter, the elves lived in abandoned nests and hollows. Every sunny day they came out of their burrows and made the forest ring with their happy shouts, throwing tiny snowballs in all directions and building snowmen as small as the pinky finger of a little girl. The munchkins thought they were giants five times as large as them.
With the first breath of spring, the elves left their winter residences and moved to the cups of the snowdrop flowers. Looking around, they watched the snow as it turned black and melted. They kept an eye on the blossoming of hazel trees while the leaves were still sleeping in their warm buds. They observed squirrels moving their last winter supplies from storage back to their homes. Gnomes welcomed the birds coming back to their old nests, where the elves lived during winters. Little by little, the forest once more grew green.
One moonlight night, elves were sitting at an old willow tree and listening to mermaids singing about their underwater kingdom.
“Brothers! Where is Murzilka? He has not been around for a long time!” said one of the elves, Father Beardie, who had a long white beard. He was older than others and well respected in his striped stocking cap.
“I’m here,” a snotty voice arose, and Murzilka himself, nicknamed Feather Head, jumped from the top of the tree. All the brothers loved Murzilka, but thought he was lazy, as he actually was. Also, he loved to dress in a tailcoat, tall black hat, boots with narrow toes, a cane and a single eyeglass, being very proud of that look.
“Do you know where I’m coming from? The very Arctic Ocean!” roared he.
Usually, his words were hard to believe. That time, though, his announcement sounded so marvelous that all elves around him were agape with wonder.
“You were there, really? Were you? How did you get there?” asked the sprites.
“As easy as ABC! I came by the fox one day and caught her packing her things to visit her cousin, a silver fox who lives by the Arctic Ocean.
“Take me with you,” I said to the fox.
“Oh, no, you’ll freeze there! You know, it’s cold there!” she said.
“Come on.” I said. “What are you talking about? What cold? Summer is here.”
“Here we have summer, but there they have winter,” she answered.
“No,” I thought. “She must be lying because she does not want to give me a ride.”
Without telling her a word, I jumped upon her back and hid in her bushy fur, so even Father Frost could not find me.
Like it or not, she had to take me with her.
We ran for a long time. Another forest followed our woods, and then a boundless plain opened, a swamp covered with lichen and moss. Despite the intense heat, it had not entirely thawed.
“This is tundra,” said my fellow traveler.
“Tundra? What is tundra?” asked I.
“Tundra is a huge, forever frozen wetland covering the entire coast of the Arctic Ocean.
”
”
Anna Khvolson
“
Tying his flatbed up on the bank of the Licking River, securing it the best he could, he caught sight of something red on its bottom. Reaching for it, he thought it was a cardinal feather stuck to his boat. He tugged and what came loose in his hand was a red ribbon knotted around a curl of wet woolly hair, clinging still to its bit of scalp. He untied the ribbon and put it in his pocket, dropped the curl in the weeds. On the way home, he stopped, short of breath and dizzy. He waited until the spell passed before continuing on his way. A moment later, his breath left him again. This time he sat down by a fence. Rested, he got to his feet, but before he took a step he turned to look back down the road he was traveling and said, to its frozen mud and the river beyond, “What are these people? You tell me, Jesus. What are they?” When
”
”
Toni Morrison (Beloved (Beloved Trilogy, #1))
“
With so many trees in the city, you could see the spring coming each day until a night of warm wind would bring it suddenly in one morning. Sometimes the heavy cold rains would beat it back so that it would seem that it would never come and that you were losing a season out of your life. This was the only truly sad time in Paris because it was unnatural. You expected to be sad in the fall. Part of you died each year when the leaves fell from the trees and their branches were bare against the wind and the cold, wintry night. But you knew there would always be the spring, as you knew the river would flow again after it was frozen. When the cold rain kept on and killed the spring, it was as though a young person had died for no reason.
In those days, though, the spring always came finally but it was frightening that it had nearly failed.
”
”
Ernest Hemingway (A Moveable Feast)
“
Your Eve was wise, John. She knew that Paradise would make her mad, if she were to live forever with Adam and know no other thing but strawberries and tigers and rivers of milk. She knew they would tire of these things, and each other. They would grow to hate every fruit, every stone, every creature they touched. Yet where could they go to find any new thing? It takes strength to live in Paradise and not collapse under the weight of it. It is every day a trial. And so Eve gave her lover the gift of time, time to the timeless, so that they could grasp at happiness.
...
And this is what Queen Abir gave to us, her apple in the garden, her wisdom--without which we might all have leapt into the Rimal in a century. The rite bears her name still. For she knew the alchemy of demarcation far better than any clock, and decreed that every third century husbands and wives should separate, customs should shift and parchmenters become architects, architects farmers of geese and monkeys, Kings should become fishermen, and fishermen become players of scenes. Mothers and fathers should leave their children and go forth to get other sons and daughters, or to get none if that was their wish. On the roads of Pentexore folk might meet who were once famous lovers, or a mother and child of uncommon devotion--and they would laugh, and remember, but call each other by new names, and begin again as friends, or sisters, or lovers, or enemies. And some time hence all things would be tossed up into the air once more and land in some other pattern. If not for this, how fastened, how frozen we would be, bound to one self, forever a mother, forever a child. We anticipate this refurbishing of the world like children at a holiday. We never know what we will be, who we will love in our new, brave life, how deeply we will wish and yearn and hope for who knows what impossible thing!
Well, we anticipate it. There is fear too, and grief. There is shaking, and a worry deep in the bone.
Only the Oinokha remains herself for all time--that is her sacrifice for us.
There is sadness in all this, of course--and poets with long elegant noses have sung ballads full of tears that break at one blow the hearts of a flock of passing crows! But even the most ardent lover or doting father has only two hundred years to wait until he may try again at the wheel of the world, and perhaps the wheel will return his wife or his son to him. Perhaps not. Wheels, and worlds, are cruel.
Time to the timeless, apples to those who live without hunger. There is nothing so sweet and so bitter, nothing so fine and so sharp.
”
”
Catherynne M. Valente (The Habitation of the Blessed (A Dirge for Prester John, #1))
“
As hard as he tried not to think about it, the nursery rhyme that had terrified children in the land of Skree for years sang in his head, and he lay there in the pale moonlight, his lips barely moving. Lo, beyond the River Blapp The Carriage comes, the Carriage Black By shadowed steed with shadowed tack And shadowed driver driving Child, pray the Maker let you sleep When comes the Carriage down your street Lest all your dreams be dreams of teeth And Carriages arriving To wrest you from your berth and bower In deepest night and darkest hour Across the sea to frozen tower Where Gnag the Nameless pounds you At Castle Throg across the span, A world away from kith and clan You’ll weep at how your woes began The night the shadows bound you Away, beyond the River Blapp, The Carriage came, the Carriage Black By shadowed steed with shadowed tack The night the Carriage found you
”
”
Andrew Peterson (On the Edge of the Dark Sea of Darkness)
“
She nearly slipped on an icy rock, but he caught her, his shoepacks sure on the frozen ground. He led her up a shaded path to a limestone wall, where they squeezed through an opening like a loophole. On the other side, the earth fell away, and it seemed they stepped into open sky. She gave a little gasp, not of fear, but of awe. He turned to take her in, pressing his back against the cold cliff and drawing her in front of him. She looked down and found the toes of her boots in midair with only her heels on the ledge. But he had one hard arm around her, grounding her. His breath was warm against her cold cheek. “I wanted to show you Cherokee territory, not just tell you about it.” She followed the sweep of his arm south, his finger pointing to distant snow-dusted mountains and a wide opal river. Small puffs of smoke revealed few campfires or cabins. The land lay before them like a disheveled white coverlet, uninhabited and without end, broken by more mountains and wending waterways. The unspoiled beauty of it took her breath. For a moment he relaxed his hold on her. With a cry, she reached for him again, fearing she might fall into nothingness. “Careful,” he murmured, steadying her. “Trust me.” She shut her eyes tight as his arms settled around her, anchoring her to the side of the cliff. Frightened as she was, she felt a tingling from her bare head to her feet. ’Twas altogether bewildering and frightening . . . yet pleasing. Gingerly, as if doing a slow dance, he led her off the ledge onto safe ground, where he released her and turned toward the stallion grazing on a tuft of grass. His smile was tight. “We should return—soon, before your father thinks I took you captive.” Reluctantly she walked behind him, framing every part of him in her mind in those few, unguarded moments before he mounted.
”
”
Laura Frantz (Courting Morrow Little)
“
Chandler runs up the steps two at a time, and when he’s out of sight, I put the pipe to my own lips and draw. Chandler’s tobacco smells of cherries and chocolate. It is cased with molasses and topped with vanilla but tastes—as all smoke does—like smoke. Only a nicer, classier kind of smoke. The kind you pay for. The kind that comes in little pouches and smells of gentlemen and scholars. Tobacco. There is no soot or ash, and I don’t bother trying to blow a ring. I simply stand at the bottom of the stairs and let the cloud rise around my head as I ponder what Chandler has told me. “Give me that,” Mrs. Ney says from behind me. For one moment I think the housekeeper is going to scold me. But instead she adds, “You’re doing it wrong.” Then the wiry old silver-haired woman puts the pipe to her lips, hollows her cheeks, pulls, puffs, and blows out a perfect smoke ring that grows and grows as it rises until—a foot wide—it dissipates altogether.
”
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Ariel Lawhon (The Frozen River)
“
With the fishermen and the life on the river, the beautiful barges with their own life on board, the tugs with their smokestacks that folded back to pass under the bridges, pulling a tow of barges, the great elms on the stone banks of the river, the plane trees and in some places the poplars, I could never be lonely along the river. With so many trees in the city, you could see the spring coming each day until a night of warm wind would bring it suddenly in one morning. Sometimes the heavy cold rains would beat it back so that it would seem that it would never come and that you were losing a season out of your life. This was the only truly sad time in Paris because it was unnatural. You expected to be sad in the fall. Part of you died each year when the leaves fell from the trees and their branches were bare against the wind and the cold, wintry light. But you knew there would always be the spring, as you knew the river would flow again after it was frozen. When the cold rains kept on and killed the spring, it was as though a young person had died for no reason. In
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Ernest Hemingway (A Moveable Feast)
“
Not only resemblances exist in things whose analogy is obvious, as when we detect the type of the human hand in the flipper of the fossil saurus, but also in objects wherein there is great superficial unlikeness. Thus architecture is called "frozen music," by De Stael and Goethe. Vitruvius thought an architect should be a musician. "A Gothic church," said Coleridge, "is a petrified religion." Michael Angelo maintained, that, to an architect, a knowledge of anatomy is essential. In Haydn's oratorios, the notes present to the imagination not only motions, as, of the snake, the stag, and the elephant, but colors also; as the green grass. The law of harmonic sounds reappears in the harmonic colors. The granite is differenced in its laws only by the more or less of heat, from the river that wears it away. The river, as it flows, resembles the air that flows over it; the air resembles the light which traverses it with more subtile currents; the light resembles the heat which rides with it through Space. Each creature is only a modification of the other; the likeness in them is more than the difference, and their radical law is one and the same.
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Ralph Waldo Emerson (Emerson: The Ultimate Collection)
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But the hawk knew the landscape; there were vast areas of it he avoided due to a scarcity of prey. Land that was overhunted—that land was the Great Sioux Reservation, bordered by the rugged Black Hills on the west, the Missouri River on the east. There, even scrawny squirrels and half-dead rabbits were precious. The smudges there were tepees, made out of fading buffalo hide, clustered together in groups, the groups too close to those from other tribes, but forced, due to the government, to live together. Misery hung over this landscape like a cloud, even on the sunniest day. So he kept to the south, swooping closer to the ground, and finally the peaceful-seeming landscape gave up some secrets. A fence post here, a clump of bushes there, an upturned wagon, haystacks. As his eyes adjusted, however, other secrets were discovered. What seemed like a line of small haystacks were, upon closer inspection as the hawk zeroed in, cows. Unmoving cows, statues; some on their sides, others standing, all frozen where they were. The hawk turned, uninterested, to investigate more dark shapes emerging from the blinding white; horses, their legs collapsed under them, eyes closed forever.
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Melanie Benjamin (The Children's Blizzard)
“
Once beyond school age, individuals were all expected to carry out two functions: to contribute to production and to take part in military operations. The whole system was based on the “Four Military Lines.” The key tenets were “arm the entire people,” “fortify the entire nation,” “build a nation of military leaders,” and “complete military modernization.” So various militias were formed. When I grew too old for the Youth League, I had no choice but to join one of these militias. In my case, it was the Laborers’ and Farmers’ Red Army. I enlisted when I graduated from high school and embarked on a period of training. The training was professional enough. We learned how to dig trenches and fight to protect our position. We were well trained as snipers. Groups of individuals who were used to working together were formed into military units. The idea was that, in the event of a crisis, the units could be mobilized very quickly. We had exercises twice a year, at the hottest and the coldest time of year. We’d do things like climb a mountain or dig trenches out of the frozen ground. Right from the start, the one thing I kept asking myself was this: What was with the party’s obsession with militarizing the entire nation?
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Masaji Ishikawa (A River in Darkness: One Man's Escape from North Korea)
“
He opened his eyes to the real world. Everything was moving with the slowness of a broken pict screen. Around him the Exiles of the Thousand Sons stood in the ruins of Tizca. Above him lights swelled within the storm cloud as the shells fell from the heavens.
He reached up to his chest. The cracked back of a jade scarab found his fingers. His mind was suddenly empty, suddenly still. He felt the stone of the jade scarab. It was warm to his touch, just as it had been before, when Prospero had died under the axes of the Wolves. He knew that perhaps he alone of his brothers had kept that broken memento of their first flight from Prospero. Then it had unified the Legion, as Magnus had given the last of his power to save those who survived.
Now, Ahriman did not need it to draw his brothers together. They were him and he was them. But the scarab mattered. It was not a connection to his brothers. It was a connection to the past, a connection to that first journey across space and time, a connection to the bridge that Magnus had created between Prospero and their refuge in the Eye. A key to opening that way again.
You cannot step in the same river twice, he thought, the ancient words rising unbidden to his mind. Above him tears of flame fell from the frozen sky.
For it is not the same river.
He gripped the scarab and closed his eyes.
And you are not the same man.
”
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John French (Ahriman: Unchanged (Ahriman #3))
“
I know that I've lost something now because this keeps happening, and I feel as if this is all I ever come to, to this place, this knife, this feeling, almost killing, and I wonder that I'm not drunk because I feel fucked up and cold and hot, and this man, the drunk man, he's backing away from me toward a parked car and he trips over the parking meter and stumbles and takes a few steps and there's a wall he can follow along and he's scuttling back into the doorway of the bar and his off-white shirt gets hazy like cottonwood down floating off the river back home but it's hot in the spring there, back home, when the cottonwoods are dropping, and nothing about this night is even warm at all except my fist around the handle of the knife that's still cold, and there's the smell of the river water, the water in the air, and water everywhere, over my eyes and the city and the night, and I wonder why the water's not frozen because it's cold, cold every night here, so fucking cold, and no amount of weed will warm me up because I'm a long way from home and my bed and my room and my house and my family and anything and everything and everyone that I have ever loved, and I can sleep on a dirty floor with gum and spiders and garbage and wrappers and ants and dust and spit and cum, and I can sleep here and wake up, and I can sleep here and wake up again, but no amount of sleeping and waking will ever make it right.
”
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Peter Brown Hoffmeister (The End of Boys)
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when expressing her own. Despite what happened in August, there is still something in her soft brown eyes—a cheerfulness and curiosity—that reminds me of the daughters I lost so many years ago. It’s what drew me to Rebecca in the first place. Every interaction with her since has made me wonder what my daughters would be doing now had they survived that long, horrid summer. She cups her tea in both hands and holds it to her lips, letting the steam curl around her cheeks, before taking a sip. “So what is this news you have for me?” Instead of answering Rebecca’s question, I once again look to the door, listen for a beat, then ask one of my own. “Do you happen to know where Isaac was last night?” “I don’t. In his study, I suppose. But I wasn’t feeling well, and I went to bed early. Why?” I can remember a time, when my sons were younger, when they loved throwing stones over the bridge into the river. They loved the splash and the noise. Being boys, they loved the disturbance that it caused. I study Rebecca’s face and take no pleasure in upsetting the still waters of her soul. “Joshua Burgess is dead. They found his body in the river this morning.” Rebecca shakes her head, as though unable to comprehend. “Was he…? Did…?” Whatever questions she means to ask won’t form. “It was not an accident. He didn’t drown,” I tell her. “He was hanged.” Rebecca goes completely still, except for her hands, which begin a frantic
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Ariel Lawhon (The Frozen River)
“
is Jotunheim. If we go the wrong way, we’ll run across giants. Then we’ll all be butchered and put in a stew pot.” “We won’t go the wrong way,” I promised. “Will we, Jack?” “Hmm?” said the sword. “Oh, no. Probably not. Like, a sixty percent chance we’ll live.” “Jack….” “Kidding,” he said. “Jeez, so uptight.” He pointed upstream and led us through the foggy morning, with spotty snow flurries and a forty percent chance of death. Hearthstone Passes Out Even More than Jason Grace (Though I Have No Idea Who That Is) JOTUNHEIM LOOKED a lot like Vermont, just with fewer signs offering maple syrup products. Snow dusted the dark mountains. Waist-high drifts choked the valleys. Pine trees bristled with icicles. Jack hovered in front, guiding us along the river as it zigzagged through canyons blanketed in subzero shadows. We climbed trails next to half-frozen waterfalls, my sweat chilling instantly against my skin. In other words, it was a huge amount of fun. Sam and I stayed close to Hearthstone. I hoped my residual aura of Frey-glow might do him some good, but he still looked pretty weak. The best we could do was keep him from sliding off the goat. “Hang in there,” I told him. He signed something—maybe sorry–but his gesture was so listless I wasn’t sure. “Just rest,” I said. He grunted in frustration. He groped through his bag of runes, pulled one out, and placed it in my hands. He pointed to the stone, then to himself, as if to say This is me. The rune was one I didn’t know:
”
”
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
“
He thinks of Tyndale in the bleach fields, his human sins whited-out, speaking from within a haze of smoke. He thinks of the river at Advent, its frozen path. There is a poet who writes of winter wars, where sound is frozen. The soil beneath the snow seals in the noise of stampeding feet, the clank of harness, the pleas of prisoners, the groans of the dying. When the first rays of spring warm the ground, the misery begins to thaw. Groans and cries are unloosed, and last season's blood makes the waters foul.
Now Tyndale has put on the armour of light. On the last day he will rise in a silver mist, with the broken and the burned, men and women remaking themselves from the ash pile: with Little Bilney and young John Frith, with the lawyers and the scholars and those who could barely read or read not at all but only listen; with Richard Hunne who was hanged in the Lollards Tower, and all those martyrs from the years before we were born, who set forth Wyclif's book. He will clasp hands with Joan Boughton, whom he, the Lord Privy Seal, saw burned to bone when he was a boy. In those blessed days the whole of creation will shine, but till then we see through a glass darkly, not face to face.
Somewhere - or Nowhere, perhaps - there is a society ruled by philosophers. They have clean hands and pure hearts. But even in the metropolis of light there are midden and manure-heaps, swarming with flies. Even in the republic of virtue you need a man who will shovel up the shit, and somewhere it is written that Cromwell is his name.
”
”
Hilary Mantel (The Mirror & the Light (Thomas Cromwell, #3))
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St. Lawrence River
May 1705
Temperature 48 degrees
The dancing began. Along with ancient percussion instruments that crackled and rattled, rasped and banged, the St. Francis Indians had French bells, whose clear chimes rang, and even a bugle, whose notes trumpeted across the river and over the trees.
“Mercy Carter!” exclaimed an English voice. “Joanna Kellogg! This is wonderful! I am so glad to see you!” An English boy flung his arms around the girls, embracing them joyfully, whirling them in circles.
Half his head was plucked and shiny bald, while long dark hair hung loose and tangled from the other half. His skin was very tan and his eyes twinkling black. He wore no shirt, jacket or cape: he was Indian enough to ignore the cold that had settled in once the sun went down.
“Ebenezer Sheldon,” cried Mercy. “I haven’t seen you since the march.”
He had been one of the first to receive an Indian name, when the snow thawed and the prisoners had had to wade through slush up to their ankles. Tannhahorens had changed Mercy’s moccasins now and then, hanging the wet pair on his shoulder to dry. But Ebenezer’s feet had frozen and he had lost some of his toes.
He hadn’t complained; in fact, he had not mentioned it. When his master discovered the injury, Ebenezer was surrounded by Indians who admired his silence. The name Frozen Leg was an honor. In English, the name sounded crippled. But in an Indian tongue, it sounded strong.
The boys in Deerfield who were not named John had been named Ebenezer. That wouldn’t happen in an Indian village. Each person must have a name exactly right for him; something that happened or that was; that reflected or appeared.
”
”
Caroline B. Cooney (The Ransom of Mercy Carter)
“
In Memory of W. B. Yeats
I
He disappeared in the dead of winter:
The brooks were frozen, the airports almost deserted,
And snow disfigured the public statues;
The mercury sank in the mouth of the dying day.
What instruments we have agree
The day of his death was a dark cold day.
Far from his illness
The wolves ran on through the evergreen forests,
The peasant river was untempted by the fashionable quays;
By mourning tongues
The death of the poet was kept from his poems.
But for him it was his last afternoon as himself,
An afternoon of nurses and rumours;
The provinces of his body revolted,
The squares of his mind were empty,
Silence invaded the suburbs,
The current of his feeling failed; he became his admirers.
Now he is scattered among a hundred cities
And wholly given over to unfamiliar affections,
To find his happiness in another kind of wood
And be punished under a foreign code of conscience.
The words of a dead man
Are modified in the guts of the living.
But in the importance and noise of to-morrow
When the brokers are roaring like beasts on the floor of the bourse,
And the poor have the sufferings to which they are fairly accustomed
And each in the cell of himself is almost convinced of his freedom
A few thousand will think of this day
As one thinks of a day when one did something slightly unusual.
What instruments we have agree
The day of his death was a dark cold day.
II
You were silly like us; your gift survived it all:
The parish of rich women, physical decay,
Yourself. Mad Ireland hurt you into poetry.
Now Ireland has her madness and her weather still,
For poetry makes nothing happen: it survives
In the valley of its making where executives
Would never want to tamper, flows on south
From ranches of isolation and the busy griefs,
Raw towns that we believe and die in; it survives,
A way of happening, a mouth.
III
Earth, receive an honoured guest:
William Yeats is laid to rest.
Let the Irish vessel lie
Emptied of its poetry.
In the nightmare of the dark
All the dogs of Europe bark,
And the living nations wait,
Each sequestered in its hate;
Intellectual disgrace
Stares from every human face,
And the seas of pity lie
Locked and frozen in each eye.
Follow, poet, follow right
To the bottom of the night,
With your unconstraining voice
Still persuade us to rejoice;
With the farming of a verse
Make a vineyard of the curse,
Sing of human unsuccess
In a rapture of distress;
In the deserts of the heart
Let the healing fountain start,
In the prison of his days
Teach the free man how to praise.
”
”
W.H. Auden