Frog And Toad Love Quotes

Would you like to hear a song while I cut your hair? There's one my sister Pandora and I wrote, called Pig in the House." Looking intrigued, Bazzle nodded. Cassandra launched into a sublimely ridiculous song about the antics of two sisters trying to hide their pet pig from the farmer, the butcher, the cook, and a local squire who was especially fond of bacon. While she sang, she moved around Bazzle's head, snipping off long locks and dropping them into a pail Garrett held for her. Bazzle listened as if spellbound, occasionally chortling at the silly lyrics. As soon as the song was finished, he demanded another, and sat while Cassandra continued with My Dog Thinks He's a Chicken, followed by Why Frogs are Slimy and Toads are Dry. Had Tom been capable of falling in love, he would have right there and then, as he watched Lady Cassandra Ravenel serenade a ragamuffin while cutting his hair. She was so capable and clever and adorable, it made his chest ache with a hot pressure that threatened to fracture something. "She has a marvelous way with children," Garrett murmured to him at one point, clearly delighted by the situation. She had a way with everyone. Especially him. He'd never been besotted like this. It was intolerable.

There is one story about letters. A perpetually cheerful Frog pays a visit to Toad but finds Toad glum, sitting on his front porch. "This is my sad time of day," says Toad, "when I wait for the mail to come." "Why is that?" says Frog. "No one has ever sent me a letter. My mailbox is always empty. That is why waiting for the mail is a sad time for me." Then Frog and Toad sit "on the porch, feeling sad together." Frog rescues the situation by running home, writing a letter to Toad, and sending it literally by snail mail. The little snail brings it four days later. Even though Toad saw Frog every day, he longed for the strangeness, the otherness of a letter, for something to come from out there and address him, "Dear Toad." Is that the thrill I feel finding a letter from you in my box? The address of a friend is made into a physical fact and every letter an artifact of the otherwise invisible communion of friendship.

At the time I was revisiting books from my childhood, and when I got to this part in Frog and Toad Are Friends, I started crying like a little baby: 'I am happy. I am very happy. This morning when I woke up I felt good because the sun was shining. I felt good because I was a frog. And I felt good because I have you for a friend. I wanted to be alone. I wanted to think about how fine everything is.' It’s the most perfect example of love and friendship I think I’ve ever read, and I immediately picked up my paintbrush and got to it.

These Claudines, then…they want to know because they believe they already do know, the way one who loves fruit knows, when offered a mango from the moon, what to expect; and they expect the loyal tender teasing affection of the schoolgirl crush to continue: the close and confiding companionship, the pleasure of the undemanding caress, the cuddle which consummates only closeness; yet in addition they want motherly putting right, fatherly forgiveness and almost papal indulgence; they expect that the sights and sounds, the glorious affairs of the world which their husbands will now bring before them gleaming like bolts of silk, will belong to the same happy activities as catching toads, peeling back tree bark, or powdering the cheeks with dandelions and oranging the nose; that music will ravish the ear the way the trill of the blackbird does; that literature will hold the mind in sweet suspense the way fairy tales once did; that paintings will crowd the eye with the delights of a colorful garden, and the city streets will be filled with the same cool dew-moist country morning air they fed on as children. But they shall not receive what they expect; the tongue will be about other business; one will hear in masterpieces only pride and bitter contention; buildings will have grandeur but no flowerpots or chickens; and these Claudines will exchange the flushed cheek for the swollen vein, and instead of companionship, they will get sex and absurd games composed of pinch, leer, and giggle—that’s what will happen to “let’s pretend.” 'The great male will disappear into the jungle like the back of an elusive ape, and Claudine shall see little of his strength again, his intelligence or industry, his heroics on the Bourse like Horatio at the bridge (didn’t Colette see Henri de Jouvenel, editor and diplomat and duelist and hero of the war, away to work each day, and didn’t he often bring his mistress home with him, as Willy had when he was husband number one?); the great affairs of the world will turn into tawdry liaisons, important meetings into assignations, deals into vulgar dealings, and the en famille hero will be weary and whining and weak, reminding her of all those dumb boys she knew as a child, selfish, full of fat and vanity like patrons waiting to be served and humored, admired and not observed. 'Is the occasional orgasm sufficient compensation? Is it the prize of pure surrender, what’s gained from all that giving up? There’ll be silk stockings and velvet sofas maybe, the customary caviar, tasting at first of frog water but later of money and the secretions of sex, then divine champagne, the supreme soda, and rubber-tired rides through the Bois de Boulogne; perhaps there’ll be rich ugly friends, ritzy at homes, a few young men with whom one may flirt, a homosexual confidant with long fingers, soft skin, and a beautiful cravat, perfumes and powders of an unimaginable subtlety with which to dust and wet the body, many deep baths, bonbons filled with sweet liqueurs, a procession of mildly salacious and sentimental books by Paul de Kock and company—good heavens, what’s the problem?—new uses for the limbs, a tantalizing glimpse of the abyss, the latest sins, envy certainly, a little spite, jealousy like a vaginal itch, and perfect boredom. 'And the mirror, like justice, is your aid but never your friend.' -- From "Three Photos of Colette," The World Within the Word, reprinted from NYRB April 1977

Rick smiled as he grabbed the fat round toad from her back. “Got it.” Amelia breathed a sigh of relief when she saw what it was. “Oh. Just a frog.” “Correction. Toad,” said Mr. Witherbee. “There’s a difference. I guess Herman was just taking a swim and you were in his way.” Rick raised his brow. “You named him?” “You bet.” When Amelia looked at the toad, she smiled. “He’s cute. Can I keep him?” She was just joking around, but it made Rick laugh. “Sorry, missy,” said Mr. Witherbee. “No can do! He eats all the gnats and mosquitoes on this here pond, not to mention all the flies that can really get on a person’s nerves. He’s been my friend here for at least ten years.” Amelia raised her brow. “They can live that long?” “Hey, they can live up to fifteen years if taken good care of.” He smiled. “And I take very good care of Herman.”… Rick placed the toad on a rock. He then warned the little fellow, “Now you better watch out because some girl just might give you a kiss and you’ll turn into a prince.” Amelia laughed. “You’ve got that all wrong. It’s a frog that turns into a prince. Not a toad.

The rain-filled potholes, set in naked rock are usually devoid of visible plant life but not of animal life. In addition to the inevitable microscopic creatures there may be certain amphibians like the spadefoot toad. This little animal lives through dry spells in a state of estivation under the dried-up sediment in the bottom of a hole. When the rain comes, if it comes, he emerges from the mud singing madly in his fashion, mates with the handiest female and fills the pool with a swarm of tadpoles, most of them doomed to a most ephemeral existence. But a few survive, mature, become real toads, and when the pool dries up they dig into the sediment as their parents did before, making burrows which they seal with mucus in order to preserve that moisture necessary to life. There they wait, day after day, week after week, in patient spadefoot torpor, perhaps listening - we can imagine - for the sounds of raindrops pattering at last on the earthen crust above their heads. If it comes in time the glorious cycle is repeated; if not, this particular colony of Bufonidae is reduced eventually to dust, a burden on the wind. Rain and puddles bring out other amphibia, even in the desert. It's a strange, stirring, but not uncommon thing to come on a pool at night, after an evening of thunder and lightning and a bit of rainfall, and see the frogs clinging to the edge of their impermanent pond, bodies immersed in water but heads out, all croaking away in tricky counterpoint. They are windbags: with each croak the pouch under the frog's chin swells like a bubble, then collapses. Why do they sing? What do they have to sing about? Somewhat apart from one another, separated by roughly equal distances, facing outward from the water, they clank and croak all through the night with tireless perseverance. To human ears their music has a bleak, dismal, tragic quality, dirgelike rather than jubilant. It may nevertheless be the case that these small beings are singing not only to claim their stake in the pond, not only to attract a mate, but also out of spontaneous love and joy, a contrapuntal choral celebration of the coolness and wetness after weeks of desert fire, for love of their own existence, however brief it may be, and for the joy in the common life. Has joy any survival value in the operations of evolution? I suspect that it does; I suspect that the morose and fearful are doomed to quick extinction. Where there is no joy there can be no courage; and without courage all other virtues are useless. Therefore the frogs, the toads, keep on singing even though we know, if they don't that the sound of their uproar must surely be luring all the snakes and ringtail cats and kitfoxes and coyotes and great horned owls toward the scene of their happiness. What then? A few of the little amphibians will continue their metamorphosis by way of the nerves and tissues of one of the higher animals, in which process the joy of one becomes the contentment of the second. Nothing is lost except an individual consciousness here and there, a trivial perhaps even illusory phenomenon. The rest survive, mate, multiply, burrow, estivate, dream, and rise again. The rains will come, the potholes shall be filled. Again. And again. And again.