Fries Love Quotes

We've searched our database for all the quotes and captions related to Fries Love. Here they are! All 100 of them:

I wonder how many people don't get the one they want, but end up with the one they're supposed to be with.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe (Whistle Stop #1))
Choking with dry tears and raging, raging, raging at the absolute indifference of nature and the world to the death of love, the death of hope and the death of beauty, I remember sitting on the end of my bed, collecting these pills and capsules together and wondering why, why when I felt I had so much to offer, so much love, such outpourings of love and energy to spend on the world, I was incapable of being offered love, giving it or summoning the energy with which I knew I could transform myself and everything around me.
Stephen Fry (Moab Is My Washpot (Memoir, #1))
It is the useless things that make life worth living and that make life dangerous too: wine, love, art, beauty. Without them life is safe, but not worth bothering with.
Stephen Fry (Moab Is My Washpot (Memoir, #1))
A man fishes for two reasons: he’s either sport fishing or fishing to eat, which means he’s either going to try to catch the biggest fish he can, take a picture of it, admire it with his buddies and toss it back to sea, or he’s going to take that fish on home, scale it, fillet it, toss it in some cornmeal, fry it up, and put it on his plate. This, I think, is a great analogy for how men seek out women.
Steve Harvey (Act Like a Lady, Think Like a Man: What Men Really Think About Love, Relationships, Intimacy, and Commitment)
How to seperate the humiliation from the loss, that's the catch. You can never be sure if what tortures you is the pain of being without someone you love or the embarrassment of admitting that you have been rejected.
Stephen Fry (Making History)
And then I saw him and nothing was ever the same again. The sky was never the same colour, the moon never the same shape: the air never smelt the same, food never tasted the same. Every word I knew changed its meaning, everything that once was stable and firm became as insubstantial as a puff of wind, and every puff of wind became a solid thing I could feel and touch.
Stephen Fry (Moab Is My Washpot (Memoir, #1))
First love is unrequited ultimately because it’s so huge.It’s such an act of giving and it requires so much back that it can never be given back. It’s like an atom bomb. It’s like… It’s all the energy of who you are and who you want to be and what you love and what you hope to be explodes. It is impossible for a single... human being to offer that back to you in a mutual way.
Stephen Fry
there is no reason why anyone should understand how it works… and of course no reason why anyone should care … unless you are curious, in which case I love you, for curiosity about the world and all its corners is a beautiful thing.
Stephen Fry (The Fry Chronicles)
I've apparently been the victim of growing up, which apparently happens to all of us at one point or another. It's been going on for quite some time now, without me knowing it. I've found that growing up can mean a lot of things. For me, it doesn't mean I should become somebody completely new and stop loving the things I used to love. It means I've just added more things to my list. Like for example, I'm still beyond obsessed with the winter season and I still start putting up strings of lights in September. I still love sparkles and grocery shopping and really old cats that are only nice to you half the time. I still love writing in my journal and wearing dresses all the time and staring at chandeliers. But some new things I've fallen in love with -- mismatched everything. Mismatched chairs, mismatched colors, mismatched personalities. I love spraying perfumes I used to wear when I was in high school. It brings me back to the days of trying to get a close parking spot at school, trying to get noticed by soccer players, and trying to figure out how to avoid doing or saying anything uncool, and wishing every minute of every day that one day maybe I'd get a chance to win a Grammy. Or something crazy and out of reach like that. ;) I love old buildings with the paint chipping off the walls and my dad's stories about college. I love the freedom of living alone, but I also love things that make me feel seven again. Back then naivety was the norm and skepticism was a foreign language, and I just think every once in a while you need fries and a chocolate milkshake and your mom. I love picking up a cookbook and closing my eyes and opening it to a random page, then attempting to make that recipe. I've loved my fans from the very first day, but they've said things and done things recently that make me feel like they're my friends -- more now than ever before. I'll never go a day without thinking about our memories together.
Taylor Swift (Taylor Swift Songbook: Guitar Recorded Versions)
Certainly the most destructive vice if you like, that a person can have. More than pride, which is supposedly the number one of the cardinal sins - is self pity. Self pity is the worst possible emotion anyone can have. And the most destructive. It is, to slightly paraphrase what Wilde said about hatred, and I think actually hatred's a subset of self pity and not the other way around - ' It destroys everything around it, except itself '. Self pity will destroy relationships, it'll destroy anything that's good, it will fulfill all the prophecies it makes and leave only itself. And it's so simple to imagine that one is hard done by, and that things are unfair, and that one is underappreciated, and that if only one had had a chance at this, only one had had a chance at that, things would have gone better, you would be happier if only this, that one is unlucky. All those things. And some of them may well even be true. But, to pity oneself as a result of them is to do oneself an enormous disservice. I think it's one of things we find unattractive about the american culture, a culture which I find mostly, extremely attractive, and I like americans and I love being in america. But, just occasionally there will be some example of the absolutely ravening self pity that they are capable of, and you see it in their talk shows. It's an appalling spectacle, and it's so self destructive. I almost once wanted to publish a self help book saying 'How To Be Happy by Stephen Fry : Guaranteed success'. And people buy this huge book and it's all blank pages, and the first page would just say - ' Stop Feeling Sorry For Yourself - And you will be happy '. Use the rest of the book to write down your interesting thoughts and drawings, and that's what the book would be, and it would be true. And it sounds like 'Oh that's so simple', because it's not simple to stop feeling sorry for yourself, it's bloody hard. Because we do feel sorry for ourselves, it's what Genesis is all about.
Stephen Fry
I love sushi, I love fried chicken, I love steak. But there is a limit to my love,
Jonathan Safran Foer (Eating Animals)
We all have our little solipsistic delusions, ghastly intuitions of utter singularity: that we are the only one in the house who ever fills the ice-cube tray, who unloads the clean dishwasher, who occasionally pees in the shower, whose eyelid twitches on first dates; that only we take casualness terribly seriously; that only we fashion supplication into courtesy; that only we hear the whiny pathos in a dog’s yawn, the timeless sigh in the opening of the hermetically-sealed jar, the splattered laugh in the frying egg, the minor-D lament in the vacuum’s scream; that only we feel the panic at sunset the rookie kindergartner feels at his mother’s retreat. That only we love the only-we. That only we need the only-we. Solipsism binds us together, J.D. knows. That we feel lonely in a crowd; stop not to dwell on what’s brought the crowd into being. That we are, always, faces in a crowd.
David Foster Wallace (Girl with Curious Hair)
The Greeks created gods that were in their image; warlike but creative, wise but ferocious, loving but jealous, tender but brutal, compassionate, but vengeful.
Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
The sun loves the moon so much that he dies every night to let her breathe, and in return, she reflects his love.
Jeffrey Fry (Distilled Thoughts)
What it is It is madness says reason It is what it is says love It is unhappiness says caution It is nothing but pain says fear It has no future says insight It is what it is says love It is ridiculous says pride It is foolish says caution It is impossible says experience It is what it is says love.
Erich Fried (Es ist was es ist. Liebesgedichte. Angstgedichte. Zorngedichte)
It was not a life, if lived without love.
Rachel Joyce (The Unlikely Pilgrimage of Harold Fry (Harold Fry, #1))
It's funny, most people can be around someone and they gradually begin to love them and never know exactly when it happened; but Ruth knew the very second it happened to her. When Idgie had grinned at her and tried to hand her that jar of honey, all these feelings that she had been trying to hold back came flooding through her, and it was at that second in time that she knew she loved Idgie with all her heart.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe (Whistle Stop #1))
Love in all eight tones and all five semitones of the word's full octave
Stephen Fry
Even in a dream, even at a posh ball, the Nac Mac Feegle knew how to behave. You charged in madly, and you screamed... politely. "Lovely weather for the time o' year, is it not, ye wee scunner!" "Hey, jimmy, ha' ye no got a pommes frites for an ol'pal?" "The band is playin' divinely, I dinna think!" "Make my caviar deep-fried, wilya?
Terry Pratchett (The Wee Free Men (Discworld, #30; Tiffany Aching, #1))
The concept that really gets the goat of the gay-hater, the idea that really spins their melon and sickens their stomachs is that most terrible and terrifying of all human notions, love. That one can love another of the same gender, that is what the homophobe really cannot stand. Love in all eight tones and all five semitones of the world's full octave. Love as Agape, Eros and Philos; love as infatuation, obsession and lust; love as torture, euphoria, ecstasy and oblivion (this is beginning to read like a Calvin Klein perfume catalogue); love as need, passion and desire.
Stephen Fry (Moab Is My Washpot (Memoir, #1))
If a thing can be said in ten words, I may be relied upon to take a hundred to say it. I ought to apologize for that. I ought to prune, pare and extirpate excess growth, but I will not. I like words—strike that, I love words—and while I am fond of the condensed and economical use of them in poetry, in song lyrics, in Twitter, in good journalism and smart advertising, I love the luxuriant profusion and mad scatter of them too.
Stephen Fry (The Fry Chronicles)
Literary studies were no more than a series of autopsies performed by heartless technicians. Worse than autopsies: biopsies. Vivisection. Even movies, which I love more than anything, more than life itself, they even do it with movies these days.
Stephen Fry (Making History)
...nobody was ever really ready to turn off their mother's machine, no matter what they thought; to turn off the light of their childhood and walk away, just as if they were turning out a light and leaving a room.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe (Whistle Stop #1))
Sometimes you can love something not because you instinctively connect with it but because another person does, and keeping their things in your heart takes you back to them.
Rachel Joyce (The Love Song of Miss Queenie Hennessy (Harold Fry, #2))
I think Eros should be dirty. In Greek legend, as I'm sure you are aware, he fell in love with the minor deity Psyche. It was the Greek way of saying that, in spite of what it may believe, Love pursues the Soul, not the body; the Erotic desires the Psychic. If Love was clean and wholesome he wouldn't lust after Psyche.
Stephen Fry (The Liar)
It is enough to say that the Greeks thought it was Chaos who, with a massive heave, or a great shrug, or hiccup, vomit or cough, began the long chain of creation that has ended with pelicans and penicillin and toadstools and toads, sea-lions, lions, human beings and daffodils and murder and art and love and confusion and death and madness and biscuits.
Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
...People would make the decisions they wished to make and some of them would hurt both themselves and those who loved them, and some would pass unnoticed, while others would bring joy.
Rachel Joyce (The Unlikely Pilgrimage of Harold Fry (Harold Fry, #1))
Deep-fried Oreos were sent from heaven to prove God loves us.
Rachel Hawkins (Miss Mayhem (Rebel Belle, #2))
I found out what was right only by getting it wrong.
Rachel Joyce (The Love Song of Miss Queenie Hennessy (Harold Fry, #2))
Love sees the thorns but cherishes the rose anyway.
Jeffrey Fry
It's as if scientists exert every effort of will they possess deliberately to find the least significant problems in the world and explain them. Art matters. Happiness matters. Love matters. Good matters. Evil matters. Slam the fridge door. They are the only things that matter and they are of course precisely the things that science goes out of its way to ignore.
Stephen Fry (Making History)
It’s lovely,” I said, taking an involuntary half step back. “Really, though. I don’t like to handle other people’s cookware.” “That’s the best you can manage? That’s your bright, bold lie?” “Look, lady, I don’t know about you, but I’ve never had somebody corner me on a dark street and try to hand me a frying pan before,” I snapped.
Seanan McGuire (Ashes of Honor (October Daye, #6))
We write ourselves certain parts and then keep playing them as if we have no choice. But a tardy person can become a punctual one, if she chooses. You don’t have to keep being the thing you have become. It is never too late.
Rachel Joyce (The Love Song of Miss Queenie Hennessy (Harold Fry, #2))
I think JJ will tell me that he loves me soon," Lacey says to Kristen. "He definitely will," Kristen says. "I can tell by the way he looks at you." I force myself to cough so I don't laugh. JJ stares at Lacey the way he stares at every one of the Titans' cheerleaders. It's the same way he stares at cheese fries, for that matter.
Miranda Kenneally (Catching Jordan)
People should fall in love more. Fall in love with the way your coffee swirls as soon as you pour the milk in. Fall in love with the look your dog gives you when you wake up. Fall in love with the rare moment when your cat doesn’t ignore you. Fall in love with the person who tells you to have a good day. Fall in love with the waiter who gives you extra chili fries. Fall in love with sweaters in winter and cold lemonade in summer. Fall in love with the moment your head hits the pillow. Fall in love with talking to someone until 4 a.m. Fall in love with the days you can hit the snooze button over and over again. Fall in love when a lover stares at you for five hours. Fall in love with the stars when they look at you. Fall in love with the sound of someone breathing. Fall in love with the bus if it’s on time or the train if it comes early. Fall in love with everything possible.
Courtney Peppernell (Pillow Thoughts)
Love is about giving freedom and power, not about gaining control or possession.
Jeffrey Fry
I think it was Donald Mainstock, the great amateur squash player who pointed out how lovely I was. Until that time I think it was safe to say that I had never really been aware of my own timeless brand of loveliness. But his words smote me, because of course you see, I am lovely in a fluffy moist kind of way and who would have it otherwise? I walk, and let’s be splendid about this, in a highly accented cloud of gorgeousness that isn't far short of being, quite simply terrific. The secret of smooth almost shiny loveliness, of the order of which we are discussing, in this simple, frank, creamy sort of way, doesn't reside in oils, unguents, balms, ointments, creams, astringents, milks, moisturizers, liniments, lubricants, embrocations or balsams, to be rather divine for just one noble moment, it resides, and I mean this in a pink slightly special way, in ones attitude of mind. To be gorgeous, and high and true and fine and fluffy and moist and sticky and lovely, all you have to do is believe that one is gorgeous and high and true and fine and fluffy and moist and sticky and lovely. And I believe it of myself, tremulously at first and then with rousing heat and passion, because, stopping off for a second to be super again, I’m so often told it. That’s the secret really.
Stephen Fry (A Bit of Fry & Laurie)
All those calm, adult discussions. When all she really wanted to do was scream for her momma, her sweet momma, the one person in the world who loved her better than anyone ever would or ever could.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe (Whistle Stop #1))
Everyone deserves someone who can make them forget their heart was ever broken.
Jeffrey Fry
Things don't so much end as disappear. They don't so much begin as turn up. You think there will be a time to say goodbye, but people have often gone before you know about it. And I don't just mean the dying.
Rachel Joyce (The Love Song of Miss Queenie Hennessy (Harold Fry, #2))
we are burning like a chicken wing left on the grill of an outdoor barbecue we are unwanted and burning we are burning and unwanted we are an unwanted burning as we sizzle and fry to the bone the coals of Dante's 'Inferno' spit and sputter beneath us and above the sky is an open hand and the words of wise men are useless it's not a nice world, a nice world it's not ...
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
Sometimes you cannot clear the past completely. You must live alongside your sorrow.
Rachel Joyce (The Love Song of Miss Queenie Hennessy (Harold Fry, #2))
Queenie Hennessy - "I am here to die." Sister Mary Inconnue - "Pardon me but you are here to live until you die. There is a significant difference.
Rachel Joyce (The Love Song of Miss Queenie Hennessy (Harold Fry, #2))
All right, then, I'd die for you. How about that? Don't you think somebody could die for love?
Fannie Flagg
Idgie smiled back at her and looked up into the clear blue sky that reflected in her eyes and she was as happy as anybody who is in love in the summertime can be.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe (Whistle Stop #1))
Nick watched as Jordan sipped her wine and made The Face-the seductive, the hell-with-wine-you-should-see-what-I-look-like-having-sex face. At least that was how he interpreted it. Watching her with a predatory gaze, the douchebag grinned. Apparently, he had a similar interpretation of The Face. Something inside Nick snapped. That was his fake girlfriend in there. Sitting at the table where they had just shared cheese fries the night before. And if she thought she could throw scorching hot sex-looks to any pansy-ass scarf-boy who wandered into her shop, she had another think coming. He had a look of his own to show the douchebag. It was time to break out the don't-fuck-with-me-face.
Julie James (A Lot like Love (FBI/US Attorney, #2))
I would rather have someone say they hate me and mean it, than have someone say they love me and not.
Jeffrey Fry
Learn to love yourself for you cannot give to others what you do not possess.
Jeffrey Fry
Love is the suspension of reality in favor of the sublime.
Jeffrey Fry
Just as it is the love of money that is the root of all evil, it is the belief in shamefulness that is the root of all misery.
Stephen Fry (Moab Is My Washpot (Memoir, #1))
Man, that is so freaking yummy," Jen said, watching the exchange between Fane and Jacque along with everyone in the room. "I want one Sally, go find me one." "One hot, loving, passionate, furry werewolf coming up," Sally said sarcastically. "Would like fries or tots with that?" "I prefer whipped cream actually," Jen said wistfully.
Quinn Loftis (Blood Rites (The Grey Wolves, #2))
Waiting is about being still. You can’t keep busy every minute, otherwise you’re not waiting. You’re just throwing things around to distract yourself.
Rachel Joyce (The Love Song of Miss Queenie Hennessy (Harold Fry, #2))
When you truly love, you can never really get hurt.
Jeffrey Fry
Lust makes you insane, love gives you sanity.
Jeffrey Fry
If you like a person at their worst, you will love them at their best.
Jeffrey Fry
You can never be happy unless you learn to love yourself.
Jeffrey Fry
The difference between self love and being in love with yourself is that one results in giving and the other in taking.
Jeffrey Fry
Love’s value is not dependent on the person receiving it, but on the person giving it.
Jeffrey Fry
Romance isn't just about roses or killing dragons or sailing a kayak around the world. It's also about chocolate chip cookies and sharing The Grateful Dead and James Taylor with me in the middle of the night, and believing me when I say that you could be bigger than both of them put together, and not making fun of me for straightening out my french fries or pointing my shoelaces in the same direction, and letting me pout when I don't get my own way, and pretending that if I play "Flower Drum Song" one more time you won't throw me and the record out the window
Steve Kluger (Almost Like Being in Love)
Brooding, simmering and raging in the ground, deep beneath the earth that once loved him, Ouranos compressed all his fury and divine energy into the very rock itself, hoping that one day some excavating creature somewhere would mine it and try to harness the immortal power that radiated from within. That could never happen, of course. It would be too dangerous. Surely the race had yet to be born that could be so foolish as to attempt to unleash the power of uranium?
Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
There are all kinds of pedants around with more time to read and imitate Lynne Truss and John Humphrys than to write poems, love-letters, novels and stories it seems. They whip out their Sharpies and take away and add apostrophes from public signs, shake their heads at prepositions which end sentences and mutter at split infinitives and misspellings, but do they bubble and froth and slobber and cream with joy at language? Do they ever let the tripping of the tips of their tongues against the tops of their teeth transport them to giddy euphoric bliss? Do they ever yoke impossible words together for the sound-sex of it? Do they use language to seduce, charm, excite, please, affirm and tickle those they talk to? Do they? I doubt it. They’re too farting busy sneering at a greengrocer’s less than perfect use of the apostrophe. Well sod them to Hades. They think they’re guardians of language. They’re no more guardians of language than the Kennel Club is the guardian of dogkind.
Stephen Fry
It is no good thinking about how life will get better once you have a new television or a new job. You must stop hoping for change. You must simply be it.
Rachel Joyce (The Love Song of Miss Queenie Hennessy (Harold Fry, #2))
Love is a coin that cannot be bought or sold but must be given.
Jeffrey Fry
She loved him, in fact; his violence and strength appealed to some deep part of her. He in turn grew to love her, so far as such a violent brute was capable of the emotion. Love and war, Venus and Mars, have always had a strong affinity. No one quite knows why, but plenty of money has been made trying to find an answer.
Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
Or you can broil the meat, fry the onions, stew the garlic in the red wine...and ask me to supper. I'll not care, really, even if your nose is a little shiny, so long as you are self-possessed and sure that wolf or no wolf, your mind is your own and your heart is another's and therefore in the right place.
M.F.K. Fisher (The Art of Eating)
Uncle Drew is completely inappropriate and one hundred percent of the time, and Aunt Jenny is a few fries short of a Happy Meal.
Tara Sivec (Love and Lists (Chocoholics, #1))
Love is when you fry the other person's bacon even if you're a vegetarian.
Patricia Nell Warren (The Front Runner (Harlan's Story, #1))
Come to think of it I don't know that love has a point, which is what makes it so glorious. Sex has a point, in terms of relief and, sometimes procreation, but love, like all art, as Oscar said, is quite useless. It is the useless things that make life worth living and that make life dangerous too: wine, love, art, beauty. Without them life is safe, but not worth bothering with.
Stephen Fry (Moab Is My Washpot (Memoir, #1))
Sometimes, Harold, the way forward takes you by surprise. You try to force something in the familiar direction and discover that what it needs is to move in a different dimension. The way forward is not forward, but off to one side, in a place you have not noticed before.
Rachel Joyce (The Love Song of Miss Queenie Hennessy (Harold Fry, #2))
And I was all, "Don't be gross, you crustacious fuck. You pull that thing out and I'll pepper-spray you until you fry." (You have to be stern with weenie waggers--I've been exposed to on the bus over seventeen times, so I know.)
Christopher Moore (You Suck (A Love Story, #2))
All these years I thought a piece of my life was missing. But it was there all along. It was there when I sat beside you in your car and you began to drive. It was there when I sang backwards and you laughed or I made a picnic and you ate every crumb. It was there when you told me you liked my brown suit, when you opened the door for me, when you asked once if I would like to take the long road home. It came later in my garden. When I looked at the sun and saw it glow on my hands. When a rosebud appeared where there had not been one before. It was in the people who stopped and talked of this and that over the garden wall. And just when I thought my life was done, it came time and time again at the hospice. It has been everywhere, my happiness – when my mother sang for me to dance, when my father took my hand to keep me safe – but it was such a small, plain thing that I mistook it for something ordinary and failed to see. We expect our happiness to come with a sign and bells, but it doesn’t.
Rachel Joyce (The Love Song of Miss Queenie Hennessy (Harold Fry, #2))
The most successful relationships are ones with a really low negativity threshold. In those relationships, couples allow each other to complain, and work together to constantly repair the tiny issues between them. In such cases, couples don't bottle up their feelings, and little things don't end up being blown completely out of proportion.
Hannah Fry
Was es ist Es ist Unsinn sagt die Vernunft Es ist was es ist sagt die Liebe Es ist Unglück sagt die Berechnung Es ist nichts als Schmerz sagt die Angst Es ist aussichtslos sagt die Einsicht Es ist was es ist sagt die Liebe Es ist lächerlich sagt der Stolz Es ist leichtsinnig sagt die Vorsicht Es ist unmöglich sagt die Erfahrung Es ist was es ist sagt die Liebe
Erich Fried
Maddi glared at him. "Thats why your not built like Alden. French fries." Race laughed. "Id love to look like Alden. Hot female speakers would be falling all over themselves to be paired up with me, just like they did whith Alden when Rose...Lenzi was gone. You should've seen it, Lenzi. It was halarious." My insides gave a jealous churn.
Mary Lindsey (Shattered Souls (Souls, #1))
Do I get a good-bye kiss too?” said Thorne, stepping in front of Cinder. Scowling, Cinder shoved him away. “Wolf’s not the only one who can throw a right hook around here.” Thorne chuckled and raised a suggestive eyebrow at Iko. The android, still on the floor, shrugged apologetically. “I would love to give you a good-bye kiss, Captain, but that lingering embrace from His Majesty may have fried a few wires, and I’m afraid a kiss from you would melt my central processor.” “Oh, trust me,” said Thorne, winking at her. “It would.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
Everyone has it in them to express themselves that fundamental thing that they know they are inside. That rather beautiful afraid person. Which might get translated into aggression, or silence, or shyness, or all kinds of other things. But inside we know that we are huggable and lovable, and we want to love and be loved. That person is yearning for fulfillment. To be the person they know they can be and that’s a constant journey; that’s a process. It’s not acquiring about this thing and then that thing, getting to this place, learning this technique, and finding out how this works. It’s about the fact that other people are always more interesting than oneself. Let’s forget what successful people have in common, if there’s a thing unsuccessful people have in common it’s that they talk about themselves all the time.
Stephen Fry
Why?’ She nods. ‘She had everything: a family who loved her, friends, activities. Her mother wants to know why she threw it all away?’ Why you want to know why? Step into a tanning booth and fry yourself for two or three days. After your skin bubbles and falls off, roll in coarse salt, then put on long underwear woven from spun glass and razor wire. Over that goes your regular clothes, as long as they are tight. Smoke gunpowder and go to school to jump through hoops, sit up and beg, and roll over on command. Listen to the whispers that curl into your head at night, calling you ugly and fat and stupid and bitch and whore and worst of all ‘A disappointment.’ Puke and starve and cut and drink because you need an anesthetic and it works. For a while. But then the anesthetic turns into poison and by then it’s too late because you are mainlining it now, straight into your soul. It is rotting you and you can’t stop. Look in a mirror and find a ghost. Hear every heartbeat scream that everythingsinglething is wrong with you. ‘Why?’ is the wrong question. Ask ‘Why not?
Laurie Halse Anderson (Wintergirls)
We can’t just stand here in the rain with our backs to the town,’ said Baucis. ‘I’ll look if you will.’ ‘I love you Philemon, my husband.’ ‘I love you Baucis, my wife.’ They turned and looked down. They were just in time to see the great flood inundating Eumeneia before Philemon was turned into an oak tree and Baucis into a linden. For hundreds of years the two trees stood side by side, symbols of eternal love and humble kindness, their intertwining branches hung with the tokens left by admiring pilgrims.
Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
For here was the thing that no fairy tale would ever admit, but that she understood in that moment: love was not inherently good. Certainly, it could inspire goodness. She didn’t argue that. Poets would tell you that love was electricity in your veins that could light a room. That it was a river in your soul to lift you up and carry you away, or a fire inside the heart to keep you warm. Yet electricity could also fry, rivers could drown, and fires could burn; love could be destructive. Punishingly, fatally destructive. And the other thing, the real bloody clincher of it all, was that the good and the bad didn’t get served up equally. If love were a balance of electric lights and electric jolts, two sides of an equally weighted coin, then fair enough. She could deal. That wasn’t how it worked, though. Some love was just the bad, all the time: an endless parade of electrified bones and drowned lungs and hearts that burned to a cinder inside the cage of your chest. And so she looked down at her son and loved him with the kind of twisted, complex feeling that came from having never wanted him in the first place; she loved him with bitterness, and she loved him with resignation. She loved him though she knew no good could ever come from such a bond.
Sunyi Dean (The Book Eaters)
i was really into communal living and we were all / such free spirits, crossing the country we were / nomads and artists and no one ever stopped / to think about how the one working class housemate / was whoring to support a gang of upper middle class / deadheads with trust fund safety nets and connecticut / childhoods, everyone was too busy processing their isms / to deal with non-issues like class....and it’s just so cool / how none of them have hang-ups about / sex work they’re all real / open-minded real / revolutionary you know / the legal definition of pimp is / one who lives off the earnings of / a prostitute, one or five or / eight and i’d love to stay and / eat some of the stir fry i’ve been cooking / for y’all but i’ve got to go fuck / this guy so we can all get stoned and / go for smoothies tomorrow, save me / some rice, ok?
Michelle Tea (The Beautiful: Collected Poems)
That's how it is, Rocamadour: in Paris we're like fungus, we grow on the railings of staircases, in dark rooms with greasy smells, where people make love all the time and then fry some eggs and put on Vivaldi records, light cigarettes... and outside there are all sorts of things, the windows open onto the air and it all begins with a sparrow or a gutter, it rains a lot here, rocamadour, much more than in the country, and things get rusty... we don't have many clothes, we get along with so few, a good overcoat, some shoes to keep the rain out, we're very dirty, everybody is dirty and good-looking in Paris, Rocamadour, the beds smell of night and deep sleep, dust and books underneath.
Julio Cortázar
Ah'll clean 'em, you fry 'em and let's eat,' he said with the assurance of not being refused. They went out into the kitchen and fixed up the hot fish and corn muffins and ate. Then Tea Cake went to the piano without so much as asking and began playing blues and singing, and throwing grins over his shoulder. The sounds lulled Janie to soft slumber and she woke up with Tea Cake combing her hair and scratching the dandruff from her scalp. It made her more comfortable and drowsy.
Zora Neale Hurston (Their Eyes Were Watching God)
A son who will never be older than his motherland - neither older nor younger. There shall be two heads – but you will only see one – there will be knees and a nose, a nose and knees. Newspaper praises him, two mothers raise him! Bicycles love him – but crowds will shove him! Sisters will weep, cobras will creep… Washing will hide him – voices will guide him! Friends will mutilate him – blood will betray him! Spittoons will brain him – doctors will drain him – jungle will claim him – wizards reclaim him! Soldiers will try him – tyrants will fry him… He will have sons without having sons! He will be old before he is old! And he will die before he is dead!
Salman Rushdie (Midnight’s Children)
Last time I was down South, I walked into this restaurant. This white waitress came up to me and said, 'We don't serve colored people here.' I said, 'That's all right, I don't eat colored people. Bring me a whole fried chicken.' About that time, these three cousins came in. You know the ones I mean, Ku, Klux and Klan. They said, 'Boy, we're givin' you fair warnin. Anything you do to that chicken, we're gonna do to you.' "So I put down my knife and fork, picked up that chicken, and kissed it.
Dick Gregory (Nigger)
Brooke stared in surprise. “You brought me lunch?” “I was in the neighborhood.” She checked out the label on the bag. “DMK is twenty minutes from here.” “I was in that neighborhood, and now I’m here,” he said in exasperation. “Seriously, woman, you are impossible to feed.” He strode over and set the bag on her desk. “One cheeseburger with spicy chipotle ketchup and a side of sweet potato fries—chosen specifically for a certain spicy and sweet girl I know—and a green dill pickle for your eyes. So there.” He crossed his arms over his chest. Brooke studied him. “You seem very ornery right now.” “As a matter of fact, I am.” “Why?” “I don’t know,” he huffed. “Just . . . eat your Brooke Burger. Stop asking so many questions. Sometimes a guy just wants to buy a girl lunch. Any objections to that? Good. Enjoy your Sunday, Ms. Parker.” He strode out of her office, gone as quickly as he’d appeared. Brooke stared at the doorway and blinked.
Julie James (Love Irresistibly (FBI/US Attorney, #4))
There’s an old Weight Watchers saying: “Nothing tastes as good as thin feels.” I for one can think of a thousand things that taste better than thin feels. Many of them are two-word phrases that end with cheese (Cheddar cheese, blue cheese, grilled cheese). Even unsalted French fries taste better than thin feels. Ever eat fries without salt on them? I always think, These could use some salt, but that would mean I’d have to get up and move. I guess I’ll just imagine there’s salt on them.
Jim Gaffigan (Food: A Love Story)
I can see how I could write a bold account of myself as a passionate man who rose from humble beginnings to cut a wide swath in the world, whose crimes along the way might be written off to extravagance and love and art, and could even almost believe some of it myself on certain days after the sun went down if I’d had a snort or two and was in Los Angeles and it was February and I was twenty-four, but I find a truer account in the Herald-Star, where it says: “Mr. Gary Keillor visited at the home of Al and Florence Crandall on Monday and after lunch returned to St. Paul, where he is currently employed in the radio show business… Lunch was fried chicken with gravy and creamed peas”.
Garrison Keillor (Lake Wobegon Days)
meander, v. "...because when it all comes down to it, there's no such thing as a two-hit wonder. So it's better just to have that one song that everyone knows, instead of diluting it with a follow-up that only half succeeds. I mean, who really cares what Soft Cell's next single was, as long as we have 'Tainted Love'?" I stop. You're still listening. "Wait," I say. "What was I talking about? How did we get to 'Tainted Love'?" "Let's see," you say, "I believe we started roughly at the Democratic gains in the South, then jumped back to the election of 1948, dipping briefly into northern constructions of the South, vis-a-vis Steel Magnolias, Birth of a Nation, Johnny Cash, and Fried Green Tomatoes. Which landed you on To Kill a Mockingbird, and how it is both Southern and universal, which -- correct me if I'm wrong -- got us to Harper Lee and her lack of a follow-up novel, intersected with the theory, probably wrong, that Truman Capote wrote the novel, then hopping over to literary one-hit wonders, and using musical one-hit wonders to make a point about their special place in our culture. I think." "Thank you," I say. "That's wonderful.
David Levithan (The Lover's Dictionary)
He was a boy breaking out and into himself at once. That's what I wanted—not merely the body, desirable as it was, but its will to grow into the very world that rejects its hunger. Then I wanted more, the scent, the atmosphere of him, the taste of French fries and peanut butter under the salve of his tongue, the salt around his neck from two hour drives to nowhere and a Burger King at the edge of the county, a day of tense talk with his old man, the rust from the electric razor he shared with that old man, how I would always find it on the sink in its sad plastic case, the tobacco, weed and cocaine smoke on his fingers mixed with motor oil, all of it accumulating into the afterscent of wood smoke caught and soaked in his hair, as if when he came to me, his mouth wet and wanting, he came from a place on fire, a place he could never return to.
Ocean Vuong (On Earth We're Briefly Gorgeous)
I seem to wish to have some importance In the play of time. If not, Then sad was my mother's pain, my breath, my bones, My web of nerves, my wondering brain, to be shaped and quickened with such anticipation Only to feed the swamp of space. What is deep, as love is deep, I'll have Deeply. What is good, as love is good, I'll have well. Then if time and space Have any purpose, I shall belong to it. If not, if all is a pretty fiction To distract the cherubim and seraphim Who so continually do cry, the least I can do is to fill the curled shell of the world With human deep-sea sound, and hold it to The ear of God, until he has appetite To taste our salt sorrow on his lips. And so you see it might be better to die. Though, on the other hand, I admit it might Be immensely foolish.
Christopher Fry (The Lady's Not for Burning)
He smelled the odor of the pine boughs under him, the piney smell of the crushed needles and the sharper odor of the resinous sap from the cut limbs. ... This is the smell I love. This and fresh-cut clover, the crushed sage as you ride after cattle, wood-smoke and the burning leaves of autumn. That must be the odor of nostalgia, the smell of the smoke from the piles of raked leaves burning in the streets in the fall in Missoula. Which would you rather smell? Sweet grass the Indians used in their baskets? Smoked leather? The odor of the ground in the spring after rain? The smell of the sea as you walk through the gorse on a headland in Galicia? Or the wind from the land as you come in toward Cuba in the dark? That was the odor of cactus flowers, mimosa and the sea-grape shrubs. Or would you rather smell frying bacon in the morning when you are hungry? Or coffee in the morning? Or a Jonathan apple as you bit into it? Or a cider mill in the grinding, or bread fresh from the oven?
Ernest Hemingway (For Whom the Bell Tolls)
What is 'camp'? A much misunderstood word, everyone has their own feel for it. Here is mine: Camp is not in rugby football. Camp is not in the Old Testament. Camp is not in St. Paul. Camp is not in Latin lessons, though it might be in Greek. Camp loves colour. Camp loves light. Camp takes pleasure in the surface of things. Camp loves paint as much as it loves paintings. Camp prefers style to the stylish. Camp is pale. Camp is unhealthy. Camp is not English, damn it. But … Camp is not kitsch. Camp is not drag. Camp is not nearly so superficial as it would have you believe. Camp casts out all fear. Camp is strong. Camp is healthy. And, let’s face it … Camp is queer.
Stephen Fry (Moab Is My Washpot (Memoir, #1))
Unlike an envied and admirable few, I separate my friends and almost never dare mingle one group with another. When I do, it is usually a social disaster, like mixing drinks. I love good beer and I love good wine, but you cannot drink both on the same evening without suffering. I love the friends with whom I play or once daily played snooker and tooted quantities of high-grade pulverized Andean flake; I love the friends with whom I dine at preposterously expensive restaurants; I love the friends with whom I’m film-making or mincing on the stage. I love and value them all equally and don’t think of them as stratified or in tiers, one group in some way higher or more important than the rest, but the thought of introducing them to each other makes me shiver and shudder with cringing embarrassment.
Stephen Fry
In Port William, more than anyplace else I had been, this religion that scorned the beauty and goodness of this world was a puzzle to me. To begin with, I don’t think anybody believed it. I still don’t think so. Those world-condemning sermons were preached to people who, on Sunday mornings, would be wearing their prettiest clothes. Even the old widows in their dark dresses would be pleasing to look at. By dressing up on the one day when most of them had leisure to do it, they had signified their wish to present themselves to one another and to Heaven looking their best. The people who heard those sermons loved good crops, good gardens, good livestock and work animals and dogs; they loved flowers and the shade of trees, and laughter and music; some of them could make you a fair speech on the pleasures of a good drink of water or a patch of wild raspberries. While the wickedness of the flesh was preached from the pulpit, the young husbands and wives and the courting couples sat thigh to thigh, full of yearning and joy, and the old people thought of the beauty of the children. And when church was over they would go home to Heavenly dinners of fried chicken, it might be, and creamed new potatoes and hot biscuits and butter and cherry pie and sweet milk and buttermilk. And the preacher and his family would always be invited to eat with somebody and they would always go, and the preacher, having just foresworn on behalf of everybody the joys of the flesh, would eat with unconsecrated relish.
Wendell Berry (Jayber Crow)
We all have our little solipsistic delusions, ghastly intuitions of utter singularity: that we are the only one in the house who ever fills the ice-cube tray, who unloads the clean dishwasher, who occasionally pees in the shower, whose eyelid twitches on first dates; that only we take casualness terribly seriously, that only we fashion supplication into courtesy, that only we hear the whiny pathos in a dog's yawn, the timeless sigh in the opening of the hermetically-sealed jar, the splattered laugh in the frying egg, the minor-D lament in the vacuum's scream; that only we feel the panic at sunset the rookie kindergartener feels on his mother's retreating. That only we love the only-we. That only we need the only-we. Solipsism binds us together, J.D. knows. That we feel lonely in a crowd and stop not to dwell on what's brought the crowd into being. That we are, always, faces in a crowd.
David Foster Wallace (Girl with Curious Hair)
Tired of his lack of understanding, she asked him for an unusual birthday gift: that for one day he would take care of the domestic chores. He accepted in amusement, and indeed took charge of the house at dawn. He served a splendid breakfast, but he forgot that fried eggs did not agree with her and that she did not drink café con leche. Then he ordered a birthday luncheon for eight guests and gave instructions for tidying the house, and he tried so hard to manage better than she did that before noon he had to capitulate without a trace of embarrassment. From the first moment he realized he did not have the slightest idea where anything was, above all in the kitchen, and the servants let him upset everything to find each item, for they were playing the game too. At ten o’clock no decisions had been made regarding lunch because the housecleaning was not finished yet, the bedroom was not straightened, the bathroom was not scrubbed; he forgot to replace the toilet paper, change the sheets, and send the coachmen for the children, and he confused the servants’ duties: he told the cook to make the beds and set the chambermaids to cooking. At eleven o’clock, when the guests were about to arrive, the chaos in the house was such that Fermina Daza resumed command, laughing out loud, not with the triumphant attitude she would have liked but shaken instead with compassion for the domestic helplessness of her husband. He was bitter and offered the argument he always used: “Things did not go as badly for me as they would for you if you tried to cure the sick.” But it was a useful lesson, and not for him alone. Over the years they both reached the same wise conclusion by different paths: it was not possible to live together in any way, or love in any other way, and nothing in this world was more difficult than love.
Gabriel García Márquez (Love in the Time of Cholera)
The only acceptable hobby, throughout all stages of life, is cookery. As a child: adorable baked items. Twenties: much appreciated spag bol and fry-ups. Thirties and forties: lovely stuff with butternut squash and chorizo from the Guardian food section. Fifties and sixties: beef wellington from the Sunday Telegraph magazine. Seventies and eighties: back to the adorable baked items. Perfect. The only teeny tiny downside of this hobby is that I HATE COOKING. Don't get me wrong; I absolutely adore the eating of the food. It's just the awful boring, frightening putting together of it that makes me want to shove my own fists in my mouth. It's a lovely idea: follow the recipe and you'll end up with something exactly like the pretty picture in the book, only even more delicious. But the reality's rather different. Within fifteen minutes of embarking on a dish I generally find myself in tears in the middle of what appears to be a bombsite, looking like a mentally unstable art teacher in a butter-splattered apron, wondering a) just how I am supposed to get hold of a thimble and a half of FairTrade hazelnut oil (why is there always the one impossible-to-find recipe ingredient? Sesame paste, anyone?) and b) just how I managed to get flour through two closed doors onto the living-room curtains, when I don't recall having used any flour and oh-this-is-terrible-let's-just-go-out-and-get-a-Wagamama's-and-to-hell-with-the-cost, dammit.
Miranda Hart (Is It Just Me?)
New Rule: America must stop bragging it's the greatest country on earth, and start acting like it. I know this is uncomfortable for the "faith over facts" crowd, but the greatness of a country can, to a large degree, be measured. Here are some numbers. Infant mortality rate: America ranks forty-eighth in the world. Overall health: seventy-second. Freedom of the press: forty-fourth. Literacy: fifty-fifth. Do you realize there are twelve-year old kids in this country who can't spell the name of the teacher they're having sex with? America has done many great things. Making the New World democratic. The Marshall Plan. Curing polio. Beating Hitler. The deep-fried Twinkie. But what have we done for us lately? We're not the freest country. That would be Holland, where you can smoke hash in church and Janet Jackson's nipple is on their flag. And sadly, we're no longer a country that can get things done. Not big things. Like building a tunnel under Boston, or running a war with competence. We had six years to fix the voting machines; couldn't get that done. The FBI is just now getting e-mail. Prop 87 out here in California is about lessening our dependence on oil by using alternative fuels, and Bill Clinton comes on at the end of the ad and says, "If Brazil can do it, America can, too!" Since when did America have to buck itself up by saying we could catch up to Brazil? We invented the airplane and the lightbulb, they invented the bikini wax, and now they're ahead? In most of the industrialized world, nearly everyone has health care and hardly anyone doubts evolution--and yes, having to live amid so many superstitious dimwits is also something that affects quality of life. It's why America isn't gonna be the country that gets the inevitable patents in stem cell cures, because Jesus thinks it's too close to cloning. Oh, and did I mention we owe China a trillion dollars? We owe everybody money. America is a debtor nation to Mexico. We're not a bridge to the twenty-first century, we're on a bus to Atlantic City with a roll of quarters. And this is why it bugs me that so many people talk like it's 1955 and we're still number one in everything. We're not, and I take no glee in saying that, because I love my country, and I wish we were, but when you're number fifty-five in this category, and ninety-two in that one, you look a little silly waving the big foam "number one" finger. As long as we believe being "the greatest country in the world" is a birthright, we'll keep coasting on the achievements of earlier generations, and we'll keep losing the moral high ground. Because we may not be the biggest, or the healthiest, or the best educated, but we always did have one thing no other place did: We knew soccer was bullshit. And also we had the Bill of Rights. A great nation doesn't torture people or make them disappear without a trial. Bush keeps saying the terrorist "hate us for our freedom,"" and he's working damn hard to see that pretty soon that won't be a problem.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
I have something for you,” she said as she pulled his leather gloves from the sleeve of her prison tunic. He stared at them. “How—” “I got them from the discarded clothes. Before I made the climb.” “Six stories in the dark.” She nodded. She wasn’t going to wait for thanks. Not for the climb, or the gloves, or for anything ever again. He pulled the gloves on slowly, and she watched his pale, vulnerable hands disappear beneath the leather. They were trickster hands—long, graceful fingers made for prying open locks, hiding coins, making things vanish. “When we get back to Ketterdam, I’m taking my share, and I’m leaving the Dregs.” He looked away. “You should. You were always too good for the Barrel.” It was time to go. “Saints’ speed, Kaz.” Kaz snagged her wrist. “Inej.” His gloved thumb moved over her pulse, traced the top of the feather tattoo. “If we don’t make it out, I want you to know…” She waited. She felt hope rustling its wings inside her, ready to take flight at the right words from Kaz. She willed that hope into stillness. Those words would never come. The heart is an arrow. She reached up and touched his cheek. She thought he might flinch again, even knock her hand away. In nearly two years of battling side by side with Kaz, of late-night scheming, impossible heists, clandestine errands, and harried meals of fried potatoes and hutspot gobbled down as they rushed from one place to another, this was the first time she had touched him skin to skin, without the barrier of gloves or coat or shirtsleeve. She let her hand cup his cheek. His skin was cool and damp from the rain. He stayed still, but she saw a tremor pass through him, as if he were waging a war with himself. “If we don’t survive this night, I will die unafraid, Kaz. Can you say the same?” His eyes were nearly black, the pupils dilated. She could see it took every last bit of his terrible will for him to remain still beneath her touch. And yet, he did not pull away. She knew it was the best he could offer. It was not enough. She dropped her hand. He took a deep breath. Kaz had said he didn’t want her prayers and she wouldn’t speak them, but she wished him safe nonetheless. She had her aim now, her heart had direction, and though it hurt to know that path led away from him, she could endure it.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Antidepression medication is temperamental. Somewhere around fifty-nine or sixty I noticed the drug I’d been taking seemed to have stopped working. This is not unusual. The drugs interact with your body chemistry in different ways over time and often need to be tweaked. After the death of Dr. Myers, my therapist of twenty-five years, I’d been seeing a new doctor whom I’d been having great success with. Together we decided to stop the medication I’d been on for five years and see what would happen... DEATH TO MY HOMETOWN!! I nose-dived like the diving horse at the old Atlantic City steel pier into a sloshing tub of grief and tears the likes of which I’d never experienced before. Even when this happens to me, not wanting to look too needy, I can be pretty good at hiding the severity of my feelings from most of the folks around me, even my doctor. I was succeeding well with this for a while except for one strange thing: TEARS! Buckets of ’em, oceans of ’em, cold, black tears pouring down my face like tidewater rushing over Niagara during any and all hours of the day. What was this about? It was like somebody opened the floodgates and ran off with the key. There was NO stopping it. 'Bambi' tears... 'Old Yeller' tears... 'Fried Green Tomatoes' tears... rain... tears... sun... tears... I can’t find my keys... tears. Every mundane daily event, any bump in the sentimental road, became a cause to let it all hang out. It would’ve been funny except it wasn’t. Every meaningless thing became the subject of a world-shattering existential crisis filling me with an awful profound foreboding and sadness. All was lost. All... everything... the future was grim... and the only thing that would lift the burden was one-hundred-plus on two wheels or other distressing things. I would be reckless with myself. Extreme physical exertion was the order of the day and one of the few things that helped. I hit the weights harder than ever and paddleboarded the equivalent of the Atlantic, all for a few moments of respite. I would do anything to get Churchill’s black dog’s teeth out of my ass. Through much of this I wasn’t touring. I’d taken off the last year and a half of my youngest son’s high school years to stay close to family and home. It worked and we became closer than ever. But that meant my trustiest form of self-medication, touring, was not at hand. I remember one September day paddleboarding from Sea Bright to Long Branch and back in choppy Atlantic seas. I called Jon and said, “Mr. Landau, book me anywhere, please.” I then of course broke down in tears. Whaaaaaaaaaa. I’m surprised they didn’t hear me in lower Manhattan. A kindly elderly woman walking her dog along the beach on this beautiful fall day saw my distress and came up to see if there was anything she could do. Whaaaaaaaaaa. How kind. I offered her tickets to the show. I’d seen this symptom before in my father after he had a stroke. He’d often mist up. The old man was usually as cool as Robert Mitchum his whole life, so his crying was something I loved and welcomed. He’d cry when I’d arrive. He’d cry when I left. He’d cry when I mentioned our old dog. I thought, “Now it’s me.” I told my doc I could not live like this. I earned my living doing shows, giving interviews and being closely observed. And as soon as someone said “Clarence,” it was going to be all over. So, wisely, off to the psychopharmacologist he sent me. Patti and I walked in and met a vibrant, white-haired, welcoming but professional gentleman in his sixties or so. I sat down and of course, I broke into tears. I motioned to him with my hand; this is it. This is why I’m here. I can’t stop crying! He looked at me and said, “We can fix this.” Three days and a pill later the waterworks stopped, on a dime. Unbelievable. I returned to myself. I no longer needed to paddle, pump, play or challenge fate. I didn’t need to tour. I felt normal.
Bruce Springsteen (Born to Run)