Captive In The Dark Quotes

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This isn't a romance. You're not a damsel in distress and I'm not the handsome prince come to save you.
C.J. Roberts (Captive in the Dark (The Dark Duet, #1))
He was my tormentor and my solace; the creator of the dark and the light within.
C.J. Roberts (Captive in the Dark (The Dark Duet, #1))
Once upon a time, Caleb held me captive in the dark, now he used it to seduce me.
C.J. Roberts (Seduced in the Dark (The Dark Duet, #2))
People often believed they were safer in the light, thinking monsters only came out at night.
C.J. Roberts (Captive in the Dark (The Dark Duet, #1))
People often believed they were safer in the light, thinking monsters only came out at night. But safety – like light – is a façade.
C.J. Roberts (Captive in the Dark (The Dark Duet, #1))
The only way to truly be safer, was to accept the dark, to walk in it with eyes wide open, to be a part of it. To keep your enemies close.
C.J. Roberts (Captive in the Dark (The Dark Duet, #1))
For what it's worth Livvie, I never thought of you as a whore. And you are...the most beautiful thing I've ever seen.
C.J. Roberts (Captive in the Dark (The Dark Duet, #1))
We were keeping our eye on 1984. When the year came and the prophecy didn't, thoughtful Americans sang softly in praise of themselves. The roots of liberal democracy had held. Wherever else the terror had happened, we, at least, had not been visited by Orwellian nightmares. But we had forgotten that alongside Orwell's dark vision, there was another - slightly older, slightly less well known, equally chilling: Aldous Huxley's Brave New World. Contrary to common belief even among the educated, Huxley and Orwell did not prophesy the same thing. Orwell warns that we will be overcome by an externally imposed oppression. But in Huxley's vision, no Big Brother is required to deprive people of their autonomy, maturity and history. As he saw it, people will come to love their oppression, to adore the technologies that undo their capacities to think. What Orwell feared were those who would ban books. What Huxley feared was that there would be no reason to ban a book, for there would be no one who wanted to read one. Orwell feared those who would deprive us of information. Huxley feared those who would give us so much that we would be reduced to passivity and egoism. Orwell feared that the truth would be concealed from us. Huxley feared the truth would be drowned in a sea of irrelevance. Orwell feared we would become a captive culture. Huxley feared we would become a trivial culture, preoccupied with some equivalent of the feelies, the orgy porgy, and the centrifugal bumblepuppy. As Huxley remarked in Brave New World Revisited, the civil libertarians and rationalists who are ever on the alert to oppose tyranny "failed to take into account man's almost infinite appetite for distractions." In 1984, Orwell added, people are controlled by inflicting pain. In Brave New World, they are controlled by inflicting pleasure. In short, Orwell feared that what we fear will ruin us. Huxley feared that what we desire will ruin us. This book is about the possibility that Huxley, not Orwell, was right.
Neil Postman (Amusing Ourselves to Death: Public Discourse in the Age of Show Business)
There is nothing frightening in the dark if you just face it.
L.J. Smith (The Captive Part II / The Power (The Secret Circle, #2-3))
It was ironic; he held her captive, yet she’d captivated him.
Jeaniene Frost (Eternal Kiss of Darkness (Night Huntress World, #2))
If I survive this, I can't go back. I'll have to move forward and I don't know what that means.
C.J. Roberts (Captive in the Dark (The Dark Duet, #1))
I was as real to him as he was to me and it struck me just then that I meant something to him. In whatever capacity he was able, I meant something. The irony of that epiphany made my gut twist.
C.J. Roberts (Captive in the Dark (The Dark Duet, #1))
I wanted to cry for wanting to cry.
C.J. Roberts (Captive in the Dark (The Dark Duet, #1))
You'll always be Kitten to me...Livvie.
C.J. Roberts (Captive in the Dark (The Dark Duet, #1))
I wrapped my arms around him and held on as hard as I could. He was my tormentor and my solace: the creator of the dark and the light within. I didn’t care that he would undoubtedly hurt me at any moment, right now; I just needed somebody to hold me… To tell me these exact words. Its going to be okay. It wasn’t of course, I knew that. But I didn’t care, I needed the lie.
C.J. Roberts (Captive in the Dark (The Dark Duet, #1))
Why couldn't he just keep being an evil, soulless bastard so I knew what his role was and I knew mine?
C.J. Roberts (Captive in the Dark (The Dark Duet, #1))
I am saying the choices we make in captivity are not always the choices we make in freedom. And thus we question them. We cannot help it.
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
No more movie references. No more fictional characters to relate to. This was real. It was destiny. I was…a thing, a commodity.
C.J. Roberts (Captive in the Dark (The Dark Duet, #1))
Caleb was a strange person, cruel and inhuman; a monster, and yet, at other times, he seemed so capable of something like caring. He made me cry and scream and shake with fear and nearly a split second later he could make me almost believe he wasn't responsible for any of it. He could hold me and make me feel safe. How was that possible?
C.J. Roberts (Captive in the Dark (The Dark Duet, #1))
You're going to pay for that Pet,' he panted. The right side of his face sported an angry red hand print. I shook out my hand, 'I already have. That was my change.
C.J. Roberts (Captive in the Dark (The Dark Duet, #1))
Each day I was more vulnerable than the last. Each day he stripped away more of my sense of self. And now he'd taken the last of it, the last of me. But who did that make me? An extension of him? Someone new? I didn't know. Didn't want to know.
C.J. Roberts (Captive in the Dark (The Dark Duet, #1))
Today the pain was emotional, the worst kind
C.J. Roberts (Captive in the Dark (The Dark Duet, #1))
I was a pretty thing, and pretty things did not fare well in this world, not in the hands of men like him.
C.J. Roberts (Captive in the Dark (The Dark Duet, #1))
I was treading the thin line of his patience while falling off the thin line of my sanity
C.J. Roberts (Captive in the Dark (The Dark Duet, #1))
the only way to truly be safer, was to accept the dark
C.J. Roberts (Captive in the Dark (The Dark Duet, #1))
I blinked once, "if it's anywhere near as bad as what those assholes did to me... I'm tired of living through this shit just to step into deeper fucking shit. So if all you have planned for me is more torture, I think I'd rather die. Just do me one favor and don't... I don't want to die slow.
C.J. Roberts (Captive in the Dark (The Dark Duet, #1))
I told him I was sorry. He sighed and held me closer, his lips against the shell of my ear, "You will be, Kitten".
C.J. Roberts (Captive in the Dark (The Dark Duet, #1))
Make him love you,” Ruthless Me whispered. “Make it so he can’t live without you. The devil you know.” I felt her growing inside me, bringing with her the insane idea that I actually wielded power with Caleb.
C.J. Roberts (Captive in the Dark (The Dark Duet, #1))
We create our own hell, it is the sum of all our decisions - we are not sentenced, we condemn ourselves.
Gabrielle Estres (Captive)
The intensity with which he stared at me bordered on obscene.
C.J. Roberts (Captive in the Dark (The Dark Duet, #1))
I wanted him to say nice things to me, maybe even hold me. Strange did not begin to define my mood.
C.J. Roberts (Captive in the Dark (The Dark Duet, #1))
Well, sorry pet, I don't want to be fixed. Whatever your little schoolgirl brain told you about men is absurdly wrong. This isn't a romance. You're not a damsel-in-distress and I'm not the handsome prince come to save you.
C.J. Roberts (Captive in the Dark (The Dark Duet, #1))
You are mine. I can do what I want with you. I can dress you. Fuck you. Send you away. Loan you to others. You belong to me. And you've finally realized it isn't romantic, it isn't sexy, or fun. It's something no one should want or desire. You're a captive.
Pepper Winters (Tears of Tess (Monsters in the Dark, #1))
He kissed me everywhere, not like before, not angry. And God help me, it shouldn't have made a difference, but somehow it did.
C.J. Roberts (Captive in the Dark (The Dark Duet, #1))
In me there is darkness, But with You there is light; I am lonely, but You do not leave me; I am feeble in heart, but with You there is help; I am restless, but with You there is peace. In me there is bitterness, but with You there is patience; I do not understand Your ways, But You know the way for me.” “Lord Jesus Christ, You were poor And in distress, a captive and forsaken as I am. You know all man’s troubles; You abide with me When all men fail me; You remember and seek me; It is Your will that I should know You And turn to You. Lord, I hear Your call and follow; Help me.
Dietrich Bonhoeffer (Letters and Papers from Prison)
This place sickened him. Anywhere else, you simply killed your enemy with a sword. Or poisoned him, if you had the honourless instincts of an assassin. Here, it was layer upon layer of constructed double-dealing, dark, polished and unpleasant. He would have assumed tonight the product of Laurent's own mind, if Laurent were not so clearly the victim.
C.S. Pacat (Captive Prince (Captive Prince, #1))
Could she sense her life as she knew it hanging precariously in the balance? Could she feel his eyes on her? Did she have a sixth sense for monsters? The thought of it made him smile
C.J. Roberts (Captive in the Dark (The Dark Duet, #1))
Anne had no sooner uttered the phrase, "home o'dreams," than it captivated her fancy and she immediately began the erection of one of her own. It was, of course, tenanted by an ideal master, dark, proud, and melancholy; but oddly enough, Gilbert Blythe persisted in hanging about too, helping her arrange pictures, lay out gardens, and accomplish sundry other tasks which a proud and melancholy hero evidently considered beneath his dignity. Anne tried to banish Gilbert's image from her castle in Spain but, somehow, he went on being there, so Anne, being in a hurry, gave up the attempt and pursued her aerial architecture with such success that her "home o'dreams" was built and furnished before Diana spoke again.
L.M. Montgomery (Anne of Avonlea (Anne of Green Gables, #2))
I’d fallen captive to those expressive dark eyes again. I blamed my inappropriate behavior last night on champagne, but in the sobering light of day, I’d fallen into the same drugged stupor. She was soft. Strong. Real. And seriously curvy.
J.J. Sorel (A Taste of Peace)
All bad things were done in the dark.
C.S. Pacat (Kings Rising (Captive Prince, #3))
I didn’t look back, but I knew you were still watching. It probably sounds weird, but I could just feel it. The hairs on my neck bristled when you blinked.
Lucy Christopher (Stolen (Stolen, #1))
Get on your knees. I want you to feel me so deep that the belt is of little consequence when it comes to breathing.
Alaska Angelini (Slade (Captive to the Dark, #1))
Somehow I'd still managed to go all retarded at the sight of some handsome asshole with a nice smile.
C.J. Roberts (Captive in the Dark (The Dark Duet, #1))
Will you miss me Caleb?” I let my arm circle his waist. I don’t know what prompted it and instantly I tried to pull away. He held me still. “Yes,
C.J. Roberts (Captive in the Dark (The Dark Duet, #1))
A million dollars? A bit much don't you think?" "Fuck you." Caleb smiled, the self indulgent little shit. "My apologies," he mocked with a slight forward bow, "What I meant to say is: no pussy's that good. Though yours does come close.
C.J. Roberts (Captive in the Dark (The Dark Duet, #1))
There is a moment, in all my studying of movies and scripts, that I’d realized something elemental about human beings and why I’d been attracted to that imaginary world. Each piece of work was attempting to describe the human condition, in all its good, bad and ugly glory. At first, it’d been an extension of my own life, strangely mirrored in this world of ‘fiction’. Each story wanted, no— needed—to reveal a human fragility, a human bondage which tied people to the things they did and to be the person they held in their heads. Those stories were something true and sometimes horrific but people were people and the parts didn’t just tell the whole story.
C.J. Roberts (Captive in the Dark (The Dark Duet, #1))
Where is all your bravery now, Pet? No clawing, no hissing? Where's my though girl? - Caleb
C.J. Roberts (Captive in the Dark (The Dark Duet, #1))
Like a Falcon, she needed the dark to understand who her master was. She would learn to trust him, to rely upon him, to anticipate what he wanted from her. And like any master with his salt, he would reward her for her obedience. He would be exceedingly firm, but he would also be as fair as he could be. He had notchosen the instrument of his revenge at random. He had chosen a beautiful submissive. And what was a submissive if not adaptable -if not a survivor?
C.J. Roberts (Captive in the Dark (The Dark Duet, #1))
Your eyes were too intense to stare into for long.
Lucy Christopher (Stolen (Stolen, #1))
She couldn't have told you whether it was because she was afraid, or because such a voice in the darkness seemed of necessity a boon; but she listened to him as she had never listened before; his words dropped deep into her soul.
Henry James (The Portrait of a Lady)
I'm sorry," said Damen. Laurent gave him a strange look. "Why would you apologise to me?" He couldn't answer. Not with the truth. He said, "I didn't understand what being King meant to you." "What's that?" "An end to fighting." Laurent's expression changed, the subtle signifiers of shock imperfectly repressed, and Damen felt it in his own body, a new pull in his chest at the look in Laurent's dark eyes.
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
On the stage Tristen bent over the piano, his fingers swift and sure, his blond hair gleaming under the spotlight. I glanced around at the audience, watching their faces, gratified that they were as captivated as I was by the dark, thunderous song that Tristen conjured.
Beth Fantaskey (Jekel Loves Hyde)
I can’t tell him no. Some people have a relationship that’s sunshine and roses. Ours is darkness and vengeance.
Annika Martin (Prisoner (Criminals & Captives, #1))
Ty?” I said, trying out your name, liking the way it sounded. “So what’s it like anyway? Australia?” You smiled then, and your whole face changed with it. It kind of lit up, like there were sunbeams coming from inside you. “You’ll find out,” you said.
Lucy Christopher (Stolen (Stolen, #1))
By day Lisbon has a naive theatrical quality that enchants and captivates, but by night it is a fairy-tale city, descending over lighted terraces to the sea, like a woman in festive garments going down to meet her dark lover.
Erich Maria Remarque (The Night in Lisbon)
You saw me before I saw you. In the airport, that day in August, you had that look in your eyes, as though you wanted something from me, as though you’d wanted it for a long time. No one had ever looked at me like that before, with that kind of intensity. It unsettled me, surprised me, I guess. Those blue, blue eyes, icy blue, looking back at me as if I could warm them up. They’re pretty powerful, you know, those eyes, pretty beautiful, too.
Lucy Christopher (Stolen (Stolen, #1))
His touch was simple, but specific, meant to show me he could be like a lover, gentle, intimate, but also that he was a man unaccustomed to hearing the word no. Yes. I understood. He was a man, and I? I was nothing but a girl, not even a woman. I was meant to fall at his feet and worship at the altar of his masculinity, grateful that he’d deigned to acknowledge me. All this, from a simple touch.
C.J. Roberts
Marriage isn’t a prison,” Karlee said. “It’s not supposed to hold two people captive.” “It’s not a prison, it’s a fortress. Marry me. Because you love me. Because of the baby. Because you want to protect our love.” “And all this time I thought you were afraid of commitment.” “I am,” Cole said. “I’m terrified you won’t make one.
Diane L. Kowalyshyn (Crossover (Cross your Heart and Die, #1))
I didn’t want the person standing there, beside the bed, to have the same face I’d found so attractive at the airport. But you were there all right: the blue eyes, blondish hair, and tiny scar. Only you didn’t look beautiful this time. Just evil.
Lucy Christopher (Stolen (Stolen, #1))
I wanted Ole Miss to feel special, but mostly I felt that the Ole Miss crowd looked at me like I was just white trash from a town full of trailers.… All was not lost. I saw the movie All The President’s Men, mostly because Robert Redford was the star. The fast-paced world of the Washington Post…captivated me. Sitting in a dark theater that afternoon, I fell in love with the idea of becoming a reporter. That was the movie that clinched my plan to major in journalism and political science…. I'd started Ole Miss as a Lady Rebel but left more rebellious than ladylike.
Karen Hinton (Penis Politics: A Memoir of Women, Men and Power)
Love. What the hell did that word even mean? It got tossed around so flippantly, by everyone. What did it really mean? After all this time and everything that had happened, was he even capable?
C.J. Roberts (Captive in the Dark (The Dark Duet, #1))
Sometimes I hate him. When he does the dishes, he shakes off each one before setting it in the drying rack. Water flies everywhere. A couple of drops always hit me in the face. I have to leave the room to avoid smashing a plate against his head.
Tarryn Fisher (Mud Vein)
You're giving me fucking consent to stalk you? Oh, slave...
Alaska Angelini (Slade (Captive to the Dark, #1))
I remember the lights turning into blurs of blazing fire. I remember the air-conditioning chilling my arms. The smell of coffee smudging into the smell of eucalyptus.
Lucy Christopher (Stolen (Stolen, #1))
Remember that light becomes evident in darkness. We do not create light by avoiding those who are captives of darkness; but we become light by illuminating the night. Remember that always.
C. JoyBell C.
...the overflow of my brain would probably, in a state of freedom, have evaporated in a thousand follies; it needs trouble and difficulty and danger to hollow out various mysterious and hidden mines of human intelligence. Pressure is required, you know, to ignite powder: captivity has collected into one single focus all the floating faculties of my mind; they have come into close contact in the narrow space in which they have been wedged. You know that from the collision of clouds electricity is produced and from electricity comes the lightning from whose flash we have light amid our greatest darkness.
Alexandre Dumas (The Count of Monte Cristo)
Oh yeah, Caleb thought, you're my bitch. Caleb's voice was sugar laced with arsenic
C.J. Roberts (Captive in the Dark (The Dark Duet, #1))
She is a slave, with no way home.
Heather Demetrios (Exquisite Captive (Dark Caravan Cycle, #1))
You like this darkness. You like learning me by feel.” Feeling very bold indeed, she nuzzled at him until she found his mouth with her own. “I like it too.
Grace Burrowes (The Captive (Captive Hearts, #1))
To have a point, to have a purpose, was its own kind of freedom.
Heather Demetrios (Exquisite Captive (Dark Caravan Cycle, #1))
And in the kisses, what deep sweetness! There are women's mouths that seem to ignite with love the breath that opens them. Whether they are reddened by blood richer than purple, or frozen by the pallor of agony, whether they are illuminated by the goodness of consent or darkened by the shadow of disdain, they always carry within them an enigma that disturbs men of intellect, and attracts them and captivates them. A constant discord between the expression of the lips and that of the eyes generates the mystery; it seems as if a duplicitous soul reveals itself there with a different beauty, happy and sad, cold and passionate, cruel and merciful, humble and proud, laughing and mocking; and the abiguity arouses discomfort in the spirit that takes pleasure in dark things.
Gabriele d'Annunzio (The Child Of Pleasure)
She was resilient A brave soldier when life tested her It didn't matter that she did strange things like stand tall under the rain letting the drops kiss her skin thinking the storm was romantic It was hard to quiet her not that you would want to when she spoke, it was captivating Her heart was like a candle warm and delicate just what you needed during darkness Sometimes, she'd go off and explore the world test her limits laugh too much cry when humans were cruel It wasn't hard to see why people envied her You'd come to realize she was a lion and she could not be tamed.
M.J. Abraham
I wonder which one of us is more despicable.Is it the person relentlessly chasing after love or the person desperately holding it captive? We wrapped each other in vines of thorns so that we could watch each other’s heart bleed to the last drop, only there can be no end for creatures of eternal darkness. How much longer must you watch me bleed?
Dahlia Lu (Princess of the Damned)
To love at all is to be vulnerable. Love anything, and your heart will certainly be wrung and possibly broken. If you want to make sure of keeping it intact, you must give your heart to no one, not even to an animal. Wrap it careful round with hobbies and little luxuries; avoid all entanglements; lock it up safe in the casket or coffin of your selfishness. But in that casket—safe, dark, motionless, airless—it will change. It will not be broken; it will become unbreakable, impenetrable, irredeemable . . . The only place outside Heaven where you can be perfectly safe from all the dangers . . . of love is Hell. (C. S. Lewis, The Four Loves)
John Eldredge (Captivating Revised and Updated: Unveiling the Mystery of a Woman's Soul)
The first thing I hate is called a Russian doll. It holds a smaller version of itself inside it, and another inside that and so on. How awful. They are prisoners. I imagine them all screaming in the dark, unable to move or speak. The doll’s face is broad and blankly smiling. It looks so happy to be holding its children captive.
Catriona Ward (The Last House on Needless Street)
Mary was the darkness to my monster. The blood to my blade.
Alaska Angelini (Slade (Captive to the Dark, #1))
What we should enjoy, perhaps, is not their performance, but the mere fact of their existence. That, we believe, is wonder enough.
David Kirby (Death at SeaWorld: Shamu and the Dark Side of Killer Whales in Captivity)
He tasted of earth and water, fire and ice, salvation and destruction all together in a tender kiss that held me captive throughout a stolen moment in time.
Bella J. (The Rise of Saint (The Sins of Saint, #1))
When Laurent turned to face him, his eyes were dark. His lips were parted uncertainly. He had lifted his hand to his own shoulder, as though chasing a ghost touch there. He did not look exactly relaxed, but the movement did look a little easier.
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
People often believed they were safer in the light, thinking monsters only came out at night. But safety – like light – is a façade. Underneath, the whole world is drenched in darkness. The only way to truly be safer, was to accept the dark, to walk in it with eyes wide open, to be a part of it. To keep your enemies close, so that you could no longer discern where they ended and you began.
C.J. Roberts (Captive in the Dark (The Dark Duet, #1))
And in the night you realize, when you wake out of a dream, overcome and captivated by the enchantment of visions that crowd in on each other, just how fragile a handhold, how tenuous a boundary separates us from darkness - we are little flames, inadequately sheltered by thin walls from the tempest of dissolution and insensibility in which we flicker and are often all but extinguished. Then the muted sounds of battle surrounds us, and we creep into ourselves and stare wide-eyed into the night.
Erich Maria Remarque (All Quiet on the Western Front)
Pain, fear, humiliation, it turned his beautiful dark eyes into a window of hell. It was the first glimpse I’d had of the prison he lived in. A captive to the uncontrollable tics ravaging his body. I think it was then I understood the solace he found in the light. Just as it blinded the world to seeing what was there, it blinded Morgan. It tucked him away from the things he could not control and the things reminding him he was different. How he would never truly fit in. How he existed on the edge between here and wherever it was he went when the light spoke to him.
Adrienne Wilder (In the Absence of Light (Morgan & Grant, #1))
That you could fix me? What’s more, that I could fix you? Well, sorry pet, I don’t want to be fixed. Whatever your little school-girl brain told you about men is absurdly wrong. This isn’t a romance. You’re not a damsel in distress and I’m not the handsome prince come to save you. You ran. I went to collect my property. End of story
C.J. Roberts (Captive in the Dark (The Dark Duet, #1))
In Mexico City they somehow wandered into an exhibition of paintings by the beautiful Spanish exile Remedios Varo: in the central painting of a triptych, titled “Bordando el Manto Terrestre,” were a number of frail girls with heart-shaped faces, huge eyes, spun-gold hair, prisoners in the top room of a circular tower, embroidering a kind of tapestry which spilled out the slit windows and into a void, seeking hopelessly to fill the void: for all the other buildings and creatures, all the waves, ships and forests of the earth were contained in the tapestry, and the tapestry was the world. Oedipa, perverse, had stood in front of the painting and cried. No one had noticed; she wore dark green bubble shades. For a moment she’d wondered if the seal around her sockets were tight enough to allow the tears simply to go on and fill up the entire lens space and never dry. She could carry the sadness of the moment with her that way forever, see the world refracted through those tears, those specific tears, as if indices as yet unfound varied in important ways from cry to cry. She had looked down at her feet and known, then, because of a painting, that what she stood on had only been woven together a couple thousand miles away in her own tower, was only by accident known as Mexico, and so Pierce had take her away from nothing, there’d been no escape. What did she so desire escape from? Such a captive maiden, having plenty of time to think, soon realizes that her tower, its height and architecture, are like her ego only incidental: that what really keeps her where she is is magic, anonymous and malignant, visited on her from outside and for no reason at all. Having no apparatus except gut fear and female cunning to examine this formless magic, to understand how it works, how to measure its field strength, count its lines of force, she may fall back on superstition, or take up a useful hobby like embroidery, or go mad, or marry a disk jockey. If the tower is everywhere and the knight of deliverance no proof against its magic, what else?
Thomas Pynchon (The Crying of Lot 49)
I cried for a while, taking solace in the comforting lie of his embrace. The illusion, the fantasy, it helped. I never wanted to leave. I wanted to stay here forever, held tight to his chest, his fingers stroking my hair, his heart beating against my ear: you’re-safe, trust-me, love-you. Love. Did I want him to love me? Yes. I wanted someone to love me. And what was love if not someone risking their lives to save you? Caleb had saved me. Did it mean he loved me? A part of me wanted to think so. To believe in a romantic ideal that didn’t exist. I wanted to believe the lie. But more than that – I wanted it not to be a lie
C.J. Roberts
The town was a series of dark shapes with edges picked out in moonlight; sloping rooves and gables, balconies and gutters met one another in a chaotic, shadowed jumble. Behind him, the far-flung darkness of what must be the great northern forests. And to the south ... to the south, past the dark shapes of the city, past the lightly wooded hills and rich central provinces of Vere, lay the border, prickling with true castles, Ravenel, Fortaine, Marlas ... and across the border Delpha, and home.
C.S. Pacat (Captive Prince (Captive Prince, #1))
I place a palm at his chest. His heartbeat knocks rapidly against my skin. "I never would have guessed." "What's that?" he asks on a hoarse whisper. "That you're one of those netherlings who has a rare penchant for kindness and courage." "Tut." He presses his glove over my hand. "Only when there's fringe benefits." Smiling, I rise to my toes, grip his lapels, and kiss each one of his jewels until they change to a captivating dark purple—the color of passion fruit. I ease back to the balls of my feet. "So beautiful," I whisper, tapping one of the sparkling gems. Morpheus catches my palm and kisses the scars there. "I couldn't agree more."
A.G. Howard (Splintered (Splintered, #1))
I looked at Victor, my heart swelling from the emotion. “When I die, please do the same ceremony for me,” I whispered, choking up. “This is the most captivating and emotional event I have ever been part of.” “I’m afraid you’ll have to ask somebody else for that because if you die before me I won’t survive it.” He kissed the tip of my nose. I gazed at him with so much love that my heart almost burst out of my chest.
A.B. Whelan (Valley of Darkness Part 1 & Part 2 (Fields of Elysium, #2))
I know you are the same,” I said. “You are the one who lied to me from the beginning, and you’re the one who is holding me captive now. It doesn’t matter what name you used while doing it.” He arched a dark eyebrow. “Yet you haven’t called me Hawke since you learned who I was.” The frustration quickly flamed into anger. “And why does that matter, Hawke?” A smile crept across his lips then, one that showed the barest hint of fangs. “Because I miss hearing you say it.” I stared at him for what felt like a small eternity. “You’re ridiculous, Casteel.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
Let me think!' said Aragorn. 'And now may I make a right choice, and change the evil fate of this unhappy day!' He stood silent for a moment. 'I will follow the Orcs,' he said at last. 'I would have guided Frodo to Mordor and gone with him to the end but if I seek him now in the wilderness, I must abandon the captives to torment and death. My heart speaks clearly at last: the fate of the Bearer is in my hands no longer. The Company has played its part. Yet we that remain cannot forsake our companions while we have strength left. Come! We will go now. Leave all that can be spared behind! We will press on by day and dark!
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
Men told that Kane was a giant in stature, more powerful than ten strong men. In battle no man could stand before him, for he fought with a sword in either hand - wielding easily weapons that another warrior could scarcely lift. His hair was red as blood, and he feasted on the still-beating hearts of his enemies. His eyes were the eyes of Death himself, and they cast a blue flame that could shrivel the souls of his victims. His only delight was in rapine and slaughter, and after each victory his banquet halls echoed with the tortured screams of captive maidens.
Karl Edward Wagner (Darkness Weaves)
I mean that we hold the centre. We hold everything from Acquitart to Sicyon. Can we not call it a kingdom and rule it together? Am I such a poorer prospect than a Patran princess, or a daughter of the Empire?’ He made himself say no more than that, though the words crowded in his chest. He waited. It surprised him that it hurt to wait, and that the longer he waited, the more he felt he couldn’t bear to hear the answer, brought to him on a knife point. When he made himself look at Laurent, Laurent’s eyes on him were very dark, his voice quiet. ‘How can you trust me, after what your own brother did to you?’ ‘Because he was false,’ said Damen, ‘and you are true. I have never known a truer man.’ He said, into the stillness, ‘I think if I gave you my heart, you would treat it tenderly.’ Laurent turned his head, denying Damen his face. Damen could see his breathing. After a moment he said in a low voice, ‘When you make love to me like that, I can’t think.’ ‘Don’t think,’ said Damen. Damen
C.S. Pacat (Kings Rising (Captive Prince, #3))
He'll be here, Damen had said, and he believed that, even as the first wave hit and the men around him began to die. There was a dark logic to it. Have your slave convince the Akielons to fight. Let your enemies do your fighting for you, the casualties taken by the people you despise, the Regent defeated or weakened, and the armies of Nikandros wiped out. It wasn't until the second wave hit them from the north-west that he realised they were totally alone.
C.S. Pacat (Kings Rising (Captive Prince, #3))
Dear Future Daughter: 1) When you’re at some party, chain smoking on the roof with some strange girl with blue hair and exorbitant large dark eyes, ask her about her day. I promise you, you won’t regret it. Often times you’ll find the strangest of people have the most captivating of stories to tell. 2) Please, never mistake desire for love. Love will engulf your soul, whilst desire will emerge as acid, slowly making it’s way through your veins, gradually burning you from the inside out. 3) No one is going to fucking save you, anything you’ve read or heard otherwise is bullshit. 4) One day a boy is going to come along who’s touch feels like fire and who’s words taste like vanilla, when he leaves you, you will want to die. If you know anything at all, know that it is only temporary. 5) Your mental health comes before school baby, always. If its midnight, and you have an exam the next day but your hands have been shaking for the past hour and a half and you’re not so sure you want to be alive anymore, pull out that carton of Ben and Jerry’s and afterwards, go the fuck to bed. So what if you get a 68% on the exam the next day? You took care of yourself and at the end of the day that will always come before a high test score. To hell with anyone who tells you differently.
Abbie Nielsen
Hope is not dependent on peace in the land, justice in the world, and success in the business. Hope is willing to leave unanswered questions unanswered and unknown futures unknown. Hope makes you see God’s guiding hand not only in the gentle and pleasant moments but also in the shadows of disappointment and darkness. No one can truly say with certainty where he or she will be ten or twenty years from now. You do not know if you will be free or in captivity, if you will be honored or despised, if you will have many friends or few, if you will be liked or rejected. But when you hold lightly these dreams and fears, you can be open to receive every day as a new day and to live your life as a unique expression of God’s love for humankind. There is an old expression that says, “As long as there is life there is hope.” As Christians we also say, “As long as there is hope there is life.
Henri J.M. Nouwen (Turn My Mourning into Dancing: Finding Hope in Hard Times)
There can be no question that parrots have more intellect than any other kind of bird, and it is this that makes them such favourite pets and brings upon them so many sorrows. ...Men will buy them ... and carry them off to all quarters of the native town, intending, I doubt not, to treat them kindly; but "the tender mercies of the wicked are cruel", and confinement in a solitary cell, the discipline with which we reform hardened criminals, is misery enough to a bird with an active mind, without the superadded horrors of ... life in a tin case, hung from a nail in the wall of a dark shop... Why does the Society for Prevention of Cruelty to Animals never look into the woes of parrots? ... However happy you make her captivity, imagination will carry her at times to the green field and blue sky, and she fancies herself somewhere near the sun, heading a long file of exultant companions in swift career through the whistling air. Then she opens her mouth and rings out a wild salute to all parrots in the far world below her.
E.H. Aitken
Beyond all of that, I could see the wall I had seen from inside the train, the wall that runs along the train line. I assumed that there, behind it, was the west, and I was right. I could have been wrong, but I was right.' If she had any future it was over there, and she needed to get to it. I sit in the chair exploring the meaning of dumbstruck, rolling the word around in my mind. I laugh with Miriam as she laughs at herself, and at the boldness of being sixteen. At sixteen you are invulnerable. I laugh with her about rummaging around for a ladder in other people's sheds, and I laugh harder when she finds one. We laugh at the improbability of it, of someone barely more than a child poking around in Beatrix Potter's garden by the Wall, watching out for Mr McGregor and his blunderbuss, and looking for a step-ladder to scale one of the most fortified barriers on earth. We both like the girl she was, and I like the woman she has become. She says suddenly, 'I still have the scars on my hands from climbing the barbed wire, but you can't see them so well now.' She holds out her hands. The soft parts of her palms are crazed with definite white scares, each about a centimeter long. The first fence was wire mesh with a roll of barbed wire along the top.
Anna Funder (Stasiland: Stories from Behind the Berlin Wall)
I have told you, reader, that I had learned to love Mr. Rochester; I could not unlove him now, merely because I found that he had ceased to notice me—because I might pass hours in his presence and he would never once turn his eyes in my direction—because I saw all his attentions appropriated by a great lady, who scorned to touch me with the hem of her robes as she passed; who, if ever her dark and imperious eye fell on me by chance, would withdraw it instantly as from an object too mean to merit observation. I could not unlove him, because I felt sure he would soon marry this very lady—because I read daily in her a proud security in his intentions respecting her—because I witnessed hourly in him a style of courtship which, if careless and choosing rather to be sought than to seek, was yet, in its very carelessness, captivating, and in its very pride, irresistible. There was nothing to cool or banish love in these circumstances; though much to create despair. Much too, you will think, reader, to engender jealousy, if a woman in my position could presume to be jealous of a woman in Miss Ingram's. But I was not jealous, or very rarely;—the nature of the pain I suffered could not be explained by that word. Miss Ingram was a mark beneath jealousy: she was too inferior to excite the feeling.
Charlotte Brontë (Jane Eyre)
Gregori brought Savannah's hand to the warmth of his mouth,his breath heating the pulse beating in her wrist. The night is especially beautiful, mon petit amour.Your hero saved the girl, walks among humans, and converses with a fool.That alone should bring a smile to your face.Do not weep for what we cannot change.We will make certain that this human with us comes to no harm. Are you my hero,then? There were tears in her voice, in her mind, like an iridescent prism. She needed him, his comfort,his support under her terrible weight of guilt and love and loss. Always,for all eternity, he answered instantly,without hesitation, his eyes hot mercury. He tipped her chin up so that she met the brilliance of his silver gaze.Always, mon amour.His molten gaze trapped her blue one and held her enthralled. Your heart grows lighter.The burden of your sorrow becomes my own. He held her gaze captive for a few moments to ensure that she was free of the heaviness crushing her. Savannah blinked and moved a little away from him, wondering what she had been thinking of.What had they been talking about? "Gary." Gregori drawled the name slowly and sat back in his chair,totally relaxed. He looked like a sprawling tiger,dangerous and untamed. "Tell us about yourself." "I work a lot.I'm not married. I'm really not much of a people person. I'm basically a nerd." Gregori shifted, a subtle movement of muscles suggesting great power. "I am not familiar with this term." "Yeah,well,you wouldn't be," Gary said. "It means I have lots of brains and no brawn.I don't do the athlete thing. I'm into computers and chess and things requiring intellect. Women find me skinny,wimpy,and boring. Not something they would you." There was no bitterness in his voice,just a quiet acceptance of himself,his life. Gregori's white teeth flashed. "There is only one woman who matters to me, Gary, and she finds me difficult to live with.I cannot imagine why,can you?" "Maybe because you're jealous, possessive, concerned with every single detail of her life?" Gary plainly took the question literally, offering up his observations without judgement. "You're probably domineering,too. I can see that. Yeah.It might be tough." Savannah burst out laughing, the sound musical, rivaling the street musicians. People within hearing turned their heads and held their breath, hoping for more. "Very astute, Gary.Very, very astute. I bet you have an anormous IQ." Gregori stirred again, the movement a ripple of power,of danger. He was suddenly leaning into Gary. "You think you are intelligent? Baiting the wild animal is not too smart.
Christine Feehan (Dark Magic (Dark, #4))
When you feel the need to escape your problems, to escape from this world, don't make the mistake of resorting to suicide Don't do it! You will hear the empty advice of many scholars in the matter of life and death, who will tell you, "just do it" there is nothing after this, you will only extinguish the light that surrounds you and become part of nothingness itself, so when you hear these words remember this brief review of suicide: When you leave this body after committing one of the worst acts of cowardice that a human being can carry out, you turn off the light, the sound and the sense of reality, you become nothing waiting for the programmers of this game to pick you up from the darkness, subtly erase your memories and enable your return and I emphasize the word subtle because sometimes the intelligence behind this maneuver or automated mechanism is wrong and send human beings wrongly reset to such an extent, that when they fall to earth and are born again, they begin to experience memories of previous lives, in many cases they perceive themselves of the opposite sex, and science attributes this unexplainable phenomenon to genetic and hormonal factors, but you and I know better! And we quickly identified this trigger as a glitch in the Matrix. Then we said! That a higher intelligence or more advanced civilization throws you back into this game for the purpose of experimenting, growing and developing as an advanced consciousness and due to your toxic and destructive behavior you come back again but in another body and another life, but you are still you, then you will carry with you that mark of suicide and cowardice, until you learn not to leave this experience without having learned the lesson of life, without having experienced and surprised by death naturally or by design of destiny. About this first experience you will find very little material associated with this event on the internet, it seems that the public is more reserved, because they perceive themselves and call themselves "awakened" And that is because the system has total control over the algorithm of fame and fortune even over life and death. Now, according to religion and childish fears, which are part of the system's business to keep you asleep, eyes glued to the cellular device all day, it says the following: If you commit this act of sin, you turn off light, sound and sense of reality, and from that moment you begin to experience pain, fear and suffering on alarming scales, and that means they will come for you, a couple of demons and take you to the center of the earth where the weeping and gnashing of teeth is forever, and in that hell tormented by demons you will spend eternity. About this last experience we will find hundreds of millions of people who claim to have escaped from there! And let me tell you that all were captivated by the same deity, one of dubious origin, that feeds on prayers and energetic events, because it is not of our nature, because it knows very well that we are beings of energy, then this deity or empire of darkness receives from the system its food and the system receives from them power, to rule, to administer, to control, to control, to kill, to exclude, to inhibit, to classify, to imprison, to silence, to infect, to contaminate, to depersonalize. So now that you know the two sides of the same coin, which one will your intelligence lean towards! You decide... Heads or tails? From the book Avatars, the system's masterpiece.
Marcos Orowitz (THE LORD OF TALES: The masterpiece of deceit)