“
Wherever you go in the next
catastrophé
Be it sickroom, or prison,
or cemet’ry
Do not fear that your stay will be
solit’ry
Countless souls share your fate,
you’ll have company!
”
”
Roman Payne (The Basement Trains: A 21st Century Poem (English and French Edition))
“
When art as an expression starts to appear, without prompting, all over the suburbs and villages of this country, what we are saying is: we are confident enough to create our own living, our own entertainment, our own aesthetic. Such an aesthetic will not be donated to us from the corridors of a university; or from the Ministry of Culture, or by the French Cultural Centre. It will come from the individual creations of a thousand creative people
”
”
Binyavanga Wainaina (Kwani? 1)
“
The writer has to die to give birth to the intellectual in the service of the wretched of the earth.
”
”
Annie Cohen-Solal (Jean-Paul Sartre: A Life (Lives of the Left))
“
The great has terror for its basis... the beautiful is founded on mere positive pleasure...
”
”
Edmund Burke (On Taste On the Sublime & Beautiful Reflections on the French Revolution A Letter to a Noble (Harvard Classics))
“
There was an irony and a paradox here: Franco thought of Pontito constantly, saw it in fantasy, depicted it, as infinitely desirable – and yet he had a profound reluctance to return. But it is precisely such a paradox that lies at the heart of nostalgia – for nostalgia is about a fantasy that never takes place, one that maintains itself by not being fulfilled. And yet such fantasies are not just idle daydreams or fancies; they press toward some fulfillment, but an indirect one - the fulfillment of art. These, at least, are the terms that D. Geahchan, the French psychoanalyst, has used. With reference in particular to the greatest of nostalgies, Proust, the psychoanalyst David Werman speaks of an 'aesthetic crystallization of nostalgia' - nostalgia raised to the level of art and myth.
”
”
Oliver Sacks (An Anthropologist on Mars: Seven Paradoxical Tales)
“
When Verlaine and Rimbaud were young,” [Snyder] said, they were protesting the iron-grip bourgeois rationality had on all aspects of nineteenth-century French culture— the manners, the view of reality, and the exclusion of ‘the wild’ from public life. Rationality in business and society were dominant values. ‘Deranging the senses’ was one strategy artists like Verlaine and Rimbaud employed to break free of that.
“Today,” he continued, “the bourgeoisie is sociopathic, overindulged, distracted, spoiled beyond measure, and unable to restrain its gluttony, even in the face of pending planetary destruction. In the face of such a threat, it has, by necessity, become the responsibility of the artist to model health and sanity.
”
”
Peter Coyote (The Rainman's Third Cure: An Irregular Education)
“
It is in Keats that the artistic spirit of this century first found its absolute incarnation. And these pre-Raphaelites, what were they? If you ask nine-tenths of the British public what is the meaning of the word aesthetics, they will tell you it is the French for affectation or the German for a dado; and if you inquire about the pre-Raphaelites you will hear something about an eccentric lot of young men to whom a sort of divine crookedness and holy awkwardness in drawing were the chief objects of art. To know nothing about their great men is one of the necessary elements of English education. As regards the pre-Raphaelites the story is simple enough. In the year 1847 a number of young men in London, poets and painters, passionate admirers of Keats all of them, formed the habit of meeting together for discussions on art, the result of such discussions being that the English Philistine public was roused suddenly from its ordinary apathy by hearing that there was in its midst a body of young men who had determined to revolutionise English painting and poetry. They called themselves the pre- Raphaelite Brotherhood. In England, then as now, it was enough for a man to try and produce any serious beautiful work to lose all his rights as a citizen; and besides this, the pre-Raphaelite Brotherhood - among whom the names of Dante Rossetti, Holman Hunt and Millais will be familiar to you - had on their side three things that the English public never forgives: youth, power and enthusiasm.
”
”
Oscar Wilde (The English Renaissance of Art)
“
Since the days of Peter the Great, Russia had looked to the West for her civilization, even to the extend of adopting French as a second language - or as a first for people of station and learning. The United States, recently cut loose politically from England, still drew heavily on the Old World for her art, literature, science and philosophy. Intellectuals from both nations flocked to Europe in search of eduction and aesthetic stimulation, and many became so enthralled with European civilization that they failed to return. In Russia as well as in the United States many an indignant patriot would rant about the need for serving European apron strings.
”
”
Perry D. Westbrook
“
But the relationship between the between the two cultural paradigms has always been a dialectical, not cyclical. The romantics were not repeating their ancestors. On the contrary, they brought about a cultural revolution comparable in its radicalism and effects with the roughly contemporary American, French, and Industrial Revolutions.
By destroying natural law and by reorienting concern from the work to the artist they tore up the old regime's aesthetic rule book just as thoroughly as any Jacobin [a 18th century political French club] tore down social institutions. In the words of Ernst Troeltsch: "Romanticism too is a revolution, a thorough and genuine revolution: a revolution against the respectability of the bourgeois temper and against a universal equalitarian ethic: a revolution, above all, against the whole of the mathematico-mechanical spirit of science in western Europe, against a conception of Natural Law which sought to blend utility with morality, against the bare abstraction of a universal and equal Humanity." [Unquote Troeltsch]
As will be argued in the subsequent chapters, it was Hegel who captured the essence of this revolution in his pithy definition of romanticism as "absolute inwardness" [absloute Innerlichkeit - in German - אינערליכקייט]. It will also be argued that its prophet was Jean-Jacques Rousseau: if not the most consistent, then certainly the most influential of all the eighteenth-century thinkers.
Writing in 1907, Lytton Strachey caught Rousseau's special quality very well: "Among those quick, strong, fiery people of the eighteenth century, he belonged to another world -- to the new world of self-consciousness, and doubt, and hesitation, of mysterious melancholy and quiet intimate delights, of long reflexions amid the solitudes of Nature, of infinite introspections amid the solitudes of the heart." Percy Bysshe Shelley, who derided the philosophes as "mere reasoners," regarded Rousseau as "a great poet.
”
”
Timothy C.W. Blanning (The Romantic Revolution)
“
The supposedly eyewitness authority of the Pseudo-Turpin finds a parallel in another genre in which vernacular prose was pioneered: that of the historical memoir. There were twelfth-century verse histories narrated by authors who had personally participated in the events they describe, such as the Third Crusade. But the Fourth Crusade of 1202-4 saw a switch to prose. This shameful fiasco, in which the crusaders were induced to turn aside from the Holy Land and attack instead the Christian city of Constantinople, inspired two contrasting accounts. Robert de Clari--ignorant of higher-level strategy, but all agog at the splendours of Constantinople--gives a worm's eye view. Geoffroi de Villehardouin, by contrast, has a top diplomat's suave authority and a leader's eye for the aesthetics of war--the splendid sight of a fleet, or the noble heroism of a ruler. For both authors the medium of prose seems to convey the purported authenticity and transparency of lived experience.
”
”
Sarah Cay Terence Cave Malcolm Bowie
“
The 1950s and 1960s: philosophy, psychology, myth
There was considerable critical interest in Woolf ’s life and work in this period, fuelled by the publication of selected extracts from her diaries, in A Writer’s Diary (1953), and in part by J. K. Johnstone’s The Bloomsbury
Group (1954). The main critical impetus was to establish a sense of a unifying aesthetic mode in Woolf ’s writing, and in her works as a whole, whether through philosophy, psychoanalysis, formal aesthetics, or mythopoeisis.
James Hafley identified a cosmic philosophy in his detailed analysis of her fiction, The Glass Roof: Virginia Woolf as Novelist (1954), and offered a complex account of her symbolism. Woolf featured in the influential The
English Novel: A Short Critical History (1954) by Walter Allen who, with antique chauvinism, describes the Woolfian ‘moment’ in terms of ‘short, sharp female gasps of ecstasy, an impression intensified by Mrs Woolf ’s use
of the semi-colon where the comma is ordinarily enough’. Psychological and Freudian interpretations were also emerging at this time, such as Joseph Blotner’s 1956 study of mythic patterns in To the Lighthouse, an essay that draws on Freud, Jung and the myth of Persephone.4 And there were studies of Bergsonian writing that made much of Woolf, such as Shiv Kumar’s Bergson and the Stream of Consciousness Novel (1962).
The most important work of this period was by the French critic Jean Guiguet. His Virginia Woolf and Her Works (1962); translated by Jean Stewart, 1965) was the first full-length study ofWoolf ’s oeuvre, and it stood for a long time as the standard work of critical reference in Woolf studies. Guiguet draws on the existentialism of Jean-Paul Sartre to put forward a philosophical reading of Woolf; and he also introduces a psychobiographical dimension in the non-self.’ This existentialist approach did not foreground Woolf ’s feminism, either.
his heavy use of extracts from A Writer’s Diary. He lays great emphasis on
subjectivism in Woolf ’s writing, and draws attention to her interest in the
subjective experience of ‘the moment.’ Despite his philosophical apparatus,
Guiguet refuses to categorise Woolf in terms of any one school, and insists
that Woolf has indeed ‘no pretensions to abstract thought: her domain is life,
not ideology’. Her avoidance of conventional character makes Woolf for him
a ‘purely psychological’ writer.5 Guiguet set a trend against materialist and
historicist readings ofWoolf by his insistence on the primacy of the subjective
and the psychological: ‘To exist, for Virginia Woolf, meant experiencing that
dizziness on the ridge between two abysses of the unknown, the self and
”
”
Jane Goldman (The Cambridge Introduction to Virginia Woolf)
“
Consider education not as the painful accumulation of facts and dates and reigns, nor merely the necessary preparation of the individual to earn his keep in the world, but as the transmission of our mental, moral, technical, and aesthetic heritage as fully as possible to as many as possible, for the enlargement of man's understanding, control, embellishment, and enjoyment of life.
The heritage that we can now more fully transmit is richer than ever before. It is richer than that of Pericles, for it includes all the Greek flowering that followed him; richer than Leonardo's, for it includes him and the Italian Renaissance; richer than Voltaire's, for it embraces all the French Enlightenment and its ecumenical dissemination. If progress is real despite our whining, it is not because we are
born any healthier, better, or wiser than infants were in the past, but because we are born to a richer heritage, born on a higher level of that pedestal which the accumulation of knowledge and art raises as the ground and support of our being. The heritage rises, and man rises in proportion as he receives it.
History is, above all else, the creation and recording of that heritage; progress is its increasing abundance, preservation, transmission, and use. To those of us who study history not merely as a warning reminder of man's follies and crimes, but also as an encouraging remembrance of generative souls, the past ceases to be a depressing chamber of horrors; it becomes a celestial city, a spacious country of the mind, wherein a thousand saints, statesmen, inventors, scientists, poets, artists, musicians, lovers, and philosophers still live and speak, teach and carve and sing. The historian will not mourn because he can see no meaning in human existence except that which man puts into it; let it be our pride that we ourselves may put meaning into our lives, and sometimes a significance that transcends death. If a man is fortunate he will, before he dies, gather up as much as he can of his civilized heritage and transmit it to his children. And to his final breath he will be grateful for this inexhaustible legacy, knowing that it is our nourishing mother and our lasting life.
”
”
Will Durant (The Lessons of History)
“
The society’s ‘look’ is a self-publicizing one. The American flag itself bears witness to this by its omnipresence, in fields and built-up areas, at service stations, and on graves in the cemeteries, not as a heroic sign, but as the trademark of a good brand. It is simply the label of the finest successful international enterprise, the US. This explains why the hyperrealists were able to paint it naively, without either irony or protest (Jim Dine in the sixties), in much the same way as Pop Art gleefully transposed the amazing banality of consumer goods on to its canvases. There is nothing here of the fierce parodying of the American anthem by Jimi Hendrix, merely the light irony and neutral humour of things that have become banal, the humour of the mobile home and the giant hamburger on the sixteen-foot long billboard, the pop and hyper humour so characteristic of the atmosphere of America, where things almost seem endowed with a certain indulgence towards their own banality. But they are indulgent towards their own craziness too. Looked at more generally, they do not lay claim to being extraordinary; they simply are extraordinary. They have that extravagance which makes up odd, everyday America. This oddness is not surrealistic (surrealism is an extravagance that is still aesthetic in nature and as such very European in inspiration); here, the extravagance has passed into things. Madness, which with us is subjective, has here become objective, and irony which is subjective with us has also turned into something objective. The fantasmagoria and excess which we locate in the mind and the mental faculties have passed into things themselves.
Whatever the boredom, the hellish tedium of the everyday in the US or anywhere else, American banality will always be a thousand times more interesting than the European - and especially the French - variety. Perhaps because banality here is born of extreme distances, of the monotony of wide-open spaces and the radical absence of culture. It is a native flower here, asis the opposite extreme, that of speed and verticality, of an excess that verges on abandon, and indifference to values bordering on immorality, whereas French banality is a hangover from bourgeois everyday life, born out of a dying aristocratic culture and transmuted into petty-bourgeois mannerism as the bourgeoisie shrank away throughout the nineteenth century. This is the crux: it is the corpse of the bourgeoisie that separates us. With us, it is that class that is the carrier of the chromosome of banality, whereas the Americans have succeeded in preserving some humour in the material signs of manifest reality and wealth.
This also explains why Europeans experience anything relating to statistics as tragic. They immediately read in them their individual failure and take refuge in a pained denunciation of the merely quantitative. The Americans, by contrast, see statistics as an optimistic stimulus, as representing the dimensions of their good fortune, their joyous membership of the majority. Theirs is the only country where quantity can be extolled without compunction.
”
”
Baudrillard, Jean
“
As the Italian diplomat Giovanni Battista Primi Visconti concluded after a lengthy sojourn at the court of Versailles: “He [Louis XIV] knew how to play the king perfectly on all occasions.” During the final decades of his reign, he became a sort of one-man stylistic police, obsessively checking to make sure everything around him constantly lived up to his aesthetic standards. When all was just right, he took great pleasure in the conspicuous display of gorgeousness. For example, on December 7, 1697, the King—he was then fifty-nine—hosted some of the grandest festivities of the age to celebrate the marriage of his eldest grandson, the Duc de Bourgogne. For one evening reception, Versailles’ Hall of Mirrors was lit with four thousand candles, transforming it into a vast arcade of flickering light.
”
”
Joan DeJean (The Essence of Style: How the French Invented High Fashion, Fine Food, Chic Cafes, Style, Sophistication, and Glamour)
“
The heyday of conspiracy theories had been the reaction to the French Revolution. Like a virus, they would come to life every time that society was led into a state of anxiety and fears. But in the Modern Era they turned into a true secular religion. The surge of these theories in the Modern Era reflected the need to explain the collapse of a seemingly unshakeable ancien régime. This collapse was so unexpected, the break with medieval civilization so inevitable, and the upheaval so profound and so fraught with far-reaching economic, social, and political consequences that it needed an explanation. But the level of a patriarchal society's political culture changed too little, and the earlier one remained the explanatory matrix. Hence Divine Providence did not disappear, but a new fetish came to replace God: humans will and reason. In this respect, conspiracy is a sort of replacement of Revelation for an ill-defined, immature patriarchal consciousness disintegrating under the pressure of the Enlightenment, already having lost the integrity of faith but not yet having gained a basis in reason. Conspiracy gives the masses who have been cast out of the traditional matrices of thought explanations of the world missing outside of religion. Hence it contains elements of both religion (a parallel reality fitted to a ready-made picture of the world, teleologism) and rationalism (total logicalization, the search for cause-and-effect links and the hidden reasons for a phenomena lying within the interests of agents, and fitting the world into a logically interconnected system). This drama that burst onto Europe after the French Revolution finally arrived in Russia, with a century's delay.
”
”
Evgeny Dobrenko (Late Stalinism: The Aesthetics of Politics)
“
There is something about the first frost that brings out the caveman--- one might even say the vampire--- in me. I want to wear fur and suck the meat off lamb bones, and on comes my annual craving for boudin noir, otherwise known as blood sausage. You know you've been in France for nearly a decade when the idea of eating congealed blood sounds not only normal, but positively delightful.
When I was pregnant, my body craved iron in silly amounts. I could have eaten a skyscraper. It's a shame that it's not on the French pregnancy diet--- forbidden along with charcuterie, liver, and steak tartare.
It's true that boudin noir is not the sort of thing I'd buy at any old supermarket. Ideally, you want a butcher who prepares his own. I bought mine from the mustached man with the little truck in Apt market, the same one I'd spotted during our first picnic in Provence. Since our first visit, I'd returned many times to buy his delicious, very lean, saucisses fraîches and his handmade andouillettes, which I sauté with onions, Dijon mustard, and a bit of cream.
I serve my boudin with roasted apples--- this time, some Golden Delicious we picked up from a farm stand by the side of the road. I toasted the apple slices with olive oil, sprinkled the whole lot with sea salt, and added a cinnamon stick and a star anise to ground the dish with cozy autumn spices. Boudin is already cooked through when you buy it, but twenty minutes or so in a hot oven gives it time to blister, even burst. I'm an adventurous eater, but the idea of boiled (or cold) boudin makes me think about moving back to New Jersey. No, not really.
I admit, when you first take it out of the oven, there are some visual hurdles. There's always a brief moment--- particularly when I serve the dish to guests--- that I think, But that looks like large Labrador shit on a plate. True enough. But once you get past the aesthetics, you have one of the richest savory tastes I can imagine. Good boudin has a velveteen consistency that marries perfectly with the slight tartness of the roasted apples. Add mashed potatoes (with skin and lumps), a bottle of Châteauneuf-du-Pape, and wake me in the spring.
”
”
Elizabeth Bard (Picnic in Provence: A Memoir with Recipes)
“
She made her way to her favorite area of the daycare. The smaller of the two playrooms' aesthetic was a nod to her Frenchie's white-and-black piebald coat, with splashes of purple to add a royal flare. Portraits of Duchess hung on the walls in gilded frames. Was it a bit over the top? Absolutely. But when it came to her baby there was no top.
Seconds after she entered the room, Ashanti was bombarded by a cadre of feisty canines with Napoleon complexes. This is what she missed the most. Having to devote so much time to baking, she didn't get to play with the dogs nearly as much as she wanted to.
"Hey, Lulu and Sparkle," she greeted the Pomeranians, giving each dog one of the dime-sized treats from her pocket. "And how is my favorite Chihuahua," she called to Bingo, who had been coming to the daycare since the first week it opened. She followed the treats with quick head rubs for each dog, then went in search of Duchess.
"Where's my dog?" Ashanti asked Leslie, who was running the Parkers' Cavalier King Charles through the agility maze. Leslie gestured to cushioned mats in the corner.
Ashanti walked over and found Duchess hugged up next to Puddin'. The two lay in a yin-yang pattern, with Duchess's head nestled against Puddin's chest, and her squat legs arcing around the puffy topknot atop the poodle's head.
"Kara was right. You two really do need a room."
At the sound of her voice, Duchess's stubby tail started wagging like a windshield wiper gone haywire, but she still didn't move away from Puddin'.
"If you don't get over here," Ashanti said. She reached down and lifted Duchess into her arms. "Don't forget who keeps you in tiaras and rawhide," she said, nuzzling the dog's flat nose with her own.
”
”
Farrah Rochon (Pardon My Frenchie (Doggone Delightful, #1))
“
No one taught me how to analyse a book, how to read from a safe distance, how not to lose sight of context, how to grasp the things left unsaid. No one taught me about schools of thought or even the ideologies meant to give depth to a mundane story. No one taught me aesthetics, language... All these, I discovered in high school while studying the classics, and broadened this knowledge at the Higher Teachers' Training College in Yaounde, from which I graduated as a French teacher. But I had already developed a habit. All my life, I would read the same way l had started off—intensely, passionately, instinctively—and sentence fragments would stick with me […] Books soothed my soul, made me angry, made me strong. They made me laugh and cry. They pushed me to examine existence with my own mind, to trust my intuition, to stretch my mind to perceive—against the backdrop of characters, nature, and plot—the intricate symphony of time that beams our being to the world.
As a child, reading made me feel less lonely, less insignificant, less vulnerable. As an adult, I developed enough discernment to understand that, while reading had not made me a better person, it had made me more levelheaded towards my own motivations, and freer.
”
”
Hemley Boum (Days Come and Go)
“
Parrhassios contradicts this notion by revealing that deception is the truth, and vice versa. The French psychoanalyst Jacques Lacan was particularly fond of this story, and quoted it in his seminars during the 1960s and 70s. Aristotle’s Poetics The Poetics (c.
”
”
Christopher Kul-Want (Introducing Aesthetics: A Graphic Guide (Graphic Guides))
“
Sitting in Atlantic St. grill
downing early morning cup
of prison-like coffee
stale rolls of cinnamon
while up above
freeways headed for suburban slums
Gold Coast dwellers/ruling class
sass Goodwill truckdrivers
for talkin’ simple talk.
No comment on the front page news.
Through painful hurt
sought desperately the obit page
in rage to see
if was really true, ‘bout you.
Winter come-togethers
fill my every thought
Billie sings the blues
communication complete,
Cable (spool) table
replete w/french bread
apples cheese rhineskeller wine
imported elegant tabacco,
discussion of ideas
politculture
peoples lit & art,
marxist aesthetics,
how best to serve.
Now, savoring on Neruda’s notes
i think of you & Jimmie/son
savoring favorite chocolate M & M’s.
Them’s the thoughts
i had of you today.
No lavish praise
no mournful elegy,
just one last
Vashon Island ferry ride
to pray and cast an orchid
into Puget Sound
to see you safely on your journey
to the other side.
”
”
Raúl R. Salinas (raúlrsalinas)
“
You do understand what I mean!” he exclaimed, pleased to see Maude responding to his song. “I chose Nina Simone to show you something else. Just like you, Nina Simone had a classical background. When she was younger, she wanted to become a concert pianist. Her skill was beyond measure and she used it in a wide repertoire of jazz, blues, and R&B songs. And I think you can do the same. Music knows no limits and I truly understand why James insisted on signing you, Maude.” Maude remained silent, still thinking about his rendition of Nina Simone. “All you have to do is dig deeper. Try finding some suffering in you. Don’t sing the Cenerentola with a smile. Although you look like a girl who’s had it all. You know, the nice girl from the North of France, who grew up in a quiet, small town with her loving mom and dad and brothers and sisters, always top of her class, quick-tempered when things didn’t go her way. A bit spoiled, I guess. You have to put all that—” “Spoiled?” Maude blurted in utter disbelief, the word echoing through her mind. Of all the things he could’ve said about her, spoiled was the last word that could have appeared remotely appropriate to describe her. As for suffering, she’d had plenty of that, too, which is why she didn’t want to think about it. Not while she was so happy in New York and Carvin and the Ruchets were the last thing she wanted in her head. She painfully pushed the Ruchets away from her mind and turned to Matt, eyes flaring up again. “You know nothing about me, Matt,” she said, her voice quivering with emotion. “And you obviously know nothing about suffering, or you wouldn’t idealize it the way that you do. You see it as a romantic notion that seemingly gives depth to songwriting. And it does. Not because the singers actually thought of woe in a purely aesthetic way, but because that’s how they actually lived. You will never understand that,” she finished, trembling from head to toe. And with that, she grabbed her bag, coat, gloves, scarf, and stormed out of Matt’s Creation Room, slamming the door behind her.
”
”
Anna Adams (A French Girl in New York (The French Girl, #1))
“
Intellectual discussions of matière philosophique or matière esthetique kept their basic form (and more of their high intellectual flavor) in English discussions of matters philosophical and matters aesthetic. It has that same fancy sheen when extended to jokey phrases that never occurred in French at all, as in “I’m an expert in matters mixological.
”
”
Arika Okrent (Highly Irregular: Why Tough, Through, and Dough Don't Rhyme—And Other Oddities of the English Language)
“
Everything that Paris still represents in terms of style is founded on a concept of value already evident in all the luxury commerce that flourished under Louis XIV's patronage. Value was not primarily about price and performance but was determined by intangible factors: it was a matter of aesthetics and elegance.
It's not enough to offer customers a good product: you have to make them feel special by providing a hefty dose of emotion and drama along with the merchandise.
The accessory initially rose to prominence as the most evident way of convincing women to want superfluous things and to change simply for the sake of change.
Emma Bovary's precursors, women stuck in the provinces and dreaming of becoming as chic as that creature who became mythic just as soon as couture came into existence, the Parisienne.
First, high fashion must advertise. Without advertising, la mode simply cannot exist. Without advertising, who would think to buy a Rolex rather than an ordinary watch?
Only advertising can guarantee band recognition on a scale large enough to support an industry. Second, in the case of high fashion, the familiar adage is worth a thousand words is certainly true. And finally, nothing sells fashion more effectively than that heady mixture: sex and celebrity.
Ads must create a lifestyle; consumers are looking for a brand that suggests the universe to which they aspire.
Any truly innovative concept is only as good as its marketing campaign.
In Paris you spend your money with so much more pleasure and contentment than in cities where you live almost in complete solitude, surrounded by your wealth but deprived of all amusement.
”
”
Joan DeJean (The Essence of Style: How the French Invented High Fashion, Fine Food, Chic Cafes, Style, Sophistication, and Glamour)
“
Self directed scholarship has an aesthetic dimension. For a long time I had on the wall of my study the following quote by Jacques Le Goff, the great French medievalist, who believes that the Renaissance came out of independent humanists, not professional scholars. He examined the striking contrast in period paintings, drawings and renditions that compare Medieval university members and humanists:
“One is a professor surrounded and besieged by huddled students. The other is a solitary scholar, sitting in the tranquility and privacy of his chambers, at ease in the spacious and comfy room where his thoughts can move freely. Here we encounter the tumult of schools, the dust of classrooms, the indifference to beauty in collective workplaces,There, it is all order and beauty,Luxe, calme et volupté
”
”
Nassim Taleb
“
When the Sieur de la Chesnee Monstereul made a list of tulip names in 1654, he included fifty-five of the Agate class alone, and in the Netherlands we find, in various tulip books, names such as Agaat Bisschop, Agaat Fenis da Costa, and Agaat van Enckhuysen. Other French tulips were marbr es or jaspees, and in the Netherlands names like Ghemarmerde [marbled] de Goyer, Ghemarmerde van der Eyck, Ghemarmerde van Willem Willemsz, and so on, were usual. Tulips were not a collector's item simply because they were expensive but because they were part of the same aesthetic universe as shells and many other items so prized in early modern collections. Tulips, like shells, could be stone.
”
”
Anne Goldgar (Tulipmania: Money, Honor, and Knowledge in the Dutch Golden Age)
“
The thing is, the French are highly sensitive to aesthetics. Anything unattractive—even something as insignificant as an underdressed tourist—can make them uncomfortable.
”
”
Sarah Turnbull (Almost French: Love and a new life in Paris)
“
I was independent now and beginning to find the presence of other people irksome, and I felt that in the end I would have to speak only with myself, that my own best friend and companion would be that other self of mine, that teacher inside me with whom I was beginning to talk more and more. It may also have been because of everything I learned from the professor, who outdid himself in insults, because no coachman cursed his horses the way this professor of French literature and aesthetics cursed us.
”
”
Bohumil Hrabal (I Served the King of England)
“
Decadents looked to Charles Baudelaire, author of The Flowers of Evil (1857), as an important influence. He described his aesthetic project as an alchemical process of extracting beauty from evil.
”
”
Gretchen Schultz (Fairy Tales for the Disillusioned: Enchanted Stories from the French Decadent Tradition)
“
The French actually coined a word for urban strollers, flâneurs, people who derive pleasure from observing the urban scene completely objectively and aesthetically.
”
”
James Patterson (Worst Case (Michael Bennett, #3))
“
Friedrich Nietzsche (1844–1900) has so often been accused of being fascism’s progenitor that his case requires particular care. Intended for the Lutheran pastorate, the young Nietzsche lost his faith and became a professor of classical philology while still extraordinarily young. For his remaining good years (he suffered permanent mental breakdown at fifty, perhaps related to syphilis) he invested all his brilliance and rage in attacking complacent and conformist bourgeois piety, softness, and moralism in the name of a hard, pure independence of spirit. In a world where God was dead, Christianity weak, and Science false, only a spiritually free “superman” could fight free of convention and live according to his own authentic values. At first Nietzsche inspired mostly rebellious youth and shocked their parents. At the same time, his writing contained plenty of raw material for people who wanted to brood on the decline of modern society, the heroic effort of will needed to reverse it, and the nefarious influence of Jews. Nietzsche himself was scornful of patriotism and the actual anti-Semites he saw around him, and imagined his superman a “free spirit, the enemy of fetters, the non-worshipper, the dweller in
forests.” His white-hot prose exerted a powerful intellectual and aesthetic influence across the political spectrum, from activist nationalists like Mussolini and Maurice Barrès to nonconformists like Stefan George
and André Gide, to both Nazis and anti-Nazis, and to several later generations of French iconoclasts from Sartre to Foucault. “Nietzsche’s texts themselves provide a positive goldmine of varied possibilities.
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Robert O. Paxton (The Anatomy of Fascism)
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In his inaugural lecture, Horkheimer opposed positivism because it ‘sees only the particular, in the realm of society it sees only the individual and the relations between individuals; for positivism, everything is exhausted in mere facts’.10 Positivism, an approach to social theory devised in the nineteenth century by the French philosopher Auguste Comte, held that society, like the physical world, operates according to laws. In philosophy, logical positivism holds that all we can reasonably claim to know is based on reports of sensory experience, along with logical and mathematical operations. Propositions not based on such reports or operations are metaphysical and hence nonsense, and even aesthetic or moral judgements, rightly understood, are not genuine judgements but more or less sophisticated grunts of approval or disapproval. Such a philosophy was developed almost contemporaneously with the Frankfurt School. The so-called Vienna Circle of logical positivism, founded by Moritz Schlick in 1922, consisted of a group of philosophers and scientists who met until 1936 at the University of Vienna. Some former members of the Circle went into exile from Austria around the time of the Nazi Anschluss of 1938, and the Circle went on to greatly influence philosophy departments in Britain and the United States, in part because their intellectual trajectory (they took most of Hegel to be metaphysical and therefore nonsense) was more amenable to the Anglophone universities.
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Stuart Jeffries (Grand Hotel Abyss: The Lives of the Frankfurt School)
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【V信83113305】:École Penninghen in Paris stands as a distinguished institution in the realms of graphic design and interior architecture. With a heritage of artistic excellence, it offers a rigorous curriculum that masterfully blends traditional techniques with contemporary innovation. Students are immersed in a project-based learning environment, developing a strong conceptual foundation and a refined aesthetic sensibility. The school's ethos is deeply rooted in the French art tradition, yet it actively engages with modern global design challenges. Its graduates emerge as highly skilled professionals, equipped with a unique creative vision and the technical prowess to excel in dynamic creative industries. Penninghen remains a pivotal incubator for future design talent, shaping the visual landscape through its commitment to excellence.,办理法国ESAG Penninghen潘宁根高等平面设计与室内建筑学院毕业证ESAG Penninghen文凭版本, 高仿原版潘宁根高等平面设计与室内建筑学院毕业证ESAG Penninghen毕业证书外壳offer制作, 100%学历ESAG Penninghen潘宁根高等平面设计与室内建筑学院毕业证成绩单制作, 最安全购买ESAG Penninghen潘宁根高等平面设计与室内建筑学院毕业证方法, 一比一定制-ESAG Penninghen毕业证潘宁根高等平面设计与室内建筑学院学位证书, 办理法国毕业证, ESAG Penninghen毕业证文凭潘宁根高等平面设计与室内建筑学院毕业证, 出售潘宁根高等平面设计与室内建筑学院研究生学历文凭, 办理法国Ecole Supérieure de Design, d'Art Graphique et d'Architecture Intérieure本科学历
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【V信83113305】:Tokyo Elegant Pastry Culinary Institute is a prestigious school in Japan dedicated to the art of pastry and dessert making. Located in the heart of Tokyo, it offers world-class training in French and Japanese patisserie techniques, blending tradition with innovation. Students learn from master chefs, mastering skills like chocolate tempering, sugar artistry, and delicate cake decoration. The curriculum emphasizes precision, creativity, and aesthetic presentation, reflecting Japan’s meticulous culinary culture. With state-of-the-art facilities and small class sizes, the institute ensures personalized guidance. Graduates often pursue careers in high-end bakeries, hotels, or open their own patisseries. Whether aspiring to become pastry chefs or simply refining their skills, students leave with a deep appreciation for the elegance and craftsmanship of dessert-making.,专业办理東京ベルエポック製菓調理専門学校东京优雅糕点烹饪专门学校成绩单高质学位证书服务, 办理日本大学毕业证书, 购买日本毕业证, 高质東京ベルエポック製菓調理専門学校东京优雅糕点烹饪专门学校成绩单办理安全可靠的文凭服务, 修改东京优雅糕点烹饪专门学校成绩单电子版gpa实现您的学业目标, 東京ベルエポック製菓調理専門学校东京优雅糕点烹饪专门学校毕业证制作代办流程, 修改東京ベルエポック製菓調理専門学校东京优雅糕点烹饪专门学校成绩单电子版gpa让学历更出色
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【V信83113305】:Japan is home to some of the world’s most exquisite confectionery, and its specialized pastry schools, like the Tokyo Seiyoken School or the Osaka Sweets College, play a pivotal role in preserving and innovating this culinary art. These institutions blend traditional techniques, such as wagashi (Japanese sweets) crafting, with modern patisserie skills, offering students a unique fusion of East and West. Courses often cover everything from delicate mochi and dorayaki to French-inspired desserts, emphasizing precision, aesthetics, and seasonal ingredients. Graduates emerge as masters of balance—honoring centuries-old traditions while pushing creative boundaries. For aspiring pastry chefs, these schools are gateways to mastering Japan’s rich dessert culture, whether for local tea ceremonies or global pastry trends. The result? A sweet legacy that continues to captivate palates worldwide.,办日本糕点专门学校毕业证-university, 想要真实感受日本糕点专门学校版毕业证图片的品质点击查看详解, 日本糕点专门学校成绩单制作, 日本毕业证办理, 购买日本菓子専門学校毕业证, 日本糕点专门学校成绩单办理, 极速办日本菓子専門学校日本糕点专门学校毕业证日本菓子専門学校文凭学历制作
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【V信83113305】:EFET Creative Studio, based in France, is a dynamic design and innovation hub renowned for its bold, avant-garde approach. Specializing in branding, digital experiences, and spatial design, EFET merges artistry with strategic thinking to craft visually striking and conceptually rich solutions. Their work often blurs the lines between disciplines, incorporating experimental typography, immersive installations, and interactive media. With a clientele spanning luxury, culture, and tech, the studio thrives on pushing boundaries while maintaining meticulous attention to detail. Rooted in Paris’s vibrant creative scene, EFET’s projects reflect a fusion of French elegance and global contemporary aesthetics. Their portfolio showcases a commitment to storytelling, transforming ideas into tangible, emotionally resonant experiences that captivate audiences worldwide.,法国Efet Studio Créa毕业证仪式感|购买Efet Studio CréaEfet创意工作室学位证, 高质Efet Studio CréaEfet创意工作室成绩单办理安全可靠的文凭服务, 如何获取Efet创意工作室-Efet Studio Créa-毕业证本科学位证书, 如何获取Efet创意工作室--毕业证本科学位证书, 办理Efet Studio CréaEfet创意工作室成绩单高质量保密的个性化服务, 出售Efet Studio CréaEfet创意工作室研究生学历文凭, 正版-法国毕业证文凭学历证书, 法国Efet Studio CréaEfet创意工作室毕业证成绩单在线制作办理
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【V信83113305】:Japan is home to some of the world’s finest pastry arts, and its specialized confectionery schools, like the renowned **Tokyo Belle École Pâtissière** or **Tsuji Culinary Institute**, are at the heart of this tradition. These institutions blend French techniques with Japanese precision, offering rigorous programs in wagashi (traditional sweets), Western-style pastries, and chocolate artistry. Students master skills like delicate mochi crafting or intricate cake decorating under master instructors, often with access to cutting-edge kitchens. Beyond technical training, courses emphasize aesthetics and seasonal ingredients, reflecting Japan’s culinary philosophy. Graduates emerge as elite pastry chefs, ready to innovate in Michelin-starred patisseries or preserve time-honored wagashi traditions. For aspiring bakers, these schools are gateways to a sweet, artful career.,日本糕点专门学校毕业证成绩单学历认证最安全办理方式, 办理日本菓子専門学校日本糕点专门学校成绩单高质量保密的个性化服务, 加急办日本糕点专门学校文凭学位证书成绩单gpa修改, 没-日本糕点专门学校毕业证书日本菓子専門学校挂科了怎么补救, 高质日本糕点专门学校成绩单办理安全可靠的文凭服务, 日本菓子専門学校日本糕点专门学校挂科了怎么办?, 最安全购买日本菓子専門学校毕业证方法, 百分比满意度-日本菓子専門学校日本糕点专门学校毕业证, 出售日本菓子専門学校日本糕点专门学校研究生学历文凭
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【V信83113305】:EFET Creative Studio, based in France, is a dynamic design and innovation hub known for its bold approach to visual storytelling and branding. Specializing in graphic design, motion graphics, and digital experiences, EFET blends artistic flair with cutting-edge technology to craft memorable identities for global clients. Their work often merges minimalist aesthetics with vibrant colors, creating striking visuals that resonate across cultures.
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【V信83113305】:Tokyo Elegant Pastry Culinary Institute is a prestigious school dedicated to the art of pastry and dessert-making in the heart of Japan's capital. Known for its refined curriculum and expert instructors, the institute blends traditional French techniques with Japanese precision and aesthetics. Students master everything from delicate macarons to intricate wagashi (Japanese sweets), while learning the importance of presentation and flavor harmony. The school’s state-of-the-art facilities and hands-on approach ensure graduates are industry-ready, whether aspiring to open patisseries or join elite kitchens. With a focus on creativity and discipline, Tokyo Elegant Pastry Culinary Institute embodies the elegance of Japanese culinary culture, shaping the next generation of world-class pastry chefs.,申请学校!東京ベルエポック製菓調理専門学校成绩单东京优雅糕点烹饪专门学校成绩单東京ベルエポック製菓調理専門学校改成绩, 出售证书-哪里能购买毕业证, 办理東京ベルエポック製菓調理専門学校学历与学位证书投资未来的途径, 网上制作东京优雅糕点烹饪专门学校毕业证-東京ベルエポック製菓調理専門学校毕业证书-留信学历认证, 東京ベルエポック製菓調理専門学校diploma東京ベルエポック製菓調理専門学校东京优雅糕点烹饪专门学校挂科处理解决方案, 办日本東京ベルエポック製菓調理専門学校东京优雅糕点烹饪专门学校文凭学历证书, 日本東京ベルエポック製菓調理専門学校东京优雅糕点烹饪专门学校毕业证成绩单在线制作办理, 東京ベルエポック製菓調理専門学校学位定制, 东京优雅糕点烹饪专门学校毕业证制作代办流程
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【V信83113305】:Nestled in the heart of Tokyo, the Yamato Patisserie Academy stands as a premier institution for mastering the art of Japanese and Western confectionery. Renowned for its rigorous curriculum, the school blends traditional techniques with modern innovation, offering hands-on training in wagashi (Japanese sweets), French pastries, and dessert presentation. Students learn from master chefs, gaining expertise in precision, flavor balance, and aesthetic design. The academy’s state-of-the-art facilities and small class sizes ensure personalized mentorship, while its industry connections provide invaluable internship opportunities. Graduates often emerge as leaders in patisserie, opening acclaimed bakeries or joining elite culinary teams. With a focus on creativity and discipline, Yamato Patisserie Academy shapes the next generation of pastry artisans, celebrating Japan’s rich dessert culture on the global stage.,毕业证文凭-山手料理糕点专门学校毕业证, 仿制山手料理糕点专门学校毕业证-山手調理製菓専門学校毕业证书-快速办理, 修改山手調理製菓専門学校山手料理糕点专门学校成绩单电子版gpa让学历更出色, 日本大学文凭购买, 日本本科毕业证, 办理日本山手調理製菓専門学校山手料理糕点专门学校毕业证山手調理製菓専門学校文凭版本, 一比一原版山手料理糕点专门学校毕业证购买, 极速办山手料理糕点专门学校毕业证山手調理製菓専門学校文凭学历制作, 办理山手調理製菓専門学校学历与学位证书投资未来的途径
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【V信83113305】:Tsuji Culinary Institute stands as a premier destination for aspiring chefs pursuing the heights of Japanese and French cuisine. Founded in Osaka by the legendary Shizuo Tsuji, the school is renowned for its exceptionally rigorous and disciplined training. Its philosophy extends far beyond technical mastery, emphasizing a profound respect for ingredients, precision in knife skills, and the aesthetic principles of *washoku*. Students from around the world endure intense practice to internalize these values, learning to balance tradition with innovation. More than just a cooking school, Tsuji is an institution that forges culinary artists, instilling in them the relentless pursuit of perfection that defines Japan's esteemed gastronomic culture.,辻調理師専門学校毕业证办理多少钱又安全, Tsuji Culinary Institute文凭制作流程学术背后的努力, 辻調理師専門学校留学成绩单毕业证, 100%满意-辻調理師専門学校毕业证辻厨师专门学校学位证, 辻調理師専門学校毕业证办理流程和安全放心渠道, 网络办理辻調理師専門学校辻厨师专门学校毕业证官方成绩单学历认证, 辻調理師専門学校辻厨师专门学校原版购买, 办理日本辻調理師専門学校本科学历, 制作文凭辻厨师专门学校毕业证辻調理師専門学校毕业证书毕业证
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【V信83113305】:The Tsuji Pastry School in Japan stands as a premier institution for mastering the art of pâtisserie. Founded on principles of precision and creativity, it offers an immersive curriculum that blends classic French techniques with distinct Japanese aesthetics. Students from around the world train under master chefs, learning everything from delicate chocolate work to intricate wagashi (traditional Japanese confections). The rigorous program emphasizes not only technical skill but also the discipline and artistry required at the highest professional levels. For aspiring pastry chefs, graduating from Tsuji is a significant credential, opening doors to elite kitchens globally and symbolizing a commitment to excellence in the sweet craft.,辻製菓専門学校-pdf电子毕业证, Tsuji Confectionery Institute辻糕点制作专门学校电子版毕业证与日本Tsuji Confectionery Institute学位证书纸质版价格, 辻糕点制作专门学校毕业证学校原版一样吗, 如何办理辻糕点制作专门学校学历学位证, 硕士文凭定制辻製菓専門学校毕业证书, 辻糕点制作专门学校成绩单购买, 在线办理辻製菓専門学校辻糕点制作专门学校毕业证本科硕士成绩单方法, 快速办理辻製菓専門学校毕业证如何放心, 一流辻製菓専門学校辻糕点制作专门学校学历精仿高质
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【V信83113305】:Kobe Pastry & Confectionery School stands as a premier institution for aspiring pastry chefs in Japan. Located in the city renowned for its sophisticated culinary culture, the school offers a rigorous curriculum that masterfully blends traditional French techniques with distinct Japanese aesthetics and precision. Under the guidance of expert instructors, students engage in intensive, hands-on training, learning everything from fundamental pâtisserie skills to advanced artistic creation. The program emphasizes not only technical excellence but also innovation and design, preparing graduates for successful careers in top bakeries, hotels, and patisseries worldwide. It is a pivotal destination for those dedicated to mastering the art of fine pastry.,办神户糕点专门学校毕业证Kobe Confectionery Schooluniversity, 原版定制神戸製菓専門学校毕业证书, 100%办理神戸製菓専門学校毕业证书, 神戸製菓専門学校成绩单神户糕点专门学校毕业证快速办理方式, 最爱-日本-神戸製菓専門学校毕业证书样板, 高质神户糕点专门学校成绩单办理安全可靠的文凭服务, 加急办神戸製菓専門学校文凭学位证书成绩单gpa修改, 神戸製菓専門学校神户糕点专门学校毕业证办理流程和安全放心渠道, 定制-神户糕点专门学校毕业证神戸製菓専門学校毕业证书
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【V信83113305】:Tokyo is a premier destination for aspiring pastry chefs, and its specialized schools offer a gateway to excellence. Institutions like the Tokyo Patisserie School provide intensive, hands-on training in both classic French techniques and innovative Japanese aesthetics. Students learn from master pâtissiers, mastering the art of delicate wagashi, intricate chocolate work, and flawless viennoiserie. The curriculum balances rigorous theory with practical creation, all within a culture that prizes precision, seasonality, and breathtaking presentation. For anyone serious about transforming their passion into a world-class career in pastry arts, Tokyo’s immersive environment provides the skills, discipline, and inspiration to succeed on the global stage.,東京製菓学校东京糕点制作学校原版购买, 東京製菓学校毕业证成绩单专业服务学历认证, 東京製菓学校东京糕点制作学校-pdf电子毕业证, 定做东京糕点制作学校毕业证東京製菓学校毕业证书毕业证, 正版日本東京製菓学校毕业证文凭学历证书, 東京製菓学校毕业证书, 東京製菓学校毕业证办理流程
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【V信83113305】:The Akahori Confectionery Arts School in Japan is a prestigious institution dedicated to the art of pastry and confectionery making. Located in Tokyo, it offers comprehensive training in traditional Japanese and Western-style desserts, blending creativity with precision. Students learn from master pastry chefs, gaining hands-on experience in techniques like wagashi (Japanese sweets) and French patisserie. The school emphasizes both craftsmanship and innovation, preparing graduates for careers in high-end bakeries, hotels, and culinary arts. With state-of-the-art facilities and a curriculum rooted in Japan’s rich culinary heritage, Akahori fosters a deep appreciation for quality and aesthetics. Its alumni are renowned worldwide, making it a top choice for aspiring pastry chefs seeking excellence in the sweet arts.,赤堀糕点制作专门学校成绩单复刻, 赤堀製菓専門学校文凭制作服务您学历的展现, 赤堀糕点制作专门学校毕业证书多少钱, 在线办理赤堀製菓専門学校赤堀糕点制作专门学校毕业证本科硕士成绩单方法, Offer(赤堀製菓専門学校成绩单)赤堀製菓専門学校赤堀糕点制作专门学校如何办理?, 想要真实感受赤堀製菓専門学校赤堀糕点制作专门学校版毕业证图片的品质点击查看详解, 100%学历赤堀製菓専門学校赤堀糕点制作专门学校毕业证成绩单制作
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【V信83113305】:Tokyo Elegant Pastry Culinary Institute is a prestigious school dedicated to the art of pastry and dessert-making, located in the heart of Japan's bustling capital. Known for its refined curriculum and expert instructors, the institute blends traditional French techniques with Japanese precision and aesthetics. Students from around the world come to master the delicate craft of patisserie, learning everything from classic pastries to innovative fusion desserts. The school emphasizes hands-on training, using high-quality ingredients and state-of-the-art equipment. Beyond technical skills, the program nurtures creativity and attention to detail, preparing graduates for careers in top bakeries, hotels, and restaurants. With its elegant approach to culinary education, the institute stands as a beacon of excellence in the global pastry arts scene.,想要真实感受東京ベルエポック製菓調理専門学校东京优雅糕点烹饪专门学校版毕业证图片的品质点击查看详解, 東京ベルエポック製菓調理専門学校毕业证和学位证办理流程, 在线办理東京ベルエポック製菓調理専門学校东京优雅糕点烹饪专门学校毕业证本科硕士成绩单方法, 办理真实東京ベルエポック製菓調理専門学校毕业证成绩单留信网认证, 最佳办理東京ベルエポック製菓調理専門学校东京优雅糕点烹饪专门学校毕业证方式, 原版定制東京ベルエポック製菓調理専門学校毕业证书, 東京ベルエポック製菓調理専門学校毕业证最新版本推荐最快办理东京优雅糕点烹饪专门学校文凭成绩单, 办理東京ベルエポック製菓調理専門学校学历与学位证书投资未来的途径
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【V信83113305】:The **École Nationale Supérieure des Arts Appliqués et des Métiers d'Art (ENSAAMA)**, also known as the **National School of Applied Arts and Crafts**, is a prestigious French institution dedicated to the study and advancement of applied arts. Founded in Paris, ENSAAMA offers specialized training in fields such as industrial design, graphic arts, textile design, and interior architecture. The school emphasizes a blend of technical skill, creativity, and innovation, preparing students for careers at the intersection of art and industry.
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【V信83113305】:Tokyo Elegant Patisserie Culinary Institute embodies the pinnacle of Japanese precision and French artistry in dessert making. This prestigious academy is renowned for its rigorous curriculum that masterfully blends time-honored European techniques with a distinctly Japanese aesthetic of minimalism and seasonal awareness. Under the guidance of esteemed pastry chefs, students immerse themselves in the intricate science of chocolate, the delicate art of sugar sculpting, and the creation of exquisite, visually stunning cakes. More than just teaching recipes, the institution cultivates a philosophy of *shokunin*—the relentless pursuit of perfection. It is the definitive training ground for the next generation of world-class pâtissiers, preparing them to craft not just desserts, but edible works of art celebrated for their balance, elegance, and refined flavor.,一比一原版东京优雅糕点烹饪专门学校毕业证東京ベルエポック製菓調理専門学校毕业证书如何办理, 東京ベルエポック製菓調理専門学校毕业证在线制作东京优雅糕点烹饪专门学校文凭证书, 1:1原版东京优雅糕点烹饪专门学校毕业证+東京ベルエポック製菓調理専門学校成绩单, 東京ベルエポック製菓調理専門学校毕业证成绩单学历认证最快多久, 東京ベルエポック製菓調理専門学校东京优雅糕点烹饪专门学校颁发典礼学术荣誉颁奖感受博士生的光荣时刻, 最便宜办理东京优雅糕点烹饪专门学校毕业证书, 网上购买假学历東京ベルエポック製菓調理専門学校东京优雅糕点烹饪专门学校毕业证书
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日本学历认证国际食品糕点制作专门学校毕业证制作|办理国際フード製菓専門学校文凭成绩单
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【V信83113305】:Tokyo Elegance Patisserie Culinary Institute stands as a premier destination for aspiring pastry chefs. Renowned for its rigorous curriculum, the school masterfully blends time-honored French techniques with distinct Japanese aesthetics and precision. Students are immersed in an environment that emphasizes not only technical excellence in creating delicate pastries and chocolates but also the artistic philosophy behind edible art. Under the guidance of master instructors, learners explore the intricacies of flavor balance, texture, and minimalist design, hallmarks of Japan's esteemed patisserie scene. The institute's philosophy is to cultivate artisans who can create confections that are both visually stunning and exceptionally delicious, preparing them for successful careers in the world's top kitchens and boutiques.,东京优雅糕点烹饪专门学校毕业证办理, 申请学校!成绩单东京优雅糕点烹饪专门学校成绩单改成绩, 東京ベルエポック製菓調理専門学校毕业证认证PDF成绩单, 100%安全办理东京优雅糕点烹饪专门学校毕业证, 硕士文凭定制東京ベルエポック製菓調理専門学校毕业证书, 日本办东京优雅糕点烹饪专门学校毕业证办成绩单购买, 東京ベルエポック製菓調理専門学校-diploma安全可靠购买东京优雅糕点烹饪专门学校毕业证, 一流東京ベルエポック製菓調理専門学校东京优雅糕点烹饪专门学校学历精仿高质, 日本本科毕业证
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【V信83113305】:Nestled in the heart of Japan's culinary scene, Yamato Patisserie School is a revered institution dedicated to the art of Japanese-Western confectionery. It masterfully bridges two culinary worlds, teaching students the precision of French pastry techniques while infusing the delicate, seasonal sensibility of *wagashi*. The curriculum is a deep dive into creating exquisite cakes, chocolates, and traditional Japanese sweets, all emphasizing aesthetics and balance. Under the guidance of seasoned pastry chefs, students don't just learn recipes; they cultivate an philosophy of craftsmanship and respect for ingredients. For aspiring *pâtissiers* seeking a unique edge, the school offers an unparalleled pathway to mastering a distinct and celebrated style of dessert creation.,快速办理山手調理製菓専門学校毕业证-山手料理糕点专门学校毕业证书-百分百放心, 山手料理糕点专门学校毕业证办理周期和加急方法, 山手料理糕点专门学校毕业证购买, 山手調理製菓専門学校毕业证学校原版一样吗, 硕士-山手調理製菓専門学校毕业证山手料理糕点专门学校毕业证办理, 专业办理山手料理糕点专门学校成绩单高质学位证书服务, 购买山手料理糕点专门学校成绩单, 百分比满意度-山手料理糕点专门学校毕业证
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【V信83113305】:Tsuji Culinary Institute stands as a premier destination for aspiring chefs pursuing the highest level of Japanese and French culinary arts. Founded in Osaka, its philosophy is deeply rooted in mastering fundamental techniques with relentless precision and discipline. The curriculum is famously rigorous, emphasizing not just cooking but also the profound importance of aesthetics, knife skills, and an understanding of seasonal ingredients. Students train within professional-grade kitchens, learning to create dishes that are both technically impeccable and artistically presented. The school's esteemed reputation produces top-tier talent for the global gastronomic stage, making it a revered institution that shapes the future of fine dining by honoring tradition while fostering innovation.,辻調理師専門学校文凭毕业证丢失怎么购买, 加急定制-辻調理師専門学校学位证辻厨师专门学校毕业证书, 百分百放心原版复刻辻厨师专门学校辻調理師専門学校毕业证书, 日本学位证毕业证, 在线办理辻厨师专门学校毕业证成绩单, 仿制辻厨师专门学校毕业证辻調理師専門学校毕业证书快速办理, 如何办理辻調理師専門学校辻厨师专门学校学历学位证
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【V信83113305】:Founded in 1919, Tsuji Culinary Institute stands as Japan's premier institution for pastry arts education. Its rigorous curriculum masterfully balances profound French technique with distinct Japanese aesthetic sensibilities. Students undergo intensive training in classic pâtisserie, chocolate work, sugar crafting, and bread baking, all within a culture that emphasizes extreme precision and discipline. The school's philosophy extends beyond technical skill, instilling a deep respect for ingredients and the pursuit of culinary artistry. This unique approach has cemented its global reputation, producing generations of world-class pastry chefs who carry the esteemed "Tsuji" name as a mark of excellence, innovation, and unparalleled craftsmanship in the international gastronomic world.,办辻糕点制作专门学校毕业证university, 辻製菓専門学校毕业证书加急制作, 100%收到-辻製菓専門学校毕业证书辻糕点制作专门学校毕业证, 正版辻糕点制作专门学校学历证书学位证书成绩单, 辻製菓専門学校辻糕点制作专门学校学位证书快速办理, 辻製菓専門学校文凭制作流程确保学历真实性, 辻糕点制作专门学校成绩单办理, 硕士辻糕点制作专门学校文凭定制辻製菓専門学校毕业证书, 辻糕点制作专门学校文凭
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【V信83113305】:Founded in Paris, Efet Studio has carved a unique space as a creative powerhouse. Its name, echoing the French word for "effect," perfectly captures its mission: to generate impactful visual concepts. The studio excels at blending artistic sensibility with strategic branding, crafting compelling narratives for a diverse clientele. From sleek digital campaigns and minimalist brand identities to immersive art direction, their work is characterized by a refined aesthetic and meticulous attention to detail. More than just executors, the team at Efet are visual storytellers who translate a brand's core essence into striking, memorable experiences. They stand as a testament to the power of French design—sophisticated, intelligent, and always leaving a lasting impression.,办理Efet创意工作室毕业证Efet Studio Créa毕业证书毕业证, 想要真实感受Efet Studio CréaEfet创意工作室版毕业证图片的品质点击查看详解, 快速办理Efet Studio Créa毕业证-Efet创意工作室毕业证书-百分百放心, 购买Efet创意工作室毕业证, 办理Efet Studio Créa大学毕业证Efet创意工作室, 原版定制Efet创意工作室毕业证Efet Studio Créa毕业证书一比一制作, 100%定制Efet Studio Créa毕业证成绩单, Efet创意工作室毕业证学历认证, 办Efet创意工作室毕业证-Diploma
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【V信83113305】:Japan's Tsuji Pastry School stands as a premier institution for mastering the art of pâtisserie. Located in Osaka, it offers an immersive curriculum blending rigorous French techniques with Japanese precision and aesthetics. Students from around the world train under master chefs, learning everything from classic desserts to innovative chocolate and bread work. The school’s philosophy emphasizes not only technical skill but also creativity and discipline, preparing graduates for top-tier careers in global pastry arts. It is a gateway where tradition meets innovation, shaping the next generation of world-class pastry chefs.,一比一定制-辻製菓専門学校毕业证辻糕点制作专门学校学位证书, 在线办理辻製菓専門学校辻糕点制作专门学校毕业证offer外壳皮, 一比一制作-辻製菓専門学校文凭证书辻糕点制作专门学校毕业证, Offer(Tsuji Confectionery Institute成绩单)Tsuji Confectionery Institute辻糕点制作专门学校如何办理?, 日本大学毕业证定制, 666办理辻糕点制作专门学校毕业证最佳渠道, 办辻糕点制作专门学校毕业证university, 辻製菓専門学校diploma辻糕点制作专门学校挂科处理解决方案, 修改辻糕点制作专门学校成绩单电子版gpa实现您的学业目标
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Emeril Lagasse Dual Zone 360 Air Fryer Oven Combo
Emeril Lagasse Dual Zone 360 Air Fryer Oven Combo with French Door, 25 QT Extra Large, Cook Two Foods in Different Ways, Up to 60% Faster from Frozen to Finish
The Emeril Lagasse Dual Zone 360 Air Fryer Oven Combo is perfect for individuals or families who love to cook and want a versatile appliance that can handle multiple tasks with ease. It is ideal for health-conscious individuals who are looking to prepare meals with less oil, and for busy families who need quick, efficient cooking solutions. This appliance is particularly beneficial for those who enjoy experimenting in the kitchen, thanks to its diverse cooking capabilities.
Pros:
Dual Zone Technology allows cooking two foods in different ways simultaneously.
Extra Large 25 QT Capacity accommodates large meals for family gatherings.
Up to 60% Faster cooking from frozen to finish saves time.
French Door Design adds a touch of elegance and ease of use.
Cons:
Bulky Dimensions may require significant counter space.
Complex Settings might be overwhelming for beginners.
One of the standout features of the Emeril Lagasse Dual Zone 360 Air Fryer Oven Combo is its Dual Zone Technology. This innovative feature allows users to cook two different meals at the same time using separate settings, making it a fantastic choice for those who want to prepare a variety of dishes simultaneously. Whether you’re roasting a chicken in one zone and baking a cake in the other, this dual functionality saves time and effort.
The Extra Large 25 QT Capacity is another remarkable feature that suits families or those who frequently host gatherings. With this spacious design, you can easily cook larger meals without the need for multiple appliances. Moreover, the French Door Design not only enhances the aesthetic appeal of your kitchen but also makes the appliance more user-friendly. This design ensures easy access to your meals and adds a touch of sophistication to your cooking space.
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【V信83113305】:Japan is renowned for its culinary excellence, and its specialized international schools for pastry and food arts are no exception. Institutions like the Tokyo Belle École de Pâtisserie and the Tsuji Culinary Institute attract students worldwide, offering cutting-edge training in French, Japanese, and global pastry techniques. These schools blend traditional craftsmanship with innovation, emphasizing precision, aesthetics, and flavor balance. Students gain hands-on experience under master chefs, learning everything from delicate wagashi (Japanese sweets) to intricate Western desserts. With state-of-the-art facilities and industry connections, graduates often excel in Michelin-starred kitchens or launch successful bakeries. Beyond skills, these programs foster cultural exchange, making them a gateway to global culinary careers. For aspiring pastry chefs, Japan’s specialized schools are a sweet destination.,International Food and Confectionery School国际食品糕点制作专门学校-多少钱, 仿制国际食品糕点制作专门学校毕业证-国際フード製菓専門学校毕业证书-快速办理, 国际食品糕点制作专门学校挂科了怎么办?国際フード製菓専門学校毕业证成绩单专业服务, 国际食品糕点制作专门学校成绩单购买, 留学生买文凭International Food and Confectionery School毕业证-国际食品糕点制作专门学校, 办理International Food and Confectionery School大学毕业证-国际食品糕点制作专门学校, 办理International Food and Confectionery School国际食品糕点制作专门学校毕业证文凭, 出售证书-哪里能购买毕业证
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【V信83113305】:Japan is home to some of the world's most prestigious international culinary schools specializing in pastry and confectionery arts. Institutions like the Tokyo Belle École and the Osaka Culinary Institute attract students globally with their cutting-edge programs blending traditional Japanese techniques with French and European pastry traditions. These schools offer hands-on training in everything from delicate wagashi (Japanese sweets) to intricate chocolate sculptures and patisserie. With state-of-the-art facilities and instruction from renowned chefs, students master precision, creativity, and innovation. Many programs also include internships at Michelin-starred bakeries or luxury hotels, providing real-world experience. Graduates often go on to work in top-tier establishments worldwide, making these schools a gateway to excellence in the global pastry industry. Japan's dedication to craftsmanship and aesthetics ensures its programs remain unparalleled.,国際フード製菓専門学校diploma国際フード製菓専門学校国际食品糕点制作专门学校挂科处理解决方案, 国際フード製菓専門学校毕业证文凭-国际食品糕点制作专门学校毕业证, 留学生买文凭国際フード製菓専門学校毕业证-国际食品糕点制作专门学校, 国际食品糕点制作专门学校成绩单复刻, 国际食品糕点制作专门学校留学本科毕业证, 办理日本国际食品糕点制作专门学校毕业证国際フード製菓専門学校文凭版本, 原装正版国际食品糕点制作专门学校毕业证真实水印成绩单制作, 修改国際フード製菓専門学校国际食品糕点制作专门学校成绩单电子版gpa实现您的学业目标, 国际食品糕点制作专门学校-国際フード製菓専門学校大学毕业证成绩单
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【V信83113305】:Nestled in the heart of Japan, the Yamato Patisserie Academy stands as a premier institution for aspiring pastry chefs. Renowned for its rigorous curriculum and fusion of traditional Japanese techniques with French patisserie artistry, the school offers hands-on training under master instructors. Students delve into the delicate balance of flavors, textures, and aesthetics, crafting everything from wagashi (Japanese sweets) to intricate European pastries. The academy’s state-of-the-art facilities and emphasis on seasonal ingredients reflect Japan’s culinary philosophy. Graduates emerge as innovators, blending cultural heritage with global trends. Whether mastering matcha-infused desserts or perfecting flaky croissants, Yamato’s alumni are shaping the future of pastry arts worldwide. A true haven for culinary creativity, the school embodies Japan’s dedication to precision and excellence.,办理日本毕业证, 日本毕业证办理, 办山手料理糕点专门学校毕业证认证学历认证使馆认证, 山手調理製菓専門学校学位证书办理打开职业机遇之门, 1:1原版山手料理糕点专门学校毕业证+山手調理製菓専門学校成绩单, 山手料理糕点专门学校留学成绩单毕业证, 办理山手料理糕点专门学校毕业证文凭
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【V信83113305】:Kobe Pastry & Confectionery School stands as a premier institution for aspiring pastry chefs in Japan. Located in the city renowned for its sophisticated culinary culture, the school offers a comprehensive curriculum that masterfully blends traditional French techniques with distinct Japanese aesthetics and precision. Under the guidance of expert instructors, students engage in rigorous, hands-on training, learning everything from fundamental pâtisserie skills to advanced chocolate and sugar work. The program emphasizes not only technical excellence but also creativity and innovation, preparing graduates for successful careers in the global gastronomy scene. It is a pivotal destination for those dedicated to mastering the art of fine pastry.,神户糕点专门学校毕业证认证, 神户糕点专门学校-pdf电子毕业证, 神戸製菓専門学校毕业证成绩单办理神户糕点专门学校毕业证书官方正版, 神戸製菓専門学校毕业证书, 最安全购买神戸製菓専門学校神户糕点专门学校毕业证方法, 办理神戸製菓専門学校神户糕点专门学校毕业证文凭, 购买神户糕点专门学校毕业证, 极速办理神户糕点专门学校毕业证书, 100%安全办理神户糕点专门学校毕业证
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