Freaks Of Nature Quotes

We've searched our database for all the quotes and captions related to Freaks Of Nature. Here they are! All 100 of them:

Tom has a theory that homosexuals and single women in their thirties have natural bonding: both being accustomed to disappointing their parents and being treated as freaks by society.
Helen Fielding (Bridget Jones’s Diary (Bridget Jones, #1))
I think you’re confused as to the nature of our relationship. You and I, we don’t get along. You’re a psychopathic control freak. You order me around and I want to kill you. I’m a pigheaded insubordinate ass. I drive you mad and you want to strangle me.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
They thought to use and shame me but I win out by nature, because a true freak cannot be made. A true freak must be born.
Katherine Dunn (Geek Love)
Look at Matsumoto. You need at least 10 years of sleep to catch up with her." "Shut up! Rangiku's a freak of nature!
Tite Kubo (Bleach, Volume 24)
Again, I repeat, don’t ask questions you don’t want answered. Just accept the fact that Acheron is a freak of nature and let it go. (Zarek)
Sherrilyn Kenyon (Kiss of the Night (Dark-Hunter, #4))
Oh right," he says. "Because that makes sense. Because tossing a grown-ass man over your shoulders is just so freaking easy. That shit just comes naturally to you." I shrug. Kenji lets out a low whistle. "Cocky as hell, too.
Tahereh Mafi (Ignite Me (Shatter Me, #3))
I will be the Vampire Lestat for all to see. A symbol, a freak of nature - something loved, something despised all of those things. I tell you I can't give it up. I can't miss. And quite frankly I am not in the least afraid." - Lestat, The Vampire Lestat, p. 532
Anne Rice
I'm proud to be a freak of nature.
Robin Brande (Evolution, Me & Other Freaks of Nature)
Tomorrow when the farm boys find this freak of nature, they will wrap his body in newspaper and carry him to the museum. But tonight he is alive and in the north field with his mother. It is a perfect summer evening: the moon rising over the orchard, the wind in the grass. And as he stares into the sky, there are twice as many stars as usual.
Laura Gilpin (The Weight of a Soul)
Nora had always had a problem accepting herself. From as far back as she could remember, she'd had the sense that she wasn't enough. Her parents who both had their own insecurities, had encouraged that idea. She imagined, now, what it would be like to accept herself completely. Every mistake she had ever made. Every mark on her body. Every dream she had ever made. Every mark on her body. Every dream she hadn't reached or pain she had felt. Every lust or longing she had suppressed. She imagined accepting it all. The way she accepted nature. The way she accepted a glacier or a puffin or the breach of a whale. She imagined seeing herself as just another brilliant freak of nature. Just another sentient animal, trying her best. And in doing so, she imagined what it was like to be free.
Matt Haig (The Midnight Library)
Maybe if I had to boil it down to one easy sentence, it would be this: I believe in evolution, and I believe in God. I just haven't worked out the details yet.
Robin Brande (Evolution, Me & Other Freaks of Nature)
That's the nature of our relationship". A spark lit his eyes. "We both do what's necessary, and after it's over, I watch you freak out about it." "I don't." "Oh, I don't want you to stop. I find it highly amusing
Ilona Andrews (White Hot (Hidden Legacy, #2))
Lying is for the weak-minded. If you can’t think of a truthful way to solve your problems, you’re not thinking hard enough.
Robin Brande (Evolution, Me & Other Freaks of Nature)
I believe, unswervingly, agonizingly, that it is in freaks that Being breaks through to the surface and reveals its true nature.
Olga Tokarczuk (Flights)
But as history clearly shows, most people, whether because of nature or nurture, generally put their own interests ahead of others’. This doesn’t make them bad people; it just makes them human.
Steven D. Levitt (Think Like a Freak)
We could go so far as to say that it is the human condition to be grotesque, since the human animal is the one that does not fit in, the freak of nature who has no place in the natural order and is capable of re-combining nature's products into hideous new forms.
Mark Fisher (The Weird and the Eerie)
Sometimes the most remarkable things seem commonplace. I mean when you think about it jet travel is pretty freaking remarkable. You get in a plane it defies the gravity of a entire planet by exploiting a loophole with air pressure and it flies across distances that would take months or years to cross by any means of travel that has been significant for more than a century or three. You hurtle above the earth at enough speed to kill you instantly should you bump into something and you can only breathe because someone built you a really good tin can that seems tight enough to hold in a decent amount of air. Hundreds of millions of man-hours of work and struggle and research blood sweat tears and lives have gone into the history of air travel and it has totally revolutionized the face of our planet and societies. But get on any flight in the country and I absolutely promise you that you will find someone who in the face of all that incredible achievement will be willing to complain about the drinks.
Jim Butcher (Summer Knight (The Dresden Files, #4))
Since when do you give a crap about my welfare anyway? I think you're confused as to the nature of our relationship. You and I, we don't get along. You're a psychopathic control freak. You order me around and I want to kill you. I'm a pigheaded insubordinate ass. I drive you mad and you want to strangle me." "Once! I did it once!" "Once was plenty. The point is, we don't play nice. We-" He jerked his arms out from under my knees, pulled me to him, oblivious to the dagger, and kissed me.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
It would seem that emotions are the curse, not death-emotions that appear to have developed upon a few freaks as a special curse from Malevolence. All right then. It is our emotions that are amiss. We are freaks, the world is fine, and let us all go have lobotomies to restore us to a natural state. We can leave the library then, go back to the creek lobotomized, and live on its banks as untroubled as any muskrat or reed. You first.
Annie Dillard (Pilgrim at Tinker Creek)
I knew I was a little different from most demons but nothing says freak of nature like a one-eyed gypsy saying I had a rainbow glow. It just didn't sound complimentary.
Mary Abshire (Claiming the Evil Dead (Soul Catcher, #1))
The color of one's creed, neckties, eyes, thoughts, manners, speech, is sure to meet somewhere in time of space with a fatal objection from a mob that hates that particular tone. And the more brilliant, the more unusual the man, the nearer he is to the stake. Stranger always rhymes with danger. The meek prophet, the enchanter in his cave, the indignant artist, the nonconforming little schoolboy, all share in the same sacred danger. And this being so, let us bless them, let us bless the freak; for in the natural evolution of things, the ape would perhaps never have become man had not a freak appeared in the family.
Vladimir Nabokov (Lectures on Literature)
We are all echoes of each other. We are all humans and feel both despair and happiness. Our similarities, as a species, are staggering. And our mental fragility is directly tied up with our humanity. We have nothing to be ashamed of in being human, any more than a tree should be ashamed of having branches. Let’s accept our own nature. Let’s be kind to ourselves and to each other. Let’s never add to the pain by blaming ourselves. We are all so weird that, really, none of us are. There are seven billion versions of strange on this freak wonder of a planet. We are all part of that. All freaks. All wonderful.
Matt Haig (Reasons to Stay Alive)
Sometimes it’s the freaks of nature who end up being the strongest.
Amy Reed (The Nowhere Girls)
This principle of nature being very remote from the conceptions of Philosophers, I forbore to describe it in that book, least I should be accounted an extravagant freak and so prejudice my Readers against all those things which were the main designe of the book.
Isaac Newton (Opticks: Or a Treatise of the Reflections, Refractions, Inflections & Colours of Light-Based on the Fourth Edition London, 1730)
For a long while I have believed – this is perhaps my version of Sir Darius Xerxes Cama’s belief in a fourth function of outsideness – that in every generation there are a few souls, call them lucky or cursed, who are simply born not belonging, who come into the world semi-detached, if you like, without strong affiliation to family or location or nation or race; that there may even be millions, billions of such souls, as many non-belongers as belongers, perhaps; that, in sum, the phenomenon may be as “natural” a manifestation of human nature as its opposite, but one that has been mostly frustrated, throughout human history, by lack of opportunity. And not only by that: for those who value stability, who fear transience, uncertainly, change, have erected a powerful system of stigmas and taboos against rootlessness, that disruptive, anti-social force, so that we mostly conform, we pretend to be motivated by loyalties and solidarities we do not really feel, we hide our secret identities beneath the false skins of those identities which bear the belongers’ seal of approval. But the truth leaks out in our dreams; alone in our beds (because we are all alone at night, even if we do not sleep by ourselves), we soar, we fly, we flee. And in the waking dreams our societies permit, in our myths, our arts, our songs, we celebrate the non-belongers, the different ones, the outlaws, the freaks. What we forbid ourselves we pay good money to watch, in a playhouse or a movie theater, or to read about between the secret covers of a book. Our libraries, our palaces of entertainment tell the truth. The tramp, the assassin, the rebel, the thief, the mutant, the outcast, the delinquent, the devil, the sinner, the traveler, the gangster, the runner, the mask: if we did not recognize in them our least-fulfilled needs, we would not invent them over and over again, in every place, in every language, in every time.
Salman Rushdie (The Ground Beneath Her Feet)
They thought to use and shame me but I win out by nature, because a true freak cannot be made. A true freak must be born. There
Katherine Dunn (Geek Love)
The sky's gone blue: azure, the ocean bluer: cerulean, the trees are swirls of every hella freaking green on earth and bright thick eggy yellow is spilling over everything.
Jandy Nelson (I'll Give You the Sun)
Shut up," I hissed. Ticked that he was taller than me, I stepped up onto a nearby coffee table. "I'm not in a cage anymore," I said, keeping enough presence of mind not to poke him in the chest with a finger. His face went startled, then cloric. "The only thing between your head and my foot becoming real close and personal right now is my questionable professionalism. And if you ever threaten me again, I'll slam you halfway across the room before you can say number-two pencil. Got it, you tall freak of nature?
Kim Harrison (Every Which Way But Dead (The Hollows, #3))
Part of one's despair, of course, is that the world cares nothing for the little shocks endured by the sensitive stickler. While we look in horror at a badly punctuated sign, the world carries on around us, blind to our plight. We are like the little boy in The Sixth Sense who can see dead people, except that we can see dead punctuation. Whisper it in petrified little-boy tones: dead punctuation is invisible to everyone else -- yet we see it all the time. No one understands us seventh-sense people. They regard us as freaks. When we point out illiterate mistakes we are often aggressively instructed to "get a life" by people who, interestingly, display no evidence of having lives themselves. Naturally we become timid about making our insights known, in such inhospitable conditions. Being burned as a witch is not safely enough off the agenda.
Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
She imagined, now, what it would be like to accept herself completely. Every mistake she had ever made. Every mark on her body. Every dream she hadn’t reached or pain she had felt. Every lust or longing she had suppressed. She imagined accepting it all. The way she accepted nature. The way she accepted a glacier or a puffin or the breach of a whale. She imagined seeing herself as just another brilliant freak of nature. Just another sentient animal, trying their best. And in doing so, she imagined what it was like to be free.
Matt Haig (The Midnight Library)
Jeremy used to hate it when she was younger because someone in her class told her redheads were freaks of nature.But our mother told her that redheads were genetically more courageous than other people and that she should always where her hair long,like a wariors badge of honor.
Ellen Potter (Slob)
Why is it so important to have fun? Because if you love your work (or your activism or your family time), then you’ll want to do more of it. You’ll think about it before you go to sleep and as soon as you wake up; your mind is always in gear. When you’re that engaged, you’ll run circles around other people even if they are more naturally talented. From what we’ve seen personally, the best predictor of success among young economists and journalists is whether they absolutely love what they do. If they approach their job like—well, a job—they aren’t likely to thrive. But if they’ve somehow convinced themselves that running regressions or interviewing strangers is the funnest thing in the world, you know they have a shot.
Steven D. Levitt (Think Like a Freak)
You are not you--you have no body, no blood, no bones, you are but a thought. I myself have no existence; I am but a dream--your dream, a creature of your imagination. In a moment you will have realized this, then you will banish me from your visions and I shall dissolve into the nothingness out of which you made me. I am perishing already, I am failing, I am passing away. In a little while you will be alone in shoreless space, to wander its limitless solitudes without friend or comrade forever—for you will remain a thought, the only existent thought, and by your nature inextinguishable, indestructible. But I, your poor servant, have revealed you to yourself and set you free. Dream other dreams, and better! Strange! that you should not have suspected years ago—centuries, ages, eons, ago!—for you have existed, companionless, through all the eternities. Strange, indeed, that you should not have suspected that your universe and its contents were only dreams, visions, fiction! Strange, because they are so frankly and hysterically insane—like all dreams: a God who could make good children as easily as bad, yet preferred to make bad ones; who could have made every one of them happy, yet never made a single happy one; who made them prize their bitter life, yet stingily cut it short; who gave his angels eternal happiness unearned, yet required his other children to earn it; who gave his angels painless lives, yet cursed his other children with biting miseries and maladies of mind and body; who mouths justice and invented hell—mouths mercy and invented hell—mouths Golden Rules, and forgiveness multiplied by seventy times seven, and invented hell; who mouths morals to other people and has none himself; who frowns upon crimes, yet commits them all; who created man without invitation, then tries to shuffle the responsibility for man's acts upon man, instead of honorably placing it where it belongs, upon himself; and finally, with altogether divine obtuseness, invites this poor, abused slave to worship him! You perceive, now, that these things are all impossible except in a dream. You perceive that they are pure and puerile insanities, the silly creations of an imagination that is not conscious of its freaks—in a word, that they are a dream, and you the maker of it. The dream-marks are all present; you should have recognized them earlier. "It is true, that which I have revealed to you; there is no God, no universe, no human race, no earthly life, no heaven, no hell. It is all a dream—a grotesque and foolish dream. Nothing exists but you. And you are but a thought—a vagrant thought, a useless thought, a homeless thought, wandering forlorn among the empty eternities!
Mark Twain (The Mysterious Stranger)
I don't want you to sketch this cripple, this freak of nature, I want you to slaughter him, crucify him, to nail him to your paper with charcoal!
Günter Grass
I’ve conquered them. They thought to use and shame me but I win out by nature, because a true freak cannot be made. A true freak must be born.
Katherine Dunn (Geek Love)
There are some people at whom one only has to glance for one’s throat to tighten and one’s eyes to fill with tears of emotion. These people make one feel as if a stronger memory of our former innocence remains in them, as if they were a freak of nature, not entirely battered by the Fall. Perhaps they are messengers, like the servants who find a lost prince who’s unaware of his origins, show him the robe that he wore in his native country, and remind him how to return home.
Olga Tokarczuk (Drive Your Plow Over the Bones of the Dead)
Babe, I nearly shot Skid in the ass one time because a spider fell on me while I was holding a gun,” I finally managed to say. “Those things freak me right the hell out. They got eight fuckin’ legs, and that ain’t natural. That’s some Dr. Seuss shit right there.
Joanna Wylde (Devil's Game (Reapers MC, #3))
Vengeance is mine, sayeth the Lord, but sometimes it's hard not to get a jump on it yourself.
Robin Brande (Evolution, Me & Other Freaks of Nature)
Crying doesn’t hurt. But when you cry, it’s because your heart does.
Julia Crane (Freak of Nature (IFICS #1))
Those rare individuals society labels geniuses are almost always freaks of nature and are naturally gifted rather than being diligent students who became geniuses because of their education.
James Morcan (The Orphan Conspiracies: 29 Conspiracy Theories from The Orphan Trilogy)
How proud I am, dancing in the air full of eyes rubbing at me uncovered, unable to look away because of what I am. Those poor hop toads behind me are silent. I've conquered them. They thought to use and shame me but I win out by nature, because a true freak cannot be made. A true freak must be born. (20)
Katherine Dunn (Geek Love)
I was so tired of her getting upset for no reason. The way she would get sulky and make references to the freaking oppressive nature of tragedy or whatever but then never said what was wrong, never have any goddamned reason to be sad. And I just think you ought to have a reason. My girlfriend dumped me, so I'm sad. I got caught smoking, so I'm pissed off. My head hurts, so I'm cranky. She never had a reason, Pudge. I was just so tired of putting up with her drama. And I just let her go. Christ.
John Green (Looking for Alaska)
It was colorful and elaborate—Kayla’s website, not the puke
Robin Brande (Evolution, Me & Other Freaks of Nature)
Never show fear. Move forward. Don’t hesitate; they wont expect it.
Julia Crane (Freak of Nature (IFICS #1))
The Two-headed Calf Tomorrow when the farm boys find this freak of nature, they will wrap his body in newspaper and carry him to the museum. But tonight he is alive and in the north field with his mother. It is a perfect summer evening: the moon rising over the orchard, the wind in the grass. And as he stares into the sky, there are twice as many stars as usual.
Laura Gilpin
I didn’t ask you to become new and improved today. That wasn’t the goal. You were broken down and strange yesterday, and you still are today, and the only one freaked out about it is you.
Shauna Niequist (Cold Tangerines: Celebrating the Extraordinary Nature of Everyday Life)
By their nature, it came to me, children were freaks. They believed impossible things to suit themselves, thought their fantasies were the center of the world. They were the best kinds of quacks, if that’s what you wanted—pretenders who didn’t know they were pretending at all.
Emily Fridlund (History of Wolves)
It's always the same story. Naturally one doesn't get the woman one should have had; but if by some damned freak of reason and justice it ever does happen, then of course she dies immediately after.
Knut Hamsun (Victoria)
It is a difficult question, my friends, for any young man-- that question I had to grapple with, and which thousands are weighing at the present moment in these uprising times-- whether to follow uncritically the track he finds himself in, without considering his aptness for it, or to consider what his aptness or bent may be, and re-shape his course accordingly. I tried to do the latter, and I failed. But I don't admit that my failure proved my view to be a wrong one, or that my success would have made it a right one; though that's how we appraise such attempts nowadays--I mean, not by their essential soundness, but by their accidental outcomes. If I had ended by becoming like one of these gentlemen in red and black that we saw dropping in here by now, everybody would have said: 'See how wise that young man was, to follow the bent of his nature!' But having ended no better than I began they say: 'See what a fool that fellow was in following a freak of his fancy!
Thomas Hardy (Jude the Obscure)
Still flutters there, the sole unquiet thing. Methinks, its motion in this hush of nature Gives it dim sympathies with me who live, Making it a companionable form, Whose puny flaps and freaks the idling Spirit By its own moods interprets, every where Echo or mirror seeking of itself, And makes a toy of Thought.
Samuel Taylor Coleridge (Frost at Midnight)
Don’t take it to heart,” he said, his voice level and serious. “The names people will call you: monster, freak of nature, brute. Don’t believe them. Just because they say it, it doesn’t make it true. It is what you think of yourself that determines your fate,” he said.
K.M. Shea (Life Reader (Kingdom Quest, #1))
Some part of me believed, unassailably, and wordlessly and perhaps with a flick of justice, that they had sent me away because they were afraid of me. Like some monstrously deformed child who should never have lived beyond infancy, or a conjoined twin whose other half died under the knife, I had- simply by surviving-become a freak of nature.
Tana French (In the Woods (Dublin Murder Squad, #1))
A couple of your guests saw a fireball come out the sky, and the place went up. Heat lightning is what will go in the report. A freak of nature.” I’d be sure to tell Drake he was being listed as a freak of nature. I wanted to watch his face when I said it. - Emilio Salas, Janet Begay
Allyson James (Nightwalker (Stormwalker, #4))
Royce smiled. “See, you can always count on people doing what is best for themselves.” “Like I did?” Hadrian said. The smile left Royce’s lips. “You’re a freak of nature or the world’s greatest fool. I’m still trying to figure that out.
Michael J. Sullivan (The Rose and the Thorn (The Riyria Chronicles, #2))
The sooner you learn women rule this world, the better off you’ll be.
Julia Crane (Freak of Nature (IFICS #1))
Shower sex sucks," Meryn announced loudly. Elizabeth leaned forward dying to know what prompted that statement. "What happened?" "Slippery surfaces and not the good kind, one." Meryn started ticking off reasons on her fingers. "Water not a natural lubricant, two. Height differences, three. And I got a freaking charley horse right when..." Aiden covered her mouth at that point. Ahh. So someone had fun and someone didn't. Poor Meryn.
Alanea Alder (My Protector (Bewitched and Bewildered, #2))
Everyone freaks out. Sometimes the best we can do with fear is befriend it. Expect it and understand that fear will always reappear. Eventually it subsides. It will return. The real culprits are our knee jerk responses to fear and the way we try to avoid feeling fear, anxiety and shame. Don't get me wrong, wanting to feel better fast is a perfectly natural human impulse. It is healthy to seek relief when you feel hopelessly mired in the emotional soup. Calming down is an essential first step to accurately perceiving a problem and deciding what to do about it but the last thing you need to do is shut yourself off from fear and pain - either your own or the worlds. If there is one over riding reason why our world and relationships are in such a mess, is that we try to get rid of our anxiety, fear and shame as fast as possible, regardless of the long term consequences. In doing so, we blame and shame others and in countless ways, we unwittingly act against ourselves. We confuse our fear driven thoughts with what is right, best, necessary or true.
Harriet Lerner (The Dance of Fear)
Wager: It's good to see you smiling. Connor: There's not a whole hell of a lot to smile about. Some freak of nature attacked me today, my best friend has run off with the key, and I need to get laid.
Sylvia Day (Heat of the Night (Dream Guardians, #2))
I’m not standard; I’m deviant. But I’m not alone. I’m a complete freak of nature, and I emerged from a set of circumstances that are improbable on an astronomic scale. The same is probably true for you too.
Tarah Wheeler (Women in Tech: Take Your Career to the Next Level with Practical Advice and Inspiring Stories)
To deprive a gregarious creature of companionship is to maim it, to outrage its nature. The prisoner and the cenobite are aware that the herd exists beyond their exile; they are an aspect of it. But when the herd no longer exists, there is, for the herd creature, no longer entity, a part of no whole; a freak without a place. If he cannot hold on to his reason, then he is lost indeed; most utterly, most fearfully lost, so that he becomes no more than the twitch in the limb of a corpse.
John Wyndham (The Day of the Triffids)
Dad and I had only talked about boys once before when he said something about birds and bees and then he told me it was just natural and I asked what was just natural and he said s-e-x and I’d freaked out, run to my room, slammed the door, and watched PBS for three hours just so I could feel wholesome again.
Megan Jean Sovern (The Meaning of Maggie: A Novel)
There was nothing worse, Veppers thought, than a loser who’d made it. It was just part of the way things worked – part of the complexity of life, he supposed – that sometimes somebody who absolutely deserved nothing more than to be one of the down-trodden, the oppressed, the dregs of society, lucked out into a position of wealth, power and admiration. At least people who were natural winners knew how to carry themselves in their pomp, whether their ascendancy had come through the luck of being born rich and powerful or the luck of being born ambitious and capable. Losers who’d made it always let the side down. Veppers was all for arrogance – he possessed the quality in full measure himself, as he’d often been informed – but it had to be deserved, you had to have worked for it. Or at the very least, an ancestor had to have worked for it. Arrogance without cause, arrogance without achievement – or that mistook sheer luck for true achievement – was an abomination. Losers made everybody look bad. Worse, they made the whole thing – the great game that was life – appear arbitrary, almost meaningless. Their only use, Veppers had long since decided, was as examples to be held up to those who complained about their lack of status or money or control over their lives: look, if this idiot can achieve something, so can anybody, so can you. So stop whining about being exploited and work harder. Still, at least individual losers were quite obviously statistical freaks. You could allow for that, you could tolerate that, albeit with gritted teeth. What he would not have believed was that you could find an entire society – an entire civilization– of losers who’d made it.
Iain Banks (Surface Detail (Culture, #9))
The problem, as Eric saw it, was natural selection. He had alluded to the concept on his Web site; here he explained—relentlessly. Natural selection had failed. Man had intervened. Medicines, vaccines, and special ed programs had conspired to keep the rejects in the human herd. So Eric was surrounded by inferiors—who would not shut their freaking mouths! How could he tolerate all the miserable chatter?
Dave Cullen (Columbine)
In this image-driven age, wildlife filmmakers carry a heavy responsibility. They can influence how we think and behave when we’re in nature. They can even influence how we raise our kids, how we vote and volunteer in our communities, as well as the future of our wildlands and wildlife. If the stories they create are misleading or false in some way, viewers will misunderstand the issues and react in inappropriate ways. People who consume a heavy diet of wildlife films filled with staged violence and aggression, for example, are likely to think about nature as a circus or a freak show. They certainly won’t form the same positive connections to the natural world as people who watch more thoughtful, authentic, and conservation-oriented films.
Chris Palmer (Shooting in the Wild: An Insider's Account of Making Movies in the Animal Kingdom)
They subordinate the whole to the part. It is no longer life they are celebrating, nor nature, but some crude, fanatical party creed. I am afraid that doing things for their own sake will soon be a luxury for children and perhaps for freaks like you and me.
Dorothy Macardle (The Uninvited)
The oil and gas industry—left to its own devices—will mindlessly follow its own nature. It will make tons of money. It will corrode and corrupt and sabotage democratic governance. It will screw up and—in the end—fatally injure the whole freaking planet. And yes, it will also provide oil and gas along the way! And jobs for the workers who produce those things for it. The end-times battle that we’re engaged in now is to figure out how to get along without oil and gas—and we’re plugging away but still a ways off from that—and, in the meantime, commit to a whole new level of constraint and regulatory protection against this singularly destructive industry to minimize its potential harms.
Rachel Maddow (Blowout)
The sooner you learn women rule this world, the better off you’ll be.” 
Julia Crane (Freak of Nature (IFICS #1))
She imagined seeing herself as just another brilliant freak of nature. Just another sentient animal, trying their best. And in doing so, she imagined what it was like to be free.
Matt Haig (The Midnight Library)
A natural street freak, just eating whatever came by.
Hunter S. Thompson (Fear and Loathing in Las Vegas: The captivating memoir of countercultural journalism and social commentary (Harper Perennial Modern Classics))
We divide the world -to stop us feeling frightened- into wrong and into right, into black and into white, into real men and fairies, into status quo and scary. We divide the world into terrorists and heroes, into normal folk and weirdos, into good people and pedos, yeah we want the world binary, binary, but it's not that simple. We divide the world into liberals and gun-freaks, into atheists and fundies, into teetotallers and junkies, into chemical and natural, into fictional and factual, into science and supernatural, but it's actually, naturally, not that white and black The more you know, the harder you will find it, to make up your mind, and it doesn't really matter if you find you can't see which grass is greener -chances are it's neither- and either way it's easier to see the difference when you're sitting on the fence -cause it's not that simple- From: The Fence (An Anthem to Ambivalence)
Tim Minchin
I am care free by nature but that doesn't mean that I am careless or that I care less. I simply pass on passive-aggressive. Why dodge bullets? This world is not a place for cowards. If we are going to shoot then let's freaking shoot straight. Energy is easily recognized and understood. I don't make time anymore for people that I have to interpret beyond what they say and what they are really saying. It's not my Aspie nature. It is my angel nature. I know every thing isn't always black or white, but I am so over engaging with people who are 50 shades of grey. Be real with me or be gone....because if we aren't Really present with others then we are disconnected anyway.
Mishi McCoy
Straight people are encouraged by culture and society to believe that their sexual impulses are the norm, and therefore when their affairs of the heart and loins go wrong (as they certainly will), when they are flummoxed, distraught and defeated by love, they are forced to believe that it must be their fault. We gay people at least have the advantage of being brought up to expect the world of love to be imponderably and unmanageably difficult, for we are perverted freaks and sick aberrations of nature.They - poor normal lambs - naturally find it harder to understand why, in Lysander's words, 'the course of true love never did run smooth'.
Stephen Fry
No… I’m NOT a city girl. Well, I mean I am ‘cause I grew up in Austin and all. I want nothing more than to get away from Austin and live in a small town with lots of land, and I would love to have a beautiful ranch style home and go outside every morning and feed the chickens. I want to hear nothing but nature. No cars, no horns, no freaking people blowing their damn cigarette smoke in my face. I want to be able to look up into the sky and see the millions of stars every night. I’ve never seen what a true night time sky looks like with all the stars. I would love that.
Kelly Elliott (Wanted (Wanted, #1))
To live with his physical hideousness, incapacitating deformities and unremiting pain is trial enough, but to be exposed to the cruelly lacerating expressions of horror and disgust by all who behold him -- is even more difficult to bear. [...] For in order to survive, Merrick forces himself to suffer these humiliations, I repeat, humiliations, in order to survive, thus he exposes himself to crowds who pay to gape and yawp at this freak of nature, the Elephant Man.
Bernard Pomerance (The Elephant Man)
Don't you dare laugh, you jerk-face! This is not funny. My wings are a freak of Nature!' He lifted his hands. 'I'm not going to laugh, but I think you should leave the razors alone. Besides, lots of things have feathers in their wings.' 'Like what?' I demanded 'Like...like hawks' He answered My brow furrowed. 'Hawks? HAWKS?' 'And eagles?' "I'm not a bird, Roth!' Patience leaked out of me.
Jennifer L. Armentrout (Every Last Breath (The Dark Elements, #3))
The concept of a connotation is often explained by the conjugational formula devised by Bertrand Russell in a 1950s radio interview: I am firm; you are obstinate; he is pigheaded. The formula was turned into a word game in a radio show and newspaper feature and elicited hundreds of triplets. I am slim; you are thin; he is scrawny. I am a perfectionist; you are anal; he is a control freak. I am exploring my sexuality; you are promiscuous; she is a slut. In each triplet the literal meaning of the words is held constant, but the emotional meaning ranges from attractive to neutral to offensive.
Steven Pinker (The Stuff of Thought: Language as a Window Into Human Nature)
To deprive a gregarious creature of companionship is to maim it, to outrage its nature. The prisoner and the cenobite are aware that the herd exists beyond their exile; they are an aspect of it. But when the herd no longer exists, there is, for the herd creature, no longer entity. He is a part of no whole, a freak without a place. If he cannot hold onto his reason, then he is lost indeed: most utterly and most fearfully lost, so that he becomes no more than the twitch in the limb of a corpse. It
John Wyndham (The Day of the Triffids)
Wasn’t this great?” Nudge asked excitedly. “I can’t believe we’re in the White House! I want to be president someday.” “I’ll be vice president,” the Gasman offered. “You guys would be great,” I said politely. Yes, they could run on the Mutant Party ticket, with a freak-of-nature platform. No prob. I’m sure America is ready for that.
James Patterson (School's Out - Forever (Maximum Ride, #2))
A pulse of current invaded Kaitlyn’s brain, and she straightened up in her seat. It wasn’t painful; it was more of an annoyance. Like a slight buzz between her temples. Maybe even a tickle. She found it somewhat interesting that the test never picked up on her body's awareness of Lucas. Obviously, the computers didn’t know everything.
Julia Crane (Freak of Nature (IFICS, #1))
The answer to the second question is that only a man who is prepared to see his family destroyed—hunted, beaten, and burned alive by the masters—can break out of the coop. That would take no normal human being, but a freak, a pervert of nature. It would, in fact, take a White Tiger. You are listening to the story of a social entrepreneur, sir.
Aravind Adiga (The White Tiger)
We’ve come to the conclusion that it’s much better to ask small questions than big ones. Here are a few reasons: 1.  Small questions are by their nature less often asked and investigated, and maybe not at all. They are virgin territory for true learning. 2.  Since big problems are usually a dense mass of intertwined small problems, you can make more progress by tackling a small piece of the big problem than by flailing away at grand solutions. 3.  Any kind of change is hard, but the chances of triggering change on a small problem are much greater than on a big one. 4.  Thinking big is, by definition, an exercise in imprecision or even speculation. When you think small, the stakes may be diminished but at least you can be relatively sure you know what you’re talking about.
Steven D. Levitt (Think Like a Freak)
He pushes through a door and you can hear Lauren say, “What the hell, Alex? Did you—?” “It’s Hayden Fucking Holmes. Look, he’s on the FaceTime. Look!” “What?” Lauren twists the phone so she’s looking at the screen and . . . cue the screaming. “Oh my GOD!!! It’s Hayden Fucking Holmes!” There is nothing to really do but laugh, and laugh hard. Hayden and I sit there, our chests falling up and down, chuckling together as Lauren and Alex freak out. “I need to show him my boobs,” Lauren says. “Unzip my dress, Alex, undo my bra.” “On it,” he calls out, as if his wife showing Hayden her boobs is the most natural thing ever. Hayden looks at me and mouths, “He’s okay if she shows me her boobs?” I snort and roll my eyes. There really are no words to explain the insanity that is my brother and sister-in-law.
Meghan Quinn (Three Blind Dates (Dating by Numbers, #1))
Man is born as a freak of nature, being within nature and yet transcending it. He has to find principles of action and decision-making which replace the principles of instincts. He has to have a frame of orientation which permits him to organize a consistent picture of the world as a condition for consistent actions. He has to fight not only against the dangers of dying, starving, and being hurt, but also against another danger which is specifically human: that of becoming insane. In other words, he has to protect himself not only against the danger of losing his life but also against the danger of losing his mind.
Erich Fromm (The Revolution of Hope: Toward a Humanized Technology)
I don't know whether you're lying to me or you're telling me the truth. But if you're telling me the truth, that she's dead, it's the best news that I ever heard. Nobody else is going to say this to you. Everybody else is going to commiserate. But I grew up with you. I talk straight to you. The best thing for you is for her to be dead. She did not belong to you. She did not belong to anything you were. She did not belong to anything anyone is. You played ball--there was a field of play. She was not on the field of play. She was nowhere near it. Simple as that. She was out of bounds, a freak of nature, way out of bounds. You are to stop your mourning for her. You've kept this wound open for twenty-five years. And twenty-five years is enough. It's driven you mad. Keep it any longer and it's going to kill you. She's dead? Good! Let her go. Otherwise it will rot in your gut and take your life too." That's what I told him. I thought I could let the rage out of him. But he just cried. He couldn't let it go. I said this guy was going to get killed from this thing, and he did.
Philip Roth (American Pastoral)
Everything about her is disastrous. She’s nothing more than a mess.” “And yet?” he urged me on. And yet, I wanted to be just like her. I wanted to be an odd character, a freak of nature. I wanted to stumble and laugh out loud. I wanted to find her beautiful disaster and mix it together with my own mess. I wanted the freedom she swam in, and her fearlessness of living in the moment. I wanted to know what it meant to be a part of her world. To be a man who felt everything. I wanted to hold her, but still have her move freely in my arms. I wanted to taste her lips and breathe in a part of her soul as I gave her a glimpse of mine. I didn’t want to be her friend – now. I wanted to be so much more.
Brittainy C. Cherry (The Gravity of Us (Elements, #4))
What a skeletal wreck of man this is. Translucent flesh and feeble bones, the kind of temple where the whores and villains try to tempt the holistic domes. Running rampid with free thought to free form, and the free and clear. When the matters at hand are shelled out like lint at a laundry mat to sift and focus on the bigger, better, now. We all have a little sin that needs venting, virtues for the rending and laws and systems and stems are ripped from the branches of office, do you know where your post entails? Do you serve a purpose, or purposely serve? When in doubt inside your atavistic allure, the value of a summer spent, and a winter earned. For the rest of us, there is always Sunday. The day of the week the reeks of rest, but all we do is catch our breath, so we can wade naked in the bloody pool, and place our hand on the big, black book. To watch the knives zigzag between our aching fingers. A vacation is a countdown, T minus your life and counting, time to drag your tongue across the sugar cube, and hope you get a taste. WHAT THE FUCK IS ALL THIS FOR? WHAT THE HELL’S GOING ON? SHUT UP! I can go on and on but lets move on, shall we? Say, your me, and I’m you, and they all watch the things we do, and like a smack of spite they threw me down the stairs, haven’t felt like this in years. The great magnet of malicious magnanimous refuse, let me go, and punch me into the dead spout again. That’s where you go when there’s no one else around, it’s just you, and there was never anyone to begin with, now was there? Sanctimonious pretentious dastardly bastards with their thumb on the pulse, and a finger on the trigger. CLASSIFIED MY ASS! THAT’S A FUCKING SECRET, AND YOU KNOW IT! Government is another way to say better…than…you. It’s like ice but no pick, a murder charge that won’t stick, it’s like a whole other world where you can smell the food, but you can’t touch the silverware. Huh, what luck. Fascism you can vote for. Humph, isn’t that sweet? And we’re all gonna die some day, because that’s the American way, and I’ve drunk too much, and said too little, when your gaffer taped in the middle, say a prayer, say a face, get your self together and see what’s happening. SHUT UP! FUCK YOU! FUCK YOU! I’m sorry, I could go on and on but their times to move on so, remember: you’re a wreck, an accident. Forget the freak, your just nature. Keep the gun oiled, and the temple cleaned shit snort, and blaspheme, let the heads cool, and the engine run. Because in the end, everything we do, is just everything we’ve done.
Stone Sour (Stone Sour)
Vane, you okay in there?” my mom calls through my door. I jump so hard I crash into my desk and knock off some books and video game cases. If my mom comes in and finds a gorgeous girl in a skimpy dress passed out on my worn gray rug, I’ll be grounded for the rest of eternity. Especially since all I have on at the moment are my Batman boxers. Pretty sure she won’t buy my ghost-guardian angel/freak-of-nature theories either. I stumble toward the door, prepared to barricade it with my dresser if I have to. “I’m fine, Mom,” I say as I grab the first T-shirt I see off my floor and throw it on, along with my gym shorts. “Then what’s all that banging?” Come on, Vane. Think! Inspiration strikes. “I found a date roach in my bed.” “Did you kill it?” My mom sounds farther away, like she jumped back. “I tried to, but now I can’t find it.” I don’t need to worry about my mom offering to help. She’s a big believer in the whole boys should kill all the bugs philosophy. “Well, I won’t distract you, then,” she says, and I can’t help smiling.
Shannon Messenger (Let the Sky Fall (Sky Fall, #1))
Not all divers succumb to panic as Drozd did. A great diver learns to stand down his emotions. At the moment he becomes lost or blinded or tangled or trapped, that instant when millions of years of evolution demand fight or flight and narcosis carves order from his brain, he dials down his fear and contracts into the moment until his breathing slows and his narcosis lightens and his reason returns. In this way he overcomes his humanness and becomes something else. In this way, liberated from instincts, he becomes a freak of nature. To
Robert Kurson (Shadow Divers: The True Adventure of Two Americans Who Risked Everything to Solve One of the Last Mysteries of World War II)
there was this one family in Sarasota that was even identical. people couldn't tell who the father was, the mother was, the son was. they were all so happy that it didn't matter who they were. eventually a circus bought them and charged admission for people to see them in their natural happy habitat. spectators would come from all across the state to see them eat dinner together, watch the same channels together, talk to each other at length. People called them freaks not because they were identical, but because they were so damn happy.
David Levithan (The Realm of Possibility)
They are the appreciators of genius, and as art critic Clive Bell said, “The essential characteristic of a highly civilized society is not that it is creative but that it is appreciative.” By that measure, Vienna was the most highly civilized society to grace the planet. Mozart didn’t compose for an audience but for audiences. One audience was the wealthy patrons—nobles, typically, including the emperor himself. Another audience was the city’s finicky music critics. A third was the public at large, middle-class concertgoers or dust-caked street sweepers attending an open-air, and free, performance. Musical Vienna was not a solo performance. It was a symphony, often harmonious, occasionally discordant, never dull. Mozart was no freak of nature. He was part of a milieu, a musical ecosystem so rich and varied it practically
Eric Weiner (The Geography of Genius: A Search for the World's Most Creative Places from Ancient Athens to Silicon Valley)
of the problem was that Chaos got a little creation-happy. It thought to its misty, gloomy self: Hey, Earth and Sky. That was fun! I wonder what else I can make. Soon it created all sorts of other problems—and by that I mean gods. Water collected out of the mist of Chaos, pooled in the deepest parts of the earth, and formed the first seas, which naturally developed a consciousness—the god Pontus. Then Chaos really went nuts and thought: I know! How about a dome like the sky, but at the bottom of the earth! That would be awesome! So another dome came into being beneath the earth, but it was dark and murky and generally not very nice, since it was always hidden from the light of the sky. This was Tartarus, the Pit of Evil; and as you can guess from the name, when he developed a godly personality, he didn't win any popularity contests. The problem was, both Pontus and Tartarus liked Gaea, which put some pressure on her relationship with Ouranos. A bunch of other primordial gods popped up, but if I tried to name them all we’d be here for weeks. Chaos and Tartarus had a kid together (don’t ask how; I don’t know) called Nyx, who was the embodiment of night. Then Nyx, somehow all by herself, had a daughter named Hemera, who was Day. Those two never got along because they were as different as…well, you know. According to some stories, Chaos also created Eros, the god of procreation... in other words, mommy gods and daddy gods having lots of little baby gods. Other stories claim Eros was the son of Aphrodite. We’ll get to her later. I don’t know which version is true, but I do know Gaea and Ouranos started having kids—with very mixed results. First, they had a batch of twelve—six girls and six boys called the Titans. These kids looked human, but they were much taller and more powerful. You’d figure twelve kids would be enough for anybody, right? I mean, with a family that big, you’ve basically got your own reality TV show. Plus, once the Titans were born, things started to go sour with Ouranos and Gaea’s marriage. Ouranos spent a lot more time hanging out in the sky. He didn't visit. He didn't help with the kids. Gaea got resentful. The two of them started fighting. As the kids grew older, Ouranos would yell at them and basically act like a horrible dad. A few times, Gaea and Ouranos tried to patch things up. Gaea decided maybe if they had another set of kids, it would bring them closer…. I know, right? Bad idea. She gave birth to triplets. The problem: these new kids defined the word UGLY. They were as big and strong as Titans, except hulking and brutish and in desperate need of a body wax. Worst of all, each kid had a single eye in the middle of his forehead. Talk about a face only a mother could love. Well, Gaea loved these guys. She named them the Elder Cyclopes, and eventually they would spawn a whole race of other, lesser Cyclopes. But that was much later. When Ouranos saw the Cyclops triplets, he freaked. “These cannot be my kids! They don’t even look like me!” “They are your children, you deadbeat!” Gaea screamed back. “Don’t you dare leave me to raise them on my own!
Rick Riordan (Percy Jackson's Greek Gods)
Cyrus is quiet for a momenr. "But-" he beginds, then falls silent. It's the first crack I've seen in his composure. "But," he tries again, "she's special. To me." His words make me feel light, like ash floating away from a fire. Johann begins to laugh, bitterly, mirthlessly. "Don't tell me you love her," he spits. "You don't even know her. That's the most irrational thing I've ever heard. And no love can survive immortality." The room is quiet, filled only with the crackling of the fire, and suddenly I don't want to hear Cyrus's answer. What if he doesn't love me? What am I without him by my side? Some strange creature that no one believes exists, some freak of nature, some threat to the reassuring rhythms of normal life. Finally, Cyrus speaks. "All I know is that I'm drawn to her. You always told me there's no such thing as destiny, and I believed you. I still do. But she makes me wonder. I fI could love anyone forever, it would be her. When I'm with her, I feel complete.
Avery Williams (The Alchemy of Forever (Incarnation, #1))
Orchids are considered the most highly evolved flowering plants on earth. They are unusual in form, uncommonly beautiful in color, often powerfully fragrant, intricate in structure, and different from any other family of plants. The reason for their unusualness has always been puzzled over. One guess is that orchids might have evolved in soil that was naturally irradiated by a meteor or mineral deposit, and that the radiation is what mutated them into thousands of amazing forms... In 1678 the botanist Jakob Breyne wrote: "The manifold shape of these flowers arouses our highest admiration. They take on the form of little birds, of lizards, of insects. They look like a man, like a woman, sometimes like an austere, sinister figure, sometimes like a clown who excites our laughter. They represent the image of a lazy tortoise, a melancholy toad, an agile, ever-chattering monkey." Orchids have always been thought of as beautiful but strange. A wildflower guide published in 1917 called them "our queer freaks.
Susan Orlean (The Orchid Thief)
Kesey presents his theory of going “beyond acid.” You find what you came to find when you’re on acid and we’ve got to start doing it without acid; there’s no use opening the door and going through it and then always going back out again. We’ve got to move on to the next step … This notion has Owsley slightly freaked, naturally. He has his voice wound all the way up: “Bullshit, Kesey! It’s the drugs that do it. It’s all the drugs, man. None of it would have happened without the drugs”—and so forth. Kesey keeps cocking his head to one side and giggling in the upcountry manner and saying: “No, it’s not the drugs. In fact”—chuckle, giggle—“I’m going to tell everyone to start doing it without the drugs”—and so forth.
Tom Wolfe (The Electric Kool-Aid Acid Test)
He imagined a town called A. Around the communal fire they’re shaping arrowheads and carving tributes o the god of the hunt. One day some guys with spears come over the ridge, perform all kinds of meanness, take over, and the new guys rename the town B. Whereupon they hang around the communal fire sharpening arrowheads and carving tributes to the god of the hunt. Some climatic tragedy occurs — not carving the correct tributary figurines probably — and the people of B move farther south, where word is there’s good fishing, at least according to those who wander to B just before being cooked for dinner. Another tribe of unlucky souls stops for the night in the emptied village, looks around at the natural defenses provided by the landscape, and decides to stay awhile. It’s a while lot better than their last digs — what with the lack of roving tigers and such — plus it comes with all the original fixtures. they call the place C, after their elder, who has learned that pretending to talk to spirits is a fun gag that gets you stuff. Time passes. More invasions, more recaptures, D, E, F, and G. H stands as it is for a while. That ridge provides some protection from the spring floods, and if you keep a sentry up there you can see the enemy coming for miles. Who wouldn’t want to park themselves in that real estate? The citizens of H leave behind cool totems eventually toppled by the people of I, whose lack of aesthetic sense if made up for by military acumen. J, K, L, adventures in thatched roofing, some guys with funny religions from the eastern plains, long-haired freaks from colder climes, the town is burned to the ground and rebuilt by still more fugitives. This is the march of history. And conquest and false hope. M falls to plague, N to natural disaster — same climatic tragedy as before, apparently it’s cyclical. Mineral wealth makes it happen for the O people, and the P people are renowned for their basket weaving. No one ever — ever — mentions Q. The dictator names the city after himself; his name starts with the letter R. When the socialists come to power they spend a lot of time painting over his face, which is everywhere. They don’t last. Nobody lasts because there’s always somebody else. They all thought they owned it because they named it and that was their undoing. They should have kept the place nameless. They should have been glad for their good fortune, and left it at that. X, Y, Z.
Colson Whitehead (Apex Hides the Hurt)
For most writers, reading is also a very intense experience; they don’t read so much as compete. The writer measure’s himself against every text he encounters, imagining he could do it better or wishing he had thought of it first. The natural writer would almost always rather be reading, writing, or alone, except of course when he needs to come up for air (that is, for subject matter, food, sex, love, attention). He may be a selfish son of a bitch, he may seem to care more about his work than about the people in his life, he may be a social misfit, a freak, or a smooth operator, but every person who does serious time with a keyboard is attempting to translate his version of the world into words so that he might be understood. Indeed, the great paradox of the writer’s life is how much time he spends alone trying to connect with other people.
Betsy Lerner (The Forest for the Trees)
It's obvious that at such times reading represented for me something like the center of reality; the rest seemed to me freaks of nature . . . hallucinations perhaps would be more appropriate. Since that other world was one in which I was unhappy, I didn't pay it much heed. It was this kind of thinking that was responsible for my idealistic bent. It stems from my conviction that reality can be learned from words, and I remained convinced for at least thirty years that a book offered you a kind of truth, a truth difficult to seize, even a metaphysical truth, and that it revealed secrets about various things. I remember that when I was seventeen or so I read Dostoevsky, and I had the distinct impression that he was offering me a secret. I wasn't quite sure what it was, but a secret nonetheless that transcended not only ordinary knowledge but also scientific knowledge, something slightly mysterious. And that kind of thinking remained with me for a long time, until finally I realized that literature was only one more human activity among many others, and as such it did not reveal any secret: what it does is no more or no less than record the full scope of how a particular period in history views the world and its people. But it took me a long time to see that. And at the time I'm referring to—when I was fifteen or so, and then later on during my last year before the baccalaureate—I was in the process of contracting what I was later to call my neurosis, that is, the notion that since reality had been given to me through books, I would make contact with reality, and offer a more profound truth about the world, if I wrote books myself. The idea was the discovery, the thing one reveals, and it certainly derived from all the elements I have just mentioned.
Jean-Paul Sartre (Sartre by himself: A film directed by Alexandre Astruc and Michel Contat with the participation of Simone de Beauvoir, Jacques-Larent Bost, Andre Gorz, Jean Pouillon)
The winged human glanced towards Retina briefly. “It’s okay Dr. Blade. Scientists should never be blown away from the nature of facts.” Roma smiled. “And by scientists, are you one?” “That is dependent on your opinion Dr. Hill. I’m well versed by Dr. Sangha.” Roma moved towards him, narrowing his eyes. “It is my opinion that no respectable scientist will allow himself to be a subject of ridicule by turning in his human DNA to become a freak, a beast or whatever the hell it is you think you are.” The winged human was unaffected. “I’m sure Dr. Hill that freak or beast doesn’t apply.” Roma drew his head back slightly, studying the demeanor of the winged human. “What’s your name?” “I’m Seganus,” he replied humbly. Roma moved a little closer to him wearing a deep frown. “You don’t think the word freak or beast applies?” “No. I don’t think so.” “Is that the carnivorous beaks of the Titanis Walleri I see on you?” “No.” “Can you hold the 360 Degrees field of view of the Woodcock.” “No.” “The long bills of the Australian Pelican?” “No.” “Do you lay the large eggs of the Ostrich?” “Dr. Hill,” Retina cautioned. Lorenzo seemed amused by the situation. He was smiling. “No,” Seganus replied. Roma continued. “Then you’ll say you don’t have those qualities birds posses?” “No.” “You’ll say you’re human?” Seganus blinked before he spoke. “Yes.” Roma moved closer to him. “Then why the freaks are you wearing wings?
Dew Platt (Roma&retina)
In ninety seconds they were naked and he was nibbling at her ear while his hand rubbed her pubic mat; but a saboteur was at work at his brain. 'I love you,' he thought, and it was not untrue because he loved all women now, knowing partially what sex was really all about, but he couldn't bring himself to say it because it was not totally true, either, since he loved Mavis more, much more. 'I'm awfully fond of you,' he almost said, but the absurdity of it stopped him. Her hand cupped his cock and found it limp; her eyes opened and looked into his enquiringly. He kissed her lips quickly and moved his hand lower, inserting a ringer until he found the clitoris. But even when her breathing got deeper, he did not respond as usual, and her hand began massaging his cock more desperately. He slid down, kissing nipples and bellybutton on the way, and began licking her clitoris. As soon as she came, he cupped her buttocks, lifted her pelvis, got his tongue into her vagina and forced another quick orgasm, immediately lowering her slightly again and beginning a very gentle and slow return in spiral fashion back to the clitoris. But still he was flaccid. 'Stop,' Stella breathed. 'Let me do you, baby.' George moved upward on the bed and hugged her. 'I love you,' he said, and suddenly it did not sound like a lie. Stella giggled and kissed his mouth briefly. 'It takes a lot to get those words out of you, doesn't it?' she said bemusedly. 'Honesty is the worst policy,' George said grimly. 'I was a child prodigy, you know? A freak. It was rugged. I had to have some defense, and somehow I picked honesty. I was always with older boys so I never won a fight. The only way I could feel superior, or escape total inferiority, was to be the most honest bastard on the planet earth.' 'So you can't say 'I love you' unless you mean it?' Stella laughed. 'You're probably the only man in America with that problem. If you could only be a woman for a while, baby! You can't imagine what liars most men are.' 'Oh, I've said it at times. When it was at least half true. But it always sounded like play-acting to me, and I felt it sounded that way to the woman, too. This time it just came out, perfectly natural, no effort.' 'That is something,' Stella grinned. 'And I can't let it go unrewarded.' Her black body slid downward and he enjoyed the esthetic effect as his eyes followed her— black on white, like the yinyang or the Sacred Chao—what was the psychoses of the white race that made this beauty seem ugly to most of them? Then her lips closed over his penis and he found that the words had loosened the knot: he was erect in a second. He closed his eyes to savor the sensation, then opened them to look down at her Afro hairdo, her serious dark face, his cock slipping back and forth between her lips. 'I love you,' he repeated, with even more conviction. 'Oh, Christ, Oh, Eris, oh baby baby, I love you!' He closed his eyes again, and let the Robot move his pelvis in response to her. 'Oh, stop,' he said, 'stop,' drawing her upward and turning her over, 'together,' he said, mounting her, 'together,' as her eyes closed when he entered her and then opened again for a moment meeting his in total tenderness, 'I love you, Stella, I love,' and he knew it was so far along that the weight wouldn't bother her, collapsing, using his arms to hug her, not supporting himself, belly to belly and breast to breast, her arms hugging him also and her voice saying, 'I love you, too, oh, I love you,' and moving with it, saying 'angel' and 'darling' and then saying nothing, the explosion and the light again permeating his whole body not just the penis, a passing through the mandala to the other side and a long sleep.
Robert Anton Wilson (The Illuminatus! Trilogy)
Bannon thrived on the chaos he created and did everything he could to make it spread. When he finally made his way through the crowd to the back of the town house, he put on a headset to join the broadcast of the Breitbart radio show already in progress. It was his way of bringing tens of thousands of listeners into the inner sanctum of the “Breitbart Embassy,” as the town house was ironically known, and thereby conscripting them into a larger project. Bannon was inordinately proud of the movement he saw growing around him, boasting constantly of its egalitarian nature. What to an outsider could look like a cast of extras from the Island of Misfit Toys was, in Bannon’s eyes, a proudly populist and “unclubbable” plebiscite rising up in defiant protest against the “globalists” and “gatekeepers” who had taken control of both parties. Just how Phil Robertson of Duck Dynasty figured into a plan to overthrow the global power structure wasn’t clear, even to many of Bannon’s friends. But, then, Bannon derived a visceral thrill anytime he could deliver a fuck-you to the establishment. The thousands of frustrated listeners calling in to his radio show, and the millions more who flocked to Breitbart News, had left him no doubt that an army of the angry and dispossessed was eager to join him in lobbing a bomb at the country’s leaders. As guests left the party, a doorman handed out a gift that Bannon had chosen for the occasion: a silver hip flask with “Breitbart” imprinted above an image of a honey badger, the Breitbart mascot. — Bannon’s cult-leader magnetism was a powerful draw for oddballs and freaks, and the attraction ran both ways. As he moved further from the cosmopolitan orbits of Goldman Sachs and Hollywood, there was no longer any need for him to suppress his right-wing impulses. Giving full vent to his views on subjects like immigration and Islam isolated him among a radical fringe that most of political Washington regarded as teeming with racist conspiracy theorists. But far from being bothered, Bannon welcomed their disdain, taking it as proof of his authentic conviction. It fed his grandiose sense of purpose to imagine that he was amassing an army of ragged, pitchfork-wielding outsiders to storm the barricades and, in Andrew Breitbart’s favorite formulation, “take back the country.” If Bannon was bothered by the incendiary views held by some of those lining up with him, he didn’t show it. His habit always was to welcome all comers. To all outward appearances, Bannon, wild-eyed and scruffy, a Falstaff in flip-flops, was someone whom the political world could safely ignore. But his appearance, and the company he kept, masked an analytic capability that was undiminished and as applicable to politics as it had been to the finances of corrupt Hollywood movie studios. Somehow, Bannon, who would happily fall into league with the most agitated conservative zealot, was able to see clearly that conservatives had failed to stop Bill Clinton in the 1990s because they had indulged this very zealotry to a point where their credibility with the media and mainstream voters was shot. Trapped in their own bubble, speaking only to one another, they had believed that they were winning, when in reality they had already lost.
Joshua Green (Devil's Bargain: Steve Bannon, Donald Trump, and the Storming of the Presidency)