Fraud Funny Quotes

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And they all lived happily ever after (barring death, divorce, arrest for tax fraud, that incident with the pool boy...)
Sarah Rees Brennan (The Demon's Surrender)
Not being funny doesn’t make you a bad person. Not having a sense of humor does.
David Rakoff (Fraud: Essays)
This brings up yet another, far more important misconception: that being comically generative and having a sense of humor are one and the same thing. The former is among the least important things in the world, while the latter is among the most. One is a handy social tool, the other an integral component of human survival. It bears repeating a third time: Not being funny doesn't make you a bad person. Not having a sense of humor does.
David Rakoff (Fraud: Essays)
A funny word. E-lec-tion. Say it very slowly and it sounds disgusting. But if you say it just fast enough it almost sounds real, like it might even be legitimate
Brandt Legg (The Last Librarian (The Justar Journal #1))
Rivalries are funny things. They waste time and energy. They stir up mean instincts and consume us with petty emotions. Yet in doing so, rivalries also push people to greatness.
Sam Kean (The Icepick Surgeon: Murder, Fraud, Sabotage, Piracy, and Other Dastardly Deeds Perpetrated in the Name of Science)
The first problem of any kind of even limited success is the unshakable conviction that you are getting away with something, and that at any moment now they will discover you. It's Imposter Syndrome, something my wife Amanda christened The Fraud Police. In my case, I was convinced that there would be a knock on the door, and a man with a clipboard (I don't know why he carried a clipboard, in my head, but he did) would be there, to tell me it was all over, and they had caught up with me, and now I would have to go and get a real job, one that didn't consist of making things up and writing them down, and reading books I wanted to read.
Neil Gaiman (Make Good Art)
But even this gives rise to another central tenet, attendant to the Comedy Is Good myth: Comedy Is Hard. Certainly well-rendered comedy is hard. All things done well require practice and work. But for the most funny people, being funny is as inevitable as being double-jointed; it is a worldview formed long before words. One is born funny. The adage, as is, is incomplete. It should be Comedy is hard... if you're not funny. Pirouettes are almost impossible... without legs. Jokes can be honed, made better, tighter, and cleaner, and people can even be made funnier. But you can't really make someone funny who isn't.
David Rakoff (Fraud: Essays)
Karna himself was dressed in passably aristocratic style in a caramel-brown knee-length coat that he was sweating in. A mark of a fraud, for the truly rich never sweat.
Gourav Mohanty (Sons of Darkness (The Raag of Rta, #1))
I feel successful 3–4 days a month. The other days I feel like I’m barely accomplishing the minimum or that I’m a loser. I have imposter syndrome so even when I get compliments they are difficult to take and I just feel like I’m a bigger fraud than before. I feel the worst when I get so paralyzed by fear that I end up huddled in bed and fall further and further behind. To make myself feel more successful I spend real time with my daughter every day, even if it’s just huddling under a blanket and watching Doctor Who reruns on TV. I also try to remind myself that people like Dorothy Parker and Hunter S. Thompson struggled as well, and that this struggle might make me stronger, if it doesn’t first destroy me.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
God preserve me from novel-writing, thought Mrs Touchet. God preserve me from that tragic indulgence, that useless vanity, that blindness! In a cold dormitory, two hundred miles away, three heartbroken, motherless girls had hoped to be visited by their father. But William was busy at his desk, dreaming up Jack Sheppard.
Zadie Smith (The Fraud)
There was a period when I lived on book reviews, when I had basked and drawn sustenance from what I deemed the light of their intelligence, the beneficience of their charm. But something had gone sour. Over the years I had read too much, in dim-lighted railway stations, lying on the davenports of strangers' houses, in the bleak and dismal wards of insane asylums. That reading had forced the charm to relinquish itself. Now I found that reviews were not only bland but scarcely, if ever, relevant; and that all books, whether works of imagination or the blatant frauds of literary whores, were approached by the reviewer with the same crushing sobriety. I wanted to reviewer to be fair, kind, and funny. I wanted to be made to laugh.
Frederick Exley (A Fan's Notes (A Fan's Notes, #1))
It bears repeating a third time: Not being funny doesn't make you a bad person. Not having a sense of humour does.
David Rakoff (Fraud: Essays)
something wrong with Mr MacDougall’s Scottishness. It smelt of fraud like Ossian. ‘Svenson,’ the gloomy Scandinavian said sharply from behind his little Swedish flag; at least Wormold thought it was Swedish: he could never distinguish with certainty between the Scandinavian colours. ‘Wormold,’ he said. ‘What is all this nonsense of the milk?’ ‘I think’ Wormold said, ‘that Dr Braun is being a little too literal.’ ‘Or funny,’ Carter said. ‘I don’t think Dr Braun has much sense of humour.’ ‘And what do you do, Mr Wormold?’ the Swede asked. ‘I don’t think
Graham Greene (Our Man in Havana)
Nothing. It’s just . . . funny hearing you say stuff like ‘bloke’ and ‘mate.’ We get it—you’re half-British,” she said, then grinned to show she was joking.
Kyla Zhao (The Fraud Squad: The most dazzling and glamorous debut of 2023!)
What happened to the troubled young reporter who almost brought this magazine down The last time I talked to Stephen Glass, he was pleading with me on the phone to protect him from Charles Lane. Chuck, as we called him, was the editor of The New Republic and Steve was my colleague and very good friend, maybe something like a little brother, though we are only two years apart in age. Steve had a way of inspiring loyalty, not jealousy, in his fellow young writers, which was remarkable given how spectacularly successful he’d been in such a short time. While the rest of us were still scratching our way out of the intern pit, he was becoming a franchise, turning out bizarre and amazing stories week after week for The New Republic, Harper’s, and Rolling Stone— each one a home run. I didn’t know when he called me that he’d made up nearly all of the bizarre and amazing stories, that he was the perpetrator of probably the most elaborate fraud in journalistic history, that he would soon become famous on a whole new scale. I didn’t even know he had a dark side. It was the spring of 1998 and he was still just my hapless friend Steve, who padded into my office ten times a day in white socks and was more interested in alphabetizing beer than drinking it. When he called, I was in New York and I said I would come back to D.C. right away. I probably said something about Chuck like: “Fuck him. He can’t fire you. He can’t possibly think you would do that.” I was wrong, and Chuck, ever-resistant to Steve’s charms, was as right as he’d been in his life. The story was front-page news all over the world. The staff (me included) spent several weeks re-reporting all of Steve’s articles. It turned out that Steve had been making up characters, scenes, events, whole stories from first word to last. He made up some funny stuff—a convention of Monica Lewinsky memorabilia—and also some really awful stuff: racist cab drivers, sexist Republicans, desperate poor people calling in to a psychic hotline, career-damaging quotes about politicians. In fact, we eventually figured out that very few of his stories were completely true. Not only that, but he went to extreme lengths to hide his fabrications, filling notebooks with fake interview notes and creating fake business cards and fake voicemails. (Remember, this was before most people used Google. Plus, Steve had been the head of The New Republic ’s fact-checking department.) Once we knew what he’d done, I tried to call Steve, but he never called back. He just went missing, like the kids on the milk cartons. It was weird. People often ask me if I felt “betrayed,” but really I was deeply unsettled, like I’d woken up in the wrong room. I wondered whether Steve had lied to me about personal things, too. I wondered how, even after he’d been caught, he could bring himself to recruit me to defend him, knowing I’d be risking my job to do so. I wondered how I could spend more time with a person during the week than I spent with my husband and not suspect a thing. (And I didn’t. It came as a total surprise). And I wondered what else I didn’t know about people. Could my brother be a drug addict? Did my best friend actually hate me? Jon Chait, now a political writer for New York and back then the smart young wonk in our trio, was in Paris when the scandal broke. Overnight, Steve went from “being one of my best friends to someone I read about in The International Herald Tribune, ” Chait recalled. The transition was so abrupt that, for months, Jon dreamed that he’d run into him or that Steve wanted to talk to him. Then, after a while, the dreams stopped. The Monica Lewinsky scandal petered out, George W. Bush became president, we all got cell phones, laptops, spouses, children. Over the years, Steve Glass got mixed up in our minds with the fictionalized Stephen Glass from his own 2003 roman à clef, The Fabulist, or Steve Glass as played by Hayden Christiansen in the 2003
Anonymous
I’d often found it funny how the only reason that writers of self-help books were rich and famous was because of selling their self-help books. Whereas, if there was any truth to these books, the person would have to be rich and famous before writing the book and even then the advice in it would be subjective at best. But then people were stupid. And bad taste, as Bukowski said, created many more millionaires than good taste. If you wanted a good example of people’s bad taste, all you needed to do was to consider the most popular book of all time—the Bible.
Keijo Kangur (The Nihilist)