Framing Inspiring Quotes

For Equilibrium, a Blessing: Like the joy of the sea coming home to shore, May the relief of laughter rinse through your soul. As the wind loves to call things to dance, May your gravity by lightened by grace. Like the dignity of moonlight restoring the earth, May your thoughts incline with reverence and respect. As water takes whatever shape it is in, So free may you be about who you become. As silence smiles on the other side of what's said, May your sense of irony bring perspective. As time remains free of all that it frames, May your mind stay clear of all it names. May your prayer of listening deepen enough to hear in the depths the laughter of god.

Each man should frame life so that at some future hour fact and his dreaming meet.

Writing a novel is not merely going on a shopping expedition across the border to an unreal land: it is hours and years spent in the factories, the streets, the cathedrals of the imagination.

I've pursued dreams and achieved them, but I don't think anybody should think their life is incomplete if they don't follow some dream. Happiness doesn't come from achievements, or money, or any sort of treasure. Happiness is a frame of mind, not a destination. It's appreciating what you've got and building relationships with those around you.

Be brave and be patient. Have faith in yourself; trust in the significance of your life and the purpose of your passion. You are strong enough to sit in the space between spaces and allow divine inspiration to shed some light. When you put positive energy and productive effort into the world it will come back to you. Occasionally in ways you might not immediately understand and on a time frame you didn’t expect. Look. Listen. Learn. Stay open. Your destiny is awaiting you.

Therefore it is unnecessary for a prince to have all the good qualities I have enumerated, but it is very necessary to appear to have them. And I shall dare to say this also, that to have them and always to observe them is injurious, and that to appear to have them is useful; to appear merciful, faithful, humane, religious, upright, and to be so, but with a mind so framed that should you require not to be so, you may be able and know how to change to the opposite.

The wish of death had been palpably hanging over this otherwise idyllic paradise for a good many years. All business and politics is personal in the Philippines. If it wasn't for the cheap beer and lovely girls one of us would spend an hour in this dump. They [Jehovah's Witnesses] get some kind of frequent flyer points for each person who signs on. I'm not lazy. I'm just motivationally challenged. I'm not fat. I just have lots of stored energy. You don't get it do you? What people think of you matters more than the reality. Marilyn. Despite standing firm at the final hurdle Marilyn was always ready to run the race. After answering the question the woman bent down behind the stand out of sight of all, and crossed herself. It is amazing what you can learn in prison. Merely through casual conversation Rick had acquired the fundamentals of embezzlement, fraud and armed hold up. He wondered at the price of honesty in a grey world whose half tones changed faster than the weather. The banality of truth somehow always surprises the news media before they tart it up. You've ridden jeepneys in peak hour. Where else can you feel up a fourteen-year-old schoolgirl without even trying? [Ralph Winton on the Philippines finer points] Life has no bottom. No matter how bad things are or how far one has sunk things can always get worse. You could call the Oval Office an information rain shadow. In the Philippines, a whole layer of criminals exists who consider that it is their right to rob you unhindered. If you thwart their wicked desires, to their way of thinking you have stolen from them and are evil. There's honest and dishonest corruption in this country. Don't enjoy it too much for it's what we love that usually kills us. The good guys don't always win wars but the winners always make sure that they go down in history as the good guys. The Philippines is like a woman. You love her and hate her at the same time. I never believed in all my born days that ideas of truth and justice were only pretty words to brighten a much darker and more ubiquitous reality. The girl was experiencing the first flushes of love while Rick was at least feeling the methadone equivalent. Although selfishness and greed are more ephemeral than the real values of life their effects on the world often outlive their origins. Miriam's a meteor job. Somewhere out there in space there must be a meteor with her name on it. Tsismis or rumours grow in this land like tropical weeds. Surprises are so common here that nothing is surprising. A crooked leader who can lead is better than a crooked one who can't. Although I always followed the politics of Hitler I emulate the drinking habits of Churchill. It [Australia] is the country that does the least with the most. Rereading the brief lines that told the story in the manner of Fox News reporting the death of a leftist Rick's dark imagination took hold. Didn't your mother ever tell you never to trust a man who doesn't drink? She must have been around twenty years old, was tall for a Filipina and possessed long black hair framing her smooth olive face. This specter of loveliness walked with the assurance of the knowingly beautiful. Her crisp and starched white uniform dazzled in the late-afternoon light and highlighted the natural tan of her skin. Everything about her was in perfect order. In short, she was dressed up like a pox doctor’s clerk. Suddenly, she stopped, turned her head to one side and spat comprehensively into the street. The tiny putrescent puddle contrasted strongly with the studied aplomb of its all-too-recent owner, suggesting all manner of disease and decay.

Thoughts frame your portrait, action paints it.

Music, to me, is the most beautiful form, and I love film because film is very related to music. It moves by you in its own rhythm. It's not like reading a book or looking at a painting. It gives you its own time frame, like music, so they are very connected for me. But music to me is the biggest inspiration. When I get depressed, or anything, I go "think of all the music I haven't even heard yet!" So, it's the one thing. Imagine the world without music. Man, just hand me a gun, will you?

I must go down to the seas again to find where I buried the hatchet with Yesterday.

Possibility was not a bag or box that could be closed and sealed, it was a vast open chute which received everything, everything; one could not choose or direct or destroy the powerful flow of possibility.

The question that he frames in all but words is what to make of a diminished thing.

Rage is the opposite of thought, whoever has put you in this frame of mind has more control over you right now, than you have over yourself. If he is your opponent and you will face him today, you will be defeated.

You can't understand Twenty-first-Century Politics with an Eighteenth-Century Brain.

We feel ever obliged by everday charges and tasks. They conscript us more and more. We find world enough in a frame. Until at last we take our places at the wheel, or wall, or line, having somewhere forgotten that we can look up.

You are in the wrong," replied the fiend; "and, instead of threatening, I am content to reason with you. I am malicious because I am miserable; am I not shunned and hated by all mankind? You, my creator, would tear me to pieces and triumph; remember that, and tell me why I should pity man more than he pities me? Would you not call it murder if you could Precipitate me into one of those ice-rifts, and destroy my frame, the work of your own hands. Shall I respect man, when he contemns me? Let him live with me in the interchange of kindness, and instead of injury, I would bestow every benefit upon him with tears of gratitude at his acceptance. But that cannot be; the human senses are insurmountable barriers to our union. Yet mine shall not be the submission of abject slavery. I will revenge my injuries: if I cannot inspire love, I will cause fear; and chiefly towards you my arch-enemy, because my creator, do I swear inextinguishable hatred. Have a care: I will work at your destruction, nor finish until I desolate your heart , so that you curse the hour of your birth.

Sharley felt his strength ebbing away, and his weak leg throbbed painfully, but then a tingling sensation thrilled through his frame and the fighting blood of the Lindenshield clan began to roar through his veins. He drew breath and out crashed the war cry of the icemark...

My art is largely made up of my pain; re-framed, redesigned and re-purposed. It's a mutually beneficial experience for both the creator and the beholder. Transformative healing is a beautiful process.

Here is a universal law: that when it comes to negative and positive, you will always thrive more powerfully in the positive if you have first been immersed in, and have heroically overcome, the polar opposite negative of that thing. To abide in the positive existence of something, without having known and overcome it’s polar opposite— that is to be only a frame of the real structure. Easily toppled down and taken apart. True power is in the hands of the one who thrives in the positive, after having known and conquered the negative. Because when the demons come along, she will say to those demons: “I know you, I have owned you, but now you bow down to me.

And after night comes day, or more night, depending on the particular time-frame you choose to apply to your perspective.

That's what I've always found so pathetic about fans. They weep when they have a live glimpse of you, frame the fork you touched. Yet they're impervious to doing anything with that inspiration, like enriching their own lives. It drove Stanny-boy crazy. He used to say to me, 'Huey'—it was his nickname for me—'Huey, they see the films five times, write me fan letters, but the underlying meaning is lost on them. They take nothing away. Not heroism. Not courage. It's all just entertainment.

Opportunities pop up for everybody all of the time. It's the way that we progress. It's whether or not you're in the right frame of mind or in the right stage of your life or if you're even looking for them [that determines] whether or not you see them. [...] As you take more risks you see opportunities more easily. [Risks are] never the safe option, but for me the safe option is the worst option. [...] The riskiest life I can think of is letting yourself to be molded into this comfortable, same-as-everybody-else routine. For me, that is risking my whole life.

A good conversationalist directs attention, inspires, corrects, affirms, and empowers others. It is a demanding vocation that involves attentiveness, skilled listening, awareness of one’s own interpretive frames, and a will to understand and discern what is true.

A patriarchal blessing is a revelation to the recipient, even a white line down the middle of the road, to protect, inspire, and motivate activity and righteousness. A patriarchal blessing literally contains chapters from your book of eternal possibilities. I say eternal, for just as life is eternal, so is a patriarchal blessing. What may not come to fulfillment in this life may occur in the next. We do not govern God's timetable. 'For my thoughts are not your thoughts, neither are your ways my ways, saith the Lord.' . . . Your patriarchal blessing is yours and yours alone. It may be brief or lengthy, simple or profound. Length and language do not a patriarchal blessing make. It is the Spirit that conveys the true meaning. Your blessing is not to be folded neatly and tucked away. It is not to be framed or published. Rather, it is to be read. It is to be loved. It is to be followed. Your patriarchal blessing will see you through the darkest night. It will guide you through life's dangers. . . . Your patriarchal blessing is to you a personal Liahona to chart your course and guide your way.

How we define and frame the world around us creates our so-called reality.

Collect moments rather than things. Moments get away.

We trace the hand of the Almighty in framing the constitution of our land, and believe that the Lord raised up men purposely for the accomplishment of this object, raised them up and inspired them to frame the Constitution of the United States

This is the beautiful secret of minimalism: It may seem like it’s about stuff, but once you’ve cut through the clutter and adopted a new frame of mind, you learn that it’s barely about ‘the stuff’ at all.

Catharine’s office had two plants, three chairs, two desks, one hutch, six personal photos in standing frames, one of those clichéd motivational posters on the wall that had two crows tearing out the insides of a reasonably sized forest cat with the cheesy inspirational caption, “Unremittingly, you must stare into the sun,” and a clay paperweight most likely made by Catharine’s daughter (it was signed by your seed in adorable small-child handwriting).

Happiness and achieving our dreams is a matter of believing it is possible and having a positive frame of mind.

During the Cold War of the 1950s, American spies were issued eyeglasses with thick, clunky frames. If captured, they were trained to casually chew the curved earpieces, where fatal doses of cyanide were cast inside the plastic. It's these same horn-rimmed suicide glasses, the wrangler says, that inspired the look of Buddy Holly and Elvis Costello. All those young hipsters wearing death on their nose.

Golden framed and heavy, the painting. Ocean waves curled in suspended time, white-lipped and silent beneath brush-stroked blues of sky. Gulls are captured there, mid-flight, fishing moments stolen in time, they soar without moving.

It was knock or go home and die. Rase knocked. The door opened with such alacrity that Rase wondered whether Gabriel had been standing on the other side, drawn to the door by the same uncanny instinct that had inspired him to torment Rase. "You said anytime," Rase said, before Gabriel could say anything. "I did." Gabriel seemed unperturbed at having his employer show up at his door. He stepped back to let Rase in. Rase had been expecting something in keeping with the rest of the building. Instead, Gabriel's apartment was shabby but spotless. It was one main room with a niche for the kitchen and a tiny bathroom that Rase could see through a narrow door that stood ajar. He walked to the center of the room and found himself only feet from Gabriel's bed, a sizable bed with a heavy iron frame. That stopped him in his tracks, and he stood there, wondering what to do with himself. "Beer?" Gabriel was so close that Rase could feel Gabriel's breath on his hair. "This isn't a social call," Rase said, not even trying to keep his voice steady. "Then why are your clothes still on?

Life appears to me too short to be spent in nursing animosity or registering wrongs. We are, and must be, one and all, burdened with faults in this world: but the time will soon come when, I trust, we shall put them off in putting off our corruptible bodies; when debasement and sin will fall from us with this cumbrous frame of flesh, and only the spark of the spirit will remain,—the impalpable principle of light and thought, pure as when it left the Creator to inspire the creature: whence it came it will return; perhaps again to be communicated to some being higher than man—perhaps to pass through gradations of glory, from the pale human soul to brighten to the seraph! Surely it will never, on the contrary, be suffered to degenerate from man to fiend? No; I cannot believe that: I hold another creed: which no one ever taught me, and which I seldom mention; but in which I delight, and to which I cling: for it extends hope to all: it makes Eternity a rest—a mighty home, not a terror and an abyss. Besides, with this creed, I can so clearly distinguish between the criminal and his crime; I can so sincerely forgive the first while I abhor the last: with this creed revenge never worries my heart, degradation never too deeply disgusts me, injustice never crushes me too low: I live in calm, looking to the end.

She has been unkind to you, no doubt; because you see, she dislikes your cast of character, as Miss Scatcherd does mine; but how minutely you remember all she has done and said to you! What a singularly deep impression her injustice seems to have made on your heart! No ill-usage so brands its record on my feelings. Would you not be happier if you tried to forget her severity, together with the passionate emotions it excited? Life appears to me too short to be spent in nursing animosity or registering wrongs. We are, and must be, one and all, burdened with faults in this world: but the time will soon come when, I trust, we shall put them off in putting off our corruptible bodies; when debasement and sin will fall from us with this cumbrous frame of flesh, and only the spark of the spirit will remain, - the impalpable principle of light and thought, pure as when it left the Creator to inspire the creature: whence it came it will return; perhaps again to be communicated to some being higher than man - perhaps to pass through gradations of glory, from the pale human soul to brighten to the seraph! ...

We come into this world priceless, with no value befitting our precious tiny frame. As we grow older we begin to assign value to ourselves. And eventually we reach a point where we can place a monetary value on our existence. It is in this moment where we stop believing we are priceless that we start believing we are worthless.

You can frame up your life however you like; it's the lens that you see through that will bring you sight

Your time frame doesn't change your distance but Your distance changes your time frame

Sometimes it takes a broken frame to see the bigger picture.

We must dismantle the frame in order to see the full picture.

Ignorance has never been the problem. The problem was and continues to be unexamined confidence in western civilization and the unwarranted certainty of Christianity. And arrogance. Perhaps it is unfair to judge the past by the present, but it is also necessary. If nothing else, an examination of the past—and of the present, for that matter—can be instructive. It shows us that there is little shelter and little gain for Native peoples in doing nothing. So long as we possess one element of sovereignty, so long as we possess one parcel of land, North America will come for us, and the question we have to face is how badly we wish to continue to pursue the concepts of sovereignty and self-determination. How important is it for us to maintain protected communal homelands? Are our traditions and languages worth the cost of carrying on the fight? Certainly the easier and more expedient option is simply to step away from who we are and who we wish to be, sell what we have for cash, and sink into the stewpot of North America. With the rest of the bones. No matter how you frame Native history, the one inescapable constant is that Native people in North America have lost much. We’ve given away a great deal, we’ve had a great deal taken from us, and, if we are not careful, we will continue to lose parts of ourselves—as Indians, as Cree, as Blackfoot, as Navajo, as Inuit—with each generation. But this need not happen. Native cultures aren’t static. They’re dynamic, adaptive, and flexible, and for many of us, the modern variations of older tribal traditions continue to provide order, satisfaction, identity, and value in our lives. More than that, in the five hundred years of European occupation, Native cultures have already proven themselves to be remarkably tenacious and resilient. Okay. That was heroic and uncomfortably inspirational, wasn’t it? Poignant, even. You can almost hear the trumpets and the violins. And that kind of romance is not what we need. It serves no one, and the cost to maintain it is too high. So, let’s agree that Indians are not special. We’re not … mystical. I’m fine with that. Yes, a great many Native people have a long-standing relationship with the natural world. But that relationship is equally available to non-Natives, should they choose to embrace it. The fact of Native existence is that we live modern lives informed by traditional values and contemporary realities and that we wish to live those lives on our terms.

I may not be able to play a harp again, or sing for the clan,” he said. “But I have found that this is my song. This is my music.” And he framed her face in his hands. “Months ago, I told you that I was a verse inspired by your chorus. I thought I knew what those words meant then, but now I fully understand the depth and the breadth of them. I want to write a ballad with you, not in notes but in our choices, in the simplicity and the routine of our life together. In waking up at your side every sunrise and falling asleep entwined with you every sunset. In kneeling beside you in the kail yard and leading a clan and overseeing trade and eating at our parents’ tables. In making mistakes, because I know that I’ll make them, and then restitution, because I’m better than I once ever hoped to be when I’m with you.” Adaira turned her face to kiss his palm, where his scar from their blood vow still shone. When she looked at him again, there were tears in her eyes. “What do you think, Heiress?” Jack whispered, because he was suddenly desperate to know her thoughts. To know what she was feeling. Adaira leaned forward, brushing his lips with hers. “I think that I want to make such music with you until my last day when the isle takes my bones. I think you are the song I was longing for, waiting for. And I will always be thankful that you returned to me.

Frame your problem statements into actionable tasks and goals that lead to a solution. Problem statements incite procrastination and resistance whereas solution statements inspire hope and motivation.

In a state of grace with myself, I do not abandon myself when the going gets tough or should others find me antithetical in any way in their frames of reference. Loyalty means care and kindness at all times, and particularly when they are needed to reduce the pain of difficult times. I never, absolutely never, side with anyone who is against my welfare. I aid nobody who detracts from my dignity, who makes me feel less than human either through subhuman onslaughts or superhuman demands. I fight or avoid people whose effect is ultimately destructive to my validity as a person, or who in any way dilute my ability to take myself seriously.

Once a hunter met a lion near the hungry critter's lair, and the way that lion mauled him was decidedly unfair; but the hunter never whimpered when the surgeons, with their thread, sewed up forty-seven gashes in his mutilated head; and he showed the scars in triumph, and they gave him pleasant fame, and he always blessed the lion that had camped upon his frame. Once that hunter, absent minded, sat upon a hill of ants, and about a million bit him, and you should have seen him dance! And he used up lots of language of a deep magenta tint, and apostrophized the insects in a style unfit to print. And it's thus with worldly troubles; when the big ones come along, we serenely go to meet them, feeling valiant, bold and strong, but the weary little worries with their poisoned stings and smarts, put the lid upon our courage, make us gray, and break our hearts.

(I know, it's a poem but oh well). Why! who makes much of a miracle? As to me, I know of nothing else but miracles, Whether I walk the streets of Manhattan, Or dart my sight over the roofs of houses toward the sky, Or wade with naked feet along the beach, just in the edge of the water, Or stand under trees in the woods, Or talk by day with any one I love--or sleep in the bed at night with any one I love, Or sit at table at dinner with my mother, Or look at strangers opposite me riding in the car, Or watch honey-bees busy around the hive, of a summer forenoon, Or animals feeding in the fields, Or birds--or the wonderfulness of insects in the air, Or the wonderfulness of the sun-down--or of stars shining so quiet and bright, Or the exquisite, delicate, thin curve of the new moon in spring; Or whether I go among those I like best, and that like me best-- mechanics, boatmen, farmers, Or among the savans--or to the soiree--or to the opera, Or stand a long while looking at the movements of machinery, Or behold children at their sports, Or the admirable sight of the perfect old man, or the perfect old woman, Or the sick in hospitals, or the dead carried to burial, Or my own eyes and figure in the glass; These, with the rest, one and all, are to me miracles, The whole referring--yet each distinct, and in its place. To me, every hour of the light and dark is a miracle, Every cubic inch of space is a miracle, Every square yard of the surface of the earth is spread with the same, Every foot of the interior swarms with the same; Every spear of grass--the frames, limbs, organs, of men and women, and all that concerns them, All these to me are unspeakably perfect miracles. To me the sea is a continual miracle; The fishes that swim--the rocks--the motion of the waves--the ships, with men in them, What stranger miracles are there?

In framing that great document which Gladstone declared ‘the most wonderful work ever struck off at a given time by the brain and purpose of man,’ our early leaders our early leaders called upon a kind Providence. Later the product of the constitutional convention was referred to as our God-inspired Constitution. They had incorporated within its sacred paragraphs eternal principles supported by the holy scriptures with which they were familiar. It was established ‘for the rights and protection of all flesh according to just and holy principles.

If you believe in the eighteenth century view of the mind, you will look and act wimpy. You will think that all you need to do is give people the facts and the figures and they will reach the right conclusion. You will think that all you need to do is point out where their interests lie, and they will act politically to maximize them. You will believe in polling and focus groups: you will believe that if you ask people what their interests are, they will be aware of them and will tell you, and will vote on it. You will not have any need to appeal to emotion---indeed, to do so would be wrong! You will not have to speak of values; facts and figures will suffice. You will not have to change people's brains; their reason should be enough. You will not have to frame the facts; they will speak for themselves. You just have to get the facts to them...

Ancient philosophy was framed by prodigies, Aristotle, Plato and Socrates. And even though their thoughts were deemed the aristocratic voice, they also had a thing for little boys. Katherine the Great so it's been said, needed large animals to be fulfilled in bed. From historic rulers to the Ancient Greeks, we're standing on the shoulders of freaks. Isn't life pretty? Earnest Hemingway once said, then he a bullet through his head. Salvador Dali's surreal paintings were God sent, you'd never know he ate his own excrement. Then there's Da Vinci for whom it required, dressing in women's underwear to be inspired. From the great romantics to the Ancient Greeks, we're standing on the shoulders of freaks. Truman Capote needless to say, would be intoxicated 20 hours a day. From the modern authors to the Ancient Greeks, we're standing on the shoulders of freaks.

Today, as I sit looking at the tarnished old brass morning-glory horn of May’s gramophone—as brassy as May herself—I wonder whether she ever saw any of the three motion pictures inspired by this small but significant part of her life. In a way it is painful to imagine her sitting in a movie theater, watching as a private hurt of hers was laid bare, even in fictionalized, literally “whitewashed” form … and with a happy ending that likely never graced her real life. But somehow I doubt she ever saw the movie, or was aware of the revenge Maugham had taken on her. Because if she had seen it, I can’t help but envision her sitting in the theater in a righteous lather, as the lights come up and the last frame of film fades from the screen. “Jesus H. Christ on a bicycle!” I hear her cry out, indignantly. “So where the hell is my piece of the take?” The “Sadie Thompson” I knew would have sued—and won.

Watch movies. Read screenplays. Let them be your guide. […] Yes, McKee has been able to break down how the popular screenplay has worked. He has identified key qualities that many commercially successful screenplays share, he has codified a language that has been adopted by creative executives in both film and television. So there might be something of tangible value to be gained by interacting with his material, either in book form or at one of the seminars. But for someone who wants to be an artist, a creator, an architect of an original vision, the best book to read on screenwriting is no book on screenwriting. The best seminar is no seminar at all. To me, the writer wants to get as many outside voices OUT of his/her head as possible. Experts win by getting us to be dependent on their view of the world. They win when they get to frame the discussion, when they get to tell you there’s a right way and a wrong way to think about the game, whatever the game is. Because that makes you dependent on them. If they have the secret rules, then you need them if you want to get ahead. The truth is, you don’t. If you love and want to make movies about issues of social import, get your hands on Paddy Chayefsky’s screenplay for Network. Read it. Then watch the movie. Then read it again. If you love and want to make big blockbusters that also have great artistic merit, do the same thing with Lawrence Kasdan’s Raiders Of The Lost Ark screenplay and the movie made from it. Think about how the screenplays made you feel. And how the movies built from these screenplays did or didn’t hit you the same way. […] This sounds basic, right? That’s because it is basic. And it’s true. All the information you need is the movies and screenplays you love. And in the books you’ve read and the relationships you’ve had and your ability to use those things.

In Poems of Love and Light: The Light of The Sun…Our Breath as One, the tenor seems to have changed slightly, as the progression of Love and lovers is, in many cases (if not all) quixotic, dependent upon mutual understanding, the conditions of the moment, the awareness of the future, as well as the mundane life, in which we all must exist, embracing real life, as is the natural state, which sentient individuals traverse – illusion may help those in the ‘moment’, but does nothing for the long-term, except misdirect it. Poetry has always been a way to leave something for those who come after, a legacy of inspiration, methodology, spirit, love, emotion, historical sense and utility, depending upon the subject matter, intentions of the bard, and the situations, which frame the creation of that sense of experience, with which the Poet receives his Muse. Poems of Love and Light: In The Light of the Sun, Our Breath as One

A good conversationalist directs attention, inspires, corrects, affirms, and empowers others. It is a demanding vocation that involves attentiveness, skilled listening, awareness of one's own interpretive frames, and a will to understand and discern what is true. It may be that we don't often enough consider conversation as a form of social action, as a ministry, or as a spiritual discipline. That it may be all three, and that it is a significant part of our life and calling as people of faith, may be more evident if we consider what good conversation does. In a broad and true sense, good conversation is life-giving: it inspires and invigorates.

Yes. Neil Diamond had literally given her the shirt off his back. Why do these people mean so much to me? Because people inspire people. And over the years, they've all become a part of my DNA. In some way I've been shaped by each and every note I've heard them play. Memories have been painted in my mind with their voices as the frame.

When a reporter from The Detroit News showed up at Nazi Party headquarters in Munich in December 1931 to interview Hitler for her “Five Minutes with Men in Public Eye” series, she was surprised to find, hanging on the wall behind Hitler’s desk, a large, framed portrait of America’s most famous antisemite. “I regard Henry Ford as my inspiration,” Hitler explained to the newspaperwoman

Life appears to me too short to be spent in nursing animosity or registering wrongs. We are, and must be, one and all, burdened with faults in this world; but the time will soon come when, I trust, we shall put them off in putting off our corruptible bodies; when debasement and sun will fall from us with this cumbrous frame of flesh, and only the spark of the spirit will remain, the impalpable principle of life and thought, pure as when it left the Creator to inspire the creature[.] [...] Besides, with this creed, I can so clearly distinguish between the criminal and his crime; I can do sincerely forgive the first while I abhor the last; with this creed, revenge never worries my heart, degradation never too deeply disgusts me, injustice never crushes me too low. I live in calm, looking to the end.

We had been told, on leaving our native soil, that we were going to defend the sacred rights conferred on us by so many of our citizens settled overseas, so many years of our presence, so many benefits brought by us to populations in need of our assistance and our civilization. We were able to verify that all this was true, and, because it was true, we did not hesitate to shed our quota of blood, to sacrifice our youth and our hopes. We regretted nothing, but whereas we over here are inspired by this frame of mind, I am told that in Rome factions and conspiracies are rife, that treachery flourishes, and that many people in their uncertainty and confusion lend a ready ear to the dire temptations of relinquishment and vilify our action. I cannot believe that all this is true and yet recent wars have shown how pernicious such a state of mind could be and to where it could lead. Make haste to reassure me, I beg you, and tell me that our fellow-citizens understand us, support us and protect us as we ourselves are protecting the glory of the Empire. If it should be otherwise, if we should have to leave our bleached bones on these desert sands in vain, then beware of the anger of the Legions! MARCUS FLAVINUS, CENTURION IN THE 2ND COHORT OF THE AUGUSTA LEGION, TO HIS COUSIN TERTULLUS IN ROME

Happiness depends not on things around me, but on my attitude. Alfred Montapert The monument of a great man is not of granite or marble or bronze. It consists of his goodness, his deeds, his love and his compassion. Alfred Montapert No better words than "thank you" have yet been discovered to express the sincere gratitude of one's heart, when the two words are sincerely spoken. Alfred Montapert The man or woman you really love will never grow old to you. Through the wrinkles of time, through the bowed frame of years, you will always see the dear face and feel the warm heart union of eternal love. Alfred Montapert The finest piece of mechanism in all the universe is the brain of man. The wise person develops his brain and opens his mind to the genius and spirit of the world's greatest ideas. He will feel inspired with the purest and noblest thoughts that have ever animated the spirit of humanity. Alfred Montapert.

It’s humbling, though, to think of all the stories that used to be, when they were at their best - before they were stories, when they were something previous, something infinitely more wonderful, brimming with potential, potent and inspired, and how they are diminished in the telling. That thing we imagine is out there cannot be captured on paper. The story is always something less than it was supposed to be, something less than when first glimpsed by the imagination.

I have always believed that in the lives of individuals, just as in society at large, the profoundest changes take place within a very reduced time frame.When we least expected it, life sets us a challenge to test our courage and willingness to change; at such a moment, there is no point in pretending that nothing has happened or in saying that we are not ready yet.The challenge will not wait.Life does not look back.A week is more than enough time for us to decide whether or not to accept our destiny.

In his poetry and prose, Rilke links through various images the affairs of human life to the movements of the cosmos itself. If this conceit seems hyperbolic, it is for Rilke rooted very deeply in his experiences of the world. The result is not esoteric, nor does it relativize and thus implicitly belittle human activity by placing it within a greater, superior—not divine—order. By seeing things rather within a larger, natural (rather than ideological or religious) pattern, Rilke achieves a fundamentally modern secular perspective but does not give up on the possibility that there might be something greater in our lives. Interestingly, Rilke finds evidence of a connectedness to larger, cosmic patterns within our physical, bodily existence. How we breathe, eat, sleep, digest, and love; how we suffer physically or experience pleasure: we are subject to rhythms we cannot totally control. Rilke relies on no ideational frame but understands our existence as that of decidedly earthly, embodied mortals or, in the language of the philosophers whose work he so significantly shaped and inspired, as beings in time.

Our government came into existence through divine guidance. The inspiration of the Lord rested upon the patriots who established it, and inspired them through the dark days of their struggle for independence and through the critical period which followed that struggle when they framed our glorious Constitution which guarantees to all the self-evident truth proclaimed in the Declaration of Independence, “that all men are created equal: that they are endowed by their Creator with certain inalienable rights: that among these rights are life, liberty, and the pursuit of happiness.

We are, and must be, one and all, burdened with faults in this world: but the time will soon come when, I trust, we shall put them off in putting off our corruptible bodies; when debasement and sin will fall from us with this cumbrous frame of flesh, and only the spark of the spirit will remain,—the impalpable principle of light and thought, pure as when it left the Creator to inspire the creature: whence it came it will return; perhaps again to be communicated to some being higher than man—perhaps to pass through gradations of glory, from the pale human soul to brighten to the seraph!

Hue-Man Nature If anyone forgot to tell you, you're magical. With skin that reflects, absorbs, and rejoices in the sun oh how lucky must you be to have had your spirit framed and encased in LIGHT skin. You beautiful Hue-man you...some would even say your super powers are sun-activated. Just Look at you majestically Being. You really just going to be out here living in HD huh? You are so damn dope for that! Actually, everything about you is Super...even radiant. And just in case you were ever feeling anything less, this is your reminder that you were created to be nothing less than MAGICAL.

Life appears to me too short to be spent in nursing animosity, or registering wrongs. We are, and must be, one and all, burdened with faults in this world: but the time will soon come when, I trust, we shall put them off in putting off from us with this cumbrous frame of flesh, and only the spark of the spirit will remain, the impalpable principle of life and thought, pure as when it left the Creator to inspire the creature: whence it came it will return; perhaps again to be communicated to some being higher than man - perhaps to pass through gradations of glory, from the pale human soul to brighten to the seraph!

Life appears to me too short to be spent in nursing animosity or registering wrongs.  We are, and must be, one and all, burdened with faults in this world: but the time will soon come when, I trust, we shall put them off in putting off our corruptible bodies; when debasement and sin will fall from us with this cumbrous frame of flesh, and only the spark of the spirit will remain,—the impalpable principle of light and thought, pure as when it left the Creator to inspire the creature: whence it came it will return; perhaps again to be communicated to some being higher than man—perhaps to pass through gradations of glory, from the pale human soul to brighten to the seraph!  Surely it will never, on the contrary, be suffered to degenerate from man to fiend?  No; I cannot believe that: I hold another creed: which no one ever taught me, and which I seldom mention; but in which I delight, and to which I cling: for it extends hope to all: it makes Eternity a rest—a mighty home, not a terror and an abyss.  Besides, with this creed, I can so clearly distinguish between the criminal and his crime; I can so sincerely forgive the first while I abhor the last: with this creed revenge never worries my heart, degradation never too deeply disgusts me, injustice never crushes me too low: I live in calm, looking to the end.

There was another inspiring moment: a rough, choppy, moonlit night on the water, and the Dreadnaught's manager looked out the window suddenly to spy thousands of tiny baitfish breaking the surface, rushing frantically toward shore. He knew what that meant, as did everyone else in town with a boat, a gaff and a loaf of Wonder bread to use as bait: the stripers were running! Thousands of the highly prized, relatively expensive striped bass were, in a rare feeding frenzy, suddenly there for the taking. You had literally only to throw bread on the water, bash the tasty fish on the head with a gaff and then haul them in. They were taking them by the hundreds of pounds. Every restaurant in town was loading up on them, their parking lots, like ours, suddenly a Coleman-lit staging area for scaling, gutting and wrapping operations. The Dreadnaught lot, like every other lot in town, was suddenly filled with gore-covered cooks and dishwashers, laboring under flickering gaslamps and naked bulbs to clean, wrap and freeze the valuable white meat. We worked for hours with our knives, our hair sparkling with snowflake-like fish scales, scraping, tearing, filleting. At the end of the night's work, I took home a 35-pound monster, still twisted with rigor. My room-mates were smoking weed when I got back to our little place on the beach and, as often happens on such occasions, were hungry. We had only the bass, some butter and a lemon to work with, but we cooked that sucker up under the tiny home broiler and served it on aluminum foil, tearing at it with our fingers. It was a bright, moonlit sky now, a mean high tide was lapping at the edges of our house, and as the windows began to shake in their frames, a smell of white spindrift and salt saturated the air as we ate. It was the freshest piece of fish I'd ever eaten, and I don't know if it was due to the dramatic quality the weather was beginning to take on, but it hit me right in the brainpan, a meal that made me feel better about things, made me better for eating it, somehow even smarter, somehow . . . It was a protein rush to the cortex, a clean, three-ingredient ingredient high, eaten with the hands. Could anything be better than that?

As promised, I hope this painting finds you well. Such a beautiful picture deserves an equally beautiful frame, and while I cannot claim to be perfect, I tried my best to craft something deserving of the honor. I found this wood from a felled tree in the grove, where we so often met, and where I fell utterly and entirely in love with you. Please do not feel sorry for me. I am happy to have known you at all. Happy to have helped you in some small way in your journey. You certainly inspired me in mine. And so, I wanted to thank you, dearest Ros, you brilliant, beautiful girl, for being true to who you are. What a list you created! I can only imagine what more you will do and see and become. I do wish I could have withheld my affection only if it meant that you and I could maintain a comfortable friendship.

She has been unkind to you, no doubt, because you see, she dislikes your cast of character, as Miss Scatcherd does mine; but how minutely you remember all she has done and said to you! What a singularly deep impression her injustice seems to have made on your heart! No ill-usage so brands its record on my feelings. Would you not be happier if you tried to forget her severity, together with the passionate emotions it excited? Life appears to me too short to be spent in nursing animosity, or registering wrongs. We are, and must be, one and all, burdened with faults in this world: but the time will soon come when, I trust, we shall put them off in putting off our corruptible bodies; when debasement and sin will fall from us with this cumbrous frame of flesh, and only the spark of the spirit will remain – the impalpable principle of life and thought, pure as when it left the Creator to inspire the creature; whence it came it will return, perhaps again to be communicated to some being higher than man – perhaps to pass through gradations of glory, from the pale human soul to brighten to the seraph! Surely it will never, on the contrary, be suffered to degenerate from man to fiend? No, I cannot believe that: I hold another creed, which no one ever taught me, and which I seldom mention, but in which I delight, and to which I cling, for it extends hope to all; it makes eternity a rest – a mighty home – not a terror and an abyss. Besides, with this creed, I can so clearly distinguish between the criminal and his crime, I can so sincerely forgive the first while I abhor the last; with this creed, revenge never worries my heart, degradation never too deeply disgusts me, injustice never crushes me too low; I live in calm, looking to the end.

Imagine standing on the very edge of the Grand Canyon. The bloodred gorge stretches as far as you can see in every direction. The canyon floor drops precipitously below your feet. You feel dizzy and step back from the edge. Hawks circle through rock crevasses so barren and stripped of vegetation you could as well be on the moon. You are amazed. You are humbled. You feel elevated. This is awe. According to psychologists Dacher Keltner and Jonathan Haidt, awe is the sense of wonder and amazement that occurs when someone is inspired by great knowledge, beauty, sublimity, or might. It’s the experience of confronting something greater than yourself. Awe expands one’s frame of reference and drives self-transcendence. It encompasses admiration and inspiration and can be evoked by everything from great works of art or music to religious transformations, from breathtaking natural landscapes to human feats of daring and discovery.

Viktor Frankl used the metaphor of geometric dimensions to illustrate challenges in perception and understanding. Just as a three-dimensional cylinder projected onto a two-dimensional plane can appear as different shapes depending on the angle, our perspectives are limited by the "conceptual dimensions" we inhabit. Focusing on one framework or worldview casts blind spots on issues outside its purview. Like the cylinder, reality contains more complexity than any single viewpoint can capture. What appears contradictory from a limited vantage point may be reconciled from a broader perspective. Self has this broad perspective. Frankl suggested cultivating multi-dimensional awareness (Self's awareness) to overcome biases and grasp truth more wholly. Though we cannot transcend our situatedness (parts and ego), we can seek to understand the diverse dimensions that comprise the fullness of reality. Awareness of our frames allows us to interpret experiences with more wisdom and nuance.

When asked if he had a special feeling for books, critic-turned-filmmaker Francois Truffaut answered, "No. I love them and films equally, but how I love them!" As an example, Truffaut gave the example that his feeling of love for "Citizen Kane" (USA, 1941) "is expressed in that scene in 'The 400 Blows' where Antoine lights a candle before the picture of Balzac.' My book lights candles for m any of the great authors of this world: Chinua Achebe (Nigeria), Angela Carter (UK), Saratchandra Chattopadhyay (India), Janet Frame (New Zealand), Yu Hua (China), Stieg Larsson (Sweden), Clarice Lispector (Brazil), Mario Vargas Llosa (Peru), Naguib Mifouz (Egypt), Murasaki Shikibu (Japan), and Alice Walker (USA) - to name but a few. Furthermore, graphic novels, manga, musicals, television, webisodes and even amusement park rides like 'Pirates of the Caribbean' can inspire work in adaptation. Let's be open to learning from them all. ("Great Adaptations: Screenwriting and Global Storytelling," 2)

Life appears to me too short to be spent in nursing animosity or registering wrongs. We are, and must be, one and all, burdened with faults in this world: but the time will soon come when, I trust, we shall put them off in putting off our corruptible bodies; when debasement and sin will fall from us with this cumbrous frame of flesh, and only the spark of the spirit will remain,—the impalpable principle of light and thought, pure as when it left the Creator to inspire the creature: whence it came it will return; perhaps again to be communicated to some being higher than man—perhaps to pass through gradations of glory, from the pale human soul to brighten to the seraph! Surely it will never, on the contrary, be suffered to degenerate from man to fiend? No; I cannot believe that: I hold another creed: which no one ever taught me, and which I seldom mention; but in which I delight, and to which I cling: for it extends hope to all: it makes Eternity a rest—a mighty home, not a terror and an abyss. Besides, with this creed, I can so clearly distinguish between the criminal and his crime; I can so sincerely forgive the first while I abhor the last: with this creed revenge never worries my heart, degradation never too deeply disgusts me, injustice never crushes me too low: I live in calm, looking to the end.

He lay under the great bearskin and stared out of the window at the stars of spring, no longer frosty and metallic, but as if they had been new washed and had swollen with the moisture. It was a lovely evening, without rain or cloud. The sky between the stars was of the deepest and fullest velvet. Framed in the thick western window, Alderbaran and Betelgeuse were racing Sirius over the horizon, the hunting dog-star looking back to his master Orion, who had not yet heaved himself above the rim. In at the window came also the unfolding scent of benighted flowers, for the currants, the wild cherries, the plums and the hawthorn were already in bloom, and no less than five nightingales within earshot were holding a contest of beauty among the bowery, the looming trees...He watched out at the stars in a kind of trance. Soon it would be the summer again, when he could sleep on the battlements and watch these stars hovering as close as moths above his face and, in the Milky Way at least, with something of the mothy pollen. They would be at the same time so distant that unutterable thoughts of space and eternity would baffle themselves in his sighing breast, and he would imagine to himself how he was falling upward higher and higher among them, never reaching, never ending, leaving and losing everything in the tranquil speed of space.

We often talk about being kind, but how do we define "kind" at its very root? Where is the root and what is the root of "kind" and "kindness"? I truly believe that kindness is rooted in the acceptance of the flaws of life, the acceptance of the turns life has taken which we couldn't have planned for and that we didn't hope for. Kindness is rooted in the acceptance of the fact that life is a wild thing that cannot ever be caged. Some people are going to get married and divorced seven times before they find the one they are meant to be with; that's okay. Some people are going to be born with disabilities; that's okay. Some people are born in heaven while others are born in hell; both are okay. Some people are born in hell later ending up in heaven while others are born in heaven later ending up in hell; it's all okay. Life, whether belonging to you or to others, is never going to be a painting fitting into your prepared picture frame. How dare we come into this monstrous, joyous, incredible, terrible world, thinking that we can dictate what's wrong and right, what's better and what's lesser? Come into this world with your wings and your claws and your paws and your laughters! With your feathers and your fur! Because you're going to need all of it! And when you look at other people, sometimes they are going to be donning feathers and other times they are going to be clawing things, jumping in and out, screaming or laughing or crying or being quiet; it's all okay. Because we are ALL living with this monstrous and beautiful creature called Life! So, kindness is the realisation of this, the readiness to see this in others, the willingness to embrace everything that happens-- whether it is happening to yourself or to other people. Kindness is waking up to the true and full nature of life, looking her in the eyes, and being ready to embrace her.

How to set a goal. Several decades ago, renowned management consultant Peter Drucker popularized a system of goal defining and achievement known as the SMART Criteria, a mnemonic acronym to optimally structure the setting of objectives. It works for me, it will work for you. I’ve supplemented it with my own spin. It goes like this: Specific. A goal must be clear and unambiguous; without vagaries and platitudes. It must indicate exactly what is expected, why is it important, who’s involved, where is it going to happen, and which attributes are important. Measurable. A goal must include concrete criteria for measuring progress toward its attainment. If a goal is not measurable, it is not possible to know whether you’re making progress toward successful completion. Attainable. A goal must fall within realistic parameters, accessible enough to craft a logical roadmap toward its achievement. However, I would provide the personal caveat that no goal worthy of your complete attention, time, and resources should be too realistic. It should be big. Big enough to scare you. Audacious enough to tingle the senses, keep you up at night, and launch you out of bed in the morning. In preparation for my first Ultraman, I never missed a single workout, primarily because I was scared out of my mind. That said, a goal must be rooted in tangible reality. Understand the distinction between audacious and ludicrous. Relevant. This takes us back to the spirituality of pursuit. A goal must contain personal meaning. You should understand why its pursuit holds importance in the context of your personal growth. In other words, it has to matter. The more it matters, the better. Time-bound. A goal must have a target date and be grounded within a specific time frame. Deadlines create structure, foster a sense of urgency, and focus the prioritization of time and energy. Service-oriented. This is my personal addition to the criteria (so now it’s “SMARTS”). Although a goal must carry great personal meaning, in my experience, the pursuit of that goal is best served when it is also in service to something beyond the self. This can take any number of forms: raising money for a cause you believe in; perhaps a blog chronicling the journey to inspire friends and family. It doesn’t matter. What does matter is the spirit in which you approach it.

I’d met Madison, as I’ve already mentioned, two months earlier, in Budapest. I’d been at a conference. She’d been there with some girlfriends. We’d got talking in the hotel bar. An anthropologist, she’d said; that’s … exotic. Not at all, I’d replied; I work for an incorporated business, in a basement. Yes, she said, but … But what? I asked. Dances, and masks, and feathers, she eventually responded: that’s the essence of your work, isn’t it? I mean, even if you’re writing a report on workplace etiquette, or how to motivate employees or whatever, you’re seeing it all through a lens of rituals, and rites, and stuff. It must make the everyday all primitive and strange—no? I saw what she was getting at; but she was wrong. For anthropologists, even the exotic’s not exotic, let alone the everyday. In his key volume Tristes Tropiques, Claude Lévi-Strauss, the twentieth century’s most brilliant ethnographer, describes pacing the streets, all draped with new electric cable, of Lahore’s Old Town sometime in the nineteen-fifties, trying to piece together, long after the event, a vanished purity—of local colour, texture, custom, life in general—from nothing but leftovers and debris. He goes on to describe being struck by the same impression when he lived among the Amazonian Nambikwara tribe: the sense of having come “too late”—although he knows, from having read a previous account of life among the Nambikwara, that the anthropologist (that account’s author) who came here fifty years earlier, before the rubber-traders and the telegraph, was struck by that impression also; and knows as well that the anthropologist who, inspired by the account that Lévi-Strauss will himself write of this trip, shall come back in fifty more will be struck by it too, and wish—if only!—that he could have been here fifty years ago (that is, now, or, rather, then) to see what he, Lévi-Strauss, saw, or failed to see. This leads him to identify a “double-bind” to which all anthropologists, and anthropology itself, are, by their very nature, prey: the “purity” they crave is no more than a state in which all frames of comprehension, of interpretation and analysis, are lacking; once these are brought to bear, the mystery that drew the anthropologist towards his subject in the first place vanishes. I explained this to her; and she seemed, despite the fact that she was drunk, to understand what I was saying. Wow, she murmured; that’s kind of fucked. 2.8 When I arrived at Madison’s, we had sex. Afterwards,

When you have an honest heart, you do not get engaged nor get involved with any smear campaigns nor black propaganda! When you have an honest heart, you do not malign nor take advantage of generous people who helped and trusted you! When you have an honest heart, you do not shit on people whom you used and abused for three years! Do not fall into a political naïvety and become a victim or a doormat nor have your generosity and honest heart be used and abused by unscrupulous political movers, abusive, aggressive political harridans who scam gullible generous hearts by asking donations, funds, services, foods, urgent favours, and after using you and abusing your generosity, trust, and kindness; whereby these unscrupulous and deceptive political movers, abusive, aggressive political harridans intentionally and maliciously create forged screenshots of evidence convincing their audience or political groups that you are a mentally ill person, a brain-damaged person as they even brand you as "Sisang Baliw," or crazy Sisa, a threat, a risk, a danger, they maliciously and destructively red-tag your friends as communists, and they resort to calumny, libel and slander against you, to shame you, defame you, discredit you, blame you, hurt you, make you suffer for having known the truth of their deceptive global Operandi, and for something you didn’t do through their mob lynching, calumny, polemics mongering, forgery, and cyberbullying efforts. Their character assassination through libel and slander aims to ruin your integrity, persona, trustworthiness, and credibility with their destructive fabricated calumny, lies, identity theft, forged screenshots of polemics mongering, and framing up. Amidst all their forgery, fraud, libel and slander they committed: you have a right to defy and stop their habitual abuse without breaking the law and fight for your rights against any forms of aggression, public lynching, bullies, threats, blackmail, and their repetitive maltreatment or abuse, identity theft, forgery, deceptions fraud, scams, cyber libel, libel, and slander. When you defend human rights, you fight against corruption and injustice, help end impunity: be sure that you are not part of any misinformation, disinformation, smear campaigns and black propaganda. Do not serve, finance, or cater directly or indirectly for those dirty politicians. Those who are engaged in abusively dishonest ways do not serve to justify their end. Deceiving and scamming other people shall always be your lifetime self-inflicted karmic loss. Be a law-abiding citizen. Be respectful. Be honest. Be factual. Be truthful. You can be an effective human rights defender when you have clean and pure intentions, lawful and morally upright, and have an honest heart." ~ Angelica Hopes, an excerpt from Calunniatopia Book 1, Stronzata Trilogy Genre: inspirational, political, literary novel © 2021 Ana Angelica Abaya van Doorn

The reasonable man adapts himself to the world; the unreasonable one persists in trying to adapt the world to himself. Therefore all progress depends on the unreasonable man.” George Bernard Shaw On a cool fall evening in 2008, four students set out to revolutionize an industry. Buried in loans, they had lost and broken eyeglasses and were outraged at how much it cost to replace them. One of them had been wearing the same damaged pair for five years: He was using a paper clip to bind the frames together. Even after his prescription changed twice, he refused to pay for pricey new lenses. Luxottica, the 800-pound gorilla of the industry, controlled more than 80 percent of the eyewear market. To make glasses more affordable, the students would need to topple a giant. Having recently watched Zappos transform footwear by selling shoes online, they wondered if they could do the same with eyewear. When they casually mentioned their idea to friends, time and again they were blasted with scorching criticism. No one would ever buy glasses over the internet, their friends insisted. People had to try them on first. Sure, Zappos had pulled the concept off with shoes, but there was a reason it hadn’t happened with eyewear. “If this were a good idea,” they heard repeatedly, “someone would have done it already.” None of the students had a background in e-commerce and technology, let alone in retail, fashion, or apparel. Despite being told their idea was crazy, they walked away from lucrative job offers to start a company. They would sell eyeglasses that normally cost $500 in a store for $95 online, donating a pair to someone in the developing world with every purchase. The business depended on a functioning website. Without one, it would be impossible for customers to view or buy their products. After scrambling to pull a website together, they finally managed to get it online at 4 A.M. on the day before the launch in February 2010. They called the company Warby Parker, combining the names of two characters created by the novelist Jack Kerouac, who inspired them to break free from the shackles of social pressure and embark on their adventure. They admired his rebellious spirit, infusing it into their culture. And it paid off. The students expected to sell a pair or two of glasses per day. But when GQ called them “the Netflix of eyewear,” they hit their target for the entire first year in less than a month, selling out so fast that they had to put twenty thousand customers on a waiting list. It took them nine months to stock enough inventory to meet the demand. Fast forward to 2015, when Fast Company released a list of the world’s most innovative companies. Warby Parker didn’t just make the list—they came in first. The three previous winners were creative giants Google, Nike, and Apple, all with over fifty thousand employees. Warby Parker’s scrappy startup, a new kid on the block, had a staff of just five hundred. In the span of five years, the four friends built one of the most fashionable brands on the planet and donated over a million pairs of glasses to people in need. The company cleared $100 million in annual revenues and was valued at over $1 billion. Back in 2009, one of the founders pitched the company to me, offering me the chance to invest in Warby Parker. I declined. It was the worst financial decision I’ve ever made, and I needed to understand where I went wrong.

Bright-kindled from heavenly flames, framed of Love's all-consuming fire, Ignited of purest passion, Burning in the Creator King's heart, A splendor of bliss to illuminate Albion!

Our family emblem, inspired by Sumerian seals of bygone days, consists of a clay cylinder engraved with three As framed within a circle; the As stand for our most treasured roles, listed here in order of importance: Autodidacts, Anarchists, Atheists. The following motto is engraved underneath the cylinder: In this false world, we guard our lives with our deaths.

This issue of Stvar we dedicate to the anniversaries. Each effort that commences from historical years and epochal dates, however, is not only supposed to cope with the legacy and lessons of evoked events and figures, but also to question a certain (dominant) relation to the past and history. In other words, the task is not a commemorative one, that is, a fetishist relation to the epoch of decisive dates and big events, but rather the radical grasping of the materiality of history following its work where social contradictions require that fight for emancipation and progress is to be taken up. What is at stake here is not an academic requiem or a leftist memorial service to the era of revolutions and great revolutionaries; it is all about casting our gaze toward the past in order to better examine those moments where the past opens itself toward the future. The relation toward past, therefore, should contain perspectives of different future. Amputation of the future is nowadays one of the features of many current academic, scientific and ideological discourses. Once this perspective of different future has been eliminated, the resignification of Marx, Luxemburg, Kollontai, Lenin and others becomes possible, because their doctrines and results have been quite depoliticized. On the contrary, it is the memory that calls for struggle that is the main cognitive attitude toward the events remembered in the collected texts in this issue. Not nostalgic or collectionist remembrance but critical memory filled with hope. The main question, thus, is that of radical social transformations, i.e. theory and practice of revolution. In this sense, Marx, Kollontai, Lenin and other Bolsheviks, and Gramsci as well, constitute the coordinates in which every theoretical practice that wants to offer resistance to capitalist expansion and its ideological forms is moving. The year 1867, when the first Volume of Marx’s Capital is brought out in Hamburg, then October 1917 in Russia, when all power went to the hands of Soviets, and 1937, when Gramsci dies after 11 years of fascist prison: these are three events that we are rethinking, highlighting and interpreting so that perspective of the change of the current social relations can be further developed and carried on. Publishing of the book after which nothing was the same anymore, a revolutionary uprising and conquest of the power, and then a death in jail are the coordinates of historical outcomes as well: these events can be seen as symptomatic dialectical-historical sequence. Firstly, in Capital Marx laid down foundations for the critique of political economy, indispensable frame for every understanding of production and social relations in capitalism, and then in 1917, in the greatest attempt of the organization of working masses, Bolsheviks undermined seriously the system of capitalist production and created the first worker’s state of that kind; and at the end, Gramsci’s death in 1937 somehow symbolizes a tragical outcome and defeat of all aspirations toward revolutionizing of social relations in the Western Europe. Instead of that, Europe got fascism and the years of destruction and sufferings. Although the 1937 is the symbolic year of defeat, it is also a testimony of hope and survival of a living idea that inspires thinkers and revolutionaries since Marx. Gramsci also handed down the huge material of his prison notebooks, as one of the most original attempts to critically elaborate Marx’s and Lenin’s doctrine in new conditions. Isn’t this task the same today?

Mauve cream Kabuki actors use conceal dark circles under my eyes. I brush soothing sable bristles of coral blush across high cheekbones, smudge taupe color on eye lids, darken thick lashes, dot ash rose gloss across my lips. Heavy red frame glasses and rose lenses cover grey eyes. I rip the telephone from the wall and stumble, drunk and crying, to the door, batter the facing with the phone handle, counting arrhythmic phlegmatic beats. Splinters and fragments of wood fall to the floor, a lingering catarrh lying among pale turquoise and gold threads. The scent of roses and jasmine lingers. The sky and dot and window refracture. I look into the gold leaf mirror, pleased with the effect: A perfect face reflects no inner turmoil.

But biblical theology does not derive from the church fathers. It derives from the biblical text, framed in its own context. Scholars agree that the Second Temple Jewish literature that influenced Peter and Jude shows intimate familiarity with the original Mesopotamian context of Genesis 6:1–4.17 For the person who considers the Old and New Testament to be equally inspired, interpreting Genesis 6:1–4 “in context” means analyzing it in light of its Mesopotamian background as well as 2 Peter and Jude, whose content utilizes supernatural interpretations from Jewish

Many say that Western Civ and this kind of Great Books education is an elitist enterprise dominated by dead white males. But Western Civ was and remains radicalism—a subversive, revolutionary counterculture that makes it impossible to remain fat and happy within the status quo. Western Civ is Socrates, a man so dangerous, his city couldn’t tolerate him living within it. Western Civ offers ways to step out of the cave and see reality in its true colors, not just as the shadows that ideologues are content to see. Western Civ took me outside the assumption of my time, outside the values of the modern meritocracy and America’s worship of success. Western Civ inspired me to spend my life pursuing a philosophy—to spend decades trying to find a worldview that could handle the complexity of reality, but also offer a coherent vision that could frame my responses to events and guide me through the vicissitudes of life. Western Civ is the rebel base I return to when I want to recharge my dissatisfactions with the current world. Once you’ve had a glimpse of the highest peaks of the human experience, it’s hard to live permanently in the flatlands down below. It’s a little hard to be shallow later in life, no matter how inclined in that direction you might be.

In the scripture, God promised Abraham that he would be the father of many nations. In the natural it was impossible. Abraham didn’t have one child. He was eighty years old. But God didn’t just give him the promise; God gave him a picture to look at. God said, “Abraham, go out and look at the stars--that’s how many descendants you will have.” I’ve read where there are six thousand stars in the Eastern sky where he was. It’s not a coincidence that there are six thousand promises in the scripture. God was saying, “Every promise that you can get a vision for, I will bring it to pass.” God told him also to look at the grains of sand at the seashore, because that was how many relatives he would have. Why did God give him a picture? God knew there would be times when it would look as if the promise would not come to pass, and Abraham would be discouraged and tempted to give up. In those times, Abraham would go out at night and look up at the sky. When he saw the stars, faith would rise in his heart. Something would tell him, “It’s going to happen, I can see it.” In the morning when his thoughts told him, “You’re too old, it’s too late, you heard God wrong,” he would go down to the beach and look at the grains of sand. His faith would be restored. Like Abraham, there will be times when it seems as if your dreams are not coming to pass. It’s taking so long. The medical report doesn’t look good. You don’t have the resources. Business is slow. You could easily give up. But like Abraham, you’ve got to go back to that picture. Keep that vision in front of you. When you see the key to your new house, the outfit for your baby, the tennis shoes for when you’re healthy, the picture frame for your spouse, the article inspiring you to build an orphanage, those pictures of what you’re dreaming about will keep you encouraged. God is saying to you what He said to Abraham: “If you can see it, then I can do it. If you have a vision for it, then I can make a way. I can open up new doors. I can bring the right people. I can give you the finances. I can break the chains holding you back.

This was true—I had been inspired largely by guilt that was manifesting itself among members of my generation as a desire to help the people we kept hearing about on the news, people whose suffering we had used to explain our struggles, frame our debates, and justify our small rebellions.

All the solitary hours a writer pours into a novel would avail little if not for the solitary hours poured into it by many unseen others. Anyway I assume those others also do their work in solitude; maybe they work in pairs or crews or tag teams, but I’d rather imagine them slaving over my words in a poorly lit and otherwise unoccupied room, just as I do. Maybe they will have a little music for company, but nothing too upbeat, something along the lines of Mozart’s Requiem, for example, because as everybody who has ever worked on a book knows, this work can be as grueling in its way as crawling on your knees through ten acres of ground-hugging plants to pick potato beetles off one at a time and flick them into a galvanized bucket filled with soapy water. But it can also be as transcendent as the Requiem—or as picking potato beetles when you are in the right frame of mind for it. Knowing other people are engaged in the same underappreciated labor and squeezing a perverse kind of joy out of it is what keeps me writing, especially if it’s my field of potatoes they are picking over. Sometimes I like to picture each of my collaborators working their way down a row, their backs aching, hands filthy with beetle juice, fingernails broken, eyes going cross-eyed in the faltering light. It’s inspirational. Thirty years ago, I would have written (and did) a dull-as-dirt acknowledgment to thank each of my collaborators. It would have had all the excitement of a divorce decree. Back then I had no idea how difficult and precarious a job it is to turn out a novel every couple of years. It gets more difficult and precarious every year. So does living. To me, they’re pretty much the same thing.

We’re all “storytellers.” We don’t call ourselves storytellers, but it’s what we do every day. Although we’ve been sharing stories for thousands of years, the skills we needed to succeed in the industrial age were very different from those required today. The ability to sell our ideas in the form of story is more important than ever. Ideas are the currency of the twenty-first century. In the information age, the knowledge economy, you are only as valuable as your ideas. Story is the means by which we transfer those ideas to one another. Your ability to package your ideas with emotion, context, and relevancy is the one skill that will make you more valuable in the next decade. Storytelling is the act of framing an idea as a narrative to inform, illuminate, and inspire. The Storyteller’s Secret is about the stories you tell to advance your career, build a company, pitch an idea, and to take your dreams from imagination to reality. When you pitch your product or service to a new customer, you’re telling a story. When you deliver instructions to a team or educate a class, you’re telling a story. When you build a PowerPoint presentation for your next sales meeting, you’re telling a story. When you sit down for a job interview and the recruiter asks about your previous experience, you’re telling a story. When you craft an e-mail, write a blog or Facebook post, or record a video for your company’s YouTube channel, you’re telling a story. But there’s a difference between a story, a good story, and a transformative story that builds trust, boosts sales, and inspires people to dream bigger.

daughter of the past who walked in all wide-eyed and exhaling like she’d finally found what she was looking for. It was a look I knew well. So glad to be in a cozy bookshop, in air-conditioned comfort, surrounded by stories, and to find that in the chaos of the world there was still a place like this. A place where books were piled to the ceiling and tables were crowded with the paraphernalia of reading: bookmarks, reading lights, stationery, pens and framed quotes to inspire.

My grandfather always had a little framed picture by his bed that simply said: There is always music in the garden, but our hearts have to be still enough to hear it. So every once in a while, take out your backpack and head off for a night under canvas. Even if it’s only for one night, and even if it’s only in your garden. Nature and the outdoors are a universal and deep-rooted language that we can all pick up once we get immersed. Once you have learnt to tie a bowline or cook a simple meal over a fire that you’ve built yourself, you’ll never forget it. I mean, who doesn’t want to learn how to make fire without matches? It is one of the greatest and oldest of human achievements. These skills and experiences are so deep-rooted in our subconscious that it is no surprise that they calm us. It is about being true to who we all are. And to remind ourselves of this, every now and again, is always going to better our lives. So camp out, enjoy some stories, watch a bit of nature’s TV (that’s a fire, by the way), eat simple food with your fingers, drink some wine and chat to those you love, and then lie back and soak in some quiet time under the night sky: it is restorative. You don’t need to be in Fiji to get restored! The only thing I would add to all this is once a year to watch a sunrise. It is good for the mind, body and spiritual health: to get up early and watch the sun appear quietly over the horizon, with no fuss, no fanfare - a gentle, warming, calm reminder that the world, at its heart, is wonderful, and that life is truly a gift. Never underestimate the power of simple pleasures like this to restore and inspire you. It is part of how we are made.

Cassandra, foreseeing not the end of Troy, but the end of everything that came after Troy. The victory of Greece remains the most important victory of our history; it not only inspired the first text of Western literature but perhaps is the very text of ‘the West’ itself. This victory, prefigured in the mad rants of the woman who defied the god of truth, could not have been won if anyone had listened to Cassandra. But then again, she did not die before she took her madness into the heart of Greece: it echoed through Agamemnon’s palace, through Aeschylus’s Oresteia, continued as shout and murmur through literature. Nonetheless, the book that frames these screams is called (defiantly perhaps?) a science, and gay.

We need a revolution in mental health awareness to help us grasp the wonder and complexity of human behavior, health and functioning, and the nuances and intersections of brilliance and madness. This starts with dismantling myopic myths that prevent us from seeing the simultaneous wonder and complexity of our fullest selves. It involves providing access to the tools that mitigate being overtaken by the ravages of burnout and mental decompensation: the very risks of living in the modern world. Our sense-making approaches need to be comprehensive- grounded both scientifically and medically, steeped in love, and in ways that account for the multidimensionality of emotional and spiritual essence. Those that go beyond what the mind can first conceive of. This new mental health imperative relies upon universal precautions and a vehement resistance to linear checklists and binary labels that frame our gorgeous spirits solely as either complex and fraught or indomitable and wondrous. It also relies not on good will and best practices but the moral courage of policy makers to treat human beings like human beings. Dogs are often treated better than people. This is our new imperative: to radically change the way we care for ourselves and one another. We cannot extricate ourselves from the fact that the lines we walk are incredibly thin and blurry, and our only hope is to rewrite and navigate them together in solidarity, with every measure of creative reason and conscious community that can be mustered...

I may not be able to play a harp again, or sing for the clan,” he said. “But I have found that this is my song. This is my music.” And he framed her face in his hands. “Months ago, I told you that I was a verse inspired by your chorus. I thought I knew what those words meant then, but now I fully understand the depth and the breadth of them. I want to write a ballad with you, not in notes but in our choices, in the simplicity and the routine of our life together. In waking up at your side every sunrise and falling asleep entwined with you every sunset. In kneeling beside you in the kail yard and leading a clan and overseeing trade and eating at our parents’ tables. In making mistakes, because I know that I’ll make them, and then restitution, because I’m better than I once ever hoped to be when I’m with you.” Adaira turned her face to kiss his palm, where his scar from their blood vow still shone. When she looked at him again, there were tears in her eyes. “What do you think, Heiress?” Jack whispered, because he was suddenly desperate to know her thoughts. To know what she was feeling. Adaira leaned forward, brushing his lips with hers. “I think that I want to make such music with you until my last day when the isle takes my bones. I think you are the song I was longing for, waiting for. And I will always be thankful that you returned to me.

A great perfume can express the intangible, but essential, intentions of a designer and convey the constant, enduring, and driving identity of the fashion house. It was through Marc Rosen's advocacy that I came to realize that the greatest modern perfume bottles were an art reflecting art. They exist as design objects in their own right, but are directly responsive to the composition of the scents they hold. A perfume, based on a series of layers and combinations of scent and composed of "notes" in a system that is at once science and subjectivity, is dependent on the sensory and the intuitive. With evocative qualities that are an amalgam of references framing it conceptually, a perfume can inspire possibilities of representation through graphics and the form of its flacon. Perfume bottles reside at the intersection of aesthetics and technology. They are, at their most artful, the sculptural manifestations of the ideas, emotions, and poetry elicited by a fragrance.

Instead, find the angle that supports other people.  Make the subtext of your jokes point to positive traits (“Does it hurt having a brain so big?” is nicer than “God you’re a moron.”)  Whether the tone is serious or goofy, always frame others in the best light possible.

Make a deliberate effort to feed your conscious and subconscious mind to achieve a well programmed mind frame, ready to succeed. Read the right material, watch the right material and listen to the right material. Practice and expose yourself to the right material so that you can form positive attitudes, positive feelings and positive habits. For each person, the right material is defined from their unique vision, mission, beliefs and values.

First, this faith does indeed become a virtue, in the Christian sense. The initial reaching out in grateful response, itself precipitated by the work of the Spirit and the preaching of the Word, is the start of a lifelong reaching out, a faithfulness that, like the initial faith, is the answer to God's faithfulness in Jesus Christ and in the word of the gospel. But this lifelong faithfulness, sharing as it does the nature and character of the initial faith by which one is justified, is not (again, as in some romantic or existentialist dreamings) a matter of giving expression to how one happens to be feeling at the time. (One of the evils of our age is first to say "I feel" when we mean "I think"; then to pass, subtly, to the point where actual feelings have taken the place of actual thought; then to pass beyond that again, to the point where "feeling" automatically trumps "thinking"; then to reach the point where thought has disappeared altogether, leaving us merely with Eliot's "undisciplined squads of emotion. "35 At that point, one of the nadirs of postmodernity, we have left behind both the classical and the Christian traditions, though tragically you can see exactly this sequence worked out in various would-be Christian contexts, not least Synods.) This lifelong faithfulness is a matter of practice. It means acquiring a habit: making a thousand small decisions to trust God now, in this matter, to believe in Jesus and his death and resurrection today, to be faithful and trustworthy to him here and now, in this situation ... and so coming, by slow steps and small degrees, to the point where faith, trust, belief, and faithfulness become, as we properly say in relation to virtue, "second nature" Not "first nature;' doing what comes naturally. No: second nature, doing from the heart that which the heart has learned by practice and hard work. Christian faith thus reaches out, by Spirit-inspired and eschatologically framed moral effort, toward the telos for which we were made, that we should be image-bearers of the faithful God. This means, in the terms I have posed in this paper, that faith is indeed one of the things we learn to do in the present time that truly anticipates the full life of the coming age. This is the sense, I think, in which lifelong Christian faith, though not different in kind or content from the faith by which one is justified (but only in temporal location, i.e., ongoing rather than initial), is indeed to be reckoned among the virtues.

most of the raves workers give their employers were based on three corporate traits. First, “a powerful visionary leader,” one who “demands but also inspires them to give their best.” Second, “they offer a physical environment that makes work enjoyable.” Third, “they frame their work as part of a deep rewarding purpose that employees find fulfilling.” It also stated that “high morale and outstanding performance emphatically go together.

Developing a positive attitude is the key to attracting positive life experiences. People prefer associating with positive people who make them feel inspired, motivated and happy. In fact, when you radiate a positive attitude, it’s contagious. People around you start seeking your company, because you make them feel more positive just being around you. When you have an optimistic frame of mind, you’re far more likely to recognize opportunities when they arise. Developing a positive attitude can change your entire life.