Framed Disney Quotes

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One Disney “urban myth” is that in the event of a hurricane, the castle can be dismantled. That is untrue. The main building has an internal grid of steel framing, secured to a concrete foundation. The turrets and towers also have internal steel framing and were lifted by crane, then bolted permanently to the main structure.
Jim Korkis (Secret Stories of Walt Disney World: Things You Never Knew You Never Knew)
Sue stepped into a haven that smelled of candles and lemon-scented dish soap, a cabinet of curiosities, one of which was the bathtub smack dab in the middle of the small kitchen. Bob Roy’s railroad flat was four tight, connected rooms, each stuffed with koombies, knickknacks, doodads, furniture pieces of any style, shelves, books, photos in frames, trophies bought from flea markets, old records, small lamps, and calendars from decades before. “I know,” he said. “It looks like I sell magic potions in here, like I’m an animated badger from a Disney cartoon.” He lit a burner on the stove with a huge kitchen match, then filled a shiny, Olde English–style kettle with water from the tap. As he prepared cups on a tray he said, “Tea in minutes, titmouse. Make a home for yourself.
Tom Hanks (Uncommon Type: Some Stories)
Before considering a geodesic sphere, different design structures were considered for Spaceship Earth including the Roman Parthenon, the dome of Saint Peter’s Cathedral in the Vatican (150 feet high and 107 feet in diameter), and the 125-foot-diameter steel frame supporting a map of the world, like the one at the 1964–65 New York World’s Fair. A golden geodesic dome was also seriously considered, inspired by the Expo ’67 dome in Montreal.
Jim Korkis (Secret Stories of Walt Disney World: Things You Never Knew You Never Knew)
Raised on Walt Disney, most of us hear the phrase “Mirror, mirror, on the wall, who’s the fairest of them all?” and the first image that pops into our heads is that of the evil stepmother with her stark white face and red lips in the animated film and book spin-offs of Snow White. But like other folktales collected by the Brothers Grimm, their original source—and indeed their first version of the story, published in 1812—wasn’t about an evil stepmother but a mother-daughter pair, and it was Snow White’s own mother who was her envious antagonist. In the original version, the beautiful queen who pricks her finger while sewing and wishes for a child “as white as snow, as red as blood, and as black as the sewing frame” gives birth to Snow White. It is Snow White’s own mother who, obsessed with her own beauty, checks her magic mirror when Snow White is seven only to hear that her daughter, not she, is “the fairest of them all.” It is Snow White’s mother who tries her best to have her daughter killed throughout the rest of the story until innocence trumps maternal envy in the end. By 1819, the Grimm Brothers had banished to the cupboard of taboos the psychological truth mirrored in the original folktale—of the potential rivalry between a mother and daughter, or maternal envy—by having the “real” mother die after giving birth and a sinister stepmother take her place.
Peg Streep (Mean Mothers: Overcoming the Legacy of Hurt)