Fragile But Strong Quotes

I like the way I feel about myself when I'm with him." I say quietly. "Warner thinks I'm strong and smart and capable and he actually values my opinion. He makes me feel like his equal--like I can accomplish just as much as he can, and more. And if I do something incredible, he's not even surprised. He expects it. He doesn't treat me like I'm some fragile little girl who needs to be protected all the time.

Now very much against her will, she thought of the way Jace had looked at her then, the blaze of faith in his eyes, his belief in her. He had always thought she was strong. He had showed it in everything he did, in every look and every touch. Simon had faith in her too, yet when he'd held her, it had been as if she were something fragile, something made of delicate glass. But Jace had held her with all the strength he had, never wondering if she could take it--he'd known she was as strong has he was.

I suppose I have found it easier to identify with the characters who verge upon hysteria, who were frightened of life, who were desperate to reach out to another person. But these seemingly fragile people are the strong people really.

You're going to meet many people with domineering personalities: the loud, the obnoxious, those that noisily stake their claims in your territory and everywhere else they set foot on. This is the blueprint of a predator. Predators prey on gentleness, peace, calmness, sweetness and any positivity that they sniff out as weakness. Anything that is happy and at peace they mistake for weakness. It's not your job to change these people, but it's your job to show them that your peace and gentleness do not equate to weakness. I have always appeared to be fragile and delicate but the thing is, I am not fragile and I am not delicate. I am very gentle but I can show you that the gentle also possess a poison. I compare myself to silk. People mistake silk to be weak but a silk handkerchief can protect the wearer from a gunshot. There are many people who will want to befriend you if you fit the description of what they think is weak; predators want to have friends that they can dominate over because that makes them feel strong and important. The truth is that predators have no strength and no courage. It is you who are strong, and it is you who has courage. I have lost many a friend over the fact that when they attempt to rip me, they can't. They accuse me of being deceiving; I am not deceiving, I am just made of silk. It is they who are stupid and wrongly take gentleness and fairness for weakness. There are many more predators in this world, so I want you to be made of silk. You are silk.

Just be you-strong and honest. The rest falls into place if you do that. It always has. It always will. Remember that. No matter what happens over the . . . centuries ahead of you, remember to be honest with yourself. And if you fail, forgive yourself. You'll make mistakes. The whole world is new, and they have so many more years in the then you.

If a chain is only as strong as its weakest link, then a family is more like a rope. We're lots of fragile little strands, and we survive by becoming hopelessly intertwined with each other.

Life is sometimes amazingly fragile, but some lives are frighteningly strong.

Flowers are fragile and ephemeral...Even if you meant to protect them with a surrounding fence from wind and rain, they would die without sunlight...and a spindly fence has no power against a strong wind. - Haibara Ai

I never wanted him to feel the way I had as a child," said Baghra. "So I taught him that he had no equal, that he was destined to bow to no man. I wanted him to be hard, to be strong. I taught him the lesson my mother and father taught me: to rely on no one. That love - fragile and fickle and raw - was nothing compared to power. He was a brilliant boy. He learned too well.

The princess is strong. And because she's strong, she's fragile. If somebody doesn't teach her that fact, she'll break.

You may think you know someone very well. But there'll always be parts you can't see. Sometimes she'll look weak, but she is hiding her strength. Sometimes she'll seem strong... and yet she's so fragile on the inside.

Landscape Isn't it plain the sheets of moss, except that they have no tongues, could lecture all day if they wanted about spiritual patience? Isn't it clear the black oaks along the path are standing as though they were the most fragile of flowers? Every morning I walk like this around the pond, thinking: if the doors of my heart ever close, I am as good as dead. Every morning, so far, I'm alive. And now the crows break off from the rest of the darkness and burst up into the sky—as though all night they had thought of what they would like their lives to be, and imagined their strong, thick wings.

You loved me cause I'm fragile. But I thought that I was strong. Well, you touch me for a little while, and all my fragile strength is gone!

It was Leslie who had taken him from the cow pasture into Terabithia and turned him into a king. He had thought that was it. Wasn't king the best you could be? Now it occurred to him that perhaps Terabithia was like a castle where you came to be knighted. After you stayed for a while and grew strong you had to move on. For hadn't Leslie, even in Terabithia, tried to push back the walls of his mind and make him see beyond to the shining world—huge and terrible and beautiful and very fragile? (Handle with care—everything—even the predators.) Now it was time for him to move out. She wasn't there, so he must go for both of them. It was up to him to pay back to the world in beauty and caring what Leslie had loaned him in vision and strength. As for the terrors ahead—for he did not fool himself that they were all behind him—well, you just have to stand up to your fear and not let it squeeze you white. Right, Leslie? Right.

A person is never as quiet or unrestrained as they seem, or as bad or good, as vulnerable or as strong, as sweet or as feisty; we are thickly layered, page lying upon page, behind simple covers. And love - it is not the book itself, but the binding. It can rip us apart or hold us together...Layers, by their nature, are fragile things.

His gaze burned into mine, like he could see past my eyes into parts of me no one had ever seen, and I knew I was seeing the same in him. No one else had ever seen him so vulnerable before, like if I pushed him away, he might crumble into pieces that could never be put together again. Yet there was strength, too. He was strong beneath that fragile need, and I knew that I could never fall with him next to me. If I tripped, he would catch me. If I lost my balance, he would find it.

I think men are afraid to be with a successful woman, because we are terribly strong, we know what we want and we are not fragile enough.

If you want the naked beauty of my vulnerability, you have to have the strength to share the burden of, the private pain, that makes me feel so tender and fragile. For i am as strong, as i am, weak. If you want me to come home to you, be the safe harbor, in which, i can seek refuge.

The only worthwhile constant in human existence is our heart which can only be nourished by sincere love. A good strong heart radiates love in all directions perpetually. The heart is also the most fragile of human existence. Therefore, take good care of it. Give it constant love.

Mark nearly fell forward, and threw his arms around Julian. Julian barely managed to catch himself before almost falling over. Mark was whipcord thin, but strong, his hands fisting in Julian's shirt. Julian could feel Mark's heart hammering, feel the sharp bones under his skin. He smelled like earth and mildew and grass and nighttime air. "Julian," Mark said, muffled, his body shaking. "Julian, my brother, my brother." Julian sighed. He wanted to relax into his older brother, let Mark hold him up the way he once had. But Mark was slighter than he was, fragile under his hands. He would be holding Mark up from now on. It was not what he had imagined, dreamed of, but it was the reality. It was his brother. He tightened his hands on Mark and adjusted his heart to bear the new burden.

She thought of the way Jace had looked at her then, the blaze of faith in his eyes, his belief in her. He had always thought she was strong. He had showed it in everything he did, in every look and every touch. Simon had faith in her too, yet when he'd held her, it had been as if she were something fragile, something made of delicate glass. But Jace had held her with all the strength he had, never wondering if she could take it -- he'd known she was as strong as he was.

Some broken things you can't mend. Some you have to put together very slowly piece by fragile piece, waiting until the last bit of work is strong enough before you try the next. It takes a lot of patience.

Some people are fragile Because they are beautiful

My daughter isn’t going to grow up as fragile flower, incapable of taking care of herself. She will train as she fights, and she will fight as she trains. She will be raised to be total bad ass. Because everyone loves a bad ass. - Raising A Strong Daughter: What Fathers Should Know by Finlay Gow JD and Kailin Gow MA

The Old Ones knew that life is not rare, but precious; not fragile, but vulnerable. Life is as deep as the seas in which it was born, as strong as the mountains that give it shelter, as universal as the stars themselves.

Love by its very nature is fragile and that’s what makes true love so powerful— you make a fragile thing strong

Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunch-backed makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed form kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries' vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers, heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters' sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etiolated lacquerers; mottle-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men's wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of Last Chrysanthemum, where a puddle from last night's rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.

He looked down at himself and laughed softly. ‘‘My dark side dresses better than I do.’’ He stood up and reached for clothes folded neatly on a table to the side as he loosened the tie on his robe. He hesitated, smiled, and raised his eyebrows. ‘‘If you don’t mind, Claire . . . ?’’ ‘‘Oh. Sorry.’’ Claire turned her back. She didn’t like turning her back on him, even with the cell door locked. He was better behaved when he knew she was watching. She focused on the faint, distorted image of his reflection on the TV screen as he shed the dressing gown and began to pull on his clothing. She couldn’t see much, except that he was very pale all over. Once she was sure his pants were up, she glanced behind her. He had his back to her, and she couldn’t help but compare him with the only other man she’d really studied half-naked. Shane was broad, strong, solid. Myrnin looked fragile, but his muscles moved like cables under that pale skin—far stronger than Shane’s, she knew. Myrnin turned as he buttoned his shirt. ‘‘It’s been a while since a pretty girl looked at me with such interest,’’ he said. She looked away, feeling the blush work its heat up through her neck and onto her cheeks. ‘‘It’s all right, Claire. I’m not offended.

If last night proved anything, it's that life is a strong drink served up in an extremely short - and fragile - shot glass.

Few things are strong enough to survive that deadly clash of mania and depression. Certainly not love. Love is far too fragile: it is a picture window, just begging to be shattered.

The breath of wind that moved them was still chilly on this day in May; the flowers gently resisted, curling up with a kind of trembling grace and turning their pale stamens towards the ground. The sun shone through them, revealing a pattern of interlacing, delicate blue veins, visible through the opaque petals; this added something alive to the flower's fragility, to it's ethereal quality, something almost human ,in the way that human can mean frailty and endurance both at the same time. The wind could ruffle these ravishing creations but it couldn't destroy them, or even crush them; they swayed there, dreamily; they seemed ready to fall but held fast to their slim strong branches-...

I have only one thing I hope to convey to you today. We are all human beings, individuals transcending nationality and race and religion, fragile eggs faced with a solid wall called The System. To all appearances, we have no hope of winning. The wall is too high, too strong - and too cold. If we have any hope of victory at all, it will have to come from our believing in the utter uniqueness and irreplaceability of our own and others' souls and from the warmth we gain by joining souls together. Take a moment to think about this. Each of us possesses a tangible, living soul. The System has no such thing. We must not allow The System to exploit us. We must not allow The System to take on a life of its own. The System did not make us: We made The System.

I hope this book will end the practice of referring to Donald’s “strategies” or “agendas,” as if he operates according to any organizing principles. He doesn’t. Donald’s ego has been and is a fragile and inadequate barrier between him and the real world, which, thanks to his father’s money and power, he never had to negotiate by himself. Donald has always needed to perpetuate the fiction my grandfather started that he is strong, smart, and otherwise extraordinary, because facing the truth—that he is none of those things—is too terrifying for him to contemplate.

Nobody wants to admit that mermaids who survive the dangers of the ocean can still be defeated by their own pain." He links his fingers through mine. He squeezes my hand until I look back. "A mermaid's heart is the most fragile thing in the sea. You've somehow managed to keep yours beating. The shield doesn't matter. What matters is you're a survivor.

Our hearts may be strong and resilient against the trials of life, but they become weak and fragile against the trials of love.

He’s invincibly strong and unbelievably fragile at one and the same time.

Looking at her nails, Aomame had a strong sense of what a fragile, fleeting thing her own existance was. Something as simple as the shape of her fingernails: it had been decided without her.

Shapes began to appear in the mist as it thickened. Clary saw herself and Simon as children, holding hands, crossing a street in Brooklyn,; she had barrettes in her hair and Simon was adorably rumpled, his glasses sliding off his nose. There they were again, throwing snowballs in Prospect Park; and at Luke's farmhouse, tanned from summer, hanging upside down from tree branches. She saw them in Java Jones, listening to Eric's terrible poetry, and on the back of a flying motorcycle as it crashed into a parking lot, with Jace there, looking at them, his eyes squinted against the sun. And there was Simon with Isabelle, his hands curved around her face, kissing her, and she could see Isabelle as Simon saw her: fragile and strong, and so, so beautiful. And there was Valentine's ship, Simon kneeling on Jace, blood on his mouth and shirt, and blood at Jace's throat, and there was the cell in Idris, and Hodge's weathered face, and Simon and Clary again, Clary etching the Mark of Cain onto his forehead. Maureen, and her blood on the floor, and her little pink hat, and the rooftop in Manhattan where Lilith had raised Sebastian, and Clary was passing him a gold ring across a table, and an Angel was rising out of a lake before him and he was kissing Isabelle...

So often, we're told that women's stories are unimportant. After all, what does it matter what happens in the main room, in the kitchen, or in the bedroom? Who cares about the relationships between mother, daughter, and sister? A baby's illness, the sorrows and pains of childbirth, keeping the family together during war, poverty, or even in the best of days are considered small and insignificant compared with the stories of men, who fight against nature to grow their crops, who wage battles to secure their homelands, who struggle to look inward in search of the perfect man. We're told that men are strong and brave, but I think women know how to endure, accept defeat, and bear physical and mental agony much better than men. The men in my life—my father, Z.G., my husband, my father-in-law, my brother-in-law, and my son—faced, to one degree or another, those great male battles, but their hearts—so fragile—wilted, buckled, crippled, corrupted, broke, or shattered when confronted with the losses women face every day...Our men try to act strong, but it is May, Yen-yen, Joy, and I who must steady them and help them bear their pain, anguish, and shame.

You gain power by pretending to be weak. By contrast, you make people feel so strong. You save people by letting them save you. All you have to do is be fragile and grateful. So stay the underdog. People really need somebody they feel superior to. So stay downtrodden.

It is astonishing how fragile we are as well as how strong..

Life is a strong drink served up in an extremely short, and fragile shot glass. We shouldn't waste a single drop.

I like the way he makes me feel about myself when i am with him. Warner thinks I’m strong and smart and capable and actually values my opinion. He makes me feel like his equal- like i can accomplish just as much as he can, and more. And if i do something incredible, he’s not even surprised. He expects it. He doesn't treat me like I’m some fragile little girl who needs to be protected all the time.

No tree becomes deep-rooted and sturdy unless strong winds blow against it. This shaking and pulling is what makes the tree tighten its grip and plant its roots more securely; the fragile trees are those grown in a sunny valley.

I might be fragile like a mirror. You might be the rock. Hit me all you want. But still in the end I’ll be the one shining.

He was thinking of the irony of friendship—so strong it is, and so fragile. We fly together, like straws in an eddy, to part in the open stream.

As fragile as life can be, don’t let love and time crumble away when you can give someone your whole heart right now.

Did you wake up feeling fragile? Read the bible till you find a promise strong enough to carry you through the day.

Years vanish. Months collapse. Time is like a tall building made of playing cards. It seems orderly until a strong gust of wind comes along and blows the whole thing skyward. Imagine it: an entire deck of cards soaring like a flock of birds.

Oh, all right,” she said balefully, beginning to shake all over. “I’ll admit it—I want you. There, are you satisfied? I want you.” “In what capacity? Lover, or husband?” Annabelle stared at him in shock. “What?” His arms slid around her, holding her quivering frame securely against his. He said nothing, only watched her intently as she tried to grasp the implications of the question. “But you’re not the marrying kind,” she managed to say weakly. He touched her ear, his fingertip tracing the fragile outer curve. “I’ve discovered that I am when it comes to you.” The subtle caress set fire to her blood, making it difficult to think. “We would probably kill each other within the first month.” “Probably,” Hunt conceded, his smiling mouth brushing over her temple. The warmth of his lips sent a rush of dizzying pleasure through her. “But marry me anyway, Annabelle. As I see things, it would solve most of your problems …and more than a few of mine.” His big hand slid gently down her spine, calming her tremors. “Let me spoil you,” he whispered. “Let me take care of you. You’ve never had anyone to lean on, have you? I’ve got strong shoulders, Annabelle.” A deep laugh rumbled in his chest. “And I may possibly be the only man of your acquaintance who’ll be able to afford you.

That's why you look so tired, isn't it?" I murmured. "You used up all your magic to find me last night." Owen shrugged as though it was nothing. But it wasn't nothing to me. Besides Finn and the Deveraux sisters, I couldn't even remember the last time someone had cared enough to come looking for me when I was in trouble. I was so used to being on my own for so long, always being the tough, strong, capable one, that I'd forgotten how nice it felt to have someone else look out for me. To have someone else care about me. And just like that, the fragile strings of my feelings for Owen joined together, all the tangled threads wrapping around and weaving their way through my heart. Scary and painful in some ways, but necessary in others too.

Man when living is soft and tender; when dead he is hard and tough. All animals and plants are tender and fragile; when dead they become withered and dry. Therefore it is said: the hard and the tough are parts of death; the soft and tender are parts of life. This is the reason why the soldiers when they are too tough cannot carry the day; the tree when it is too tough will break. The position of the strong and great is low, and the position of the weak and tender is high.

There are people nobody notices, but the world revolves around them. They're the quiet ones, the strong, peaceful ones, who form the unbreakable hub for a bunch of fragile spokes. True families aren't bred, they're spun together. And at their center, at the center of the infinite wheel of every family of every kind, blood or otherwise, there is a hub, that person, those people, who hold the wheel together and keep it turning.

When you find love, you hold on hard. It’s a fragile little thing, and once it’s gone, it leaves a hole and memories, we all know that. Ones you wish you could relive, but from every love, you learn something. Something important. From my mother, I learned to be strong. From my father, I learned to embrace pain. From Rich, I learned to love while it lasts and that endings aren’t always a bad thing. From my Vipers, I learned love is unconditional and can come at the strangest of times and places. And from myself? I learned it’s okay to love yourself. Even the darkest parts of you. No matter the shape, size, or weirdness you came with. Embrace your scars and never be ashamed to be who you are, because there is only one of you. And if you don’t love you, how can anyone else? I am imperfectly perfect. I am a lover and a fighter. I am strong and weak. I can be cruel and a killer, but also kind and a healer. I am all of those things, and loving my weaknesses means I can embrace my strengths and be just whom I want to be.

What you learn is often determined by what you need to know. If you think you're weak, you will learn that you are strong. If you think you are indestructible, you will learn that you are fragile. In the end though, you will learn that you are human. You are no more and no less than all those who are learning their lessons as you learn yours.

You had no place of your own in the world of adults. It was sink or swim for you - you couldn't help but be strong because your whole world was precarious. I've always felt your underlying fragility. I loved your fragility when you weren't afraid to let it show.

The story of Jackie Robinson is a classic example of how whiteness obscures racism by rendering whites, white privilege, and racist institutions invisible. Robinson is often celebrated as the first African American to break the color line and play in major-league baseball. While Robinson was certainly an amazing baseball player, this story line depicts him as racially special, a black man who broke the color line himself. The subtext is that Robinson finally had what it took to play with whites, as if no black athlete before him was strong enough to compete at that level. Imagine if instead, the story went something like this: “Jackie Robinson, the first black man whites allowed to play major-league baseball.” This version makes a critical distinction because no matter how fantastic a player Robinson was, he simply could not play in the major leagues if whites—who controlled the institution—did not allow it. Were he to walk onto the field before being granted permission by white owners and policy makers, the police would have removed him.

What was wrong with you?" "Melancholy. Nothing more or less than that. I have suffered it often. Not because I do not like the court, but because... well, I do not know why. It is just one of those things... This time was particularly bad, though. It was so strong it was like a physical illness. But the doctors said it was melancholy, just melancholy, and that time away would it. 'A fragile disposition,' they called me.... As though one needs to be fragile to be sad.

To live fully, in these transitory lives on this fragile earth, in such a way that we somehow participate in the glory of God—that would be flourishing. And that is what we are meant to do.

I ask to become a faery because I love a faery queen, and because she deserves to have someone who loves her for who she is, not what she is. She needs me. There are people-good people-I love and I'm a liability to them because I'm a mortal. I'm fragile. I'm finine. I am in this world. People I care about, the woman I love, friends in all three of the courts... This is where I belong. I just need you to give me what it takes to stay with them and be strong enough not to fail them.

Never can you climb over this wall, you’re not strong enough; girls aren’t strong enough; girls aren’t big enough; your body is fragile and breakable, like a doll; your body is a doll; your body is for others to admire and to pet; your body is to be used by others, not used by you; your body is a luscious fruit for others to bite into and to savor; your body is for others, not for you.

History will teach Mengele a lesson. That the greatest weakness of all is precisely that of the strong: They end up believing they are invincible. So the strength of the Third Reich is also its fragility. Believing it is indestructible, it will open so many battlefronts that it will end up collapsing.

If a chain is only as strong as its weakest link, then a family is more like a rope. We're lots of fragile little strands, and we survive by becoming hopelessly intertwined with each other. The happiest families I ever met were all frayed...but they were also tighter than a hangmen's noose. - Hazel, Saga # 40

She couldn’t love me the way I loved her – such an overpowering, all-consuming, crushing love would probably break her fragile body. But she felt strongly enough. Strongly enough to subdue the instinctive fear. Strongly enough to want to be with me. And being with her was the greatest happiness I had ever known.

And there it is, proof if proof were needed, that though God may mould the clay and fashion some of us hale, some strong, some beautiful, inside we make ourselves, from foolish things, breakable, fragile things:

I didn’t kiss her because I felt bad for her. I kissed her because I felt her. Cass is me—in every possible way. We’re both broken and pissed, fragile yet strong, careful with our hearts, but free with our words.

Anyway, I'm afraid to ask about Reed, where he is, because I'm afraid I can't handle the answer. The way people come and go in your life, where they're present and alive one minute, and missing or dead the next, is an idea that's too big for me to grasp. Life just seems way too fragile all of a sudden, and everybody seems to take it so lightly, as if they think we're all made like army tanks, big and strong and able to roll over anything in our way. And it's not just our bodies that are fragile; our minds are even more so. I don't know what fine membrane separates sanity from insanity, but after watching my dad slip-sliding around on the border between the two all my life, I know how easy it is to cross, and this scares me. This scares me to death. I've just been wondering, what if I had had the switchblade in my hand? What if Reed had dared me and I was the one with the switchblade? Maybe I would have used it. Then I'd be the one missing. It could have been me. I could have been Reed. Reed is me and I am Reed is Dad is Reed is me.

Terabithia was like a castle where you came to be knighted. After you stayed for a while and grew strong you had to move on. For hadn't Leslie, even in Terabithia, tried to push back the walls of his mind and make him see beyond to the shining world - huge and terrible and beautiful and very fragile? (Handle with care - everything - even the predators.)

It is she who has a hold on him. Doesn't she see how much he needs her? She has nothing to be afraid of, her conscience is clear. It is he who should be ashamed, and terrified of her giving him away. But that is just what she will never do. To do this she does not have the necessary ruthlessness--Komarovsky's chief asset in dealing with subordinates and weaklings. This is precisely the difference between them. And it is this that makes the whole of life so terrifying. Does it crush you by thunder and lightning? No, by oblique glances and whispered calumny. It is all treachery and ambiguity. Any single thread is as fragile as a cobweb, but just try to pull yourself out of the net, you only become more entangled. And the strong are dominated by the weak and ignoble.

For a long time I have had the recurring and sentimental wish that I could go back to the early 1990s and just hold onto my younger self, tightly, the way she needed, and not pay attention to her protestations that she was 'fine.' Because I know what I would say to her. I would embrace her and I would tell her that I know she is lonely, that I know she feels lost, that I know she feels worthless. And then, because she is not me, and because she is me, I would assure her that there is something about her, something amazing, something lovable, something special, something beautiful, something fragile, something strong, something worth fighting for.

A few seconds more and the Negress will sing. It seems inevitable, so strong is the necessity of this music: nothing can interrupt it, nothing which comes from this time in which the world has fallen; it will stop by itself, as if by order. If I love this beautiful voice it is especially because of that: it is neither for its fulness nor its sadness, rather because it is the event for which so many notes have been preparing, from so far away, dying that it might be born. And yet I am troubled; it would take so little to make the record stop: a broken spring, the whim of Cousin Adolphe. How strange it is, how moving, that this hardness should be so fragile. Nothing can interrupt it yet it can break it. The last chord has died away. In the brief silence which follows I feel strongly that there is, that SOMETHING HAS HAPPENED. Silence. "SOME OF THESE DAYS YOU'LL MISS ME HONEY

Conservative ideologues defend capitalism as the system that preserves culture, traditional values, the family, and community. Marxists would respond that capitalism has done more to undermine such things than any other system in history, given its wars, colonizations, and forced migrations, its enclosures, evictions, poverty wages, child labor, homelessness, underemployment, crime, drug infestation, and urban squalor. All over the world, community in the broader sense-the Gemeinschaft with its organic social relationships and strong reciprocal bonds of commonality and kinship- is forcibly transformed by global capital into commercialized, atomized, mass-market societies. In the Communist Manifesto, Marx and Engels referred to capitalism's implacable drive to settle "over the whole surface of the globe;' creating "a world after its own image." No system in history has been more relentless in battering down ancient and fragile cultures, pulverizing centuries-old practices in a matter of years, devouring the resources of whole regions, and standardizing the varieties of human experience.

May every man find the softest and most fragile expression of his personality with the right woman who would treasure and honour the beauty of his femininity and not misuse it and may all women find empowering and supportive men who would exult in her self expression and success without fear of being overshadowed by the power of her masculinity and in that beautiful new world, shall we enter as partners, equal and empowering, supporting and caring, vulnerable and strong.

How brave you are for building paths out of the wreckages. How strong you are for standing in the midst of a greater collapse. How wise you are the expand your spirit beyond human limitations and continue becoming more of yourself, every single time. The world won't make you a battle cry, you're a warrior who learnt to shine.

I used to be terrified of my own weakness; if acknowledged it, I thought I would be overwhelmed by it. But I am stronger and braver than that. I am not so easily broken. I am strong enough to realize that it is alright to be fragile, to be less than perfect. Staying connected to that vulnerability, ironically, gives me strength.

Micail nodded, looking down at her. “You seem so fragile, but sometimes I think you are the strongest of us all . . .” “I am strong because we are together,” Tiriki murmured as he left her. <...> Were we disembodied spirits, she thought warmly, still I would know him. <...> The bond between them went beyond the senses of the flesh.

Given that narcissists can often be quite vulnerable, again, because their self-esteem is so fragile and reliant on the judgments of other people, depression is not a surprising part of this picture. At times when they are depressed, especially for men, it is quite possible that their mood will be even more irritable than usual, or they will become more withdrawn, and seemingly more focused on themselves. The big-ticket symptoms we would like to see changed—the lack of empathy, the chronic entitlement, the grandiosity—tend to be most resistant to change, since they are linked so strongly to the core deficits of the disorder, such as an inability to regulate self-esteem.

Resiliency comes from a discovered self, not a constructed self. It comes from the gradual emergence of your unique, inborn abilities in a process called individuation. The better you become, the more unique you become as an individual – and it never ends. If your identity is based mostly on external factors, you will feel anxious about change that threatens your identity sources. You will try to keep the world around you frozen in place. If your identity is based on your personal qualities, abilities, and values, you can let parts of your world dissolve away without feeling threats to your existence. With a strong inner sense of who you are, you can easily adapt to and thrive in new environments.

Stoicism, seen this way, becomes pure robustness—for the attainment of a state of immunity from one’s external circumstances, good or bad, and an absence of fragility to decisions made by fate, is robustness. Random events won’t affect us either way (we are too strong to lose, and not greedy to enjoy the upside), so we stay in the middle column of the Triad.

It's strange, talking about love. I used to hate the word. Hate is too strong. I was sick of reading about it in books, hearing it in songs, watching it in films. It seemed such a huge burden to place on another person - to love them; to give them something so unbelievably fragile and expect them not to break it or lose it or leave it behind on the No.96 bus.

In response to a plea in early 1941 from his colleague and friend, the writer Marietta Shaginyan, who was newly infatuated with the Piano Quintet and its creator, Mickhail Zoshchenko drafted for her a portrait of the Shostakovich he knew, a deeply complex individual: "It seemed to you that he is “frail, fragile, withdrawn, an infinitely direct, pure child.” That is so. But if it were only so, then great art (as with him) would never be obtained. He is exactly what you say he is, plus something else — he is hard, acid, extremely intelligent, strong perhaps, despotic and not altogether good-natured (although cerebrally good-natured). That is the combination in which he must be seen. And then it may be possible to understand his art to some degree. In him, there are great contradictions. In him, one quality obliterates the other. It is conflict in the highest degree. It is almost a catastrophe." Quoted in Laurel Fay: Shostakovich, a Life.

At the edge of the avalanche At the glacier’s icy rim Grows the flower of the snowfields Trembling in the wintry wind. It dares to live in edges Where naught else would ever grow. So fragile, so unlikely An owl slices through this blow. She dares the katabats Her gizzard madly quivers, But for her dearest of friends She vows she shall deliver. Like the lily of the avalanche The glacier’s icy rose Like a flower of the wind The bright fierceness in her glows. The bravest are the small The weakest are the strong The most fearful find the courage To battle what is wrong.

The Aurora!" Her wonder was so strong that she had to clutch the rail to keep from falling. The sight filled the northern sky; the immensity of it was scarcely conceivable. As if from Heaven itself, great curtains of delicate light hung and trembled. Pale green and rose-pink, and as transparent as the most fragile fabric, and at the bottom edge a profound and fiery crimson like the fires of Hell, they swung and shimmered loosely with more grace than the most skillful dancer. Lyra thought she could even hear them: a vast distant whispering swish. In the evanescent delicacy she felt something as profound as she'd felt close to the bear. She was moved by it: it was so beautiful it was almost holy; she felt tears prick her eyes, and the tears splintered the light even further into prismatic rainbows.

You gain power by pretending to be weak. By contrast, you make people feel so strong. You save people by letting them save you. All you have to do is be fragile and grateful. So stay the underdog. People really need somebody they feel superior to. So stay downtrodden. People need somebody they can send a check at Christmas. So stay poor. "Charity" isn't the right word, but it's the first word that comes to mind.

my love is building a building around you,a frail slippery house,a strong fragile house (beginning at the singular beginning of your smile)a skilful uncouth prison, a precise clumsy prison(building thatandthis into Thus, Around the reckless magic of your mouth) my love is building a magic, a discrete tower of magic and(as i guess) when Farmer Death(whom fairies hate)shall crumble the mouth-flower fleet He’ll not my tower, laborious, casual where the surrounded smile hangs breathless

AWAKENING To open both your drowsy eyes, To stretch your limbs and realise That day is here. To watch the dancing, shifting beam Of sun, awake yet half in dream, Uncertain if the fitful gleam Be far or near. To turn with soft, contented sigh, And through the window watch the sky, All opal blue. To feel the air steal in the room, Made fragrant by the soft perfume Of lime-trees, when their scented bloom Is damp with dew. To hear the rustling voice of leaves, The chirp of birds beneath the eaves, But now awake. The tiny hum of timid things That fly with gauzy, fragile wings, Where yet the dusk to daylight clings, When mornings break. To feel the soul look forth and smile, Contented with each fruitful mile That it beholds. To hear the heart beat loud and strong, In unison with Nature's song, That echoes tremulous and long While dawn unfolds. To know yourself a thing complete, With strength of mind and limb replete, With vast desire; A creature made to dominate The lesser things of earth, a fate On whom the universe must wait, With force entire. And then to cry in deep delight God made the world and made it right; Dear Heaven above! Was ere completeness so complete, Was ever sweetness half so sweet, Was ever loving half so meet; Thank God for love.

And here’s what’s crazy: I was so afraid that if I faced the silence I would find that inside myself, there’s simply nothing, that I’m hollow like a set of Russian dolls missing the center doll, all shells and no core. Or I thought that what I would find in the silence is weak, crumbling, unable to face life without the swirling blanket of chaos. Instead, around every corner I’m finding that willingness to be fragile actually makes me strong. In the silence, I have found love. I have found love, and peace, and stillness, and gratitude. I used to overwork in order to feel important. What I’m learning now is that feeling important to someone else isn’t valuable to me the way I thought it was. Feeling connected is very valuable. But feeling helpful to strangers doesn’t do it for me anymore.

Focus. Such a little word for such a hard thing and yet it can make things so simple, unless you break it. Like glass. Fragile on certain points with enough pressure ore carelessness, but if handled correctly, it’s useful, clear, sharp, and perfect. That’s what I will try to think about, whenever the Beast in me is not in agreement with what I am doing, or how I am behaving, when it threatens to break free, through that very same glass that separates us. I need to be exactly like this window: smooth, cool, strong, and impenetrable. Focus.

Most of the time, we have to be strong, we must not show our fragility. We’ve known that since the schoolyard. There is always a fragile bit of us, but we keep it very hidden. Yet Venetian glass doesn’t apologise for its weakness. It admits its delicacy; it is confident enough to demand careful treatment; it makes the world understand it could easily be damaged. It’s not fragile because of a deficiency, or by mistake. It's not as if its maker was trying to make it tough and hardy and then - stupidly - ended up with something a child could snap, or that would be shattered by clumsy mishandling. It is fragile and easily harmed as the consequence of its search for transparency and refinement and its desire to welcome sunlight and candle light into its depths. Glass can achieve wonderful effects but the necessary price is fragility. Some good things things have to be delicate - the dish says: ‘I am delightful, but if you knock me about I’ll break, and that’s not my fault.’ It is the duty of civilisation to allow the more delicate forms of human activity to thrive; to create environments where it is OK to be fragile. And we know, really, that it is not glass which most needs this care, it is ourselves. It’s obvious the glass could easily be smashed, so it makes you use your fingers tenderly; you have to be careful how you grasp the stem. It teaches us that moderation is admirable, and elegant, not just a tedious demand. It tells us that being careful is glamorous and exciting - even fashionable. It is a moral tale about gentleness, told by means of a drinking vessel. This is training for the more important moments in life when moderation will make a real difference to other people. Being mature - and civilised - means being aware of the effect of one’s strength on others.

He loves me like a monster, all teeth and talk and hiding in the dark. That’s my specialty— men with strong bodies and fragile hearts, and if you hold them too tightly they will crumble beneath you like an avalanche that’s waiting. Still, he looks at me like all things beautiful and burning and we love each other recklessly with hearts so empty our names echo against vandalized walls that say, “There was someone here before me, listen closely and you’ll hear their name.” He has matches for hands, and I, a paper heart. Gasoline will drip from our mouths and we will call that holy. We will burn at the stake and pollute the sky with smoke and selfishness, and we will say it was in the name of a crooked love. We will burn our own bodies to the ground and we will call that sacrifice. We will tear ourselves open like there’s something left inside. Nobody ever taught us how to love. ―Lindsey Hobart

Confidence makes you strong, not proud. Composure makes you tough, not timid. Courage makes you bold, not arrogant. Prudence makes you practical, not intolerant. Respect makes you honorable, not weak. Humility makes you modest, not spineless. Silence makes you prudent, not feeble. Meekness makes you gentle, not helpless. Kindness makes you caring, not vulnerable. Charity makes you compassionate, not spineless. Mercy makes you sympathetic, not fragile. Patience makes you cautious, not powerless. Piety makes you noble, not bigoted. Loyalty makes you trustworthy, not foolish. Justice makes you fair, not vengeful. Integrity makes you strong, not stern. Chastity makes you disciplined, not narrow. Wealth makes you prominent, not selfish. Power makes you influential, not self centered. Honor makes you important, not narcissistic. Fame makes you privileged, not spoiled. Servitude makes you respectable, not sycophantic. Self-control makes you dignified, not self-righteous. Discipline makes you focused, not obsessed. Imagination makes you special, not odd. Pleasure makes you happy, not corruptible. Goodness makes you saintly, not narrow. Faith makes you spiritual, not obstinate. Love makes you mystical, not religious. God makes you transcendent, not ordinary.

Nothing like being woken up after only a few hours of sleep by workmen wanting to come into your sanctuary to check water lines to put life into perspective. Wine glasses, dishes, yesterday’s ghosts, and a fucking mess everywhere. It’s not all about me, is it? Life moves around out there and sometimes it wants to come in and mess with me when all I want to do is turn over and hide. I am a fragile being, sometimes it takes almost nothing to knock me off my feet and make me tired of living. Sometimes I am so tired that everything is a gargantuan effort. But I'm strong, I always hang on and hold on. My emotions run from being elated and looking up to the sky and seeing all the infinite possibilities, to looking straight into the eyes of Hades. But you know me, I always come through with all my scars, all the love I carry in my heart, and my crooked tiara. Every single diamond in that tiara reflects all the light within me and within you. Indestructible

What does it mean that we find victims who suffer with dignity more attractive than victims who don’t? What does it mean that we don’t mind it when perpetrators, torn apart by their own experiences, weep openly—but we are rendered uncomfortable when victims do the same? I don’t mean that each and every person has this experience: many of us feel like weeping when we see the carnage created by a suicide bombing and the grieving and shocked faces of the survivors. I mean instead that in all I have read, I detect a strong cultural bias toward aversion when confronted with victims who act as if they have suffered. […] “Fragile, powerless, and helpless victims make us uncomfortable, evoke complicated responses in us, and make it hard for us to empathize with the humiliation they underwent. […] one claim I make in different ways in the book—and very explicitly in chapter 3—is that to be really credible, a victim has to appear to have mastered his or her suffering.

From this time Elizabeth Lavenza became my playfellow, and, as we grew older, my friend. She was docile and good tempered, yet gay and playful as a summer insect. Although she was lively and animated, her feelings were strong and deep, and her disposition uncommonly affectionate. No one could better enjoy liberty, yet no one could submit with more grace than she did to constraint and caprice. Her imagination was luxuriant, yet her capability of application was great. Her person was the image of her mind; her hazel eyes, although as lively as a bird's, possessed an attractive softness. Her figure was light and airy; and, though capable of enduring great fatigue, she appeared the most fragile creature in the world. While I admired her understanding and fancy, I loved to tend on her, as I should on a favourite animal; and I never saw so much grace both of person and mind united to so little pretension.

The grasslands are endless, And summer sings on, And Goldmoon the princess Loves a poor man’s son. Her father the chieftain Makes long roads between them: The grasslands are endless, and summer sings on. The grasslands are waving, The sky’s rim is gray, The chieftain sends Riverwind East and away, To search for strong magic At the lip of the morning, The grasslands are waving, the sky’s rim is gray. O Riverwind, where have you gone? O Riverwind, autumn comes on. I sit by the river And look to the sunrise, But the sun rises over the mountains alone. The grasslands are fading, The summer wind dies, He comes back, the darkness Of stones in his eyes. He carries a blue staff As bright as a glacier: The grasslands are fading, the summer wind dies. The grasslands are fragile, As yellow as flame, The chieftain makes mockery Of Riverwind’s claim. He orders the people To stone the young warrior: The grasslands are fragile, as yellow as flame. The grassland has faded, And autumn is here. The girl joins her lover, The stones whistle near, The staff flares in blue light And both of them vanish: The grasslands are faded, and autumn is here.

In my experiences with racial reconciliation conversations, there usually comes a moment when superficial talk gets real. Often this comes about because a person of color takes the risk to share how racism and white supremacy have impacted her life. And then, almost invariably, in response to this vulnerable testimony, a white person begins to speak, usually through tears. This person shares about how overwhelming this experience has been, how he hadn’t known the extent of our racialized society and its racist history, about how sad, angry, or confused he is feeling now. I’ve watched this happen so many times that I can almost predict it: the move away from a person of color’s experience to a white person’s emotions. I have experienced these strong emotions myself, but as Austin Channing Brown points out, focusing on white emotions rather than the experiences of people of color can be dangerous. She writes, “If Black people are dying in the street, we must consult with white feelings before naming the evils of police brutality. If white family members are being racist, we must take Grandpa’s feelings into account before we proclaim our objections to such speech. . . . White fragility protects whiteness and forces Black people to fend for themselves.

Vague assertions as to the equality of the sexes and the similarity of their duties are only empty words; they are no answer to my argument. It is a poor sort of logic to quote isolated exceptions against laws so firmly established. Women, you say, are not always bearing children. Granted; yet that is their proper business. Because there are a hundred or so of large towns in the world where women live licentiously and have few children, will you maintain that it is their business to have few children? And what would become of your towns if the remote country districts, with their simpler and purer women, did not make up for the barrenness of your fine ladies? There are plenty of country places where women with only four or five children are reckoned unfruitful. In conclusion, although here and there a woman may have few children, what difference does it make? Is it any the less a woman's business to be a mother? And do not the general laws of nature and morality make provision for this state of things? Even if there were these long intervals, which you assume, between the periods of pregnancy, can a woman suddenly change her way of life without danger? Can she be a nursing mother to-day and a soldier tomorrow? Will she change her tastes and her feelings as a chameleon changes his color? Will she pass at once from the privacy of household duties and indoor occupations to the buffeting of the winds, the toils, the labors, the perils of war? Will she be now timid, now brave, now fragile, now robust? If the young men of Paris find a soldier's life too hard for them, how would a woman put up with it, a woman who has hardly ventured out of doors without a parasol and who has scarcely put a foot to the ground? Will she make a good soldier at an age when even men are retiring from this arduous business? There are countries, I grant you, where women bear and rear children with little or no difficulty, but in those lands the men go half-naked in all weathers, they strike down the wild beasts, they carry a canoe as easily as a knapsack, they pursue the chase for 700 or 800 leagues, they sleep in the open on the bare ground, they bear incredible fatigues and go many days without food. When women become strong, men become still stronger; when men become soft, women become softer; change both the terms and the ratio remains unaltered.

Ian saw only that the beautiful girl who had daringly come to his defense in a roomful of men, who had kissed him with tender passion, now seemed to be passionately attached not to any man, but to a pile of stones instead. Two years ago he’d been furious when he discovered she was a countess, a shallow little debutante already betrothed-to some bloodless fop, no doubt-and merely looking about for someone more exciting to warm her bed. Now, however, he felt oddly uneasy that she hadn’t married her fop. It was on the tip of his tongue to bluntly ask her why she had never married when she spoke again. “Scotland is different than I imagined it would be.” “In what way?” “More wild, more primitive. I know gentlemen keep hunting boxes here, but I rather thought they’d have the usual conveniences and servants. What was your hoe like?” “Wild and primitive,” Ian replied. While Elizabeth looked on in surprised confusion, he gathered up the remains of their snack and rolled to his feet with lithe agility. “You’re in it,” he added in a mocking voice. “In what?” Elizabeth automatically stood up, too. “My home.” Hot, embarrassed color stained Elizabeth’s smooth cheeks as they faced each other. He stood there with his dark hair blowing in the breeze, his sternly handsome face stamped with nobility and pride, his muscular body emanating raw power, and she thought he seemed as rugged and invulnerable as the cliffs of his homeland. She opened her mouth, intending to apologize; instead, she inadvertently spoke her private thoughts: “It suits you,” she said softly. Beneath his impassive gaze Elizabeth stood perfectly still, refusing to blush or look away, her delicately beautiful face framed by a halo of golden hair tossing in the restless breeze-a dainty image of fragility standing before a man who dwarfed her. Light and darkness, fragility and strength, stubborn pride and iron resolve-two opposites in almost every way. Once their differences had drawn them together; now they separated them. They were both older, wiser-and convinced they were strong enough to withstand and ignore the slow heat building between them on that grassy ledge. “It doesn’t suit you, however,” he remarked mildly. His words pulled Elizabeth from the strange spell that had seemed to enclose them. “No,” she agreed without rancor, knowing what a hothouse flower she must seem with her impractical gown and fragile slippers.

Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike-topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunchbacked makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed from kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries’ vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers; heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters’ sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etoliated lacquerers; mottled-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men’s wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of the Last Chrysanthemum, where a puddle from last night’s rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.

They had shared much of their pasts, most of their fears, and all of their tenuous and fragile hopes, but Deborah had noticed over the years that whenever she mentioned her art, or something on which she was working, a subtle change would come over Carla. Her face would harden almost imperceptibly; her manner would edge toward coolness. Because it was a subtle emotion in a world of erratic oscillations of feeling, of violence, and of lies told by every sense of perception, Deborah had not noticed it in their sick times. But one day the world had cleared enough so that she realised that at any mention of her art, her friend drew back. In their new eagerness for experience and reality, the strange aloofness stood out clearly. [...] She had a dream. In the dream it was winter and night. The sky was thick blue-black and the stars were frozen in it, so that they glimmered. Over the clean white and windswept hills the shadows of snowdrifts drew long. She was walking on the crust of snow, watching the star-glimmer and the snow-glimmer and the cold tear-glimmer in her own eyes. A deep voice said to her, "You know, don't you, that the stars are sound as well as light?" She listened and heard a lullaby made by the voices of the stars, sounding so beautiful together that she began to cry with it. The voice said, "Look out there." She looked toward the horizon. "See, it is a sweep, a curve." Then the voice said, "This night is a curve of darkness and the space beyond it is a curve of human history, with every single life an arch from birth to death. The apex of all of these single curves determines the curve of history and, at last, of man." "I cannot show you yours," the voice said, "but I can show you Carla's. Dig here, deep in the snow. It is buried and frozen - Dig deep." Deborah pushed the snow aside with her hands. It was very cold, but she worked with a great intensity as if there were salvation in it. At last her hand struck something and she tore it up from burial. It was a piece of bone, thick and very strong and curved in a long, high, steady curve. "Is this Carla's life?" she asked. "Her creativity?" "It is bone-deep with her, though buried and frozen." The voice paused a moment and then said, "It's a fine one - a fine solid one!" [...] "Please don't be angry," she said, and then told Carla the dream. [...] She wiped her eyes. "It was only a dream, your dream..." "It's true anyway," Deborah said. "The one place I could never go..." Carla said musing, "...the one hunger I could never admit." When Deborah finished, Furii said, "You always took your art for granted, didn't you? I used to read in the ward reports all the time how you managed to do your drawing in spite of every sort of inconvenience and restriction.