Fortune Cookie Love Quotes

What did Adam's fortune cookie say?" "Mmm." Olive made a show to look at the strip. "Not much. Just 'Holden Rodrigues, Ph.D., is a loser.'" Malcolm sped up just as Holden flipped her off, making her burst into laughter. "What does it really say?" Adam asked when they were finally alone. Olive handed him the crumpled paper and remained silent as he angled it to read it in the lamplight. She wasn't surprised when she saw a muscle jump in his jaw, or when he slid the fortune into the pocket of his jeans. She knew what it said, after all. You can fall in love: someone will catch you.

Sometimes, when we lose ourselves in fear and despair, in routine and constancy, in hopelessness and tragedy, we can thank God for Bavarian sugar cookies. And, fortunately, when there aren't any cookies, we can still find reassurance in a familiar hand on our skin, or a kind and loving gesture, or subtle encouragement, or a loving embrace, or an offer of comfort, not to mention hospital gurneys and nose plugs, an uneaten Danish, soft-spoken secrets, and Fender Stratocasters, and maybe the occasional piece of fiction. And we must remember that all these things, the nuances, the anomalies, the subtleties, which we assume only accessorize our days, are effective for a much larger and nobler cause. They are here to save our lives. I know the idea seems strange, but I also know that it just so happens to be true.

Like special fungus, your love will grow in strange places

As Harold took a bite of Bavarian sugar cookie, he finally felt as if everything was going to be ok. Sometimes, when we lose ourselves in fear and despair, in routine and constancy, in hopelessness and tragedy, we can thank God for Bavarian sugar cookies. And, fortunately, when there aren't any cookies, we can still find reassurance in a familiar hand on our skin, or a kind and loving gesture, or subtle encouragement, or a loving embrace, or an offer of comfort, not to mention hospital gurneys and nose plugs, an uneaten Danish, soft-spoken secrets, and Fender Stratocasters, and maybe the occasional piece of fiction. And we must remember that all these things, the nuances, the anomalies, the subtleties, which we assume only accessorize our days, are effective for a much larger and nobler cause. They are here to save our lives. I know the idea seems strange, but I also know that it just so happens to be true.

Fortune cookies are an American invention, and we gave it to them. The Chinese were probably like, “Uh, we don’t want it.” And we were like, “It’s now part of your ethnic identity.

He who laughs at himself never runs out of things to laugh at.’ ” Holden popped a bit of fortune cookie in his mouth, blinking at the message inside. “Is that shade?” He looked around, indignant. “Did this fortune cookie just throw shade at me?

Don’t look a gift horse in the mouth. Opportunity is not a lengthy visitor. Fortune favors the brave. Big risks lead to big rewards.” “Do you want to inform me why you suddenly turned into a talking fortune cookie?

Hey," Holden asked from the passenger window. "What did Adam's fortune cookie say?" [...] You can fall in love: someone will catch you.

As Harold took a bite of Bavarian Sugar cookie, he finally felt as if everything was going to be okay. Sometimes, when we lose ourselves in fear and despair, in routine and constancy, in hopelessness and tragedy...there are Bavarian Sugar cookies. And, fortunately, when there aren't any cookies we can still find reassurance in a familiar hand on our skin...or a kind and loving gesture...or a subtle encouragement...or a loving embrace...or an offer of comfort.... And we must remember that all these things, the nuances, the anomalies, the subtleties which we assume only accessorize our days, are in fact here for a much nobler and larger cause. They are here to save our lives.

However, he couldn’t stand the fortune cookies. His always read, “The fortune you seek is no fortune.” Or “Love your neighbor, it keeps the community together.” Or “Keep the dreams alive. Don’t wake up

5. When Begging Ends I love the idea of Divine Source. It reminds us that everything, the fulfillment of every need, always emanates from the One. So if you learn how to keep your vibration high and attuned to That, whatever is needed to sustain you can always occur, often in surprising and delightful ways. Your Source is never a particular person, place, or thing, but God Herself. You never have to beg. Furthermore, Divine Source says that whatever resonates with you will always find you. That which does not, will fall away. It’s that simple. When Outrageous Openness first came out, I experienced this as I took the book around—some stores were simply not drawn to it. But knowing about Divine Source and resonance, I didn’t care. I remember taking it to a spiritual bookstore in downtown San Francisco. The desultory manager sort of half-growled, “Oh, we have a long, long wait here. You can leave a copy for our ‘pile’ in the back room. Then you could call a ton and plead with us. If you get lucky, maybe one day we’ll stock it. Just keep hoping.” “Oh, my God, no!” I shuddered. “Why would I keep twisting your arm? It’ll go easily to the places that are right. You never have to convince someone. The people who are right will just know.” He looked stunned when I thanked him, smiling, and left. And sure enough, other store clerks were so excited, even from the cover alone. They nearly ripped the book out of my hands as I walked in. When I brought it to the main bookstore in San Francisco’s Castro district, I noticed the manager striding toward me was wearing a baseball cap with an image of the goddess Lakshmi. “Great sign,” I mused. He held the book for a second without even cracking it open, then showed the cover to a coworker, yelling, “Hey, let’s give this baby a coming-out party!” So a few weeks later, they did. Sake, fortune cookies, and all. Because you see, what’s meant for you will always, always find you. You never have to be bothered by the people who aren’t meant to understand. And anyway, sometimes years later, they are ready . . . and they do. Change me Divine Beloved into One who knows that You alone are my Source. Let me trust that You fling open every door at the right time. Free me from the illusion of rejection, competition, and scarcity. Fill me with confidence and faith, knowing I never have to beg, just gratefully receive.

She knew from personal experience how hard loving was, how selfish and how easily sundered. Withholding sex or relying on it, ignoring children or devouring them, rerouting true feelings or locking them out. Youth being the excuse for that fortune-cookie love—until it wasn’t, until it became pure adult stupidity.

I suspect that if the practice could be denuded of all the spiritual preening and straight-out-of-a-fortune-cookie lingo such as “sacred spaces,” “divine mother,” and “holding your emotions with love and tenderness,” it would be attractive to many more millions of smart, skeptical, and ambitious people who would never otherwise go near it.

I pushed my food around on my plate a little before tossing down my chopsticks. I’d lost my appetite. Which was a shame, because I loved Chinese food. I reached for the fortune cookies in the middle of the table and cracked one open. Tell me what to do, fortune cookie. I unrolled the little slip of paper inside: Ask the right question. Hmm. Adding “in bed” didn’t make it much funnier, so it was kind of a bummer of a fortune as far as I was concerned, but at the same time it had a point. 

The supernatural, and all it represents, is profoundly abnormal, and therefore unreal. Few would argue with these conclusions. Fine. Now the highest aim of the realistic horror writer is to prove, in realistic terms, that the unreal is real. The question is: “Can this be done?” The answer is: “Of course not.” One would look silly attempting such a thing. Consequently, the realistic horror writer, wielding the hollow proofs and premises of his art, must settle for merely seeming to smooth out the ultimate paradox. In order to achieve this effect, the supernatural realist must really know the normal world, and deeply take for granted its reality. (It helps if he himself is normal and real.) Only then can the unreal, the abnormal, the supernatural be smuggled in as a plain brown package marked Hope, Love, or Fortune Cookies, and postmarked: the Edge of the Unknown.

The page begins with the person’s picture. A photo if we can find it. If not, a sketch or painting by Peeta. Then, in my most careful handwriting, come all the details it would be a crime to forget. Lady licking Prim’s cheek. My father’s laugh. Peeta’s father with the cookies. The color of Finnick’s eyes. What Cinna could do with a length of silk. Boggs reprogramming the Holo. Rue poised on her toes, arms slightly extended, like a bird about to take flight. On and on. We seal the pages with salt water and promises to live well to make their deaths count. Haymitch finally joins us, contributing twenty-three years of tributes he was forced to mentor. Additions become smaller. An old memory that surfaces. A late primrose preserved between the pages. Strange bits of happiness, like the photo of Finnick and Annie’s newborn son. We learn to keep busy again. Peeta bakes. I hunt. Haymitch drinks until the liquor runs out, and then raises geese until the next train arrives. Fortunately, the geese can take pretty good care of themselves. We’re not alone. A few hundred others return because, whatever has happened, this is our home. With the mines closed, they plow the ashes into the earth and plant food. Machines from the Capitol break ground for a new factory where we will make medicines. Although no one seeds it, the Meadow turns green again. Peeta and I grow back together. There are still moments when he clutches the back of a chair and hangs on until the flashbacks are over. I wake screaming from nightmares of mutts and lost children. But his arms are there to comfort me. And eventually his lips. On the night I feel that thing again, the hunger that overtook me on the beach, I know this would have happened anyway. That what I need to survive is not Gale’s fire, kindled with rage and hatred. I have plenty of fire myself. What I need is the dandelion in the spring. The bright yellow that means rebirth instead of destruction. The promise that life can go on, no matter how bad our losses. That it can be good again. And only Peeta can give me that. So after, when he whispers, “You love me. Real or not real?” I tell him, “Real.

Finally, some people tell me that they avoid science fiction because it’s depressing. This is quite understandable if they happened to hit a streak of post-holocaust cautionary tales or a bunch of trendies trying to outwhine each other, or overdosed on sleaze-metal-punk-virtual-noir Capitalist Realism. But the accusation often, I think, reflects some timidity or gloom in the reader’s own mind: a distrust of change, a distrust of the imagination. A lot of people really do get scared and depressed if they have to think about anything they’re not perfectly familiar with; they’re afraid of losing control. If it isn’t about things they know all about already they won’t read it, if it’s a different color they hate it, if it isn’t McDonald’s they won’t eat at it. They don’t want to know that the world existed before they were, is bigger than they are, and will go on without them. They do not like history. They do not like science fiction. May they eat at McDonald’s and be happy in Heaven." Pro: "But what I like in and about science fiction includes these particular virtues: vitality, largeness, and exactness of imagination; playfulness, variety, and strength of metaphor; freedom from conventional literary expectations and mannerism; moral seriousness; wit; pizzazz; and beauty. Let me ride a moment on that last word. The beauty of a story may be intellectual, like the beauty of a mathematical proof or a crystalline structure; it may be aesthetic, the beauty of a well-made work; it may be human, emotional, moral; it is likely to be all three. Yet science fiction critics and reviewers still often treat the story as if it were a mere exposition of ideas, as if the intellectual “message” were all. This reductionism does a serious disservice to the sophisticated and powerful techniques and experiments of much contemporary science fiction. The writers are using language as postmodernists; the critics are decades behind, not even discussing the language, deaf to the implications of sounds, rhythms, recurrences, patterns—as if text were a mere vehicle for ideas, a kind of gelatin coating for the medicine. This is naive. And it totally misses what I love best in the best science fiction, its beauty." "I am certainly not going to talk about the beauty of my own stories. How about if I leave that to the critics and reviewers, and I talk about the ideas? Not the messages, though. There are no messages in these stories. They are not fortune cookies. They are stories.

She remembers her name. She remembers the name of the president. She remembers the name of the president’s dog. She remembers what city she lives in. And on which street. And in which house. The one with the big olive tree where the road takes a turn. She remembers what year it is. She remembers the season. She remembers the day on which you were born. She remembers the daughter who was born before you – She had your father’s nose, that was the first thing I noticed about her – but she does not remember that daughter’s name. She remembers the name of the man she did not marry – Frank – and she keeps his letters in a drawer by her bed. She remembers that you once had a husband, but she refuses to remember your ex-husband’s name. That man, she calls him. She does not remember how she got the bruises on her arms or going for a walk with you earlier this morning. She does not remember bending over, during that walk, and plucking a flower from a neighbour’s front yard and slipping it into her hair. Maybe your father will kiss me now. She does not remember what she ate for dinner last night, or when she last took her medicine. She does not remember to drink enough water. She does not remember to comb her hair. She remembers the rows of dried persimmons that once hung from the eaves of her mother’s house in Berkeley. They were the most beautiful shade of orange. She remembers that your father loves peaches. She remembers that every Sunday morning, at ten, he takes her for a drive down to the sea in the brown car. She remembers that every evening, right before the eight o’clock news, he sets two fortune cookies on a paper plate and announces to her that they are having a party. She remembers that on Mondays he comes home from the college at four, and if he is even five minutes late she goes out to the gate and begins to wait for him. She remembers which bedroom is hers and which is his. She remembers that the bedroom that is now hers was once yours. She remembers that it wasn’t always like this...

It’s possible to sell a lot of breakfast cereal through brand recognition. But if your brand isn’t loved, then it’s replaceable.

She says it doesn’t make any sense to hope for things we already have. Instead, we hope for things we can’t see. I think she read that in the Bible, or maybe a fortune cookie. I’m not sure. She loves God and Chinese food.

The British public first fell in love with Jamie Oliver’s authentic, down-to-earth personality in the late ‘90s when he was featured in a documentary on the River Café. Jamie became a household name because of his energetic and infectious way of inspiring people to believe that anyone can cook and eat well. In his TV shows and cookery books and on his website, he made the concept of cooking good food practical and accessible to anyone. When Jamie Oliver opened a new restaurant in Perth, it naturally caused a bit of a buzz. High-profile personalities and big brands create an air of expectation. Brands like Jamie Oliver are talked about not just because of their fame and instant recognition, but because they have meaning attached to them. And people associate Jamie with simplicity, inclusiveness, energy, and creativity. If you’re one of the first people to have the experience of eating at the new Jamie’s Italian, then you’ve instantly got a story that you can share with your friends. The stories we tell to others (and to ourselves) are the reason that people were prepared to queue halfway down the street when Jamie’s Italian opened the doors to its Perth restaurant in March of 2013. As with pre-iPhone launch lines at the Apple store, the reaction of customers frames the scarcity of the experience. When you know there’s a three-month wait for a dinner booking (there is, although 50% of the restaurant is reserved for walk-ins), it feels like a win to be one of the few to have a booking. The reaction of other people makes the story better in the eyes of prospective diners. The hype and the scarcity just heighten the anticipation of the experience. People don’t go just for the food; they go for the story they can tell. Jamie told the UK press that 30,000 napkins are stolen from branches of his restaurant every month. Customers were also stealing expensive toilet flush handles until Jamie had them welded on. The loss of the linen and toilet fittings might impact Jamie’s profits, but it also helps to create the myth of the brand. QUESTIONS FOR YOU How would you like customers to react to your brand?

No amount of marketing will change an experience.” —Brian Solis Customer experience is everything that happens when people encounter your brand. And whether it’s online or offline, you get to design it. Most people don’t put money on the table and hope that they hate the results of their choice. They actually want to fall in love with you and your brand. It’s your job to give them a reason to. The feeling your customer leaves with, as she walks out the door or clicks away from your website, is your best opportunity to differentiate your brand. Commodities are just stuff with a fixed value—until they’re not. The brands you love and talk about are not the ones that competed on price or features. They are the ones that changed how it felt to buy a cup of coffee, slip on a pair of shoes, or open a laptop in a café.

Speaking of which, on a lighter note, a rather odd case distributed in the world press on October 10, 2003 related the story of Roland Thein, age 54, of the Berlin suburb of Lichtenrade, who had trained his black sheepdog, named Adolf, to raise his front paw in a Hitler salute. Thein was stopped and questioned by police after he and his dog had been seen saluting together in the vicinity of a local school. A group of alien residents observed the antics and reported Thein to the police. Moments after police arrived, Thein repeated the little trick for their entertainment, ordering, “Adolf, sitz! Mach den Gruss!” [Adolf, sit, give the salute], and the dog obediently obliged by hoisting his right paw in the air. The police were not amused and took Thein and his dog into custody. German prosecutors charged Thein with “using the characteristic marks of an unconstitutional organization,” - a punishable offense that falls under Paragraph 86a of the Federal Criminal Code, which forbids neo-Nazi activities, and prescribes a penalty of three years’ imprisonment, if convicted. A spokesperson for the Berlin criminal court declared that “Adolf” would not be called as a witness. Thein’s attorney, Nicole Burmann-Zarske, told reporters, “Adolf is a very sweet dog. He loves cookies, just like his owner.” A friend of the accused later informed reporters that the dog had since been struck by a car and suffered a serious injury to its right paw, adding, “It’s all bent, he can’t stick it out anymore.” Thein was fortunate to be let off with probation.

Youth being the excuse for that fortune-cookie love—until it wasn’t, until it became pure adult stupidity.

If you view “do what you love” as a guide to a happier life, it sounds like empty fortune cookie advice. If you view it as the thing providing the endurance necessary to put the quantifiable odds of success in your favor, you realize it should be the most important part of any financial strategy.

Before Americans loved Chinese food, you see, they loathed it. Because, in part, they feared the Chinamen on their shores. Then along came chop suey, and that changed everything.

I like to write, direct, and act... But, i would always volunteer to be an extra in a film if an extra person were needed. Sometimes you are the writer, sometimes you are the star, and other times just the person passing through a scene... Either way, its all important! Quotes from fortune-cookies that I often reflect upon: "Don't be afraid of opposition; remember, a kite rises against the wind" - "A man who trims himself to suit everybody will soon whittle himself away" - "A ship in harbor is safe, but that's not why ships are built" Integrity - It has all to do, with what you do, when no one is looking... It matters most, when you are alone, and away from the human microscope. Bullies, will exist for as long as you do... They don't simply vanish after high school is over, and the age bracket for these type of weak people doesn't have a cut off. Sometimes, there is no rhyme or reason as to why they are doing it, its just a terrible thing that is done too often, and in many cases for too long... But... To beat them - you have to better you! Stop listening to others who are either trying to talk you out of doing something you love, or are belittling you to think differently about it... If what you are going after isn't hurting anyone or anything in the process, and it will further define you, find ways to ignore them. I'd like to die satisfied, not old or rich, but satisfied with Jason J. Tavares... Pleased to have been the man, and to have walked in his shoes.

We ordered in Chinese for dinner (we both had a fondness for MSG-laden sweet and sour pork), laughed at our fortune cookie prophecies, watched a movie, made love, and fell asleep beneath a single sheet in my queen bed, as LA was draped in a muggy heat wave.

THE “THERE IS NO SANTA CLAUS” SPEECH Son/Daughter, Please sit down over here by me. There’s something I’ve been meaning to tell you for a long time, and I think you’re old enough now. I know you believe with all your heart that there is a person called Santa Claus who brings you presents every year if you are good. But the truth is that there is no Santa Claus. “Santa Claus” is really all the parents in the world, who love their children very much and buy them presents to show how much they love them. Your presents are not made by elves in a toy shop at the North Pole. There is no such thing as an elf; and the North Pole is actually one of the loneliest and most desolate places on Earth. The truth is that mom and dad buy all your presents at the mall, and we’re the ones who eat Santa’s cookies and drink Santa’s milk. Reindeer can’t fly, either. But don’t cry. This doesn’t mean that the spirit of Santa Claus isn’t real. “Santa Claus” is inside all of us, whenever we give presents to those that we love or those who are less fortunate. When you grow up, you can be Santa, too. Or the Easter Bunny. Or the Tooth Fairy.