Fort Quotes

We've searched our database for all the quotes and captions related to Fort. Here they are! All 100 of them:

She was always waiting, it seemed to be her forte.
D.H. Lawrence (Lady Chatterley’s Lover)
Men build too many walls and not enough bridges.
Joseph Fort Newton
Amor, ch'al cor gentile ratto s'apprende prese costui de la bella persona che mi fu tolta; e 'l modo ancor m'offende. Amor, che a nullo amato amar perdona, Mi prese del costui piacer sì forte, Che, come vedi, ancor non m'abbandona..." "Love, which quickly arrests the gentle heart, Seized him with my beautiful form That was taken from me, in a manner which still grieves me. Love, which pardons no beloved from loving, took me so strongly with delight in him That, as you see, it still abandons me not...
Dante Alighieri (Inferno)
I long ago abandoned myself to a blind lust for the written word. Literature is my sandbox. In it I play, build my forts and castles, spend glorious time.
Rabih Alameddine (An Unnecessary Woman)
I don't play accurately--any one can play accurately--but I play with wonderful expression. As far as the piano is concerned, sentiment is my forte. I keep science for Life.
Oscar Wilde (The Importance of Being Earnest)
Ignis aurum probat, miseria fortes viros. Fire is the test of gold; adversity, of strong men.
Seneca
Time is a river...and books are boats. Many volumes start down that stream, only to be wrecked and lost beyond recall in its sands. Only a few, a very few, endure the testings of time and live to bless the ages following.
Joseph Fort Newton (The Lost Symbol (Robert Langdon, #3))
Everybody is equally weak on the inside, just that some present their ruins as new castles and become kings –
Simona Panova (Nightmarish Sacrifice (Cardew))
Here's what I think. We all want someone to build a fort with. We want somebody to swap crayons with and play hide-and-seek with and live out imaginary stories with. We start out getting that from our family. Then we get it from our friends. And then, for whatever reasons, we get it in our heads that we need to get that feeling- that intimacy- from a single someone else. We call if growing up. But really, when you take sex out of it, what we want is a companion. And we make that so damn hard to find.
David Levithan (Are We There Yet?)
L'amore non esiste per renderci felici, ma per dimostrarci quando sia forte la nostra capacità di sopportare il dolore.
Alessandro D'Avenia (Bianca come il latte, rossa come il sangue)
See you in a few. Hold down the fort, Mr. Wong!
Darynda Jones (First Grave on the Right (Charley Davidson, #1))
Fate has terrible power. You cannot escape it by wealth or war. No fort will keep it out, no ships outrun it.
Sophocles
You have no idea how to comfort anyone, do you? (Astrid) In case you haven’t noticed, princess, social skills aren’t my forte. Hell, you’re lucky I’m housebroke. (Zarek)
Sherrilyn Kenyon (Dance with the Devil (Dark-Hunter, #3))
Manchmal", sagte sie, "gehen zwei Menschen aneinander vorbei, sehen sich kurz in die Augen, und alles, was bleibt, ist ein Wunsch. Ein Traum von dem, was hätte geschehen können. Und dann gehen sie mit jedem Schritt weiter voneinander fort und von all ihren Träumen.
Kai Meyer (Arkadien fällt (Arkadien, #3))
Non ti amo per noia, o per solitudine, o per capriccio. Ti amo perchè il desiderio di te è più forte di qualsiasi felicità.
Alessandro Baricco (Ocean Sea)
A vida às vezes dá-nos mais do que um pontapé… dá-nos um coice e espera que nos mantenhamos a andar. Todos à nossa volta o esperam. Cobram-nos que sejamos fortes quando tudo o que queremos é poder cair.
L.C. Lavado (O Diabo dos Anjos (Ed. Beta))
Pay For Soup/Build A Fort/Set That On Fire
Jean-Michel Basquiat
Almost all people are hypnotics. The proper authority saw to it that the proper belief should be induced, and the people believed properly.
Charles Fort
Damen watched as alone, unattended, Laurent had left his own banquet to find him, to follow him here, up the worn steps out onto the battlements. Laurent fitted himself next to him, a comfortable, unobtrusive presence that took up room in Damen's chest. They stood on the edge of the fort they had won together.
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
Better to be a laughing-stock than lose the fort for fear of being one.
Rosemary Sutcliff (The Eagle of the Ninth)
Saying no, I thought, that has always been my forte, and no wonder, given that the stupidity of the world is rivalled only by its ugliness.
Gilbert Adair (Love and Death on Long Island)
La mémoire est aussi paresseuse qu’hypocrite, elle ne retient que les meilleurs et les pires souvenirs, les temps forts, jamais la mesure du quotidien, qu’elle efface.
Marc Levy (Le premier jour)
Religion can never reform mankind because religion is slavery. It is far better to be free, to leave the forts and barricades of fear, to stand erect and face the future with a smile. It is far better to give yourself sometimes to negligence, to drift with wave and tide, with the blind force of the world, to think and dream, to forget the chains and limitations of the breathing life, to forget purpose and object, to lounge in the picture gallery of the brain, to feel once more the clasps and kisses of the past, to bring life's morning back, to see again the forms and faces of the dead, to paint fair pictures for the coming years, to forget all Gods, their promises and threats, to feel within your veins life's joyous stream and hear the martial music, the rhythmic beating of your fearless heart. And then to rouse yourself to do all useful things, to reach with thought and deed the ideal in your brain, to give your fancies wing, that they, like chemist bees, may find art's nectar in the weeds of common things, to look with trained and steady eyes for facts, to find the subtle threads that join the distant with the now, to increase knowledge, to take burdens from the weak, to develop the brain, to defend the right, to make a palace for the soul. This is real religion. This is real worship
Robert G. Ingersoll (The Works of Robert G. Ingersoll, Vol. IV)
Want to talk third wave feminism, you could cite Ariel Levy and the idea that women have internalized male oppression. Going to spring break at Fort Lauderdale, getting drunk, and flashing your breasts isn't an act of personal empowerment. It's you, so fashioned and programmed by the construct of patriarchal society that you no longer know what's best for yourself. A damsel too dumb to even know she's in distress.
Chuck Palahniuk (Snuff)
SEPTEMBER 1, 1939 I sit in one of the dives On Fifty-second Street Uncertain and afraid As the clever hopes expire Of a low dishonest decade: Waves of anger and fear Circulate over the bright And darkened lands of the earth, Obsessing our private lives; The unmentionable odour of death Offends the September night. Accurate scholarship can Unearth the whole offence From Luther until now That has driven a culture mad, Find what occurred at Linz, What huge imago made A psychopathic god: I and the public know What all schoolchildren learn, Those to whom evil is done Do evil in return. Exiled Thucydides knew All that a speech can say About Democracy, And what dictators do, The elderly rubbish they talk To an apathetic grave; Analysed all in his book, The enlightenment driven away, The habit-forming pain, Mismanagement and grief: We must suffer them all again. Into this neutral air Where blind skyscrapers use Their full height to proclaim The strength of Collective Man, Each language pours its vain Competitive excuse: But who can live for long In an euphoric dream; Out of the mirror they stare, Imperialism's face And the international wrong. Faces along the bar Cling to their average day: The lights must never go out, The music must always play, All the conventions conspire To make this fort assume The furniture of home; Lest we should see where we are, Lost in a haunted wood, Children afraid of the night Who have never been happy or good. The windiest militant trash Important Persons shout Is not so crude as our wish: What mad Nijinsky wrote About Diaghilev Is true of the normal heart; For the error bred in the bone Of each woman and each man Craves what it cannot have, Not universal love But to be loved alone. From the conservative dark Into the ethical life The dense commuters come, Repeating their morning vow; 'I will be true to the wife, I'll concentrate more on my work,' And helpless governors wake To resume their compulsory game: Who can release them now, Who can reach the dead, Who can speak for the dumb? All I have is a voice To undo the folded lie, The romantic lie in the brain Of the sensual man-in-the-street And the lie of Authority Whose buildings grope the sky: There is no such thing as the State And no one exists alone; Hunger allows no choice To the citizen or the police; We must love one another or die. Defenseless under the night Our world in stupor lies; Yet, dotted everywhere, Ironic points of light Flash out wherever the Just Exchange their messages: May I, composed like them Of Eros and of dust, Beleaguered by the same Negation and despair, Show an affirming flame.
W.H. Auden (Another Time)
Dans la vie, les choses peuvent toujours tourner mal. Alors soyez toujours forts, Continuez d'avancer, N'abandonnez surtout pas.
Mouloud Benzadi
Graham had a lot of trouble with taste. Often his thoughts were not tasty. There were no effective partitions in his mind. What he saw and learned touched everything else he knew. Some of the combinations were hard to live with. But he could not anticipate them, could not block and repress. His learned values of decency and propriety tagged along, shocked at his associations, appalled at his dreams; sorry that in the bone arena of his skull there were no forts for what he loved. His associations came at the speed of light. His value judgments were at the pace of a responsive reading. They could never keep up and direct his thinking. He viewed his own mentality as grotesque but useful, like a chair made of antlers. There was nothing he could do about it.
Thomas Harris (Red Dragon (Hannibal Lecter, #1))
She lit fire to the bridges and forts she built all these years, and she walked into it smiling and tears rolling down her cheeks.
Akshay Vasu
What happens when the walls we raise outlive the dangers they were built to keep out? At what point does a fort become a cage?
GennaRose Nethercott (Thistlefoot)
L'amour le plus fort est celui qui n'est pas partagé. J'aurais préféré ne jamais le savoir, mais telle est la vérité: il n'y a rien de pire que d'aimer quelqu'un qui ne vous aime pas - et en même temps c'est la chose la plus belle qui me soit jamais arrivée. Aimer quelqu'un qui vous aime aussi, c'est du narcissisme. Aimer quelqu'un qui ne vous aime pas,ça, c'est de l'amour.
Frédéric Beigbeder (L'amour dure trois ans (Marc Marronnier, #3))
Juntas somos muito mais fortes.
Pam Gonçalves (Boa Noite)
One can't learn much and also be comfortable One can't learn much and let anybody else be comfortable
Charles Fort
Miseria fortes viros, Ronan," Adam said. When he said "Ronan," it meant: Ronan.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
People do not give it credence that a fourteen-year-old girl could leave home and go off in the wintertime to avenge her father's blood but it did not seem so strange then, although I will say it did not happen every day. I was just fourteen years of age when a coward going by the name Tom Chaney shot my father down in Fort Smith, Arkansas, and robbed him of his life and his horse and $150 in cash money plus two California gold pieces that he carried in his trouser band.
Charles Portis (True Grit)
Some small ones learn to stitch together a Coat of Scowls or a Scarf of Jokes to hide their Hearts. Some hammer up a Fort of Books to protect theirs.
Catherynne M. Valente (The Boy Who Lost Fairyland (Fairyland, #4))
Will remembered the two of them, running through the dark streets of London, jumping from rooftop to rooftop, seraph blades gleaming in their hands; hours in the training room, shoving each other into mud puddles, throwing snowballs at Jessamine from behind an ice fort in the courtyard, asleep like puppies on the rug in front of the fire.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
If there is a true universal mind, must it be sane?
Charles Fort
He built a fort around, making it impossible for anyone to go near him. And he sat near the window watching her dance in the rain, with someone else.
Akshay Vasu
And here, over the portals of my fort, I shall cut in the stone the word which is to be my beacon and my banner. The word which will not die should we all perish in battle. The word which can never die on this earth, for it is the heart of it and the meaning and the glory. The sacred word: EGO
Ayn Rand (Anthem)
Instead, I ask you with all my heart, come back to Matt's fort with us now! It's not because I like you - don't think that, whatever you do! But, my daughter does - I know that now - and perhaps I can learn too.
Astrid Lindgren (Ronia, the Robber's Daughter)
È sempre più forte di me. Lo è sempre stato. Perché a lui basta una parola per farmi male. Anzi, anche meno: una parola non detta, un silenzio, una pausa. Uno sguardo rivolto altrove. Io posso sbraitare e dimenarmi per ore, passare alle ingiurie, mentre a lui per stendermi basta una piccola smorfia, fatta con un angolo del labbro.
Fabio Volo (Il tempo che vorrei)
The best place for discovering what a man is is the heart of the desert. Your plane has broken down, and you walk for hours, heading for the little fort at Nutchott. You wait for the mirages of thirst to gape before you. But you arrive and you find an old sergeant who has been isolated for months among the dunes, and he is so happy to be found that he weeps. And you weep, too. In the arching immensity of the night, each tells the story of his life, each offers the other the burden of memories in which the human bond is discovered. Here two men can meet, and they bestow gifts upon each other with the dignity of ambassadors.
Antoine de Saint-Exupéry (A Sense Of Life)
Adventure comes with no guarantees or promises. Risk and reward are conjoined twins—and that’s why my favorite piece of advice needs translation but no disclaimers: Fortes fortuna juvat. ‘Fortune favors the brave,’ the ancient Roman dramatist Terrence declared. In other words, there are many good reasons not to toss your life up in the air and see how it lands. Just don’t let fear be one of them.
Mary South
«Io ho pochissimi amici, forse nessuno di veramente intimo. Ho delle conoscenze, dei ragazzi e delle ragazze come me, la mia amica che ti parlò ieri al telefono, per esempio, con i quali scherzo, ballo, studio, faccio i pettegolezzi, ci scambiamo le idee, facciamo gli scemi e le persone serie a seconda delle circostanze, ma dentro, dentro è diverso. Ci sono dei tasti che toccati una volta per conoscersi quali siamo, non si toccano più, non si va a fondo. Si resta amici, ma si sa che certi argomenti non si debbono più toccare. Ci si sopporta e stima a vicenda. Papà diceva: ci si aiuta a vivere. Guai se così non fosse. Ma l'amicizia, diceva papà, l'amicizia vera è un sentimento forte. È un volersi bene spietato, un guardarsi continuamente negli occhi...»
Vasco Pratolini (Un eroe del nostro tempo)
Bücher liebten jeden, der sie aufschlug, schenkten Geborgenheit und Freundschaft und verlangten nichts dafür, gingen nie fort, niemals, selbst dann nicht, wenn man sie schlecht behandelte.
Cornelia Funke (Inkheart (Inkworld, #1))
The Earth is a farm. We are someone else's property.
Charles Fort
As your perspective of the world increases not only is the pain it inflicts on you less but also its meaning. Understanding the world requires you to take a certain distance from it. Things that are too small to see with the naked eye, such as molecules and atoms, we magnify. Things that are too large, such as cloud formations, river deltas, constellations, we reduce. At length we bring it within the scope of our senses and we stabilize it with fixer. When it has been fixed we call it knowledge. Throughout our childhood and teenage years, we strive to attain the correct distance to objects and phenomena. We read, we learn, we experience, we make adjustments. Then one day we reach the point where all the necessary distances have been set, all the necessary systems have been put in place. That is when time begins to pick up speed. It no longer meets any obstacles, everything is set, time races through our lives, the days pass by in a flash and before we know that is happening we are fort, fifty, sixty... Meaning requires content, content requires time, time requires resistance. Knowledge is distance, knowledge is stasis and the enemy of meaning. My picture of my father on that evening in 1976 is, in other words, twofold: on the one hand I see him as I saw him at that time, through the eyes of an eight-year-old: unpredictable and frightening; on the other hand, I see him as a peer through whose life time is blowing and unremittingly sweeping large chunks of meaning along with it.
Karl Ove Knausgård (Min kamp 1 (Min kamp, #1))
I have long carried this load of griefs in the cage of my heart. Now I have given them to you. I hope you are strong enough to hold them.
Qais Akbar Omar (A Fort of Nine Towers: An Afghan Family Story)
Did you learn the rotation of the border patrols?’ said Laurent. ‘Yes, our scouts found—’ Laurent was standing in the doorway wearing a chiton of unadorned white cotton. Damen dropped the pitcher. It shattered, shards flying outward as it slipped from his fingers and hit the stone floor. Laurent’s arms were bare. His throat was bare. His collarbone was bare, and most of his thighs, his long legs, and all of his left shoulder. Damen stared at him. ‘You’re wearing Akielon clothing,’ said Damen. ‘Everyone’s wearing Akielon clothing,’ said Laurent. Damen thought that the pitcher had shattered and he could not now take a deep draught of the wine. Laurent came forward, navigating the broken ceramic in his short cotton and sandalled feet, until he reached the seat beside Damen, where the map was laid out on the wooden table. ‘Once we know the rotation of the patrols, we’ll know when to approach,’ said Laurent. Laurent sat down. ‘We need to approach at the beginning of their rotation in order to give us the most time before they report back to the fort.’ It was even shorter sitting down. ‘Damen.’ ‘Yes. Sorry,’ said Damen. And then: ‘What were you saying?
C.S. Pacat (Kings Rising (Captive Prince, #3))
A day of Silence Can be a pilgrimage in itself. A day of Silence Can help you listen To the Soul play Its marvelous lute and drum. Is not most talking A crazed defense of a crumbling fort? I thought we came here To surrender in Silence, To yield to Light and Happiness, To Dance within, In celebration of Love's Victory
Hafez (I Heard God Laughing: Poems of Hope and Joy)
I long ago abandoned myself to a blind lust for the written word. Literature is my sandbox. In it I play, build my forts and castles, spend glorious time. It is the world outside that box that gives me trouble. I have adapted tamely, though not conventionally, to this visible world so I can retreat without much inconvenience into my inner world of books.
Rabih Alameddine (An Unnecessary Woman)
I know, i know. You're afraid of making mistakes. Don't be. Mistakes can be profited by. Man, when I was younger I shoved my ignorance in people's faces. They beat me with sticks. By the times I was fort my blunt instrument has been honed to a fine cutting point for me. If you hid your ignorance, no one will hit you and you'll never learn.
Ray Bradbury (Fahrenheit 451)
People with a psychological need to believe in marvels are no more prejudiced and gullible than people with a psychological need not to believe in marvels.
Charles Fort
[Wise men] have tried to understand our state of being, by grasping at its stars, or its arts, or its economics. But, if there is an underlying oneness of all things, it does not matter where we begin, whether with stars, or laws of supply and demand, or frogs, or Napoleon Bonaparte. One measures a circle, beginning anywhere.
Charles Fort (Lo! (Cosimo Classics))
This is ten percent luck, Twenty percent skill, Fifteen percent power of will, Five percent pleasure, Fifty percent pain, and a hundred percent reason to remember the name.
Mike Shinoda
Colonel Mickelson looks like he could defend Fort Hamilton by himself if Staten Island ever declared war and invaded... If Jack Nicholson looked like this when he yelled that Tom Cruise couldn't handle the truth, Cruise would have said, "Yes, you're right, I'm sorry. My bad.
David Rosenfelt (Dog Tags (Andy Carpenter, #8))
Then as to churches, they are good, I suppose, else wouldn't good men uphold' em. But they are not altogether necessary. They call 'em the temples of the Lord; but, Judith, the whole 'arth is a temple of the Lord to such as have the right mind. Neither forts nor churches make people happier of themselves. Moreover, all is contradiction in the settlements, while all is concord in the woods. Forts and churches almost always go together, and yet they're downright contradictions; churches being for peace, and forts for war. No, no--give me the strong places of the wilderness, which is the trees, and the churches, too, which are arbors raised by the hand of nature.
James Fenimore Cooper
How many demons and people are enslaved here? (Jericho) Define slavery. (Asmodeus) Kept against their will. (Jericho) Good definition. Counting me? (Asmodeus) Why not? (Jericho) Probably a couple of million…you know it’s really hard to count to a million, plus they’re always dying and new ones are coming in. I tried to count once, but it got really depressing so I stopped. The constant adding and subtracting. Not my forte, really. (Asmodeus)
Sherrilyn Kenyon (Dream Warrior (Dream-Hunter, #4; Dark-Hunter, #17))
I conceive of nothing, in religion, science or philosophy, that is more than the proper thing to wear, for a while.
Charles Fort
The white flashed back into a red ball in the southeast. They all knew what it was. It was Orlando, or McCoy Base, or both. It was the power supply for Timucuan County. Thus the lights went out, and in that moment civilization in Fort Repose retreated a hundred years. So ended The Day.
Pat Frank (Alas, Babylon)
Not married until 33, Abraham Lincoln said, "A woman is the only thing I am afraid of that cannot hurt me.
Shelby Foote (The Civil War, Vol. 1: Fort Sumter to Perryville)
Tant que je vive, mon cueur ne changera Pour nulle vivante, tant soit elle bonne ou sage Forte et puissante, riche de hault lignaige Mon chois est fait, aultrene se fera *** Long as I live, my heart will never vary For no one else, however fair or good Brave, resolute, or rich, of gentle blood My choice is made, and I will have no other.
Dorothy Dunnett (Checkmate (The Lymond Chronicles, #6))
Are you by any chance acquainted with the words 'steel toe'? Or do the words 'permanent dent' mean anything to you?" My locker door is not intimidated. "My grandfather was a vault at Fort Knox, and if you try to dent me with a kick you will only tear some ligament that will never mend.
David Klass (You Don't Know Me)
Todos estão loucos, neste mundo? Porque a cabeça da gente é uma só, e as coisas que há e que estão para haver são demais de muitas, muito maiores diferentes, e a gente tem de necessitar de aumentar a cabeça, para o total. Todos os sucedidos acontecendo, o sentir forte da gente — o que produz os ventos. Só se pode viver perto de outro, e conhecer outra pessoa, sem perigo de ódio, se a gente tem amor.
João Guimarães Rosa (Grande Sertão: Veredas)
Please don’t hate you??!! I hate that I love you. Loving you made me waste a year of my life. Loving you made me be passionate about nothing but you. Loving you made me take risks I never would have otherwise. Loving you made me give it up to you. Loving you made me neglect my parents and Amy. Loving you made me not care that my grandma just died. Loving you made me turn out bitter and hopeless like her. Loving you made me hate myself for being dumped by you. Loving you made me deluded, irrational, inconsiderate, and a liar. And because I love you, you’re always going to haunt me. I’ll never be able to have another birthday without wondering how you’re celebrating yours. I’ll never be able to think another guy is more handsome, talented, intelligent, or worth loving than you, despite all your faults (and there are many). I’ll never be able to check my e-mail without praying I’ll find a message from you with the subject line I love you, Dom—please come back to me. Meanwhile, every corner of this city is laced with memories of us together, and I’ll never be able to leave the house without hoping and dreading that I’ll run into you. You stole Fort Myers from me, and I lived here first, you fucking thief. You actually may be one of my last thoughts when I die.
Daria Snadowsky (Anatomy of a Boyfriend (Anatomy, #1))
The point I would make is that the novelist and the historian are seeking the same thing: the truth – not a different truth: the same truth – only they reach it, or try to reach it, by different routes. Whether the event took place in a world now gone to dust, preserved by documents and evaluated by scholarship, or in the imagination, preserved by memory and distilled by the creative process, they both want to tell us how it was: to re-create it, by their separate methods, and make it live again in the world around them.
Shelby Foote (The Civil War, Vol. 1: Fort Sumter to Perryville)
You can cry until there's nothing wet left in you. You can scream and curse until your throat rebels and ruptures. You can pray all you want, to whatever god you think will listen, and still it makes no difference. It goes on with no sign as to when it might release you, and you know that if it ever did relent, it would not be because it cared.
John Vasquez (Incident at Fort Benning)
Jesus didn’t die to keep us safe. He died to make us dangerous. Faithfulness is not holding the fort. It’s storming the gates of hell. The will of God is not an insurance plan. It’s a daring plan. The complete surrender of your life to the cause of Christ isn’t radical. It’s normal. It’s time to quit living as if the purpose of life is to arrive safely at death. It’s time to go all in and all out for the All in All. Pack your coffin!
Mark Batterson (All In: You Are One Decision Away From a Totally Different Life)
Tudo em volta induz à loucura, ao infantilismo, à exasperação imaginativa. Contra isso o estudo não basta. Tomem consciência da infecção moral e lutem, lutem, lutem pelo seu equilíbrio, pela sua maturidade, pela sua lucidez. Tenham a normalidade, a sanidade, a centralidade da psique como um ideal. Prometam a vocês mesmos ser personalidades fortes, bem estruturadas, serenas no meio da tempestade, prontas a vencer todos os obstáculos com a ajuda de Deus e de mais ninguém. Prometam SER e não apenas pedir, obter, sentir, desfrutar.
Olavo de Carvalho
The ideal state is meekness, or humility, or the semi-invalid state of the old. Year after year I am becoming nobler and nobler. If I can live to be decrepit enough, I shall be a saint.
Charles Fort (Wild Talents)
Don't ever think you're better than a drug addict, because your brain works the same as theirs. You have the same circuits. And drugs would affect your brain in the same way it affects theirs. The same thought process that makes them screw up over and over again would make you screw up over and over as well, if you were in their shoes. You probably already are doing it, just not with heroin or crack, but with food or cigarettes, or something else you shouldn't be doing.
Oliver Markus Malloy (Bad Choices Make Good Stories - The Heroin Scene in Fort Myers (How the Great American Opioid Epidemic of The 21st Century Began #2))
No matter how honest scientists think they are, they are still influenced by various unconscious assumptions that prevent them from attaining true objectivity. Expressed in a sentence, Fort's principle goes something like this: People with a psychological need to believe in marvels are no more prejudiced and gullible than people with a psychological need not to believe in marvels.
Colin Wilson (Mysteries)
For we were not always burdened by debt, dependent on foreign aid and handouts; in the stories we tell of ourselves we were not the crazed and destitute radicals you see on your television channels but rather saints and poets and — yes — conquering kings. We built the Royal Mosque and the Shalimar Gardens in this city, and we built the Lahore Fort with its mighty walls and wide ramp for our battle-elephants. And we did these things when your country was still a collection of thirteen small colonies, gnawing away at the edge of a continent.
Mohsin Hamid (The Reluctant Fundamentalist)
Në rruget e tjera dëgjoheshin aty-këtu britma fatkëqijsh, që i zvarrisnin për flokësh, per t'i çuar në Degë. Fajësoheshin se gjatë mitingut të përmortshëm, në vend që të qanin a, së paku, të psherëtinin, kishin qeshur e, ndonëse ata bënin be e rrufe se s'kishin qeshur aspak e, përkundrazi, kishin qenë të vrarë në shpirt si të gjithë, por që as vet s'e dinin pse, e qara befas u qe kthyer në ngërdheshje, madje, shtonin se s'ishte hera e parë që u ndodhte kjo, askush nuk i besonte e, në vend t'i dëgjonin, i godisnin më fort.
Ismail Kadare (Darka e gabuar)
Immediately when you arrive in Sahara, for the first or the tenth time, you notice the stillness. An incredible, absolute silence prevails outside the towns; and within, even in busy places like the markets, there is a hushed quality in the air, as if the quiet were a conscious force which, resenting the intrusion of sound, minimizes and disperses sound straightaway. Then there is the sky, compared to which all other skies seem fainthearted efforts. Solid and luminous, it is always the focal point of the landscape. At sunset, the precise, curved shadow of the earth rises into it swiftly from the horizon, cutting into light section and dark section. When all daylight is gone, and the space is thick with stars, it is still of an intense and burning blue, darkest directly overhead and paling toward the earth, so that the night never really goes dark. You leave the gate of the fort or town behind, pass the camels lying outside, go up into the dunes, or out onto the hard, stony plain and stand awhile alone. Presently, you will either shiver and hurry back inside the walls, or you will go on standing there and let something very peculiar happen to you, something that everyone who lives there has undergone and which the French call 'le bapteme de solitude.' It is a unique sensation, and it has nothing to do with loneliness, for loneliness presupposes memory. Here in this wholly mineral landscape lighted by stars like flares, even memory disappears...A strange, and by no means pleasant, process of reintergration begins inside you, and you have the choice of fighting against it, and insisting on remaining the person you have always been, or letting it take its course. For no one who has stayed in the Sahara for a while is quite the same as when he came. ...Perhaps the logical question to ask at this point is: Why go? The answer is that when a man has been there and undergone the baptism of solitude he can't help himself. Once he has been under the spell of the vast luminous, silent country, no other place is quite strong enough for him, no other surroundings can provide the supremely satisfying sensation of existing in the midst of something that is absolute. He will go back, whatever the cost in time or money, for the absolute has no price.
Paul Bowles (Their Heads are Green and Their Hands are Blue: Scenes from the Non-Christian World)
If you like, you can all think of it as my gift to you. I never had much else to give. You can get on and play your own lives as you like, while I just keep moving. This story of it all can be another gift. I’ve made an arrangement with Adam. When I’ve finished, which is almost now, I’m going to put the bundle of papers in the garden of the Old Fort, before I move on. Adam’s going to get them and take them to his father. And if you read it and don’t believe it’s real, so much the better. It will make another safeguard against Them. But you wouldn’t believe how lonely you get.
Diana Wynne Jones (The Homeward Bounders)
When you push someone's head under water for 5 minutes, they will drown. It doesn't matter if the person is a sinner or a saint. It's just a natural process. If their head is under water, the lack of oxygen will make them drown. That rule applies to everyone, good or bad, equally. It doesn't matter if the drowning person has strong moral fiber. And it doesn't matter if you're a good or a bad person, once you become addicted to drugs. What happens next is inevitable. It's a natural process that happens in everyone's brain, once the drugs take over. So don't ever fool yourself into thinking that only weak or bad people get addicted.
Oliver Markus Malloy (Bad Choices Make Good Stories - The Heroin Scene in Fort Myers (How the Great American Opioid Epidemic of The 21st Century Began #2))
À partir de là, le dialogue de la journée suivait une pente uniformément descendante, mais avec des lèvres et des mains chaleureuses et languides flottant sur les surface les plus sensibles du corps, le monde était aussi près que possible de la perfection. Freud appelait cela un état de perversité polymorphe impersonnel et le regardait d'un mauvais oeil, mais je doute fort qu'il ait jamais eu les mains de Lil lui frôlant le corps. Ou même celles de sa propre femme dans le même rôle. Freud était un bien grand homme, mais je n'arrive pas à me faire à l'idée que quelqu'un lui ait jamais efficacement flatté le pénis.
Luke Rhinehart (The Dice Man)
Even if you do die, I was thinking today, it's really only on the arbitrary human scale that a human life seems fort, or long, or whatever, and like, from the perspective of eternal time, the human life is vanishingly small, like it's really equivalent whether you live to be 17 or 94 or even 20,00 years old, which is obviosusly impossible, and then, on the other hand, from the perspective of an ultra-nanoinstant, which is the smallest measurable unit of time, a human life is almost infinite even if you die when you're like, a toddler. So either way it doesn't even matter how long you live. So I don't know if that makes you feel better, but it's just something to think about.
Jesse Andrews (Me and Earl and the Dying Girl)
Hier kommt nun meine Theorie, warum die Menschen die Erde beherrschen und nicht die Pferde", fährt es fort. "Gelangen Pferde nämlich zu einem Bewusstsein, kommt ihnen natürlich erst mal das große Kotzen über die Welt, und die Pferde sterben, weil sie kotzen müssen, es aber ja nicht können. Das ist der simple Grund, warum sie folglich niemals zu einem Bewusstsein ihrer selbst gelangen können, warum sie niemals denken werden und warum sie folglich niemals ihren rechtmäßigen Platz an der Spitze der Schöpfung einnehmen, sondern weiterhin nur als lebende Dekoration bei den Karl-May-Festspielen im Sauerland dienen werden. Auf ewig beherrscht von einer Abnormität der Natur, einer fatalen Mutation der Schimpansen-DNA, einem kranken Tier: dem Menschen.
Marc-Uwe Kling
Whenever Percy stopped by to see her, she was so lost in thought that the conversation went something like this: Percy: “Hey, how’s it going?” Annabeth: “Uh, no thanks.” Percy: “Okay…have you eaten anything today?” Annabeth: “I think Leo is on duty. Ask him.” Percy: “So, my hair is on fire.” Annabeth: “Okay. In a while.” She got like this sometimes. It was one of the challenges of dating an Athena girl. Still, Percy wondered what he had to do to get her attention. He was worried about her after her encounter with the spiders at Fort Sumter, and he didn’t know how to help her, especially if she shut him out.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
‎È un gran miracolo che io non abbia rinunciato a tutte le mie speranze perché esse sembrano assurde e inattuabili. Le conservo ancora, nonostante tutto, perché continuo a credere nell'intima bontà dell'uomo. Mi è impossibile costruire tutto sulla base della morte, della miseria, della confusione. Vedo il mondo mutarsi lentamente in un deserto, odo sempre più forte l'avvicinarsi del rombo che ucciderà noi pure, partecipo al dolore di milioni di uomini, eppure quando guardo il cielo, penso che tutto si volgerà nuovamente al bene, che anche questa spietata durezza cesserà, che ritorneranno l'ordine, la pace e la serenità.
Anne Frank (Il diario di Anna Frank)
Do you wonder that I avow this to you? Know, that in the course of your future life you will often find yourself elected the involuntary confidant of your acquaintances' secrets: people will instinctively find out, as I have done, that it is not your forte to tell of yourself, but to listen while others talk of themselves; they will feel, too, that you listen with no malevolent scorn of their indiscretion, but with a kind of innate sympathy; not the less comforting and encouraging because it is very unobtrusive in its manifestations." "How do you know? -- how can you guess all this, sir?" "I know it well; therefore I proceed almost as freely as if I were writing my thoughts in a diary.
Charlotte Brontë (Jane Eyre)
They took it for more than it was, or anyhow for more than it said; the container was greater than the thing contained, and Lincoln became at once what he would remain for them, “the man who freed the slaves.” He would go down to posterity, not primarily as the Preserver of the Republic-which he was-but as the Great Emancipator, which he was not.
Shelby Foote (The Civil War, Vol. 1: Fort Sumter to Perryville)
Twenty-two months are a long time and a lot of things can happen in them- there is time for new families to be formed, for babies to be born and even begin to talk, for a great house to rise where once there was only a field, for a beautiful woman to grow old and no one desire her any more, for an illness- for a long illness- to ripen (yet men live on heedlessly), to consume the body slowly, to recede for short periods as if cured, to take hold again more deeply and drain away the last hopes; there is time for a man to die and be buried, for his son to be able to laugh again and in the evening take the girls down the avenues and past the cemetery gates without a thought. But it seemed as if Drogo’s existence had come to a halt. The same day, the same things, had repeated themselves hundreds of times without taking a step forward. The river of time flowed over the Fort, crumbled the walls, swept down dust and fragments of stone, wore away the stairs and the chain, but over Drogo it passed in vain- it had not yet succeeded in catching him, bearing him with it as it flowed.
Dino Buzzati (The Tartar Steppe)
I open my arms wide and let the wind flow over me. I love the universe and the universe loves me. That’s the one-two punch right there, wanting to love and wanting to be loved. Everything else is pure idiocy—shiny fancy outfits, Geech-green Cadillacs, sixty-dollar haircuts, schlock radio, celebrity-rehab idiots, and most of all, the atomic vampires with their de-soul-inators, and flag-draped coffins. Goodbye to all that, I say. And goodbye to Mr. Asterhole and the Red Death of algebra and to the likes of Geech and Keeeevin. Goodbye to Mom’s rented tan and my sister’s chargecard boobs. Goodbye to Dad for the second and last time. Goodbye to black spells and jagged hangovers, divorces, and Fort Worth nightmares. To high school and Bob Lewis and once-upon-a-time Ricky. Goodbye to the future and the past and, most of all, to Aimee and Cassidy and all the other girls who came and went and came and went. Goodbye. Goodbye. I can’t feel you anymore. The night is almost too beautifully pure for my soul to contain. I walk with my arms spread open under the big fat moon. Heroic “weeds rise up from the cracks in the sidewalk, and the colored lights of the Hawaiian Breeze ignite the broken glass in the gutter. Goodbye, I say, goodbye, as I disappear little by little into the middle of the middle of my own spectacular now
Tim Tharp (The Spectacular Now)
Frank had turned into a giant eagle to fly to Delos, but Leo hitched a ride with Hazel on Arion’s back. No offense to Frank, but after the fiasco at Fort Sumter, Leo had become a conscientious objector to riding giant eagles. He had a one hundred percent failure rate. They found the island deserted, maybe because the seas were too choppy for the tourist boats. The windswept hills were barren except for rocks, grass, and wildflowers—and, of course, a bunch of crumbling temples. The rubble was probably very impressive, but ever since Olympia, Leo had been on ancient ruins overload. He was so done with white marble columns. He wanted to get back to the U.S., where the oldest buildings were the public schools and Ye Olde McDonald’s.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
Ronan,” said Declan. The word was loaded with additional meaning: I see you’ve only just come out of school and already your uniform looks like hell; nothing is shocking here. He gestured to the Volvo. “Join me in my office.” Ronan did not want to join him in his office. Ronan wanted to stop feeling like he had drunk battery acid. “What do you need with Ronan?” Gansey asked. His “Ronan” was loaded with additional meaning, too: Was this prearranged and tell me what is happening and do you need me to intervene? “Just a little family chat,” Declan said. Ronan looked at Gansey entreatingly. “Is it a family chat that could happen on the way to Fox Way?” Gansey asked, all polite power. “Because he and I were just headed over there.” Ordinarily, Declan would have stepped off at the slightest pressure from Gansey, but he said, “Oh, I can drop him off there after we’re done. Just a few minutes.” “Ronan!” Matthew reached his hand out the window towards Ronan. His ebullient “Ronan” was another version of please. Trapped. “Miseria fortes viros, Ronan,” Adam said. When he said “Ronan,” it meant: Ronan.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
...and for a moment they were Jem-and-Will again. Will could see Jem, but also through him, to the past. Will remembered the two of them, running through the dark streets of London, jumping from rooftop to rooftop, seraph blades gleaming in their hands; hours in the training room, shoving each other into mud puddles, throwing snowballs at Jessamine from behind an ice fort in the courtyard, asleep like puppies on the rug in front of the fire. Ave atque vale... Hail and farewell. He had never given much thought to the words before, he had never thought about why they were not just a farewell but also a greeting. Every meeting led to a parting, and so it would, as long as it was mortal. In every meeting there was some of the sorrow of parting, but in every parting there was some joy of the meeting as well. He would not forget the joy. ... "Wo men shi sheng si ji jiao," said Will, and he saw Jem's eyes widen, fractionally, and the spark of amusement inside them. "Go in peace, James Carstairs
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
German is a much more precise language than English. Americans throw the word love around for everything: I love my wife! I love all my friends! I love rock music! I love the rain! I love comic books! I love peanut butter! The word you use to describe your feelings for your wife should not be the same word you use to describe your feelings for peanut butter. In German, there are a dozen different words that describe varying degrees of liking something a lot. Germans almost never use the word love, unless they mean a deep romantic love. I have never told my parents I love them, because it would sound melodramatic, inappropriate, and almost incestuous. In German, you tell your mother that you hold her very dear, not that you are in love with her.
Oliver Markus Malloy (Bad Choices Make Good Stories - The Heroin Scene in Fort Myers (How the Great American Opioid Epidemic of The 21st Century Began #2))
Il dolore aveva un suo modo di scomporre il tempo. Pensavo al minuto successivo, all'ora successiva. Non c'era abbastanza spazio nella mia mente per mettere insieme tutti quei pezzi, per trovare le parole per riassumerla nella sua interezza. Ma la parte dell'"andare avanti", per quella le parole le avevo. 'Trova un modo per andare avanti' dissi. 'Non deve necessariamente essere buono, o nobile. Basta che sia un motivo.' Conoscevo il mio: c'era una fame dentro di me e c'era sempre stata. Una fame più forte del dolore, più forte dell'orrore. Continuava a mordere anche dopo che ogni altra cosa dentro di me si era arresa. E quando finalmente le diedi un nome, scoprii che era qualcosa di molto semplice: desiderio di vivere.
Veronica Roth (Carve the Mark (Carve the Mark, #1))
All questions of right to one side, I have never been able to banish the queasy inner suspicion that Israel just did not look, or feel, either permanent or sustainable. I felt this when sitting in the old Ottoman courtyards of Jerusalem, and I felt it even more when I saw the hideous 'Fort Condo' settlements that had been thrown up around the city in order to give the opposite impression. If the statelet was only based on a narrow strip of the Mediterranean littoral (god having apparently ordered Moses to lead the Jews to one of the very few parts of the region with absolutely no oil at all), that would be bad enough. But in addition, it involved roosting on top of an ever-growing population that did not welcome the newcomers.
Christopher Hitchens (Hitch 22: A Memoir)
Siehst Du, Momo", sagte er, "es ist so: Manchmal hat man eine sehr lange Straße vor sich. Man denkt, die ist so schrecklich lang, die kann man niemals schaffen, denkt man." Er blickte eine Weile schweigend vor sich hin, dann fuhr er fort: "Und dann fängt man an, sich zu eilen. Und man eilt sich immer mehr. Jedes Mal, wenn man aufblickt, sieht man, dass es gar nicht weniger wird, was noch vor einem liegt. Und man strengt sich noch mehr an, man kriegt es mit der Angst zu tun, und zum Schluss ist man ganz aus der Puste und kann nicht mehr. Und die Straße liegt immer noch vor einem. So darf man es nicht machen!" Er dachte einige Zeit nach. Dann sprach er weiter: "Man darf nie an die ganze Straße auf einmal denken, verstehst Du? Man muss nur an den nächsten Schritt denken, den nächsten Atemzug, den nächsten Besenstrich. Und immer wieder nur den nächsten." Wieder hielt er inne und überlegte, ehe er hinzufügte: "Dann macht es Freude; das ist wichtig, dann macht man seine Sache gut. Und so soll es sein.
Michael Ende (Momo)
Plus je vieillis et plus je trouve qu’on ne peut vivre qu’avec les êtres qui vous libèrent, qui vous aiment d’une affection aussi légère à porter que forte à éprouver. La vie d’aujourd’hui est trop dure, trop amère, trop anémiante, pour qu’on subisse encore de nouvelles servitudes, venues de qui on aime [...]. C’est ainsi que je suis votre ami, j’aime votre bonheur, votre liberté, votre aventure en un mot, et je voudrais être pour vous le compagnon dont on est sûr, toujours. The older I get, the more I find that you can only live with those who free you, who love you from a lighter affection to bear as strong as you can to experience Today's life is too hard, too bitter, too anemic, for us to undergo new bondages, from whom we love [...]. This is how I am your friend, I love your happiness, your freedom, Your adventure in one word, and I would like to be for you the companion we are sure of, always. ---- Albert Camus à René Char, 17 septembre 1957 (in "Albert Camus - René Char : Correspondance 1946-1959") ---- Albert Camus to René Char, September 17, 1957 (via René Char)
Albert Camus (Correspondance (1944-1959))
Tutta quella città… non se ne vedeva la fine… / La fine, per cortesia, si potrebbe vedere la fine? / E il rumore / Su quella maledettissima scaletta… era molto bello, tutto… e io ero grande con quel cappotto, facevo il mio figurone, e non avevo dubbi, era garantito che sarei sceso, non c’era problema / Col mio cappello blu / Primo gradino, secondo gradino, terzo gradino / Primo gradino, secondo gradino, terzo gradino / Primo gradino, secondo / Non è quel che vidi che mi fermò / È quel che non vidi / Puoi capirlo, fratello?, è quel che non vidi… lo cercai ma non c’era, in tutta quella sterminata città c’era tutto tranne / C’era tutto / Ma non c’era una fine. Quel che non vidi è dove finiva tutto quello. La fine del mondo / Ora tu pensa: un pianoforte. I tasti iniziano. I tasti finiscono. Tu sai che sono 88, su questo nessuno può fregarti. Non sono infiniti, loro. Tu, sei infinito, e dentro quei tasti, infinita è la musica che puoi fare. Loro sono 88. Tu sei infinito. Questo a me piace. Questo lo si può vivere. Ma se tu / Ma se io salgo su quella scaletta, e davanti a me / Ma se io salgo su quella scaletta e davanti a me si srotola una tastiera di milioni di tasti, milioni e miliardi / Milioni e miliardi di tasti, che non finiscono mai e questa è la vera verità, che non finiscono mai e quella tastiera è infinita / Se quella tastiera è infinita, allora / Su quella tastiera non c’è musica che puoi suonare. Ti sei seduto su un seggiolino sbagliato: quello è il pianoforte su cui suona Dio / Cristo, ma le vedevi le strade? / Anche solo le strade, ce n’era a migliaia, come fate voi laggiù a sceglierne una / A scegliere una donna / Una casa, una terra che sia la vostra, un paesaggio da guardare, un modo di morire / Tutto quel mondo / Quel mondo addosso che nemmeno sai dove finisce / E quanto ce n’è / Non avete mai paura, voi, di finire in mille pezzi solo a pensarla, quell’enormità, solo a pensarla? A viverla… / Io sono nato su questa nave. E qui il mondo passava, ma a duemila persone per volta. E di desideri ce n’erano anche qui, ma non più di quelli che ci potevano stare tra una prua e una poppa. Suonavi la tua felicità, su una tastiera che non era infinita. Io ho imparato così. La terra, quella è una nave troppo grande per me. È un viaggio troppo lungo. È una donna troppo bella. È un profumo troppo forte. È una musica che non so suonare.
Alessandro Baricco (Novecento. Un monologo)
Stai per cominciare a leggere il nuovo romanzo Se una notte d’inverno un viaggiatore di Italo Calvino. Rilassati. Raccogliti. Allontana da te ogni altro pensiero. Lascia che il mondo che ti circonda sfumi nell’indistinto. La porta è meglio chiuderla; di là c’è sempre la televisione accesa. Dillo subito, agli altri: «No, non voglio vedere la televisione!» Alza la voce, se no non ti sentono: «Sto leggendo! Non voglio essere disturbato!» Forse non ti hanno sentito, con tutto quel chiasso; dillo più forte, grida: «Sto cominciando a leggere il nuovo romanzo di Italo Calvino!» O se non vuoi non dirlo; speriamo che ti lascino in pace. Prendi la posizione più comoda: seduto, sdraiato, raggomitolato, coricato. Coricato sulla schiena, su un fianco, sulla pancia. In poltrona, sul divano, sulla sedia a dondolo, sulla sedia a sdraio, sul pouf. Sull’amaca se ne hai una. Sul letto, naturalmente, o dentro il letto. Puoi anche metterti a testa in giù, in posizione yoga. Col libro capovolto, si capisce.
Italo Calvino (If on a Winter’s Night a Traveler)
Fortune favours the brave, sir," said Carrot cheerfully. "Good. Good. Pleased to hear it, captain. What is her position vis a vis heavily armed, well prepared and excessively manned armies?" "Oh, no–one's ever heard of Fortune favouring them, sir." "According to General Tacticus, it's because they favour themselves," said Vimes. He opened the battered book. Bits of paper and string indicated his many bookmarks. "In fact, men, the general has this to say about ensuring against defeat when outnumbered, out–weaponed and outpositioned. It is..." he turned the page, "'Don't Have a Battle.'" "Sounds like a clever man," said Jenkins. He pointed to the yellow horizon. "See all that stuff in the air?" he said. "What do you think that is?" "Mist?" said Vimes. "Hah, yes. Klatchian mist! It's a sandstorm! The sand blows about all the time. Vicious stuff. If you want to sharpen your sword, just hold it up in the air." "Oh." "And it's just as well because otherwise you'd see Mount Gebra. And below it is what they call the Fist of Gebra. It's a town but there's a bloody great fort, walls thirty feet thick. 's like a big city all by itself. 's got room inside for thousands of armed men, war elephants, battle camels, everything. And if you saw that, you'd want me to turn round right now. Whats your famous general got to say about it, eh?" "I think I saw something..." said Vimes. He flicked to another page. "Ah, yes, he says, 'After the first battle of Sto Lat, I formulated a policy which has stood me in good stead in other battles. It is this: if the enemy has an impregnable stronghold, see he stays there.'" "That's a lot of help," said Jenkins. Vimes slipped the book into a pocket. "So, Constable Visit, there's a god on our side, is there?" "Certainly, sir." "But probably also a god on their side as well?" "Very likely, sir. There's a god on every side." "Let's hope they balance out, then.
Terry Pratchett (Jingo (Discworld, #21; City Watch, #4))
Le coeur peut s'émouvoir souvent à la rencontre d'un autre être,car chacun exerce sur chacun des attractions et des répulsions.Toutes ces influences font naître l'amitié,les caprices,des envies de possession,des ardeurs vives et passagères,mais non pas l'amour véritable.Pour qu'il existe cet amour,il faut que les deux êtres soient tellement nés l'un pour l'autre,se trouvent accrochés l'un à l'autre par tant de points,par tant de goûts pareils,par tant d'affinités de chair,de l'esprit,du caractère,se sentent liés par tant de choses de toute nature,que cela forme un faisceau d'attaches.
Guy de Maupassant (Fort comme la mort)
Is life worth living? Like everybody else, I have many times asked that question, usually deciding negatively, because I am most likely to ask myself whether life is worth living, at times when I am convinced it isn't. One day, in one of my frequent, and probably incurable, scientific moments, it occurred to me to find out. For a month, at the end of each day, I set down a plus sign, or a minus sign, indicating that, in my opinion, life had, or had not, been worth living, that day. At the end of the month, I totted up, and I can't say that I was altogether pleased to learn that the pluses had won the game. It is not dignified to be optimistic.
Charles Fort (Wild Talents)
Je condamne l'ignorance qui règne en ce moment dans les démocraties aussi bien que dans les régimes totalitaires. Cette ignorance est si forte, souvent si totale, qu'on la dirait voulue par le système, sinon par le régime. J'ai souvent réfléchi à ce que pourrait être l'éducation de l'enfant. Je pense qu'il faudrait des études de base, très simples, où l'enfant apprendrait qu'il existe au sein de l'univers, sur une planète dont il devra plus tard ménager les ressources, qu'il dépend de l'air, de l'eau, de tous les êtres vivants, et que la moindre erreur ou la moindre violence risque de tout détruire. Il apprendrait que les hommes se sont entre-tués dans des guerres qui n'ont jamais fait que produire d'autres guerres, et que chaque pays arrange son histoire, mensongèrement, de façon à flatter son orgueil. On lui apprendrait assez du passé pour qu'il se sente relié aux hommes qui l'ont précédé, pour qu'il les admire là où ils méritent de l'être, sans s'en faire des idoles, non plus que du présent ou d'un hypothétique avenir. On essaierait de le familiariser à la fois avec les livres et les choses ; il saurait le nom des plantes, il connaîtrait les animaux sans se livrer aux hideuses vivisections imposées aux enfants et aux très jeunes adolescents sous prétexte de biologie ; il apprendrait à donner les premiers soins aux blessés ; son éducation sexuelle comprendrait la présence à un accouchement, son éducation mentale la vue des grands malades et des morts. On lui donnerait aussi les simples notions de morale sans laquelle la vie en société est impossible, instruction que les écoles élémentaires et moyennes n'osent plus donner dans ce pays. En matière de religion, on ne lui imposerait aucune pratique ou aucun dogme, mais on lui dirait quelque chose de toutes les grandes religions du monde, et surtout de celles du pays où il se trouve, pour éveiller en lui le respect et détruire d'avance certains odieux préjugés. On lui apprendrait à aimer le travail quand le travail est utile, et à ne pas se laisser prendre à l'imposture publicitaire, en commençant par celle qui lui vante des friandises plus ou moins frelatées, en lui préparant des caries et des diabètes futurs. Il y a certainement un moyen de parler aux enfants de choses véritablement importantes plus tôt qu'on ne le fait. (p. 255)
Marguerite Yourcenar (Les Yeux ouverts : Entretiens avec Matthieu Galey)