Forge Estate Quotes

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The auctioneer turned to face her. He raised his knife again. Kestrel had just enough time to remember the sound of a hammer against anvil, to think of all the weapons Arin had forged, and to realize that if he had wanted to make more on the side it wouldn’t have been heard. The auctioneer advanced on her. Not hard at all. “No,” said Arin. “She’s mine.” The man paused. “What?” Arin strolled toward them, stepping in the housekeeper’s blood. He stood next to the auctioneer, his stance loose and careless. “She’s mine. My prize. Payment for services rendered. A spoil of war.” Arin shrugged. “Call her what you like. Call her my slave.” Shame poured into Kestrel, as poisonous as anything her friends must have drunk at the ball. Slowly, the auctioneer said, “I’m a little worried about you, Arin. I think you’ve lost clarity on the situation.” “Is there something wrong with treating her the way she treated me?” “No, but--” “The Valorian army will return. She’s the general’s daughter. She’s too valuable to waste.” The auctioneer sheathed his knife, but Kestrel couldn’t sheathe her dread. This sudden alternative to death didn’t seem like a better one. “Just remember what happened to your parents,” the auctioneer told Arin. “Remember what Valorian soldiers did to your sister.” Arin’s gaze cut to Kestrel. “I do.” “Really? Where were you during the assault on the estate? I expected to find my second-in-command here. Instead, you were at a party.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
It is years of soul work in the trenches of daily trial and error. But we're not building a house in two weeks. We're laying the foundation for a fortress that will withstand the harshest winds and the fiercest storms. We are building an estate of love that will serve as a safe haven for years to come.
Ainsley Arment (The Wild and Free Family: Forging Your Own Path to a Life Full of Wonder, Adventure, and Connection)
Real estate might seem to be all about moving and picking up stakes and disruption and three-moves-equals-a-death, but it’s really about arriving and destinations, and all the prospects that await you or might await you in some place you never thought about. I had a drunk old prof at Michigan who taught us that all of America’s literature, Cotton Mather to Steinbeck—this was the same class where I read The Great Gatsby—was forged by one positivist principle: to leave, and then to arrive in a better state.
Richard Ford (The Lay of the Land)
Or you are hallucinating it. Or a plot has been mounted against you, so expensive and elaborate, involving items like the forging of stamps and ancient books, constant surveillance of your movements, planting of post horn images all over San Francisco, bribing of librarians, hiring of professional actors and Pierce Inverarity only knows what-all besides, all financed out of the estate in a way either too secret or too involved for your nonlegal mind to know about even though you are co-executor, so labyrinthine that it must have meaning beyond just a practical joke. Or you are fantasying some such plot, in which case you are a nut, Oedipa, out of your skull.
Thomas Pynchon (The Crying of Lot 49)
The brain devotes more cortical real estate to functions that its owner uses more frequently and shrinks the space devoted to activities rarely performed. That's why the brains of violinists devote more space to the region that controls the digits of the fingering hand. In response to the actions and experiences of its owner, a brain forges stronger connections in circuits that underlie one behavior or thought and weakens the connections in others.
Sharon Begley (Train Your Mind, Change Your Brain: How a New Science Reveals Our Extraordinary Potential to Transform Ourselves)
Trump did not see the law as an impediment, a mind-set forged as a real estate developer. A developer could always just sue, battle it out in court, and negotiate some middle ground.
Philip Rucker (A Very Stable Genius: Donald J. Trump's Testing of America)
Change your name to Miles, Dean, Serge, and /or Leonard, baby, she advised her reflection in the hall; light of that afternoon's vanity mirror. Either way, they'll call it paranoia. They. Either you have stumbled indeed, without the aid of LSD or other indole alkaloids, onto a secret richness and concealed density of dream; onto a network by which X number of Americans are truly communicating whilst reserving their lies, recitations of routine, arid betrayals of spiritual poverty, for the official government delivery system; maybe even onto a real alternative to the exitlessness, to the absence of surprise to life, that harrows the head of everybody American you know, and you too, sweetie. Or you are hallucinating it. Or a plot has been mounted against you, so expensive and elaborate, involving items like the forging of stamps and ancient books, constant surveillance of your movements, planting of post horn images all over San Francisco, bribing of librarians, hiring of professional actors and Pierce Inverarity only knows what-all besides, all financed out of the estate in a way either too secret or too involved for your non-legal mind to know about even though you are co-executor, so labyrinthine that it must have meaning beyond just a practical joke. Or you are fantasying some such plot, in which case you are a nut, Oedipa, out of your skull. Those, now that she was looking at them, she saw to be the alternatives. Those symmetrical four. She didn't like any of them, but hoped she was mentally ill; that that's all it was. That night she sat for hours, too numb even to drink, teaching herself to breathe in a vacuum. For this, oh God, was the void. There was nobody who could help her. Nobody in the world. They were all on something, mad, possible enemies, dead. Old fillings in her teeth began to bother her. She would spend nights staring at a ceiling lit by the pink glow of San Narciso's sky. Other nights she could sleep for eighteen drugged hours and wake, enervated, hardly able to stand. In conferences with the keen, fast-talking old man who was new counsel for the estate, her attention span could often be measured in seconds, and she laughed nervously more than she spoke. Waves of nausea, lasting five to ten minutes, would strike her at random, cause her deep misery, then vanish as if they had never been. There were headaches, nightmares, menstrual pains. One day she drove into L.A., picked a doctor at random from the phone book, went to her, told her she thought she was pregnant. They arranged for tests. Oedipa gave her name as Grace Bortz and didn't show up for her next appointment.
Thomas Pynchon (The Crying of Lot 49)