Footprints Quotes

Many people will walk in and out of your life, but only true friends will leave footprints in your heart

Don't tell me the sky's the limit when there are footprints on the moon.

Some people come into our lives and leave footprints on our hearts and we are never ever the same.

One thing: you have to walk, and create the way by your walking; you will not find a ready-made path. It is not so cheap, to reach to the ultimate realization of truth. You will have to create the path by walking yourself; the path is not ready-made, lying there and waiting for you. It is just like the sky: the birds fly, but they don't leave any footprints. You cannot follow them; there are no footprints left behind.

I don’t have a photograph, but you can have my footprints. They’re upstairs in my socks.

Some people come into our lives and quickly go. Some stay for a while, leave footprints on our hearts, and we are never, ever the same

Bod said, 'I want to see life. I want to hold it in my hands. I want to leave a footprint on the sand of a desert island. I want to play football with people. I want,' he said, and then he paused and he thought. 'I want everything.

The most significant gifts are the ones most easily overlooked. Small, everyday blessings: woods, health, music, laughter, memories, books, family, friends, second chances, warm fireplaces, and all the footprints scattered throughout our days.

Many people walk in and out of your life, but only true friends will leave footprints in your heart.

You tread lightly through life, but you leave deep footprints that are hard for other people to fill.

Plot is no more than footprints left in the snow after your characters have run by on their way to incredible destinations.

She would never leave her mark on Mammy's heart the way her brothers had, because Mammy's heart was like a pallid beach where Laila's footprints would forever wash away beneath the waves of sorrow that swelled and crashed, swelled and crashed.

Success is an ugly thing. Men are deceived by its false resemblances to merit.... They confound the brilliance of the firmament with the star-shaped footprints of a duck in the mud.

I see things, that's all. Write enough stories and every shadow on the floor looks like a footprint; every line in the dirt like a secret message.

You can't make footprints in the sands of time if you're sitting on your butt. And who wants to make buttprints in the sands of time?

Long since, the desert wind wiped away our footprints in the sand. But at every second of my existence, I remember what happened, and you still walk in my dreams and in my reality. Thank you for having crossed my path.

Some people come into our lives and quickly go. Some people move our souls to dance. They awaken us to a new understanding with the passing whisper of their wisdom. Some people make the sky more beautiful to gaze upon. They stay in our lives for awhile, leave footprints on our hearts, and we are never, ever the same.

Some people come into our lives, leave footprints in our hearts and minds and we are never the same again.

Try to discover who I am from my choice of words and colors, as attentive people like yourselves might examine footprints to catch a thief.

The deeds of men, as footprints in the desert. Nothing under the circling moons is fated to last. Even the sun goes down.

the constant shower of the sun's mane erases the footprints on thin ice do not fear deception for the world lies atop deception ~Toushiro Hitsugaya

Blondes make the best victims. They're like virgin snow that shows up the bloody footprints.

Pointed in the wrong direction, trapped outside their own history and unable to retrace their steps because their footprints had been swept away.

Some people come into our lives and quickly go. Some stay for a while, leave footprints on our hearts, and we are never, ever the same.

He explains, the times where there is only a single set of footprints were not when He walked beside them, but instead, when He carried them.

Art is, after all, only a trace – like a footprint which shows that one has walked bravely and in great happiness.

Society, as we have constituted it, will have no place for me, has none to offer; but Nature, whose sweet rains fall on unjust and just alike, will have clefts in the rocks where I may hide, and secret valleys in whose silence I may weep undisturbed. She will hang the night with stars so that I may walk abroad in the darkness without stumbling, and send the wind over my footprints so that none may track me to my hurt: she will cleanse me in great waters, and with bitter herbs make me whole.

Success always leaves footprints.

Lives of great men all remind us We can make our lives sublime, And, departing, leave behind us Footprints on the sands of time

Everything comes home, my mother used to say; every word spoken, every shadow cast, every footprint in the sand. It can't be helped; it's part of what makes us who we are.

I run because long after my footprints fade away, maybe I will have inspired a few to reject the easy path, hit the trails, put one foot in front of the other, and come to the same conclusion I did: I run because it always takes me where I want to go.

We all traverse in and out of people’s worlds, leaving footprints. Some larger, some smaller, but there is always a mark. We can’t sweep it away.

I think that's what we all want, in the end. To know that we left footprints when we passed by, however briefly. We want to be remembered. So remember us. Please. Remember us.

Because I love her. I love her more than I could ever explain. My single set of footprints in the sand.

People may implant their footprints in our walk of life and engrave their seal in our thinking; and their shadow may escort us throughout our whole life, remaining steady companions or permanent witnesses. They can, then, become points of reference that we can consult at any time. ("Not without you")

If you want to leave your footprints On the sands of time Do not drag your feet.

There are powers far beyond us, plans far beyond what we could have ever thought of, visions far more vast than what we can ever see on our own with our own eyes, there are horizons long gone beyond our own horizons. This is courage- to throw away what is our own that is limited and to thrust ourselves into the hands of these higher powers- God and Destiny.To do this is to abide in the realm of the eternal, to walk in the path of the everlasting to follow in the footprints of God and demi-gods. The hardest part for man is the letting go. For some reason, he thinks himself big enough to know and to see what's good for him. But in the letting go........is found freedom. In the letting go........ is found the flight!

It is just that she was fifteen once for the first time, and Peter walked across her heart and left his footprints there.

Gansey appeared beside Blue in the doorway. He shook his empty bottle at her. "Fair trade," he told her in a way that indicated he had selected a fair-trade coffee beverage entirely so that he could tell Blue that he had selected a fair-trade coffee beverage so that she could tell him well done with your carbon footprint and all that jazz. Blue said, "Better recycle that bottle.

Any person who wants to govern the world is by definition the wrong person to do it.

Such Small Things: For a long time there were only your footprints & laughter in our dreams & even from such small things, we knew we could not wait to love you forever.

You can't make footprints in the sands of time by sitting on your butt. And who wants to leave buttprints in the sands of time?

But you are crazy.” “I know.” She lifted a small box from the basket. “Do you know how I know?” Scarlet didn't answer. “Because the palace walls have been bleeding for years, and no one else sees it.” She shrugged, as if this were a perfectly normal thing to say. “No one believes me, but in some corridors, the blood has gotten so thick there's nowhere safe to step. When I have to pass through those places, I leave a trail of bloody footprints for the rest of the day, and then I worry that the queen's soldiers will follow the scent and eat me up while I'm sleeping. Some nights I don't sleep very well.” Her voice dropped to a haunted whisper, her eyes taking on a brittle luminescence. “But if the blood was real, the servants would clean it up. Don't you think?

If you are on social media, and you are not learning, not laughing, not being inspired or not networking, then you are using it wrong.

I hope that someday when I am gone, someone, somewhere, picks my soul up off of these pages and thinks, "I would have loved her.

In Shoshone, there's a saying. It's a long one, and it doesn't have an English equivalent, so bear with me. Sutummu tukummuinna. It means, I don't speak your language, and you don't speak mine. But I still understand you. I don't need to walk in your footsteps if I can see the footprints you left behind.

A Psalm of Life Tell me not in mournful numbers, Life is but an empty dream! For the soul is dead that slumbers, And things are not what they seem. Life is real! Life is earnest! And the grave is not its goal; Dust thou are, to dust thou returnest, Was not spoken of the soul. Not enjoyment, and not sorrow, Is our destined end or way; But to act, that each tomorrow Find us farther than today. Art is long, and Time is fleeting, And our hearts, though stout and brave, Still, like muffled drums, are beating Funeral marches to the grave. In the world's broad field of battle, In the bivouac of Life, Be not like dumb, driven cattle! Be a hero in the strife! Trust no Future, howe'er pleasant! Let the dead Past bury its dead! Act, - act in the living Present! Heart within, and God o'erhead! Lives of great men all remind us We can make our lives sublime, And, departing, leave behind us Footprints on the sand of time; Footprints, that perhaps another, Sailing o'er life's solenm main, A forlorn and shipwrecked brother, Seeing, shall take heart again. Let us then be up and doing, With a heart for any fate; Still achieving, still pursuing, Learn to labor and to wait.

If anyone were to claim greater happiness in their careers than I do in poking about sunlit wildwoods for faerie footprints, I should not believe it.

You can't leave footprints in the sands of time if you're sitting on your butt. And who wants to leave buttprints in the sands of time?

It felt as though the whole globe was dressed in snow. Like it has pulled it on, the way you pull on a sweater. Next to the train line, footprints were sunken to their shins. Trees wore blankets of ice. As you may expect, someone has died.

Marginalia Sometimes the notes are ferocious, skirmishes against the author raging along the borders of every page in tiny black script. If I could just get my hands on you, Kierkegaard, or Conor Cruise O'Brien, they seem to say, I would bolt the door and beat some logic into your head. Other comments are more offhand, dismissive - Nonsense." "Please!" "HA!!" - that kind of thing. I remember once looking up from my reading, my thumb as a bookmark, trying to imagine what the person must look like who wrote "Don't be a ninny" alongside a paragraph in The Life of Emily Dickinson. Students are more modest needing to leave only their splayed footprints along the shore of the page. One scrawls "Metaphor" next to a stanza of Eliot's. Another notes the presence of "Irony" fifty times outside the paragraphs of A Modest Proposal. Or they are fans who cheer from the empty bleachers, Hands cupped around their mouths. Absolutely," they shout to Duns Scotus and James Baldwin. Yes." "Bull's-eye." "My man!" Check marks, asterisks, and exclamation points rain down along the sidelines. And if you have managed to graduate from college without ever having written "Man vs. Nature" in a margin, perhaps now is the time to take one step forward. We have all seized the white perimeter as our own and reached for a pen if only to show we did not just laze in an armchair turning pages; we pressed a thought into the wayside, planted an impression along the verge. Even Irish monks in their cold scriptoria jotted along the borders of the Gospels brief asides about the pains of copying, a bird singing near their window, or the sunlight that illuminated their page- anonymous men catching a ride into the future on a vessel more lasting than themselves. And you have not read Joshua Reynolds, they say, until you have read him enwreathed with Blake's furious scribbling. Yet the one I think of most often, the one that dangles from me like a locket, was written in the copy of Catcher in the Rye I borrowed from the local library one slow, hot summer. I was just beginning high school then, reading books on a davenport in my parents' living room, and I cannot tell you how vastly my loneliness was deepened, how poignant and amplified the world before me seemed, when I found on one page A few greasy looking smears and next to them, written in soft pencil- by a beautiful girl, I could tell, whom I would never meet- Pardon the egg salad stains, but I'm in love.

Nature....she will hang the night stars so that I may walk abroad in the darkness without stumbling, and send word the wind over my footprints so that none may track me to my hurt: she will cleanse me in great waters, and with bitter herbs make me whole.

One’s options in this world are as vast as the horizon, which is technically a circle and thus infinitely broad. Yet we must choose each step we take with utmost caution, for the footprints we leave behind are as important as the path we will follow. They’re part of the same journey — our story.

He has untangled himself from vines blossoming with story-filled flowers. He has traversed piles of abandoned teacups with text baked into their crackled glaze. He has walked through puddles of ink and left footprints that formed stories in his wake that he did not turn around to read.

Poirot said placidly, “One does not, you know, employ merely the muscles. I do not need to bend and measure the footprints and pick up the cigarette ends and examine the bent blades of grass. It is enough for me to sit back in my chair and think. It is this – ” he tapped his egg-shaped head – “this, that functions!

I still feel like a castaway, th elast of a once numerous species. It was as though Robinson Crusoe discovered the telltale footprint on the beach and then realized that it was his own. Myself, small as a leaf, thin as water, begins to cry.

He said that there were no traces upon the ground round the body. He did not observe any. but I did - some little distance off, but fresh and clear" "Footprints?" "Footprints." "A man's or a woman's?" Dr. Mortimer looked strangely at us for an instant, and his voice sank almost to a whisper as he answered: "Mr Holmes, they were the footprints of s gigantic hound!

Paint ghosts over everything, the sadness of everything. We made ourselves cold. We made ourselves snow. We smuggled ourselves into ourselves. Haunted by each other’s knowledge. To hide somewhere is not surrender, it is trickery. All day the snow falls down, all night the snow. I try to guess your trajectory and end up telling my own story. We left footprints in the slush of ourselves, getting out of there.

A long walk. A very long walk. Sand between my toes. The rough surf at times reaching and washing away my footprints. About a mile down the beach, I sat down and started thinking back through everything Vance had told me so far. Thought about what my next moves would be. Seeing the Asian guy tomorrow and having him snoop would settle one thing in my mind. Did Vance do it or not? Crucial. Until I knew that, I didn’t want to go any further.

We are and remain such creeping Christians, because we look at ourselves and not at Christ; because we gaze at the marks of our own soiled feet, and the trail of our own defiled garments.... Each, putting his foot in the footprint of the Master, and so defacing it, turns to examine how far his neighbor’s footprint corresponds with that which he still calls the Master’s, although it is but his own.

We must change almost everything in our current societies. The bigger your carbon footprint - the bigger your moral duty. The bigger your platform - the bigger your responsibility. Adults keep saying: 'We owe it to the young people to given them hope.' But I don't want your hope. I don't want you to be hopeful. I want you to panic. I want you to feel the fear I feel every day. And then I want you to act. I want you to act as you would in a crisis. I want you to act as if our house is on fire. Because it is.

she's the type of girl that has a place in her heart for all the lonely people to go with their forgotten footprints in the snow

The day my mother died I wrote in my journal, "A serious misfortune of my life has arrived." I suffered for more than one year after the passing away of my mother. But one night, in the highlands of Vietnam, I was sleeping in the hut in my hermitage. I dreamed of my mother. I saw myself sitting with her, and we were having a wonderful talk. She looked young and beautiful, her hair flowing down. It was so pleasant to sit there and talk to her as if she had never died. When I woke up it was about two in the morning, and I felt very strongly that I had never lost my mother. The impression that my mother was still with me was very clear. I understood then that the idea of having lost my mother was just an idea. It was obvious in that moment that my mother is always alive in me. I opened the door and went outside. The entire hillside was bathed in moonlight. It was a hill covered with tea plants, and my hut was set behind the temple halfway up. Walking slowly in the moonlight through the rows of tea plants, I noticed my mother was still with me. She was the moonlight caressing me as she had done so often, very tender, very sweet... wonderful! Each time my feet touched the earth I knew my mother was there with me. I knew this body was not mine but a living continuation of my mother and my father and my grandparents and great-grandparents. Of all my ancestors. Those feet that I saw as "my" feet were actually "our" feet. Together my mother and I were leaving footprints in the damp soil. From that moment on, the idea that I had lost my mother no longer existed. All I had to do was look at the palm of my hand, feel the breeze on my face or the earth under my feet to remember that my mother is always with me, available at any time.

The God of Loss. The God of Small Things. He left no footprints in the sand, no ripples in water, no image in mirrors.

History is sacred—like a nature hike. ‘Leave only footprints, take only memories.

Why is the sky the limit when there is footprints on the moon

Leave nothing but footprints, Take nothing but memories

This magical, marvelous food on our plate, this sustenance we absorb, has a story to tell. It has a journey. It leaves a footprint. It leaves a legacy. To eat with reckless abandon, without conscience, without knowledge; folks, this ain't normal.

What does a clue look like?" Tanith whispered. Stephanie fought the giggle down and whispered back. "I'm looking for a footprint or something." "Have you found one yet?" "No. But that's probably because I haven't moved from this spot." "Maybe we should move, pretend we know what we're doing." They started to walk, very slowly, still looking straight down.

May your course not run from one end to the other; for such a course does not exist; but may every step you take mark a redressed projection. With your left foot you shall wipe out the footprint of your right foot.

Lives of great men all remind us We can make our lives sublime, And, departing, leave behind us Footprints on the sands of time; Footprints, that perhaps another, Sailing o'er life's solemn main, A forlorn and shipwrecked brother, Seeing, shall take heart again.

Mother, do you grieve? Know that I will return to you. I will be a flutter in the leaves above where you sit, cooking ruti on the stove. I will be the stray cloud which shields you from the days of sun. I will be the thunder that wakes you before rain floods the room. When you walk to the market, I will return to you as footprint on the soil. At night, when you close your eyes, I will appear as impress on the bed.

Footprints are an amazing thing, even the ones you can’t see. They make you wonder who’s walked right where you’re walking. Who’s travelled this same path? What were their concerns? Who did they love? Are they still alive?

The isolation spins its mysterious cocoon, focusing the mind on one place, one time, one rhythm - the turning of the light. The island knows no other human voices, no other footprints. On the Offshore Lights you can live any story you want to tell yourself, and no one will say you're wrong: not the seagulls, not the prisms, not the wind.

Do you know great minds enjoy excellence, average minds love mediocrity and small minds adore comfort zones?

That thing the nature of which is totally unknown to you is usually what you need to find, and finding it is a matter of getting lost. The word ‘lost’ comes from the old Norse ‘los’ meaning the disbanding of an army…I worry now that people never disband their armies, never go beyond what they know. Advertising, alarmist news, technology, incessant busyness, and the design of public and private life conspire to make it so. A recent article about the return of wildlife to suburbia described snow-covered yards in which the footprints of animals are abundant and those of children are entirely absent. Children seldom roam, even in the safest places… I wonder what will come of placing this generation under house arrest.

But that was the thing about zero. Its weakness. Even if zero had taken over the entire universe, the biggest fascist of all, one tiny gesture could deny it. One footprint, one atom. You didn't have to be a genius. You didn't even have to know that was what you were doing. You made a mark. You changed something. It said, "A human being passed here." And changed zero to one.

Before we met, I was drowned in a deep blue sky, I thought I would never look forward again, I believed I would always stay stuck, Since that first snow, nothing remained the same, I came to know there was more to life, I realized I was ever ready to move on, All I needed was somebody like you, All I wanted was to trust in your vibe, In those shimmery eyes, I saw cheesy sunrise, In those silent moments, I heard the roar of rivers, In those joyous chattering, I sensed peaceful sunsets, In those pineapple thoughts, I lived life to the fullest, In that crazy ocean of love, I left footprints on the water, Trust me, in that lovely smile, I saw a sky I won't forget.

5 Ways To Build Your Brand on Social Media: 1 Post content that add value 2 Spread positivity 3 Create steady stream of info 4 Make an impact 5 Be yourself

She has a bookshelf for a heart, and ink runs through her veins, she’ll write you into her story with the typewriter in her brain. Her bookshelf’s getting crowded. With all the stories that’s she’s penned, of all the people who flicked through her pages but closed the book before it ended. And there’s one pushed to the very back, that sits collecting dust, with its title in her finest writing, ‘The One’s Who Lost My Trust’. There’s books shes scared to open, and books she doesn't close. Stories of every person she’s met stretched out in endless rows. Some people have only one sentence while others once held a main part, thousands of inky footprints that they've left across her heart. You might wonder why she does this, why write of people she once knew? But she hopes one day she’ll mean enough for someone to write about her too.

Tweet others the way you want to be tweeted.

Sometimes we whisper it quietly and other times we shout it out loud in front of a mirror. I hate how I look. I hate how my face looks my body looks I am too fat or too skinny or too tall or too wide or my legs are too stupid and my face is too smiley or my teeth are dumb and my nose is serious and my stomach is being so lame. Then we think, “I am so ungrateful. I have arms and legs and I can walk and I have strong nail beds and I am alive and I am so selfish and I have to read Man’s Search for Meaning again and call my parents and volunteer more and reduce my carbon footprint and why am I such a self-obsessed ugly asshole no wonder I hate how I look! I hate how I am!

More poignant for us, at Laetoli in Tanzania are the companionable footprints of three real hominids, probably Australopithecus afarensis, walking together 3.6 million years ago in what was then fresh volcanic ash. Who does not wonder what these individuals were to each other, whether they held hands or even talked, and what forgotten errand they shared in a Pliocene dawn?

One night I dreamed a dream. I was walking along the beach with my Lord. Across the dark sky flashed scenes from my life. For each scene, I noticed two sets of footprints in the sand, one belonging to me and one to my Lord. When the last scene of my life shot before me I looked back at the footprints in the sand. There was only one set of footprints. I realized that this was at the lowest and saddest times of my life. This always bothered me and I questioned the Lord about my dilemma. "Lord, You told me when I decided to follow You, You would walk and talk with me all the way. But I'm aware that during the most troublesome times of my life there is only one set of footprints. I just don't understand why, when I need You most, You leave me." He whispered, "My precious child, I love you and will never leave you, never, ever, during your trials and testings. When you saw only one set of footprints, It was then that I carried you.

Yesterday, I had a dream... A dream I have had since long ago. In that dream, we had yet to turn 13. We were in a vast countryside, completely covered with snow. The lights of the houses extended far into the distance, a dazzling sight. We walked on the thick caprpet of fresh snow, but did not leave any footprints. And like that... 'Someday we will be able to watch the cherry blossoms together again'. Both of us, without any doubt... That's what we thought.

I believe that there are no memories that are okay to forget. Every man's memory is his private literature. Some people come into our lives and quickly go. Some stay for a while, leave footprints on our hearts, and we are never, ever the same Memory is a way of holding onto the things you love, the things you are, the things you never want to lose. Remember, we all stumble, every one of us. That's why it's a comfort to go hand in hand.

Out of frustrations, out of desperation, out of disappointments, out of mediocrity. out of idleness,out of limited insight, out of difficulties, out of insatiability, out of poverty, out of pain and the vicissitudes of life , so many people shall come to a conclusion that nothing is worth living for; not even what is solemn and sacred but, some shall always turn the woes of life into great land marks and indelible footprints worth emulating

Thirty minutes later I flipped through the photos of the hospital room. Don was correct. Everything looked as tidy as could be. Even theIV needle that had been pulled from Danny's arm rested innocantly on the bed as if waiting for the next vein.No footprints,no fingerprints,no blood,no bodily fluid, not even a frigging sheet out of place. Moleculer transpotation couldn't have been neater. Maybe that was it. Maybe Danny had been beamed right the fuck out of there. It would almost be worth telling that to Don just to see the look on his face.

Remember: Plot is no more than footprints left in the snow after your characters have run by on their way to incredible destinations. Plot is observed after the fact rather than before. It cannot precede action. It is the chart that remains when an action is through. That is all Plot ever should be. It is human desire let run, running, and reaching a goal. It cannot be mechanical. It can only be dynamic. So, stand aside, forget targets, let the characters, your fingers, body, blood, and heart do.

In my Lifetime, I hope to develop, Arms that are strong, Hands that are gentle, Ears that will listen, Eyes that are kind, A tongue that will speak softly, A mind full of wisdom, A heart that understands.

Down by the stream in back of 124 her footprints come and go, come and go. They are so familiar. Should a child, an adult place his feet in them, they will fit. Take them out and they disappear again as though nobody ever walked there. By and by all trace is gone, and what is forgotten is not only the footprints but the water too and what it is down there. The rest is weather. Not the breath of the disremembered and unaccounted for, but wind in the eaves, or spring ice thawing too quickly. Just weather. Certainly no clamor for a kiss.

We are often told we are materialistic. It seems to me, we are not materialistic enough. We have a disrespect for materials. We use it quickly and carelessly. If were genuinely materialistic people, we would understand where materials come from and where they go to. But, at the moment, the entire global economy seems to be built on the model of digging things up from one hole in the ground on one side of the earth, transporting them around the world, using them for a few days, and sticking them in a hole in the ground on the other side of the world.

Look at them leaving in droves despite knowing they will be welcomed with restraint in those strange lands because they do not belong, knowing they will have to sit on one buttock because they must not sit comfortable lest they be asked to rise and leave, knowing they will speak in dampened whispers because they must not let their voices drown those of the owners of the land, knowing they will have to walk on their toes because they must not leave footprints on the new earth lest they be mistaken for those who want to claim the land as theirs. Look at them leaving in droves, arm in arm with loss and lost, look at them leaving in droves.

On Broadway it was still bright afternoon and the gassy air was almost motionless under the leaden spokes of sunlight, and sawdust footprints lay about the doorways of butcher shops and fruit stores. And the great, great crowd, the inexhaustible current of millions of every race and kind pouring out, pressing round, of every race and genius, possessors of every human secret, antique and future, in every face the refinement of one particular motive or essence - I labor, I spend, I strive, I design, I love, I cling, I uphold, I give way, I envy, I long, I scorn, I die, I hide, I want. Faster, much faster than any man could make the tally.

What I'm feeling, I think, is joy. And it's been some time since I've felt that blinkered rush of happiness, This might be one of those rare events that lasts, one that'll be remembered and recalled as months and years wind and ravel. One of those sweet, significant moments that leaves a footprint in your mind. A photograph couldn't ever tell its story. It's like something you have to live to understand. One of those freak collisions of fizzing meteors and looming celestial bodies and floating debris and one single beautiful red ball that bursts into your life and through your body like an enormous firework. Where things shift into focus for a moment, and everything makes sense. And it becomes one of those things inside you, a pearl among sludge, one of those big exaggerated memories you can invoke at any moment to peel away a little layer of how you felt, like a lick of ice cream. The flavor of grace.

both you and paintings are layered… first, ephemera and notations on the back of the canvas. Labels indicate gallery shows, museum shows, footprints in the snow, so to speak. Then pencil scribbles on the stretcher, usually by the artist, usually a title or date. Next the stretcher itself. Pine or something. Wooden triangles in the corners so the picture can be tapped tighter when the canvas becomes loose. Nails in the wood securing the picture to the stretcher. Next, a canvas: linen, muslin, sometimes a panel; then the gesso - a primary coat, always white. A layer of underpaint, usually a pastel color, then, the miracle, where the secrets are: the paint itself, swished around, roughly, gently, layer on layer, thick or thin, not more than a quarter of an inch ever -- God can happen in that quarter of an inch -- the occasional brush hair left embedded, colors mixed over each other, tones showing through, sometimes the weave of the linen revealing itself. The signature on top of the entire goulash. Then varnish is swabbed over the whole. Finally, the frame, translucent gilt or carved wood. The whole thing is done.

Oh, misanthropy and sourness. Gary wanted to enjoy being a man of wealth and leisure, but the country was making it none too easy. All around him, millions of newly minted American millionaires were engaged in the identical pursuit of feeling extraordinary - of buying the perfect Victorian, of skiing the virgin slope, of knowing the chef personally, of locating the beach that had no footprints. There were further tens of millions of young Americans who didn't have money but were nonetheless chasing the Perfect Cool. And meanwhile the sad truth was that not everyone could be extraordinary, not everyone could be extremely cool; because whom would this leave to be ordinary? Who would perform the thankless work of being comparatively uncool?

He's outwardly respectable. (They say he cheats at cards.) And his footprints are not found in any file of Scotland Yard's. And when the larder's looted, or the jewel-case is rifled, Or when the milk is missing, or another Peke's been stifled, Or the greenhouse glass is broken, and the trellis past repair - Ay, there's the wonder of the thing! Macavity's not there! And when the Foreign Office find a Treaty's gone astray, Or the Admiralty lose some plans and drawings by the way, There may be a scrap of paper in the hall or on the stair - But it's useless to investigate - Mcavity's not there! And when the loss has been disclosed, the Secret Service say: 'It must have been Macavity!' - but he's a mile away. You'll be sure to find him resting, or a-licking of his thumbs, Or engaged in doing complicated long-division sums. Macavity, Macavity, there's no one like Macavity, There never was a Cat of such deceitfulness and suavity. He always has an alibi, and one or two to spaer: At whatever time the deed took place - MACAVITY WASN'T THERE! And they say that all the Cats whose wicked deeds are widely known (I might mention Mungojerrie, I might mention Griddlebone) Are nothing more than agents for the Cat who all the time Just controls their operations: the Napoleon of Crime!

She used to imagine her parents and happy endings she would never have. Now she envisioned torments that were all too real. She pictured one of Cinderella's stepsisters planting her foot on a cutting board - and biting down hard as the cleaver chopped through the bone of her big toe. She imagined a princess used to safety, luxury, throwing the rank hide of a donkey over her shoulders, its boneless face drooping past her forehead like a hideous veil. And she imagined her future self, flat on her back in bed, limbs as heavy as if they'd been chained down. Mice scurried across her body, leaving footprints on her dress. Spiders spun an entire trousseau's worth of silk and draped her in it, so it appeared she wore a gown of the finest lace, adorned with rose petals and ensnared butterflies. Beetles nestled between her fingers like jeweled rings - lovely from a distance, horrific up close.

Language signifies when instead of copying thought it lets itself be taken apart and put together again by thought. Language bears the sense of thought as a footprint signifies the movement and effort of a body. The empirical use of already established language should be distinguished from its creative use. Empirical language can only be the result of creative language. Speech in the sense of empirical language - that is, the opportune recollection of a preestablished sign – is not speech in respect to an authentic language. It is, as Mallarmé said, the worn coin placed silently in my hand. True speech, on the contrary - speech which signifies, which finally renders "l'absente de tous bouquets" present and frees the sense captive in the thing - is only silence in respect to empirical usage, for it does not go so far as to become a common noun. Language is oblique and autonomous, and if it sometimes signifies a thought or a thing directly, that is only a secondary power derived from its inner life. Like the weaver, the writer works on the wrong side of his material. He has only to do with the language, and it is thus that he suddenly finds himself surrounded by sense.