“
It is a curious thing, the death of a loved one. We all know that our time in this world is limited, and that eventually all of us will end up underneath some sheet, never to wake up. And yet it is always a surprise when it happens to someone we know. It is like walking up the stairs to your bedroom in the dark, and thinking there is one more stair than there is. Your foot falls down, through the air, and there is a sickly moment of dark surprise as you try and readjust the way you thought of things.
”
”
Lemony Snicket (Horseradish: Bitter Truths You Can't Avoid)
“
O Romeo, Romeo, wherefore art thou Romeo?
Deny thy father refuse thy name, thou art thyself thou not a montegue, what is montegue? tis nor hand nor foot nor any other part belonging to a man
What is in a name?
That which we call a rose by any other name would smell as sweet,
So Romeo would were he not Romeo called retain such dear perfection to which he owes without that title,
Romeo, Doth thy name!
And for that name which is no part of thee, take all thyself.
”
”
William Shakespeare
“
She's my kitten, and no one else's.
”
”
Jeaniene Frost (One Foot in the Grave (Night Huntress, #2))
“
You never come back, not all the way. Always there is an odd distance between you and the people you love and the people you meet, a barrier thin as the glass of a mirror, you never come all the way out of the mirror; you stand, for the rest of your life, with one foot in this world and no one in another, where everything is upside down and backward and sad.
”
”
Marya Hornbacher (Wasted: A Memoir of Anorexia and Bulimia)
“
He must love you very much,' Gavril said once I had my footing.
I couldn't look at him. 'What makes you say that?' Gavril sighed. 'I've known Maxon since he was a child. He's never stood up to his father like that.
”
”
Kiera Cass (The Elite (The Selection, #2))
“
Why did he have to be so gorgeous? Why did he have to stand so close, and why did I still love him so much?
”
”
Jeaniene Frost (One Foot in the Grave (Night Huntress, #2))
“
Time Does Not Bring Relief
Time does not bring relief; you all have lied
Who told me time would ease me of my pain!
I miss him in the weeping of the rain;
I want him at the shrinking of the tide;
The old snows melt from every mountain-side,
And last year’s leaves are smoke in every lane;
But last year’s bitter loving must remain
Heaped on my heart, and my old thoughts abide.
There are a hundred places where I fear
To go,—so with his memory they brim.
And entering with relief some quiet place
Where never fell his foot or shone his face
I say, “There is no memory of him here!”
And so stand stricken, so remembering him.
”
”
Edna St. Vincent Millay (Collected Poems)
“
Time has no dominion over love. Love is the one thing that transcends time. (Bones)
”
”
Jeaniene Frost (One Foot in the Grave (Night Huntress, #2))
“
Readers have the right to say whatever the fuck they want about a book. Period. They have that right. If they hate the book because the MC says the word “delicious” and the reader believes it’s the Devil’s word and only evil people use it, they can shout from the rooftops “This book is shit and don’t read it” if they want. If they want to write a review entirely about how much they hate the cover, they can if they want. If they want to make their review all about how their dog Foot Foot especially loved to pee on that particular book, they can."
[Blog entry, January 9, 2012]
”
”
Stacia Kane
“
A first child is your own best foot forward, and how you do cheer those little feet as they strike out. You examine every turn of flesh for precocity, and crow it to the world. But the last one: the baby who trails her scent like a flag of surrender through your life when there will be no more coming after--oh, that' s love by a different name.
”
”
Barbara Kingsolver (The Poisonwood Bible)
“
The useless sentries in the watchtower are now all half in love with you,” he lied. “One said he wanted to marry you.”
A low snarl. He yielded a foot but held eye contact with her as he grinned. “But you know what I told them? I said that they didn't stand a chance in hell. Because I am going to marry you,” he promised her. “One day. I am going to marry you. I'll be generous and let you pick when, even if it's ten years from now. Or twenty. But one day, you are going to be my wife.”
He shrugged. “Princess Lysandra Ashryver sounds nice, doesn't it?
”
”
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
“
He does what he wants, and I don’t ask,” he said. “He could bring a six-foot tall pink rabbit in a bikini back home with him if he wanted to. It’s not my business. But if you’re asking me if I’ve brought any girls back here, the answer is no. I don’t want anybody but you.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
The world takes us to a silver screen on which flickering images of passion and romance play, and as we watch, the world says, “This is love.” God takes us to the foot of a tree on which a naked and bloodied man hangs and says, “This is love.
”
”
Joshua Harris (I Kissed Dating Goodbye)
“
You must know that I am made of death, from head to foot, and it is a corpse who loves you and adores you and will never, never leave you!
”
”
Gaston Leroux (The Phantom of the Opera)
“
May she wake in torment!" he cried, with frightful vehemence, stamping his foot, and groaning in a sudden paroxysm of ungovernable passion. "Why, she's a liar to the end! Where is she? Not there—not in heaven—not perished—where? Oh! you said you cared nothing for my sufferings! And I pray one prayer—I repeat it till my tongue stiffens—May she wake in torment!" he cried, with frightful vehemence, stamping his foot, and groaning in a sudden paroxysm of ungovernable passion. "Why, she's a liar to the end! Where is she? Not there—not in heaven—not perished—where? Oh! you said you cared nothing for my sufferings! And I pray one prayer—I repeat it till my tongue stiffens—Catherine Earnshaw, may you not rest as long as I am living; you said I killed you—haunt me, then! The murdered do haunt their murderers, I believe. I know that ghosts have wandered on earth. Be with me always—take any form—drive me mad! only do not leave me in this abyss, where I cannot find you! Oh, God! it is unutterable! I cannot live without my life! I cannot live without my soul!
”
”
Emily Brontë (Wuthering Heights)
“
She moved like water, graceful and soft and lovely. Every part of me wanted to stick out my foot and trip her, just to see her stumble.
”
”
Cassandra Rose Clarke (The Assassin's Curse (The Assassin's Curse, #1))
“
People can't be just tied together. They have to connect. Otherwise, they'll find themselves bound hand and foot.
”
”
Ai Yazawa
“
Everybody loves you when you're six foot in the ground.
”
”
John Lennon
“
You are my whole heart, Scarlet. And this is breaking it.'
My heart cracked open and clear dropped out of me. My mouth opened, and I looked round me and stamped my foot. 'Does this look like a good time to tell me that, you damn stupid boy?' I meant to sound mean but my voice wobbled. 'Now?'
He gave a little smile. 'My foul-mouthed warrior.
”
”
A.C. Gaughen (Scarlet (Scarlet, #1))
“
No matter how old you are now. You are never too young or too old for success or going after what you want. Here’s a short list of people who accomplished great things at different ages
1) Helen Keller, at the age of 19 months, became deaf and blind. But that didn’t stop her. She was the first deaf and blind person to earn a Bachelor of Arts degree.
2) Mozart was already competent on keyboard and violin; he composed from the age of 5.
3) Shirley Temple was 6 when she became a movie star on “Bright Eyes.”
4) Anne Frank was 12 when she wrote the diary of Anne Frank.
5) Magnus Carlsen became a chess Grandmaster at the age of 13.
6) Nadia Comăneci was a gymnast from Romania that scored seven perfect 10.0 and won three gold medals at the Olympics at age 14.
7) Tenzin Gyatso was formally recognized as the 14th Dalai Lama in November 1950, at the age of 15.
8) Pele, a soccer superstar, was 17 years old when he won the world cup in 1958 with Brazil.
9) Elvis was a superstar by age 19.
10) John Lennon was 20 years and Paul Mcartney was 18 when the Beatles had their first concert in 1961.
11) Jesse Owens was 22 when he won 4 gold medals in Berlin 1936.
12) Beethoven was a piano virtuoso by age 23
13) Issac Newton wrote Philosophiæ Naturalis Principia Mathematica at age 24
14) Roger Bannister was 25 when he broke the 4 minute mile record
15) Albert Einstein was 26 when he wrote the theory of relativity
16) Lance E. Armstrong was 27 when he won the tour de France
17) Michelangelo created two of the greatest sculptures “David” and “Pieta” by age 28
18) Alexander the Great, by age 29, had created one of the largest empires of the ancient world
19) J.K. Rowling was 30 years old when she finished the first manuscript of Harry Potter
20) Amelia Earhart was 31 years old when she became the first woman to fly solo across the Atlantic Ocean
21) Oprah was 32 when she started her talk show, which has become the highest-rated program of its kind
22) Edmund Hillary was 33 when he became the first man to reach Mount Everest
23) Martin Luther King Jr. was 34 when he wrote the speech “I Have a Dream."
24) Marie Curie was 35 years old when she got nominated for a Nobel Prize in Physics
25) The Wright brothers, Orville (32) and Wilbur (36) invented and built the world's first successful airplane and making the first controlled, powered and sustained heavier-than-air human flight
26) Vincent Van Gogh was 37 when he died virtually unknown, yet his paintings today are worth millions.
27) Neil Armstrong was 38 when he became the first man to set foot on the moon.
28) Mark Twain was 40 when he wrote "The Adventures of Tom Sawyer", and 49 years old when he wrote "Adventures of Huckleberry Finn"
29) Christopher Columbus was 41 when he discovered the Americas
30) Rosa Parks was 42 when she refused to obey the bus driver’s order to give up her seat to make room for a white passenger
31) John F. Kennedy was 43 years old when he became President of the United States
32) Henry Ford Was 45 when the Ford T came out.
33) Suzanne Collins was 46 when she wrote "The Hunger Games"
34) Charles Darwin was 50 years old when his book On the Origin of Species came out.
35) Leonardo Da Vinci was 51 years old when he painted the Mona Lisa.
36) Abraham Lincoln was 52 when he became president.
37) Ray Kroc Was 53 when he bought the McDonalds Franchise and took it to unprecedented levels.
38) Dr. Seuss was 54 when he wrote "The Cat in the Hat".
40) Chesley "Sully" Sullenberger III was 57 years old when he successfully ditched US Airways Flight 1549 in the Hudson River in 2009. All of the 155 passengers aboard the aircraft survived
41) Colonel Harland Sanders was 61 when he started the KFC Franchise
42) J.R.R Tolkien was 62 when the Lord of the Ring books came out
43) Ronald Reagan was 69 when he became President of the US
44) Jack Lalane at age 70 handcuffed, shackled, towed 70 rowboats
45) Nelson Mandela was 76 when he became President
”
”
Pablo
“
Cats are cats . . . the world over!
These intelligent, peace-loving, four-footed friends- who are without prejudice, without hate, without greed- may someday teach us something.
-James Mackintosh Qwilleran
”
”
Lilian Jackson Braun (The Cat Who Saw Stars (Cat Who... #21))
“
When you love a city and have explored it frequently on foot, your body, not to mention your soul, gets to know the streets so well after a number of years that in a fit of melancholy, perhaps stirred by a light snow falling ever so sorrowfully, you'll discover your legs carrying you of their own accord toward one of your favourite promontories
”
”
Orhan Pamuk (My Name Is Red)
“
Aim high. You may still miss the target, but at least you won't shoot your foot off.
”
”
Lois McMaster Bujold (Miles in Love (Vorkosigan Omnibus, #6))
“
I was starting to see that this wasn't just sex, and it wasn't something just working out of my system. Sex was just the fastest route to the deeper possession that I needed. I was falling in love with her, and falling to fast and hard to easily find any footing.
”
”
Christina Lauren (Beautiful Bastard (Beautiful Bastard, #1))
“
And there is my payment the rubies in your cheeks. Are you properly scandalized by your wicked behavior? If you were Catholic, you'd singe the ears of the priest you confessed to. Do you remember making me swear to repeat all those naughty actions agian, no matter what you said this morning?"
Now that he brought it up, I did recall saying that. Great Betrayed by my own immorality.
"God, Bones...some of that was depraved."
"I'll take that as a compliment." He closed the distance between us."I love you. Don't be ashamed of anything we did, even if your prudery is on life support.
”
”
Jeaniene Frost (One Foot in the Grave (Night Huntress, #2))
“
I love you, Kitten.
Don't try to get out of this. We'll see if you love me when I pay you back.
Even then I will love you, Bones called out as I stomped away.
”
”
Jeaniene Frost (One Foot in the Grave (Night Huntress, #2))
“
I was falling in love with her, and falling too fast and hard to easily find any footing.
”
”
Christina Lauren (Beautiful Bastard (Beautiful Bastard, #1))
“
Who knew? I had no idea that someone could be such a thorn in your foot during a death march and still be irresistibly attractive in some magical, undeniable way."
"So is this what people call sweet nothings? Because somehow, I expected it to be a little more...complementary.
”
”
Susan Ee (End of Days (Penryn & the End of Days, #3))
“
Love made you admire funny things about a person, like how good she was at remembering to return her library books and at slicing cucumbers very thin. She was a veritable wonder at pulling a splinter out of her foot.
”
”
Ann Brashares
“
my 6 foot goddess
makes me laugh
the laughter of the mutilated
who still need
love...
she has saved me
from everything that is
not here
”
”
Charles Bukowski (Love Is a Dog from Hell)
“
I’m a modern man, a man for the millennium. Digital and smoke free. A diversified multi-cultural, post-modern deconstruction that is anatomically and ecologically incorrect. I’ve been up linked and downloaded, I’ve been inputted and outsourced, I know the upside of downsizing, I know the downside of upgrading. I’m a high-tech low-life. A cutting edge, state-of-the-art bi-coastal multi-tasker and I can give you a gigabyte in a nanosecond!
I’m new wave, but I’m old school and my inner child is outward bound. I’m a hot-wired, heat seeking, warm-hearted cool customer, voice activated and bio-degradable. I interface with my database, my database is in cyberspace, so I’m interactive, I’m hyperactive and from time to time I’m radioactive.
Behind the eight ball, ahead of the curve, ridin the wave, dodgin the bullet and pushin the envelope. I’m on-point, on-task, on-message and off drugs. I’ve got no need for coke and speed. I've got no urge to binge and purge. I’m in-the-moment, on-the-edge, over-the-top and under-the-radar. A high-concept, low-profile, medium-range ballistic missionary. A street-wise smart bomb. A top-gun bottom feeder. I wear power ties, I tell power lies, I take power naps and run victory laps. I’m a totally ongoing big-foot, slam-dunk, rainmaker with a pro-active outreach. A raging workaholic. A working rageaholic. Out of rehab and in denial!
I’ve got a personal trainer, a personal shopper, a personal assistant and a personal agenda. You can’t shut me up. You can’t dumb me down because I’m tireless and I’m wireless, I’m an alpha male on beta-blockers.
I’m a non-believer and an over-achiever, laid-back but fashion-forward. Up-front, down-home, low-rent, high-maintenance. Super-sized, long-lasting, high-definition, fast-acting, oven-ready and built-to-last! I’m a hands-on, foot-loose, knee-jerk head case pretty maturely post-traumatic and I’ve got a love-child that sends me hate mail.
But, I’m feeling, I’m caring, I’m healing, I’m sharing-- a supportive, bonding, nurturing primary care-giver. My output is down, but my income is up. I took a short position on the long bond and my revenue stream has its own cash-flow. I read junk mail, I eat junk food, I buy junk bonds and I watch trash sports! I’m gender specific, capital intensive, user-friendly and lactose intolerant.
I like rough sex. I like tough love. I use the “F” word in my emails and the software on my hard-drive is hardcore--no soft porn.
I bought a microwave at a mini-mall; I bought a mini-van at a mega-store. I eat fast-food in the slow lane. I’m toll-free, bite-sized, ready-to-wear and I come in all sizes. A fully-equipped, factory-authorized, hospital-tested, clinically-proven, scientifically- formulated medical miracle. I’ve been pre-wash, pre-cooked, pre-heated, pre-screened, pre-approved, pre-packaged, post-dated, freeze-dried, double-wrapped, vacuum-packed and, I have an unlimited broadband capacity.
I’m a rude dude, but I’m the real deal. Lean and mean! Cocked, locked and ready-to-rock. Rough, tough and hard to bluff. I take it slow, I go with the flow, I ride with the tide. I’ve got glide in my stride. Drivin and movin, sailin and spinin, jiving and groovin, wailin and winnin. I don’t snooze, so I don’t lose. I keep the pedal to the metal and the rubber on the road. I party hearty and lunch time is crunch time. I’m hangin in, there ain’t no doubt and I’m hangin tough, over and out!
”
”
George Carlin
“
It’s 11 am and I’m sitting in a restaurant
3 beers in. Believe me, even I’m surprised
I’m still alive sometimes.
I have been drinking about you for 2 days.
Lately you remind me of a wild thing
chewing through its foot. But you
are already free and I don’t know what to do
except trace the rough line of your jaw
and try not to place blame.
Here is the truth: It is hard to be in love
with someone who is in love someone else.
I don’t know how to turn that into poetry.
”
”
Clementine von Radics
“
A Litany for Survival
For those of us who live at the shoreline
standing upon the constant edges of decision
crucial and alone
for those of us who cannot indulge
the passing dreams of choice
who love in doorways coming and going
in the hours between dawns
looking inward and outward
at once before and after
seeking a now that can breed
futures
like bread in our children's mouths
so their dreams will not reflect
the death of ours:
For those of us
who were imprinted with fear
like a faint line in the center of our foreheads
learning to be afraid with our mother's milk
for by this weapon
this illusion of some safety to be found
the heavy-footed hoped to silence us
For all of us
this instant and this triumph
We were never meant to survive.
And when the sun rises we are afraid
it might not remain
when the sun sets we are afraid
it might not rise in the morning
when our stomachs are full we are afraid
of indigestion
when our stomachs are empty we are afraid
we may never eat again
when we are loved we are afraid
love will vanish
when we are alone we are afraid
love will never return
and when we speak we are afraid
our words will not be heard
nor welcomed
but when we are silent
we are still afraid
So it is better to speak
remembering
we were never meant to survive.
”
”
Audre Lorde (The Black Unicorn: Poems (Norton Paperback))
“
Had he but turned back then, and looked out once more on to the rose-lit garden, she would have seen that which would have made her own sufferings seem but light and easy to bear--a strong man, overwhelmed with his own passion and despair. Pride had given way at last, obstinacy was gone: the will was powerless. He was but a man madly, blindly, passionately in love and as soon as her light footstep had died away within the house, he knelt down upon the terrace steps, and in the very madness of his love he kissed one by one the places where her small foot had trodden, and the stone balustrade, where her tiny hand had rested last.
”
”
Emmuska Orczy (The Scarlet Pimpernel)
“
From your parents you learn love and laughter and how to put one foot before the other. But when books are opened you discover that you have wings.
”
”
Helen Hayes
“
Just for future reference, don't use words like "love" anymore. It's a very sensitive word and it wears out quickly. Romeo barely says it, but John Hinckley filled up a whole journal with it. To put it into your terms, it's a currency that's easily devalued. Pretty soon you're saying it whenever you hang up the phone or whenever you leave. It turns into an apology. Then it's an excuse. Some assholes want it to be a bulletproof vest: don't hate me; I love you. But mostly it just means--more. More, more--give me something more. A couple of years from now, when you're on your own completely, if you really fall in love, if it really comes to that--and I pity you if it does--you have to look right down into the black of her eyes, right down into the emptiness in there and feel everything, absolutely everything she needs and you have to be willing to drown in it, Kevin. You'd have to want to be crushed, buried alive. Because that's what real love feels like--choking. They used to bury some women in their wedding dresses, you know. I thought it was because all those husbands were too cheap to spring for another gown, but now it makes sense: love is your first foot in the grave. That's why the second most abused word is "forever".
”
”
Peter Craig (Hot Plastic)
“
Together let us hold the intention that all aspects of this living planet come together in love, acceptance, and celebration of both our diversities and commonalities. Let us possess the common purpose that we heal from our hearts into compassion and forgiveness for ourselves. Together let us own the belief that we will no longer unite with blame and judgement, but come to accept that we all carry the same wounds. In acknowledging this, the hope is for the whole planet in its jubilant diversity to be healed from any and all woundings so that we come together on equal footing, living in peace and joy and setting the tone for a future of harmony within and on this planet.
Peace to all and healing to all.
”
”
Wendy E. Slater (Of the Flame, Poems - Volume 15)
“
I remember asking myself one night, while I was curled up in the same old corner of my same old couch in tears yet again over the same old repetition of sorrowful thoughts, 'Is there ANYTHING about this scene you can change, Liz?' And all I could think to do was stand up, whle still sobbing, and try to balance on one foot in the middle of the living room. Just to prove that - while I couldn't stop the tears or change my dismal interior dialogue - I was not yet totally out of control: at least I could cry hysterically while balanced on one foot.
”
”
Elizabeth Gilbert (Eat, Pray, Love)
“
Wait--we have one left," the runner said, bringing out what was surely the most expensive bouquet of all: a three-foot tall arrangement of two hundred white roses, in the palest ivory color. All the girls swooned. Almost no boys bought white roses ever. It was a big sign of commitment. But this one practically trumpeted a captured heart.
The runner set the bouquet in front of Schuyler.
Mimi raised an eyebrow. She had always won the roses lottery. What was this all about?
For me?" Schuyler asked, awestruck by the size of the thing.
She took the card from the tallest stem.
For Schuyler, who doesn't like love stories." It was not signed.
”
”
Melissa de la Cruz (Masquerade (Blue Bloods, #2))
“
Crickey, love, what happened here? Are you hurt?” he asked, lifting her to her feet, the surfboard leash still wrapped around her foot.
Her eyes worked their way up his torso, along the plush green towel hugging his midsection. Catherine couldn’t help staring at his well-formed abs and chest before making her way up to his concerned eyes.
“Obviously I fell,” Catherine said. “I think I got a splinter.”
“Let me see,” Jake insisted, taking her hand into his. “It’s small. I can take care of that in a snap.”
Staring up into his deep blue eyes, Catherine could feel herself drowning in the depths of them, unconsciously resting her other hand upon his dampened chest to steady herself.
”
”
Diane Merrill Wigginton (A Compromising Position)
“
Sally could not dismiss the feeling that she and the strange man on the bus shared the same baggage, both losing their footing—both with fists clenched against the world.
”
”
JoDee Neathery (A Kind of Hush)
“
For this is what we do. Put one foot forward and then the other. Lift our eyes to the snarl and smile of the world once more. Think. Act. feel. Add our little consequence to the tides of good and evil that flood and drain the world. Drag our shadowed crosses into the hope of another night. Push our brave hearts into the promise of a new day. With love; the passionate search for truth other than our own. With longing; the pure, ineffable yearning to be saved. For so long as fate keeps waiting, we live on.
”
”
Gregory David Roberts (Shantaram)
“
Kizzy wanted to be a woman who would dive off the prow of a sailboat into the sea, who would fall back in a tangle of sheets, laughing, and who could dance a tango, lazily stroke a leopard with her bare foot, freeze an enemy's blood with her eyes, make promises she couldn't possibly keep, and then shift the world to keep them. She wanted to write memoirs and autograph them at a tiny bookshop in Rome, with a line of admirers snaking down a pink-lit alley. She wanted to make love on a balcony, ruin someone, trade in esoteric knowledge, watch strangers as coolly as a cat. She wanted to be inscrutable, have a drink named after her, a love song written for her, and a handsome adventurer's small airplane, champagne-christened Kizzy, which would vanish one day in a windstorm in Arabia so that she would have to mount a rescue operation involving camels, and wear an indigo veil against the stinging sand, just like the nomads.
Kizzy wanted.
”
”
Laini Taylor (Lips Touch: Three Times)
“
You don’t annoy me.” Carefully he rebuttoned the placket of her shirt. “I thought you did, at first. But now I realize it was more like the feeling you get when your foot’s been asleep. And when you start moving, the blood coming back into it is uncomfortable . . . but also good. Do you understand what I mean?”
“Yes. I make your feet tingle.”
A smile came to his lips. “Among other things.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
I seriously love these socks."
"Give me back my foot," I ordered.
"It's not so much the fact that they've got reindeers on them or that they go all the way up to your knees." As if that were some kind of great distance. "But it's the fact that they're like mittens on your feet.
”
”
Jennifer L. Armentrout (Onyx (Lux, #2))
“
They shall have stars at elbow and foot;
Though they go mad they shall be sane,
Though they sink through the sea they shall rise again;
Though lovers be lost love shall not;
And death shall have no dominion.
”
”
Dylan Thomas (Collected Poems)
“
Hadley grabs the laminated safety instructions from the seat pocket in front of her and frowns at the cartoon men and women who seem weirdly delighted to be bailing out of a series of cartoon planes. Beside her, Oliver stifles a laugh, and she glances up again.
“What?”
“I’ve just never seen anyone actually read one of those things before,”
“Well,” she says, “then you’re very lucky to be sitting next to me.”
“Just in general?”
She grins. “Well, particularly in case of an emergency.”
“Right,” he says. “I feel incredibly safe. When I’m knocked unconscious by my tray table during some sort of emergency landing, I can’t wait to see all five-foot-nothing of you carry me out of here.
”
”
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
“
If I ever think you are even considering leaving me again, no matter how good you reasons, I'll have you locked in your rooms and the doors barricaded, so help me God." He lifted her foot and began to dry it.
Her voice shaking, Whitney asked, "Will you stay locked in there with me?"
He raised her dainty foot to his jaw and tenderly laid his cheek against it, then turned his head and kissed it. "Yes," he whispered.
-Clayton Westmoreland
”
”
Judith McNaught (Whitney, My Love (Westmoreland, #2))
“
They spoke almost as loud as Feeling: and that clamoured wildly. "Oh, comply!" it said. "Think of his misery; think of his danger — look at his state when left alone; remember his headlong nature; consider the recklessness following on despair — soothe him; save him; love him; tell him you love him and will be his. Who in the world cares for you? or who will be injured by what you do?"
Still indomitable was the reply — "I care for myself. The more solitary, the more friendless, the more unsustained I am, the more I will respect myself. I will keep the law given by God; sanctioned by man. I will hold to the principles received by me when I was sane, and not mad — as I am now. Laws and principles are not for the times when there is no temptation: they are for such moments as this, when body and soul rise in mutiny against their rigour; stringent are they; inviolate they shall be. If at my individual convenience I might break them, what would be their worth? They have a worth — so I have always believed; and if I cannot believe it now, it is because I am quite insane — quite insane: with my veins running fire, and my heart beating faster than I can count its throbs. Preconceived opinions, foregone determinations, are all I have this hour to stand by: there I plant my foot.
”
”
Charlotte Brontë (Jane Eyre)
“
Do not fear death, my daughter. We all walk with one foot in each world. There is beauty in impermanence. And what sad lives we would live, if we never loved anything we would lose.
”
”
Carissa Broadbent (Mother of Death & Dawn (The War of Lost Hearts, #3))
“
We gallop through our lives like circus performers balancing on two speeding side-by-side horses--one foot is on the horse called "fate," the other on the horse called "free will." And the question you have to ask every day is--which horse is which? Which horse do I need to stop worrying about because it's not under my control, and which do I need to steer with concentrated effort?
”
”
Elizabeth Gilbert (Eat, Pray, Love)
“
I have my own set of survival techniques. I am patient. I know how to pack light. But my one might travel talent is that I can make friends with anybody. I can make friends with the dead. If there isn’t anyone else around to talk to, I could probably make friends with a four-foot-tall pile of sheetrock. That is why I’m not afraid to travel to the most remote places in the world, not if there are human beings there to meet. People asked me before I left, “do you have friends [there]?’ and I would just shake my head no, thinking to myself, But I will.
”
”
Elizabeth Gilbert (Eat, Pray, Love)
“
God, you tick me off.”
“Well, at least I got you—”
“Don’t even finish that statement!” I snatched up my socks and tights. Rolling them on, I hobbled on one foot. “Ugh, I hate you sometimes.”
He sat up in one fluid motion. “Not too long ago, you were really, really loving me.
”
”
Jennifer L. Armentrout (Opal (Lux, #3))
“
There is no list of rules. There is one rule. The rule is: there are no rules. Happiness comes from living as you need to, as you want to. As your inner voice tells you to. Happiness comes from being who you actually are instead of who you think you are supposed to be. Being traditional is not traditional anymore. It’s funny that we still think of it that way. Normalize your lives, people. You don’t want a baby? Don’t have one. I don’t want to get married? I won’t. You want to live alone? Enjoy it. You want to love someone? Love someone. Don’t apologize. Don’t explain. Don’t ever feel less than. When you feel the need to apologize or explain who you are, it means the voice in your head is telling you the wrong story. Wipe the slate clean. And rewrite it. No fairy tales. Be your own narrator. And go for a happy ending. One foot in front of the other. You will make it.
”
”
Shonda Rhimes (Year of Yes)
“
He doesn't even like me.
I let the thought roll around in my head. Anything I feel during that time gets shoved into the vault with the ten-foot-think door slamming as soon as it goes in, just in case something in there has any intention of crawling out.
”
”
Susan Ee (Angelfall (Penryn & the End of Days, #1))
“
Jem’s knees gave out, and he sank to the trunk at the foot of his bed, still playing. He played Will breathing the name Cecily, and he played himself watching the glint of his own ring on Tessa’s hand on the train from York, knowing it was all a charade, knowing, too, that he wished that it wasn’t. He played the sorrow in Tessa’s eyes when she had come into the music room after Will had told her she would never have children. Unforgivable, that, what a thing to do, and yet Jem had forgiven him. Love was forgiveness, he had always believed that, and the things that Will did, he did out of some bottomless well of pain. Jem did not know the source of that pain, but he knew it existed and was real, knew it as he knew of the inevitability of his own death, knew it as he knew that he had fallen in love with Tessa Gray and that there was nothing he or anyone else could do about it.
”
”
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
“
Somewhere
someone
thinks they love
someone else
exactly like
I
love you.
Somewhere
someone shakes
from the ripple
of a thousand butterflies
inside a
single stomach.
Somewhere
someone
is packing their
bags
to see the world
with someone
else.
Somewhere
someone
is reaching through
the most
terrifying few
feet of space
to hold the
hand
of someone
else.
Somewhere
someone
is watching
someone else’s
chest
rise and fall
with the
breath
of slumber.
Somewhere
someone
is pouring
ink like blood
onto pages
fighting
to say the truth
that has
no words.
Somewhere
someone
is waiting
patient
but exhausted
to just
be
with someone
else.
Somewhere
someone
is opening
their eyes
to a sunrise
in someplace
they have never
seen.
Somewhere
someone
is pulling out
the petals
twisting the
apple stem
picking up
the heads up penny
rubbing the
rabbits foot
knocking on
wood
throwing
coins into
fountains
hunting for
the only clover
with only 4 leaves
skipping over
the cracks
snapping the
wishbone
crossing their
fingers
blowing out
the candles
sending dandelion
seeds into the
air
ushering eyelashes
off their thumbs
finding the first
star
and waiting for
11:11 on
their clock
to spend their
wishes
on someone
else.
Somewhere
someone
is saying
goodbye
but somewhere
someone else
is saying
hello.
Somewhere
someone
is sharing their first
or their last
kiss
with their
or no longer their
someone
else.
Somewhere
someone
is wondering
if how they feel
is how the other
they
feels about them
and if both theys
could ever become
a they
together.
Somewhere
someone
is the decoder ring
to all of
the great mysteries
of life
for someone
else.
Somewhere
someone
is the treasure map.
Somewhere
someone
thinks they love
someone else
exactly like
I
love you.
Somewhere
someone
is wrong.
”
”
Tyler Knott Gregson
“
I never felt so large and important as I did when being in love was everything. I saw you walking a foot above the earth and I remembered that was where I used to walk.
”
”
Scott Spencer (Endless Love)
“
Sitting there that day, I knew that the only thing I could do was keep putting one foot in front of the other, hoping none of the secrets on my shoulders would make me lose my balance.
”
”
Ally Carter (I'd Tell You I Love You, But Then I'd Have to Kill You (Gallagher Girls, #1))
“
Nobody thought it could be done, so nobody had tried before. Standing with one foot in the abyss and the other with a foothold in her dreams, she stood on the edge of a cliff. She took one look behind and with one last deep breath, she leapt with reckless certainty and decisive confidence. Blurring through the sky, for a moment she looked like she would fade into darkness, but in the very last moment when everyone else had given up on her, from her back spread wings. With a leap of faith, she learned to fly.
”
”
Forrest Curran (Purple Buddha Project: Purple Book of Self-Love)
“
Up on the Brooklyn Bridge a man is standing in agony, waiting to jump, or waiting to write a poem, or waiting for the blood to leave his vessels because if he advances another foot the pain of his love will kill him.
”
”
Henry Miller (Black Spring)
“
Some men say an army of horse and some men say an arm on foot / and some men say an army of ships is the most beautiful thing / on the black earth. But I say it is / what you love.
”
”
Sappho
“
If he hadn’t been kissing me, if he hadn’t shown up and interrupted us, I would have gone out into that throne room covered in smudged paint. And everyone—especially Amarantha—would have known what I’d been up to. It wouldn’t have taken much to figure out whom I’d been with, especially not once they saw the paint on Tamlin. I didn’t want to consider what the punishment might have been.
Regardless of his motives or his methods, Rhysand was keeping me alive. And had done so even before I set foot Under the Mountain.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
He started to smile. “Are you waving the white flag?”
“Not so fast. I’m saying we can take things slow. See if it blows up in our faces. I ’m not saying declare eternal love for each other while I fall back with my legs open.
”
”
Jeaniene Frost (One Foot in the Grave (Night Huntress, #2))
“
An unspoken rivalry threaded their relationship, in which Tiger Lily thought that if she could keep up with him, she could hold tighter to him. It didn't occur to her there was anything in which Peter would want her to fail. But sometimes, I could see that, even for him, she was too fast, too sure-footed, and didn't seem to need him quite enough.
”
”
Jodi Lynn Anderson (Tiger Lily)
“
You cannot count on the physical proximity of someone you love, all the time. A seed that sprouts at the foot of its parent tree remains stunted until it is transplanted. Rama will be in my care, and he will be quite well. But ultimately, he will leave me too. Every human being, when the time comes, has to depart to seek his fulfillment in his own way.
”
”
Vālmīki (The Ramayana)
“
The terrible thing about love is that it takes away your safety net, your balancing pole. Even the tightrope you walk upon will disappear beneath you, yet love expects you to keep walking anyway, arms outstretched, one foot after the other, on nothing more than air.
”
”
Christopher Barzak (The Love We Share Without Knowing)
“
We Americans claim to be a peace-loving people. We hate bloodshed; we are opposed to violence. Yet we go into spasms of joy over the possibility of projecting dynamite bombs from flying machines upon helpless citizens. We are ready to hang, electrocute, or lynch anyone, who, from economic necessity, will risk his own life in the attempt upon that of some industrial magnate. Yet our hearts swell with pride at the thought that America is becoming the most powerful nation on earth, and that she will eventually plant her iron foot on the necks of all other nations.
Such is the logic of patriotism.
”
”
Emma Goldman
“
god grant that not only the love of liberty but a thorough knowledge of the rights of man may pervade all the nations of the earth, so that anybody may set his foot anywhere on its surface and say: 'This is my country!
”
”
Benjamin Franklin
“
Six foot six he stood on the ground
He weighed two hundred and thirty-five pounds
But I saw that giant of a man brought down
To his knees by love
”
”
Johnny Cash
“
I still remember that feeling of walking somewhere confidently, seeing him mid stride and putting my foot down just fine… but feeling like I stumbled.
”
”
Ranata Suzuki
“
There must be quite a few things a hot bath won’t cure, but I don’t know many of them. Whenever I’m sad I’m going to die, or so nervous I can’t sleep, or in love with somebody I won’t be seeing for a week, I slump down just so far and then I say: 'I’ll go take a hot bath.'
I meditate in the bath.The water needs to be very hot, so hot you can barely stand putting your foot in it. Then you lower yourself, inch by inch, till the water’s up to your neck.
I remember the ceiling over every bathtub I’ve stretched out in. I remember the texture of the ceilings and the cracks and the colors and the damp spots and the light fixtures. I remember the tubs, too: the antique griffin-legged tubs, and the modern coffin-shaped tubs, and the fancy pink marble tubs overlooking indoor lily ponds, and I remember the shapes and sizes of the water taps and the different sorts of soap holders.
I never feel so much myself as when I’m in a hot bath.
”
”
Sylvia Plath (The Bell Jar)
“
Every morning the maple leaves.
Every morning another chapter where the hero shifts
from one foot to the other. Every morning the same big
and little words all spelling out desire, all spelling out
You will be alone always and then you will die.
So maybe I wanted to give you something more than a catalog
of non-definitive acts,
something other than the desperation.
Dear So-and-So, I’m sorry I couldn’t come to your party.
Dear So-and-So, I’m sorry I came to your party
and seduced you
and left you bruised and ruined, you poor sad thing.
You want a better story. Who wouldn’t?
A forest, then. Beautiful trees. And a lady singing.
Love on the water, love underwater, love, love and so on.
What a sweet lady. Sing lady, sing! Of course, she wakes the dragon.
Love always wakes the dragon and suddenly
flames everywhere.
I can tell already you think I’m the dragon,
that would be so like me, but I’m not. I’m not the dragon.
I’m not the princess either.
Who am I? I’m just a writer. I write things down.
I walk through your dreams and invent the future. Sure,
I sink the boat of love, but that comes later. And yes, I swallow
glass, but that comes later.
Let me do it right for once,
for the record, let me make a thing of cream and stars that becomes,
you know the story, simply heaven.
Inside your head you hear a phone ringing
and when you open your eyes
only a clearing with deer in it. Hello deer.
Inside your head the sound of glass,
a car crash sound as the trucks roll over and explode in slow motion.
Hello darling, sorry about that.
Sorry about the bony elbows, sorry we
lived here, sorry about the scene at the bottom of the stairwell
and how I ruined everything by saying it out loud.
Especially that, but I should have known.
Inside your head you hear
a phone ringing, and when you open your eyes you’re washing up
in a stranger’s bathroom,
standing by the window in a yellow towel, only twenty minutes away
from the dirtiest thing you know.
All the rooms of the castle except this one, says someone, and suddenly
darkness,
suddenly only darkness.
In the living room, in the broken yard,
in the back of the car as the lights go by. In the airport
bathroom’s gurgle and flush, bathed in a pharmacy of
unnatural light,
my hands looking weird, my face weird, my feet too far away.
I arrived in the city and you met me at the station,
smiling in a way
that made me frightened. Down the alley, around the arcade,
up the stairs of the building
to the little room with the broken faucets, your drawings, all your things,
I looked out the window and said
This doesn’t look that much different from home,
because it didn’t,
but then I noticed the black sky and all those lights.
We were inside the train car when I started to cry. You were crying too,
smiling and crying in a way that made me
even more hysterical. You said I could have anything I wanted, but I
just couldn’t say it out loud.
Actually, you said Love, for you,
is larger than the usual romantic love. It’s like a religion. It’s
terrifying. No one
will ever want to sleep with you.
Okay, if you’re so great, you do it—
here’s the pencil, make it work …
If the window is on your right, you are in your own bed. If the window
is over your heart, and it is painted shut, then we are breathing
river water.
Dear Forgiveness, you know that recently
we have had our difficulties and there are many things
I want to ask you.
I tried that one time, high school, second lunch, and then again,
years later, in the chlorinated pool.
I am still talking to you about help. I still do not have
these luxuries.
I have told you where I’m coming from, so put it together.
I want more applesauce. I want more seats reserved for heroes.
Dear Forgiveness, I saved a plate for you.
Quit milling around the yard and come inside.
”
”
Richard Siken
“
I believe the defining moment was when certain persons, who shall remain nameless, objected to my fuchsia silk striped waistcoat. I loved that waistcoat. I put my foot down, right then and there; I do not mind telling you!" To punctuate his deeply offended feelings, he stamped one silver-and-pearl-decorated high heel firmly. "No one tells me what I can and cannot wear!" He snapped up a lace fan from where it lay on a hall table and fanned himself vigorously with it for emphasis.
”
”
Gail Carriger (Soulless (Parasol Protectorate, #1))
“
There was a house at the foot of the tower, close to the thunder of the waves breaking against the cliffs, where love was more intense because it seemed like a shipwreck.
”
”
Gabriel García Márquez
“
A four foot box, a foot for every year.
”
”
Seamus Heaney (Death of a Naturalist)
“
Love!' said the princess. She stamped her foot. 'Why must everyone always speak of love?
”
”
Kate DiCamillo (The Miraculous Journey of Edward Tulane)
“
I could have been the bigger person, but fuck it, I was five foot three and I wasn’t built to be that person ever.
”
”
Mariana Zapata (From Lukov with Love)
“
Even though Liz might have been at the bottom of our class in P&E, she is the best person I've ever seen at getting me out of bed, which is saying something, considering the woman who raised me. Macey was asleep in her headphones, so Liz felt free to yell, "We're doing this for you!" as she pulled on my left leg and Bex went in search of breakfast. Liz put her foot against the mattress for leverage as she tugged. "Come on, Cam. GET. UP. " "No!" I said, burrowing deeper into the covers. "Five more minutes. " Then she grabbed my hair, which is totally a low blow, since everyone knows I'm tender-headed. "He's a honeypot. " "He'll still be one in an hour, " I pleaded. Then Liz dropped down beside me. She leaned close. She whispered, "Tell Suzie she's a lucky cat. " I threw the covers aside. "I'm up!
”
”
Ally Carter (I'd Tell You I Love You, But Then I'd Have to Kill You (Gallagher Girls, #1))
“
When traveling on foot through the Sahara Desert, be sure to pack several gallons of ice cream, and keep them close to your heart, because nothing, not even my love, can make that thing melt.
”
”
Jarod Kintz (Write like no one is reading 3)
“
Our two souls therefore, which are one,
Though I must go, endure not yet
A breach, but an expansion,
Like gold to aery thinness beat.
If they be two, they are two so
As stiff twin compasses are two ;
Thy soul, the fix'd foot, makes no show
To move, but doth, if th' other do.
And though it in the centre sit,
Yet, when the other far doth roam,
It leans, and hearkens after it,
And grows erect, as that comes home.
Such wilt thou be to me, who must,
Like th' other foot, obliquely run ;
Thy firmness makes my circle just,
And makes me end where I begun.
”
”
John Donne
“
Some say an army of horsemen
some an army on foot
others say ships laden for war
are the fairest things on earth.
But I say the fairest sight
on this dark earth
is the face of the one you love.
Nor is it hard to understand:
love has humbled the hearts
of the proudest queens.
And I would rather see you now
stepping over my threshold
than any soldier greaved in gold
or any iron-beaked ship.
”
”
Alison Croggon (The Singing (The Books of Pellinor, #4))
“
And everywhere people asked him why he was walking through the country.
Because he loved true things, he tried to explain. He said he was nervous and besides he wanted to see the country, smell the ground and look at grass and birds and trees, to savor the country, and there was no other way to do it save on foot. And people didn't like him for telling the truth. They scowled, or shook and tapped their heads, they laughed as though they knew it was a lie and they appreciated a liar. And some, afraid for their daughters or pigs, told him to move on, to get going, just not to stop near their place if he knew what was good for him.
And so he stopped telling the truth. He said he was doing it on a bet - that he stood to win a hundred dollars. Everyone liked him then and believed him.
”
”
John Steinbeck (Cannery Row (Cannery Row, #1))
“
Better he should be bruised from head to foot by me who love him than that he should come to harm through ignorance,
”
”
Rudyard Kipling (The Jungle Book)
“
what love looks like
what does love look like the therapist asks
one week after the breakup
and i’m not sure how to answer her question
except for the fact that i thought love
looked so much like you
that’s when it hit me
and i realized how naive i had been
to place an idea so beautiful on the image of a person
as if anybody on this entire earth
could encompass all love represented
as if this emotion seven billion people tremble for
would look like a five foot eleven
medium-sized brown-skinned guy
who likes eating frozen pizza for breakfast
what does love look like the therapist asks again
this time interrupting my thoughts midsentence
and at this point i’m about to get up
and walk right out the door
except i paid too much money for this hour
so instead i take a piercing look at her
the way you look at someone
when you’re about to hand it to them
lips pursed tightly preparing to launch into conversation
eyes digging deeply into theirs
searching for all the weak spots
they have hidden somewhere
hair being tucked behind the ears
as if you have to physically prepare for a conversation
on the philosophies or rather disappointments
of what love looks like
well i tell her
i don’t think love is him anymore
if love was him
he would be here wouldn’t he
if he was the one for me
wouldn’t he be the one sitting across from me
if love was him it would have been simple
i don’t think love is him anymore i repeat
i think love never was
i think i just wanted something
was ready to give myself to something
i believed was bigger than myself
and when i saw someone
who probably fit the part
i made it very much my intention
to make him my counterpart
and i lost myself to him
he took and he took
wrapped me in the word special
until i was so convinced he had eyes only to see me
hands only to feel me
a body only to be with me
oh how he emptied me
how does that make you feel
interrupts the therapist
well i said
it kind of makes me feel like shit
maybe we’re looking at it wrong
we think it’s something to search for out there
something meant to crash into us
on our way out of an elevator
or slip into our chair at a cafe somewhere
appear at the end of an aisle at the bookstore
looking the right amount of sexy and intellectual
but i think love starts here
everything else is just desire and projection
of all our wants needs and fantasies
but those externalities could never work out
if we didn’t turn inward and learn
how to love ourselves in order to love other people
love does not look like a person
love is our actions
love is giving all we can
even if it’s just the bigger slice of cake
love is understanding
we have the power to hurt one another
but we are going to do everything in our power
to make sure we don’t
love is figuring out all the kind sweetness we deserve
and when someone shows up
saying they will provide it as you do
but their actions seem to break you
rather than build you
love is knowing who to choose
”
”
Rupi Kaur (The Sun and Her Flowers)
“
Understand?”
“Sure.”
“Good.”
“’Cause I always love a challenge.”
He’d caught her with that when she was halfway in the cab. With one foot in and the other still braced against the curb, she stared at him. “What challenge?”
“You’re challenging me to get you back into my life.”
“No, I’m not.”
“Your exact words were ‘I challenge you, Bobby Ray Smith, to get me back into your life.’”
“I never said that.”
“That’s what I heard.” The beauty of wolf hearing. You heard only what you wanted to, made up what was never said but should have been, and the rest meant little or nothing.
”
”
Shelly Laurenston (The Beast in Him (Pride, #2))
“
Her beauty satisfied [his] artistic eye, her peculiarities piqued his curiosity, her vivacity lightened his ennui, and her character interested him by the unconscious hints it gave of power, pride and passion. So entirely natural and unconventional was she that he soon found himself on a familiar footing, asking all manner of unusual questions, and receiving rather piquant replies.
”
”
Louisa May Alcott (A Long Fatal Love Chase)
“
Not exactly. I see a girl who wants to present someone special to the world. Someone beautiful. The pinnacle of beauty. But she has lost her hold on reality. Real beauty isn’t thin. It isn’t size two, unless you happen to be four foot ten. What the world sees when they look at you is someone who believes self-worth is all about how she looks, and that very often means that what she’s missing is love. Not someone else’s love. But love and respect for herself.
”
”
Ellen Hopkins (Perfect (Impulse, #2))
“
She spoke under her breath to Nick. "Is there a reason he's only wearing one sock?" "He puked on his foot." "Oh." She turned back to Huxley. "Can we get you another sock? Maybe a blanket or something?
”
”
Julie James (A Lot like Love (FBI/US Attorney, #2))
“
Sophie did this?" He said, not for the first time. They were standing at the foot of Jessamine's bed. She lay flung upon it, her chest rising and falling slowly like the famous Sleeping Beauty waxwork or Madame du Barry. Her fair hair was scattered on the pillow, and a large, bloody welt ran across her forehead. Each of her wrists was tied to a post of the bed. "Our Sophie?"
Tessa glanced over at Sophie, who was sitting in a chair by the door. Her head was down, and she was staring at her hands. She studiously avoided looking at Tessa or Will. "Yes,"Tessa said, "and do stop repeating it."
" I think i may be in love with you, Sophie," said Will. "Marriage could be on the cards."
Sophie whimpered.
”
”
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
“
Kiss my foot, sir; my face is for mouths of consequence.
”
”
Thomas Hardy (Far From the Madding Crowd)
“
The smell of it. The feel of it." He rubbed one hand up and down the stained sheath of his sword, making a faint swishing sound. "War is honest. There's no lying to it. You don't have to say sorry here. Don't have to hide. You cannot. If you die? So what? You die among friends. Among worthy foes. You die looking the Great Leveller in the eye. If you live? Well, lad that's living, isn't it? A man isn't truly alive until he's facing death." Whirrun stamped his foot into the sod. "I love war!
”
”
Joe Abercrombie (The Heroes)
“
Miffed, I poked him in the chest. 'You think you know everything?'
His hands caressed my back. 'Not everything, but some things. I knew without a doubt I'd fallen in love when we met. Then I knew I'd do anything to make you feel the same way.
”
”
Jeaniene Frost (One Foot in the Grave (Night Huntress, #2))
“
I like to save things. Not important things like whales or people or the environment. Silly things. Porcelain bells, the kind you get at souvenir shops. Cookie cutters you’ll never use, because who needs a cookie in the shape of a foot? Ribbons for my hair. Love letters. Of all the things I save, I guess you could say my love letters are my most prized possession.
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
I live by feeling, my intuition surfaces with the radiance of the moon; and the footing I take must be walked in truth.
this world is too dark to think of it any other way.
”
”
Nikki Rowe (Once a Girl, Now a Woman)
“
The footing was really atrocious. I loved it. I really like Cross Country; you're one with the mud.
”
”
Lynn Jennings
“
Grief and loss are probably the most fearful creatures that exist. But loss shouldn't be a fearful creature. It should be a creature of wisdom. It should teach us not to fear that tomorrow may never come, but live fully, as though the hours are melting away like seconds. Loss should teach us to cherish those we love, to never do anything that will result in regret, and to cheer on tomorrow with all of its promises of greatness. It's easy and un-extraordinary to be frightened of life. It's far more difficult to arm yourself with the good stuff despite all the bad and step foot into tomorrow as an everyday warrior.
”
”
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
“
As I stood with her on the platform - she impatient, tapping her foot, leaning forward to look down the tracks - it seemed more than I could bear to see her go. Francis was around the corner, buying her a book to read on the train.
'I don't want you to leave,' I said.
'I don't want to, either.'
'Then don't.'
'I have to.'
We stood looking at each other. It was raining. She looked at me with her rain-colored eyes.
Camilla, I love you,' I said. 'Let's get married.
”
”
Donna Tartt (The Secret History)
“
No one, no one really knows loss until it’s someone you love. The deep-down kind of love that holds on to your bones and digs itself right in under your fingernails, as hard to budge as the years of compacted earth. And when it’s gone … it’s as if it’s been ripped from you. Raw and exposed, you stand dripping blood all over the good feckin’ carpet. Half-human, half-dead, one foot already in the grave.
”
”
Anne Griffin (When All Is Said)
“
I was told
The average girl begins to plan her wedding at the age of 7
She picks the colors and the cake first
By the age of 10
She knows time,
And location
By 17
She’s already chosen a gown
2 bridesmaids
And a maid of honor
By 23
She’s waiting for a man
Who wont break out in hives when he hears the word “commitment”
Someone who doesn’t smell like a Band-Aid drenched in lonely
Someone who isn’t a temporary solution to the empty side of the bed
Someone
Who’ll hold her hand like it’s the only one they’ve ever seen
To be honest
I don’t know what kind of tux I’ll be wearing
I have no clue what want my wedding will look like
But I imagine
The women who pins my last to hers
Will butterfly down the aisle
Like a 5 foot promise
I imagine
Her smile
Will be so large that you’ll see it on google maps
And know exactly where our wedding is being held
The woman that I plan to marry
Will have champagne in her walk
And I will get drunk on her footsteps
When the pastor asks
If I take this woman to be my wife
I will say yes before he finishes the sentence
I’ll apologize later for being impolite
But I will also explain him
That our first kiss happened 6 years ago
And I’ve been practicing my “Yes”
For past 2, 165 days
When people ask me about my wedding
I never really know what to say
But when they ask me about my future wife
I always tell them
Her eyes are the only Christmas lights that deserve to be seen all year long
I say
She thinks too much
Misses her father
Loves to laugh
And she’s terrible at lying
Because her face never figured out how to do it correctl
I tell them
If my alarm clock sounded like her voice
My snooze button would collect dust
I tell them
If she came in a bottle
I would drink her until my vision is blurry and my friends take away my keys
If she was a book
I would memorize her table of contents
I would read her cover-to-cover
Hoping to find typos
Just so we can both have a few things to work on
Because aren’t we all unfinished?
Don’t we all need a little editing?
Aren’t we all waiting to be proofread by someone?
Aren’t we all praying they will tell us that we make sense
She don’t always make sense
But her imperfections are the things I love about her the most
I don’t know when I will be married
I don’t know where I will be married
But I do know this
Whenever I’m asked about my future wife
I always say
…She’s a lot like you
”
”
Rudy Francisco
“
The hardest part of letting go is the "uncertainty"--when you are afraid that the moment you let go of someone you will hate yourself when you find out how close you were to winning their affection. Every time you give yourself hope you steal away a part of your time, happiness and future. However, once in a while you wake up to this realization and you have to hold on tightly to this truth because your heart will tear away the foundation of your logic, by making excuses for why this person doesn't try as much as you. The truth is this: Real love is simple. We are the ones that make it complicated. A part of disconnecting is recognizing the difference between being desired and being valued. When someone loves you they will never keep you waiting, give their attention and affection away to others, allow you to continue hurting, or ignore what you have gone through for them. On the other hand, a person that desires you can't see your pain, only what they can get from you with minimal effort in return. They let you risk everything, while they guard their heart and reap the benefits of your feelings. We make so many excuses for the people we fall in love with and they make up even more to remain one foot in the door. However, the truth is God didn't create you to be treated as an option or to be disrespected repeatedly. He wants you to close the door. If someone loves you and wants to be in your life no obstacle will keep them from you. Remember, you are royalty, not a beggar.
”
”
Shannon L. Alder
“
Destiny, I feel is also a relationship-a play between grace and willful self-effort. Half of it you have no control over, half of it is absolutely in your hands and your actions will show measurable consequences. Man is neither entirely a puppet of the gods, nor is he entirely the captain of his own destiny; he’s a little of both. We gallop through our lives like circus performers balancing on two speeding side-by-side horses-one foot is on the horse called “fate” the other on the horse called “free will”. And the question you have to ask everyday is, Which horse is which? Which horse do I need to stop worrying about because it’s not under my control, and which do I need to steer with concentrated effort?
”
”
Elizabeth Gilbert
“
Brother, please. I can’t lose her. I’m not like you and the others. I can pretend I have emotions, but they’re not there for anyone. There’s nothing inside of me except shadows. Lily drives the shadows away. She feels everything she can’t even stand to crush a fucking flower under her foot and I don’t feel anything unless I’m with her, I can’t lose that. I waited so long for her, I’ve loved her for years; she’s only loved me for a few weeks.
”
”
Jamie Begley (Shade's Fall (The Last Riders, #4))
“
Madison looked from Jason, who jerked his head toward the gate, signaling her to get moving, to Longbranch, whose cold, direct gaze said Jason would pay in blood for any kind of double-cross.
One thing was clear: Jason Haley had been lying to her since the moment he set foot on her porch. Was he really plotting with the Roses? Or had he decided to sacrifice himself to get her into the sanctuary?
Madison threw her arms around Jason's neck as if she couldn't face being parted from him and whispered fiercely in his ear, "You lying lunatic bastard. They're going to kill you."
"I love you too," he murmured. "Go find Seph. Help him.
”
”
Cinda Williams Chima (The Dragon Heir (The Heir Chronicles, #3))
“
Hurting a loved one was like running over someone’s foot; you rarely meant to do it, but the bones still broke.
”
”
Talia Hibbert (Take a Hint, Dani Brown (The Brown Sisters, #2))
“
I never want a girl to lose all hope that her life can’t completely turn around, even if she feels that she is at the edge, standing on one foot, and ready to say goodbye.
”
”
Jennifer Elisabeth (Born Ready: Unleash Your Inner Dream Girl)
“
Friend, our closeness is this : Anywhere
you put your foot, feel me in the firmness
under you.
How is it with this love,
I see your world, but not you?
”
”
Jalal ad-Din Muhammad ar-Rumi (The Soul of Rumi: A New Collection of Ecstatic Poems – Coleman Barks's Sublime Renderings of the 13th-Century Sufi Mystic's Insights into Divine Love and the Human Heart)
“
I hope you all find yourself sleeping with someone you love, maybe not all of the time, but a lot of the time. The touch of a foot in the night is sincere. I hope you like your work, I hope there's mystery and poetry in your life, not even poems, but patterns. I hope you can see them. Often these patterns will wake you up, and you will know that you are alive, again and again.
”
”
Eileen Myles
“
Above all, believe in true love and know that men are like shoes. A couple is like a left and a right foot, and out there is your perfect fit. Sometimes you need to change styles and shop around to find it. Sometimes you have to break styles in, sometimes you feel like something that is unstylish but comfortable, and sometimes a style - as much as you like - just doesn't suit you and will never fit.
”
”
Camilla Morton (How to Walk in High Heels: The Girl's Guide to Everything)
“
Lose yourself,
Lose yourself in this love.
When you lose yourself in this love,
you will find everything.
Lose yourself,
Lose yourself.
Do not fear this loss,
For you will rise from the earth
and embrace the endless heavens.
Lose yourself,
Lose yourself.
Escape from this earthly form,
For this body is a chain
and you are its prisoner.
Smash through the prison wall
and walk outside with the kings and princes.
Lose yourself,
Lose yourself at the foot of the glorious King. When you lose yourself
before the King
you will become the King.
Lose yourself,
Lose yourself.
Escape from the black cloud
that surrounds you.
Then you will see your own light
as radiant as the full moon.
Now enter that silence.
This is the surest way
to lose yourself. . . .
What is your life about, anyway?—
Nothing but a struggle to be someone,
Nothing but a running from your own silence.
”
”
Jalal ad-Din Muhammad ar-Rumi (Rumi: In the Arms of the Beloved)
“
When I dance with him,
one of my great loves, he is absolutely human,
and when he turns to dip me
or I step on his foot because we are both leading,
I know that one of us will die first and the other will suffer.
The slow dance of what’s to come
and the slow dance of insomnia
pouring across the floor like bath water.
”
”
Matthew Dickman (All-American Poem)
“
All things on earth have their price, and for truth we pay the dearest. We barter it for love and sympathy. The road to honour is paved with thorns; but on the path to truth, at every step you set your foot down on your heart.
”
”
Olive Schreiner (The Story of an African Farm)
“
Where am I?" Magnus croaked.
"Nazca."
"Oh, so we went on a little trip."
"You broke into a man's house," Catarina said. "You stole a carpet and enchanted it to fly. Then you sped off into the night air. We pursued you on foot."
"Ah," said Magnus.
"You were shouting some things."
"What things?"
"I prefer not to repeat them," Catarina said. "I also prefer not to remember the time we spent in the desert. It is a mammoth desert, Magnus. Ordinary deserts are quite large. Mammoth deserts are so called because they are larger than ordinary deserts."
"Thank you for that interesting and enlightening information," Magnus croaked.
"You told us to leave you in the desert, because you planned to start a new life as a cactus," Catarina said, her voice flat. "Then you conjured up tiny needles and threw them at us. With pinpoint accuracy."
"Well," he said with dignity. "Considering my highly intoxicated state, you must have been impressed with my aim."
"'Impressed' is not the word to use to describe how I felt last night, Magnus."
"I thank you for stopping me there," Magnus said. "It was for the best. You are a true friend. No harm done. Let's say no more about it. Could you possibly fetch me - "
"Oh, we couldn't stop you," Catarina interrupted. "We tried, but you giggled, leaped onto the carpet, and flew away again. You kept saying that you wanted to go to Moquegua."
"What did I do in Moquegua?"
"You never got there," Catarina said. "But you were flying about and yelling and trying to, ahem, write messages for us with your carpet in the sky."
"We then stopped for a meal," Catarina said. "You were most insistent that we try a local specialty that you called cuy. We actually had a very pleasant meal, even though you were still very drunk."
"I'm sure I must have been sobering up at that point," Magnus argued.
"Magnus, you were trying to flirt with your own plate."
"I'm a very open-minded sort of fellow!"
"Ragnor is not," Catarina said. "When he found out that you were feeding us guinea pigs, he hit you over the head with your plate. It broke."
"So ended our love," Magnus said. "Ah, well. It would never have worked between me and the plate anyway. I'm sure the food did me good, Catarina, and you were very good to feed me and put me to bed - "
Catarina shook her head."You fell down on the floor. Honestly, we thought it best to leave you sleeping on the ground. We thought you would remain there for some time, but we took our eyes off you for one minute, and then you scuttled off. Ragnor claims he saw you making for the carpet, crawling like a huge demented crab.
”
”
Cassandra Clare (The Bane Chronicles)
“
I liked it when our feet were aligned,
left with left, and struck the ground at the same
time, leaving footprints on the shore that I
wished to return to and, in secret, place my
foot where his had left its mark.
”
”
André Aciman (Call Me by Your Name)
“
Your dad just threw down and I just laid it out,” Shy started when I didn’t speak. “Now’s the time to share, Tabby.”
“I love you,” I whispered.
“Good, but don’t say that shit to me three feet away. Get the fuck over here.”
I launched off on a foot, took one step and flew through the air. Shy, as he’d been doing awhile, caught me. I wrapped my limbs around him and looked down in his beautiful green eyes. “I love you,” I whispered again.
”
”
Kristen Ashley (Own the Wind (Chaos, #1))
“
And St. Francis added: "My dear and beloved Brother, the treasure of blessed poverty is so very precious and divine that we are not worthy to possess it in our vile bodies. For poverty is that heavenly virtue by which all earthy and transitory things are trodden under foot, and by which every obstacle is removed from the soul so that it may freely enter into union with the eternal Lord God. It is also the virtue which makes the soul, while still here on earth, converse with the angels in Heaven. It is she who accompanied Christ on the Cross, was buried with Christ in the Tomb, and with Christ was raised and ascended into Heaven, for even in this life she gives to souls who love her the ability to fly to Heaven, and she alone guards the armor of true humility and charity.
”
”
Francis of Assisi (The Little Flowers of St. Francis of Assisi)
“
Riley was quiet for a minute. She gathered her blanket all around her. "Paul always loved you, Alice. He knows I know that. I know he loves me, too. But it's different."
Alice opened her mouth, but nothing came out at first. "He loved me once. But I think that part is over," she said slowly.
"No, it's not. It hasn't even begun." Riley took Alice's bare foot in her hand and squeezed it. "I told him, though, that he better be good to you. When you came along, I said I'd share you, but I told him to remember that you're my sister. I loved you first."
”
”
Ann Brashares (The Last Summer of You and Me)
“
How stupid would it look if when someone broke a hand, the foot started criticizing the hand? That what we look like when Christians begin to criticize the church. One part of the body should lead itself to the healing process of another hurting member. That's love. That's the gospel. And that is Jesus.
”
”
Jefferson Bethke (Jesus > Religion: Why He Is So Much Better Than Trying Harder, Doing More, and Being Good Enough)
“
I, too, stood on the sacred image. For a moment this foot was on his face. It was on the face of the man who has been ever in my thoughts, on the face that was before me on the mountains, in my wanderings, in prison, on the best and most beautiful face that any man can ever know, on the face of him whom I have always longed to love. Even now that face is looking at me with eyes of pity from the plaque rubbed flat by many feet. « Trample ! » said those compassionate eyes. « Trample ! Your foot suffers in pain ; it must suffer like all the feet that have stepped on this plaque. But that pain alone is enough. I understand your pain and your suffering. It is for that reason that I am here. »
« Lord, I resented your silence. »
« I was not silent. I suffered beside you. »
”
”
Shūsaku Endō (Silence)
“
As virtuous men pass mildly away,
And whisper to their souls to go,
Whilst some of their sad friends do say,
"The breath goes now," and some say, "No,"
So let us melt, and make no noise,
No tear-floods, nor sigh-tempests move;
'Twere profanation of our joys
To tell the laity our love.
Moving of the earth brings harms and fears,
Men reckon what it did and meant;
But trepidation of the spheres,
Though greater far, is innocent.
Dull sublunary lovers' love
(Whose soul is sense) cannot admit
Absence, because it doth remove
Those things which elemented it.
But we, by a love so much refined
That our selves know not what it is,
Inter-assured of the mind,
Care less, eyes, lips, and hands to miss.
Our two souls therefore, which are one,
Though I must go, endure not yet
A breach, but an expansion.
Like gold to airy thinness beat.
If they be two, they are two so
As stiff twin compasses are two:
Thy soul, the fixed foot, makes no show
To move, but doth, if the other do;
And though it in the center sit,
Yet when the other far doth roam,
It leans, and hearkens after it,
And grows erect, as that comes home.
Such wilt thou be to me, who must,
Like the other foot, obliquely run;
Thy firmness makes my circle just,
And makes me end where I begun.
”
”
John Donne
“
All events are linked together in the best of possible worlds; after all, if you had not been driven from a fine castle by being kicked in the backside for love of Miss Cunegonde, if you hadn't been sent before the Inquisition, if you hadn't traveled across America on foot, if you hadn't given a good sword thrust to the baron, if you hadn't lost all your sheep from the good land of Eldorado, you wouldn't be sitting here eating candied citron and pistachios. - That is very well put, said Candide, but we must cultivate our garden.
”
”
Voltaire
“
I am encouraged as I look at some of those who have listened to their "different drum": Einstein was hopeless at school math and commented wryly on his inadequacy in human relations. Winston Churchill was an abysmal failure in his early school years. Byron, that revolutionary student, had to compensate for a club foot; Demosthenes for a stutter; and Homer was blind. Socrates couldn't manage his wife, and infuriated his countrymen. And what about Jesus, if we need an ultimate example of failure with one's peers? Or an ultimate example of love?
”
”
Madeleine L'Engle (A Circle of Quiet (Crosswicks Journals, #1))
“
He sighed profoundly, and flung himself - there was a passion in his movements which deserves the word - on the earth at the foot of the oak tree. He loved, beneath all this summer transiency, to feel the earth's spine beneath him; for such he took the hard root of the oak tree to be; or, for image followed image, it was the back of a great horse that he was riding; or the deck of a tumbling ship - it was anything indeed, so long as it was hard, for he felt the need of something which he could attach his floating heart to; the heart that tugged at his side; the heart that seemed filled with spiced and amorous gales every evening about this time when he walked out. To the oak tree he tied it and as he lay there, gradually the flutter in and about him stilled itself; the little leaves hung, the deer stopped; the pale summer clouds stayed; his limbs grew heavy on the ground; and he lay so still that by degrees the deer stopped nearer and the rooks wheeled round him and the swallows dipped and circled and the dragonflies shot past, as if all the fertility and amorous activity of a summer's evening were woven web-like about his body.
”
”
Virginia Woolf (Orlando)
“
What shall I give? and which are my miracles?
2. Realism is mine--my miracles--Take freely,
Take without end--I offer them to you wherever your feet can carry you or your eyes reach.
3. Why! who makes much of a miracle?
As to me, I know of nothing else but miracles,
Whether I walk the streets of Manhattan,
Or dart my sight over the roofs of houses toward the sky,
Or wade with naked feet along the beach, just in the edge of the water,
Or stand under trees in the woods,
Or talk by day with any one I love--or sleep in the bed at night with any
one I love,
Or sit at the table at dinner with my mother,
Or look at strangers opposite me riding in the car,
Or watch honey-bees busy around the hive, of a summer forenoon,
Or animals feeding in the fields,
Or birds--or the wonderfulness of insects in the air,
Or the wonderfulness of the sundown--or of stars shining so quiet and bright,
Or the exquisite, delicate, thin curve of the new moon in spring;
Or whether I go among those I like best, and that like me best--mechanics, boatmen, farmers,
Or among the savans--or to the _soiree_--or to the opera.
Or stand a long while looking at the movements of machinery,
Or behold children at their sports,
Or the admirable sight of the perfect old man, or the perfect old woman,
Or the sick in hospitals, or the dead carried to burial,
Or my own eyes and figure in the glass;
These, with the rest, one and all, are to me miracles,
The whole referring--yet each distinct and in its place.
4. To me, every hour of the light and dark is a miracle,
Every inch of space is a miracle,
Every square yard of the surface of the earth is spread with the same,
Every cubic foot of the interior swarms with the same;
Every spear of grass--the frames, limbs, organs, of men and women, and all that concerns them,
All these to me are unspeakably perfect miracles.
To me the sea is a continual miracle;
The fishes that swim--the rocks--the motion of the waves--the ships, with men in them,
What stranger miracles are there?
”
”
Walt Whitman (Leaves of Grass)
“
Cooking without remuneration" and "slaving over a hot stove" are activities separated mostly by a frame of mind. The distinction is crucial. Career women in many countries still routinely apply passion to their cooking, heading straight from work to the market to search out the freshest ingredients, feeding their loved ones with aplomb. [...] Full-time homemaking may not be an option for those of us delivered without trust funds into the modern era. But approaching mealtimes as a creative opportunity, rather than a chore, is an option. Required participation from spouse and kids is an element of the equation. An obsession with spotless collars, ironing, and kitchen floors you can eat off of---not so much. We've earned the right to forget about stupefying household busywork. But kitchens where food is cooked and eaten, those were really a good idea. We threw that baby out with the bathwater. It may be advisable to grab her by her slippery foot and haul her back in here before it's too late.
”
”
Barbara Kingsolver (Animal, Vegetable, Miracle: A Year of Food Life)
“
As Jack began to climb the stairs, Fiona looked up at her new home. Five stories of stately mansion
rose above her head. Heavy molding around the large windows and doors bespoke a quality and
craftsmanship that was obvious even in the dim night. “Good God! It’s massive!”
Jack paused with his foot on the last step. “I do wish you’d keep those comments until we are in bed,
love. I would appreciate them all the more there.
”
”
Karen Hawkins (How to Abduct a Highland Lord (MacLean Curse, #1))
“
So then, it’s fair to say that you were thinking about me all week?” Now it was my turn to look shaken. Damn. Just when I had him.
“No…and…. no, I will not go out with
you.” I leaned back in my chair and decided to look at the score board. Maybe, if I ignored him, he would leave. The Black Eyed Peas were playing loudly over the speakers. I tapped my foot to the rhythm.
“Why not?” He seemed agitated. I liked it.
“Because I am a llama and you are a bird and WE are not compatible.
”
”
Tarryn Fisher (The Opportunist (Love Me with Lies, #1))
“
Before long, billions of people around the world were working and playing in the OASIS every day. Some of them met, fell in love, and got married without ever setting foot on the same continent. The lines of distinction between a person’s real identity and that of their avatar began to blur. It was the dawn of new era, one where most of the human race now spent all of their free time inside a videogame.
”
”
Ernest Cline (Ready Player One (Ready Player One, #1))
“
It's never over. Not really. Not when you stay down there as long as I did, not when you've lived in the netherworld longer than you've lived in this material one, where things are very bright and large and make such strange noises. You never come back, not all the way. Always, there is an odd distance between you and the people you love and the people you meet, a barrier, thin as the glass of a mirror. You never come all the way out of the mirror; you stand, for the rest of your life, with one foot in this world and one in another, where everything is upside down and backward and sad.
It is the distance of marred memory, of a twisted and shape-shifting past. When people talk about their childhood, their adolescence, their college days, I laugh along and try not to think: that was when I was throwing up in my elementary school bathroom, that was when I was sleeping with strangers to show off the sharp tips of my bones, that was when I lost sight of my soul and died.
And it is the distance of the present, as well - the distance that lies between people in general because of the different lives we have lived. I don't know who I would be, now, if I had not lived the life I have, and so I cannot alter my need for distance - nor can I lessen the low and omnipresent pain that that distance creates. The entirety of my life is overshadowed by one singular and near-fatal obsession.
”
”
Marya Hornbacher (Wasted: A Memoir of Anorexia and Bulimia)
“
Everybody sees the ants?"
He looks at me and says, "Well, how many people do you think live perfect lives, son? Aren't we all victims of something at some time or another?"
"I don't follow."
"Left hand red!" he says. Two ants fall on this turn, and the ant laughter gets louder. "Well, think about it. How many bad things can be done to a person? You got murder and assault, rape and robbery for starters. Just with those you're looking at some big numbers of how many people see the ants." He calls, "Left foot blue!"
I say, "Huh," because I'm not sure how many people he means.
"There's battery, conspiracy, extortion, slander, defamation and harassment, child abuse, stalking-the list is long, isn't it? Don't forget that every crime has hundreds of victims-everyone who knew and loved the victim and the criminal. That shit can trickle down."
"All those people see the ants?"
"Yep. Right hand green!"
"Wow."
"Yeah," he says. "If there are people who don't see 'em, I'd say we outnumber them a million to one.
”
”
A.S. King (Everybody Sees the Ants)
“
As soon as I got back to the apartment, through the pain of throwing away Braden came the fear. I stared down the hall at Ellie's bedroom door, and I had to stop myself from going back on my promise not to run from her.
So I did the opposite.
I kicked off my boots, shrugged out of my coat and crept silently into her darkened room. In the moonlight shining through her window, I saw Ellie curled up in a protective ball on her side. I made a move toward her and the floor creaked under my foot, and Ellie's eyes flew open immediately.
She gazed up at me, wide-eyed but wary.
That hurt.
I started to cry harder and at the sight of my tears, a tear slid down Ellie's cheek. Without a word, I crawled onto her bed and right up beside her as she turned onto her back. We lay side by side, my head on her shoulder, and I grabbed her hand and held it in both of mine.
"I'm sorry," I whispered.
"It's okay," Ellie's voice was hoarse with emotion. "You came back."
And because life was too short... "I love you, Ellie Carmichael. You're going to get through this."
I heard her hitch on a sob. "I love you too, Joss.
”
”
Samantha Young (On Dublin Street (On Dublin Street, #1))
“
Such nights are possible, and we survive them. It is a matter of sleeping next to the adored body you no longer have the right or inclination to love. Whether you are the one who casts off, or are the cast of yourself; whether your arms are the recoilers, or the ones that reach wantingly, then pull back, remembering they are no longer wanted. Two bodies that are used to each other's rhythms and sleep sounds, that know the turnings and breathings, know not to worry about that cough or that brief garbled grunt, that wildly flung arm or that stone-cold foot. Bodies that soon will not know each other's night selves: will touch each other through jackets and jeans and the cooled-down air of reestablished acquaintance, if such a thing is possible between a given pair of ex-lovers.
”
”
Sylvia Brownrigg (Pages for You (Pages for You, #1))
“
This life is a hospital in which each patient is possessed by the desire to change beds. One wants to suffer in front of the stove and another believes that he will get well near the window.
It always seems to me that I will be better off there where I am not, and this question of moving about is one that I discuss endlessly with my soul
"Tell me, my soul, my poor chilled soul, what would you think about going to live in Lisbon? It must be warm there, and you'll be able to soak up the sun like a lizard there. That city is on the shore; they say that it is built all out of marble, and that the people there have such a hatred of the vegetable, that they tear down all the trees. There's a country after your own heart -- a landscape made out of light and mineral, and liquid to reflect them!"
My soul does not reply.
"Because you love rest so much, combined with the spectacle of movement, do you want to come and live in Holland, that beatifying land? Perhaps you will be entertained in that country whose image you have so often admired in museums. What do you think of Rotterdam, you who love forests of masts and ships anchored at the foot of houses?"
My soul remains mute.
"Does Batavia please you more, perhaps? There we would find, after all, the European spirit married to tropical beauty."
Not a word. -- Is my soul dead?
Have you then reached such a degree of torpor that you are only happy with your illness? If that's the case, let us flee toward lands that are the analogies of Death. -- I've got it, poor soul! We'll pack our bags for Torneo. Let's go even further, to the far end of the Baltic. Even further from life if that is possible: let's go live at the pole. There the sun only grazes the earth obliquely, and the slow alternation of light and darkness suppresses variety and augments monotony, that half of nothingness. There we could take long baths in the shadows, while, to entertain us, the aurora borealis send us from time to time its pink sheaf of sparkling light, like the reflection of fireworks in Hell!"
Finally, my soul explodes, and wisely she shrieks at me: "It doesn't matter where! It doesn't matter where! As long as it's out of this world!
”
”
Charles Baudelaire (Paris Spleen)
“
Even though they’re often doing it out of love and concern, having others smear their fear and worry all over you is the last thing you need when you’re strengthening your superhero muscles to step out and take some risks, so I highly recommend keeping your mouth shut around people who are gonna bring you down. Instead, seek out those who are already totally kicking butt (or who are lifting up their foot to do so), or people who you know will be supportive, and confide in them. Because you’ll have your own internal freak show to deal with as you try to overcome the objections from your own BS.
”
”
Jen Sincero (You Are a Badass®: How to Stop Doubting Your Greatness and Start Living an Awesome Life)
“
Then I celebrated my Wall of Books. I counted the volumes on my twenty-foot-long modernist bookshelf to make sure none had been misplaced or used as kindling by my subtenant. “You’re my sacred ones,” I told the books. “No one but me still cares about you. But I’m going to keep you with me forever. And one day I’ll make you important again.” I thought about that terrible calumny of the new generation: that books smell.
”
”
Gary Shteyngart (Super Sad True Love Story)
“
I buried my father in my heart.
Now he grows in me, my strange son,
my little root who won’t drink milk,
little pale foot sunk in unheard-of night,
little clock spring newly wet
in the fire, little grape, parent to the future
wine, a son the fruit of his own son,
little father I ransom with my life
”
”
Li-Young Lee (The City in Which I Love You)
“
Nat's face softens, her lips tilt at the corner and she speaks full of awe, "Wow."
Still chuckling, I ask, "What?"
She shifts from one foot to the other, looks to the ground and says softly, "That's the first time I've heard you laugh." She nervously plays with a ring on her finger. "That's one of the nicest sounds I've ever heard, Ghost. You should do it more often.
”
”
Belle Aurora (Love Thy Neighbour (Friend-Zoned, #2))
“
We need to talk about the hierarchy of grief. You hear it all the time—no grief is worse than any other. I don’t think that’s one bit true. There is a hierarchy of grief. Divorce is not the same as the death of a partner. Death of a grandparent is not
the same as the death of a child. Losing your job is not the same as losing a limb.
Here’s the thing: every loss is valid. And every loss is not the same. You can’t flatten the landscape of grief and say that
everything is equal. It isn’t.
It’s easier to see when we take it out of the intensely personal: stubbing your toe hurts. It totally hurts. For a moment, the pain can be all-consuming. You might even hobble for a while. Having your foot ripped off by a passing
freight train hurts, too. Differently. The pain lasts longer. The injury needs recovery time, which may be uncertain or complicated. It affects and impacts your life moving forward. You can’t go back to the life you had before you became a
one-footed person. No one would say these two injuries are exactly the same.
”
”
Megan Devine (It's OK That You're Not OK)
“
Outward looks are not enough,
Beauty is not common stuff-
Of merriment it is compact,
Playful grace in every act,
Witty laughter, laughing wit:
These are things that go with it,
These surpass the simple graces
In beautiful and silly faces.
Art is beauty; and I say:
Take the lovely fool away!-
If she strips from foot to head
And doesn't ask me into bed.
”
”
Petronius
“
Do not miss me, because I will always be with you. In every drop of rain that touches your tongue, in every breath of air you inhale. In the tips of the leaves that you brush with your fingertips as you pass by. I will be there, in every moment. I am not gone, I am only altered, from this state of matter to another. For a moment, for too brief a moment, I was the man that loved you, but now that I am changed, I am the air, the moon, the stars. For we are all made of stars, my beloved.
You and I, and all of life, we were all born out of the death of a star, millions of billions of years ago. A star that lived long and then, before its death, burned at its brightest, its fiercest - an enflaming supernova. But when it died, it did not cease to exist; instead everything it was made of became part of the universe once again, and everything that is part of the universe will once more become part of us.
So do not miss me, because I do not die; I transform - into the wind in the tops of the trees, the wave on the ocean, the pebbles under your foot, the dust on your bookshelves, the midnight sky.
Wherever you look, I will be there.
”
”
Rowan Coleman (We Are All Made of Stars)
“
With the supplies gathered, he went over to the stainless-steel sink and pressed the foot pedal to get the water running. While he washed his hands, he said quietly, "If I could, I would."
"Excuse me?"
Qhuinn pumped some suds into his palms and scrubbed all the way up his forearms. Which was overkill, but if Blay wanted him superclean, then that was what he was going to be. "If I could love a guy like that, it would be you.
”
”
J.R. Ward (Lover Enshrined (Black Dagger Brotherhood, #6))
“
I am not sad, he would repeat to himself over and over, I am not sad. As if he might one day convince himself. Or fool himself. Or convince others—the only thing worse than being sad is for others to know that you are sad. I am not sad. I am not sad. Because his life had unlimited potential for happiness, insofar as it was an empty white room. He would fall asleep with his heart at the foot of his bed, like some domesticated animal that was no part of him at all. And each morning he would wake with it again in the cupboard of his rib cage, having become a little heavier, a little weaker, but still pumping. And by the midafternoon he was again overcome with the desire to be somewhere else, someone else, someone else somewhere else. I am not sad.
”
”
Jonathan Safran Foer (Everything is Illuminated)
“
I still carry you on the insides of me: cave paintings on rib-caging. If I were a peach, you would be the pit that holds me all together. When I met you, I was something small and whole; I do not know how to get back there. You have the warmest heart I have ever set up camp in.
I still carry you on the insides of me: the contents of my suitcase heart. I will lug you around until it breaks my back and then some. I feel sometimes like I have scattered my pieces everywhere, but you are the piece I do not know how to leave at the foot of a stranger’s bed or between the lines of a free-verse poem. I want you to know that loving you is freeing; that loving you is like holding my head under water and coming up new again and again.
I still carry you on the insides of me. This will not always make sense to you
”
”
Trista Mateer (Honeybee)
“
The limits of variation are really much wider than any one would imagine from the sameness of women's coiffure and the favourite love-stories in prose and verse. Here and there a cygnet is reared uneasily among the ducklings in the brown pond, and never finds the living stream in fellowship with its own oary-footed kind. Here and there is born a Saint Theresa, foundress of nothing, whose loving heart-beats and sobs after an unattained goodness tremble off and are dispersed among hindrances, instead of centering in some long-recognisable deed.
”
”
George Eliot (Middlemarch)
“
Amelia stopped before him, her skirts crowded between his parted knees. The clean, salty, evergreen scent of him drifted to her nostrils. “I have a proposition for you,” she said, trying for a businesslike tone. “A very sensible one. You see—” She paused to clear her throat. “I’ve been thinking about your problem.” “What problem?” Cam played lightly with the folds of her skirts, watching her face alertly. “Your good-luck curse. I know how to get rid of it. You should marry into a family with very, very bad luck. A family with expensive problems. And then you won’t have to be embarrassed about having so much money, because it will flow out nearly as fast as it comes in."
"Very sensible.” Cam took her shaking hand in his, pressed it between his warm palms. And touched his foot to her rapidly tapping one.
“Hummingbird,” he whispered, “you don’t have to be nervous with me.”
Gathering her courage, Amelia blurted out, “I want your ring. I want never to take it off again. I want to be your romni forever”—she paused with a quick, abashed smile—“whatever that is.”
“My bride. My wife.” Amelia froze in a moment of throat-clenching delight as she felt him slide the gold ring onto her finger, easing it to the base.
“When we were with Leo, tonight,” she said scratchily, “I knew exactly how he felt about losing Laura. He told me once that I couldn’t understand unless I had loved someone that way. He was right. And tonight, as I watched you with him . . . I knew what I would think at the very last moment of my life.” His thumb smoothed over the tender surface of her knuckle.
“Yes, love?”
"I would think,” she continued,” ‘Oh, if I could have just one more day with Cam. I would fit a lifetime into those few hours.
”
”
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
“
Because whenever anyone gets within a ten-foot radius of him, you go insane.
Any time someone even dares to suggest there’s anyone in his life other than you, you go insane. Any time he’s not within touching distance, you go insane. And any time you think he’s falling away from you, that he’s not there, you go insane. You’ve put your whole life into him; what do you think that means, Jacob? How can you possibly explain that and not make it sound like he’s the axis your world spins on? Because if you can explain him away, and everything you feel for him away, then I’d like you to tell me how you function without a heart.
”
”
Giselle Ellis (Take My Picture)
“
Go and catch a falling star,
Get with child a mandrake root,
Tell me where all past years are,
Or who cleft the Devil's foot,
Teach me to hear mermaids singing,
Or to keep off envy's stinging,
And find
What wind
Serves to advance an honest mind.
If thou be'st born to strange sights,
Things invisible to see,
Ride ten thousand days and nights,
Till Age snow white hairs on thee,
Thou, when thou return'st, wilt tell me,
All strange wonders that befell thee,
And swear,
No where
Lives a woman true and fair.
”
”
John Donne
“
We all spend our lives kicking the crap out of ourselves for not being this way or that way, not having this thing or that thing, not being like this person or that person. For not living up to some standard we think applies across the board to all of us. We all spend our lives trying to follow the same path, live by the same rules. I think we believe that happiness lies in following the same list of rules. In being more like everyone else. That? Is wrong. There is no list of rules. There is one rule. The rule is: there are no rules. Happiness comes from living as you need to, as you want to. As your inner voice tells you to. Happiness comes from being who you actually are instead of who you think you are supposed to be. Being traditional is not traditional anymore. It’s funny that we still think of it that way. Normalize your lives, people. You don’t want a baby? Don’t have one. I don’t want to get married? I won’t. You want to live alone? Enjoy it. You want to love someone? Love someone. Don’t apologize. Don’t explain. Don’t ever feel less than. When you feel the need to apologize or explain who you are, it means the voice in your head is telling you the wrong story. Wipe the slate clean. And rewrite it. No fairy tales. Be your own narrator. And go for a happy ending. One foot in front of the other. You will make it.
”
”
Shonda Rhimes (Year of Yes: How to Dance It Out, Stand In the Sun and Be Your Own Person)
“
When someone you love disappears, it's like the light goes dim, and you're in the shadows. You try to do what people tell you: put one foot in front of the other; keep looking up; give yourself over to the seconds and minutes and hours. But always there's taht glimmer of light-that way of living you once knew-sort of faded and smoky like the crescent moon on a winter's night when the air is full of ice and clouds, but still there, hanging just over your head. You think it's not far. Your think at any moment you can reach out and grab it.
”
”
Lee Martin (The Bright Forever)
“
Little Cinder
Girl, they can't understand you.
You rise from the as-heap in a blaze
and only then do they recognize you
as their one true love.
While you pray beneath your mother's
tree you carrve a phoenix into your palm
wth aa hazel twig and coal;
every night she devours more of you.
You used to believe in angels.
Now you believe in the makeover;
if you can't get the grime off your face
and your foot into a size six heel
who will ever bother to notice you?
The kettle and the broom sear in your grasp,
snap into fragments. The turtledoves sing,
"There's blood within the shoe."
You deserve the palace, you think, as you signal
the pigeons to attack, approve the barrel filled with red-hot nails.
Its great hearth beckons, and the prince's flag
rises crimson in the angry sun.
He will love you for the heat you generate,
for the flames you ignite around you,
though he encase your tiny feet in glass
to keep them from scorching the ground.
”
”
Jeannine Hall Gailey (Becoming the Villainess)
“
The debt between a child and her mother could never be repaid, like running a foot race against someone fifteen miles ahead of you. What hope did you have of catching up? It didn't matter how many Mother's Day cards you drew, how many cliches and vows of devotions you put inside them. You could tell her she was your favorite parent, wink like you were co-conspirators, fill her in on every trivial detail of your life. None of it was enough. It had taken me years to figure this out: you would never love your mother as much as she loved you. She had formed memories of you since you were a poppy seed in her belly. You didn't begin making your own memories until three, four, five years old? She'd had a running start. She had known you before you even existed. How could we compete with that? We couldn't. We accepted that our mothers held their love over us, let them parade it around like a flashy trinket, because their love was superior to ours.
”
”
Stephanie Wrobel (Darling Rose Gold)
“
Glanced up and caught Ammu's gaze. Centuries telescoped into one evanescent moment. History was wrong-footed, caught off guard. Sloughed off like an old snakeskin. Its marks , its scars its wouns from old wars and the walking backwards days all fell away. In its abscence it left an aura, a palpable shimmering that was as plain as water in a river or the sun in the sky. As plain to feel the heat on a hot day, or the tug of a fish on a taut line. So obvious that no-one noticed.
In that brief moment, Velutha looked up and saw things that he hadn't seen before. Things that had been out of bounds so far, obscured by histor's blinkers.
...This knowing slid into him cleanly, like the sharp edge of a knife. Cold and hot at once. It only took a moment.
Ammu saw that he saw. She looked away. He did too. History's fiends returned to claim them. To rewrap them in its old scarred pelt and drag them back to where they really lived. Where the Love Laws lay down who should be loved. And how. And how much.
”
”
Arundhati Roy (The God of Small Things)
“
I once expected to spend seven years walking around the world on foot. I walked from Mexico to Panama where the road ended before an almost uninhabited swamp called the Choco Colombiano. Even today there is no road. Perhaps it is time for me to resume my wanderings where I left off as a tropical tramp in the slums of Panama. Perhaps like Ambrose Bierce who disappeared in the desert of Sonora I may also disappear. But after being in all mankind it is hard to come to terms with oblivion - not to see hundreds of millions of Chinese with college diplomas come aboard the locomotive of history - not to know if someone has solved the riddle of the universe that baffled Einstein in his futile efforts to make space, time, gravitation and electromagnetism fall into place in a unified field theory - never to experience democracy replacing plutocracy in the military-industrial complex that rules America - never to witness the day foreseen by Tennyson 'when the war-drums no longer and the battle-flags are furled, in the parliament of man, the federation of the world.'
I may disappear leaving behind me no worldly possessions - just a few old socks and love letters, and my windows overlooking Notre-Dame for all of you to enjoy, and my little rag and bone shop of the heart whose motto is 'Be not inhospitable to strangers lest they be angels in disguise.' I may disappear leaving no forwarding address, but for all you know I may still be walking among you on my vagabond journey around the world."
[Shakespeare & Company, archived statement]
”
”
George Whitman
“
Steve's throat swelled with tension as the intimacy of the moment became more tangible. He moved his eyes from the dark, reflective river, to the dark, reflective pupils in Diane's eyes. They seemed to quiver with tenderness - but then they would grow distant. He found himself continually surprised at the "aliveness" of the person standing just a foot away from him now. She wasn't inanimate: she would flinch if he pinched her, and answer if he asked her. And she was beautiful." -- From "The Grand Unified Story" -- a short story in Zack Love's Stories and Scripts: an Anthology
”
”
Zack Love (Stories and Scripts: an Anthology)
“
I hurried out of the lobby and turned the corner into the English hall, so I didn’t see the guy in front of me until it was too late.
“Oh!” I exclaimed as we bumped shoulders. “Sorry!”
Then I realized who I’d bumped into, and I immediately regretted my apologetic tone. If I’d known it was David Stark, I would have tried to hit him harder, or maybe stepped on his foot with the spiky heel of my new shoes for good measure.
I did my best to smile at him, though, even as I realized my stomach was jumping all over the place. He must have scared me more than I’d thought.
David scowled at me over the rims of his ridiculous hipster glasses, the kind with the thick black rims. I hate those. I mean, it’s the 21st century. There are fashionable options for eyewear.
“Watch where you’re going,” he said. Then his lips twisted in a smirk. “Or could you not see through all that mascara?”
I would’ve loved nothing more than the tell him to kiss my ass, but one of the responsibilities of being a student leader at The Grove is being polite to everyone, even if he is a douchebag who wrote not one, but three incredibly unflattering articles in the school paper about what a crap job you’re doing as SGA president.
And you especially needed to be polite to said douchebag when he happened to be the nephew of Saylor Stark, President of the Pine Grove Junior League, head of the Pine Grove Betterment Society, Chairwoman of the Grove Academy School Board, and, most importantly, Founder and Organizer of Pine Grove’s Annual Cotillion.
So I forced myself to smile even bigger at David and said, “Nope, just in a hurry. Are you, uh… are you here for the dance?”
He snorted. “Um, no. I’d rather slam my testicles in a locker door. I have some work to do on the paper.
”
”
Rachel Hawkins (Rebel Belle (Rebel Belle, #1))
“
She used to imagine her parents and happy endings she would never have. Now she envisioned torments that were all too real.
She pictured one of Cinderella's stepsisters planting her foot on a cutting board - and biting down hard as the cleaver chopped through the bone of her big toe.
She imagined a princess used to safety, luxury, throwing the rank hide of a donkey over her shoulders, its boneless face drooping past her forehead like a hideous veil.
And she imagined her future self, flat on her back in bed, limbs as heavy as if they'd been chained down. Mice scurried across her body, leaving footprints on her dress. Spiders spun an entire trousseau's worth of silk and draped her in it, so it appeared she wore a gown of the finest lace, adorned with rose petals and ensnared butterflies. Beetles nestled between her fingers like jeweled rings - lovely from a distance, horrific up close.
”
”
Sarah Cross (Kill Me Softly (Beau Rivage, #1))
“
I learned that one person hurting another really is like a hand curling into a fist to smash the foot. And that all that really matters is family and other people. And that the purpose of life is to find the Light of God, but not the light from some old guy with a beard sitting up there judging us. The light is the love we give each other on our way back home. And that God wouldn’t mind if we spent a little less time telling him how great he is and a little more time loving each other, and not just the people we’re supposed to love, but everyone.
”
”
Paul H. Magid (Lifting the Wheel of Karma)
“
The lover I am; it befits me to burn;
but what is the reason for your weeping and burning?
The candle replied: ‘Oh my ill-fated lover,
a honey-sweet [shirin] friend went away from me.
Someone like Shirin has deserted me;
there is fire on my head, as it was on Farhad’s.’
The candle continued, while a painful flood
each moment gushed down on his yellow cheeks:
'Pretender, this love is not your game,
as you have no patience, no strength to stand.
Untouched you shrink from a single flame,
whereas I stand still until I am consumed.
If the fire of love has scorched your wings,
look at me: it burned me from head to foot.
”
”
Saadi (Golestan)
“
I was about to reach in the basket to take one when a horse that had been grazing nearby suddenly charged at another horse. Kaden grabbed me and pulled me out of its path. We stumbled back, unable to regain our footing, and both tumbled to the ground. He rolled over me in a protective motion, hovering in case the horse came closer, but it was already gone.
The world snapped to silence. The tall grass waved above us, hiding us from view. He gazed down at me, his elbows straddling my sides, his chest brushing mine, his face inches away.
I saw the look in his eyes. My heart pounded against my ribs.
“Are you all right?” His voice was low and husky.
“Yes,” I whispered.
His face hovered closer to mine. I was going to push away, look away, do something, but I didn’t, and before I knew what was happening, the space between us disappeared. His lips were warm and gentle against mine, and his breath thrummed in my ears. Heat raced through me. It was just as I had imagined that night with Pauline back in Terravin so long ago. Before—
I pushed him away.
“Lia—”
I got to my feet, my chest heaving, busying myself with a loose button on my shirt. “Let’s forget that happened, Kaden.”
He had jumped to his feet too. He grabbed my hand so I had to look at him. “You wanted to kiss me.”
I shook my head, denying it, but it was true. I had wanted to kiss him.
”
”
Mary E. Pearson (The Kiss of Deception (The Remnant Chronicles, #1))
“
In private life do we not see hypocrisy, servility, selfishness, folly, and impudence succeed, while modesty shrinks from the encounter, and merit is trodden under foot? How often is 'the rose plucked from the forehead of a virtuous love to plant a blister there!' What chance is there of the success of real passion? What certainty of its continuance? Seeing all this as I do, and unravelling the web of human life into its various threads of meanness, spite, cowardice, want of feeling, and want of understanding, of indifference towards others, and ignorance of ourselves, – seeing custom prevail over all excellence, itself giving way to infamy – mistaken as I have been in my public and private hopes, calculating others from myself, and calculating wrong; always disappointed where I placed most reliance; the dupe of friendship, and the fool of love; – have I not reason to hate and to despise myself? Indeed I do; and chiefly for not having hated and despised the world enough.
”
”
William Hazlitt (On The Pleasure of Hating)
“
I sit on the bed and kick off my shoes, and he kneels before me and takes the riding boots, holding one open for my bare foot. I hesitate; it is such an intimate gesture between a young woman and a man. His smiling upward glance tells me that he understands my hesitation but is ignoring it. I point my toe and he holds the boot, I slide my foot in and he pulls the boot over my calf. He takes the soft leather ties and fastens the boot, at my ankle, then at my calf, and then just below my knee. He looks up at me, his hand gently on my toe. I can feel the warmth of his hand through the soft leather. I imagine my toes curling in pleasure at his touch.
‘Anne, will you marry me?’ he asks simply, as he kneels before me.
”
”
Philippa Gregory (The Kingmaker's Daughter (The Plantagenet and Tudor Novels, #4; Cousins War, #4))
“
Above them, one of the blackened television screens brightens, and there's an announcement about the in-flight movie. It's an animated film about a family of ducks, one that Hadley's actually see, and when Oliver groans, shes about to deny the whole thing. But then she twists around in her seat and eyes him critically.
"There's nothing wrong with ducks," she tells him, and he rolls his eyes.
"Talking ducks?"
Hadley grins. "They sing, too."
"Don't tell me," he says. "You've already seen it."
She holds up two fingers. "Twice."
"You do know it's meant for five-year-olds, right?"
"Five- to eight-year-olds, thank you very much."
"And how old are you again?"
"Old enough to appreciate our web-footed friends."
"You," he says, laughing in spite of himself, "are a mad as a hatter."
"Wait a second," Hadley says in mock horror. "Is that a reference to a...cartoon?"
No, genius. It's a reference to a famous work of literature by Lewis Carroll. But once again, I can see how well that American education is working for you.
”
”
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
“
When I look down into this fucked-out cunt of a whore I feel the whole world beneath me, a world tottering and crumbling, a world used up and polished like a leper's skull. If there were a man who dared to say all that he thought of this world there would not be left him a square foot of ground to stand on. When a man appears the world bears down on him and breaks his back. There are always too many rotten pillars left standing, too much festering humanity for man to bloom. The superstructure is a lie and the foundation is a huge quaking fear. If at intervals of centuries there does appear a man with a desperate, hungry look in his eye, a man that would turn the world upside down in order to create a new race, the love that he brings to the world is turned to bile and he becomes a scourge. If now and then we encounter pages that explode, pages that wound and sear, that wring groans and tears and curses, know that they come from a man with his back up, a man whose only defenses left are his words and his words are always stronger than the lying, crushing weight of the world, stronger than all the racks and wheels which the cowardly invent to crush out the miracle of personality. If any man ever dared to translate all that is in his heart, to put down what is really his experience, what is truly his truth, I think then the world would go to smash, that it would be blown to smithereens and no god, no accident, no will could ever again assemble the pieces, the atoms, the indestructible elements that have gone to make up the world.
”
”
Henry Miller (Tropic of Cancer (Tropic, #1))
“
It is important to keep one foot in front of the other. As a woman, you have to fake it until you make it. There will be a lot of twists and turns. There will mountains that are steep and seem to be too high to climb. However, where there’s a will, there’s a way. Giving up isn’t an option.
Never-ending obstacles pile up one after another. The process seems to repeat itself over and over again without a solution. You’ve been here before. Where does it end? When does it end? Things seem to stay the same or they become worse than before. How many times do you have to compromise? You cannot continue to carry everyone’s burdens and their side effects as if everything is just fine
”
”
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
“
I Won’t Fly Today
Too much to do, despite the snow,
which made all local schools close
their doors. What a winter! Usually,
I love watching the white stuff fall.
But after a month with only short
respites, I keep hoping for a critical
blue sky. Instead, amazing waves
of silvery clouds sweep over the crest
of the Sierra, open their obese
bellies, and release foot upon foot
of crisp new powder. The ski
resorts would be happy, except
the roads are so hard to travel
that people are staying home.
So it kind of boggles the mind
that three guys are laying carpet
in the living room. Just goes to
show the power of money. In less
than an hour, the stain Conner left
on the hardwood will be a ghost.
”
”
Ellen Hopkins (Perfect (Impulse, #2))
“
Be savagely thankful, and continuously in awe of the power you possess. You are alive. Inside of an endless cosmos with the freedom that shines brightest in the dark.. Choices.
Your choices belong to you so intimately, that they will never leave you. They, unlike the changing nature of love, where the failing machinery of our bodies will never abandon you to time. Good or bad, they will stay always. An antique that shows the future who you were and what you stood for.
So know that what you choose to stand for, is what will inform you of what you've chosen to stand against, so stand. Let each foot crash land into what you believe, and plant them they're firmly so they may take root in your convictions. And stand.
”
”
Shane L. Koyczan
“
The broken are not always gathered together,of course, and not all mysteries of the flesh are solved. We speak of "senseless tragedies" but really: Is there any other kind? Mothers and wives disappear without a trace. Childeren are killed. Madamen ravage the world, leaving wounds immeasurably deep, and endlessy mourned. loved ones whose presence once filled us move into the distance; our eyes follow them as long as possible as they recede from view. Maybe we chase them clumsily, across railroad tracks and trafficked streets; Over roads new printed with their foot steps,the dust still whirling in the wake of them; through impossibly big cities people with strangers whose faces and bodies carry fragments of their faces and bodies, whose laughter, steadiness, pluck, stuberness remind us of the beloved we seek. Maybe we stay put, left behind, and look for them in our dreams. But we never stop looking, not even after those we love become part of the unreachable horizon. we can never stop carrying the heavy weight of love on this pilgimage; we can only transfigure what we carry. We can only shatter it and send it whirling into the world so that it can take shape in some new way.
”
”
Stephanie Kallos (Broken for You)
“
On the first day of November last year, sacred to many religious calendars but especially the Celtic, I went for a walk among bare oaks and birch. Nothing much was going on. Scarlet sumac had passed and the bees were dead. The pond had slicked overnight into that shiny and deceptive glaze of delusion, first ice. It made me remember sakes and conjure a vision of myself skimming backward on one foot, the other extended; the arms become wings. Minnesota girls know that this is not a difficult maneuver if one's limber and practices even a little after school before the boys claim the rink for hockey. I think I can still do it - one thinks many foolish things when November's bright sun skips over the entrancing first freeze.
A flock of sparrows reels through the air looking more like a flying net than seventy conscious birds, a black veil thrown on the wind. When one sparrow dodges, the whole net swerves, dips: one mind. Am I part of anything like that?
Maybe not. The last few years of my life have been characterized by stripping away, one by one, loves and communities that sustain the soul. A young colleague, new to my English department, recently asked me who I hang around with at school. "Nobody," I had to say, feeling briefly ashamed. This solitude is one of the surprises of middle age, especially if one's youth has been rich in love and friendship and children. If you do your job right, children leave home; few communities can stand an individual's most pitiful, amateur truth telling. So the soul must stand in her own meager feathers and learn to fly - or simply take hopeful jumps into the wind.
In the Christian calendar, November 1 is the Feast of All Saints, a day honoring not only those who are known and recognized as enlightened souls, but more especially the unknowns, saints who walk beside us unrecognized down the millennia. In Buddhism, we honor the bodhisattvas - saints - who refuse enlightenment and return willingly to the wheel of karma to help other beings. Similarly, in Judaism, anonymous holy men pray the world from its well-merited destruction. We never know who is walking beside us, who is our spiritual teacher. That one - who annoys you so - pretends for a day that he's the one, your personal Obi Wan Kenobi. The first of November is a splendid, subversive holiday.
Imagine a hectic procession of revelers - the half-mad bag lady; a mumbling, scarred janitor whose ravaged face made the children turn away; the austere, unsmiling mother superior who seemed with great focus and clarity to do harm; a haunted music teacher, survivor of Auschwitz. I bring them before my mind's eye, these old firends of my soul, awakening to dance their day. Crazy saints; but who knows what was home in the heart? This is the feast of those who tried to take the path, so clumsily that no one knew or notice, the feast, indeed, of most of us.
It's an ugly woods, I was saying to myself, padding along a trail where other walkers had broken ground before me. And then I found an extraordinary bouquet. Someone had bound an offering of dry seed pods, yew, lyme grass, red berries, and brown fern and laid it on the path: "nothing special," as Buddhists say, meaning "everything." Gathered to formality, each dry stalk proclaimed a slant, an attitude, infinite shades of neutral.
All contemplative acts, silences, poems, honor the world this way. Brought together by the eye of love, a milkweed pod, a twig, allow us to see how things have been all along. A feast of being.
”
”
Mary Rose O'Reilley (The Barn at the End of the World: The Apprenticeship of a Quaker, Buddhist Shepherd)
“
In his paradise in Lima he had spent a joyous night with a young girl who was covered with fine, straight down over every millimeter of her Bedouin skin. At dawn, while he was shaving, he looked at her lying naked in the bed, adrift in the peaceful sleep of a satisfied woman, and he could not resist the temptation of possessing her forever with a sacramental act. He covered her from head to foot with shaving lather, and with a pleasure like that of love he shaved her clean with his razor, sometimes using his right hand and sometimes his left as he shaved every part of her body, even the eyebrows that grew together, and left her doubly naked inside her magnificent newborn's body. She asked, her soul in shreds, if he really loved her, and he answered with the same ritual phrase he had strewn without pity in so many hearts throughout his life: "More than anyone else in this world.
”
”
Gabriel García Márquez (The General in His Labyrinth)
“
Michael leaned in, his voice turning low and heavy. “And how about me?”
I swallowed, still studying my drink. What song described him? What band?
That was like trying to pick one food to eat for the rest of your life.
“Disturbed,” I said, naming the band and still looking down at the glass.
He said nothing. Only remained still before finally sitting back and tipping his drink up to his lips.
Butterflies swarmed in my stomach, and I kept my breathing even.
“Drowning Pool, Three Days Grace, Five Finger Death Punch,” I continued, “Thousand Foot Krutch, 10 Years, Nothing More, Breaking Benjamin, Papa Roach, Bush…” I paused, exhaling nice and slow despite the way my heart drummed. “Chevelle, Skillet, Garbage, Korn, Trivium, In This Moment…” I drifted off, peace settling over me as I looked up at him. “You’re in everything.
”
”
Penelope Douglas (Corrupt (Devil's Night, #1))
“
Little girls are the nicest things that can happen to people. They are born with a bit of angel-shine about them, and though it wears thin sometimes, there is always enough left to lasso your heart—even when they are sitting in the mud, or crying temperamental tears, or parading up the street in Mother’s best clothes.
A little girl can be sweeter (and badder) oftener than anyone else in the world. She can jitter around, and stomp, and make funny noises that frazzle your nerves, yet just when you open your mouth, she stands there demure with that special look in her eyes. A girl is Innocence playing in the mud, Beauty standing on its head, and Motherhood dragging a doll by the foot.
God borrows from many creatures to make a little girl. He uses the song of a bird, the squeal of a pig, the stubbornness of a mule, the antics of a monkey, the spryness of a grasshopper, the curiosity of a cat, the speed of a gazelle, the slyness of a fox, the softness of a kitten, and to top it all off He adds the mysterious mind of a woman.
A little girl likes new shoes, party dresses, small animals, first grade, noisemakers, the girl next door, dolls, make-believe, dancing lessons, ice cream, kitchens, coloring books, make-up, cans of water, going visiting, tea parties, and one boy. She doesn’t care so much for visitors, boys in general, large dogs, hand-me-downs, straight chairs, vegetables, snowsuits, or staying in the front yard.
She is loudest when you are thinking, the prettiest when she has provoked you, the busiest at bedtime, the quietest when you want to show her off, and the most flirtatious when she absolutely must not get the best of you again. Who else can cause you more grief, joy, irritation, satisfaction, embarrassment, and genuine delight than this combination of Eve, Salome, and Florence Nightingale.
She can muss up your home, your hair, and your dignity—spend your money, your time, and your patience—and just when your temper is ready to crack, her sunshine peeks through and you’ve lost again. Yes, she is a nerve-wracking nuisance, just a noisy bundle of mischief. But when your dreams tumble down and the world is a mess—when it seems you are pretty much of a fool after all—she can make you a king when she climbs on your knee and whispers, "I love you best of all!
”
”
Alan Beck
“
Who knew?’ he says. ‘I had no idea that someone could be such a thorn in your foot during a death march and still be irresistibly attractive in some magical, undeniable way.’
‘So is that what people call sweet nothings? Because somehow, I expected it to be a little more . . . complimentary.’
‘Don’t you know a heartfelt declaration of love when you hear one?’
I blink dumbly at him with my heart pounding.
He caresses a lock of my hair out of my face. ‘Look, I know that we’re from different worlds and different people. But I’ve realized that it doesn’t matter.’
‘You don’t care about the angelic rules anymore?’
‘My Watchers have helped me realize that angelic rules are for angels. Without our wings, we can never be fully accepted back into the fold. There will always be talk of taking a newly Fallen’s wings and transplanting them onto us. Angels are perfect. Even with transplanted wings, we’ll never again be perfect. You accept me just the way I am, regardless of whether or not I even have wings. Even when I had my demon wings, you’ve never looked at me with pity. You’ve never wavered in your loyalty. That’s who you are – my brave, loyal, lovable Daughter of Man.
”
”
Susan Ee (End of Days (Penryn & the End of Days, #3))
“
The door is cracked
We used to meet
like water does land
no
not that
more like when skin touches skin
kissing fingertips
or when air escapes a lung
and is felt across the world
I've leapt over cracks in sidewalks
and swallowed away troublesome back pains
that could only be fixed with someone else's pills
We met by your house one stray day
and you drove me to the bay
where we sat and kissed like it was yesterday
And here you told me that you loved me
and that you always loved me
and that you would always love me
the wind blew and I held you
You rested your head on my shoulder
and the wind blew warm
Later, in your big red truck, we smoked some green
and I kissed you harder
and held your breasts, and felt between your legs
and with a gasp
you told me you were in love with me
And then you drove me back
and we promised it wouldn't be the end
not this time
The quill and inkwell on your foot
I'm a writer and you are my greatest art
I returned to my hell and dreamt of you once more
”
”
Dave Matthes (Strange Rainfall on the Rooftops of People Watchers: Poems and Stories)
“
As Candide went back to his farm, he reflected deeply on the Turk's remarks. He said to Pangloss and Martin: "That good old man seems to me to have made himself a life far preferable to that of the six Kings with whom we had the honor of having supper."
"Great eminence," said Pangloss, " is very dangerous, according to the report of all philosophers. For after all, Eglon, King of the Moabites, was assassinated by Ehud; Absolom was hanged by his hair and pierced with three darts; King Naab son of Jeroboam was killed by Baasha..."
"I also know", said Candide, "that we must cultivate our garden."
"You are right," said Pangloss, "for when man was put in the Garden of Eden, he was put there ut operaretur eum, to work; which proves that man was not born to rest."
"Let us work without reasoning," said Martin, "it is the only way to make life endurable."
All the little society entered into this laudable plan; each one began to exercise his talents. The little piece of land produced much. True, Cunégonde was very ugly; but she became and excellent pastry cook; Paquette embroidered; the old woman took care of the linen. No one, not even Friar Giroflée, failed to perform some service; he was a very good carpenter, and even became an honorable man; and Pangloss sometimes said to Candide: "All events are linked together in the best of all possible worlds. for after all, if you had not been expelled from a fine castle with great kicks in the backside for love of Mademoiselle Cunégonde, if you had not been subjected to the Inquisition, if you had not traveled about America on foot, if you had not given the Baron a great blow with your sword, if you had not lost all your sheep from the good country of Eldorado, you would not be here eating candied citrons and pistachios."
"That is well said," replied Candide, "but we must cultivate our garden.
”
”
Voltaire (Candide)
“
I'm glad this happened," he said softly.
I hoped it was for real,and I didn't want to talk about it too much and ruin the lovely illusion that we were a couple.
So I said noncommittally, "Me too."
"Because I've been trying to get you back since the seventh grade."
I must have given him a very skeptical look.
He laughed at my expression. "Yeah, I have a funny way of showing it. I know. But you're always on my mind. You're in the front of my mind,on the tip of my tongue. So if someone breaks a beaker in chemistry class, I raise my hand and tell Ms. Abernathy you did it. If somebody brings a copy of Playboy to class, I stuff it in your locker."
"Oh!" I thought back to the January issue. "I wondered where that came from."
"And if Everett Walsh tells the lunch table what a wicked kisser you are and how far he would have gotten with you if his mother hadn't come in-"
I stamped my foot on the floorboard of the SUV."That is so not true! He'd already gotten as far as he was going. He's not that cute, and I had to go home and study for algebra.
"-It drives me insane to the point that I tell him to shut up or I'll make him shut up right there in front of everybody. Because I am supposed to be your boyfriend, and my mother is supposed to hate you,and you're supposed to be making out with me."
Twisted as this declaration was,it was the sweetest thing a boy had ever said to me.I dwelled on the soft lips that had formed the statement,and on the meaning of his words. "Okay." I scooted across the seat and nibbled the very edge of his superhero chin.
"Ah," he gasped, moving both hands from the steering wheel to the seat to brace himself. "I didn't mean now.I meant in general.Your dad will come out of the house and kill me.
”
”
Jennifer Echols (The Ex Games)
“
Unerringly locating Riley's dick in his loose dress pants, Jack grabbed it forcefully and leaned close to Riley's ear, hearing the quick indrawn breath from his husband. A spark of lust flashed through his own body as he contemplated what to do next. Finally he decided. He was tired of all the pussy-footing around, and the darkness of the hallway invited sin. He moved his hand on Riley's hard dick, listening to the groan in Riley's throat. Riley, you know who this belongs to? This belongs to me." He gentled the touch, twisting his hand. "I saw you flirting and sharing with those girls out there, and I'm telling you now, I don't share. No one else gets to see this.
No one else gets to touch it. No one else gets to taste it. Just me. It's mine for one whole year, and I have the contract to prove it."
Riley tried to form a reply as Jack moved his hand again. It was good to see the other man speechless for once.
"Don't worry though, husband.I'm gonna treat it so good. I've decided that I'm gonna make it,and you, feel so damn good you'll never look at another woman again. You only have to say the word, and I'll show you what you signed up for." His voice fell into a heated whisper, the words low and drawled. Now do we need to get out of here? I'm thinking I might need to take you home and show you who you belong to." Riley's eyes widened, his dick fully hard, iron in Jack's clever hands. "I can make you scream. You wouldn't even know your name when I finished with you."
"Jack—please."
Riley's voice was broken.
Everything Jack wanted to hear.
"Please?"
Riley blinked, unconsciously pushing his groin into Jack's hold. Jack knew what followed next was certainly not a decision Riley made with his upstairs brain. "Fuck, Jack. Let's get the hell out of here.
”
”
R.J. Scott (The Heart of Texas (Texas, #1))
“
Four brothers,” Daphne said, shoving the wicket into the ground, “provide quite a marvelous education.”
“The things you must have learned,” Kate said, quite impressed. “Can you give a man a black eye? Knock him to the ground?”
Daphne grinned wickedly. “Ask my husband.”
“Ask me what?” the duke called out from where he and Colin were placing a wicket on a tree root on the opposite side of the tree.
“Nothing,” the duchess called out innocently. “I’ve also learned,” she whispered to Kate, “when it’s best just to keep one’s mouth shut. Men are much easier to manage once you understand a few basic facts about their nature.”
“Which are?” Kate prompted.
Daphne leaned forward and whispered behind her cupped hand, “They’re not as smart as we are, they’re not as intuitive as we are, and they certainly don’t need to know about fifty percent of what we do.”
She looked around. “He didn’t hear that, did he?”
Simon stepped out from behind the tree. “Every word.”
Kate choked on a laugh as Daphne jumped a foot.
“But it’s true,” Daphne said archly.
Simon crossed his arms. “I’ll let you think so.” He turned to Kate. “I’ve learned a thing or two about women over the years.”
“Really?” Kate asked, fascinated.
He nodded and leaned in, as if imparting a grave state secret. “They’re much easier to manage if one allows them to believe that they are smarter and more intuitive than men. And,” he added with a superior glance at his wife, “our lives are much more peaceful if we pretend that we’re only aware of about fifty percent of what they do.”
Colin approached, swinging a mallet in a low arc. “Are they having a spat?” he asked Kate.
“A discussion,” Daphne corrected.
“God save me from such discussions,” Colin muttered.
”
”
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
“
This one, I guess," he says. I look over at the counter, he is looking back at me. He is holding a riding crop: "I'd like to try it out." There is a peculiar shift: from one second to the next I have become disoriented, I am on alien territory, in a foreign century. He walks a few steps to where I am half sitting on the desk, one foot on the floor, the other dangling. He pulls my skirt up my left leg, which is resting on the desk, steps back and strikes me across the inner thigh.
The searing pain is an inextricable part of a wave of excitement; every cell in my body is awash with lust.
It is silent in the small, dusty room. The clerks behind the counter have frozen.
He slowly smooths down my skirt and turns to the older man, who is wearing a suit and still looks like an accountant, though a deep flush is spreading upward from his shirt collar.
"This one will do.
”
”
Elizabeth McNeill (Nine and a Half Weeks: A Memoir of a Love Affair)
“
Before my last exhale,
Before the curtain falls,
Before the last flower wilts,
I intend to live fully,
I intend to love without inhibition,
I intend to be.
In this cruel world,
In this era steeped in hatred and grudge,
In this age filled with disasters,
I want to be in the presence of those who need me,
Whom I need,
Who are worthy of reverence?
So that I can discover,
Be mesmerized,
And understand anew,
All that I am,
All that I can be,
All that I want to be.
So that the days don’t pass me by in meaningless void,
The hours become alive,
And the moments gain significance.
When I laugh,
When I cry,
When I am silent,
I am journeying towards you,
Towards myself,
Towards the divine.
For it is an unknown path,
Full of thorns,
And ebbs and flows.
A path that upon taking,
Upon which I have already stepped foot,
There is no return,
Until I have seen the blossoming of the flowers,
Until I have heard the rivers roar,
Until I have been awed by the beauty of life.
Now death can find me,
Now I can carry on with the journey,
Now I can say that I have lived.
”
”
Margot Bickel (سکوت سرشار از ناگفتههاست)
“
Margery," I blurted out in a passion of frustration. "I don't know what to make of you!"
Nor I you, Mary. Frankly, I cannot begin to comprehend the motives of a person who dedicates a large portion of her life to the contemplation of a God in whom she only marginally believes."
I felt stunned, as if she had struck me in the diaphragm. She looked down at me, trying to measure the effect of her words.
Mary, you believe in the power that the idea of God has on the human mind. You believe in the way human beings talk about the unknowable, reach for the unattainable, pattern their imperfect lives and offer their paltry best up to the beingless being that created the universe and powers its continuation. What you balk as it believing the evidence of your eyes, that God can reach out and touch a single human life in a concrete way." She smiled a sad, sad smile. "You mustn't be so cold, Mary. If you are, all you will see is a cold God, cold friends, cold love. God is not cold-never cold. God sears with heat, not ice, the heat of a thousand suns, heat that inflames but does not consume. You need warmth, Mary-you, Mary, need it. You fear it, you flirt with it, you imagine that you can stand in its rays and retain your cold intellectual attitude towards it. You imagine that you can love with your brain. Mary, oh my dear Mary, you sit in the hall and listen to me like some wild beast staring at a campfire, unable to leave, fearful of losing your freedom if you come any closer. It won't consume you; I won't capture you. Love does not do either. It only brings life. Please, Mary, don't let yourself be tied up by the bonds of cold academia."
Her words, the power of her conviction, broke over me like a great wave, inundating me, robbing me of breath, and, as they receded in the room, they pulled hard at me to folllow. I struggled to keep my footing against the wash of Margery's vision, and only when it began to lose its strength, dissipated against the silence in the room, was I seized by a sudden terror at the nearness of my escape.
”
”
Laurie R. King (A Monstrous Regiment of Women (Mary Russell and Sherlock Holmes, #2))
“
NINA
Your life is beautiful.
TRIGORIN
I see nothing especially lovely about it. [He looks at his watch] Excuse me, I must go at once, and begin writing again. I am in a hurry. [He laughs] You have stepped on my pet corn, as they say, and I am getting excited, and a little cross. Let us discuss this bright and beautiful life of mine, though. [After a few moments' thought] Violent obsessions sometimes lay hold of a man: he may, for instance, think day and night of nothing but the moon. I have such a moon. Day and night I am held in the grip of one besetting thought, to write, write, write! Hardly have I finished one book than something urges me to write another, and then a third, and then a fourth--I write ceaselessly. I am, as it were, on a treadmill. I hurry for ever from one story to another, and can't help myself. Do you see anything bright and beautiful in that? Oh, it is a wild life! Even now, thrilled as I am by talking to you, I do not forget for an instant that an unfinished story is awaiting me. My eye falls on that cloud there, which has the shape of a grand piano; I instantly make a mental note that I must remember to mention in my story a cloud floating by that looked like a grand piano. I smell heliotrope; I mutter to myself: a sickly smell, the colour worn by widows; I must remember that in writing my next description of a summer evening. I catch an idea in every sentence of yours or of my own, and hasten to lock all these treasures in my literary store-room, thinking that some day they may be useful to me. As soon as I stop working I rush off to the theatre or go fishing, in the hope that I may find oblivion there, but no! Some new subject for a story is sure to come rolling through my brain like an iron cannonball. I hear my desk calling, and have to go back to it and begin to write, write, write, once more. And so it goes for everlasting. I cannot escape myself, though I feel that I am consuming my life. To prepare the honey I feed to unknown crowds, I am doomed to brush the bloom from my dearest flowers, to tear them from their stems, and trample the roots that bore them under foot. Am I not a madman? Should I not be treated by those who know me as one mentally diseased? Yet it is always the same, same old story, till I begin to think that all this praise and admiration must be a deception, that I am being hoodwinked because they know I am crazy, and I sometimes tremble lest I should be grabbed from behind and whisked off to a lunatic asylum. The best years of my youth were made one continual agony for me by my writing. A young author, especially if at first he does not make a success, feels clumsy, ill-at-ease, and superfluous in the world. His nerves are all on edge and stretched to the point of breaking; he is irresistibly attracted to literary and artistic people, and hovers about them unknown and unnoticed, fearing to look them bravely in the eye, like a man with a passion for gambling, whose money is all gone. I did not know my readers, but for some reason I imagined they were distrustful and unfriendly; I was mortally afraid of the public, and when my first play appeared, it seemed to me as if all the dark eyes in the audience were looking at it with enmity, and all the blue ones with cold indifference. Oh, how terrible it was! What agony!
”
”
Anton Chekhov (The Seagull)
“
When I meet kids who suffer, I want to teach them everything I know about the world, which isn’t a lot, and basically amounts to: Go to Harvard. Make hella money. Read contracts before you sign them. Bring two tiny bottles of Kahlúa and a tiny bottle of mouthwash when you have to go with your parents to their biopsy results. I follow my own advice while trying to hold off on the suicidal ideation while trying to be as socially fucking mobile as socially fucking possible and then these kids fucking find me, and what do I do, but invite them into my heart and tell them, babes, go to school, climb the ranks, kill the salutatorian, make it look like an accident, and in your valedictory address, remind your school that cops are pigs, and ICE are Nazis, and you are John at the foot of the cross, Jesus’s most loved apostle, maybe his lover, and you’re in the holy word, escape to my home for some chamomile tea and RuPaul, there will always be room for you, I love you and forever will.
”
”
Karla Cornejo Villavicencio (The Undocumented Americans)
“
Some have felt that these blundering lives are due to the inconvenient indefiniteness with which the Supreme Power has fashioned the natures of women: if there were one level of feminine incompetence as strict as the ability to count three and no more, the social lot of women might be treated with scientific certitude. Meanwhile the indefiniteness remains, and the limits of variation are really much wider than any one would imagine from the sameness of women's coiffure and the favorite love-stories in prose and verse. Here and there a cygnet is reared uneasily among the ducklings in the brown pond, and never finds the living stream in fellowship with its own oary-footed kind. Here and there is born a Saint Theresa, foundress of nothing, whose loving heart-beats and sobs after an unattained goodness tremble off and are dispersed among hindrances, instead of centring in some long-recognizable deed.
”
”
George Eliot (Middlemarch)
“
Vespers
Little Boy kneels at the foot of the bed,
Droops on the little hands little gold head.
Hush! Hush! Whisper who dares!
Christopher Robin is saying his prayers.
God bless Mummy. I know that's right.
Wasn't it fun in the bath tonight?
The cold's so cold, and the hot's so hot.
Oh! God bless Daddy -- I quite forgot.
If I open my fingers a little bit more,
I can see Nanny's dressing-gown on the door.
It's a beautiful blue, but it hasn't a hood.
Oh! God bless Nanny and make her good.
Mine has a hood, and I lie in bed,
And pull the hood right over my head,
And I shut my eyes, and I curl up small,
And nobody knows that I'm there at all.
Oh! Thank you, God, for a lovely day.
And what was the other I had to say?
I said "Bless Daddy," so what can it be?
Oh! Now I remember. God bless Me.
Little Boy kneels at the foot of the bed.
Droops on the little hands little gold head.
Hush! Hush! Whisper who dares!
Christopher Robin is saying his prayers.
”
”
A.A. Milne (When We Were Very Young (Winnie-the-Pooh, #3))
“
Injurious Hermia! most ungrateful maid! Have you conspired, have you with the contrived To bait me with this foul derision? Is all the counsel that we two have shared, The sisters' vows, the hours that we have spent, When we have chid the hasty-footed time For parting us,-O, and is all forgot? All school=days' friendship, childhood innocence? We, Hermia, like two artificial gods, Have with our neelds created both one flower, Both on one sampler, sitting on one cushion, Both warbling of one song, both in one key; As if our hands, our sides, voices, and minds, Had been incorporate. So we grew together, Like to a double cherry, seeming parted, But yet an union in partition; Two lovely berries moulded on one stem; So, with two seeming bodies, but one heart, Two of the first, like coats in heraldry, Due but to one, and crowned with one crest, And will you rent our ancient love asunder, To join with men in scorning your poor friend? It is not friendly, 'tis not maidenly: Our sex, as well as I, may chide you for it, Though I alone do feel the injury.
”
”
William Shakespeare (A Midsummer Night’s Dream)
“
on the continent
I'm soft. I
dream too.
I let myself dream. I dream of
being famous. I dream of
walking the streets of London and
Paris. I dream of
sitting in cafes
drinking fine wines and
taking a taxi back to a good
hotel.
I dream of
meeting beautiful ladies in the hall
and
turning them away because
I have a sonnet in mind
that I want to write
before sunrise. at sunrise
I will be asleep and there will be a
strange cat curled up on the
windowsill.
I think we all feel like this
now and then.
I'd even like to visit
Andernach, Germany, the place where
I began, then I'd like to
fly on to Moscow to check out
their mass transit system so
I'd have something faintly lewd to
whisper into the ear of the mayor of
Los Angeles upon to my return to this
fucking place.
it could happen.
I'm ready.
I've watched snails crawl over
ten foot walls
and vanish.
you mustn't confuse this with
ambition.
I would be able to laugh at my
good turn of the cards -
and I won't forget you.
I'll send postcards and
snapshots, and the
finished sonnet.
”
”
Charles Bukowski (Love Is a Dog from Hell)
“
Gallop apace, you fiery-footed steeds,
Towards Phoebus' lodging: such a wagoner
As Phaethon would whip you to the west,
And bring in cloudy night immediately.
Spread thy close curtain, love-performing night,
That runaway's eyes may wink and Romeo
Leap to these arms, untalk'd of and unseen.
Lovers can see to do their amorous rites
By their own beauties; or, if love be blind,
It best agrees with night. Come, civil night,
Thou sober-suited matron, all in black,
And learn me how to lose a winning match,
Play'd for a pair of stainless maidenhoods:
Hood my unmann'd blood, bating in my cheeks,
With thy black mantle; till strange love, grown bold,
Think true love acted simple modesty.
Come, night; come, Romeo; come, thou day in night;
For thou wilt lie upon the wings of night
Whiter than new snow on a raven's back.
Come, gentle night, come, loving, black-brow'd night,
Give me my Romeo; and, when he shall die,
Take him and cut him out in little stars,
And he will make the face of heaven so fine
That all the world will be in love with night
And pay no worship to the garish sun.
O, I have bought the mansion of a love,
But not possess'd it, and, though I am sold,
Not yet enjoy'd: so tedious is this day
As is the night before some festival
To an impatient child that hath new robes
And may not wear them. O, here comes my nurse,
And she brings news; and every tongue that speaks
But Romeo's name speaks heavenly eloquence.
”
”
William Shakespeare (Romeo and Juliet)
“
I reach for her. 'I'm so sorry I had to keep...' My words die on my tongue as she steps back, avoiding me.
'Not happening.' A world of hurt flashes in those hazel eyes, and I fucking wither. 'Just because I believe you and am willing to fight with you doesn't mean I'll trust you with my heart again. and I can't be with someone I don't trust.'
Something in my chest crumples. 'I've never lied to you, Violet. Not once. I never will.'
She walks over to the window and looks down, then slowly turns back to me. 'It's not even that you kept this from me. I get it. It's the ease with which you did it. The ease with which I let you into my hear and didn't get the same in return.' She shakes her head, and I see it there, the love, but it's masked behind defences I foolishly forced her to build.
I love her. Of course I love her. But if I tell her now, she'll think I'm doing it for all the wrong reasons, and honestly, she'd be right.
I'm not going to lose the only woman I've ever fallen for without a fight. 'You're right. I kept secrets,' I admit, pressing forward again, taking step after step until I'm less than a foot from her. I palm the glass on both sides of her head, loosely caging her in, but we both know she could walk away if she wanted. But she doesn't move. 'It took me a long time to trust you, a long time to realise I fell for you.'
Someone knocks, I ignore it.
'Don't say that.' She lifts her chin, but I don't miss the way she glances at my mouth.
'I fell for you.' I lower my head and look straight into her gorgeous eyes. She might be rightfully pissed, but she sure as Malek isn't fickle. 'And you know what? You might not trust me anymore, but you still love me.'
Her lips part, but she doesn't deny it. 'I gave you my trust for free once, and once is all you get.' She masks the hurt with a quick blink.
Never again. Those eyes will never reflect hurt I've inflicted ever again.
'I fucked up by not telling you sooner, and I won't even try to justify my reasons. But now I'm trusting you with my life- with everyone's lives.' I've risked it all by just bringing her here instead of taking her body back to Basgiath. 'I'll tell you anything you want to know and everything you don't. I'll spend every single day of my life earning back your trust.'
I'd forgotten what it felt like to be loved, really, truly, loved- it'd been so many years since Dad died. And mom... Not going there. But then Violet gave me those words, gave me her trust, her heart, and I remembered. I'll be damned if I don't fight to keep them.
'And if it's not possible?'
'You still love me. It's possible.' Gods, do I ache to kiss her, to remind her exactly what we are together, but I won't, not until she asks. 'I'm not afraid of hard work, especially not when I know just how sweet the rewards are.. I would rather lose this entire war than live without you, and if that means I have to prove myself, over and over, then I'll do it. You gave me your heart, and I'm keeping it.' She already owns mine, even if she doesn't realise it.
”
”
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
“
Todd:I had him!
His throat was there beneath my hand.
No, I had him!
His throat was there and now he'll never come again.
Mrs. Lovett: Easy now, hush love hush
I keep telling you, Whats your rush?
Todd: When? Why did I wait?
You told me to wait -
Now he'll never come again.
There's a hole in the world like a great black pit
And it's filled with people who are filled with shit
And the vermin of the world inhabit it.
But not for long...
They all deserve to die.
Tell you why, Mrs. Lovett, tell you why.
Because in all of the whole human race
Mrs. Lovett, there are two kinds of men and only two
There's the one staying put in his proper place
And the one with his foot in the other one's face
Look at me, Mrs Lovett, look at you.
No, we all deserve to die
Even you, Mrs Lovett, even I!
Because the lives of the wicked should be made brief
For the rest of us death will be a relief
We all deserve to die.
And I'll never see Johanna
No I'll never hug my girl to me - finished!
Alright! You sir, how about a shave?
Come and visit your good friend Sweeney.
You sir, too sir? Welcome to the grave.
I will have vengenance.
I will have salvation.
Who sir, you sir?
No ones in the chair, Come on! Come on!
Sweeney's. waiting. I want you bleeders.
You sir! Anybody!
Gentlemen now don't be shy!
Not one man, no, nor ten men.
Nor a hundred can assuage me.
I will have you!
And I will get him back even as he gloats
In the meantime I'll practice on less honorable throats.
And my Lucy lies in ashes
And I'll never see my girl again.
But the work waits!
I'm alive at last!
And I'm full of joy!
ps. love the movie the performance that Johnny Depp did was amazing and he sang amazing.
”
”
Stephen Sondheim (Sweeney Todd: The Demon Barber of Fleet Street)
“
It wasn’t beautiful. A Winter wedding is a union of elation and depression, red velvet blankets in a cheap motel room stained with semen from sex devoid of meaning, and black mold clinging to the fringe of floral shower curtains like a heap of dead forevers.
You sat down at the foot of the bed, looking at me like I had already
driven away. I was thinking about watching CNN. How fucked up is that? I wanted to know that your second hand, off-white dress, and my black polyester bow tie wasn’t as tragic as a hurricane devouring a suburb, or a train derailment in no where, Virginia, ending the lives of two young college hopefuls.
I was naïve. I thought that there were as many right ways to feel love as the amount of
pubic hair,
belly lint, and
scratch marks abandoned by lovers in our honeymoon suite.
When you looked at me in bed that night, I put my hand on your chest to feel a little more human. I don’t know what to call you; a name does not describe the aches, or lack of. This love is unusual and comfortable.
If you were to leave, I know I’d search for days, in newspapers and broadcasts, in car accidents and exposés on genocide in Kosovo.
(How do I address this? How is one to feel about
a love without a name?)
My heart would be ambivalent, too scared to look for you
behind the curtains of the motel window, outside in the abyss of powder and pay phones
because I don’t know how to love you.
-Kosovo
”
”
Lucas Regazzi
“
Little of that makes for love, but it does pump desire. The woman who churned a man's blood as she leaned all alone on a fence by a country road might not expect even to catch his eye in the City. But if she is clipping quickly down the big-city street in heels, swinging her purse, or sitting on a stoop with a cool beer in her hand, dangling her shoe from the toes of her foot, the man, reacting to her posture, to soft skin on stone, the weight of the building stressing the delicate, dangling shoe, is captured. And he'd think it was the woman he wanted, and not some combination of curved stone, and a swinging, high-heeled shoe moving in and out of sunlight. He would know right away the deception, the trick of shapes and light and movement, but it wouldn't matter at all because the deception was part of it too. Anyway, he could feel his lungs going in and out. There is no air in the City but there is breath, and every morning it races through him like laughing gas brightening his eyes, his talk, and his expectations. In no time at all he forgets little pebbly creeks and apple trees so old they lay their branches along the ground and you have to reach down or stoop to pick the fruit. He forgets a sun that used to slide up like the yolk of a good country egg, thick and red-orange at the bottom of the sky, and he doesn't miss it, doesn't look up to see what happened to it or to stars made irrelevant by the light of thrilling, wasteful street lamps.
That kind of fascination, permanent and out of control, seizes children, young girls, men of every description, mothers, brides, and barfly women, and if they have their way and get to the City, they feel more like themselves, more like the people they always believed they were.
”
”
Toni Morrison (Jazz (Beloved Trilogy, #2))
“
Justin: I am falling so in love with you.
Her body electrified. Celeste wiped her eyes and read his text again. The drone of the plane disappeared; the turbulence was no more. There was only Justin and his words.
Justin: I lose myself and find myself at the same time with you.
Justin: I need you, Celeste. I need you as part of my world, because for the first time, I am connected to someone in a way that has meaning. And truth. Maybe our distance has strengthened what I feel between us since we’re not grounded in habit or daily convenience. We have to fight for what we have.
Justin: I don’t know if I can equate what I feel for you with anything else. Except maybe one thing, if this makes any sense.
Justin: I go to this spot at Sunset Cliffs sometimes. It’s usually a place crowded with tourists, but certain times of year are quieter. I like it then. And there’s a high spot on the sandstone cliff, surrounded by this gorgeous ice plant, and it overlooks the most beautiful water view you’ve ever seen. I’m on top of the world there, it seems.
Justin: And everything fits, you know? Life feels right. As though I could take on anything, do anything. And sometimes, when I’m feeling overcome with gratitude for the view and for what I have, I jump so that I remember to continue to be courageous because not every piece of life will feel so in place.
Justin: It’s a twenty-foot drop, the water is only in the high fifties, and it’s a damn scary experience. But it’s a wonderful fear. One that I know I can get through and one that I want.
Justin: That’s what it’s like with you. I am scared because you are so beyond anything I could have imagined. I become so much more with you beside me. That’s terrifying, by the way. But I will be brave because my fear only comes from finally having something deeply powerful to lose. That’s my connection with you. It would be a massive loss.
Justin: And now I am in the car and about to see you, so don’t reply. I’m too flipping terrified to hear what you think of my rant. It’s hard not to pour my heart out once I start. If you think I’m out of mind, just wave your hands in horror when you spot the lovesick guy at the airport.
Ten minutes went by. He had said not to reply, so she hadn’t.
Justin: Let’s hope I don’t get pulled over for speeding… but I’m at a stoplight now.
Justin: God, I hope you aren’t… aren’t… something bad.
Celeste: Hey, Justin?
Justin: I TOLD YOU NOT TO REPLY!
Justin: I know, I know. But I’m happy you did because I lost it there for a minute.
Celeste: HEY, JUSTIN?
Justin: Sorry… Hey, Celeste?
Celeste: I am, unequivocally and wholly falling in love with you, too.
Justin: Now I’m definitely speeding. I will see you soon.
”
”
Jessica Park (Flat-Out Celeste (Flat-Out Love, #2))
“
Where are you?” she shouted. “Don’t you see us?” taunted the woman’s voice. “I thought Hecate chose you for your skill.” Another bout of queasiness churned through Hazel’s gut. On her shoulder, Gale barked and passed gas, which didn’t help. Dark spots floated in Hazel’s eyes. She tried to blink them away, but they only turned darker. The spots consolidated into a twenty-foot-tall shadowy figure looming next to the Doors. The giant Clytius was shrouded in the black smoke, just as she’d seen in her vision at the crossroads, but now Hazel could dimly make out his form—dragon-like legs with ash-colored scales; a massive humanoid upper body encased in Stygian armor; long, braided hair that seemed to be made from smoke. His complexion was as dark as Death’s (Hazel should know, since she had met Death personally). His eyes glinted cold as diamonds. He carried no weapon, but that didn’t make him any less terrifying. Leo whistled. “You know, Clytius…for such a big dude, you’ve got a beautiful voice.” “Idiot,” hissed the woman. Halfway between Hazel and the giant, the air shimmered. The sorceress appeared. She wore an elegant sleeveless dress of woven gold, her dark hair piled into a cone, encircled with diamonds and emeralds. Around her neck hung a pendant like a miniature maze, on a cord set with rubies that made Hazel think of crystallized blood drops. The woman was beautiful in a timeless, regal way—like a statue you might admire but could never love. Her eyes sparkled with malice. “Pasiphaë,” Hazel said. The woman inclined her head. “My dear Hazel Levesque.” Leo coughed. “You two know each other? Like Underworld chums, or—” “Silence, fool.” Pasiphaë’s voice was soft, but full of venom. “I have no use for demigod boys—always so full of themselves, so brash and destructive.” “Hey, lady,” Leo protested. “I don’t destroy things much. I’m a son of Hephaestus.” “A tinkerer,” snapped Pasiphaë. “Even worse. I knew Daedalus. His inventions brought me nothing but trouble.” Leo blinked. “Daedalus…like, the Daedalus? Well, then, you should know all about us tinkerers. We’re more into fixing, building, occasionally sticking wads of oilcloth in the mouths of rude ladies—” “Leo.” Hazel put her arm across his chest. She had a feeling the sorceress was about to turn him into something unpleasant if he didn’t shut up. “Let me take this, okay?
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
“
1
The summer our marriage failed
we picked sage to sweeten our hot dark car.
We sat in the yard with heavy glasses of iced tea,
talking about which seeds to sow
when the soil was cool. Praising our large, smooth spinach
leaves, free this year of Fusarium wilt,
downy mildew, blue mold. And then we spoke of flowers,
and there was a joke, you said, about old florists
who were forced to make other arrangements.
Delphiniums flared along the back fence.
All summer it hurt to look at you.
2
I heard a woman on the bus say, “He and I were going
in different directions.” As if it had something to do
with a latitude or a pole. Trying to write down
how love empties itself from a house, how a view
changes, how the sign for infinity turns into a noose
for a couple. Trying to say that weather weighed
down all the streets we traveled on, that if gravel sinks,
it keeps sinking. How can I blame you who kneeled day
after day in wet soil, pulling slugs from the seedlings?
You who built a ten-foot arch for the beans, who hated
a bird feeder left unfilled. You who gave
carrots to a gang of girls on bicycles.
3
On our last trip we drove through rain
to a town lit with vacancies.
We’d come to watch whales. At the dock we met
five other couples—all of us fluorescent,
waterproof, ready for the pitch and frequency
of the motor that would lure these great mammals
near. The boat chugged forward—trailing a long,
creamy wake. The captain spoke from a loudspeaker:
In winter gray whales love Laguna Guerrero; it’s warm
and calm, no killer whales gulp down their calves.
Today we’ll see them on their way to Alaska. If we
get close enough, observe their eyes—they’re bigger
than baseballs, but can only look down. Whales can
communicate at a distance of 300 miles—but it’s
my guess they’re all saying, Can you hear me?
His laughter crackled. When he told us Pink Floyd is slang
for a whale’s two-foot penis, I stopped listening.
The boat rocked, and for two hours our eyes
were lost in the waves—but no whales surfaced, blowing
or breaching or expelling water through baleen plates.
Again and again you patiently wiped the spray
from your glasses. We smiled to each other, good
troopers used to disappointment. On the way back
you pointed at cormorants riding the waves—
you knew them by name: the Brants, the Pelagic,
the double-breasted. I only said, I’m sure
whales were swimming under us by the dozens.
4
Trying to write that I loved the work of an argument,
the exhaustion of forgiving, the next morning,
washing our handprints off the wineglasses. How I loved
sitting with our friends under the plum trees,
in the white wire chairs, at the glass table. How you
stood by the grill, delicately broiling the fish. How
the dill grew tall by the window. Trying to explain
how camellias spoil and bloom at the same time,
how their perfume makes lovers ache. Trying
to describe the ways sex darkens
and dies, how two bodies can lie
together, entwined, out of habit.
Finding themselves later, tired, by a fire,
on an old couch that no longer reassures.
The night we eloped we drove to the rainforest
and found ourselves in fog so thick
our lights were useless. There’s no choice,
you said, we must have faith in our blindness.
How I believed you. Trying to imagine
the road beneath us, we inched forward,
honking, gently, again and again.
”
”
Dina Ben-Lev
“
You going to the game tonight?"
I was about to answer,but another voice rang out from just behind me.
"She'd better," Jack said as he wrapped an arm around my waist and pulled me back against him. I could smell the fresh leather on his letterman jacket as I crunched against it.
"Why is that?" I asked,smiling and instantly warm in his arms.I still couldn't get over the fact that Jack Caputo and I were...together. It was hard to think the word. We had been friends for so long.To be honest, he had been friends with me and I had been secretly pining for him since...well, since forever.
But now he was here. It was my waist he held. It didn't seem real.
"I can't carry the team to victory without you," he said. "You're my rabbit's foot."
I craned my neck around to look at him. "I've always dreamed of some guy saying that to me."
He pressed his lips to the base of my neck, and heat rushed to my cheeks. "I love making you turn red," he whispered.
"It doesn't take much. We're in the middle of the hallway."
"You want to know what else I love?" His tone was playful.
"No," I said, but he wasn't listening. He took his fingers and lightly railed them up my spine,to the back of my neck.Instant goose bumps sprang up all over my body,and I shuddered.
"That."
I could feel his smile against my ear. Jack was always smiling.It was what made him so likable.
By this time,Jules had snaked her way through the throng of students. "Hello, Jack.I was in the middle of a conversation with Becks.Do you mind?" she said with a smirk.
Right then a bunch of Jack's teammates rounded the corner at the end of the hallway,stampeding toward us.
"Uh-oh," I said.
Jack pushed me safely aside just before they tackled him, and Jules and I watched as what seemed like the entire football team heaped on top of their starting quarterback.
"Dating Jack Caputo just might kill you one day." Jules laughed. "You sure it's worth it?"
I didn't answer,but I was sure. In the weeks following my mother's death, I had spent nearly every morning sitting at her grave.Whispering to her, telling her about my day, like I used to each morning before she died. Jack came with me to the cemetary most days. He'd bring a book and read under a tree several headstones away,waiting quietly, as if what I was doing was totally normal.
We hadn't even been together then.
It had been only five months since my mom died. Five months since a drunk driver hit her during her evening jog. Five months since the one person who knew all my dreams disappeared forever. Jack was the reason I was still standing.
Yeah,I was sure he was worth it.The only thing I wasn't sure about was why he was with me.
”
”
Brodi Ashton (Everneath (Everneath, #1))
“
Those clothes are Susie's,' my father said calmly when he reached him.
Buckley looked down at my blackwatch dress that he held in his hand.
My father stepped closer, took the dress from my brother, and then, without speaking, he gathered the rest of my clothes, which Buckley had piled on the lawn. As he turned in silence toward the house, hardly breathing, clutching my clothes to him, it sparked.
I was the only one to see the colors. Just near Buckley's ears and on the tips of his cheeks and chin he was a little orange somehow, a little red.
Why can't I use them?' he asked.
It landed in my father's back like a fist.
Why can't I use those clothes to stake my tomatoes?'
My father turned around. He saw his son standing there, behind him the perfect plot of muddy, churned-up earth spotted with tiny seedlings. 'How can you ask me that question?'
You have to choose. It's not fair,' my brother said.
Buck?' My father held my clothes against his chest.
I watched Buckley flare and light. Behind him was the sun of the goldenrod hedge, twice as tall as it had been at my death.
I'm tired of it!' Buckley blared. 'Keesha's dad died and she's okay?'
Is Keesha a girl at school?'
Yes!'
My father was frozen. He could feel the dew that had gathered on his bare ankles and feet, could feel the ground underneath him, cold and moist and stirring with possibility.
I'm sorry. When did this happen?'
That's not the point, Dad! You don't get it.' Buckley turned around on his heel and started stomping the tender tomato shoots with his foot.
Buck, stop!' my father cried.
My brother turned.
You don't get it, Dad,' he said.
I'm sorry,' my father said. These are Susie's clothes and I just... It may not make sense, but they're hers-something she wore.'
...
You act like she was yours only!'
Tell me what you want to say. What's this about your friend Keesha's dad?'
Put the clothes down.'
My father laid them gently on the ground.
It isn't about Keesha's dad.'
Tell me what it is about.' My father was now all immediacy. He went back to the place he had been after his knee surgery, coming up out of the druggie sleep of painkillers to see his then-five-year-old son sitting near him, waiting for his eyes to flicker open so he could say, 'Peek-a-boo, Daddy.'
She's dead.'
It never ceased to hurt. 'I know that.'
But you don't act that way.' Keesha's dad died when she was six. Keesha said she barely even thinks of him.'
She will,' my father said.
But what about us?'
Who?'
Us, Dad. Me and Lindsey. Mom left becasue she couldn't take it.'
Calm down, Buck,' my father said. He was being as generous as he could as the air from his lungs evaporated out into his chest. Then a little voice in him said, Let go, let go, let go. 'What?' my father said.
I didn't say anything.'
Let go. Let go. Let go.
I'm sorry,' my father said. 'I'm not feeling very well.' His feet had grown unbelievably cold in the damp grass. His chest felt hollow, bugs flying around an excavated cavity. There was an echo in there, and it drummed up into his ears. Let go.
My father dropped down to his knees. His arm began to tingle on and off as if it had fallen asleep. Pins and needles up and down. My brother rushed to him.
Dad?'
Son.' There was a quaver in his voice and a grasping outward toward my brother.
I'll get Grandma.' And Buckley ran.
My father whispered faintly as he lay on his side with his face twisted in the direction of my old clothes: 'You can never choose. I've loved all three of you.
”
”
Alice Sebold
“
Do I need to check up on you guys later? You know the rules.No sleeping in opposite-sex rooms."
My face flames,and St. Clair's cheeks grow blotchy. It's true.It's a rule. One that my brain-my rule-loving, rule-abiding brain-conveniently blocked last night. It's also one notoriously ignored by the staff.
"No,Nate," we say.
He shakes his shaved head and goes back in his apartment. But the door opens quickly again,and a handful of something is thrown at us before it's slammed back shut.
Condoms.Oh my God, how humiliating.
St. Clair's entire face is now bright red as he picks the tiny silver squares off the floor and stuffs them into his coat pockets. We don't speak,don't even look at each other,as we climb the stairs to my floor. My pulse quickens with each step.Will he follow me to my room,or has Nate ruined any chance of that?
We reach the landing,and St. Clair scratches his head. "Er..."
"So..."
"I'm going to get dressed for bed. Is that all right?" His voice is serious,and he watches my reaction carefully.
"Yeah.Me too.I'm going to...get ready for bed,too."
"See you in a minute?"
I swell with relief. "Up there or down here?"
"Trust me,you don't want to sleep in my bed." He laughs,and I have to turn my face away,because I do,holy crap do I ever. But I know what he means.It's true my bed is cleaner. I hurry to my room and throw on the strawberry pajamas and an Atlanta Film Festival shirt. It's not like I plan on seducing him.
Like I'd even know how.
St. Clair knocks a few minutes later, and he's wearing his white bottoms with the blue stripes again and a black T-shirt with a logo I recognize as the French band he was listening to earlier. I'm having trouble breathing.
"Room service," he says.
My mind goes...blank. "Ha ha," I say weakly.
He smiles and turns off the light. We climb into bed,and it's absolutely positively completely awkward. As usual. I roll over to my edge of the bed. Both of us are stiff and straight, careful not to touch the other person. I must be a masochist to keep putting myself in these situations. I need help. I need to see a shrink or be locked in a padded cell or straitjacketed or something.
After what feels like an eternity,St. Clair exhales loudly and shifts. His leg bumps into mine, and I flinch. "Sorry," he says.
"It's okay."
"..."
"..."
"Anna?"
"Yeah?"
"Thanks for letting me sleep here again. Last night..."
The pressure inside my chest is torturous. What? What what what?
"I haven't slept that well in ages."
The room is silent.After a moment, I roll back over. I slowly, slowly stretch out my leg until my foot brushes his ankle. His intake of breath is sharp. And then I smile,because I know he can't see my expression through the darkness.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Thereforeonyourjourneybesuretotakegoldencupsfull of the sweet drink oflife, red wine, and give it to dead matter, so that it can win life back The dead matter will change into black serpents. Do not be frightened, the serpents will immediately put out the sun of your days, and a night with wonderful will-o'-the-wisps will come over YOU. 140
Take pains to waken the dead. Dig deep mines and throw in sacrificial gifts, so that they reach the dead. Reflect in good heart upon evil, this is the way to the ascent. But before the ascent, everything is night and Hell.
. What do you think of the essence of Hell? Hell is when the depths come to you with all that you no longer are or are not yet capable of Hell is when you can no longer attain what you could attain. Hell is when you must thinlc and feel and do everything that you know you do not want. Hell is when you know that your havingtoisalsoawantingto,andthatyouyourselfareresponsible for it. Hell is when you know that everything serious that you have planned with yourself is also laughable, that everything fine
is also brutal, that everything good is also bad, that everything high is also low, and that everything pleasant is also shameful.
But the deepest Hell is when you realize that Hell is also no Hell, but a cheerful Heaven, not a Heaven in itself, but in this respect a Heaven, and in that respect a Hell.
That is the ambiguity of the God: he is born from a dark ambiguity and rises to a bright ambiguity. Unequivocalness is simplicityandleadstodeath.141Butambiguityisthewayoflife.142 If the left foot does not move, then the right one does, and you move. The God wills this.143
You say: the Christian God is unequivocal, he is 10ve.l44 But what is more ambiguous than love? Love is the way of life, but your love is only on the way oflife ifyou have a left and a right.
Nothing is easier than to play at ambiguity and nothing is more difficult than living ambiguity. He who plays is a child; his God is old and dies. He who lives is awakened; his God is young and goes on. He who plays hides from the inner death. He who lives feels the going onward and immortality. So leave the play to the players. Let fall what wants to fall; if you stop it, it will sweep you away. There is a true love that does not concern itself with neighbors.
”
”
C.G. Jung
“
Is that a no?" I said.
"No. I mean.." He struggled for the smile again. "I'm just waiting for the punch line. Something about making it date so I need to pay. Or you expecting flowers. Or.." He trailed off.
"There isn't a punch line," I said.
I rose onto my knees and inched over, in front of him. Then I stopped about a foot away.
"No punch line, Daniel," I said. "I'm asking if you'll go out with me."
He didn't answer. Just reched out, his hand sliding between my hair and face, pulling me toward him and..
And he kissed me.
His lips touched mine, tentatively, still unsure, and I eased closer, my arms going around his neck. He kissed me for real then, a long kiss that I felt in the bottom of my soul, a click, some deep part of me saying, "Yes, this is it."
Even when the kiss broke off, it didn't end. It was like coming to the surface for a quick gasp of air, then plunging back down again, finding that sweet spot again, and holding onto it for as long as we could. Finally it tapered off, and we were lying on the picnic blanket, side by side, his hand on my hip, kissing slower now, with more breaks for air. until I said, "We should have done that sooner."
He smiled, a lazy half smile, and he just looked at me for a moment, our gazes locked, lying there in drowsy happiness, before he said, "I think now's just fine." And he kissed me again, slower and softer now, as we rested there, eyes half closed.
"So, about Saturday, did you ask me?" he said after a minute, "Because I'm pretty sure that means yo're paying."
"Nope. You were imaging it. Considering how you eat, the meal bill is all yours. But I will spring for the movie. And bring you flowers."
He chuckled. "Will you?"
"Yep, a dozen pink roses, which you'll have to carry all night or risk offending me."
"And what happens if I offend you?"
"You don't get any more of this."
I leaned in and kissed him again. And we stayed out there, on the blanket, as the sun fell, talking and kissing mostly, just being together. We had a long road ahead of us, and I knew it wasn't going to be easy. But I had everything I wanted-everything I needed-and I'd get through it just fine. We all would.
”
”
Kelley Armstrong (The Rising (Darkness Rising, #3))
“
One morning she at last succeeded in helping him to the foot of the steps, trampling down the grass before him with her feet, and clearing a way for him through the briars, whose supple arms barred the last few yards. Then they slowly entered the wood of roses. It was indeed a very wood, with thickets of tall standard roses throwing out leafy clumps as big as trees, and enormous rose bushes impenetrable as copses of young oaks. Here, formerly, there had been a most marvellous collection of plants. But since the flower garden had been left in abandonment, everything had run wild, and a virgin forest had arisen, a forest of roses over-running the paths, crowded with wild offshoots, so mingled, so blended, that roses of every scent and hue seemed to blossom on the same stem. Creeping roses formed mossy carpets on the ground, while climbing roses clung to others like greedy ivy plants, and ascended in spindles of verdure, letting a shower of their loosened petals fall at the lightest breeze. Natural paths coursed through the wood — narrow footways, broad avenues, enchanting covered walks in which one strolled in the shade and scent. These led to glades and clearings, under bowers of small red roses, and between walls hung with tiny yellow ones. Some sunny nooks gleamed like green silken stuff embroidered with bright patterns; other shadier corners offered the seclusion of alcoves and an aroma of love, the balmy warmth, as it were, of a posy languishing on a woman’s bosom. The rose bushes had whispering voices too. And the rose bushes were full of songbirds’ nests. ‘We must take care not to lose ourselves,’ said Albine, as she entered the wood. ‘I did lose myself once, and the sun had set before I was able to free myself from the rose bushes which caught me by the skirt at every step.’ They had barely walked a few minutes, however, before Serge, worn out with fatigue, wished to sit down. He stretched himself upon the ground, and fell into deep slumber. Albine sat musing by his side. They were on the edge of a glade, near a narrow path which stretched away through the wood, streaked with flashes of sunlight, and, through a small round blue gap at its far end, revealed the sky. Other little paths led from the clearing into leafy recesses. The glade was formed of tall rose bushes rising one above the other with such a wealth of branches, such a tangle of thorny shoots, that big patches of foliage were caught aloft, and hung there tent-like, stretching out from bush to bush. Through the tiny apertures in the patches of leaves, which were suggestive of fine lace, the light
”
”
Émile Zola (Delphi Complete Works of Emile Zola)