Fools Rush In Quotes

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Fools rush in where angels fear to tread.
Alexander Pope (An Essay On Criticism)
The books are to remind us what asses and fool we are. They're Caeser's praetorian guard, whispering as the parade roars down the avenue, "Remember, Caeser, thou art mortal." Most of us can't rush around, talking to everyone, know all the cities of the world, we haven't time, money or that many friends. The things you're looking for, Montag, are in the world, but the only way the average chap will ever see ninety-nine per cent of them is in a book. Don't ask for guarantees. And don't look to be saved in any one thing, person, machine, or library. Do your own bit of saving, and if you drown, at least die knowing you were headed for shore.
Ray Bradbury (Fahrenheit 451)
It doesn’t matter how old you are, what level of schooling you’ve had or where you live—stalking is innate to the female psyche. We’ve all been there.
Kristan Higgins (Fools Rush in)
Promise me we'll stay together, okay?" His eyes are once again the clear blue of a perfectly transparent pool. They are eyes to swim in, to float in, forever. "You and me." "I promise," I say. Behind us the door creaks open, and I turn around, expecting Raven, just as a voice cuts through the air: "Don't believe her." The whole world closes around me, like an eyelid: For a moment, everything goes dark. I am falling. My ears are full of rushing; I have been sucked into a tunnel, a place of pleasure and chaos. My head is about to explode. He looks different. He is much thinner, and a scar runs from his eyebrow all the way down to his jaw. On his neck, just behind his left ear, a small tattooed number curves around the three-pronged scar that fooled me, for so long, into believing he was cured. His eyes-once a sweet, melted brown, like syrup-have hardened. Now they are stony, impenetrable. Only his hair is the same: that auburn crown, like leaves in autumn. Impossible. I close my eyes and reopen them: the boy from a dream, from a different lifetime. A boy brought back from the dead. Alex.
Lauren Oliver (Pandemonium (Delirium, #2))
I had to wonder if the Lord above had flashed a heavenly spotlight over my head and whispered, "Preach this sermon just for her. She's not going to get the message otherwise.
Janice Thompson (Fools Rush In (Weddings by Bella, #1))
No place so scared from such frops is barred Nor is Paul's Church more safe than Paul's Churchyard Na fly to alter there they'll talk you dead For fools rush in where angels fear to tread.
Alexander Pope
Wise men say, only fools rush in. But I can't help, falling in love with you.
Elvis Presley
drinking beer with friends is perhaps the most underestimated of all Reformation insights and essential to ongoing reform; and wasting time with a choice friend or two on a regular basis might be the best investment of time you ever make.
Carl R. Trueman (Fools Rush In Where Monkeys Fear to Tread: Taking Aim at Everyone)
But we do need a breather. We do need knowledge. And perhaps in a thousand years we might pick smaller cliffs to jump off. The books are to remind us what asses and fools we are. They’re Caesar’s praetorian guard, whispering as the parade roars down the avenue, ‘Remember, Caesar, thou art mortal.’ Most of us can’t rush around, talk to everyone, know all the cities of the world, we haven’t time, money or that many friends. The things you’re looking for, Montag, are in the world, but the only way the average chap will ever see ninety-nine per cent of them is in a book.
Ray Bradbury (Fahrenheit 451)
Huge mammals surrounded us, any one of whom could easily overturn our stupid little boat. Tripod would drown. I would drown. Joe would undoubtedly be rescued by mermaids seduced by his beauty.
Kristan Higgins
As for the story itself, it was entitled "The Dancing Fool." Like so many Trout stories, it was about a tragic failure to communicate. Here was the plot: A flying saucer creature named Zog arrived on Earth to explain how wars could be prevented and how cancer could be cured. He brought the information from Margo, a planet where the natives conversed by means of farts and tap dancing. Zog landed at night in Connecticut. He had no sooner touched down than he saw a house on fire. He rushed into the house, farting and tap dancing, warning the people about the terrible danger they were in. The head of the house brained Zog with a golfclub.
Kurt Vonnegut Jr. (Breakfast of Champions)
In history, as elsewhere, fools rush in, and the angels may perhaps be forgiven if rather than tread in those treacherous paths they tread upon the fools instead.
G.R. Elton
You’re lying to yourself. Voron made us into serial killers. We can be okay without violence for a few weeks, but after a couple of months, the hand starts itching for the sword. You start looking for that rush. You get irritable, life turns stale, and then one day some fool crosses your path, attacks, and as you cut him down, you feel that short moment of struggle when he leverages his life against yours. If you’re lucky, he’s very good and the fight lasts a few seconds. But even if it doesn’t, that short moment of triumph is like getting an adrenaline shot. Suddenly color comes back into life, food tastes better, sleep is deeper, and sex is rapture.” I knew exactly what he was talking about. I lived it and I felt it.
Ilona Andrews (Magic Rises (Kate Daniels, #6))
Never be fooled by what you see. It's what you do not see that will kill you.
Ash Krafton (Blood Rush (Demimonde, #2))
Grief produces an abundant energy that must find a way to burn itself up. And that is the fundamental problem, one that can take a lifetime to exhaust.
Bill Carter (Fools Rush In: A True Story of War and Redemption)
Fools rush in where angels fear to tread, and the angels are all in Heaven, but few of the fools are dead.
James Thurber (Further Fables for Our Time)
He flashed the warmest smile I'd ever seen, and my heart felt comforted. Maybe D.J. saw my insecurities, my fears. Maybe he knew God still had a lot of work to do in my life before I'd be good girlfriend material. Or maybe, just maybe, he saw beyond all that and simply wanted to flirt with the wedding coordinator instead of rehearse for the big night. I did my best to relax...and let him.
Janice Thompson (Fools Rush In (Weddings by Bella, #1))
There is a certain solid use in fools. It is not so much that they rush in where angels fear to tread, but rather that they let out what devils intend to do.
G.K. Chesterton (Alarms and Discursions)
Hackberry Holland's greatest fear was his fellow man's propensity to act collectively, in militaristic lockstep, under the banner of God and country. Mobs did not rush across town to do good deeds, and in Hackberry's view, there was no more odious taint on any social or political endeavor than universal approval.
James Lee Burke (Feast Day of Fools (Hackberry Holland, #3))
I'm an alien in my own world, a writer without words, a musician without a piano, a magician without a wand. I am fooled by infinite words that rush in my blood, yet imprisoned by the very thoughts of silence. I'm a gray green fallow leaf on trees and abandoned on the streets, a never-ending spring season and an eternal autumn. I'm the golden of the sun and the silver of the moon, the fog of dawn and the amber of dusk. I'm the white and the red flag , the obedient and the rebel. I am the coward in the brave, and the child in the man. I am, but a writer.
Nema Al-Araby (Remnants and Ashes)
Here and there among men, there are those who pause in the hurried rush to listen to the call of a life that is more real… He who sees and hears too much is cursed for a dreamer, a fanatic, or a fool, by the mad mob who, having eyes, see not, ears and hear not, and refuse to understand…
Harold Bell Wright (The Shepherd of the Hills)
Though I might walk where angels fear to tread, I try not to rush in like a fool.
Mark Lawrence (Emperor of Thorns (The Broken Empire, #3))
Of the not very many ways known of shedding one's body, falling, falling, falling is the supreme method, but you have to select your sill or ledge very carefully so as not to hurt yourself or others. Jumping from a high bridge is not recommended even if you cannot swim, for wind and water abound in weird contingencies, and tragedy ought not to culminate in a record dive or a policeman's promotion. If you rent a cell in the luminous waffle, room 1915 or 1959, in a tall business centre hotel browing the star dust, and pull up the window, and gently - not fall, not jump - but roll out as you should for air comfort, there is always the chance of knocking clean through into your own hell a pacific noctambulator walking his dog; in this respect a back room might be safer, especially if giving on the roof of an old tenacious normal house far below where a cat may be trusted to flash out of the way. Another popular take-off is a mountaintop with a sheer drop of say 500 meters but you must find it, because you will be surprised how easy it is to miscalculate your deflection offset, and have some hidden projection, some fool of a crag, rush forth to catch you, causing you to bounce off it into the brush, thwarted, mangled and unnecessarily alive. The ideal drop is from an aircraft, your muscles relaxed, your pilot puzzled, your packed parachute shuffled off, cast off, shrugged off - farewell, shootka (little chute)! Down you go, but all the while you feel suspended and buoyed as you somersault in slow motion like a somnolent tumbler pigeon, and sprawl supine on the eiderdown of the air, or lazily turn to embrace your pillow, enjoying every last instant of soft, deep, death-padded life, with the earth's green seesaw now above, now below, and the voluptuous crucifixion, as you stretch yourself in the growing rush, in the nearing swish, and then your loved body's obliteration in the Lap of the Lord.
Vladimir Nabokov (Pale Fire)
Also the natural sexual functions of establishing an intimate human contact frequently assume greater proportions. This is a well known fact about detached people for whom sexuality may be the only bridge to others, but it is not restricted to being an obvious substitute for human closeness. It shows also in the haste with which people may rush into sexual relations, without giving themselves a chance to find out whether they have anything in common or a chance to develop a liking and understanding. It is possible of course that an emotional relatedness may evolve later on. But more often than not it does not do so because usually the initial rush itself is a sign of their being too inhibited to develop a good human relationship.
Karen Horney (Neurosis and Human Growth: The Struggle Towards Self-Realization)
I think that I shall never know Why I am thus, and I am so. Around me, other girls inspire In men the rush and roar of fire, The sweet transparency of glass, The tenderness of April grass, The durability of granite; But me- I don't know how to plan it. The lads I've met in Cupid's deadlock Were- shall we say?- born out of wedlock. They broke my heart, they stilled my song, And said they had to run along, Explaining, so to sop my tears, First came their parents or careers. But ever does experience Deny me wisdom, calm, and sense! Though she's a fool who seeks to capture The twenty-first fine, careless rapture, I must go on, till ends my rope, Who from my birth was cursed with hope. A heart in half is chaste, archaic; But mine resembles a mosaic- The thing's become ridiculous! Why am I so? Why am I thus?
Dorothy Parker
And for that rush of fury? Time. Time passing with no one trying to hurt you or kill you will lessen that reaction.
Robin Hobb (Fool's Quest (The Fitz and The Fool, #2))
All wise men fear battle. Only fools rush fearless into a fight. The true warrior is not he who feels no fear, but he who conquers fear.
Daniel Arenson (The Dragon War: The Complete Trilogy (World of Requiem))
who ever said "fools rush in" was wrong the dumb thing to do is to wait too long because laters and eventually's aren't promised to come all we really ever have is this moment just one an moment to moment it's new and it's young and waiting is death to what could have begun
Jhené Aiko Efuru Chilombo (2Fish: A Poetry Book)
Fools Rush In Fools rush in Where angels fear to tread And so i come to you my love My heart above my head Though i see The danger there If there's a chance for me Then i don't care Fools rush in Where wise men never go But wise men never fall in love So how are they to know When we met I felt my life begin So open up your heart and let This fool rush in Fools rush in Where wise men never go But wise men never fall in love So how are they to know When we met I felt my life begin So open up your heart and let This fool rush in Just open up your heart and let This fool rush in Let open up your heart and let This fool rush in
Marie Antoinette
It's my experience that people want to do something, but become confused by an overwhelming sense of hopelessness, not knowing what to do, and in the end do the only thing they believe they possibly can: nothing.
Bill Carter (Fools Rush In: A True Story of War and Redemption)
Stupid women were lured into it and assured they would become young and beautiful if they let themselves be pummeled and pounded and smeared with sticky creams, and have their faces lifted and their stomachs flattened. They paid a lot of money to Madame Olympia, who would put a little bit of magic into the creams and ointments that she used so that at first they did look marvelous. But it was the kind of magic that wore off very quickly, leaving the women even uglier than before so that they would rush back to her and pay her more money and the whole thing would start again.
Eva Ibbotson (Which Witch?)
Expats of any country are quick to lose their sense of humour, beaten down by a lifetime of defending the land they no longer live in.
Bill Carter (Fools Rush In: A True Story of War and Redemption)
You're valuable to God...It doesn't matter what you look like or even what talents you have. He cherishes you. You're beautiful in his sight.
Janice Thompson (Fools Rush In (Weddings by Bella, #1))
Behind us the door creaks open, and I turn around, expecting Raven, just as a voice cuts through the air: “Don’t believe her.” The whole world closes around me, like an eyelid: For a moment, everything goes dark. I am falling. My ears are full of rushing; I have been sucked into a tunnel, a place of pressure and chaos. My head is about to explode. He looks different. He is much thinner, and a scar runs from his eyebrow all the way down to his jaw. On his neck, just behind his left ear, a small tattooed number curves around the three-pronged scar that fooled me, for so long, into believing he was cured. His eyes—once a sweet, melted brown, like syrup—have hardened. Now they are stony, impenetrable. Only his hair is the same: that auburn crown, like leaves in autumn. Impossible. I close my eyes and reopen them: the boy from a dream, from a different lifetime. A boy brought back from the dead. Alex.
Lauren Oliver
A stout, middle-aged man, with enormous owl-eyed spectacles, was sitting somewhat drunk on the edge of a great table, staring with unsteady concentration at the shelves of books. As we entered he wheeled excitedly around and examined Jordan from head to foot. “What do you think?” he demanded impetuously. “About what?” He waved his hand toward the book-shelves. “About that. As a matter of fact you needn’t bother to ascertain. I ascertained. They’re real.” “The books?” He nodded. “Absolutely real — have pages and everything. I thought they’d be a nice durable cardboard. Matter of fact, they’re absolutely real. Pages and — Here! Lemme show you.” Taking our scepticism for granted, he rushed to the bookcases and returned with Volume One of the “Stoddard Lectures.” “See!” he cried triumphantly. “It’s a bona-fide piece of printed matter. It fooled me. This fella’s a regular Belasco. It’s a triumph. What thoroughness! What realism! Knew when to stop, too — didn’t cut the pages. But what do you want? What do you expect?
F. Scott Fitzgerald (The Great Gatsby)
In this journey we call life, we are all ultimately alone.
Bill Carter (Fools Rush In: A True Story of War and Redemption)
That week we tried everything to bury our heads in the sand. But the problem remains the same world over; the sand is never quite deep enough.
Bill Carter (Fools Rush In: A True Story of War and Redemption)
For fools rush in where angels fear to tread.
Alexander Pope (The Complete Works Of Alexander Pope [Annotated])
We get some of our best results by letting fools Rush in where angels dear to tread
Henry Ford (My Life And Work (The Autobiography Of Henry Ford))
Only fools rush Death,' said Death
Jennifer Donnelly (Beauty and the Beast: Lost in a Book)
You know that saying about how fools rush in where wise men fear to tread? Ashok rushes in where fools won’t even go.
Tim Pratt (The Wrong Stars (Axiom, #1))
War is always more complex. Economics, history, religion all have a role, but not for the ones dodging the bullets. They just get blown around like seeds in the wind until the city folk with calculators and Swiss bank accounts stop talking rot from a bunker under a mountain.
Bill Carter (Fools Rush In: A True Story of War and Redemption)
Someone who spoke English had been listening to his speeches of promised freedom and would have realized they were the drunken lies of men who have titles of power but no authority to exercise it.
Bill Carter (Fools Rush In: A True Story of War and Redemption)
Surely, when looking back, our lives can, for the most part, be accounted for in our interactions with others. That is where memories are stored, in one another. And yet each person is unique enough in his or her own thoughts that no two people are going to remember the same experience in the same way.
Bill Carter (Fools Rush In: A True Story of War and Redemption)
Let us go somewhere and talk,” Kopano said to Kaidan. “We can talk here. She never uses her senses.” Whoops. I was officially eavesdropping, but I didn't feel guilty. I was too desperate for insight into Kaidan's mind. They spoke in low tones, hard to hear with the rush of rainwater. “Do not be upset, Kai. I feel only concern for her.” “I'll bet you do.” Kaidan's clipped, harsh response was in direct contrast to Kopano's tranquil words. “Even you are willing to risk yourself for her, brother.” “That's because I actually know her. What's your reason? I suppose you'd like to get to know her, too?” “You have made it very clear that she is not available in that way. Be reasonable. There is plainly more at stake here. I only wished to help.” “There's nothing you can do, Kope!” They got quiet and I could hear Kaidan's ragged breaths through his nose. “Please trust me, brother,” Kopano said. "There is no stronger weapon for Pharzuph to use than your concern for each other. If he learns that you were here to console her, you will lose all leverage with him. Do not fool yourself into thinking he will not discard you.” “Yes, some of us have to worry about such things. Thank you for the reminder.” The sounds that came next iced my blood: heavy footfalls crashing into puddles, and the metallic zing of a switchblade. I stood up with a hand to my heart. Then there was a deep, gruff chuckle. My father's. “Put it away, boy. Sorry to break up the testosterone party.
Wendy Higgins (Sweet Evil (Sweet, #1))
It was not our war, but it would be our disgrace, our shame. The West was filling to declare a war over the price of oil, but when it came to the wholesale slaughter of human beings we folded our hands across our chests and tapped our heels, with great anticipation that Sunday's sporting events would be wonderfully entertaining
Bill Carter (Fools Rush In: A True Story of War and Redemption)
Then, walking across the room, hips swaying, blond hair flowing as if in a shampoo commercial, came Joe's date. Tall. Skinny. Big boobs despite the skinniness, their cantaloupe-like roundness announcing them as store-bought
Kristan Higgins (Fools Rush in)
A surge of rightness and determination rushed into his chest. If he showed Mary his interest, told her how he felt, maybe her heart would bend to him. Even if it didn't, even if he made a complete fool of himself and lost his friendship with her, it was the true thing to do. True to his heart, true to where God seemed to be leading him.
Sarah Sundin (Through Waters Deep (Waves of Freedom, #1))
Religion didn't matter to the city drunks but they knew it mattered to the village people. What the city people wanted was land. Power. But because that all sounds rather greedy and a bit crass, they made it religious and ethnic.
Bill Carter (Fools Rush In: A True Story of War and Redemption)
And then the blood erupted, roared. Don’t rush this! I was the victim suddenly laid waste as if by a phallic god, slammed by the rushing blood against the floor of the universe, the heart pounding, emptying the frail form it sought to protect. And lo, she was dead. Oh, too soon. Crushed lily on the pillow, except she’d been no lily and I’d seen her grimy petty purple crimes as that blood made a fool of me, wasted me, left me warm, indeed hot, all over, licking my lips.
Anne Rice (Prince Lestat (The Vampire Chronicles #11))
Rush headlong and hard at life or just sit at home and wait. All things good and all the wrong will come right to you: it's fate. Hear the music, dance if you can. Dress in rags or wear your jewels. Drink your choice, nurse your fear in this old honkytonk of fools.
Dean Koontz (Dragon Tears)
I've got my own moral compass to steer by A guiding star beats a spirit in the sky And all the preaching voices - Empty vessels ring so loud As they move among the crowd Fools and thieves are well disguised In the temple and market place Like a stone in the river Against the floods of spring I will quietly resist Like the willows in the wind Or the cliffs along the ocean I will quietly resist I don't have faith in faith I don't believe in belief You can call me faithless I still cling to hope And I believe in love And that's faith enough for me I've got my own spirit level for balance To tell if my choice is leaning up or down And all the shouting voices Try to throw me off my course Some by sermon, some by force Fools and thieves are dangerous In the temple and market place Like a forest bows to winter Beneath the deep white silence I will quietly resist Like a flower in the desert That only blooms at night I will quietly resist
Rush
If there was a bad guy we could appeal to the people because, like it or not, we, the huddled masses, want our public figures to be good or bad but rarely allow them to mix the two. Not good an bad. We place people in these categories, which then creates a smooth story-line but also a dichotomy. It's why we like our male movie stars to be either bad boys or heroes, our leading ladies sluts or soccer moms. We like our politicians to be tough guys or saints. What we don't like are any signs of actual humanity, a mixture of the two. So we are left with the question: who is the bad guy? And is the bad guy in control of all that is bad?
Bill Carter (Fools Rush In: A True Story of War and Redemption)
Imagine what it's like to be (untouchable) Better not take a chance on me (untouchable) I'm the bad boy your mama told you about I'm dangerous, without a doubt Even coming off a ten-year drought Untouchable I'm the rose with hidden thorns (untouchable) Don't tell me that you haven't been warned (untouchable) I'm pretty poison under the skin, The bite of the apple that's a mortal sin In a game of love you'll never win Untouchable My reputation's fairly earned (untouchable) If you play with fire, you will get burned (untouchable) Stay out of the kitchen if you can't take the heat, My kisses are deadly as they are sweet, I'm a runaway bus on a dead-end street Untouchable Fools rush in, that's what they say(untouchable) But angels fall, too, most every day (untouchable) I'm the snake in the garden, the siren on the reef I have the face of a saint and the heart of a thief I'll promise you love! And bring you nothing but grief Untouchable Hearing Jonah sing like this was like watching him slice himself open and show off his insides. Why would he do that? Why would be write such a song? And then Emma answered her own question. Because good music always tells the truth, no matter how much it hurts. Emma couldn't be the only one who felt the bite of the blade, but everyone else seemed to take it in stride. Did they know? Did they all know about Jonah? Of course they did. They were there when it happened. They'd allow Jonah to keep the secrets that were most important to him. She knew she shouldn't resent that, but she still did. They must have known she was falling for him. They must have.
Cinda Williams Chima (The Sorcerer Heir (The Heir Chronicles, #5))
If it rushed he'd slash. Stabbing is a fool's move, the blade gets caught. Ben knew that quick slashes could fend off even a big hound or a boar.
Jonathan Maberry
There was an old Hungarian proverb: ‘Only a fool rushes bad news.
Sidney Sheldon (The Other Side of Midnight: The master of the unexpected)
an abject, miserable fool, and he repeated it to himself a dozen times in a rush of angry feeling. He despised himself. How could he have got into such a mess?
W. Somerset Maugham (Of Human Bondage (The Unabridged Autobiographical Novel))
Real love would be when no matter how happy you were at any given moment, it would be better with the person you love. Like having that person there would make it perfect
Kristan Higgins (Fools Rush in)
Yes, only a fool would have slipped into her deepest reaches and grasped the woman within. The whole of her so fine and glorious, he had reverently fondled each nuance of her mind.
Mallory Rush (Kiss of the Beast)
She kissed me again, and I returned it in kind, and it was a liquid, smooth thing, as restrained and desperate as the near-still surface of a rushing river.
Jim Butcher (Fool Moon (The Dresden Files, #2))
Finché c’è vita c’è speranza.” As long as there was life, there was hope.
Janice Thompson (Fools Rush In (Weddings by Bella #1))
Solomon warned us not to rush into God’s presence with words. That’s what fools do. And often, that’s what we do.
Francis Chan (Crazy Love: Overwhelmed by a Relentless God)
He had the kind of looks that made breathing irrelevant
Kristan Higgins (Fools Rush in)
Nothing in nature exists as a metaphor, but human beings are reckless metaphor makers anyway, and only a fool could fail to find the lesson here. The cold roots of the sleeping trees along the streambed are even now taking in water. One day soon that water will rise and spring into the world in a rush of tight green leaves poised to unfurl. Everything that waits is also preparing itself to move.
Margaret Renkl (The Comfort of Crows: A Backyard Year)
Why?” he asks. Here goes nothing. It all comes out in a rush. “Canning, I’m gay. And yeah—maybe that’s not such a big deal in the grand scheme of things. Except that the last time we were here I kind of…pushed you into fooling around with me. It wasn’t cool, and I’ve spent the last four years feeling shitty about it.” For a long moment he just gapes at me. And when he finally speaks, it isn’t what I expect him to say. “And?” And? “And…I’m sorry.
Sarina Bowen (Him (Him, #1))
Here and there among men, there are those who pause in the hurried rush to listen to the call of a life that is more real… He who sees and hears too much is cursed for a dreamer, a fanatic, or a fool, by the mad mob who, having eyes, see not, ears and hear not, and refuse to understand… Only when we can no longer strive in the battle for earthly honors or material wealth, do we turn to the unseen but more enduring things of life; and.. we strive to hear and see the things we have so long refused to consider. Pete knew a world unseen by us, and we, therefore, fancied ourselves wiser than he. The wind in the pines, the rustle of the leaves, the murmur of the brook, the growl of thunder, and the voices of the night were all understood and answered by him. The flowers, the trees, the rocks, the hills, the clouds were to him, not lifeless things, but living friends, who laughed and wept with him as he was gay or sorrowful. ‘Poor Pete,’ we said. Was he in truth, poorer or richer than we?
Harold Bell Wright (The Shepherd of the Hills)
He could cloak a mind and fool another into thinking him invisible. A parlor trick, but one he disdained to use as she glided through the chamber sprinkled with stars against void. The stars were like Eva. They shimmered with a luminous brilliance, but couldn't see their own magnificence.
Mallory Rush (Kiss of the Beast)
If you give fate a chance it will always work itself out, but men are such fools, rushing round in circles with their eyes shut, interfering with each other, smashing everything up through their own blind stupidity, and then when they’re hopelessly lost, sitting down and cursing God for not answering them when they never stopped to listen.
R.A. Dick (The Ghost and Mrs. Muir)
Joan had gained her feet. But the girl had not tried to make an escape. "I'll not leave you, Captain Future!" she cried pluckily. "Don't be a fool!" Curt cried, his gray eyes blazing. "You can't..." "Captain Future!" screamed the girl. "Behind you-" Curt whirled. But too late. Jovians who had rushed around to get at him from behind now leaped up upon him.
Edmond Hamilton
was tempted to cease struggling with him—to rush down the torrent of his will into the gulf of his existence, and there lose my own. I was almost as hard beset by him now as I had been once before, in a different way, by another. I was a fool both times. To have yielded then would have been an error of principle; to have yielded now would have been an error of judgment.
Charlotte Brontë (Jane Eyre)
She looked up and their eyes locked. “Want to be my birthday present?” she asked in a breathy whisper. Chase’s mother didn’t raise any fools. He released her hips and trailed his hand down her arm until their fingers entwined. “Let’s get out of here.” He tugged her from the dance floor, trying not to rush like he was running from a fire. But, damn. There was a fire in his britches.
Tamara Hoffa (Chasing Love)
All men of talent, whether they be men of feeling or not; whether they be zealots, or aspirants, or despots--provided only they be sincere--have their sublime moments, when they subdue and rule. I felt veneration for St. John--veneration so strong that its impetus thrust me at once to the point I had so long shunned. I was tempted to cease struggling with him--to rush down the torrent of his will into the gulf of his existence, and there lose my own. I was almost as hard beset by him now as I had been once before, in a different way, by another. I was a fool both times. To have yielded then would have been an error of principle; to have yielded now would have been an error of judgment. So I think at this hour, when I look back to the crisis through the quiet medium of time: I was unconscious of folly at the instant
Charlotte Brontë (Jane Eyre)
Nevertheless, there are many respects, in tiny and contemptible matters, where our curiosity is provoked every day. How often do we slip, who can count? How many times we initially act as if we put up with people telling idle tales in order not to offend the weak, but then gradually we find pleasure in listening. I now do not watch a dog chase a rabbit when this is happening at the circus. But if by chance I am passing when coursing occurs in the countryside, it distracts me perhaps indeed from thinking out some weighty matter. The hunt turns me to an interest in the sport, not enough to lead me to alter the direction of the beast I am riding, but shifting the inclination of my heart. Unless you had proved to me my infirmity and quickly admonished me either to take the sight as the start for some reflection enabling me to rise up to you or wholly to scorn and pass the matter by, I would be watching like an empty-headed fool. When I am sitting at home, a lizard catching flies or a spider entrapping them as they rush into its web often fascinates me. The problem is not made any different by the fact that the animals are small. The sight leads me on to praise you, the marvellous Creator and orderer of all things; but that was not how my attention first began. It is one thing to rise rapidly, another thing not to fall.
Augustine of Hippo (Confessions)
The Fool in the Tarot deck frequently depicted a boy with a dog at his heels, staring at the sky while he walked blithely off a cliff, burdened only by a bundle on a stick. The diabolist had admitted a relationship to the card. No single detail was quite right, but much as something might appear similar if one were to unfocus their vision… The young diabolist walked with the sparrow at his shoulder, eyes on the windows without looking through the windows, walking forward as if he were afraid to stop. His burden here was the gas containers. No, he was burdened not just by the gas containers, but by some notion of responsibility. A man, when facing death, aspires to finish what he started. What had the custodian of the Thorburn estate started? What drove him? She knew he sought to do good and to vanquish evil, and she could surmise that both good acts and the existence of evil had touched him deeply. The Fool card was akin to the ace. Depending on the game being played, it was often the lowest card or the highest. Valueless or highly valued. Powerless or powerful. It all depended on context. He sought to kill the demon, and he would either catastrophically fail or succeed. This Fool sought to slay the metaphorical dragon. He felt his own mortality, which was quite possibly her fault, in part, and now he rushed to finish the task he’d set for himself. To better the world. The Fool was wrought with air – the clouds he gazed at, the void beyond the cliff, the feather in his cap, even the dog could often be found mid-step, bounding, just above the ground. He was a Fool wrought with a different element. The familiar didn’t quite fit for the departure from the air, but the traditional dog didn’t conjure ideas of air right off the bat either. What was he wrought with? That was another question that begged an answer.
Wildbow (Pact)
Thorn knew women. There was no point in rushing in ... Gentle talk, that was the answer. Ask them questions about themselves ... Be interested. Most men traveled through life determined to rut as swiftly as the woman would allow. Senseless! Talk first. Learn. The touch gently, lovingly. Care. Then love and linger. Thorn had learned early, for he had always been ugly. Other men disliked him for his success, but they could never be bothered to learn from it. Fools!
David Gemmell (The King Beyond the Gate (The Drenai Saga, #2))
Here and there among men, there are those who pause in the hurried rush to listen to the call of a life that is more real. He who sees and hears too much is cursed for a dreamer, a fanatic, or a fool, by the mad mob who, having eyes, see not, ears and hear not, and refuse to understand. Only when we can no longer strive in the battle for earthly honors or material wealth, do we turn to the unseen but more enduring things of life; and we strive to hear and see the things we have so long refused to consider.
Harold Bell Wright (The Shepherd of the Hills)
The Dancing Fool.” Like so many Trout stories, it was about a tragic failure to communicate. Here was the plot: A flying saucer creature named Zog arrived on Earth to explain how wars could be prevented and how cancer could be cured. He brought the information from Margo, a planet where the natives conversed by means of farts and tap dancing. Zog landed at night in Connecticut. He had no sooner touched down than he saw a house on fire. He rushed into the house, farting and tap dancing, warning the people about the terrible danger they were in. The head of the house brained Zog with a golfclub.
Kurt Vonnegut Jr. (Breakfast of Champions)
■    All negotiations are defined by a network of subterranean desires and needs. Don’t let yourself be fooled by the surface. Once you know that the Haitian kidnappers just want party money, you will be miles better prepared.         ■    Splitting the difference is wearing one black and one brown shoe, so don’t compromise. Meeting halfway often leads to bad deals for both sides.         ■    Approaching deadlines entice people to rush the negotiating process and do impulsive things that are against their best interests.         ■    The F-word—“Fair”—is an emotional term people usually exploit to put the other side on the defensive and gain concessions. When your counterpart drops the F-bomb, don’t get suckered into a concession. Instead, ask them to explain how you’re mistreating them.         ■    You can bend your counterpart’s reality by anchoring his starting point. Before you make an offer, emotionally anchor them by saying how bad it will be. When you get to numbers, set an extreme anchor to make your “real” offer seem reasonable, or use a range to seem less aggressive. The real value of anything depends on what vantage point you’re looking at it from.         ■    People will take more risks to avoid a loss than to realize a gain. Make sure your counterpart sees that there is something to lose by inaction.
Chris Voss (Never Split the Difference: Negotiating as if Your Life Depended on It)
But under the beards--and this was K.'s real discovery­ --badges of various sizes and colors gleamed on their coat­ collars. They all wore those badges as far he could see. They were all colleagues, these ostensible parties of the right and left, and as he turned round suddently he saw the same badges on the coat collar of the Examining Magistrate, who was sitting quietly watching the scene with his hands on his knees. "So!" cried K. flinging his arms in the air, his sudden enlightenment had to break out, "every man jack of you is an official, I see, you are yourselves the corrupt agents of whom I have been speaking, you've all come rushing here to listen and nose out what you can about me, making a pretense of party divisions, and half of you applauded merely to lead me on, you wanted some practice in fooling an innocent man.
Franz Kafka (The Trial)
Morrow's rush of disgust, temporary as it might prove, had nothing to do with the truths-turned-insults flung out. No. What riled Morrow ran far deeper - was the sheer perversity of Chess's own nature, that unbreakable wilfulness he'd always revered in himself, as sign and source of his own freedom. His stark refusal ever to be bound, to obey aught but his own whim and want. Because while he could walk free and hold a gun Chess Pargeter answered to no man - no man, no law, no damn body, motherfucker. No ideal, no cause, no force but sheer chaos, bound and determined to move unimpeded and burn for the sake of burning. To never submit himself to ghost or hex or priest or even God, 'less he damn well wanted to. No man except Ash Rook, that was - for a time. And after this last betrayal, from now on... not even him. 'Course not, Morrow's anger spoke back, unimpressed by Chess's well-tuned inner litany. That's 'cause you're nothing but a brat who never grew up - a skillet-hopping little hot-pants who knows everything 'bout killing and nothing at all 'bout living. Who spits on friendship, duty and honour not 'cause he's above them, so much as 'cause he don't know what they even mean - same way you don't really grasp how anything's real, 'cept if you want it, or it hurts you. And that's why you ended up givin' everything you had to a man who skinned you alive, then left you stranded down in Hell - 'cause he was what you wanted, and Christ forbid Chess Pargeter ever admit what he wanted was a goddamn bad idea. You made it easy for him, Chess, you damn fool. 'Cause you couldn't believe you deserved anything better. And me? I'd never do that to you, or anyone. Never.
Gemma Files (A Book of Tongues (Hexslinger, #1))
After all, when we had all the books we needed, we still insisted on finding the highest cliff to jump off. But we do need a breather. We do need knowledge. And perhaps in a thousand years we might pick smaller cliffs to jump off. The books are to remind us what asses and fools we are. They're Caesar's praetorian guard, whispering as the parade roars down the avenue, 'Remember, Caesar, thou art mortal.' Most of us can't rush around, talking to everyone, know all the cities of the world, we haven't time, money or that many friends. The things you're looking for, Montag, are in the world, but the only way the average chap will ever see ninety-nine per cent of them is in a book. Don't ask for guarantees. And don't look to be saved in any one thing, person, machine, or library. Do your own bit of saving, and if you drown, at least die knowing you were headed for shore.
Ray Bradbury (Fahrenheit 451)
Stop it,” came Eustace’s voice, squeaky with fright and bad temper. “It’s some silly trick you two are playing. Stop it. I’ll tell Alberta--Ow!” The other two were much more accustomed to adventures, but, just exactly as Eustace Clarence said “Ow,” they both said “Ow” too. The reason was that a great cold, salt splash had broken right out of the frame and they were breathless from the smack of it, besides being wet through. “I’ll smash the rotten thing,” cried Eustace; and then several things happened at the same time. Eustace rushed toward the picture. Edmund, who knew something about magic, sprang after him, warning him to look out and not to be a fool. Lucy grabbed at him from the other side and was dragged forward. And by this time either they had grown much smaller or the picture had grown bigger. Eustace jumped to try to pull it off the wall and found himself standing on the frame; in front of him was not glass but real sea, and wind and waves rushing up to the frame as they might to a rock. He lost his head and clutched at the other two who had jumped up beside him. There was a second of struggling and shouting, and just as they thought they had got their balance a great blue roller surged up round them, swept them off their feet, and drew them down into the sea. Eustace’s despairing cry suddenly ended as the water got into his mouth. Lucy thanked her stars that she had worked hard at her swimming last summer term. It is true that she would have got on much better if she had used a slower stroke, and also that the water felt a great deal colder than it had looked while it was only a picture. Still, she kept her head and kicked her shoes off, as everyone ought to do who falls into deep water in their clothes. She even kept her mouth shut and her eyes open. They were still quite near the ship; she saw its green side towering high above them, and people looking at her from the deck. Then, as one might have expected, Eustace clutched at her in a panic and down they both went.
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
ONCE, a youth went to see a wise man, and said to him: “I have come seeking advice, for I am tormented by feelings of worthlessness and no longer wish to live. Everyone tells me that I am a failure and a fool. I beg you, Master, help me!” The wise man glanced at the youth, and answered hurriedly: “Forgive me, but I am very busy right now and cannot help you. There is one urgent matter in particular which I need to attend to...”—and here he stopped, for a moment, thinking, then added: “But if you agree to help me, I will happily return the favor.” “Of...of course, Master!” muttered the youth, noting bitterly that yet again his concerns had been dismissed as unimportant. “Good,” said the wise man, and took off a small ring with a beautiful gem from his finger. “Take my horse and go to the market square! I urgently need to sell this ring in order to pay off a debt. Try to get a decent price for it, and do not settle for anything less than one gold coin! Go right now, and come back as quick as you can!” The youth took the ring and galloped off. When he arrived at the market square, he showed it to the various traders, who at first examined it with close interest. But no sooner had they heard that it would sell only in exchange for gold than they completely lost interest. Some of the traders laughed openly at the boy; others simply turned away. Only one aged merchant was decent enough to explain to him that a gold coin was too high a price to pay for such a ring, and that he was more likely to be offered only copper, or at best, possibly silver. When he heard these words, the youth became very upset, for he remembered the old man’s instruction not to accept anything less than gold. Having already gone through the whole market looking for a buyer among hundreds of people, he saddled the horse and set off. Feeling thoroughly depressed by his failure, he returned to see the wise man. “Master, I was unable to carry out your request,” he said. “At best I would have been able to get a couple of silver coins, but you told me not to agree to anything less than gold! But they told me that this ring is not worth that much.” “That’s a very important point, my boy!” the wise man responded. “Before trying to sell a ring, it would not be a bad idea to establish how valuable it really is! And who can do that better than a jeweler? Ride over to him and find out what his price is. Only do not sell it to him, regardless of what he offers you! Instead, come back to me straightaway.” The young man once more leapt up on to the horse and set off to see the jeweler. The latter examined the ring through a magnifying glass for a long time, then weighed it on a set of tiny scales. Finally, he turned to the youth and said: “Tell your master that right now I cannot give him more than 58 gold coins for it. But if he gives me some time, I will buy the ring for 70.” “70 gold coins?!” exclaimed the youth. He laughed, thanked the jeweler and rushed back at full speed to the wise man. When the latter heard the story from the now animated youth, he told him: “Remember, my boy, that you are like this ring. Precious, and unique! And only a real expert can appreciate your true value. So why are you wasting your time wandering through the market and heeding the opinion of any old fool?
William Mougayar (The Business Blockchain: Promise, Practice, and Application of the Next Internet Technology)
Mr. Haverstrom closes the door, leaving Patrick and me alone in the hallway. Pat smiles slickly, leaning in toward me. I step back until I press against the wall. It’s uncomfortable—but not threatening. Mostly because in addition to racquetball I’ve practiced aikido for years. So if Patrick tries anything funny, he’s in for a very painful surprise. “Let’s be honest, Sarah: you know and I know the last thing you want to do is give a presentation in front of hundreds of people—your colleagues.” My heart tries to crawl into my throat. “So, how about this? You do the research portion, slides and such that I don’t really have time for, and I’ll take care of the presentation, giving you half the credit of course.” Of course. I’ve heard this song before—in school “group projects” where I, the quiet girl, did all the work, but the smoothest, loudest talker took all the glory. “I’ll get Haverstrom to agree on Saturday—I’m like a son to him,” Pat explains before leaning close enough that I can smell the garlic on his breath. “Let Big Pat take care of it. What do you say?” I say there’s a special place in hell for people who refer to themselves in the third person. But before I can respond, Willard’s firm, sure voice travels down the hall. “I think you should back off, Nolan. Sarah’s not just ‘up for it,’ she’ll be fantastic at it.” Pat waves his hand. “Quiet, midge—the adults are talking.” And the adrenaline comes rushing back, but this time it’s not anxiety-induced—it’s anger. Indignation. I push off the wall. “Don’t call him that.” “He doesn’t mind.” “I mind.” He stares at me with something akin to surprise. Then scoffs and turns to Willard. “You always let a woman fight your battles?” I take another step forward, forcing him to move back. “You think I can’t fight a battle because I’m a woman?” “No, I think you can’t fight a battle because you’re a woman who can barely string three words together if more than two people are in the room.” I’m not hurt by the observation. For the most part, it’s true. But not this time. I smile slowly, devilishly. Suddenly, I’m Cathy Linton come to life—headstrong and proud. “There are more than two people standing here right now. And I’ve got more than three words for you: fuck off, you arrogant, self-righteous swamp donkey.” His expression is almost funny. Like he can’t decide if he’s more shocked that I know the word fuck or that I said it out loud to him—and not in the good way. Then his face hardens and he points at me. “That’s what I get for trying to help your mute arse? Have fun making a fool of yourself.” I don’t blink until he’s down the stairs and gone. Willard slow-claps as he walks down the hall to me. “Swamp donkey?” I shrug. “It just came to me.” “Impressive.” Then he bows and kisses the back of my hand. “You were magnificent.” “Not half bad, right? It felt good.” “And you didn’t blush once.” I push my dark hair out of my face, laughing self-consciously. “Seems like I forget all about being nervous when I’m defending someone else.” Willard nods. “Good. And though I hate to be the twat who points it out, there’s something else you should probably start thinking about straight away.” “What’s that?” “The presentation in front of hundreds of people.” And just like that, the tight, sickly feeling washes back over me. So this is what doomed feels like. I lean against the wall. “Oh, broccoli balls.
Emma Chase (Royally Matched (Royally, #2))
Last Thoughts On Woody Guthrie When yer head gets twisted and yer mind grows numb When you think you're too old, too young, too smart or too dumb When yer laggin' behind an' losin' yer pace In a slow-motion crawl of life's busy race No matter what yer doing if you start givin' up If the wine don't come to the top of yer cup If the wind's got you sideways with with one hand holdin' on And the other starts slipping and the feeling is gone And yer train engine fire needs a new spark to catch it And the wood's easy findin' but yer lazy to fetch it And yer sidewalk starts curlin' and the street gets too long And you start walkin' backwards though you know its wrong And lonesome comes up as down goes the day And tomorrow's mornin' seems so far away And you feel the reins from yer pony are slippin' And yer rope is a-slidin' 'cause yer hands are a-drippin' And yer sun-decked desert and evergreen valleys Turn to broken down slums and trash-can alleys And yer sky cries water and yer drain pipe's a-pourin' And the lightnin's a-flashing and the thunder's a-crashin' And the windows are rattlin' and breakin' and the roof tops a-shakin' And yer whole world's a-slammin' and bangin' And yer minutes of sun turn to hours of storm And to yourself you sometimes say "I never knew it was gonna be this way Why didn't they tell me the day I was born" And you start gettin' chills and yer jumping from sweat And you're lookin' for somethin' you ain't quite found yet And yer knee-deep in the dark water with yer hands in the air And the whole world's a-watchin' with a window peek stare And yer good gal leaves and she's long gone a-flying And yer heart feels sick like fish when they're fryin' And yer jackhammer falls from yer hand to yer feet And you need it badly but it lays on the street And yer bell's bangin' loudly but you can't hear its beat And you think yer ears might a been hurt Or yer eyes've turned filthy from the sight-blindin' dirt And you figured you failed in yesterdays rush When you were faked out an' fooled white facing a four flush And all the time you were holdin' three queens And it's makin you mad, it's makin' you mean Like in the middle of Life magazine Bouncin' around a pinball machine And there's something on yer mind you wanna be saying That somebody someplace oughta be hearin' But it's trapped on yer tongue and sealed in yer head And it bothers you badly when your layin' in bed And no matter how you try you just can't say it And yer scared to yer soul you just might forget it And yer eyes get swimmy from the tears in yer head And yer pillows of feathers turn to blankets of lead And the lion's mouth opens and yer staring at his teeth And his jaws start closin with you underneath And yer flat on your belly with yer hands tied behind And you wish you'd never taken that last detour sign And you say to yourself just what am I doin' On this road I'm walkin', on this trail I'm turnin' On this curve I'm hanging On this pathway I'm strolling, in the space I'm taking In this air I'm inhaling Am I mixed up too much, am I mixed up too hard Why am I walking, where am I running What am I saying, what am I knowing On this guitar I'm playing, on this banjo I'm frailin' On this mandolin I'm strummin', in the song I'm singin' In the tune I'm hummin', in the words I'm writin' In the words that I'm thinkin' In this ocean of hours I'm all the time drinkin' Who am I helping, what am I breaking What am I giving, what am I taking But you try with your whole soul best Never to think these thoughts and never to let Them kind of thoughts gain ground Or make yer heart pound ...
Bob Dylan
I want you to come for me,” he whispered. “Now. I want to feel your muscles contract around my fingers. I want to hear your breathing catch, and I want you to scream.” The erotic image of his words made her shiver, then tense. She opened her eyes and realized that, unlike the previous night in the tent, this time she could see him. All of him. And that he could see her. And that he was looking. Their gazes locked as he continued to touch her. He moved a little faster, pushed a little harder until she felt herself losing control. Then he kissed her, dipping into her mouth, mimicking the actions between her legs. It was just enough to send her over the edge. She felt her eyes flutter closed as her release claimed her. Pleasure rushed through her in waves of contractions. She arched her body toward him, sucked in her breath and maybe even screamed. Fortunately the sound was muffled by Zane’s kiss. He continued to touch her, gentling the contact, slowing, until every last shudder had stilled, and she could think again. “You’re so beautiful,” he told her when she looked at him. “All of you.” She made a leisurely, visual exploration of his muscled chest, his flat belly, his jutting erection. He was a man who worked hard, and it showed. “So are you.
Susan Mallery (Kiss Me (Fool's Gold, #17))
All negotiations are defined by a network of subterranean desires and needs. Don’t let yourself be fooled by the surface. Once you know that the Haitian kidnappers just want party money, you will be miles better prepared. ■​Splitting the difference is wearing one black and one brown shoe, so don’t compromise. Meeting halfway often leads to bad deals for both sides. ■​Approaching deadlines entice people to rush the negotiating process and do impulsive things that are against their best interests. ■​The F-word—“Fair”—is an emotional term people usually exploit to put the other side on the defensive and gain concessions. When your counterpart drops the F-bomb, don’t get suckered into a concession. Instead, ask them to explain how you’re mistreating them. ■​You can bend your counterpart’s reality by anchoring his starting point. Before you make an offer, emotionally anchor them by saying how bad it will be. When you get to numbers, set an extreme anchor to make your “real” offer seem reasonable, or use a range to seem less aggressive. The real value of anything depends on what vantage point you’re looking at it from. ■​People will take more risks to avoid a loss than to realize a gain. Make sure your counterpart sees that there is something to lose by inaction.
Chris Voss (Never Split the Difference: Negotiating as if Your Life Depended on It)
After several long, tense minutes, one of the hounds began to bark excitedly somewhere in the trees upstream. The other dogs rushed in that direction and resumed the deep-chested baying that meant they were in close pursuit of their quarry. When the clamor had receded, Roran slowly rose to his full height and swept his gaze over the trees and bushes. “All clear,” he said, keeping his voice subdued. As the others stood, Hamund--who was tall and shaggy-haired and had deep lines next to his mouth, although he was only a year older than Roran--turned on Carn, scowling, and said, “Why couldn’t you have done that before, instead of letting us go riding willy-nilly over the countryside and almost breaking our necks coming down that hill?” He motioned back toward the stream. Carn responded with an equally angry tone: “Because I hadn’t thought of it yet, that’s why. Given that I just saved you the inconvenience of having a host of small holes poked in your hide, I would think you might show a bit of gratitude.” “Is that so? Well, I think that you ought to spend more time working on your spells before we’re chased halfway to who-knows-where and--” Fearing that their argument could turn dangerous, Roran stepped between them. “Enough,” he said. Then he asked Carn, “Will your spell hide us from the guards?” Carn shook his head. “Men are harder to fool than dogs.” He cast a disparaging look at Hamund. “Most of them, at least.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
She heard nothing but experienced a sensation that prickled along her spine like a warm touch caressing her skin. Slowly, with the care of prey beneath a predator's survey, she turned her head- and met the gaze of the elegant gentleman lounging at the door. In her travels, she had seen many a striking and charming man, but none had been as handsome as this- and all had been more charming. This man was a statue in stark black and white, hewn from rugged granite and adolescent dreams. His face wasn't really handsome; his nose was thin and crooked, his eyes heavy lidded, his cheekbones broad, stark and hollowed. But he wielded a quality of power, of toughness, that made Eleanor want to huddle into a shivering, cowardly little ball. Then he smiled, and she caught her breath in awe. His mouth... his glorious, sensual mouth. His lips were wide, too wide, and broad, too broad. His teeth were white, clean, strong as a wolf's. He looked like a man seldom amused by life, but he was amused by her, and she realized in a rush of mortification that she remained standing on the stool, reading one of his books and lost to the grave realities of her situation. The reality that stated she was an imposter, sent to mollify this man until the real duchess could arrive. Mollify? Him? Not likely. Nothing would mollify him. Nothing except... well, whatever it was he wanted. And she wasn't fool enough to think she knew what that was. The immediate reality was that she would somehow have to step down onto the floor and of necessity expose her ankles to his gaze. It wasn't as if he wouldn't look. He was looking now, observing her figure with an appreciation all the more impressive for its subtlety. His gaze flicked along her spine, along her backside, and down her legs with such concentration that she formed the impression he knew very well what she looked like clad only in her chemise- and that was an unnerving sensation.
Christina Dodd (One Kiss From You (Switching Places, #2))
No? And yet you are a part of it, like I was, and I’ll wager you don’t like it any more than I did. Well, why am I the black sheep of the Butler family? For this reason and no other—I didn’t conform to Charleston and I couldn’t. And Charleston is the South, only intensified. I wonder if you realize yet what a bore it is? So many things that one must do because they’ve always been done. So many things, quite harmless, that one must not do for the same reason. So many things that annoyed me by their senselessness. Not marrying the young lady, of whom you have probably heard, was merely the last straw. Why should I marry a boring fool, simply because an accident prevented me from getting her home before dark? And why permit her wild-eyed brother to shoot and kill me, when I could shoot straighter? If I had been a gentleman, of course, I would have let him kill me and that would have wiped the blot from the Butler escutcheon. But—I like to live. And so I’ve lived and I’ve had a good time…. When I think of my brother, living among the sacred cows of Charleston, and most reverent toward them, and remember his stodgy wife and his Saint Cecilia Balls and his everlasting rice fields—then I know the compensation for breaking with the system. Scarlett, our Southern way of living is as antiquated as the feudal system of the Middle Ages. The wonder is that it’s lasted as long as it has. It had to go and it’s going now. And yet you expect me to listen to orators like Dr. Meade who tell me our Cause is just and holy? And get so excited by the roll of drums that I’ll grab a musket and rush off to Virginia to shed my blood for Marse Robert? What kind of a fool do you think I am? Kissing the rod that chastised me is not in my line. The South and I are even now. The South threw me out to starve once. I haven’t starved, and I am making enough money out of the South’s death throes to compensate me for my lost birthright.
Margaret Mitchell (Gone with the Wind)
Odysseus smiled in return, teeth white against his dark beard. “Excellent. One tent’s enough, I hope? I’ve heard that you prefer to share. Rooms and bedrolls both, they say.” Heat and shock rushed through my face. Beside me, I heard Achilles’ breath stop. “Come now, there’s no need for shame—it’s a common enough thing among boys.” He scratched his jaw, contemplated. “Though you’re not really boys any longer. How old are you?” “It’s not true,” I said. The blood in my face fired my voice. It rang loudly down the beach. Odysseus raised an eyebrow. “True is what men believe, and they believe this of you. But perhaps they are mistaken. If the rumor concerns you, then leave it behind when you sail to war.” Achilles’ voice was tight and angry. “It is no business of yours, Prince of Ithaca.” Odysseus held up his hands. “My apologies if I have offended. I merely came to wish you both good night and ensure that all was satisfactory. Prince Achilles. Patroclus.” He inclined his head and turned back to his own tent. Inside the tent there was quietness between us. I had wondered when this would come. As Odysseus said, many boys took each other for lovers. But such things were given up as they grew older, unless it was with slaves or hired boys. Our men liked conquest; they did not trust a man who was conquered himself. “Perhaps he is right,” I said. Achilles’ head came up, frowning. “You do not think that.” “I do not mean—” I twisted my fingers. “I would still be with you. But I could sleep outside, so it would not be so obvious. I do not need to attend your councils. I—” “No. The Phthians will not care. And the others can talk all they like. I will still be Aristos Achaion.” Best of the Greeks. “Your honor could be darkened by it.” “Then it is darkened.” His jaw shot forward, stubborn. “They are fools if they let my glory rise or fall on this.” “But Odysseus—” His eyes, green as spring leaves, met mine. “Patroclus. I have given enough to them. I will not give them this.” After that, there was nothing more to say
Madeline Miller (The Song of Achilles)
Why should I fight to uphold the system that cast me out? I shall take pleasure in seeing it smashed.' 'I never heard of any system,' she said crossly. 'No? And yet you are a part of it, like I was, and I'll wager you don't like it any more than I did. Well, why am I the black sheep of the butler family? For this reason and no other-I didn't conform to Charleston and I couldn't. And Charleston is the South, only intensified. I wonder if you realize yet what a bore it is? So many things that one must do because they've always been done. So many things, quite harmless, that one must not do for the same reason. So many things that annoyed me by their senselessness. not marrying the young lady, of whom you have probably heard, was merely the last straw. Why should I marry a boring fool, simply because an accident prevented me from getting her home before dark? And why permit her wild-eyed brother to shoot and kill me, when I could shoot straighter? If I had been a gentleman, of course, I would have let him kill me and that would have wiped the blot from the Butler escutcheon. But-I like to live. And so I've lived and I've had a good time. . . . When I think of my brother, living among t he sacred cows of Charleston, and most reverent toward them, and remember his stodgy wife and his Saint Cecilia Balls and his everlasting rice fields-then I know the compensation for breaking with the system. Scarlett, our Southern way of living is as antiquated as the feudal system of the Middle Ages. The wonder is that it's lasted as long as it has. It had to go and it's going now. And yet you expect me to listen to orators like Dr. Meade who tell me our Cause is just and holy? And get so excited by the roll of drums that I'll grab a musket and rush off to Virginia to shed my blood for Marse Robert? What kind of a fool do you think I am? Kissing the rod that chastised me is not in my line. The South and I are even now. The South threw me out to starve once. I haven't starved, and I am making enough money out of the South's death throes to compensate me for my lost birthright.
Margaret Mitchell (Gone with the Wind)
Zane continued to look at her. Even better, he kept her hand in his, his thumb rubbing up and down the length of her fingers. Over and over. Up and down. It was very rhythmic. And sexual. Her thighs took on a life of their own, getting all hot and shaking slightly. Her mouth went dry, her breasts were jealous of the attention her hand was getting and her hormones were singing the “Hallelujah Chorus.” Obviously she needed intensive therapy…or maybe just sex. Zane’s eyes darkened. The muscles in his face tightened, and he stared at her with a hawkish expression. Had he been anyone else, she would have sworn that he’d just had a physical awakening of his own. Awareness crackled around them, like self-generated lightning. The tightness in her chest eased just enough for her to suck in a breath, which was really good, because the next second it all came rushing out again when he kissed her. Just like that. With no warning, Zane Nicholson bent his head and claimed her mouth. It wasn’t a movie-perfect kiss. They didn’t magically melt into each other. Instead their noses bumped, and somehow the hand still holding hers got trapped between them. But all that was fairly insignificant when compared with the intense, sensual heat generated by the pressure of his lips on hers. That part was exactly right. Not too hard, not too soft. When he moved against her, need shot through her body. Had she been breathing again, she would have whimpered. Had he tried to pull away, she would have fallen at his feet and begged him not to stop. Somehow he released her hand and pulled his free. He wrapped his arms around her and hauled her against him so her entire body pressed against his. The man was a rock. Big, unyielding and warmed by the sun. She wanted to snuggle even closer. She wanted to rip off her clothes and give the goats something to talk about. She wanted-- He licked her lower lip. The unexpected moist heat made her gasp as fire raced through her. Every singed nerve ending vibrated with need for more. The masculine, slightly piney scent of him surrounded her. Operating only on instinct, she parted her lips to allow him entry. She had a single heartbeat to brace herself for the power of his tongue touching hers. Then he swept inside and blew her away.
Susan Mallery (Kiss Me (Fool's Gold, #17))
In order to refashion the world, it is necessary for people themselves to adopt a different mental attitude. Until man becomes brother unto man, there shall be no brotherhood of men. No kind of science or material advantage will ever induce people to share their property or their rights equitably. No one will ever have enough, people will always grumble, they will always envy and destroy one another. You ask when will all this come about. It will come about, but first there must be an end to the habit of self-imposed isolation of man.’ ‘What isolation?’ I asked him. ‘The kind that is prevalent everywhere now, especially in our age, and which has not yet come to an end, has not yet run its course. For everyone nowadays strives to dissociate himself as much as possible from others, everyone wants to savour the fullness of life for himself, but all his best efforts lead not to fullness of life but to total self-destruction, and instead of ending with a comprehensive evaluation of his being, he rushes headlong into complete isolation. For everyone has dissociated himself from everyone else in our age, everyone has disappeared into his own burrow, distanced himself from the next man, hidden himself and his possessions, the result being that he has abandoned people and has, in his turn, been abandoned. He piles up riches in solitude and thinks: ‘How powerful I am now, and how secure,’ and it never occurs to the poor devil that the more he accumulates, the further he sinks into suicidal impotence. For man has become used to relying on himself alone, and has dissociated himself from the whole; he has accustomed his soul to believe neither in human aid, nor in people, nor in humanity; he trembles only at the thought of losing his money* and the privileges he has acquired. Everywhere the human mind is beginning arrogantly to ignore the fact that man’s true security is to be attained not through the isolated efforts of the individual, but in a corporate human identity. But it is certain that this terrible isolation will come to an end, and everyone will realize at a stroke how unnatural it is for one man to cut himself off from another. This will indeed be the spirit of the times, and people will be surprised how long they have remained in darkness and not seen the light. It is then that the sign of the Son of man will appear in heaven…* But, nevertheless, until then man should hold the banner aloft and should from time to time, quite alone if necessary, set an example and rescue his soul from isolation in order to champion the bond of fraternal love, though he be taken for a holy fool. And he should do this in order that the great Idea should not die…
Fyodor Dostoevsky (The Karamazov Brothers)
His shining skin drew my attention and I became enslaved to the need to explore every inch of his flesh. His body brought on an ache in me I hadn't known for a long time. Since my ex had dumped me after I'd given him my virginity, I hadn't done more than fool around with guys. The desire to go further had never really risen again. Not until Orion. And I had never, in all my life, wanted anyone like I wanted him. His beard had been trimmed even shorter for the party, revealing the powerful cut of his jaw and that divine dimple in his cheek. He'd brought me here, alone, cordoning me off from the world. And the blazing intensity in his gaze made me hope that maybe he was about to drop the teacher act for one night and admit he was drawn to me too. He glanced above us and his brow furrowed heavily. “Up there are a thousand reasons why we can't be together.” I swallowed thickly, goosebumps rushing along my skin in response to his words. I pressed my back to the cool tiles of the pool and the goosebumps spread deeper, evoking a shiver across my body. “I'm bound by so many rules I could waste the rest of your evening telling you them,” he said. “Skip them then, sir.” A smile played around my mouth as a thrill danced in my chest. He moved closer and rested his hands either side of me on the wall. “I think the time for sirs and professors is over, don't you?” No answer came from my lips, but my body gave it to him as I reached out and did the one thing I'd dreamed about the most since this all-consuming crush had first started. I brushed my fingers across the stubble on his jaw, resting my thumb over the dimple in his cheek, feeling the tiny rivet in his skin. The distance parting us suddenly felt like too much; the air was racing over my exposed flesh, chilling me to the core. I needed the heat of his hands, the red hot press of his stomach and chest. “Lance,” I breathed and his pupils dilated as I met his gaze. He devoured the space between us and I experienced pure sin as his mouth crushed against mine. It was gunpowder meeting fire and the result was an all-consuming blaze which burned me up from the inside out. A desperate noise escaped me that would have made me blush if I’d had any scrap of self-awareness left. But that was all it took for him to slam into me full force, hitching my legs up around his waist so fast it made my head spin. My hands finally got their deepest wish and roamed down the plains of all that gloriously golden skin. But it wasn't enough just to feel the flex of his muscles, I needed more and I took it by scratching against his beautiful shell, wanting to break beneath flesh and bone and burrow my way deeper. I need more. (Darcy)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
Then the Fool was only a role? Someone you became because it ‘suited your purpose’? And what was your purpose? To gain a doddering king’s trust? To befriend a royal bastard? Did you become what we most needed in order to get close to us?” He was not looking at me, but as I gazed at his motionless profile, he closed his eyes. Then he spoke. “Of course I did. Make of that what you will.” His words were like spurs to my fury. “I see. None of it was real. I’ve never known you at all then, have I?” I expected no answer and for an instant I strangled silently on my anger and insult. Then, “Yes. You have. You more than anyone in my life.” He looked down and the stillness seemed to grow around him. “If that is true, then I think you owe me the truth about yourself. What is the reality, Fool, not what you jest about or allow others to suspect? Who and what are you? What is it you feel for me?” He looked at me at last. His eyes were stricken. But as I continued to gaze at him, demanding this knowledge, I saw his own anger come to life there. He suddenly stood straight and gave a small huff of disdain, as if unbelieving that I could ask. He shook his head then drew a deep breath. The words rushed out of him in a torrent. “You know who I am. I have even given you my true name. As for what I am, you know that, too. You seek a false comfort when you demand that I define myself for you with words. Words do not contain or define any person. A heart can, if it is willing. But I fear yours is not. You know more of the whole of me than any other person who breathes, yet you persist in insisting that all of that cannot be me. What would you have me cut off and leave behind? And why must I truncate myself in order to please you? I would never ask that if you. And by those words, admit the truth. You know what I feel for you. You have known it for years. Let us not, you and I, alone here, pretend that you don’t. You know I love you. I always have. I always will.” He spoke the words levelly. He said them as if they were inevitable. There was no trace of either shame or triumph in his voice. The he waited. Words such as that always demand an answer. I took a deep breath and managed the elfbark’s black mood. I spoke honestly and bluntly. “And you know that I love you, Fool. As a man loves his dearest friend. I feel no shame in that. But to let Jek or Starling or anyone think that we take it beyond friendship’s bound, thst you would want to lie with me, is—” I paused. I waited for his agreement. It did not come. Instead, he met my eyes with his open amber gaze. There was no denial in them. “I love you,” he said quietly. “I set no boundaries on my love. None at all. Do you understand me?
Robin Hobb (Golden Fool (Tawny Man, #2))
Evening,” Zane said. It was a pretty wordy opening for him. Phoebe debated inviting him in, then decided it would be too much like an offer to sleep with him. Instead of stepping back and pointing to the bed, which was really what she wanted to do, she moved down the hallway, shutting the door behind her, and did her best to look unimpressed. “Hi, Zane. How are the preparations coming?” He gave her one of his grunts, then shrugged. She took that to mean, “Great. And thanks so much for asking.” They weren’t standing all that close, but she was intensely aware of him. Despite the fact that he’d probably been up at dawn and that it was now close to ten, he still smelled good. He wasn’t wearing his cowboy hat, so she could see his dark hair. Stubble defined his jaw. She wanted to rub her hands over the roughness, then maybe hook her leg around his hip and slide against him like the sex-starved fool she was turning out to be. “Maya’ll be here tomorrow,” he said. “Elaine Mitchell is bringing her out to the ranch with all of the greenhorns in her tourist bus.” She had to clear her throat before speaking. “Maya called me about an hour ago to let me know she’d be getting here about three.” He folded his arms across his broad chest, then leaned sideways against the doorjamb beside her. So very close. Her attention fixed on the strong column of his neck, and a certain spot just behind his jaw that she had a sudden urge to kiss. Would it be warm? Would she feel his pulse against her lips? “She doesn’t need to know what happened,” Zane said. Phoebe couldn’t quite make sense of his words, and he must have read the confusion in her eyes. They were alone, it was night and the man seemed to be looming above her in the hallway. She’d never thought she would enjoy being loomed over, but it was actually very nice. She had the feeling that if she suddenly saw a mouse or something, she could shriek and jump, and he would catch her. Of course he would think she was an idiot, but that was beside the point. “Between us,” he explained. “Outside. She doesn’t need to know about the kiss.” A flood of warmth rushed to her face as she understood that he regretted kissing her. She instinctively stepped backward, only to bump her head against the closed bedroom door. Before she had time to be embarrassed about her lack of grace or sophistication, he groaned, reached for her hips and drew her toward him. “She doesn’t need to know about this one, either.” His lips took hers with a gentle but commanding confidence. Her hands settled on either side of the strong neck she’d been eyeing only seconds ago. His skin was as warm as she’d imagined it would be. The cords of his muscles moved against her fingers as he lifted his head to a better angle. His hands were still, except his thumbs, which brushed her hip bones, slow and steady. His fingers splayed over the narrowest part of her waist and nearly met at the small of her back. She wished she could feel his fingertips against her skin, but her thin cotton top got in the way. He kept her body at a frustrating distance from his. In fact, when she tried to move closer, he held her away even as he continued the kiss. Lips on lips. Hot and yielding. She waited for him to deepen the kiss, but he didn’t. And she couldn’t summon the courage to do it herself. Finally, he drew back and rested his forehead against hers for a long moment. “Do me a favor,” he said. “Try to be a little more resistible. I don’t think I can take a week of this.” Then he turned on his heel, walked to a door at the end of the long hallway, and went inside. She stood in place, her fingers pressed against her still-tingling lips. More than a minute passed before she realized she was smiling.
Susan Mallery (Kiss Me (Fool's Gold, #17))
My wife makes 99% of the rules in our house, but one rule I insisted on, when the kids were small, is that I wasn’t going to have “pets” in the house that aren’t really pets. Fish, birds, cats, dogs… that’s fine. No spiders, ferrets, snakes, gerbils, hamsters; if you would kill the thing if it came into the house on its own, that’s not a pet.
Bill James (Fools Rush Inn: More Detours on the Way to Conventional Wisdom)
Slow rush up the body, covered in goosebumps, staying awake because of a choice that was made, a chose that is not one of worth but infect one of pure satisfaction.When you acept elixiring as style of life, it reveals you to yourself and all your inner angels but also demons lying beneth a smile suddenly rises and yes mostly off a simple singel smile. A smile that smiles through the pain not letting any sign of lack self confidence out, smiling soundless and emotionalless keeping everything inside scared of facing the truth and what lies beneath it, preferring a easier way out making an escape from the human body and mind entering a new perspective of life but never be fooled always have in mind,If it’s perfect, it’s to good to be true nothing can make all the pain go away pain only the escape from reality.
alex knaggs
Fools rush in where angels fear to tread.
Greg Iles (Mississippi Blood (Penn Cage, #6))