“
If they don't give you a seat at the table, bring a folding chair.
”
”
Shirley Chisholm
“
My classmates surround me as I sit in this folding chair. They laugh and hug one another and talk about how much they will miss each other once they're gone. And all I can think is that I have been gone for a long time, but none of them miss me.
”
”
Amanda Grace (But I Love Him)
“
Party lights hang over the street, yellow and red and green. Sadie stumbles over someone’s chair, but I’m ready for this and I catch her easily by the arm.
“Sorry, clumsy,” she says.
“You always were, Sadie. One of your more endearing traits.”
Before she can ask about that I slip my arm around her waist. She slips hers around mine, still looking up at me. The lights skate across her cheeks and shine in her eyes. We clasp hands, fingers folding together naturally, and for me the years fall away like a coat that’s too heavy and too tight. In that moment, I hope on thing above all others: that she was not too busy to find at least one good man …
She speaks in a voice almost too low to be heard over the music. But I hear her – I always did. “Who are you, George?”
“Someone you knew in another life, honey.
”
”
Stephen King (11/22/63)
“
Mom, is the world coming to an end?" Jonny asked, picking up the plate of cookies and ramming one into his mouth.
"No, it isn'T," Mom said, folding her lawn chair and carrying it to the front of the house. "And yes, you do have to go to school tomorrow.
”
”
Susan Beth Pfeffer (Life As We Knew It (Last Survivors, #1))
“
Dwarfs are very attached to gold. Any highwayman demanding 'Your money or your life' had better bring a folding chair and packed lunch and a book to read while the debate goes on.
”
”
Terry Pratchett (Men at Arms (Discworld, #15; City Watch, #2))
“
At the other end of the room, Grandma had the lid up on Larry Lipinski. She was standing one foot on a folding chair, one foot on the edge of the casket, and she was taking pictures with a disposable camera.
”
”
Janet Evanovich (High Five (Stephanie Plum, #5))
“
Most creatures run when they sense danger. People grab a six-pack and a folding chair.
”
”
Nenia Campbell (Black Beast (Shadow Thane, #1))
“
We walked in the door, and I was stunned by the sterile emptiness of the place. Most of the tiny living room was taken up by one of those giant strength-building home gyms you see on TV. In addition to that, there was one metal folding chair, an old wooden end table (being used as a coffee table, in front of the one chair), and a TV sitting on a milk crate. And it was the cleanest bachelor pad I had ever seen.
“Wow. Nice place. The prison cell motif is really working for you. Very feng shui.
”
”
Marie Sexton (Promises (Coda, #1))
“
All his life the example of a syllogism he had studied in Kiesewetter's logic - "Caius is a man, men are mortal, therefore Caius is mortal" - had seemed to him to be true only in relation to Caius the man, man in general, and it was quite justified , but he wasn't Caius and he wasn't man in general, and he had always been something quite, quite special apart from all other beings; he was Vanya, with Mama, with Papa, with Mitya and Volodya, with his toys and the coachman, with Nyanya, then with Katenka, with all the joys, sorrows, passions of childhood, boyhood, youth. Did Caius know the smell of the striped leather ball Vanya loved so much?: Did Caius kiss his mother's hand like that and did the silken folds of Caius's mother's dress rustle like that for him? Was Caius in love like that? Could Caius chair a session like that? And Caius is indeed mortal and it's right that he should die, but for me, Vanya, Ivan Ilych, with all my feelings and thoughts - for me it's quite different. And it cannot be that I should die. It would be too horrible.
”
”
Leo Tolstoy (The Death of Ivan Ilych)
“
Beside Mama, in my own folding chair, with my feet sticking out in front of me, I thought about my own innards. Just a few months before I'd had no idea whether my reproductive equipment worked. There was no evidence. But that week I had become a full-fledged bleeder and was still absorbed by this first change in myself that I had ever noticed. The click and buzz of my synapses kept making the same connection. If you can change, you can also end. Death had always been a theory to me. Now I knew. The terror hurt good and I nursed it and played it like a loose tooth.
”
”
Katherine Dunn (Geek Love)
“
I’d like to report a robbery.”
“Robbery?” I arched an eyebrow and looked around. A lone folding chair and crappy metal folding chair were the only furniture in the entire space. “What exactly am I stealing? Your winning personality?”
She amended her complaint to the police. “A breaking and entering. I’d like to report a breaking and entering at 575 Park Avenue.” She paused and listening. “No, I don’t think he’s armed. But he’s big. Really big. At least six feet. Maybe bigger.”
I smirked. “And strong. Don’t forget to tell them I’m strong, too. Want me to flex for you?
”
”
Vi Keeland (Egomaniac)
“
I'll accept your apology on one condition." He folded his arms across his chest.
"Anything?"
"You trust me."
I cocked my head to the side. "I trust you, Cam."
"No, you don't." He walked over to my small table and pulled out a chair. "Have a seat."
Sitting down, I tugged the hem of his shirt down as he headed back to the stove, putting the tiny skillet over the burner.
"If you trusted me, you wouldn't have reacted the way you did," he simply said, cracking an egg. "And that's not me judging you or any of that kind of shit. You got to trust me that I'm not going to be an ass or freak out over that kind of stuff. You have to trust that I care enough about you.
”
”
Jennifer L. Armentrout (Wait for You (Wait for You, #1))
“
Folding chairs were flying through the air as if propelled by dozens of invisible Bobby Knights.
”
”
David Wong
“
Love is this elusive bird," he said. "You're the lifelong bird-watcher, looking for this rare red-plumed quail people spend entire lives trying to see for three seconds in a cherry tree on a mountaintop in Japan."
"You're mistaking love for perfection," I said. "Real love when it's there? It's just there. It's a metal folding chair.
”
”
Marisha Pessl (Neverworld Wake)
“
On the surface he might be callused, but looking through a creative lens, I see layers and textures. He reminds me of a folding chair, closed up and waiting to be shoved in a storage closet. I'm determined to see him unfold.
”
”
Katie Kacvinsky (First Comes Love (First Comes Love, #1))
“
His shirt, tie, and trousers were folded small as an apology on a faded blue-velvet chair.
”
”
Rachel Joyce (The Unlikely Pilgrimage of Harold Fry (Harold Fry, #1))
“
You're mistaking love for perfection," I said. "Real love when it's there? It's just there. It's a metal folding chair.
”
”
Marisha Pessl (Neverworld Wake)
“
Death is a personal matter, arousing sorrow, despair, fervor, or dry-hearted philosophy. Funerals, on the other hand, are social functions. Imagine going to a funeral without first polishing the automobile. Imagine standing at a graveside not dressed in your best dark suit and your best black shoes, polished delightfully. Imagine sending flowers to a funeral with no attached card to prove you had done the correct thing. In no social institution is the codified ritual of behavior more rigid than in funerals. Imagine the indignation if the minister altered his sermon or experimented with facial expression. Consider the shock if, at the funeral parlors, any chairs were used but those little folding yellow torture chairs with the hard seats. No, dying, a man may be loved, hated, mourned, missed; but once dead he becomes the chief ornament of a complicated and formal social celebration.
”
”
John Steinbeck (Tortilla Flat)
“
I ignored the offer. Agreeing to do anything with him felt too permanent, too accepting of the bargain between us. “What do you want with me? You said you’d tell me here. So tell me.” Rhys leaned back in his chair, folding powerful arms that even the fine clothes couldn’t hide. “For this week? I want you to learn how to read.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
When we think of people fitting together, we may think of a man inserting himself into a woman, but there are many ways we overlook. The way ears are thin as construction paper, allowing me to press the side of my face against his chest. Fingers can be interlaced without getting tangled. One hand can create a tiny chair for one chin. We are designed to bend and fold, to comfort ourselves and each other. We have so many small parts that need tending to.
”
”
Chanel Miller (Know My Name)
“
Women stand with their arms folded chatting. They don't sit because all they do is stay at home, take care of the children, clean the house and cook a bit and the men need the chairs. The men sit because they are worn out from walking to the Labour Exchange every morning to sign for the dole, discussing the world's pro less and wondering what to do with the rest of the day.
”
”
Frank McCourt (Angela’s Ashes (Frank McCourt, #1))
“
Your mother is in the bedside chair. She is wearing a dress printed with strawberries and birds. Using a long needle, she is stringing brightly colored origami cranes into garlands. You know what she's doing: It's a Japanese custom called senbazuru. If you make one thousand paper cranes, you can restore someone to good health. Though you cannot see him, you become aware of the fact that your father is sitting on the floor. He is folding cranes so that your mother can string them. This is marriage.
”
”
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
“
On its own, my spirit seemed to relax, like a folding chair let out by a pool.
”
”
Pat Conroy (Beach Music)
“
If they don’t give you a seat at the table, bring a folding chair.
”
”
Shirley Chisholm
“
All I could think about was Shirley Chisholm’s quote, “If they don’t give you a seat at the table, bring a folding chair.
”
”
Minda Harts (The Memo: What Women of Color Need to Know to Secure a Seat at the Table)
“
There’s a folding chair by the water and there
I think you sit and laugh and feel a love so rare.
There’s ice around your island, you’ve got your skates,
There goes a boy whose beauty never fades.
You’re playing a game, don’t even feel cold,
There plays a boy who’ll never grow old.
You’re everything you wanted to be
You’re safe and happy, wild and free.
”
”
Fredrik Backman (The Winners (Beartown, #3))
“
His five feet three rested angular on the folding chair, a body small, well-wrought and somehow precious, as if it were the forgotten creation of any goldsmith—even Cellini—shrouded now in dark serge and waiting to be put up for auction.
”
”
Thomas Pynchon (V.)
“
I pull the skull off my head. Even though it's made of papier-mache it's really hard. I smash it against Jimmy Snyder's head, and I smash it again. He falls to the ground, because he is unconscious, and I can't believe how strong I actually am. I smash his head again with all my force and blood starts to come out of his nose and ears. But I still don't feel any sympathy for him. I want him to bleed, because he deserves it. And nothing else makes any sense. Dad doesn't make sense.Mom doesn't make sense. The Audience doesn't make sense. The folding chairs and fog machine don't make sense. Shakespeare doesn't make sense. The stars that I know are on the other side of the gym ceiling don't make sense. The only thing that makes any sense right then is my smashing Jimmy Snyder's face. His blood. I knock a bunch of his teeth into his mouth, and I think they go down his throat. There is blood everywhere, covering everything. I keep smashing the skull against his skull, which is also Ron's skull (for letting Mom get on with life) and Mom's skull (for getting on with life) and Dad's skull (for dying) and Grandma's skull (for embarrassing me so much) and Dr. Fein's skull (for asking if any good could come out of Dad's death) and the skulls of everyone else I know. The Audience is applauding, all of them, because I am making so much sense. They are giving me a standing ovation as I hit him again and again.
”
”
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
“
How’s this for a surprise?” Kenji says, leaning against the folding chair. “This beautiful piece of shit right here?” He gestures at the dilapidated house next door. “This one’s mine.” That wipes the smile off my face. “That’s right, buddy.” Kenji is grinning now. “We’re going to be neighbors.
”
”
Tahereh Mafi (Believe Me (Shatter Me #6.5))
“
Richard rubbed his temples. He had a headache from lack of sleep. "Don't you understand? This isn't about conquering lands and taking things from others; this is about fighting oppression."
The general rested a boot on the gilded rung of a chair and hooked a thumb behind his wide belt. "I don't see much difference. From my experience, the Master Rahl always thinks he knows best, and always wants to rule the world. You are your father's son. War is war. Reasons make no difference to us; we fight because we are told to, same as those on the other side. Reasons mean little to a man swinging his sword, trying to keep his head.
”
”
Terry Goodkind (Blood of the Fold (Sword of Truth, #3))
“
Now we see it, lying in the middle of the road. A swan, a mute swan. It looks like an offcut of organza, crumpled around the edges, twitching. As we pass we see its long neck has buckled into its body like a folding chair. We see its wings are tucked back as if the tar is liquid and the swan is swimming.
There are two men and a woman in the road. One man is standing on the tar, the other is directing the traffic. The woman is kneeling down beside the swan. I think she is crying, she seems to be crying, and this makes me suddenly angry. I think of all the other creatures we’ve seen since we set out. I think of the rat, the fox, the kitten, the badger. I think of the jackdaw, did you see the jackdaw? We passed it in the queue to pass the swan. Its beak was cracked open, its brains squeeged out. Why didn’t anybody stop for the jackdaw? Because the swan looks like a wedding dress, that’s why. Whereas the jackdaw looks like a bin bag. Because this is how people measure life.
”
”
Sara Baume (Spill Simmer Falter Wither)
“
Gentlemen,' he said dramatically as he rose, kicking his chair back out of the way, 'your infidelity leaves me no choice but to fold this hand. But I Will return hen I've had Some luck rub off on me.' He winked widely, pulling me tight against him by the waist. Thumbscrews. The way I murdered him was going to include thumbscrews.
”
”
Alwyn Hamilton (Hero at the Fall (Rebel of the Sands, #3))
“
and at the end of decades
there they are
tea splashing clove strong from chipped cups
long skirts swaying around ankles
giggling from folding chairs in the town square
singing along
dancing to the didgeridoo
a joint passing between their smeared pink lips
leaning safe into the only arms they’ve ever trusted
all the way to the goddamn end
”
”
Stephanie Greene
“
My love will come
will fling open her arms and fold me in them,
will understand my fears, observe my changes.
In from the pouring dark, from the pitch night
without stopping to bang the taxi door
she’ll run upstairs through the decaying porch
burning with love and love’s happiness,
she’ll run dripping upstairs, she won’t knock,
will take my head in her hands,
and when she drops her overcoat on a chair,
it will slide to the floor in a blue heap.
”
”
Yevgeny Yevtushenko
“
His disability had never frustrated him more than at that moment and he lifted himself into the seat and had to wait for Duncan to fold and pack away his chair.
”
”
J.M. Madden (Embattled Hearts (Lost and Found, #1))
“
A week later, I walked to Gwyneth’s house. She and Dorothy and I shared tea and we wept for Jacob. We talked. We smiled a little. Then I left and waited for Cullah, and thought what a great emptiness was left by Jacob’s passing. At last, I sat at the front door, on the chair where Patience had died. I held my hands folded at my heart, and ached for all who had passed from my world
”
”
Nancy E. Turner (My Name is Resolute)
“
What do you believe in, Dara?” Noam pressed again.
Dara sipped at his soda. Swirled his straw round the glass when he lifted his head again. “I believe Vladimir Nabokov is the best novelist of all time.”
“Dara.”
Dara gazed back at him, Noam’s incredulity written all over his face. Without telepathy, Dara couldn’t quite tell if he was actually frustrated or just . . .
But then Noam snorted and said, “Yeah. All right. What else?”
The corners of Dara’s mouth tipped up. “I believe in utilitarianism,” he said. “I believe bourbon is the gentleman’s choice in whiskey. I believe pineapple belongs on pizza. Oh, and the fact that goats eat everything you own just makes them more endearing.”
“You are ridiculous,” Noam said—but he was laughing now, leaning back in his chair and folding his arms over this chest.
”
”
Victoria Lee (The Fever King (Feverwake, #1))
“
It was becoming more and more difficult for me to decide to do anything in those last days. And when I eventually did decide to do something, such as packing a suitcase, I only dragged all my grubby, expensive clothes out of the bureau and the closet and spread them on the chairs and the bed and the floor and then sat and stared at them, utterly perplexed. They seemed to have a separate, mulish identity of their own that refused to be washed and folded and stowed.
”
”
Sylvia Plath (The Bell Jar)
“
Nick was waiting for him.
Gabriel hesitated. He wished those text messages had come with some kind of sign, whether Nick was pissed or exasperated or just completely done with him. Hell, a freaking emoticon would have been helpful.
His own room sat pitch-dark at the opposite end of the hallway. A black hole. Gabriel eased around the creaky spot in the floor and slid past his twin's room. Once in his own, he flung his duffel bag onto the ground and shut the door, closing the dark around himself. He sighed and kicked his shoes into the well of blackness under the bed. Maybe Nick hadn't heard him. Maybe he thought he was still out in the car.
"You are so predictable."
Gabriel swore and fumbled for the light switch.
Nick was straddling his desk chair backward, his arms folded on the backrest.
"What the hell is wrong with you?" Gabriel snapped. "Why are you sitting here in the dark?"
His twin shrugged. Because I knew you'd walk right past my room.
”
”
Brigid Kemmerer (Spark (Elemental, #2))
“
(Pastor Chuck) Smith told his elders in no uncertain terms that if the church had to turn away young people because of bare feet and clothes that they would be better off ripping up the carpet and replacing the pews with steel folding chairs.
”
”
Larry Eskridge (God's Forever Family: The Jesus People Movement in America)
“
Did you know that being good with guns doesn't mean that you're also a good fighter? The two are not mutually exclusive. As I sat in a folding chair wrapped up in enough duct tape to hold a Sherman tank together, I had time to ponder that concept.
”
”
Wayne Lemmons (Not This Thursday (The Forgetful Detective Book 1))
“
Oh," he said again and picked up two petals of cherry blossom which he folded together like a sandwich and ate slowly. "Supposing," he said, staring past her at the wall of the house, "you saw a little man, about as tall as a pencil, with a blue patch in his trousers, halfway up a window curtain, carrying a doll's tea cup-would you say it was a fairy?"
"No," said Arrietty, "I'd say it was my father."
"Oh," said the boy, thinking this out, "does your father have a blue patch on his trousers?"
"Not on his best trousers. He does on his borrowing ones."
'Oh," said the boy again. He seemed to find it a safe sound, as lawyers do. "Are there many people like you?"
"No," said Arrietty. "None. We're all different."
"I mean as small as you?"
Arrietty laughed. "Oh, don't be silly!" she said. "Surely you don't think there are many people in the world your size?"
"There are more my size than yours," he retorted.
"Honestly-" began Arrietty helplessly and laughed again. "Do you really think-I mean, whatever sort of a world would it be? Those great chairs . . . I've seen them. Fancy if you had to make chairs that size for everyone? And the stuff for their clothes . . . miles and miles of it . . . tents of it ... and the sewing! And their great houses, reaching up so you can hardly see the ceilings . . . their great beds ... the food they eat ... great, smoking mountains of it, huge bogs of stew and soup and stuff."
"Don't you eat soup?" asked the boy.
"Of course we do," laughed Arrietty. "My father had an uncle who had a little boat which he rowed round in the stock-pot picking up flotsam and jetsam. He did bottom-fishing too for bits of marrow until the cook got suspicious through finding bent pins in the soup. Once he was nearly shipwrecked on a chunk of submerged shinbone. He lost his oars and the boat sprang a leak but he flung a line over the pot handle and pulled himself alongside the rim. But all that stock-fathoms of it! And the size of the stockpot! I mean, there wouldn't be enough stuff in the world to go round after a bit! That's why my father says it's a good thing they're dying out . . . just a few, my father says, that's all we need-to keep us. Otherwise, he says, the whole thing gets"-Arrietty hesitated, trying to remember the word-"exaggerated, he says-"
"What do you mean," asked the boy, " 'to keep us'?
”
”
Mary Norton (The Borrowers (The Borrowers, #1))
“
Sometimes... Come on, how often exactly, Bert? Can you recall four, five, more such occasions? Or would no human heart have survived two or three? Sometimes (I have nothing to say in reply to your question), while Lolita would be haphazardly preparing her homework, sucking a pencil, lolling sideways in an easy chair with both legs over its arm, I would shed all my pedagogic restraint, dismiss all our quarrels, forget all my masculine pride - and literally crawl on my knees to your chair, my Lolita! You would give me one look - a gray furry question mark of a look: "Oh no, not again" (incredulity, exasperation); for you never deigned to believe that I could, without any specific designs, ever crave to bury my face in your plaid skirt, my darling! The fragility of those bare arms of yours - how I longed to enfold them, all your four limpid lovely limbs, a folded colt, and take your head between my unworthy hands, and pull the temple-skin back on both sides, and kiss your chinesed eyes, and - "Please, leave me alone, will you," you would say, "for Christ's sake leave me alone." And I would get up from the floor while you looked on, your face deliberately twitching in imitation of my tic nerveux. But never mind, never mind, I am only a brute, never mind, let us go on with my miserable story.
”
”
Vladimir Nabokov (Lolita)
“
Let us consider Elfland as a great national park, a vast and beautiful place where a person goes by himself, on foot, to get in touch with reality in a special, private, profound fashion. But what happens when it is considered merely as a place to "get away to"?
Well, you know what has happened to Yosemite. Everybody comes, not with an ax and a box of matches, but in a trailer with a motorbike on the back and a motorboat on top and a butane stove, five aluminum folding chairs, and a transistor radio on the inside. They arrive totally encapsulated in a secondhand reality. And then they move on to Yellowstone, and it's just the same there, all trailers and transistors. They go from park to park, but they never really go anywhere; except when one of them who thinks that even the wildlife isn't real gets chewed up by a genuine, firsthand bear.
The same sort of thing seems to be happening to Elfland, lately.
”
”
Ursula K. Le Guin (From Elfland to Poughkeepsie)
“
Oh, why isn’t there a Community Center for People Who Need a Little Something? If people would only tell the truth about the way they felt, it would be busy all the time. There could be folding chairs arranged in groups, people sitting there saying, “I don’t know, I just wanted to come here for a while.” I
”
”
Elizabeth Berg (Tapestry of Fortunes)
“
Hey, and the rock star is here too! How you doing, son?”
“Hey, Mr. Rossi. Thanks for having me today. I’m doing great. How have you been?” I answered.
He lowered his gaze and stepped closer to me. “Good, good, son. I’m sure glad that everything was settled and you didn’t have anything to do with hurting our Gracie. Lea told me that you were the one to help her when that son of a bitch got his hands on her. We’re forever in your debt, Shane. I knew you couldn’t have hurt her.” He slid in front of the dining room chair at the head of the table, and sat down, leaning back with his arms folded across his chest. A serious expression crossed his features, “So did anybody get the son of a bitch, yet? Or am I going to have to make some calls…” Holy shit, it’s like the Godfather.
”
”
Christine Zolendz (Scars and Songs (Mad World, #3))
“
Occasionally, she drank a second glass of wine in the evenings, which made her feel rather giddy and amused, and which one night led to her poking the Beast with one bare toe when she thought he wasn’t looking up from his book fast enough. (A week ago, the notion of touching the Beast voluntarily would have made her tremble, but there was something deeply unthreatening about him when he was reading. He had to fold himself into the chair for one thing. For another, he was desperately near-sighted and had to hold the book a few inches past the end of his muzzle when reading. Apparently House could not provide adequate reading glasses.)
”
”
T. Kingfisher (Bryony and Roses)
“
The golden shimmer of Edna's satin gown spread in rich folds on either side of her. There was a soft fall of lace encircling her shoulders. It was the color of her skin, without the glow, the myriad living tints that one may sometimes discover in vibrant flesh. There was something in her attitude, in her whole appearance when she leaned her head against the high-backed chair and spread her arms, which suggested the regal woman, the one who rules, who looks on, who stands alone.
”
”
Kate Chopin (The Awakening)
“
The girls flew about, trying to make things comfortable, each in her own way. Meg arranged the tea table, Jo brought wood and set chairs, dropping, over-turning, and clattering everything she touched. Beth trotted to and fro between parlor kitchen, quiet and busy, while Amy gave directions to everyone, as she sat with her hands folded.
”
”
Louisa May Alcott (Little Women (Little Women, #1))
“
When he drove me to school, we decided
it would be a good day if we saw the blue heron
in the algae-covered pond next to the road,
so that if we didn’t see it, I’d be upset. Then,
he began to lie. To tell me he’d seen it when
he hadn’t, or to suppose that it had just
taken off when we rounded the corner in
the gray car that somehow still ran, and I
would lie, too, for him. I’d say I saw it.
Heard the whoosh of wings over us.
That’s the real truth. What we told each other
to help us through the day: the great blue heron
was there, even when the pond dried up,
or froze over; it was there because it had to be.
Just now, I felt like I wanted to be alone
for a long time, in a folding chair on the lawn
with all my private agonies, but then I saw you
and the way you’re hunching over your work
like a puzzle, and I think even if I fail at everything,
I still want to point out the heron like I was taught,
still want to slow the car down to see the thing
that makes it all better, the invisible gift, what
we see when we stare long enough into nothing.
”
”
Ada Limon (Bright Dead Things)
“
Slade just shrugged. His lips folded in, he watched her with the same
expression a priest might look at a man as he took his long walk to the
electric chair. Bastard.
”
”
Jenny Penn
“
Angela turned in her chair. Resting her chin on folded hands, the
mirror reflected the look of a girl in love. ‘Oh, what a blessing fate has
bestowed on me.
”
”
Katherine Givens (In Her Dreams)
“
I twitched a smile, resisting the temptation to kick his teeth down his throat, and folded myself into the deck chair.
”
”
Richard K. Morgan (Altered Carbon (Takeshi Kovacs, #1))
“
Do you believe in God?"
St. Kawasaki looked amused. "Hell of a question to ask a priest."
[...] "I'm asking because I've been a cop most of my life, but I don't believe in justice anymore. I just wondered if the same was true in your work."
"Why wouldn't it be? Priests are only human. We wuestion, doubt, even grow a little despondent at times because what the world shoves at us doesn't seem to bear much mark of the divine." [...] "But in the end I always come back to believing."
"Why? Why believe in something that continues to let you down?"
"Like justice, eh?" The priest drank and made a satified sound. "Sure hits the spot, Cork." He looked down where Cork sat on the folding canvas chair. "Everything disappoints us sometimes. Everybody disappoints us. Men let women down, women let men down, ideals don't hold water. And God doesn't seem to give a damn. I can't speak for God, Cork, but I'll tell you what I think. I think we expect too much. Simple as that. And the only thing that lets us down is our own expectaton. I used to pray God for an easy life. Now I pray to be a strong person.
”
”
William Kent Krueger (Iron Lake (Cork O'Connor, #1))
“
Now. 1973. Exactly." He tipped back in his chair, his arms folded across his chest. "So much changed in the sixties, the war, the rights of women, civil rights, the vote, protest against the war. On and on. I was getting my Ph.D. in Chicago and you were in college but that time was upheaval with a purpose. Now we've drawn back into our shells, wondering what we have done and what do we believe.? And is there any purpose to our lives?
”
”
Susan Richards Shreve (You Are the Love of My Life)
“
I ain’t never had me a single round in a professional, boxin’ ring. I’m whatcha call a street fighter, a knuckle brawler. Knives, beer bottles, chairs, chains, rocks, sticks, tire irons, and even teeth. Ya name it. I’ve seen ‘em all. And I tell ya what. When it comes to fightin,’ the quickest way to double your money in a fight is to fold it over. That don’t mean ya give up or quit. It means ya work with whatcha got and whatcha know.
”
”
Todd Nelsen (Appetite & Other Stories)
“
Find anything about the Blade?” Billy let out an explosive sigh and creaked back in his chair, hands folded behind his head.
“Comic book references. Stuff about some swordsman named Bob Anderson. Wesley Snipes pictures.”
“Really?” I perked up, edging around his desk to try to get a look at the screen. “Any half-naked ones?” “Joanie!”
I drooped. “I didn’t think so. There wasn’t nearly enough half-naked Wesley in those movies, anyway.
”
”
C.E. Murphy (Winter Moon)
“
And then Luca leans close and whispers something in the coyote's ear. And the man reaches up and takes Luca in his arms, and Luca folds himself around the coyote's neck, and they embrace for a long moment, and then they turn away from each other quickly, and Luca ascends the steps. Lydia watches through the window as El Chacal lifts his pack from one of the lawn chairs, hoists his replenished water supplies, and heads back into the desert.
”
”
Jeanine Cummins (American Dirt)
“
For three thousand years it had been the concent’s policy to accept any and all folding chairs and collapsible tables made available to it, and never throw one away. On one and only one occasion, this had turned out to be a wise policy: the millennial Apert of 3000, when 27,500 pilgrims had swarmed in through the gates to enjoy a square meal and see the End of the World. We had folding chairs made of bamboo, machined aluminum, aerospace composites, injection-molded poly, salvaged rebar, hand-carved wood, bent twigs, advanced newmatter, tree stumps, lashed sticks, brazed scrap metal, and plaited grass. Tabletops could be made of old-growth lumber, particle board, extruded titanium, recycled paper, plate glass, rattan, or substances on whose true nature I did not wish to speculate. Their lengths ranged from two to twenty-four feet and their weights from that of a dried flower to that of a buffalo.
”
”
Neal Stephenson (Anathem)
“
This was not going the way I wanted it to. I felt a desperate need to escape before I said something that would screw up my plans. Ren was the dark side, the forbidden fruit, my personal Delilah-the ultimate temptation. The question was…could I resist?
I gave his knee a friendly pat and played my trump card…”I’m leaving.”
“You’re what?”
“I’m going home to Oregon. Mr. Kadam thinks it will be safer for me anyway, with Lokesh out there looking to kill us and all. Besides, you need time to figure out…stuff.”
“If you’re leaving, then I’m going with you!”
I smiled at him wryly. “That kind of defeats the purpose of me leaving. Don’t you think?”
He slicked back his hair, let out a deep breath, then took my hand and looked intently into my eyes. “Kells, when are you going to accept the fact that we belong together?”
I felt sick, like I was kicking a faithful puppy who only wanted to be loved. I looked out at the pool.
After a moment, he sat back scowling and said menacingly, “I won’t let you leave.”
Inside, I desperately wanted to take his hand and beg him to forgive me, to love me, but I steeled myself, dropped my hands in my lap, then implored, “Ren, please. You have to let me go. I need…I’m afraid…look, I just can’t be here, near you, when you change your mind.”
“It’s not going to happen.”
“it might. There’s a good chance.”
He growled angrily. “There’s no chance!”
“Well, my heart can’t take that risk, and I don’t want to put you in what can only be an awkward position. I’m sorry, Ren. I really am. I do want to be your friend, but I understand if you don’t want that. Of course, I’ll return when you need me, if you need me, to help you find the other three gifts. I wouldn’t abandon you or Kishan in that way. I just can’t stay here with you feeling obligated to pity-date me because you need me. But I’d never abandon your cause. I’ll always be there for you both, no matter what.”
He spat out, “Pity-date! You? Kelsey, you can’t be serious!”
“I am. Very, very serious. I’ll ask Mr. Kadam to make arrangements to send me back in the next few days.”
He didn’t say another word. He just sat back in his chair. I could tell he was fuming mad, but I felt that, after a week or two, when he started getting back out in the world, he would come to appreciate my gesture.
I looked away from him. “I’m very tired now. I’d like to go to bed.” I got up and headed to my room. Before I closed the sliding door, I asked, “Can I make one last request?”
He sat there tight-lipped, his arms folded over his chest, with a tense, angry face.
I sighed. Even infuriated he was beautiful.
He said nothing so I went on, “It would be a lot easier on me if I didn’t see you, I mean as a man. I’ll try to avoid most of the house. It is yours after all, so I’ll stay in my room. If you see Mr. Kadam, please tell him I’d like to speak with him.”
He didn’t respond.
“Well, good-bye, Ren. Take care of yourself.” I tore my eyes away from him, shut the door, and drew the curtains.
Take care of yourself? That was a lame goodbye. Tears welled in my eyes and blurred my vision. I was proud that I’d gotten through it without showing emotion. But, now, I felt like a steamroller had come along and flattened me.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
I leaned back into my chair, folded my arms together and made like I was pondering. ‘I understand. You’re worried about the future.’ ‘Damn right.’ ‘Let me tell you something about the future – it isn’t the present. And in the present I’m guaranteeing you that there’s nothing that your supplier will do to you tomorrow that I won’t do to you today, now, right this very moment. Might as well postpone getting dead. When you think about it, isn’t that all we’re ever doing?
”
”
Daniel Polansky (She Who Waits (Low Town Book 3))
“
I didn't realize how much I'd craved being wrapped in the arms of another person. When we think of people fitting together, we may think of a man inserting himself into a woman, but there are many ways we overlook. The way ears are thin as construction paper, allowing me to press the side of my face against his chest. Fingers can be interlaced without getting tangled. One hand can create a tiny chair for one chin. We are designed to bend and fold, to comfort ourselves and each other. We have so many small parts that need tending to. After the assault, I felt this need to be touched, but wanted nothing to do with invade, inject, insert, inside, only wanted the intimacy of being wrapped up safely in something.
”
”
Chanel Miller (Know My Name)
“
So this Logan guy, is he giving you a hard time about the wedding?”
“He’s blackmailing me.”
Kevin jumped to his feet so fast, she sat back in her chair. “He’s a dead man. I’m going to kick his ass so bad he won’t even be able to cry for his mommy. Gonna fold him up like a napkin.”
His loyalty warmed her heart, even as embarrassment warmed her cheeks. “It’s…not what you’re thinking.”
“I’m thinking by the time I’m done pounding on his face, even dogs will be afraid of him.
”
”
Shannon Stacey (Undeniably Yours (Kowalski Family, #2))
“
Under the seeming disorder of the old city, wherever the old city is working successfully, is a marvelous order for maintaining the safety of the streets and the freedom of the city. It is a complex order. Its essence is intricacy of sidewalk use, bringing with it a constant succession of eyes. This order is all composed of movement and change, and although it is life, not art, we may fancifully call it the art form of the city and liken it to the dance — not to a simple-minded precision dance with everyone kicking up at the same time, twirling in unison and bowing off en masse, but to an intricate ballet in which the individual dancers and ensembles all have distinctive parts which miraculously reinforce each other and compose an orderly whole. The ballet of the good city sidewalk never repeats itself from place to place, and in any once place is always replete with new improvisations.
The stretch of Hudson Street where I live is each day the scene of an intricate sidewalk ballet. I make my own first entrance into it a little after eight when I put out my garbage gcan, surely a prosaic occupation, but I enjoy my part, my little clang, as the junior droves of junior high school students walk by the center of the stage dropping candy wrapper. (How do they eat so much candy so early in the morning?)
While I sweep up the wrappers I watch the other rituals of the morning: Mr Halpert unlocking the laundry's handcart from its mooring to a cellar door, Joe Cornacchia's son-in-law stacking out the empty crates from the delicatessen, the barber bringing out his sidewalk folding chair, Mr. Goldstein arranging the coils of wire which proclaim the hardware store is open, the wife of the tenement's super intendent depositing her chunky three-year-old with a toy mandolin on the stoop, the vantage point from which he is learning English his mother cannot speak. Now the primary childrren, heading for St. Luke's, dribble through the south; the children from St. Veronica\s cross, heading to the west, and the children from P.S 41, heading toward the east. Two new entrances are made from the wings: well-dressed and even elegant women and men with brief cases emerge from doorways and side streets. Most of these are heading for the bus and subways, but some hover on the curbs, stopping taxis which have miraculously appeared at the right moment, for the taxis are part of a wider morning ritual: having dropped passengers from midtown in the downtown financial district, they are now bringing downtowners up tow midtown. Simultaneously, numbers of women in housedresses have emerged and as they crisscross with one another they pause for quick conversations that sound with laughter or joint indignation, never, it seems, anything in between. It is time for me to hurry to work too, and I exchange my ritual farewell with Mr. Lofaro, the short, thick bodied, white-aproned fruit man who stands outside his doorway a little up the street, his arms folded, his feet planted, looking solid as the earth itself. We nod; we each glance quickly up and down the street, then look back at eachother and smile. We have done this many a morning for more than ten years, and we both know what it means: all is well.
The heart of the day ballet I seldom see, because part off the nature of it is that working people who live there, like me, are mostly gone, filling the roles of strangers on other sidewalks. But from days off, I know enough to know that it becomes more and more intricate. Longshoremen who are not working that day gather at the White Horse or the Ideal or the International for beer and conversation. The executives and business lunchers from the industries just to the west throng the Dorgene restaurant and the Lion's Head coffee house; meat market workers and communication scientists fill the bakery lunchroom.
”
”
Jane Jacobs (The Death and Life of Great American Cities)
“
Little Dorrit sat down in a golden chair, made quite giddy by these rapid interruptions. Her sister and the rest were a long time gone; and during their absence a voice (it appeared to be that of the gentleman with the black hair) was continually calling out through the music, 'One, two, three, four, five, six—go! One, two, three, four, five, six—go! Steady, darlings! One, two, three, four, five, six—go!' Ultimately the voice stopped, and they all came back again, more or less out of breath, folding themselves in their shawls,
”
”
Charles Dickens (Little Dorrit)
“
Please wait here.
"Annoying yet romantic," she said aloud. She sat down on the folding chair and peered inside the paper bag. A handful of tiny jam-filled donuts dusted with cinnamon and sugar sent up an intoxicating scent. The bag was warm in her hands, flecked with little bits of oil seeping through. Luce popped one into her mouth and took a sip from the tiny white cup, which contained the richest, most delightful espresso Luce had ever tasted.
"Enjoying the bombolini?" Daniel called from below.
Luce shot to her feet and leaned over the railing to find him standing at the back of a gondola painted with images of angels. He wore a flat straw hat bound with a thick red ribbon, and used a broad wooden paddle to steer the boat slowly toward her.
Her heart surged the way it did each time she first saw Daniel in another life. But he was here. He was hers. This was happening now.
"Dip them in the espresso, then tell me what it's like to be in Heaven," Daniel said, smiling up at her.
"How do I get down to you?" she called.
He pointed to the narrowest spiral staircase Luce had ever seen, just to the right of the railing. She grabbed the coffee and bag of donuts, slipped the peony stem behind her ear, and made for the steps.
She could feel Daniel's eyes on her as she climbed over the railing and slinked down the stairs. Every time she made a full rotation on the staircase, she caught a teasing flash of his violet eyes. By the time she made it to the bottom, he had extended his hand to help her onto the boat.
There was the electricity she'd been yearning for since she awoke. The spark that passed between them every time they touched. Daniel wrapped his arms around her waist and drew her in so that there was no space between their bodies. He kissed her, long and deep, until she was dizzy.
"Now that's the way to start a morning." Daniel's fingers traced the petals of the peony behind her ear.
A slight weight suddenly tugged at her neck and when she reached up, her hands found a find chain, which her fingers traced down to a silver locket. She held it out and looked at the red rose engraved on its face.
Her locket!
”
”
Lauren Kate (Rapture (Fallen, #4))
“
I am Ding Yi.” He opened up two folding chairs and motioned for us to sit down, then returned to his chair. He said, “Before you tell me why you’ve come, let me discuss with you a dream I’ve just had.… No, you’ve got to listen. It was a wonderful dream, which you interrupted. In the dream I was sitting here, a knife in my hand, around so long, like for cutting watermelon. Next to me was this tea table. But there wasn’t an ashtray or anything on it. Just two round objects, yea big. Circular, spherical. What do you think they were?” “Watermelon?” “No, no. One was a proton, the other a neutron. A watermelon-sized proton and neutron. I cut the proton open first. Its charge flowed out onto the table, all sticky, with a fresh fragrance. After I cut the proton in half, the quarks inside tumbled out, tinkling. They were about the size of walnuts, in all sorts of colors. They rolled about on the table, and some of them fell onto the floor. I picked up a white one. It was very hard, but with effort, I was able to bite into it. It tasted like a manaizi grape.… And right then, you woke me up.
”
”
Liu Cixin (Ball Lightning)
“
Jenny remembers what it was like, all those years ago. It was never dolls for her, nothing so tangible as that. It was more of a feeling. As if, for the first several years of her life, everything held over her a sort of knowledge and insistence. Fence posts, wallpaper, the lawn at certain hours of the day. These things glowered at her, or smiled. Even something as ordinary as the blue rolling chair in her father's office had some hold on her, some whisper of a new dimension in its puffs of dust sent upward by her fists against its cushions. There was an intensity inherent in everything until, one day, there wasn't. The blue chair rolled on its wheels to the window when she pushed it. The rising dust was rising dust. And when it was gone, there was only a knot of longing somewhere deep inside of her, a vacant ache: adolescence. Boredom.
It's why we fall in love, Jenny will tell June.
We fall in love to get back to that dimension, that wonder.
She goes to the laundry room, where, from a pile of clean clothes, she picks out a few articles of June's, folds them, then goes upstairs to knock on her daughter's door and tell her that this, this lost doll world, is the reason there is love.
”
”
Emily Ruskovich (Idaho)
“
When we were lovers in high school,” he began and she knew who he meant by we, “it was my job to undress him many nights, but his clothes must be folded neatly, precisely, reverently, and then placed on a chair. No mess, no wrinkles. But he...he would strip me naked and drop all my clothes onto the floor. Then he’d walk on them. Not barefoot, either. With his shoes on most of the time. And you know what?” Kingsley asked as he stepped closer to her, close enough she could kiss him if she wanted to. “What?” “I worshipped him for it.” Kingsley smiled at her, a Mona Lisa smile that hinted of secrets but didn’t reveal them.
”
”
Tiffany Reisz (The Queen)
“
SELF-HELP FOR FELLOW REFUGEES
If your name suggests a country where bells
might have been used for entertainment,
or to announce the entrances and exits of the seasons
and the birthdays of gods and demons,
it's probably best to dress in plain clothes
when you arrive in the United States.
And try not to talk too loud.
If you happen to have watched armed men
beat and drag your father
out the front door of your house
and into the back of an idling truck,
before your mother jerked you from the threshold
and buried your face in her skirt folds,
try not to judge your mother too harshly.
Don't ask her what she thought she was doing,
turning a child's eyes
away from history
and toward that place all human aching starts.
And if you meet someone
in your adopted country
and think you see in the other's face
an open sky, some promise of a new beginning,
it probably means you're standing too far.
Or if you think you read in the other, as in a book
whose first and last pages are missing,
the story of your own birthplace,
a country twice erased,
once by fire, once by forgetfulness,
it probably means you're standing too close.
In any case, try not to let another carry
the burden of your own nostalgia or hope.
And if you're one of those
whose left side of the face doesn't match
the right, it might be a clue
looking the other way was a habit
your predecessors found useful for survival.
Don't lament not being beautiful.
Get used to seeing while not seeing.
Get busy remembering while forgetting.
Dying to live while not wanting to go on.
Very likely, your ancestors decorated
their bells of every shape and size
with elaborate calendars
and diagrams of distant star systems,
but with no maps for scattered descendants.
And I bet you can't say what language
your father spoke when he shouted to your mother
from the back of the truck, "Let the boy see!"
Maybe it wasn't the language you used at home.
Maybe it was a forbidden language.
Or maybe there was too much screaming
and weeping and the noise of guns in the streets.
It doesn't matter. What matters is this:
The kingdom of heaven is good.
But heaven on earth is better.
Thinking is good.
But living is better.
Alone in your favorite chair
with a book you enjoy
is fine. But spooning
is even better.
”
”
Li-Young Lee (Behind My Eyes: Poems)
“
Maya—goddess of confusion and misdirection—is back in the chair opposite me. “So who are the priests of all religions?” she asks me. “They are your shepherds,” I respond, “keeping the sheep in the fold, away from the cliffs.” I know this. I know that the religions with their promises of an afterlife form an interior layer of containment and that the eternal rewards and punishments they speak of are as finite as the one in which they speak. Bubbles within bubbles. Turtles on top of turtles. “And who are the saints and sages of the great spiritual traditions?” she asks. “They are your final level of containment. They are the weavers of the final web, masters of subtle misdirection; convincing because they are convinced. For every million that get near the edge, perhaps only one steps over.” She smiles. “And where do I dwell?” “In the heart,” I respond. “In fear.” “Fear of what?” she asks. “Fear of being haunted by meddlesome Hindu deities?” I ask, but she’s already gone.
”
”
Jed McKenna (Spiritual Enlightenment: The Damnedest Thing (The Enlightenment Trilogy Book 1))
“
She had finished her breakfast, so I permitted her to give a specimen of her accomplishments. Descending from her chair, she came and placed herself on my knee; then, folding her little hands demurely before her, shaking back her curls and lifting her eyes to the ceiling, she commenced singing a song from some opera. It was the strain of a forsaken lady, who, after bewailing the perfidy of her lover, calls pride to her aid; desires her attendant to deck her in her brightest jewels and richest robes, and resolves to meet the false one that night at a ball, and prove to him, by the gaiety of her demeanour, how little his desertion has affected her.
”
”
Charlotte Brontë (Jane Eyre)
“
It was in the Cornish summer of his twelfth year that Peter began to notice just how different the worlds of children and grown-ups were. You could not exactly say that the parents never had fun. They went for swims - but never for longer than twenty minutes. They liked a game of volleyball, but only for half an hour or so. Occasionally they could be talked into hide-and-seek or lurky turkey or building a giant sand-castle, but those were special occasions. The fact was that all grown-ups, given half the chance, chose to sink into one of three activities on the beach: sitting around talking, reading newspapers and books, or snoozing. Their only exercise (if you could call it that) was long boring walks, and these were nothing more than excuses for more talking. On the beach, they often glanced at their watches and, long before anyone was hungry, began telling each other it was time to start thinking about lunch or supper.
They invented errands for themselves - to the odd-job man who lived half a mile away, or to the garage in the village, or to the nearby town on shopping expeditions. They came back complaining about the holiday traffic, but of course they were the holiday traffic. These restless grown-ups made constant visits to the telephone box at the end of the lane to call their relatives, or their work, or their grown-up children. Peter noticed that most grown-ups could not begin their day happily until they had driven off to find a newspaper, the right newspaper. Others could not get through the day without cigarettes. Others had to have beer. Others could not get by without coffee. Some could not read a newspaper without smoking a cigarette and drinking coffee. Adults were always snapping their fingers and groaning because someone had returned from town and forgotten something; there was always one more thing needed, and promises were made to get it tomorrow - another folding chair, shampoo, garlic, sun-glasses, clothes pegs - as if the holiday could not be enjoyed, could not even begin, until all these useless items had been gathered up.
”
”
Ian McEwan (The Daydreamer)
“
Mark’s horror came from the fact that Christopher proposed to eschew comfort. An Englishman’s duty is to secure for himself for ever, reasonable clothing, a clean shirt a day, a couple of mutton chops grilled without condiments, two floury potatoes, an apple pie with a piece of Stilton and pulled bread, a pint of Club Médoc, a clean room, in the winter a good fire in the grate, a comfortable arm-chair, a comfortable woman to see that all these were prepared for you, and to keep you warm in bed and to brush your bowler and fold your umbrella in the morning. When you had that secure for life you could do what you liked provided that what you did never endangered that security. What was to be said against that?
”
”
Ford Madox Ford (Parade's End (Vintage Classics))
“
It's an old story," Julia says, leaning back in her chair. "Only for me, it's new. I went to school for industrial design. All my life I've been fascinated by chairs - I know it sounds silly, but it's true. Form meets purpose in a chair. My parents thought I was crazy, but somehow I convinced them to pay my way to California. To study furniture design. I was all excited at first. It was totally unlike me to go so far away from home. But I was sick of the cold and sick of the snow. I figured a little sun might change my life. So I headed down to L.A. and roomed with a friend of an ex-girlfriend of my brother's. She was an aspiring radio actress, which meant she was home a lot. At first, I loved it. I didn't even let the summer go by. I dove right into my classes. Soon enough, I learned I couldn't just focus on chairs. I had to design spoons and toilet-bowl cleaners and thermostats. The math never bothered me, but the professors did. They could demolish you in a second without giving you a clue if how to rebuild. I spent more and more time in the studio, with other crazed students who guarded their projects like toy-jealous kids. I started to go for walks. Long walks. I couldn't go home because my roommate was always there. The sun was too much for me, so I'd stay indoors. I spent hours in supermarkets, walking aisle to aisle, picking up groceries and then putting them back. I went to bowling alleys and pharmacies. I rode buses that kept their lights on all night. I sat in Laundromats because once upon a time Laundromats made me happy. But now the hum of the machines sounded like life going past. Finally, one night I sat too long in the laundry. The woman who folded in the back - Alma - walked over to me and said, 'What are you doing here, girl?' And I knew that there wasn't any answer. There couldn't be any answer. And that's when I knew it was time to go.
”
”
David Levithan (Are We There Yet?)
“
The things we love weave themselves into the framework of our being. They are the trellises on which our thoughts grow; we shape ourselves, our habits, our vocabularies, to accommodate them. If someone asks, “Why do you love this?” the question is as impossible to answer as “Why are you?” You cannot isolate the part of you that loves from the rest of you, or mark its beginning and ending. Old couples grow to look like each other. Old ruins blur into their ivy. Star Wars fans name their kids Luke and Leia and show up at conventions dressed as Jabba the Hutt. At first we loved the Millennium Falcon, so we wanted to build a scale replica in our basement. Now we love the Millennium Falcon because of the scale replica in our basement. Every time I watched Star Wars I used to hold my breath to see if it felt the same. But now I know it won’t. It hasn’t moved, but I have. It’s always there. It’s magic, still, but a different magic every time. I turn off all the lights in the house so there’s no reflection or glare, shut all the doors and windows, and settle in a chair with my arms folded over my knees and wait for takeoff.
”
”
Alexandra Petri (A Field Guide to Awkward Silences)
“
Well, she's dead" I reminded her
Dr. Tuttle put her pen down and folded her hands into a prayer. I thought she was going to sing a song, or do some incantation. I didn't expect her to offer me any pity or sympathy. But instead, she squinched her face, sneezed violently, tuned to wiper her face with a huge bath towel lying on the floor by her desk chair, and scribbled on her pad some more.
"And how did she die ?" she asked. "Not pineal failure, I suppose."
"She mixed alcohol with sedatives," I said. I was too lethargic to lie. And if Dr. Tuttle has forgotten that I'd told her my mother had slit her wristsn telling her the truth wouldn't matter in the long run.
"People like your mother," Dr. Tuttle replied, shaking her head "give psychotropic medication a bad reputation.
”
”
Ottessa Moshfegh (My Year of Rest and Relaxation)
“
Go ahead. Ask me who the father is.”
He only smiled. “Do I look that stupid to you?”
She pushed back her short hair with a sigh. “He doesn’t know, and you’re not to tell him. In English, Apache or Lakota,” she emphasized, covering all her bases.
He nodded. “What are you going to do?”
“I haven’t the slightest idea,” she confessed. “I only used the home-pregnancy test this morning, but I was pretty sure before then. I’ve got to find a place to live where Leta won’t see me for a while. I can’t risk having her tell Tate.” She glanced at him. “Where were you all this time?” she wanted to know.
“Sitting calmly in a wing chair sipping coffee and trying to look invisible.” He lifted his eyebrows at her disbelieving expression. “Somebody had to keep his head.”
“There’s an old saying that, if you can keep your head when everyone around you is losing theirs, you don’t have a clue what’s going on,” she misquoted.
“Could be. But I’m not sporting a bruised face, like some I could name.” He leaned forward. “Want to marry me?”
“Thanks, Colby,” she said softly. “I really mean it. But it wouldn’t be fair to any of us. Especially you.”
He folded his arms and leaned back. “The offer doesn’t have a time limit. I really do love children.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
Irrelevant’ Chris Fogle turns a page. Howard Cardwell turns a page. Ken Wax turns a page. Matt Redgate turns a page. ‘Groovy’ Bruce Channing attaches a form to a file. Ann Williams turns a page. Anand Singh turns two pages at once by mistake and turns one back which makes a slightly different sound. David Cusk turns a page. Sandra Pounder turns a page. Robert Atkins turns two separate pages of two separate files at the same time. Ken Wax turns a page. Lane Dean Jr. turns a page. Olive Borden turns a page. Chris Acquistipace turns a page. David Cusk turns a page. Rosellen Brown turns a page. Matt Redgate turns a page. R. Jarvis Brown turns a page. Ann Williams sniffs slightly and turns a page. Meredith Rand does something to a cuticle. ‘Irrelevant’ Chris Fogle turns a page. Ken Wax turns a page. Howard Cardwell turns a page. Kenneth ‘Type of Thing’ Hindle detaches a Memo 402-C(1) from a file. ‘Second-Knuckle’ Bob McKenzie looks up briefly while turning a page. David Cusk turns a page. A yawn proceeds across one Chalk’s row by unconscious influence. Ryne Hobratschk turns a page. Latrice Theakston turns a page. Rotes Group Room 2 hushed and brightly lit, half a football field in length. Howard Cardwell shifts slightly in his chair and turns a page. Lane Dean Jr. traces his jaw’s outline with his ring finger. Ed Shackleford turns a page. Elpidia Carter turns a page. Ken Wax attaches a Memo 20 to a file. Anand Singh turns a page. Jay Landauer and Ann Williams turn a page almost precisely in sync although they are in different rows and cannot see each other. Boris Kratz bobs with a slight Hassidic motion as he crosschecks a page with a column of figures. Ken Wax turns a page. Harriet Candelaria turns a page. Matt Redgate turns a page. Ambient room temperature 80° F. Sandra Pounder makes a minute adjustment to a file so that the page she is looking at is at a slightly different angle to her. ‘Irrelevant’ Chris Fogle turns a page. David Cusk turns a page. Each Tingle’s two-tiered hemisphere of boxes. ‘Groovy’ Bruce Channing turns a page. Ken Wax turns a page. Six wigglers per Chalk, four Chalks per Team, six Teams per group. Latrice Theakston turns a page. Olive Borden turns a page. Plus administration and support. Bob McKenzie turns a page. Anand Singh turns a page and then almost instantly turns another page. Ken Wax turns a page. Chris ‘The Maestro’ Acquistipace turns a page. David Cusk turns a page. Harriet Candelaria turns a page. Boris Kratz turns a page. Robert Atkins turns two separate pages. Anand Singh turns a page. R. Jarvis Brown uncrosses his legs and turns a page. Latrice Theakston turns a page. The slow squeak of the cart boy’s cart at the back of the room. Ken Wax places a file on top of the stack in the Cart-Out box to his upper right. Jay Landauer turns a page. Ryne Hobratschk turns a page and then folds over the page of a computer printout that’s lined up next to the original file he just turned a page of. Ken Wax turns a page. Bob Mc-Kenzie turns a page. Ellis Ross turns a page. Joe ‘The Bastard’ Biron-Maint turns a page. Ed Shackleford opens a drawer and takes a moment to select just the right paperclip. Olive Borden turns a page. Sandra Pounder turns a page. Matt Redgate turns a page and then almost instantly turns another page. Latrice Theakston turns a page. Paul Howe turns a page and then sniffs circumspectly at the green rubber sock on his pinkie’s tip. Olive Borden turns a page. Rosellen Brown turns a page. Ken Wax turns a page. Devils are actually angels. Elpidia Carter and Harriet Candelaria reach up to their Cart-In boxes at exactly the same time. R. Jarvis Brown turns a page. Ryne Hobratschk turns a page. ‘Type of Thing’ Ken Hindle looks up a routing code. Some with their chin in their hand. Robert Atkins turns a page even as he’s crosschecking something on that page. Ann Williams turns a page. Ed Shackleford searches a file for a supporting document. Joe Biron-Maint turns a page. Ken Wax turns a page.
”
”
David Foster Wallace (The Pale King)
“
Unlike many at court, who tried to spend as much time in front of the king as they could, Destin valued his privacy. So, in addition to his apartment within the palace, he kept a suite of rooms at the Cup and Comfort Inn on the riverfront. Any kind of pleasure could be had at the Cup and Comfort for a price, but what Destin treasured most was anonymity. This was a place where he could be himself.
So it was with not a little alarm that he unlocked the door to his rooms at the inn to find Lila Barrowhill sleeping in his fireside chair.
He froze in the doorway, but she must have heard him, because she opened her eyes and smiled at him sleepily. “I hope you don’t mind that I let myself in. I didn’t want to draw attention by sitting outside your door.”
Destin stepped inside and shut and locked the door behind him. Then turned to glare at her, his arms folded.
Lila grinned when she saw his expression. “Blood and bones, Karn, I’m so glad you’re still alive. It always seems that I’m a lot happier to see you than you are to see me. Well, except for that time you came to Oden’s Ford. Then there was that time in King Gerard’s garden—”
“How did you find this place?”
“I needed a cup and some comfort, and this place was recommended,” she said. She held up a cup she’d no doubt filled down in the taproom. “It’s truly amazing. You really can get anything you want here.” She winked at him.
”
”
Cinda Williams Chima (Stormcaster (Shattered Realms, #3))
“
WHEN the hours of Day are numbered,
And the voices of the Night
Wake the better soul, that slumbered,
To a holy, calm delight;
Ere the evening lamps are lighted, 5
And, like phantoms grim and tall,
Shadows from the fitful firelight
Dance upon the parlor wall;
Then the forms of the departed
Enter at the open door;
The beloved, the true-hearted,
Come to visit me once more;
He, the young and strong, who cherished
Noble longings for the strife,
By the roadside fell and perished, 15
Weary with the march of life!
They, the holy ones and weakly,
Who the cross of suffering bore,
Folded their pale hands so meekly,
Spake with us on earth no more! 20
And with them the Being Beauteous,
Who unto my youth was given,
More than all things else to love me,
And is now a saint in heaven.
With a slow and noiseless footstep 25
Comes that messenger divine,
Takes the vacant chair beside me,
Lays her gentle hand in mine.
And she sits and gazes at me
With those deep and tender eyes, 30
Like the stars, so still and saint-like,
Looking downward from the skies.
Uttered not, yet comprehended,
Is the spirit's voiceless prayer,
Soft rebukes, in blessings ended, 35
Breathing from her lips of air.
Oh, though oft depressed and lonely,
All my fears are laid aside,
If I but remember only
Such as these have lived and died!
”
”
Henry Wadsworth Longfellow
“
I roll around to see Rocky hovering over me. Not in his compartment. He's in the control room!
He has slashed my restraints and pulled the chair free. He shoves it to the side.
He stands over me, wobbling. I can feel the heat radiating from his body just inches away. Smoke billows out of the radiator slits atop his carapace.
His knees buckle and he collapses on to the screen next to me, destroying it. The LCD unit blacks out and the plastic bezel melts.
I see a trail of smoke leading up the tunnel to the lab and beyond.
'Rocky!' What have you done?'
The crazy bastard must have used the large airlock in the dormitory! He came in to my partition to save me. And he'll die because of it!
He shivers and folds his legs under himself.
'Save... Earth... save... Erid...' he quavers. Then he slumps down.
'Rocky!' I grab his carapace without thinking. It's like putting my hands on a burner. I jerk away. 'Rocky... no...'
But he is motionless.
”
”
Andy Weir (Project Hail Mary)
“
Here, in his hands, is Lispenard Street: their apartment, with its odd proportions and slapdash second bedroom; its narrow hallways and miniature kitchen. He can tell that this is an early piece of Malcolm's because the windows are made of glassine, not vellum or Plexiglas, and the walls are made of cardboard, not wood. And in this apartment Malcolm has placed furniture, cut and folded from stiff paper: his lumpy twin futon bed on its cinder-block base; the broken-springed couch they had found on the street; the squeaking wheeled easy chair given them by JB's aunts. All that is missing is a paper him, a paper Willem.
He puts Lispenard Street on the floor by his feet. For a long time he sits very still, his eyes closed, allowing his mind to reach back and wander: there is much he doesn't romanticize about those years, not now, but at the time, when he hadn't known what to hope for, he hadn't known that life could be better than Lispenard Street.
”
”
Hanya Yanagihara (A Little Life)
“
At her feet, a luminous path lit the way through the grassy field. It was made entirely from glow sticks; each of the radiant lights had been painstakingly set into the ground at perfect intervals, tracing a curved trail that shone through the darkness.
Apparently, Jay had been busy.
Near the water’s edge, at the end of the iridescent pathway and beneath a stand of trees, Jay had set up more than just a picnic. He had created a retreat, an oasis for the two of them.
Violet shook her head, unable to find the words to speak.
He led her closer, and Violet followed, amazed.
Jay had hung more of the luminous glow sticks from the low-hanging branches, so they dangled overhead. They drifted and swayed in the breeze that blew up from the lake.
Beneath the natural canopy of limbs, he had set up two folding lounge chairs and covered them with pillows and blankets.
“I’d planned to use candles, but the wind would’ve blown ‘em out, so I had to improvise.”
“Seriously, Jay? This is amazing.” Violet felt awed. She couldn’t imagine how long it must have taken him.
“I’m glad you like it.”
He led her to one of the chairs and drew her down until she was sitting before he started unpacking the cooler.
She half-expected him to pull out a jar of Beluga caviar, some fancy French cheeses, and Dom Perignon champagne. Maybe even a cluster of grapes to feed to her…one at a time. So when he started laying out their picnic, Violet laughed.
Instead of expensive fish eggs and stinky cheeses, Jay had packed Daritos and chicken soft tacos-Violet’s favorites. And instead of grapes, he brought Oreos.
He knew her way too well.
Violet grinned as he pulled out two clear plastic cups and a bottle of sparkling cider. She giggled. “What? No champagne?”
He shrugged, pouring a little of the bubbling apple juice into each of the flimsy cups. “I sorta thought that a DUI might ruin the mood.” He lifted his cup and clinked-or rather, tapped-it against hers. “Cheers.” He watched her closely as she took a sip.
For several moments, they were silent. The lights swayed above them, creating shadows that danced over them. The park was peaceful, asleep, as the lake’s waters lapped the shore. Across from them, lights from the houses along the water’s edge cast rippling reflections on the shuddering surface. All of these things transformed the ordinary park into a romantic winter rendezvous.
”
”
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
“
Subject: SELF WORTH (Very Deep!!!) In a brief conversation, a man asked a woman he was pursuing the question: 'What kind of man are you looking for?' She sat quietly for a moment before looking him in the eye & asking, 'Do you really want to know?' Reluctantly, he said, 'Yes. She began to expound, 'As a woman in this day & age, I am in a position to ask a man what can you do for me that I can't do for myself? I pay my own bills. I take care of my household without the help of any man... or woman for that matter. I am in the position to ask, 'What can you bring to the table?' The man looked at her. Clearly he thought that she was referring to money. She quickly corrected his thought & stated, 'I am not referring to money. I need something more. I need a man who is striving for excellence in every aspect of life. He sat back in his chair, folded his arms, & asked her to explain. She said, 'I need someone who is striving for excellence mentally because I need conversation & mental stimulation. I don't need a simple-minded man. I need someone who is striving for excellence spiritually because I don't need to be unequally yoked...believers mixed with unbelievers is a recipe for disaster. I need a man who is striving for excellence financially because I don't need a financial burden. I need someone who is sensitive enough to understand what I go through as a woman, but strong enough to keep me grounded. I need someone who has integrity in dealing with relationships. Lies and game-playing are not my idea of a strong man. I need a man who is family-oriented. One who can be the leader, priest and provider to the lives entrusted to him by God. I need someone whom I can respect. In order to be submissive, I must respect him. I cannot be submissive to a man who isn't taking care of his business. I have no problem being submissive...he just has to be worthy. And by the way, I am not looking for him...He will find me. He will recognize himself in me. Hey may not be able to explain the connection, but he will always be drawn to me. God made woman to be a help-mate for man. I can't help a man if he can't help himself. When she finished her spill, she looked at him. He sat there with a puzzled look on his face. He said, 'You are asking a lot. She replied, "I'm worth a lot". Send this to every woman who's worth a lot.... and every man who has the brains to understand!!
”
”
Dru Edmund Kucherera
“
Hypothetically, then, you may be picking up in someone a certain very strange type of sadness that appears as a kind of disassociation from itself, maybe, Love-o.’
‘I don’t know disassociation.’
‘Well, love, but you know the idiom “not yourself” — “He’s not himself today,” for example,’ crooking and uncrooking fingers to form quotes on either side of what she says, which Mario adores. ‘There are, apparently, persons who are deeply afraid of their own emotions, particularly the painful ones. Grief, regret, sadness. Sadness especially, perhaps. Dolores describes these persons as afraid of obliteration, emotional engulfment. As if something truly and thoroughly felt would have no end or bottom. Would become infinite and engulf them.’
‘Engulf means obliterate.’
‘I am saying that such persons usually have a very fragile sense of themselves as persons. As existing at all. This interpretation is “existential,” Mario, which means vague and slightly flaky. But I think it may hold true in certain cases. My own father told stories of his own father, whose potato farm had been in St. Pamphile and very much larger than my father’s. My grandfather had had a marvelous harvest one season, and he wanted to invest money. This was in the early 1920s, when there was a great deal of money to be made on upstart companies and new American products. He apparently narrowed the field to two choices — Delaware-brand Punch, or an obscure sweet fizzy coffee substitute that sold out of pharmacy soda fountains and was rumored to contain smidgeons of cocaine, which was the subject of much controversy in those days. My father’s father chose Delaware Punch, which apparently tasted like rancid cranberry juice, and the manufacturer of which folded. And then his next two potato harvests were decimated by blight, resulting in the forced sale of his farm. Coca-Cola is now Coca-Cola. My father said his father showed very little emotion or anger or sadness about this, though. That he somehow couldn’t. My father said his father was frozen, and could feel emotion only when he was drunk. He would apparently get drunk four times a year, weep about his life, throw my father through the living room window, and disappear for several days, roaming the countryside of L’Islet Province, drunk and enraged.’
She’s not been looking at Mario this whole time, though Mario’s been looking at her.
She smiled. ‘My father, of course, could himself tell this story only when he was drunk. He never threw anyone through any windows. He simply sat in his chair, drinking ale and reading the newspaper, for hours, until he fell out of the chair. And then one day he fell out of the chair and didn’t get up again, and that was how your maternal grandfather passed away. I’d never have gotten to go to University had he not died when I was a girl. He believed education was a waste for girls. It was a function of his era; it wasn’t his fault. His inheritance to Charles and me paid for university.’
She’s been smiling pleasantly this whole time, emptying the butt from the ashtray into the wastebasket, wiping the bowl’s inside with a Kleenex, straightening straight piles of folders on her desk.
”
”
David Foster Wallace (Infinite Jest)
“
My mother was the first person you called for a recipe (a cup of onions, garlic, don’t forget the pinch of sugar) and the last one you called at night when you just couldn’t sleep (a cup of hot water with lemon, lavender oil, magnesium pills). She knew the exact ratio of olive oil to garlic in any recipe, and she could whip up dinner from three pantry items, easy. She had all the answers. I, on the other hand, have none of them, and now I no longer have her. “Hi,” I hear Eric say from inside. “Where is everyone?” Eric is my husband, and he is our last guest here today. He shouldn’t be. He should have been with us the entire time, in the hard, low chairs, stuck between noodle casseroles and the ringing phone and the endless lipstick kisses of neighbors and women who call themselves aunties, but instead he is here in the entryway to what is now my father’s house, waiting to be received. I close my eyes. Maybe if I cannot see him, he will stop looking for me. Maybe I will fold into this ostentatious May day, the sun shining like a woman talking loudly on a cell phone at lunch. Who invited you here? I tuck the cigarette into the pocket of my jeans. I cannot yet conceive of a world without her, what that will look like, who I am in her absence. I am incapable of understanding that she will not pick me up for lunch on Tuesdays, parking without a permit on the
”
”
Rebecca Serle (One Italian Summer)
“
Do I get to come in?” he asked.
She shrugged and stood aside. “I’m just packing.”
“Moving again?” he asked with faint sarcasm. “You used to be easier to keep track of.”
“Because I was living in a nest of spies!” she threw at him, having only recently gleaned that bit of information from Colby. “You got me an apartment surrounded by government agents!”
“It was the safest place for you,” he said simply. “Someone was always watching you when I couldn’t.”
“I didn’t need watching!”
“You did,” he returned, perching on the arm of her big easy chair to stare at her intently. “You never realized it, but you were a constant target for anyone who had a grudge against me. In the end, it was why I gave up government work and got a job in the private sector.” He folded his arms over his broad chest, watching surprise claim her features. “There was a communist agent with a high-powered rifle one day, and a South American gentlemen with an automatic pistol the following week. You were never told about them. But you had two close calls. If you hadn’t been living in a ‘nest of spies,’ I’d have buried you. Funerals are expensive,” he added with a cold smile.
She stared at him blankly. “Why didn’t you just send me back to South Dakota?” she asked.
“To your stepfather?” he drawled.
That was still a sore spot with her, and she was certain that he knew it. But she wouldn’t give him the satisfaction of arguing. He seemed to be spoiling for a fight. She turned away to the kitchen. “Want a cup of coffee?”
He got up and took her by the shoulders. “I’m sorry,” he said. “That was a low blow.”
“Another in a long line of them lately,” she said without meeting his eyes. “I seem to do nothing except rub you the wrong way.”
“And you don’t know why?” he asked curtly, letting her go.
She moved one shoulder as she went about the business of getting down a cup and saucer. “At a guess, you’re mad at somebody you can’t get to, and I’m the stand-in.”
He chuckled. “How do you see through me so easily? Even my mother can’t do that.”
If he thought about it, he’d know, she thought miserably.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
CORE MEDITATION: Breathing This classic meditation can deepen concentration by teaching us to focus on the “in breath” and the “out breath.” Sit comfortably on a cushion or chair and keep your back upright, without straining or overarching. If you can’t sit, then lie on your back on a yoga mat or folded blanket with your arms at your sides. Just be at ease and close your eyes, or gaze gently a few feet in front of you and aim for a state of alert relaxation. Take three or four deep breaths, feeling the air as it enters your nostrils, fills your chest and abdomen, and flows out again. Then let your breathing settle into a natural rhythm, and just feel the breath as it happens, without trying to change it or improve it—all you have to do is feel it. Notice where you sense your breath most intensely. Perhaps it’s at the nostrils, or at the chest or abdomen. Then rest your attention as lightly as a butterfly rests on a flower—only on that area—and become aware of the sensations there. For example, if you’re focusing on the breath at the nostrils, you may experience tingling, vibration, or pulsing, or you may observe that the breath is cooler when it comes in and warmer when it goes out. If you’re focusing on the breath at the abdomen, you may feel movement, pressure, stretching, or release. You don’t need to name these feelings—simply let your attention rest on them, one breath at a time. (Notice how often the word rest comes up in this instruction. This is a very restful practice). You don’t need to make the inhalation deeper or longer or different from the way it is. Just be aware of it, one breath at a time. Whenever you notice your attention has wandered and your mind has jumped to the past or the future, to judgment or speculation, don’t worry about it. Seeing your attention has wandered is the signal to gently let go of whatever has distracted you and return your attention to the feeling of the breath. If you have to let go over and over again, that’s fine—being able to more gracefully start over when we’ve become distracted or disconnected is one of the biggest benefits of meditation practice.
”
”
Sharon Salzberg (Real Happiness at Work: Meditations for Accomplishment, Achievement, and Peace)
“
Ladislav gave the wrong answer.” The tutor lifted his arm, fingers heavy with thick rings, and backhanded Radu sharply across his face. Radu’s head snapped to the side and he fell out of his chair with a cry of shock and pain. Lada would kill him. She would cut this man’s hand from his body for striking her brother; she would— She composed herself before the tutor looked at her, his chest heaving and his eyes bright. Waiting for her reaction. If she killed him, they would kill her, and no one would be here to protect stupid, fragile Radu. Her stupid, fragile Radu. And if she got angry, the tutor would know—they would all know—how to control her. The same way they had known to control her father. The same way the Janissaries had known to hurt her by taking Bogdan away. She raised her eyebrows impassively. “What are the five pillars of Islam?” he asked as Radu got back into his chair, tears in his eyes and a shocked expression on his face. Lada smiled and shook her head. The tutor hit Radu again. Radu stayed on the ground, gasping out the answer, his words garbled by a split and swiftly swelling lip, but Lada did not look away from the tutor’s face. She kept a pleasant smile on her own, kept her hands loosely folded in her lap, kept control. Control was power. No one would make her lose it. And eventually the tutor would realize that she would let him hit Radu over, and over, and over. And only then would Radu be safe.
”
”
Kiersten White (And I Darken (The Conqueror's Saga, #1))
“
So, what is it, woman?” She raised one delicate eyebrow and he felt as if she’d dug down into his very soul.
“I have word of Annwyl of the Dark Plains.”
Brastias stood quickly, grasping the woman by the arms; she stood almost as tall as he. “Tell me, witch. Where is she?”
She stared at him. “Remove your hands, or I’ll make sure you don’t have any.” Brastias took a deep breath and released her. “She is safe and alive. But she is healing. She won’t be back for another fortnight.”
Brastias heaved a sigh of overwhelming relief as he sat heavily in his chair. “Thank the gods. I thought we’d lost her.”
“You almost had. But the girl must have the gods smiling down on her.”
“Can I see her?”
The woman watched him carefully. “No. But I will get any messages you may have to her.”
“Give me a few moments, I need to write something.” He grabbed quill and paper and wrote Annwyl a brief-but-to-the-point letter. He folded it, affixed his seal, and handed it to the witch. “Give her this and my love.”
“You are her man then?” she asked cautiously.
Brastias laughed. He did like his head securely attached to his shoulders. Becoming Annwyl’s man risked that.
“Annwyl has no man because there is no man worthy of her. That includes me. So she has become the sister I lost many years ago in Lorcan’s dungeons.”
The woman nodded and walked back to the entrance of Brastias’s tent. She stopped before leaving. “She asks,” the witch spoke softly without turning around, “that you not lose hope.”
“As long as she lives, we won’t.”
Then she was gone. Brastias closed his eyes in relief. Annwyl wasn’t dead. His hope returned.
”
”
G.A. Aiken (Dragon Actually (Dragon Kin, #1))
“
The street sprinkler went past and, as its rasping rotary broom spread water over the tarmac, half the pavement looked as if it had been painted with a dark stain. A big yellow dog had mounted a tiny white bitch who stood quite still.
In the fashion of colonials the old gentleman wore a light jacket, almost white, and a straw hat.
Everything held its position in space as if prepared for an apotheosis. In the sky the towers of Notre-Dame gathered about themselves a nimbus of heat, and the sparrows – minor actors almost invisible from the street – made themselves at home high up among the gargoyles. A string of barges drawn by a tug with a white and red pennant had crossed the breadth of Paris and the tug lowered its funnel, either in salute or to pass under the Pont Saint-Louis.
Sunlight poured down rich and luxuriant, fluid and gilded as oil, picking out highlights on the Seine, on the pavement dampened by the sprinkler, on a dormer window, and on a tile roof on the Île Saint-Louis. A mute, overbrimming life flowed from each inanimate thing, shadows were violet as in impressionist canvases, taxis redder on the white bridge, buses greener.
A faint breeze set the leaves of a chestnut tree trembling, and all down the length of the quai there rose a palpitation which drew voluptuously nearer and nearer to become a refreshing breath fluttering the engravings pinned to the booksellers’ stalls.
People had come from far away, from the four corners of the earth, to live that one moment. Sightseeing cars were lined up on the parvis of Notre-Dame, and an agitated little man was talking through a megaphone.
Nearer to the old gentleman, to the bookseller dressed in black, an American student contemplated the universe through the view-finder of his Leica.
Paris was immense and calm, almost silent, with her sheaves of light, her expanses of shadow in just the right places, her sounds which penetrated the silence at just the right moment.
The old gentleman with the light-coloured jacket had opened a portfolio filled with coloured prints and, the better to look at them, propped up the portfolio on the stone parapet.
The American student wore a red checked shirt and was coatless.
The bookseller on her folding chair moved her lips without looking at her customer, to whom she was speaking in a tireless stream. That was all doubtless part of the symphony. She was knitting. Red wool slipped through her fingers.
The white bitch’s spine sagged beneath the weight of the big male, whose tongue was hanging out.
And then when everything was in its place, when the perfection of that particular morning reached an almost frightening point, the old gentleman died without saying a word, without a cry, without a contortion while he was looking at his coloured prints, listening to the voice of the bookseller as it ran on and on, to the cheeping of the sparrows, the occasional horns of taxis.
He must have died standing up, one elbow on the stone ledge, a total lack of astonishment in his blue eyes. He swayed and fell to the pavement, dragging along with him the portfolio with all its prints scattered about him.
The male dog wasn’t at all frightened, never stopped. The woman let her ball of wool fall from her lap and stood up suddenly, crying out:
‘Monsieur Bouvet!
”
”
Georges Simenon
“
Don't you think Rycca would like to hear about Hadding, the warrior Odin rescued from his enemies? Indeed, so would I for as I recall, the last time I asked about him, you told the story in great haste without the scantiest details." There was a gleam in her eyes that Rycca had come to understand meant she was up to something, but she had no idea what might lurk behind so seemingly innocent a suggestion.
Dragon grinned and looked at his brother, who leaned back in his chair and laughed. When Rycca appeared puzzled, Cymbra said, "I confess, when I noticed how attentive you are to Dragon's stories I was reminded of myself. At Wolf's and my wedding feast, I persuaded Dragon to tell a great many tales. He was the soul of patience."
"He was?" Wolf interjected. "I was the one with the patience. My dear brother knew perfectly well I was sitting there contemplating various possibilities for doing away with him and he enjoyed every moment of it."
"Now how could I have known that, brother?" Dragon challenged. "Just because the wine goblet you were holding was twisted into a very odd shape?"
"It was that or your neck, brother," Wolf replied pleasantly. He looked at Rycca reassuringly. "Don't worry, if I hadn't already forgiven him, that sword he gave me would force me to."
"It is a magnificent blade," Dragon agreed. "They both are. Every smithy in Christendom is trying to work out what the Moors are doing but..."
"It's got something to do with the temperature of the steel," Wolf said.
"And with the folding. They fold more than we do, possibly hundreds of times."
"Hundreds,really? Then the temperature has to be very high or they couldn't pound that thin. I wonder how much carbon they're adding-"
Cymbra sighed. To Rycca, she said, "We might as well retire.They can talk about this for hours."
Wolf heard her and laughed. He draped an arm over her chair, pulling her closer. Into her ear, he said something that made the redoubtable Cymbra blush.
She cleared her throat. "Oh, well, in that case, you might as well retire, too." Standing up quickly, she took her husband's rugged hand in her much smaller and fairer one. "Good night, Rycca, good night, Dragon. Sleep well." This last was said over her shoulder as she tugged Wolf from the hall.
Her obvious intent startled Rycca, who even now could not think herself as being so bold, but it made both the Hakonson brothers laugh.
"As you may gather," Dragon said in the aftermath of the couple's departure, "my brother and his wife are happily wed.
”
”
Josie Litton (Come Back to Me (Viking & Saxon, #3))
“
What can I tell you that you do not know
Of the life after death?
Your son’s eyes, which had unsettled us
With your Slavic Asiatic
Epicanthic fold, but would become
So perfectly your eyes,
Became wet jewels,
The hardest substance of the purest pain
As I fed him in his high white chair.
Great hands of grief were wringing and wringing
His wet cloth of face. They wrung out his tears.
But his mouth betrayed you — it accepted
The spoon in my disembodied hand
That reached through from the life that had survived you.
Day by day his sister grew
Paler with the wound
She could not see or touch or feel, as I dressed it
Each day with her blue Breton jacket.
By night I lay awake in my body
The Hanged Man
My neck-nerve uprooted and the tendon
Which fastened the base of my skull
To my left shoulder
Torn from its shoulder-root and cramped into knots —
I fancied the pain could be explained
If I were hanging in the spirit
From a hook under my neck-muscle.
Dropped from life
We three made a deep silence
In our separate cots.
We were comforted by wolves.
Under that February moon and the moon of March
The Zoo had come close.
And in spite of the city
Wolves consoled us. Two or three times each night
For minutes on end
They sang. They had found where we lay.
And the dingos, and the Brazilian-maned wolves —
All lifted their voices together
With the grey Northern pack.
The wolves lifted us in their long voices.
They wound us and enmeshed us
In their wailing for you, their mourning for us,
They wove us into their voices. We lay in your death,
In the fallen snow, under falling snow,
As my body sank into the folk-tale
Where the wolves are singing in the forest
For two babes, who have turned, in their sleep,
Into orphans
Beside the corpse of their mother.
”
”
Ted Hughes (Birthday Letters)
“
She had only time, however, to move closer to the table where he had been writing, when footsteps were heard returning; the door opened; it was himself. He begged their pardon, but he had forgotten his gloves, and instantly crossing the room to the writing table, and standing with his back towards Mrs. Musgrove, he drew out a letter from under the scattered paper, placed it before Anne with eyes of glowing entreaty fixed on her for a moment, and hastily collecting his gloves, was again out of the room, almost before Mrs. Musgrove was aware of his being in it - the work of an instant!
The revolution which one instant had made in Anne, was almost beyond expression. The letter, with a direction hardily legible, to 'Miss A.E. - ,' was evidently the one which he had been folding so hastily. While supposed to be writing only to Captain Benwick, he had been also addressing her! On the contents of that letter depended all which this world could do for her! Any thing was possible, any thing might be defied rather than suspense. Mrs. Musgrove had little arrangements of her own at her own table; to their protection she must trust, and sinking into the chair which he had occupied, succeeding to the very spot where he had leaned and written, her eyes devoured the following words:
'I can listen no longer in silence. I must speak to you by such means as are within my reach. You pierce my soul. I am half agony, half hope. Tell me not that I am too late, that such precious feelings are gone for ever. I offer myself to you again with a heart even more your own, than when you almost broke it, eight years and a half ago. Dare not say that man forgets sooner than woman, that his love has an earlier death. I have loved none but you. Unjust I may have been, weak and resentful I have been, but never inconstant. You alone have brought me to Bath. For you alone, I think and plan. Have you not seen this? Can you fail to have understood my wishes? I had not waited even these ten days, could I have read your feelings, as I think you must have penetrated mine. I can hardly write. I am every instant hearing something which overpowers me. You sink your voice, but I can distinguish the tones of that voice when they would be lost on others. - Too good, too excellent creature! You do us justice, indeed. You do believe that there is true attachment and constancy among men. Believe it to be most fervent, most undeviating, in
F. W.'
'I must go, uncertain of my fate; but I shall return hither, or follow your party, as soon as possible. A word, a look, will be enough to decide whether I enter your father's house this evening or never.
”
”
Jane Austen (Persuasion)
“
You’re the one who didn’t keep his word. And speaking of your word and its dubious worth, don’t change the subject. I saw the looks you and Miss Turner were exchanging. The lady goes bright pink every time you speak to her. For God’s sake, you put food on her plate without even asking.”
“And where’s the crime in that?” Gray was genuinely curious to hear the answer. He hadn’t forgotten that shocked look she’d given him.
“Come on, Gray. You know very well one doesn’t take such a liberty with a mere acquaintance. It’s…it’s intimate. The two of you are intimate. Don’t deny it.”
“I do deny it. It isn’t true.” Gray took another swig from his flask and wiped his mouth with the back of his hand. “Damn it, Joss. Sooner or later, you’re going to have to trust me. I gave you my word. I’ve kept it.”
And it was the truth, Gray told himself. Yes, he’d touched her tonight, but he’d never pledged not to touch her. He had kept his word. He hadn’t bedded her. He hadn’t kissed her.
God, what he wouldn’t give just to kiss her…
He rubbed the heel of his hand against his chest. That same ache lingered there-the same sharp tug he’d felt when she’d brought her foot down on his and pursed her lips into a silent plea. Please, she’d said. Don’t. As if she appealed to his conscience.
His conscience. Where would the girl have gathered such a notion, that he possessed a conscience? Certainly not form his treatment of her.
A bitter laugh rumbled through his chest, and Joss shot him a skeptical look.
“Believe me, I’ve scarcely spoken to the girl in weeks. You can’t know the lengths I’ve gone to, avoiding her. And it isn’t easy, because she won’t stay put in her cabin, now will she? No, she has to go all over the ship, flirting with the crew, tacking her little pictures in every corner of the boat, taking tea in the galley with Gabriel. I can’t help but see her. And I can see she’s too damn thin. She needs to eat; I put food on her plate. There’s nothing more to it than that.”
Joss said nothing, just stared at him as though he’d grown a second head.
“Damn it, what now? Don’t you believe me?”
“I believe what you’re saying,” his brother said slowly. “I just can’t believe what I’m hearing.”
Gray folded his arms and leaned against the wall. “And what are you hearing?”
“I wondered why you’d done all this…the dinner. Now I know.”
“You know what?” Gray was growing exasperated. Most of all, because he didn’t know.
“You care for this girl.” Joss cocked his head. “You care for her. Don’t you?”
“Care for her.”
Joss’s expression was smug. “Don’t you?”
The idea was too preposterous to entertain, but Gray perked with inspiration. “Say I did care for her. Would you release me from that promise? If my answer is yes, can I pursue her?”
Joss shook his head. “If the answer is yes, you can-and should-wait one more week. It’s not as though she’ll vanish the moment we make harbor. If the answer is yes, you’ll agree she deserves that much.”
Wrong, Gray thought, sinking back into a chair.
”
”
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
“
Evie.”
She glanced at Sebastian. Whatever she saw in his face caused her to walk around the bed to him. “Yes,” she said with a concerned frown. “Dearest, this is going to help you—”
“No.” It would kill him. It was difficult enough already to fight the fever and the pain. If he was further weakened by a long bloodletting he wouldn’t be able to hold on any longer. Frantically Sebastian tugged at his tautly stretched arm, but the binding held fast and the chair didn’t even wobble. Bloody hell. He stared up at his wife wretchedly, battling a wave of light-headedness. “No,” he rasped. “Don’t…let him…”
“Darling,” Evie whispered, bending over to kiss his shaking mouth. Her eyes were suddenly shiny with unshed tears. “This may be your best chance—your only chance—”
“I’ll die. Evie…” Rising fear caused blackness to streak across his vision, but he forced his eyes to stay open. Her face became a blur. “I’ll die,” he whispered again.
“Lady St. Vincent,” came Dr. Hammond’s steady, kind voice, “your husband’s anxiety is quite understandable. However, his judgment is impaired by illness. At this time, you are the one who is best able to make decisions for his benefit. I would not recommend this procedure if I did not believe in its efficacy. You must allow me to proceed. I doubt Lord St. Vincent will even remember this conversation.”
Sebastian closed his eyes and let out a groan of despair. If only Hammond were some obvious lunatic with a maniacal laugh…someone Evie would instinctively mistrust. But Hammond was a respectable man, with all the conviction of someone who believed he was doing the right thing. The executioner, it seemed, could come in many guises.
Evie was his only hope, his only champion. Sebastian would never have believed it would come to this…his life depending on the decision of an unworldly young woman who would probably allow herself to be persuaded by the Hammond’s authority. There was no one else for Sebastian to appeal to.
He felt her gentle fingers at the side of his fevered face, and he stared up at her pleadingly, unable to form a word. Oh God, Evie, don’t let him—
“All right,” Evie said softly, staring at him. Sebastian’s heart stopped as he thought she was speaking to the doctor…giving permission to bleed him. But she moved to the chair and deftly untied Sebastian’s wrist, and began to massage the reddened skin with her fingertips.
She stammered a little as she spoke. “Dr. H-Hammond…Lord St. Vincent does not w-want the procedure. I must defer to his wishes.”
To Sebastian’s eternal humiliation, his breath caught in a shallow sob of relief.
“My lady,” Hammond countered with grave anxiety, “I beg you to reconsider. Your deference to the wishes of a man who is out of his head with fever may prove to be the death of him. Let me help him. You must trust my judgment, as I have infinitely more experience in such matters.”
Evie sat carefully on the side of the bed and rested Sebastian’s hand in her lap. “I do respect your j-j—” She stopped and shook her head impatiently at the sound of her own stammer. “My husband has the right to make the decision for himself.”
Sebastian curled his fingers into the folds of her skirts. The stammer was a clear sign of her inner anxiety, but she would not yield. She would stand by him. He sighed unsteadily and relaxed, feeling as if his tarnished soul had been delivered into her keeping.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
Quote from "The Dish Keepers of Honest House" ....TO TWIST THE COLD is easy when its only water you want. Tapping of the toothbrush echoes into Ella's mind like footsteps clacking a cobbled street on a bitter, dry, cold morning. Her mind pushes through sleep her body craves. It catches her head falling into a warm, soft pillow.
"Go back to bed," she tells herself.
"You're still asleep," Ella mumbles, pushes the blanket off, and sits up.
The urgency to move persuades her to keep routines. Water from the faucet runs through paste foam like a miniature waterfall. Ella rubs sleep-deprieved eyes, then the bridge of her nose and glances into the sink.
Ella's eyes astutely fixate for one, brief millisecond. Water becomes the burgundy of soldiers exiting the drain. Her mouth drops in shock. The flow turns green. It is like the bubbling fungus of flockless, fishless, stagnating ponds.
Within the iridescent glimmer of her thinking -- like a brain losing blood flow, Ella's focus is the flickering flashing of gray, white dust, coal-black shadows and crows lifting from the ground. A half minute or two trails off before her mind returns to reality.
Ella grasps a toothbrush between thumb and index finger. She rests the outer palm against the sink's edge, breathes in and then exhales. Tension in the brow subsides, and her chest and shoulders drop; she sighs. Ella stares at pasty foam. It exits the drain as if in a race to clear the sink of negativity -- of all germs, slimy spit, the burgundy of imagined soldiers and oppressive plaque.
GRASPING THE SILKY STRAND between her fingers, Ella tucks, pulls and slides the floss gently through her teeth. Her breath is an inch or so of the mirror. Inspections leave her demeanor more alert. Clouding steam of the image tugs her conscience. She gazes into silver glass. Bits of hair loosen from the bun piled at her head's posterior.
What transforms is what she imagines. The mirror becomes a window. The window possesses her Soul and Spirit. These two become concerned -- much like they did when dishonest housekeepers disrupted Ella's world in another story.
Before her is a glorious bird -- shining-dark-as-coal, shimmering in hues of purple-black and black-greens. It is likened unto The Raven in Edgar Allan Poe's most famous poem of 1845.
Instead of interrupting a cold December night with tapping on a chamber door, it rests its claws in the decorative, carved handle of a backrest on a stiff dining chair. It projects an air of humor and concern. It moves its head to and fro while seeking a clearer understanding.
Ella studies the bird. It is surrounded in lofty bends and stretches of leafless, acorn-less, nearly lifeless, oak trees. Like fingers and arms these branches reach below.
[Perhaps they are reaching for us? Rest assured; if they had designs on us, I would be someplace else, writing about something more pleasant and less frightening. Of course, you would be asleep.]
Balanced in the branches is a chair. It is from Ella's childhood home. The chair sways. Ella imagines modern-day pilgrims of a distant shore. Each step is as if Mother Nature will position them upright like dolls, blown from the stability of their plastic, flat, toe-less feet. These pilgrims take fate by the hand.
LIFTING A TOWEL and patting her mouth and hands, Ella pulls the towel through the rack. She walks to the bedroom, sits and picks up the newspaper. Thumbing through pages that leave fingertips black, she reads headlines:
"Former Dentist Guilty of Health Care Fraud."
She flips the page, pinches the tip of her nose and brushes the edge of her chin -- smearing both with ink. In the middle fold directly affront her eyes is another headline:
"Dentist Punished for Misconduct."
She turns the page. There is yet another:
"Dentist guilty of urinating in surgery sink and using contaminated dental instruments on patients."
This world contains those who are simply insane! Every profession has those who stray from goals....
”
”
Helene Andorre Hinson Staley
“
So buy a home. Find a pretty girl to marry. Settle down and start a family.”
Bram shook his head. Impossible suggestions, all. He was not about to resign his commission at the age of nine-and-twenty, while England remained at war. And he damned well wasn’t going to marry. Like his father before him, he intended to serve until they pried his flintlock from his cold, dead grip. And while officers were permitted to bring their wives, Bram firmly believed gently bred women didn’t belong on campaign. His own mother was proof of that. She’d succumbed to the bloody flux in India, a short time before young Bram had been sent to England for school.
He sat forward in his chair. “Sir Lewis, you don’t understand. I cut my teeth on rationed biscuit. I could march before I could speak. I’m not a man to settle down. While England remains at war, I cannot and will not resign my commission. It’s more than my duty, sir. It’s my life. I…” He shook his head. “I can’t do anything else.”
“If you won’t resign, there are other ways of helping the war effort.”
“Deuce it, I’ve been through all this with my superiors. I will not accept a so-called promotion that means shuffling papers in the War Office.” He gestured at the alabaster sarcophagus in the corner. “You might as well stuff me in that coffin and seal the lid. I am a soldier, not a secretary.”
The man’s blue eyes softened. “You’re a man, Victor. You’re human.”
“I’m my father’s son,” he shot back, pounding the desk with his fist. “You cannot keep me down.”
He was going too far, but to hell with boundaries. Sir Lewis Finch was Bram’s last and only option. The old man simply couldn’t refuse.
Sir Lewis stared at his folded hands for a long, tense moment. Then, with unruffled calm, he replaced his spectacles. “I have no intention of keeping you down. Much to the contrary.”
“What do you mean?” Bram was instantly wary.
“I mean precisely what I said. I have done the exact opposite of keeping you down.” He reached for a stack of papers. “Bramwell, prepare yourself for elevation.
”
”
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
“
After all,” she said, her eyes meeting his, “it’s not as though you lack sufficient charm to woo ladies. And you’re certainly handsome enough, in your own way.”
She bent her head again. “Oh, stop looking s smug. I’m not flattering you, I’m merely stating facts. Privateering was not your only profitable course of action. You might have married, if you’d wished to.”
“Ah, but there’s the snag, you see. I didn’t wish to.”
She picked up a brush and tapped it against her palette. “No, you didn’t. You wished to be at sea. You wished to go adventuring, to seize sixty ships in the name of the Crown and pursue countless women on four continents. That’s why you sold your land, Mr. Grayson. Because it’s what you wanted to do. The profit was incidental.”
Gray tugged at the cuff of his coat sleeve. It unnerved him, how easily she stared down these truths he’d avoided looking in the eye for years. So now he was worse than a thief. He was a selfish, lying thief. And still she sat with him, flirted with him, called him “charming” and “handsome enough.” How much darkness did the girl need to uncover before she finally turned away?
“And what about you, Miss Turner?” He leaned forward in his chair. “Why are you here, bound for the West Indies to work as a governess? You, too, might have married. You come from quality; so much is clear. And even if you’d no dowry, sweetheart…” He waited for her to look up. “Yours is the kind of beauty that brings men to their knees.”
She gave a dismissive wave of her paintbrush. Still, her cheeks darkened, and she dabbed her brow with the back of her wrist.
“Now, don’t act missish. I’m not flattering you, I’m merely stating facts.” He leaned back in his chair. “So why haven’t you married?”
“I explained to you yesterday why marriage was no longer an option for me. I was compromised.”
Gray folded his hands on his chest. “Ah, yes. The French painting master. What was his name? Germaine?”
“Gervais.” She sighed dramatically. “Ah, but the pleasure he showed me was worth any cost. I’d never felt so alive as I did in his arms. Every moment we shared was a minute stolen from paradise.”
Gray huffed and kicked the table leg. The girl was trying to make him jealous. And damn, if it wasn’t working. Why should some oily schoolgirl’s tutor enjoy the pleasures Gray was denied? He hadn’t aided the war effort just so England’s most beautiful miss could lift her skirts for a bloody Frenchman.
She began mixing pigment with oil on her palette. “Once, he pulled me into the larder, and we had a feverish tryst among the bins of potatoes and turnips. He held me up against the shelves and we-“
“May I read my book now?” Lord, he couldn’t take much more of this.
She smiled and reached for another brush. “If you wish.”
Gray opened his book and stared at it, unable to muster the concentration to read. Every so often, he turned a page. Vivid, erotic images filled his mind, but all the blood drained to his groin.
”
”
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))