Foggy Day Quotes

We've searched our database for all the quotes and captions related to Foggy Day. Here they are! All 80 of them:

I was born to catch dragons in their dens / And pick flowers / To tell tales and laugh away the morning / To drift and dream like a lazy stream / And walk barefoot across sunshine days.
James Kavanaugh (Sunshine Days and Foggy Nights)
I will love you as a thief loves a gallery and as a crow loves a murder, as a cloud loves bats and as a range loves braes. I will love you as misfortune loves orphans, as fire loves innocence and as justice loves to sit and watch while everything goes wrong. I will love you as a battlefield loves young men and as peppermints love your allergies, and I will love you as the banana peel loves the shoe of a man who was just struck by a shingle falling off a house. I will love you as a volunteer fire department loves rushing into burning buildings and as burning buildings love to chase them back out, and as a parachute loves to leave a blimp and as a blimp operator loves to chase after it. I will love you as a dagger loves a certain person’s back, and as a certain person loves to wear dagger proof tunics, and as a dagger proof tunic loves to go to a certain dry cleaning facility, and how a certain employee of a dry cleaning facility loves to stay up late with a pair of binoculars, watching a dagger factory for hours in the hopes of catching a burglar, and as a burglar loves sneaking up behind people with binoculars, suddenly realizing that she has left her dagger at home. I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as the noise of glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled. I will love you until every fire is extinguised and until every home is rebuilt from the handsomest and most susceptible of woods, and until every criminal is handcuffed by the laziest of policemen. I will love until M. hates snakes and J. hates grammar, and I will love you until C. realizes S. is not worthy of his love and N. realizes he is not worthy of the V. I will love you until the bird hates a nest and the worm hates an apple, and until the apple hates a tree and the tree hates a nest, and until a bird hates a tree and an apple hates a nest, although honestly I cannot imagine that last occurrence no matter how hard I try. I will love you as we grow older, which has just happened, and has happened again, and happened several days ago, continuously, and then several years before that, and will continue to happen as the spinning hands of every clock and the flipping pages of every calendar mark the passage of time, except for the clocks that people have forgotten to wind and the calendars that people have forgotten to place in a highly visible area. I will love you as we find ourselves farther and farther from one another, where we once we were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively. I will love you until the chances of us running into one another slip from slim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you don’t see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and now matter how I am discovered after what happens to me as I am discovering this.
Lemony Snicket
I was born to find goblins in their caves / And chase moonlight / To see shadows and seek hidden rivers / To hear the rain fall on dry leaves / And chat a bit with death across foggy nights.
James Kavanaugh (Sunshine Days and Foggy Nights)
It’s easier to hide your smoking habit on a foggy day. Let that be a lesson for you and your secret lover.
Jarod Kintz (Whenever You're Gone, I'm Here For You)
The weather and my mood have little connection. I have my foggy and my fine days within me; my prosperity or misfortune has little to do with the matter.
Blaise Pascal
Finding oneself and one's path is like waking up on a foggy day. Be patient, and presently the fog will clear and that which has always been there can be seen. The path is already there to follow
Rasheed Ogunlaru (Soul Trader)
In the midst of a foggy field, the answers are hidden But the impossible journey deems them forbidden. The Reaper of Death, the Angel of Life. They walk together in day and night.
Jessica Sorensen (Ember (Death Collectors, #1))
Don't you like a rather foggy day in a wood in autumn? You'll find we shall be perfectly warm sitting in the car." Jane said she'd never heard of anyone liking fogs before but she didn't mind trying. All three got in. "That's why Camilla and I got married, "said Denniston as they drove off. "We both like Weather. Not this or that kind of weather, but just Weather. It's a useful taste if one lives in England." "How ever did you learn to do that, Mr. Denniston?" said Jane. "I don't think I should ever learn to like rain and snow." "It's the other way round," said Denniston. "Everyone begins as a child by liking Weather. You learn the art of disliking it as you grow up. Noticed it on a snowy day? The grown-ups are all going about with long faces, but look at the children - and the dogs? They know what snow's made for." "I'm sure I hated wet days as a child," said Jane. "That's because the grown-ups kept you in," said Camilla. "Any child loves rain if it's allowed to go out and paddle about in it.
C.S. Lewis (That Hideous Strength (The Space Trilogy, #3))
I am a book. Sheaves pressed from the pulp of oaks and pines a natural sawdust made dingy from purses, dusty from shelves. Steamy and anxious, abused and misused, kissed and cried over, smeared, yellowed, and torn, loved, hated, scorned. I am a book. I am a book that remembers, days when I stood proud in good company When the children came, I leapt into their arms, when the women came, they cradled me against their soft breasts, when the men came, they held me like a lover, and I smelled the sweet smell of cigars and brandy as we sat together in leather chairs, next to pool tables, on porch swings, in rocking chairs, my words hanging in the air like bright gems, dangling, then forgotten, I crumbled, dust to dust. I am a tale of woe and secrets, a book brand-new, sprung from the loins of ancient fathers clothed in tweed, born of mothers in lands of heather and coal soot. A family too close to see the blood on its hands, too dear to suffering, to poison, to cold steel and revenge, deaf to the screams of mortal wounding, amused at decay and torment, a family bred in the dankest swamp of human desires. I am a tale of woe and secrets, I am a mystery. I am intrigue, anxiety, fear, I tangle in the night with madmen, spend my days cloaked in black, hiding from myself, from dark angels, from the evil that lurks within and the evil we cannot lurk without. I am words of adventure, of faraway places where no one knows my tongue, of curious cultures in small, back alleys, mean streets, the crumbling house in each of us. I am primordial fear, the great unknown, I am life everlasting. I touch you and you shiver, I blow in your ear and you follow me, down foggy lanes, into places you've never seen, to see things no one should see, to be someone you could only hope to be. I ride the winds of imagination on a black-and-white horse, to find the truth inside of me, to cure the ills inside of you, to take one passenger at a time over that tall mountain, across that lonely plain to a place you've never been where the world stops for just one minute and everything is right. I am a mystery. -Rides a Black and White Horse
Lise McClendon
If I had to pinpoint my mother’s location, I’d say she’s nowhere and everywhere at the same time. She’s a foggy memory I can’t quite bring into focus and a gentle spirit that infuses all my days. She hovers in the background of my life now, suspended, shapeless, like familiar air.
Hope Edelman (Motherless Daughters: The Legacy of Loss)
She spent the foggy day in endless, aimless walking, for it seemed to her that if she moved quickly enough she would escape the fear that hunted her. It was a vague and shadowy fear of something cruel and stupid that had caught her and would never let her go. She had always known that it was there - hidden under the more of less pleasant surface of things. Always. Ever since she was a child. You could argue about hunger or cold or loneliness, but with that fear you couldn't argue. It went too deep. You were too mysteriously sure of its terror. You could only walk very fast and try to leave it behind you.
Jean Rhys (Quartet)
The fog is a magician who performs the art of erasing things without actually erasing them!
Mehmet Murat ildan
I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as the noise of glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled. I will love you until every fire is extinguished and until every home is rebuilt form the handsomest and most susceptible of woods, and until every criminal is handcuffed by the laziest of policemen. I will love you until M. hates snakes and J. hates grammar, and I will love you until C. realizes S. is not worthy of his love and N. realizes he is not worthy of the V. I will love you until the bird hates a nest and the worm hates an apple, and until the apple hates a tree and the tree hates a nest, and until a bird hates a tree and an apple hates a nest, although honestly I cannot imagine that last occurrence no matter how hard I try. I will love you as we grow older, which has just happened, and has happened again, and happened several days ago, continuously, and then several years before that, and will continue to happen as the spinning hands of every clock and the flipping pages of every calendar mark the passage of time, except for the clocks that people have forgotten to wind and the calendars that people have forgotten to place in a highly visible area. I will love you as we find ourselves farther and farther from one another, where once we were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively. I will love you until the chances of us running into one another slip from skim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you don’t see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and no matter how I am discovered after what happens to me happens to me as I am discovering this. I will love you if you don’t marry me. I will love you if you marry someone else – your co-star, perhaps, or Y., or even O., or anyone Z. through A., even R. although sadly I believe it will be quite some time before two women can be allowed to marry – and I will love you if you have a child, and I will love you if you have two children, or three children, or even more, although I personally think three is plenty, and I will love you if you never marry at all, and never have children, and spend your years wishing you had married me after all, and I must say that on late, cold nights I prefer this scenario out of all the scenarios I have mentioned. That, Beatrice, is how I will love you even as the world goes on its wicked way.
Lemony Snicket (The Beatrice Letters)
We need clear days to see the horizons; we need foggy nights to see beyond the horizons! Man sometimes can think much deeper when he sees less!
Mehmet Murat ildan
The number of foggy days over the city is never reported, reportedly. But take it from me— there's enough to satisfy everyone, and dissatisfy somebody.
Herb Caen (Don't Call It Frisco)
The weather and my mood have little connection. I have my foggy and my fine days within me.
Blaise Pascal
I thought your boyfriend died?" Nicky asked, and it was actually a good question, and I was so mad that I wasn't even embarrassed to answer him. "We were three," I choked out. "I had a night lover and a day lover,” I said, and it felt like poetry, just to say it there in public in the middle of the quad, under the foggy sun. "And they loved each other like night loves the day. And then the night lover died, and the day lover and I were naked in the sunshine, with only ourselves for cover.
Amy Lane (Wounded (Little Goddess, #2))
A Faint Music by Robert Hass Maybe you need to write a poem about grace. When everything broken is broken, and everything dead is dead, and the hero has looked into the mirror with complete contempt, and the heroine has studied her face and its defects remorselessly, and the pain they thought might, as a token of their earnestness, release them from themselves has lost its novelty and not released them, and they have begun to think, kindly and distantly, watching the others go about their days— likes and dislikes, reasons, habits, fears— that self-love is the one weedy stalk of every human blossoming, and understood, therefore, why they had been, all their lives, in such a fury to defend it, and that no one— except some almost inconceivable saint in his pool of poverty and silence—can escape this violent, automatic life’s companion ever, maybe then, ordinary light, faint music under things, a hovering like grace appears. As in the story a friend told once about the time he tried to kill himself. His girl had left him. Bees in the heart, then scorpions, maggots, and then ash. He climbed onto the jumping girder of the bridge, the bay side, a blue, lucid afternoon. And in the salt air he thought about the word “seafood,” that there was something faintly ridiculous about it. No one said “landfood.” He thought it was degrading to the rainbow perch he’d reeled in gleaming from the cliffs, the black rockbass, scales like polished carbon, in beds of kelp along the coast—and he realized that the reason for the word was crabs, or mussels, clams. Otherwise the restaurants could just put “fish” up on their signs, and when he woke—he’d slept for hours, curled up on the girder like a child—the sun was going down and he felt a little better, and afraid. He put on the jacket he’d used for a pillow, climbed over the railing carefully, and drove home to an empty house. There was a pair of her lemon yellow panties hanging on a doorknob. He studied them. Much-washed. A faint russet in the crotch that made him sick with rage and grief. He knew more or less where she was. A flat somewhere on Russian Hill. They’d have just finished making love. She’d have tears in her eyes and touch his jawbone gratefully. “God,” she’d say, “you are so good for me.” Winking lights, a foggy view downhill toward the harbor and the bay. “You’re sad,” he’d say. “Yes.” “Thinking about Nick?” “Yes,” she’d say and cry. “I tried so hard,” sobbing now, “I really tried so hard.” And then he’d hold her for a while— Guatemalan weavings from his fieldwork on the wall— and then they’d fuck again, and she would cry some more, and go to sleep. And he, he would play that scene once only, once and a half, and tell himself that he was going to carry it for a very long time and that there was nothing he could do but carry it. He went out onto the porch, and listened to the forest in the summer dark, madrone bark cracking and curling as the cold came up. It’s not the story though, not the friend leaning toward you, saying “And then I realized—,” which is the part of stories one never quite believes. I had the idea that the world’s so full of pain it must sometimes make a kind of singing. And that the sequence helps, as much as order helps— First an ego, and then pain, and then the singing
Robert Hass (Sun under Wood)
If I could decide on the weather, there would be many foggy mornings and dark days full of wind, rain, snow and cold... all this for you would be your last burden of my selfishness.
Rolf van der Wind
It was a foggy day in London, and the fog was heavy and dark. Animate London, with smarting eyes and irritated lungs, was blinking, wheezing, and choking; inanimate London was a sooty spectre, divided in purpose between being visible and invisible, and so being wholly neither.
Charles Dickens (Our Mutual Friend)
The woman on the bike raises her head and looks at the sky, sniffs, smiles to herself. A foggy day in Nantucket, but she has lived here long enough to know this is merely a morning fog, and the bright early-June sunshine will burn it off by midday, leaving a beautiful afternoon.
Jane Green (The Beach House)
In fact, sometimes she looks at me in this way I can’t really describe but it does things to my heart. It warms me up, from head to toe and my chest is the epicenter. I just want to bottle that look and hold onto forever, open it on a cold, foggy day and feel bright and alive all over again.
Karina Halle (The Pact (The McGregor Brothers, #1))
Gaslight Goods. Let us be your light in the midst of life's darkness, the sunlight in your foggy day, the candle in your wind. This is Kite. How can I help you today?" I grimaced. That was their opener?
Chloe Neill (Charmfall (The Dark Elite, #3))
He liked the fog, the world quietened down and closed in. Glossy turned to matt, every stridency was muted, substance leached out of the brute matter all around. Things became notions, the brash present a vague memory. By some parallel process of slippage, his innumerable childhood memories of foggy days morphed into other memories. The fog of illness, real or feigned, of fevers and flu and febrility.
Michael Dibdin (Medusa (Aurelio Zen, #9))
It’s the mornings after the spider-and-heights dreams that are the most painful, that it takes sometimes three coffees and two showers and sometimes a run to loosen the grip on his soul’s throat; and these post-dream mornings are even worse if he wakes unalone, if the previous night’s Subject is still there, wanting to twitter, or to cuddle and, like, spoon, asking what exactly is the story with the foggy inverted tumblers on the bathroom floor, commenting on his night-sweats, clattering around in the kitchen, making kippers or bacon or something more hideous and unhoneyed he’s supposed to eat with post-coital male gusto, the ones who have this thing about they call it Feeding My Man, wanting a man who can barely keep down A.M. honey-toast to east with male gusto, elbows out and sovelling, making little noises. Even when alone, unable to uncurl alone and sit slowly up and wing out the sheet and go to the bathroom, these darkest mornings start days that Orin can’t even bring himself for hours to think about how he’ll get through the day. These worst mornings with cold floors and hot windows and merciless light — the soul’s certainty that the day will have to be not traversed but sort of climbed, vertically, and then that going to sleep again at the end of it will be like falling, again, off something tall and sheer.
David Foster Wallace (Infinite Jest)
February Soup by Stewart Stafford The February fog, Turns all into blobs, Orange street lights, To Valentine's Night. When the wind strays, Fog's mantle is grey, Laying misty bouquets, On barren, muddied days. The daffodils of March, Can cheer up Plutarch, Adorned in Kelly green, No sign of foggy screens. © Stewart Stafford, 2023. All rights reserved.
Stewart Stafford
FAUSTUS. Ah, Faustus, Now hast thou but one bare hour to live, And then thou must be damn'd perpetually! Stand still, you ever-moving spheres of heaven, That time may cease, and midnight never come; Fair Nature's eye, rise, rise again, and make Perpetual day; or let this hour be but A year, a month, a week, a natural day, That Faustus may repent and save his soul! O lente,172 lente currite, noctis equi! The stars move still, time runs, the clock will strike, The devil will come, and Faustus must be damn'd. O, I'll leap up to my God!—Who pulls me down?— See, see, where Christ's blood streams in the firmament! One drop would save my soul, half a drop: ah, my Christ!— Ah, rend not my heart for naming of my Christ! Yet will I call on him: O, spare me, Lucifer!— Where is it now? 'tis gone: and see, where God Stretcheth out his arm, and bends his ireful brows! Mountains and hills, come, come, and fall on me, And hide me from the heavy wrath of God! No, no! Then will I headlong run into the earth: Earth, gape! O, no, it will not harbour me! You stars that reign'd at my nativity, Whose influence hath allotted death and hell, Now draw up Faustus, like a foggy mist. Into the entrails of yon labouring cloud[s], That, when you173 vomit forth into the air, My limbs may issue from your smoky mouths, So that my soul may but ascend to heaven! [The clock strikes the half-hour.] Ah, half the hour is past! 'twill all be past anon O God, If thou wilt not have mercy on my soul, Yet for Christ's sake, whose blood hath ransom'd me, Impose some end to my incessant pain; Let Faustus live in hell a thousand years, A hundred thousand, and at last be sav'd! O, no end is limited to damned souls! Why wert thou not a creature wanting soul? Or why is this immortal that thou hast? Ah, Pythagoras' metempsychosis, were that true, This soul should fly from me, and I be chang'd Unto some brutish beast!174 all beasts are happy, For, when they die, Their souls are soon dissolv'd in elements; But mine must live still to be plagu'd in hell. Curs'd be the parents that engender'd me! No, Faustus, curse thyself, curse Lucifer That hath depriv'd thee of the joys of heaven. [The clock strikes twelve.] O, it strikes, it strikes! Now, body, turn to air, Or Lucifer will bear thee quick to hell! [Thunder and lightning.] O soul, be chang'd into little water-drops, And fall into the ocean, ne'er be found! Enter DEVILS. My God, my god, look not so fierce on me! Adders and serpents, let me breathe a while! Ugly hell, gape not! come not, Lucifer! I'll burn my books!—Ah, Mephistophilis! [Exeunt DEVILS with FAUSTUS.]
Christopher Marlowe (Dr. Faustus)
I've been thinking about this mouth all day" he said before covering my lips with his. I licked at his bottom lip and he opened for me, letting me leisurely taste him. The gentle pressure of his mouth was perfect and made me a little dizzy. His fingers slip up my thigh until both hands were gripping my butt. One of his fingers traced the edge of my panties. "I really like this skirt," he murmured against my lips. I really liked it too at the moment. My breath was coming in short gasps as he slid one hand inside the edge of my panties. He gripped my bare butt with one hand while he slid his other slowly back down my thigh and shifted closer to my inner thigh. I liked what his next move would be. What I didn't know was if I was going to let it go that far. Then he moaned into my mouth as his fingers touched the inside of my thigh and my leg fell open of its own accord. The slow, easy kiss became frenzied as we both fought to calm our breathing. His hand inched higher and higher up my exposed thigh. The second his finger grazed the outside of my panties, I jerked in his hold, and something very close to pleading squeaked in my throat. Sawyer pulled back, and his accelerated breathing made me tingle with pleasure. I loved knowing I did that to him. He kissed down my neck until he met the curve of my shoulder. He went very still. His warm breath bathed my chest and neck. His hand slowly moved again. One lone finger slipped inside the edge of my panties and made direct contact. He murmured something against my neck, but I couldn't focus enough to understand. My brain was in a foggy haze, and my heart was about to pound out of my chest. The urge to move against the hand, which now cupped the crotch of my panties, was strong. But I waited while he eased his finger farther inside and gently ran it along the folds. "oh, oh, oh my god," I managed to get out in a breathless chant. "God, you're so warm," he whispered in a strained voice as he began kissing the spot where he had buried his head in my neck. When he slipped his other hand over my leg and pulled it farther open then reached down and pulled my panties to the side as he gently stroked me, I started to come apart in his arms. "That's it, baby," he encouraged me as I clung to him, calling his name and wanting it to never end.
Abbi Glines (The Vincent Brothers (The Vincent Boys, #2))
That particular April day was strange and foggy, blurring spaces between the trees and blanketing all of Ellingham in a milky mist. Dottie decided that the weather lent itself to a mystery. Sherlock Holmes would be perfect.
Maureen Johnson (Truly, Devious (Truly Devious, #1))
AS THE heavy door shut behind him the cloud gradually lifted from the room. Rachel moved nervously to the table and began to wrap the leftover corn bread in a clean linen napkin. "Before I do another thing," she said, "I must take this to Widow Brown. She's still far too weak to fend for herself. Forgive me for leaving you, Katherine, but I'll be back in no time at all." "In no time," echoed Judith bitterly, as her mother hurried out into the foggy morning. "Just as soon as she's built up the fire and made gruel and tidied the whole cabin. With more than a day's work waiting here at home.
Elizabeth George Speare (The Witch of Blackbird Pond)
To hear this pretty childish voice speaking his own language so simply and charmingly made him feel almost as if he were in his native land - which on dark, foggy days in London sometimes seemed worlds away.
Frances Hodgson Burnett (A Little Princess)
Why does the fog behave like this, what's wrong with this mysterious creature? Why does he want to make everything invisible? Maybe he's trying to tell us something: Hey you humans, you think you're strong but you can disappear in seconds!
Mehmet Murat ildan
Sparks come from the very source of light and are made of the purest brightness—so say the oldest legends. When a human Being is to be born, a spark begins to fall. First it flies through the darkness of outer space, then through galaxies, and finally, before it falls here, to Earth, the poor thing bumps into the orbits of planets. Each of them contaminates the spark with some Properties, while it darkens and fades. First Pluto draws the frame for this cosmic experiment and reveals its basic principles—life is a fleeting incident, followed by death, which will one day let the spark escape from the trap; there’s no other way out. Life is like an extremely demanding testing ground. From now on everything you do will count, every thought and every deed, but not for you to be punished or rewarded afterward, but because it is they that build your world. This is how the machine works. As it continues to fall, the spark crosses Neptune’s belt and is lost in its foggy vapors. As consolation Neptune gives it all sorts of illusions, a sleepy memory of its exodus, dreams about flying, fantasy, narcotics and books. Uranus equips it with the capacity for rebellion; from now on that will be proof of the memory of where the spark is from. As the spark passes the rings of Saturn, it becomes clear that waiting for it at the bottom is a prison. A labor camp, a hospital, rules and forms, a sickly body, fatal illness, the death of a loved one. But Jupiter gives it consolation, dignity and optimism, a splendid gift: things-will-work-out. Mars adds strength and aggression, which are sure to be of use. As it flies past the Sun, it is blinded, and all that it has left of its former, far-reaching consciousness is a small, stunted Self, separated from the rest, and so it will remain. I imagine it like this: a small torso, a crippled being with its wings torn off, a Fly tormented by cruel children; who knows how it will survive in the Gloom. Praise the Goddesses, now Venus stands in the way of its Fall. From her the spark gains the gift of love, the purest sympathy, the only thing that can save it and other sparks; thanks to the gifts of Venus they will be able to unite and support each other. Just before the Fall it catches on a small, strange planet that resembles a hypnotized Rabbit, and doesn’t turn on its own axis, but moves rapidly, staring at the Sun. This is Mercury, who gives it language, the capacity to communicate. As it passes the Moon, it gains something as intangible as the soul. Only then does it fall to Earth, and is immediately clothed in a body. Human, animal or vegetable. That’s the way it is. —
Olga Tokarczuk (Drive Your Plow Over the Bones of the Dead)
Kingsley could ‘do’ the sound of a brass band approaching on a foggy day. He could become the Metropolitan line train entering Edgware Road station. He could be four wrecked tramps coughing in a bus shelter (this was very demanding and once led to heart palpitations). To create the hiss and crackle of a wartime radio broadcast delivered by Franklin Delano Roosevelt was for him scant problem (a tape of it, indeed, was played at his memorial meeting, where I was hugely honored to be among the speakers). The pièce de résistance, an attempt by British soldiers to start up a frozen two-ton truck on a windy morning ‘somewhere in Germany,’ was for special occasions only. One held one's breath as Kingsley emitted the first screech of the busted starting-key. His only slightly lesser vocal achievement—of a motor-bike yelling in mechanical agony—once caused a man who had just parked his own machine in the street to turn back anxiously and take a look. The old boy's imitation of an angry dog barking the words 'fuck off' was note-perfect.
Christopher Hitchens (Hitch 22: A Memoir)
I prayed to a mystery. Sometimes I was simply aware of the mystery. I saw a flash of it during a trip to New York that David and I took before we were married. We were walking on a busy sidewalk in Manhattan. I don't remember if it was day or night. A man with a wound on his forehead came toward us. His damp, ragged hair might have been clotted with blood, or maybe it was only dirt. He wore deeply dirty clothes. His red, swollen hands, cupped in half-fists, swung loosely at his sides. His eyes were focused somewhere past my right shoulder. He staggered while he walked. The sidewalk traffic flowed around him and with him. He was strange and frightening, and at the same time he belonged on the Manhattan sidewalk as much as any of us. It was that paradox -- that he could be both alien and resident, both brutalized and human, that he could stand out in the moving mass of people like a sea monster in a school of tuna and at the same time be as much at home as any of us -- that stayed with me. I never saw him again, but I remember him often, and when I do, I am aware of the mystery. Years later, I was out on our property on the Olympic Peninsula, cutting a path through the woods. This was before our house was built. After chopping through dense salal and hacking off ironwood bushes for an hour or so, I stopped, exhausted. I found myself standing motionless, intensely aware of all of the life around me, the breathing moss, the chattering birds, the living earth. I was as much a part of the woods as any millipede or cedar tree. At that moment, too, I was aware of the mystery. Sometimes I wanted to speak to this mystery directly. Out of habit, I began with "Dear God" and ended with "Amen". But I thought to myself, I'm not praying to that old man in the sky. Rather, I'm praying to this thing I can't define. It was sort of like talking into a foggy valley. Praying into a bank of fog requires alot of effort. I wanted an image to focus on when I prayed. I wanted something to pray *to*. but I couldn't go back to that old man. He was too closely associated with all I'd left behind.
Margaret D. McGee
Once upon a time—of all the good days in the year, on Christmas Eve—old Scrooge sat busy in his counting-house. It was cold, bleak, biting weather: foggy withal: and he could hear the people in the court outside go wheezing up and down, beating their hands upon their breasts, and stamping their feet upon the pavement stones to warm them.
Charles Dickens (A Christmas Carol)
An empty and quiet street, a rainy night, a bit of fog, is the ideal time to return to the ghosts of the city!
Mehmet Murat ildan
It’s sad when the things you continue to do make people question whether you have dementia. They’re not inside my brain to hear or see the hallucinations. Would it make them feel better to see me on a foggy day, the type where I curl up under my duvet and hide away from the world? Would that make the disease fit better into the pigeonhole they’ve allocated it?
Wendy Mitchell (Somebody I Used to Know)
And so it was that I found myself that foggy November evening pursuing the Camberwell tram with my heart glowing within me, and with the eager determination that not another day should elapse before I should find some deed which was worthy of my lady. But who—who in all this wide world could ever have imagined the incredible shape which that deed was to take, or the strange steps by which I was led to the doing of it? And,
Arthur Conan Doyle (The Lost World)
Finally, as the sky began to grow light in the morning, I’d feel that I might be drifting off. But that wasn’t sleep. My fingertips were just barely brushing against the outermost edge of sleep. And all the while, my mind was awake. I would feel a hint of drowsiness, but my mind was there, in its own room, on the other side of a transparent wall, watching me. My physical self was drifting through the feeble morning light, and all the while it could feel my mind staring, breathing, close beside it. I was both a body on the verge of sleep and a mind determined to stay awake. The incomplete drowsiness would continue on and off all day. My head was always foggy. I couldn’t get an accurate fix on the things around me—their distance or mass or texture. The drowsiness would overtake me at regular, wavelike intervals: on the subway, in the classroom, at the dinner table. My mind would slip away from my body. The world would sway soundlessly. I would drop things. My pencil or my purse or my fork would clatter to the floor. All I wanted was to throw myself down and sleep. But I couldn’t. The wakefulness was always there beside me. I could feel its chilling shadow. It was the shadow of myself. Weird, I would think as the drowsiness overtook me, I’m in my own shadow. I would walk and eat and talk to people inside my drowsiness. And the strangest thing was that no one noticed. I lost fifteen pounds that month, and no one noticed. No one in my family, not one of my friends or classmates, realized that I was going through life asleep. It was literally true: I was going through life asleep. My body had no more feeling than a drowned corpse. My very existence, my life in the world, seemed like a hallucination. A strong wind would make me think that my body was about to be blown to the end of the earth, to some land I had never seen or heard of, where my mind and body would separate forever. Hold tight, I would tell myself, but there was nothing for me to hold on to.
Haruki Murakami
To hear this pretty childish voice speaking his own language so simply and charmingly made him feel almost as if he were in his native land — which in dark, foggy days in London sometimes seemed worlds away. When she had finished, he took the phrase-book from her, with a look almost affectionate. But he spoke to Miss Minchin. “Ah, madame,” he said, “there is not much I can teach her. She has not learned French; she is French. Her accent is exquisite.
Frances Hodgson Burnett (Complete Novels of Frances Hodgson Burnett)
This syndrome is a distant cousin to Post-Traumatic Stress Disorder, or PTSD. What makes PBS different from PTSD is the sense of disbelief one gets from PBS. How could someone who loved me hate me so deeply? How could I stay and subject myself to all that pain despite all my education and awareness? Remember the error message—the brain can’t compute bizarre behavior right away, but after some time, it can look back and parse through the details. But that’s rarely a neutral process. It can create an inability to focus and a foggy mental state that keeps the victim stumbling through their day.
Don Barlow (Gaslighting & Narcissistic Abuse Recovery: Recover from Emotional Abuse, Recognize Narcissists & Manipulators and Break Free Once and for All)
...living in that foggy, jumbled blur which is a whole lot like the ragged edge of sleep, that gray zone between light and dark, or between sleeping and waking or living and dying, where you know you’re not unconscious anymore don’t know yet what day it is or who you are or what’s the use of coming back at all...
Ken Kesey (Ken Kesey's One Flew over the Cuckoo's Nest (Barron's Book Notes))
Enraged I throw myself to the ground and I scream, my best friend is gone, this world is so mean. I cry as I pound my fists on his grass, I’m very upset that our time went so fast. My heart beats faster than ever before, my tears unstoppable, I'm hurt to the core. There are no words people can say, that will ease my excruciating pain. I don’t understand why you had to go. You leaving me, we just didn’t know. I’ll make it somehow, I’ll start anew. But, there is no way I can replace you. I struggle to make it through each day, and retain my sanity in this foggy haze. The sadness and pain that I display, is because God decided to take you away.
Michele Lena Lucy (Messages From The Heart: Love & Loss)
For I believe that climate does thus react on man—as there is something in the mountain air that feeds the spirit and inspires. Will not man grow to greater perfection intellectually as well as physically under these influences? Or is it unimportant how many foggy days there are in his life? I trust that we shall be more imaginative, that our thoughts will be clearer, fresher, and more ethereal, as our sky—our understanding more comprehensive and broader, like our plains—our intellect generally on a grander scale, like our thunder and lightning, our rivers and mountains and forests-and our hearts shall even correspond in breadth and depth and grandeur to our inland seas.
Henry David Thoreau (Walking)
here had been times when I’d wandered around in a daze for as long as two weeks after a shock treatment, living in that foggy, jumbled blur which is a whole lot like the ragged edge of sleep, that gray zone between light and dark, or between sleeping and waking or living and dying, where you know you’re not unconscious any more but don’t know yet what day it is or who you are or what’s the use of coming back at all—for two weeks. If you don’t have a reason to wake up you can loaf around in that gray zone for a long, fuzzy time, or if you want to bad enough I found you can come fighting right out of it. This time I came fighting out of it in less than a day, less time than ever.
Ken Kesey (One Flew Over the Cuckoo’s Nest)
THE order of God’s Providence maintains a perpetual vicissitude in the material being of this world; day is continually turning to night, spring to summer, summer to autumn, autumn to winter, winter to spring; no two days are ever exactly alike. Some are foggy, rainy, some dry or windy; and this endless variety greatly enhances the beauty of the universe. And even so precisely is it with man (who, as ancient writers have said, is a miniature of the world), for he is never long in any one condition, and his life on earth flows by like the mighty waters, heaving and tossing with an endless variety of motion; one while raising him on high with hope, another plunging him low in fear; now turning him to the right with rejoicing, then driving him to the left with sorrows; and no single day, no, not even one hour, is entirely the same as any other of his life. All this is a very weighty warning, and teaches us to aim at an abiding and unchangeable evenness of mind amid so great an uncertainty of events; and, while all around is changing, we must seek to remain immoveable, ever looking to, reaching after and desiring our God.
Francis de Sales (Introduction to the Devout Life - Enhanced Version)
Finally, as the sky began to grow light in the morning, I’d feel that I might be drifting off. But that wasn’t sleep. My fingertips were just barely brushing against the outermost edge of sleep. And all the while, my mind was awake. I would feel a hint of drowsiness, but my mind was there, in its own room, on the other side of a transparent wall, watching me. My physical self was drifting through the feeble morning light, and all the while it could feel my mind staring, breathing, close beside it. I was both a body on the verge of sleep and a mind determined to stay awake. The incomplete drowsiness would continue on and off all day. My head was always foggy. I couldn’t get an accurate fix on the things around me—their distance or mass or texture. The drowsiness would overtake me at regular, wavelike intervals: on the subway, in the classroom, at the diner table. My mind would slip away from my body. The world would sway soundlessly. I would drop things. My pencil or my purse or my fork would clatter to the floor. All I wanted was to throw myself down and sleep. But I couldn’t. The wakefulness was always there beside me. I could feel its chilling shadow. It was the shadow of myself. Weird, I would think as the drowsiness overtook me, I’m in my own shadow. I would walk and eat and talk to people inside my drowsiness. And the strangest thing was that no one noticed. I lost fifteen pounds that month, and no one noticed. No one in my family, not one of my friends or classmates, realized that I was going through life asleep. It was literally true: I was going through life asleep. My body had no more feeling than a drowned corpse. My very existence, my life in the world, seemed like a hallucination. A strong wind would make me think that my body was about to be blown to the end of the earth, to some land I had never seen or heard of, where my mind and body would separate forever. Hold tight, I would tell myself, but there was nothing for me to hold on to.
Haruki Murakami (The Elephant Vanishes)
In the country, a good he-snowstorm makes a lovely design for putting on a holiday greetings card. In the city it just makes an infernal mess for the street-cleaning department to wrestle with. … By midday of next day it would be licked to a custard— molten into puddles of foggy slush where cellar furnaces exhaled their hot breath up out of sidewalk gratings, roiled and fouled and crunched down beneath the heels and the tires of the town, flung up in crumply billows by the conscripted shovel crews, and under the park trees and on the park meadows would show a stark and grayish cast like the face of a grimy pauper whose corpse the undertaker scanted. And the longer it stayed there the sootier and the dirtier and the deader-looking it would get to be. You may worry the city with your winter weathers; you cannot keep her licked for any great length of time.
Irvin S. Cobb (On an Island that Cost Twenty-Four Dollars)
As well,” he continued, “don’t you like a rather foggy day in a wood in autumn? You’ll find we shall be perfectly warm sitting in the car.” Jane said she’d never heard of anyone liking fogs before but she didn’t mind trying. All three got in. “That’s why Camilla and I got married,” said Denniston as they drove off. “We both like Weather. Not this or that kind of weather, but just Weather. It’s a useful taste if one lives in England.” “How ever did you learn to do that, Mr. Denniston?” said Jane. “I don’t think I should ever learn to like rain and snow.” “It’s the other way round,” said Denniston. “Everyone begins as a child by liking Weather. You learn the art of disliking it as you grow up. Haven’t you ever noticed it on a snowy day? The grown-ups are all going about with long faces, but look at the children—and the dogs? They know what snow’s made for.” “I’m sure I hated wet days as a child,” said Jane. “That’s because the grown-ups kept you in,” said Camilla. “Any child loves rain if it’s allowed to go out and paddle about in it.
C.S. Lewis (That Hideous Strength (The Space Trilogy, #3))
Locke was pulled out of his vivid thicket of dreams by a number of things: the rising heat of the day, the pressure of three cups of wine in his bowels, the moans of the hung-over men around him and the sharp prick of claws from the heavy little creature sleeping on the back of his neck. Struck by a sudden foggy memory of Scholar Treganne's spider, he gasped in horror and rolled over, clutching at whatever was clinging to him. He blinked several times to clear the veil of slumber from his eyes and found himself struggling not with a spider but with a kitten, narrow-faced and black-furred. "The hell?" Locke muttered. "Mew," the kitten retorted, locking gazes with him. It had the expression common to all kittens, that of a tyrant in the becoming. I was comfortable and you dared to move, those jade eyes said. For that you must die. When it became apparent to the cat that it's two or three pounds of mass were insufficient to break Locke's neck with one mighty snap, it put it's paws on his shoulders and began sharing it's drool-covered nose with his lips. He recoiled.
Scott Lynch (The Lies of Locke Lamora / Red Seas Under Red Skies (Gentleman Bastard #1-2))
Onomasticians and toponymists have a field day with this book. Of particular interest to language fiends, and to this translator, is Zamyatin’s relationship to the sounds of words. He told the artist Yuri Annenkov of the qualities he ascribes to certain sounds and letters. L is pale, cold, light blue, liquid, light. R is loud, bright, red, hot, fast. N is tender, snow, sky, night. D or T is stifling, grave, foggy, obscuring, stagnant. M is kind, soft, motherly, sea-like. A is wide, distant, ocean, misty mirage, breadth of scope. O is high, deep, sea-like, bosom. I is close, low, pressing.
Yevgeny Zamyatin (We)
I came to love the way Morrie lit up when I entered the room. He did this for many people, I know, but it was his special talent to make each visitor feel that the smile was unique. “Ahhhh, it’s my buddy,” he would say when he saw me, in that foggy, high-pitched voice. And it didn’t stop with the greeting. When Morrie was with you, he was really with you. He looked you straight in the eye, and he listened as if you were the only person in the world. How much better would people get along if their first encounter each day were like this—instead of a grumble from a waitress or a bus driver or a boss? “I believe in being fully present,” Morrie said. “That means you should be with the person you’re with. When I’m talking to you now, Mitch, I try to keep focused only on what is going on between us. I am not thinking about something we said last week. I am not thinking of what’s coming up this Friday. I am not thinking about doing another Koppel show, or about what medications I’m taking. “I am talking to you. I am thinking about you.” I remembered how he used to teach this idea in the Group Process class back at Brandeis. I had scoffed back then, thinking this was hardly a lesson plan for a university course. Learning to pay attention? How important could that be? I now know it is more important than almost everything they taught us in college.
Mitch Albom (Tuesdays with Morrie)
She sat and watched the dockhand when it was sunny and she sat and watched him when it rained. Or when it was foggy, which is what it was nearly every morning at eight o’clock. This morning was none of the above. This morning was cold. The pier smelled of fresh water and of fish. The seagulls screeched overhead, a man’s voice shouted. Where is my brother to help me, my sister, my mother? Pasha, help me, hide in the woods where I know I can find you. Dasha, look what’s happened. Do you even see? Mama, Mama. I want my mother. Where is my family to ask things of me, to weigh on me, to intrude on me, to never let me be silent or alone, where are they to help me through this? Deda, what do I do? I don’t know what to do. This morning the dockhand did not go over to see his friend at the next pier for a smoke and a coffee. Instead, he walked across the road and sat next to her on the bench. This surprised her. But she said nothing, she just wrapped her white nurse’s coat tighter around herself, and fixed the kerchief covering her hair. In Swedish he said to her, “My name is Sven. What’s your name?” After a longish pause, she replied. “Tatiana. I don’t speak Swedish.” In English he said to her, “Do you want a cigarette?” “No,” she replied, also in English. She thought of telling him she spoke little English. She was sure he didn’t speak Russian. He asked her if he could get her a coffee, or something warm to throw over her shoulders. No and no. She did not look at him. Sven was silent a moment. “You want to get on my barge, don’t you?” he asked. “Come. I will take you.” He took her by her arm. Tatiana didn’t move. “I can see you have left something behind,” he said, pulling on her gently. “Go and retrieve it.” Tatiana did not move. “Take my cigarette, take my coffee, or get on my barge. I won’t even turn away. You don’t have to sneak past me. I would have let you on the first time you came. All you had to do was ask. You want to go to Helsinki? Fine. I know you’re not Finnish.” Sven paused. “But you are very pregnant. Two months ago it would have been easier for you. But you need to go back or go forward. How long do you plan to sit here and watch my back?” Tatiana stared into the Baltic Sea. “If I knew, would I be sitting here?” “Don’t sit here anymore. Come,” said the longshoreman. She shook her head. “Where is your husband? Where is the father of your baby?” “Dead in the Soviet Union,” Tatiana breathed out. “Ah, you’re from the Soviet Union.” He nodded. “You’ve escaped somehow? Well, you’re here, so stay. Stay in Sweden. Go to the consulate, get yourself refugee protection. We have hundreds of people getting through from Denmark. Go to the consulate.” Tatiana shook her head. “You’re going to have that baby soon,” Sven said. “Go back, or move forward.” Tatiana’s hands went around her belly. Her eyes glazed over. The dockhand patted her gently and stood up. “What will it be? You want to go back to the Soviet Union? Why?” Tatiana did not reply. How to tell him her soul had been left there? “If you go back, what happens to you?” “I die most likely,” she barely whispered. “If you go forward, what happens to you?” “I live most likely.” He clapped his hands. “What kind of a choice is that? You must go forward.” “Yes,” said Tatiana, “but how do I live like this? Look at me. You think, if I could, I wouldn’t?” “So you’re here in the Stockholm purgatory, watching me move my paper day in and day out, watching me smoke, watching me. What are you going to do? Sit with your baby on the bench? Is that what you want?” Tatiana was silent. The first time she laid eyes on him she was sitting on a bench, eating ice cream. “Go forward.” “I don’t have it in me.” He nodded. “You have it. It’s just covered up. For you it’s winter.” He smiled. “Don’t worry. Summer’s here. The ice will melt.” Tatiana struggled up from the bench. Walking away, she said in Russian, “It’s not the ice anymore, my seagoing philosopher. It’s the pyre.
Paullina Simons (Tatiana and Alexander (The Bronze Horseman, #2))
Early the next morning, I was driving westward toward the ranch. Marlboro Man had called the night before--a rare evening we’d spent apart--and had asked me to come out early. I’d just turned onto the highway that led out of my hometown when my car phone rang. It was dewy outside, foggy. “Hurry up,” Marlboro Man’s voice playfully commanded. “I want to see my future wife.” My stomach lurched. Wife. It would take me a while to get used to that word. “I’m coming,” I announced. “Hold your horses!” We hung up, and I giggled. Hold your horses. Heh-heh. I had a lifetime of these jokes ahead. This was going to be loads of fun. He met me at my car, wearing jeans, boots, and a soft, worn denim shirt. I climbed out of the car and stepped right into his arms. It was just after 8:00 A.M., and within seconds we were leaning against my car, sharing a passionate, steamy kiss. Leave it to Marlboro Man to make 8:00 A.M. an acceptable time to make out. I never would have known this if I hadn’t met him. “So…what are we gonna do today?” I asked, trying to remember what day it was. “Oh, I thought we’d drive around for a while…,” he said, his arms still grasping my waist, “and talk about where we might want to live.” I’d heard him mention before, in passing, that someday he wanted to move to a different spot on the ranch, but I’d never paid much attention to it. I’d never really cared much where he lived, just as long as he took his Wranglers with me. “I want it to be your decision, too.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Following the July 1919 race riot in Washington, DC, Johnson investigated and offered this assessment of how and why peace was restored. “The Negroes saved themselves and saved Washington by their determination not to run but to fight, fight in the defense of their lives and their homes. If the white mob had gone unchecked—and it was only the determined effort of black men that checked it—Washington would have been another and worse East St. Louis.” The violence in DC was sparked by a rumor that a white soldier’s wife had been raped by a Negro. The city was filled with military men back from World War I. It also had been filling for some time with blacks migrating out of the South in search of something better. On a hot Saturday in mid-July, hundreds of white veterans rampaged through DC’s black neighborhoods. The violence continued two more days, peaking on Monday after an editorial from the Washington Post urged “every available serviceman to gather at Pennsylvania and Seventh Avenue at 9:00 p.m. for a cleanup that will cause the events of the last two evenings to pale into insignificance.” White servicemen answered the call and stormed through black neighborhoods in the southwest and Foggy Bottom. But the going was tougher in northwest Washington, DC, where the forewarned community was barricaded in and well-armed. As the mob approached, Negroes answered with a barrage of gunfire. The mob scattered. In the aftermath, cars were found riddled with bullet holes. Dozens of people were seriously wounded and one black man died by gunshot. Black gunfire certainly helped staunch the mob.
Nicholas Johnson (Negroes and the Gun: The Black Tradition of Arms)
Francisco was raining, as usual, and foggy, but the temperature was tolerable.  He was looking forward to having a day off, even if it was for some insane road trip to see
Angella Graff (The Awakening (The Judas Curse, #1))
If you get anything less than six hours of sleep a night on a consistent basis you are basically going through your day with the exact same physiological symptoms as if you were drunk. You have a foggy brain, you're forgetful, you're moody, you might even notice that your balance is a little bit off, you feel kind of heavy in terms of the emotional weight in your body, so you've got to get onto a great sleep schedule.
Mel Robbins
Istanbul was under a heavy fog that morning, and as all Istanbulites knew too well, during foggy days even the city herself could not tell what her colour was.
Elif Shafak (The Flea Palace)
Not only places but also people, animals, even moments had colours each of which, she had no doubt she could see if focused fully. She did so once again. At first with curiosity, then with frustration, she stared and stared without a blink at the silhouette of the city in front of her until her eyes watered and the image became blurred. Istanbul was under a heavy fog that morning, and as all Istanbulites knew too well, during foggy days even the city herself could not tell what her colour was.
Elif Shafak (The Flea Palace)
I noticed a lot of magic realism- Salman Rushdie and Gabriel García Márquez and Alice Hoffman. I tugged down Laura Esquivel's Like Water for Chocolate, a small book with an art deco cover, and a wave of warmth spread through me- it was one of my favorites, magic realism centered on food and sex. Leafing through the pages, I revisited the pleasure of the reading, feeling myself on a foggy winter day in San Francisco drinking hot chocolate.
Barbara O'Neal (The Art of Inheriting Secrets)
In London you breathe melancholy in the air, it enters you through all your pores. There is nothing more lugubrious than the appearance of this city on a foggy day or in the rain and dark. It makes you feel profound despair, disgust for everything, and an irresistable desire to end your life by suicide. On such noxious days, the Englishman is under the spell of his climate and behaves like a brute.
Flora Tristan (The London Journal of Flora Tristan)
Sometimes I utilize a form of bibliomancy, or dictionariomancy, to give me a clue as to what in the foggy blue hell is going to happen next. My method is this: I make myself a pot of Evening in Missoula tea, pretend that I’m in Missoula, where I’ve never been. I light a wand of Nag Champa incense, pretend that I’m uncountable, which is the meaning of Nag Champa. I light whatever candle is handy. I am alone when I do this, not only out of respect for Pollux’s sensibilities. I would be embarrassed for anybody else to know that this is how I make rational decisions. It was a warm winter day, so Hetta and Pollux were out strolling with Jarvis, who was bundled and wrapped like a tiny mummy. The time was now. In an aura of ceremonial gravity, I set the dictionary down on the coffee table. I cleared my mind. I closed my eyes, opened up the dictionary, and let my finger drift until it touched down on a word. Divination n. 1. The art or act of foretelling future events or revealing occult knowledge by means of augury or alleged supernatural agency. 2. An inspired guess or a presentiment. 3. That which has been divined. My source confirmed my instinct and my finger landed on exactly what I was doing. My augur told me that something was coming. But I was annoyed. I thought the dictionary got it wrong because that something, the wraith of Flora, was already here. I was wrong. Something else was definitely on its way.
Louise Erdrich (The Sentence)
I wanted to get as far as my proto-dream-house, my crypto-dream-house, that crooked box set up on pilings, shingled green, a sort of artichoke of a house, but greener (boiled with bicarbonate of soda?), protected from spring tides by a palisade of—are they railroad ties? (Many things about this place are dubious.) I’d like to retire there and do nothing, or nothing much, forever, in two bare rooms: look through binoculars, read boring books, old, long, long books, and write down useless notes, talk to myself, and, foggy days, watch the droplets slipping, heavy with light. At night, a grog à l’américaine.
Elizabeth Bishop (Geography III)
And suddenly I was back. I knew where I was. I was standing in a foggy street in 17th-century London with a bloody and near unconscious Markham draped around me, black treason was abroad, and I couldn’t find the pod. Just a normal day at work, really.
Jodi Taylor (A Catalogue of Catastrophe (Chronicles of St. Mary's #13))
I look back on that May morning, and on myself at my pretty play‐work, as Eve must have looked back upon the pastimes of Paradise. I am not separated from that time by any great crime, as she was from the period of her happiness; but I think the yearning regret that filled the universal mother's bosom for the lotos‐scented airs that breathed about the banks of those mystic eastern rivers, was akin to the eager longing (never to be gratified now) with which I inhale in fancy the rough western breezes blowing round old Lestrange. I suppose it rained there in those days; I suppose it snowed, and was foggy, and cold, and dreary there in those days as much as other places—perhaps more; but I cannot realize that now. To me it seems as if those gnarled old trees were always crowned with a glory of green leaves; as if those walls were always sunlit; as if the pinks and the sweet peas and the larkspurs flowered there all the year round. I did not think myself particularly happy in those days. That is the worst of this life—one never tastes its sweets while they are in one's mouth; it is only when they are gone, and we are chewing the bitters, and making wry faces over them, that we recognise them for what they were.
Rhoda Broughton (Cometh Up As a Flower)
My husband trudged up the ridge, stumbling, but determined. My children and I watched him until he disappeared over the ridge, out of view, vanishing into the abyss. It wasn’t an extraordinary day, not foggy, not stormy, or a bright day. It was grey and cloudy when a good man and a good father walked up to face death like our people have done for a millennia.
Lily H. Tuzroyluke (Sivulliq: Ancestor)
Cathedral of Light by Stewart Stafford The wintry grey forest branches, Embrace freezing fog as build, Backlit by the pushy noon sun, Revealing a cathedral of light. An air frost of transient structure, Reprieve from a hangman's bloom, Naked limbs greeted the icy cover, The looming cape of ersatz foliage. Tongues of wind scatter the pop-up, Six sheep in a straight line saw it off, A still and sunny afternoon followed, Frozen matinee fades another day. © Stewart Stafford, 2023. All rights reserved.
Stewart Stafford
The silence during my night opened a new day, besides all the dreams I had, the darkest night guarded closed eyes while my three feet are the blue foggy candle holder I wrote in a second nowhere silver field in one star!
Petra Hermans
And it’s more than a metaphor. It’s a physical state. Think of all the things you do in the course of a day. For most tasks, the best-case scenario is that your mind is bright, sharp, and alert. Figure out whether you’re a morning person (like me) or a night person (sadly, also like me), and schedule your tasks for that time. If you need to get up at five in the morning so you can answer all your correspondence without a foggy brain, that’s what you should do. If you need to stay late in the office so you can transcribe your notes from the meeting, that’s what you should do.
Ahmir "Questlove" Thompson (Creative Quest)
Some people get lost in completely sunny weather and some people don't get lost in the thickest fog!
Mehmet Murat ildan
Montessori kindergarten. Never before or since have I encountered a school so vibrant with love, laughter, and gentleness. The teachers treated the children with deep, honest respect, never patronizing them, never coercing them, never manipulating them with disapproval or praise, giving them an experience of unconditional love. Those kindergarten days are now but a foggy memory to the children who went on from there into the harsh, degrading world of separation, but in my mind’s eye I see a small golden glow inside of them, and within that glow I see a seed. It is the seed of the unconditional love and respect they received there, awaiting the moment to sprout and blossom and deliver the same fruit that my children received to those they touch. Maybe a year or two of kindergarten isn’t enough to overcome the brutal apparatus of separation that governs modern childhood, but who knows when and how it might blossom forth? Who knows what effects it will bear? To be in a sanctuary of love and respect every day for one or two years during such a formative stage of life imprints a person with a tendency toward compassion, security, self-love, and self-respect. Who knows how that imprint will alter the child’s choices later in life? Who knows how those choices will change the world?
Charles Eisenstein (The More Beautiful World Our Hearts Know Is Possible (Sacred Activism Book 2))
Listen to Mr. Thompson’s report on the world crisis, November 22!” It was the first acknowledgment of the unacknowledged. The announcements began to appear a week in advance and went ringing across the country. “Mr. Thompson will give the people a report on the world crisis! Listen to Mr. Thompson on every radio station and television channel at 8 P.M., on November 22!” First, the front pages of the newspapers and the shouts of the radio voices had explained it: “To counteract the fears and rumors spread by the enemies of the people, Mr. Thompson will address the country on November 22 and will give us a full report on the state of the world in this solemn moment of global crisis. Mr. Thompson will put an end to those sinister forces whose purpose is to keep us in terror and despair. He will bring light into the darkness of the world and will show us the way out of our tragic problems—a stern way, as befits the gravity of this hour, but a way of glory, as granted by the rebirth of light. Mr. Thompson’s address will be carried by every radio station in this country and in all countries throughout the world, wherever radio waves may still be heard.” Then the chorus broke loose and went growing day by day. “Listen to Mr. Thompson on November 22!” said daily headlines. “Don’t forget Mr. Thompson on November 22!” cried radio stations at the end of every program. “Mr. Thompson will tell you the truth!” said placards in subways and buses—then posters on the walls of buildings—then billboards on deserted highways. “Don’t despair! Listen to Mr. Thompson!” said pennants on government cars. “Don’t give up! Listen to Mr. Thompson!” said banners in offices and shops. “Have faith! Listen to Mr. Thompson!” said voices in churches. “Mr. Thompson will give you the answer!” wrote army airplanes across the sky, the letters dissolving in space, and only the last two words remaining by the time the sentence was completed. Public loud-speakers were built in the squares of New York for the day of the speech, and came to rasping life once an hour, in time with the ringing of distant clocks, to send over the worn rattle of the traffic, over the heads of the shabby crowd, the sonorous, mechanical cry of an alarm-toned voice: “Listen to Mr. Thompson’s report on the world crisis, November 22!”—a cry rolling through the frosted air and vanishing among the foggy roof tops, under the blank page of a calendar that bore no date. On the afternoon of November 22, James Taggart told Dagny that Mr. Thompson wished to meet her for a conference before the broadcast.
Ayn Rand (Atlas Shrugged)
For the first time since she opened the door, concern blanketed her face. “Locate him? What do you mean?” Josie said, “Mrs. Calvert, at approximately seven this morning, my colleague and I were traveling on Widow’s Ridge Road. It was foggy. We were attempting to pull over. We came upon your husband attacking a teenage girl on the shoulder of the road.” Tori stared at them for a long moment, several emotions trying themselves on her face: bewilderment, skepticism, fear, confusion, shock, and then incredulity. She laughed. The baby laughed in response, waving the slimy strand of hair clutched in her tiny hand through the air, as if in victory. “Now I know you have the wrong person,” said Tori. “That’s absurd. My husband would never do something like that. Also, as I said, he’s been at work all day.” They said nothing. Rolling her eyes, she shifted the baby again and turned away from them. “Fine. I’ll just call him and you’ll see.
Lisa Regan (Local Girl Missing (Detective Josie Quinn, #15))
To go to town, forty-five miles distant, we were obliged to hitchhike. In short, my earnings were just about to keep a goat alive. […] Then one foggy day, when all the green in Nature sang out in chlorophylllic glee, there came a letter from Maurice Firodias. […] The letter was a long one, and as I skimmed through it, rapidly, my eye fell on this – FORTY THOUSAND DOLLARS
Henry Miller
We didn’t believe when we first heard because you know how church folk can gossip. Like the time we all thought First John, our head usher, was messing around on his wife because Betty, the pastor’s secretary, caught him cozying up at brunch with another woman. A young, fashionable woman at that, one who switched her hips when she walked even though she had no business switching anything in front of a man married forty years. You could forgive a man for stepping out on his wife once, but to romance that young woman over buttered croissants at a sidewalk café? Now, that was a whole other thing. But before we could correct First John, he showed up at Upper Room Chapel that Sunday with his wife and the young, hip-switching woman—a great-niece visiting from Fort Worth—and that was that. When we first heard, we thought it might be that type of secret, although, we have to admit, it had felt different. Tasted different too. All good secrets have a taste before you tell them, and if we’d taken a moment to swish this one around our mouths, we might have noticed the sourness of an unripe secret, plucked too soon, stolen and passed around before its season. But we didn’t. We shared this sour secret, a secret that began the spring Nadia Turner got knocked up by the pastor’s son and went to the abortion clinic downtown to take care of it. She was seventeen then. She lived with her father, a Marine, and without her mother, who had killed herself six months earlier. Since then, the girl had earned a wild reputation—she was young and scared and trying to hide her scared in her prettiness. And she was pretty, beautiful even, with amber skin, silky long hair, and eyes swirled brown and gray and gold. Like most girls, she’d already learned that pretty exposes you and pretty hides you and like most girls, she hadn’t yet learned how to navigate the difference. So we heard all about her sojourns across the border to dance clubs in Tijuana, the water bottle she carried around Oceanside High filled with vodka, the Saturdays she spent on base playing pool with Marines, nights that ended with her heels pressed against some man’s foggy window. Just tales, maybe, except for one we now know is true: she spent her senior year of high school rolling around in bed with Luke Sheppard and come springtime, his baby was growing inside her. — LUKE SHEPPARD WAITED TABLES at Fat Charlie’s Seafood Shack, a restaurant off the pier known for its fresh food, live music, and family-friendly atmosphere. At least that’s what the ad in the San Diego Union-Tribune said, if you were fool enough to believe it. If you’d been around Oceanside long enough, you’d know that the promised fresh food was day-old fish and chips stewing under heat lamps, and the live music, when delivered, usually consisted of ragtag teenagers in ripped jeans with safety pins poking through their lips.
Brit Bennett (The Mothers)
I was foggy today. That was what we had come to call it. Days when a cloud seemed to descend over everything around me. My thoughts went slowly, tripping awkwardly over each other to get where they needed to be. Moving through space became an exercise in walking through water. Vivie could always tell when I was having a foggy day. She noticed things like that. 'Going slow today,' I said before she could. It was hard to say exactly when the problem started. The fog had crept up on me over the past year, like a nagging obligation. Days that felt a little 'off' had led to strange visions, auras of color circling around objects and people. Then the feeling of dread that accompanied this underwater life, as if somehow I really was walking around on the bottom of the ocean, and it was only a matter of time before I realized that I didn't know how to breathe down here.
Kate Scelsa (All Out: The No-Longer-Secret Stories of Queer Teens throughout the Ages)
Janner plopped to the ground beside Tink, and the weariness of the day fell on him like a blanket. He leaned his head back on the stone and looked at the sky. White clouds slid across the deep blue dome, peaceful as a sigh. His eyes drooped shut, and wind tickled his face and the hairs on his forearms. The rockroach den, then the trolls, Peet’s capture, the foggy despair of the flat beside the river, the dizzy sight of the Dark Sea, the troll breathing at Janner’s back—and Nugget. He opened his eyes and looked at the sky again. Where was Peet now? Janner was afraid for him but felt sure Peet was still alive. He had survived terrible things for years, and something about the way Zouzab watched him from the troll’s shoulder made Janner believe Gnag wanted the Sock Man alive for some reason. For a long time they sat among the ruins. Podo and Leeli finally came back to where the others rested, and though her face still bore the weight of her sorrow, Janner could see that his sister was present. Her eyes didn’t stare into nothing. They saw the situation, grieved for it, and faced it. As Janner drifted to sleep, he was aware of Nugget’s absence; no giggles from Leeli; no big, whiny yawns; no sense of safety knowing that, whatever lay in wait for them in the shadows, at least this huge, happy monster was on their side. Janner woke with a start. Dusk approached, and the clearing lay in cool shadow. Leeli slept on Nia’s lap. Oskar lay on his back, hissing with pain while Podo worked to remove the old fellow’s bandages. Tink assisted Podo with a sick look on his face. Janner wondered for a moment where Nugget and Peet were, until he remembered with a shiver that the day hadn’t been some awful dream. “Hold on now,” Podo said. “I’m almost finished. Tink, hand me the knife, eh?” Tink passed a small knife to his grandfather, who used it to cut away the clotted bandage.
Andrew Peterson (North! or Be Eaten)
Will you be traveling there again? To Istanbul and Arabia and the places where they follow the Koran?" "I hope so," he said, laying aside the golden book very carefully. "The air is so hot there, warm and fragrant, the sky so blue, and the food tastes like nothing here. They have olives and dates and soft cheeses. I think you would like it, my Séraphine. You could dress in pink and gold and mahogany and lounge on silken pillows, listening to strange music. I'd buy you a little monkey with a vest and a hat to make you laugh and I'd sit and watch you and feed you juicy grapes." She smiled sadly and drew off her stays. "And how would we get there, Val?" "I'd hire a ship," he said taking a sip of his red wine. "No, I'd buy a ship- one of our very own. It'll have blue sails and a flag with a rooster on it. We'll take your mongrel and Mehmed and all his cats and set sail with fifty strong men. During the day we'll sit on deck and watch for mermaids and monsters in the waves, and at night we'll stare at the stars and then I'll make love to you until dawn." "And after far Arabia?" she whispered as she drew off her chemise and stood nude save for her stockings and shoes. "What then?" His smile faded and he looked very grave as she took off her shoes and stockings. "Why, Séraphine, then we would journey on to Egypt or India or China or indeed wherever else you please. Or even come round about here, back to foggy, bustling London, where, if nothing else, the pies and sausages are quite good, if that was what you wished. Just as long as I were with you and you with me, my sweet Séraphine.
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
In efforts to restore us to primitive Christianity, in all the simplicity in which it came from the lips of Jesus. Had it never been sophisticated by the subtleties of commentators, nor paraphrased into meanings totally foreign to its character, it would at this day have been the religion of the whole civilized world. But … the maniac ravings of Calvin, tinctured plentifully with the foggy dreams of Plato, have so loaded it with absurdities and incomprehensibilities, as to drive into infidelity men who had not time, patience, or opportunity to strip it of its meretricious trappings, and to see it in all its native simplicity and purity. I trust however that the same free exercise of private judgment which gave us our political reformation will extend its effects to that of religion.
Bill O'Reilly (Killing the Witches: the Horror of Salem, Massachusetts (Bill O'Reilly's Killing Series))