β
Sometimes I can hear my bones straining under the weight of all the lives I'm not living.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
You cannot protect yourself from sadness without protecting yourself from happiness.
β
β
Jonathan Safran Foer
β
Why didn't I learn to treat everything like it was the last time. My greatest regret was how much I believed in the future.
β
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
It was not the feeling of completeness I so needed, but the feeling of not being empty.
β
β
Jonathan Safran Foer (Everything is Illuminated)
β
I regret that it takes a life to learn how to live.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
Time was passing like a hand waving from a train I wanted to be on.
I hope you never have to think about anything as much as I think about you.
β
β
Jonathan Safran Foer
β
I hope that one day you will have the experience of doing something you do not understand for someone you love.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
Why do beautiful songs make you sad?' 'Because they aren't true.' 'Never?' 'Nothing is beautiful and true.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
I think and think and think, Iβve thought myself out of happiness one million times, but never once into it.
β
β
Jonathan Safran Foer
β
She was a genius of sadness, immersing herself in it, separating its numerous strands, appreciating its subtle nuances. She was a prism through which sadness could be divided into its infinite spectrum.
β
β
Jonathan Safran Foer (Everything is Illuminated)
β
There were things I wanted to tell him. But I knew they would hurt him. So I buried them, and let them hurt me.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
One day you will do things for me that you hate. That is what it means to be family.
β
β
Jonathan Safran Foer (Everything is Illuminated)
β
I like to see people reunited, I like to see people run to each other, I like the kissing and the crying, I like the impatience, the stories that the mouth can't tell fast enough, the ears that aren't big enough, the eyes that can't take in all of the change, I like the hugging, the bringing together, the end of missing someone.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
Songs are as sad as the listener.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
She wants to know if I love her, that's all anyone wants from anyone else, not love itself but the knowledge that love is there, like new batteries in the flashlight in the emergency kit in the hall closet.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
So many people enter and leave your life! Hundreds of thousands of people! You have to keep the door open so they can come in! But it also means you have to let them go!
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
This is love, she thought, isn't it? When you notice someone's absence and hate that absence more than anything? More, even, than you love his presence?
β
β
Jonathan Safran Foer (Everything is Illuminated)
β
When I looked at you, my life made sense. Even the bad things made sense. They were necessary to make you possible.
β
β
Jonathan Safran Foer
β
I'm sorry for my inability to let unimportant things go, for my inability to hold on to the important things.
β
β
Jonathan Safran Foer
β
My life story is the story of everyone I've ever met.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
It's the tragedy of loving, you can't love anything more than something you miss.
β
β
Jonathan Safran Foer
β
If there is no love in the world, we will make a new world, and we will give it walls, and we will furnish it with soft, red interiors, from the inside out, and give it a knocker that resonates like a diamond falling to a jeweller's felt so that we should never hear it. Love me, because love doesn't exist, and I have tried everything that does.
β
β
Jonathan Safran Foer (Everything Is Illuminated)
β
Humans are the only animal that blushes, laughs, has religion, wages war, and kisses with lips. So in a way, the more you kiss with lips, the more human you are. And the more you wage war.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
I'm so afraid of losing something I love that I refuse to love anything
β
β
Jonathan Safran Foer
β
I missed you even when I was with you. Thatβs been my problem. I miss what I already have, and I surround myself with things that are missing.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
I feel too much. That's what's going on.' 'Do you think one can feel too much? Or just feel in the wrong ways?' 'My insides don't match up with my outsides.' 'Do anyone's insides and outsides match up?' 'I don't know. I'm only me.' 'Maybe that's what a person's personality is: the difference between the inside and outside.' 'But it's worse for me.' 'I wonder if everyone thinks it's worse for him.' 'Probably. But it really is worse for me.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
We had everything to say to each other, but no ways to say it
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
I don't think that there are any limits to how excellent we could make life seem.
β
β
Jonathan Safran Foer (Everything Is Illuminated)
β
The more you love someone, he came to think, the harder it is to tell them. It surprised him that strangers didn't stop each other on the street to say I love you.
β
β
Jonathan Safran Foer (Everything is Illuminated)
β
I hated myself for going, why couldn't I be the kind of person who stays?
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
What did thinking ever do for me, to what great place did thinking ever bring me? I think and think and think. I've thought myself out of happiness one million times, but never once into it.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
Just because you're an atheist, that doesn't mean you wouldn't love for things to have reasons for why they are.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
I felt suddenly shy. I was not used to shy. I was used to shame. Shyness is when you turn your head away from something you want. Shame is when you turn your head away from something you do not want.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
She had fallen in love so many times that she began to suspect she was not falling in love at all, but doing something much more ordinary.
β
β
Jonathan Safran Foer
β
The mistakes I've made are dead to me. But I can't take back the things I never did.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
The only thing more painful than being an active forgetter is to be an inert rememberer.
β
β
Jonathan Safran Foer (Everything Is Illuminated)
β
Do you think I'm wonderful? she asked him one day as they leaned against the trunk of a petrified maple. No, he said. Why? Because so many girls are wonderful. I imagine hundreds of men have called their loves wonderful today, and it's only noon. You couldn't be something that hundreds of others are.
β
β
Jonathan Safran Foer (Everything Is Illuminated)
β
Love me, because love doesn't exist, and I have tried everything that does.
β
β
Jonathan Safran Foer (Everything is Illuminated)
β
The bruises go away, and so does how you hate, and so does the feeling that everything you receive from life is something you have earned.
β
β
Jonathan Safran Foer (Everything Is Illuminated)
β
While it is always possible to wake a person who's sleeping, no amount of noise will wake a person who is pretending to be asleep.
β
β
Jonathan Safran Foer (Eating Animals)
β
I took the world into me, rearranged it, and sent it back out as a question: "Do you like me?
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
She was like a drowning person, flailing, reaching for anything that might save her. Her life was an urgent, desperate struggle to justify her life.
β
β
Jonathan Safran Foer (Everything is Illuminated)
β
You are the only one who has understood even a whisper of me, and I will tell you that I am the only person who has understood even a whisper of you.
β
β
Jonathan Safran Foer (Everything is Illuminated)
β
We need enormous pockets, pockets big enough for our families and our friends, and even the people who aren't on our lists, people we've never met but still want to protect. We need pockets for boroughs and for cities, a pocket that could hold the universe.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
Not responding is a response - we are equally responsible for what we don't do.
β
β
Jonathan Safran Foer (Eating Animals)
β
I never confused what I had with what I was.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
The secret was a hole in the middle of me that every happy thing fell into.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
I imagine a line, a white line, painted on the sand and on the ocean, from me to you.
β
β
Jonathan Safran Foer (Everything is Illuminated)
β
I am not sad, he would repeat to himself over and over, I am not sad. As if he might one day convince himself. Or fool himself. Or convince others -- The only thing worse than being sad is for others to know that you are sad.
β
β
Jonathan Safran Foer (Everything Is Illuminated)
β
With writing, we have second chances.
β
β
Jonathan Safran Foer (Everything is Illuminated)
β
It's true, I am afraid of dying. I am afraid of the world moving forward without me, of my absence going unnoticed, or worse, being some natural force propelling life on. Is it selfish? Am I such a bad person for dreaming of a world that ends when I do? I don't mean the world ending with respect to me, but every set of eyes closing with mine.
β
β
Jonathan Safran Foer (Everything is Illuminated)
β
Feathers filled the small room. Our laughter kept the feathers in the air. I thought about birds. Could they fly if there wasn't someone, somewhere, laughing?
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
Being with him made my brain quiet. I didn't have to invent a thing.
β
β
Jonathan Safran Foer
β
I am always sad, I think. Perhaps this signifies that I am not sad at all, because sadness is something lower than your normal disposition, and I am always the same thing. Perhaps I am the only person in the world, then, who never becomes sad. Perhaps I am lucky.
β
β
Jonathan Safran Foer (Everything is Illuminated)
β
You can't love anything more than something you miss.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
I wanted to touch him, to tell him that even if everyone left everyone, I would never leave him, he talked and talked, his words fell through him, trying to find the floor to his sadness.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
I am doing something I hate for you. This is what it means to be in love.
β
β
Jonathan Safran Foer (Everything is Illuminated)
β
He awoke each morning with the desire to do right, to be a good and meaningful person, to be, as simple as it sounded and as impossible as it actually was, happy. And during the course of each day his heart would descend from his chest into his stomach. By early afternoon he was overcome by the feeling that nothing was right, or nothing was right for him, and by the desire to be alone. By evening he was fulfilled: alone in the magnitude of his grief, alone in his aimless guilt, alone even in his loneliness. I am not sad, he would repeat to himself over and over, I am not sad. As if he might one day convince himself. Or fool himself. Or convince others--the only thing worse than being sad is for others to know that you are sad. I am not sad. I am not sad. Because his life had unlimited potential for happiness, insofar as it was an empty white room. He would fall asleep with his heart at the foot of his bed, like some domesticated animal that was no part of him at all. And each morning he would wake with it again in the cupboard of his rib cage, having become a little heavier, a little weaker, but still pumping. And by the midafternoon he was again overcome with the desire to be somewhere else, someone else, someone else somewhere else. I am not sad.
β
β
Jonathan Safran Foer (Everything is Illuminated)
β
Why are you leaving me?
He wrote, I do not know how to live.
I do not know either but I am trying.
I do not know how to try.
There were some things I wanted to tell him. But I knew they would hurt him. So i buried them and let them hurt me
β
β
Jonathan Safran Foer
β
I did not need to know if he could love me.
I needed to know if he could need me.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
It has shown me that everything is illuminated in the light of the past. It is always along the side of us...on the inside, looking out.
β
β
Jonathan Safran Foer
β
He promised us that everything would be okay. I was a child, but I knew that everything would not be okay. That did not make my father a liar. It made him my father.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
In bed that night I invented a special drain that would be underneath every pillow in New York, and would connect to the reservoir. Whenever people cried themselves to sleep, the tears would all go to the same place, and in the morning the weatherman could report if the water level of the Reservoir of Tears had gone up or down, and you could know if New York is in heavy boots.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
In the end, everyone loses everyone. There was no invention to get around that, and so I felt, that night, like the turtle that everything else in the universe was on top of.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
The end of suffering does not justify the suffering, and so there is no end to suffering.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
Mom told me, βIt probably gets pretty lonely to be Grandma, donβt you think?β I told her, βIt probably gets pretty lonely to be anyone.
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β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
I thought, it's a shame that we have to live, but it's a tragedy that we get to live only one life, because if I'd had two lives, I would have spent one of them with her.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
There are only so many times that you can utter βIt does not hurtβ before it begins to hurt even more than the hurt. You become enlightened of the feeling of feeling hurt, which is worse, I am certain, than the existent hurt.
β
β
Jonathan Safran Foer
β
I wanted to tell her everything, maybe if I'd been able to, we could have lived differently, maybe I'd be there with you now instead of here. Maybe... if I'd said, 'I'm so afraid of losing something I love that I refuse to love anything,' maybe that would have made the impossible possible. Maybe, but I couldn't do it, I had buried too much too deeply inside me. And here I am, instead of there.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
The only way to overcome sadness is to consume it.
β
β
Jonathan Safran Foer (Everything is Illuminated)
β
I wanted to cry but I didn't, I probably should have cried, I should have drowned us there in the room ending our suffering.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
But I still couldn't figure out what it all meant. The more I found out, the less I understood.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
She has become an expert at confusing what is with what was with what should be with what could be.
β
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Jonathan Safran Foer (Everything is Illuminated)
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I hope you never think about anything as much as I think about you.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
It broke my heart into more pieces than my heart was made of, why can't people say what they mean at the time?
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
There's nothing wrong with not understanding yourself.
β
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
I felt, that night, on that stage, under that skull, incredibly close to everything in the universe, but also extremely alone. I wondered, for the first time in my life, if life was worth all the work it took to live. What exactly made it worth it? What's so horrible about being dead forever, and not feeling anything, and not even dreaming? What's so great about feeling and dreaming?
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
It was one of the best days of my life, a day during which I lived my life and didn't think about my life at all.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
If nothing matters, there's nothing to save.
β
β
Jonathan Safran Foer (Eating Animals)
β
Does it break my heart, of course, every moment of every day, into more pieces than my heart was made of, I never thought of myself as quiet, much less silent, I never thought about things at all, everything changed, the distance that wedged itself between me and my happiness wasn't the world, it wasn't the bombs and burning buildings, it was me, my thinking, the cancer of never letting go, is ignorance bliss, I don't know, but it's so painful to think, and tell me, what did thinking ever do for me, to what great place did thinking ever bring me? I think and think and think, I've thought myself out of happiness one million times, but never once into it.
β
β
Jonathan Safran Foer
β
There were things I wanted to tell him. But I knew they would hurt him. So I buried them, and let them hurt me.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
Everything is to protect you. I exist in case you need to be protected.
β
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Jonathan Safran Foer (Everything Is Illuminated)
β
Succotash my cocker spaniel, you fudging crevasse-hole dipshiitake!
β
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
Words never mean what we want them to mean.
β
β
Jonathan Safran Foer (Everything is Illuminated)
β
Every moment before this one depends on this one.
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Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
We talked about nothing in particular, but it felt like we were talking about the most important things...
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
Why didn't he say goodbye?
I gave myself a bruise.
Why didn't he say 'I love you'?
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
Instead of singing in the shower, I would write out the lyrics of my favourite songs, the ink would turn the water blue or red or green, and the music would run down my legs.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
I thought about all of the things that everyone ever says to each other, and how everyone is going to die, whether it's in a millisecond, or days, or months, or 76.5 years, if you were just born. Everything that's born has to die, which means our lives are like skyscrapers. The smoke rises at different speeds, but they're all on fire, and we're all trapped.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
What about little microphones? What if everyone swallowed them, and they played the sounds of our hearts through little speakers, which could be in the pouches of our overalls? When you skateboarded down the street at night you could hear everyone's heartbeat, and they could hear yours, sort of like sonar. One weird thing is, I wonder if everyone's hearts would start to beat at the same time, like how women who live together have their menstrual periods at the same time, which I know about, but don't really want to know about. That would be so weird, except that the place in the hospital where babies are born would sound like a crystal chandelier in a houseboat, because the babies wouldn't have had time to match up their heartbeats yet. And at the finish line at the end of the New York City Marathon it would sound like war.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
I can't count the times that upon telling someone I am vegetarian, he or she responded by pointing out an inconsistency in my lifestyle or trying to find a flaw in an argument I never made. (I have often felt that my vegetarianism matters more to such people than it does to me.)
β
β
Jonathan Safran Foer (Eating Animals)
β
I tried the key in all the doors, even though he said he didn't recognize it. It's not that I didn't trust him, becuase I did. It's that at the end of my search I wanted to be able to say: I don't know how I could have tried harder.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
Every widow wakes one morning, perhaps after years of pure and unwavering grieving, to realize she slept a good night's sleep, and will be able to eat breakfast, and doesn't hear her husband's ghost all the time, but only some of the time. Her grief is replaced with a useful sadness. Every parent who loses a child finds a way to laugh again. The timbre begins to fade. The edge dulls. The hurt lessens. Every love is carved from loss. Mine was. Yours is. Your great-great-great-grandchildren's will be. But we learn to live in that love.
β
β
Jonathan Safran Foer (Everything is Illuminated)
β
Just how destructive does a culinary preference have to be before we decide to eat something else? If contributing to the suffering of billions of animals that live miserable lives and (quite often) die in horrific ways isn't motivating, what would be? If being the number one contributor to the most serious threat facing the planet (global warming) isn't enough, what is? And if you are tempted to put off these questions of conscience, to say not now, then when?
β
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Jonathan Safran Foer (Eating Animals)
β
SADNESS OF THE INTELLECT: Sadness of being misunderstood [sic]; Humor sadness; Sadness of love wit[hou]t release; Sadne[ss of be]ing smart; Sadness of not knowing enough words to [express what you mean]; Sadness of having options; Sadness of wanting sadness; Sadness of confusion; Sadness of domes[tic]ated birds, Sadness of fini[shi]ng a book; Sadness of remembering; Sadness of forgetting; Anxiety sadness...
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β
Jonathan Safran Foer (Everything is Illuminated)
β
Perhaps in the back of our minds we already understand, without all the science I've discussed, that something terribly wrong is happening. Our sustenance now comes from misery. We know that if someone offers to show us a film on how our meat is produced, it will be a horror film. We perhaps know more than we care to admit, keeping it down in the dark places of our memory-- disavowed. When we eat factory-farmed meat we live, literally, on tortured flesh. Increasingly, that tortured flesh is becoming our own.
β
β
Jonathan Safran Foer (Eating Animals)
β
When I was a girl, my life was music that was always getting louder.
Everything moved me. A dog following a stranger. That made me feel so much. A calendar that showed the wrong month. I could have cried over it. I did. Where the smoke from a chimney ended. How an overturned bottle rested at the edge of a table.
I spent my life learning to feel less.
Every day I felt less.
Is that growing old? Or is it something worse?
You cannot protect yourself from sadness without protecting yourself from happiness.
β
β
Jonathan Safran Foer (Everything Is Illuminated)
β
I got tired, I told him. Not worn out, but worn through. Like one of those wives who wakes up one morning and says I can't bake any more bread.
You never bake bread, he wrote, and we were still joking.
Then it's like I woke up and baked bread, I said, and we were joking even then. I wondered will there come a time when we won't be joking? And what would it look like? And how would that feel?
When I was a girl, my life was music that was always getting louder. Everything moved me. A dog following a stranger. That made me feel so much. A calender that showed the wrong month. I could have cried over it. I did. Where the smoke from the chimney ended. How an overturned bottle rested at the edge of a table.
I spent my life learning to feel less.
Every day I felt less.
Is that growing old? Or is it something worse?
You cannot protect yourself from sadness without protecting yourself from happiness.
β
β
Jonathan Safran Foer
β
Brod's life was a slow realization that the world was not for her, and that for whatever reason, she would never be happy and honest at the same time. She felt as if she were brimming, always producing and hoarding more love inside her. But there was no release...
So she had to satisfy herself with the idea of love--loving the loving of things whose existence she didn't care at all about. Love itself became the object of her love. She loved herself in love, she loved loving love, as love loves loving, and was able, in that way, to reconcile herself with a world that fell so short of what she would have hoped for. It was not the world that was the great and saving lie, but her willingness to make it beautiful and fair, to live a once-removed life, in a world once-removed from the one in which everyone else seemed to exist.
β
β
Jonathan Safran Foer
β
I went to a tattoo parlor and had YES written onto the palm of my left hand, and NO onto my right palm, what can I say, it hasn't made my life wonderful, its made life possible, when I rub my hands against each other in the middle of winter I am warming myself with the friction of YES and NO, when I clap my hands I am showing my appreciation through the uniting and parting of YES and NO, I signify "book" by peeling open my hands, every book, for me, is the balance of YES and NO, even this one, my last one, especially this one. Does it break my heart, of course, every moment of every day, into more pieces than my heart was made of, I never thought of myself as quiet, much less silent, I never thought about things at all, everything changed, the distance that wedged itself between me and my happiness wasn't the world, it wasn't the bombs and burning buildings, it was me, my thinking, the cancer of never letting go, is ignorance bliss, I don't know, but it's so painful to think, and tell me, what did thinking ever do for me, to what great place did thinking ever bring me? I think and think and think, I've thought myself out of happiness one million times, but never once into it.
β
β
Jonathan Safran Foer