Floyd Quotes

We've searched our database for all the quotes and captions related to Floyd. Here they are! All 100 of them:

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Long you live and high you'll fly, and smiles you'll give, tears you'll cry and all you touch and all you see is all your life will ever be
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David Gilmour
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Yeah. Floyd is his batman." His what?" Batman, like in the British army, each officer had a batman, a personal servant." You spend too much time reading, Spenser. You know more stuff that don't make you money than anybody I know.
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Robert B. Parker (Mortal Stakes (Spenser, #3))
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I once lost five years listening to a Pink Floyd album.
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Jim Butcher (Ghost Story (The Dresden Files, #13))
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Wish You Were Here So, so you think you can tell Heaven from Hell, Blue skys from pain. Can you tell a green field From a cold steel rail? A smile from a veil? Do you think you can tell? And did they get you to trade Your heros for ghosts? Hot ashes for trees? Hot air for a cool breeze? Cold comfort for change? And did you exchange A walk on part in the war For a lead role in a cage? How I wish, how I wish you were here. We're just two lost souls Swimming in a fish bowl, Year after year, Running over the same old ground. What have we found? The same old fears. Wish you were here.
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Roger Waters
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There is no dark side of the Moon. It's all dark, really.
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David Gilmour (Pink Floyd: Dark Side of the Moon (Guitar Recorded Versions))
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Was it love or was it the idea of being in love?
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David Gilmour
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Come on you target for faraway laughter. Come on you stranger, you legend, you martyr, and shine!
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David Gilmour (Pink Floyd: Wish You Were Here : Guitar Tab Edition [Songbook])
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Watch a French housewife as she makes her way slowly along the loaded stalls… searching for the peak of ripeness and flavor… What you are seeing is a true artist at work, patiently assembling all the materials of her craft, just as the painter squeezes oil colors onto his palette ready to create a masterpiece.
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Keith Floyd
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I'm in competition with myself and I'm losing.
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Roger Waters
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Did you ever wonder why we had to run for shelter when the promise of a brave new world unfurled beneath a clear blue sky?
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David Gilmour
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As Carl Jung put it, β€œIn each of us there is another whom we do not know.” As Pink Floyd sang, β€œThere’s someone in my head, but it’s not me.
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David Eagleman (Incognito: The Secret Lives of the Brain)
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Strangers passing in the street By chance two separate glances meet And I am you and what I see is me
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David Gilmour
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There's someone in my head, but it's not me.
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David Gilmour
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Ignorance does not make you fireproof when the world is burning.
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Nelou Keramati
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Floyd could imagine a dozen things that could go wrong; it was little consolation that it was always the thirteenth that actually happened.
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Arthur C. Clarke (2010: Odyssey Two)
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But you have to understand, mental illness is like cholesterol. There is is good kind and the bad. Without the good kind- less flavor to life. Van Gogh, Beethoven, Edgar Allen Poe, Sylvia Plath, Pink Floyd (the early Piper at the Gates of Dawn line up), scientific breakthroughs, spiritual revolution, utopian visions, zany nationalism that kills millions- wait, that’s the bad kind. Tim Dorsey (Hurricane Punch)
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Tim Dorsey (Hurricane Punch (Serge Storms, #9))
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Breathe, breathe in the air, Don't be afraid to care...
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David Gilmour
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I took a heavenly ride through our silence I knew the moment had arrived For killing the past and coming back to life".
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David Gilmour
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All you touch and all you see, is all your life will ever be
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David Gilmour (Pink Floyd -- Dark Side of the Moon: Piano/Vocal/Chords (Alfred's Classic Album Editions))
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Pink Floyd was music for rich college kids, and we were the exact f**king opposite of that.
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Ozzy Osbourne (I Am Ozzy)
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Remember when you were young? You shone like the Sun...
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David Gilmour
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There's someone in my head, but it's not me." Pink Floyd David Eagleman
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David Eagleman, Pink Floyd
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So, so you think you can tell Heaven from Hell Blue skies from pain Can you tell a green field From a cold steel rail? A smile from a veil? Do you think you can tell? Did they get you to trade Your heroes for ghosts? Hot ashes for trees? Hot air for a cool breeze? Cold comfort for change? And did you exchange A walk on part in a war For a lead role in a cage? How I wish, how I wish you were here We're just two lost souls Swimming in a fish bowl Year after year Running over the same old ground What have we found? The same old fears Wish you were here
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David Gilmour
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Tongue-tied and twisted, just an earth-bound misfit, I.
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David Gilmour (Pink Floyd: A Momentary Lapse of Reason)
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Tired of lying in the sunshine staying home to watch the rain. You are young and life is long and there is time to kill today. And then one day you find ten years have got behind you. No one told you when to run, you missed the starting gun.
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David Gilmour
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Enjoy it, kid. Enjoy feeling that you can make a difference.' Floyd flashed him a smile. 'It won't last for ever.
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Alastair Reynolds (Century Rain)
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I felt like the girl who showed up at a formal dinner party in jeans and a Pink Floyd T-shirt. Probably ’cause I did that once.
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Darynda Jones (First Grave on the Right (Charley Davidson, #1))
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There is no dark side of the moon really. As a matter of fact it's all dark.
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David Gilmour (Pink Floyd: Dark Side of the Moon)
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Park hated football. He cried when his dad took him pheasant hunting. Nobody in the neighbourhood could ever tell who he was dressed as on Halloween. ('I'm Doctor Who.' 'I'm Harp Marx.' 'I'm Count Floyd.') And he kind of wanted his mom to give him blond highlights.
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Rainbow Rowell (Eleanor & Park)
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Self-assertion may deceive the ignorant for a time; but when the noise dies away, we cut open the drum, and find it was emptiness that made the music.
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Mary Elizabeth Braddon (Aurora Floyd)
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The child is grown, the dream is gone
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David Gilmour
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Eventually, however, the denial turned into emptiness and my childhood ended.
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Floyd C. Forsberg (The Toughest Prison of All)
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Children are notoriously curious about everything, everything except... the things people want them to know. It then remains for us to refrain from forcing any kind of knowledge upon them, and they will be curious about everything.
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Floyd Dell
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I guess we are juste two lost souls swimming in a fish bowl," I say. Her eyes narrow. "I've heard that somewhere before." I smile and point at her briefly. "Pink Floyd. But it's the truth." "You think we're lost?" I tilt my head back a little and look up at the stars behind her and say, "In society maybe. But together, no. I think we're right where we need to be.
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J.A. Redmerski (The Edge of Always (The Edge of Never, #2))
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Why does anyone do anything?" "I don't know, I was really drunk at the time!
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David Gilmour
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Cooking is an art and patience a virtue... Careful shopping, fresh ingredients and an unhurried approach are nearly all you need. There is one more thing - love. Love for food and love for those you invite to your table. With a combination of these things you can be an artist - not perhaps in the representational style of a Dutch master, but rather more like Gauguin, the naΓ―ve, or Van Gogh, the impressionist. Plates or pictures of sunshine taste of happiness and love.
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Keith Floyd
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Did You Exchange A Walk On Part In The War For A Lead Role In A Cage?
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David Gilmour (Pink Floyd - Wish You Were Here Guitar Tablature Edition)
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The band is just fantastic, that is really what I think, Oh, and by the way, which one's Pink?
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David Gilmour
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All in all, you're just another brick in the wall.
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David Gilmour
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All you touch and all you see, Is all your life will ever be
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David Gilmour
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I'm full of dust and guitars...
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Syd Barrett
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CAN YOU FREE YOURSELF ENOUGH TO BE ABLE TO EXPERIENCE THE REALITY OF LIFE AS IT GOES ON BEFORE YOU AND WITH YOU, AND AS YOU GO ON AS PART OF IT? OR NOT? BECAUSE IF YOU CAN’T YOU STAND ON SQUARE ONE, UNTIL YOU DIE.
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Roger Waters
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One of These Days I'm Going to Cut You Into Little Pieces.
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David Gilmour
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I wish I weren't single now; I need someone to lick me back to form.
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David Gilmour
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Set The Controls For the Heart of The Sun.
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David Gilmour
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I'm treading the backward path. Mostly, I just waste my time.
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Syd Barrett
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Music social foul: no singing a song when another song is playing. Double music social foul: don't ever fucking sing anything while Pink Floyd is playing. What's wrong with you?
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Roan Parrish (In the Middle of Somewhere (Middle of Somewhere, #1))
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The Flyboy who got away became president of the United States. What might have been for Warren Earl, Dick, Marve, Glenn, Floyd, Jimmy, the unidentified airman, and all the Others who had lost their lives?...And what might have been for those millions of doomed Japanese boys, abused and abandoned by their leaders? War is the tragedy of what might have been.
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James D. Bradley (Flyboys: A True Story of Courage)
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If you don't eat your meat, you can't have any pudding! How can you have any pudding if you don't eat your meat!
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David Gilmour
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If you want to chase a runaway ambulance toward what’s left of the American Dream, Floyd Mayweather and Manny Pacquiao show you that, still, somehow, boxing remains the yellow brick road in our country.
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Brin-Jonathan Butler
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When we pulled in, the customs officer looked in the back. The back of the wagon was filled with cases stenciled PINK FLOYD--LONDON. 'Got Pink Floyd in the back of the car, do you?' he asked. 'Righto, mate. We shrunk 'em and stuck 'em in fookin' boxes, we did,' said Nigel. Amazingly, the customs officer laughed and waved us through.
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John Elder Robison (Look Me in the Eye)
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It is not until you become a mother that your judgment slowly turns to compassion and understanding. - Erma Bombeck
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Anjuelle Floyd
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And all you touch and all you see, Is all your life will ever be.
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David Gilmour
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Dude: What do Pink Floyd and Dale Earnhardt have in common? Me: The wall was their last hit.
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Jason Myers (Exit Here.)
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The techno-medical model of maternity care, unlike the midwifery model, is comparatively new on the world scene, having existed for barely two centuries. This male-derived framework for care is a product of the industrial revolution. As anthropologist Robbie Davis-Floyd has described in detail, underlying the technocratic mode of care of our own time is an assumption that the human body is a machine and that the female body in particular is a machine full of shortcomings and defects. Pregnancy and labor are seen as illnesses, which, in order not to be harmful to mother or baby, must be treated with drugs and medical equipment. Within the techno-medical model of birth, some medical intervention is considered necessary for every birth, and birth is safe only in retrospect.
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Ina May Gaskin (Ina May's Guide to Childbirth)
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Children grow fast in this low gravity. But they don’t age so quicklyβ€”they’ll live longer than we do.” Floyd stared in fascination at the self-assured little lady, noting the graceful carriage and the unusually delicate bone structure.
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Arthur C. Clarke (2001: A Space Odyssey (Space Odyssey, #1))
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I'm an atheist, and I don't have any belief in an afterlife. You could say that I'm resigned to the fact that this wonderful life that we get here is it. And having hit 60, it's a good time to get resigned to these things and not be too nervous or upset - and enjoy what great times one can have.
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David Gilmour
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The time has come,” said Dr. Dimitri Moisevitch to his old friend Heywood Floyd, β€œto talk of many things. Of shoes and spaceships and sealing wax, but mostly of monoliths and malfunctioning computers.
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Arthur C. Clarke (2010: Odyssey Two)
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Freshman year was really great, actually. Pretty easy transition. We both made some new friends. No emotional trauma that wasn’t solved with a Buggy and Floyd marathon. And then you had to get a boyfriend.
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Elizabeth Eulberg (Better Off Friends)
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Floyd Talbert wrote shortly before his death, β€œDick, you are loved and will never be forgotten by any soldier who ever served under you. You are the best friend I ever had…you were my ideal, and motor in combat…you are to me the greatest soldier I could ever hope to meet.
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Dick Winters (Beyond Band of Brothers: The War Memoirs of Major Dick Winters)
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Floyd made it a rule never to worry about events over which he could have absolutely no control; any external threat would reveal itself in due time and must be dealt with then. But he could not help wondering if they had done
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Arthur C. Clarke (2010: Odyssey Two (Space Odyssey, #2))
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Does anybody here remember Vera Lynn? Remember how she said that We would meet again Some sunny day? Vera! Vera! What has become of you? Does anybody else here Feel the way I do
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David Gilmour (Pink Floyd the Wall)
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I've always been mad, I know I've been mad, like the most of us...very hard to explain why you're mad, even if you're not mad...
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David Gilmour (Pink Floyd: The Dark Side of the Moon (PIANO, VOIX, GU))
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Tough times don’t last, tough people do.
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Floyd Mayweather
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Hey you ! out there in the cold Getting lonely, getting old, can you feel me Hey you ! Standing in the aisles With itchy feet and fading smiles, can you feel me Hey you ! don't help them to bury the light Don't give in without a fight. Hey you ! out there on your own sitting naked by the phone would you touch me Hey you ! with your ear against the wall Waiting for someone to call out would you touch me Hey you ! would you help me to carry the stone Open your heart, I'm coming home But it was only a fantasy The wall was too high as you can see No matter how he tried he could not break free And the worms ate into his brain. Hey you ! out there on the road Always doing what you're told, can you help me Hey you ! out there beyond the wall Breaking bottles in the hall, can you help me Hey you ! don't tell me there's no hope at all Together we stand, divided we fall.
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David Gilmour
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[Roger] Waters has suggested that empathy is the central theme of all the band[Pink Floyd]'s classic, mature works beginning with [the album] Meddle. Waters singles out the following lines from "Echoes": Strangers passing in the street / By chance two seperate glances meet / And I am you and what I see is me.
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George A. Reisch (Pink Floyd and Philosophy: Careful with that Axiom, Eugene! (Popular Culture and Philosophy, 30))
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Persons desiring to know what love is might benefit more if they were able to understand what love is not.
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Floyd Henderson
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You don't get harmony when everyone sings the same note
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Doug Floyd
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Floyd poured us each a cup and we headed back to the floor, the squad room, a sea of desks with computers and fluorescent lighting where A-type personalities killed themselves trying to find out who killed someone else.
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Danny R. Smith (A Good Bunch of Men)
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To the generations of Americans raised since World War 2, the identities of criminals such as Charles "Pretty Boy" Floyd, Baby Face Nelson, "Ma" Barker, John Dillenger, and Clyde Barrow are no more real than are Luke Skywalker and Indiana Jones. After decades spent in the washing machine of popular culture, their stories have been bled of all reality, to an extent that few Americans today know who these people actually were, much less that they all rose to national prominence at the same time. They were real.
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Bryan Burrough (Public Enemies: America's Greatest Crime Wave and the Birth of the FBI, 1933-34)
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Mother do you think they'll drop the bomb? Mother do you think they'll like this song? Mother do you think they'll try to break my balls? Mother should I build the wall? Mother should I run for president? Mother should I trust the government? Mother will they put me in the firing line? Mother am I really dying? Hush now baby, baby, dont you cry. Mother's gonna make all your nightmares come true. Mother's gonna put all her fears into you. Mother's gonna keep you right here under her wing. She wont let you fly, but she might let you sing. Mama will keep baby cozy and warm. Ooooh baby ooooh baby oooooh baby, Of course mama'll help to build the wall. Mother do you think she's good enough -- to me? Mother do you think she's dangerous -- to me? Mother will she tear your little boy apart? Mother will she break my heart? Hush now baby, baby dont you cry. Mama's gonna check out all your girlfriends for you. Mama wont let anyone dirty get through. Mama's gonna wait up until you get in. Mama will always find out where you've been. Mama's gonna keep baby healthy and clean. Ooooh baby oooh baby oooh baby, You'll always be baby to me. Mother, did it need to be so high?
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Roger Waters (Pink Floyd: The Wall, Guitar Tablature Edition)
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Have You Got It Yet?
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Syd Barrett
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America is fascinated by crime.
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Floyd C. Forsberg (The Toughest Prison of All)
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All middle men are bad.
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Syd Barrett
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Spring irises bloom. The caged bird no longer singsβ€” the knee on his throat.
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Kamand Kojouri
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Love with your whole heart, and never be sorry you did.--tdf
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Tonya D. Floyd (The Signature Movement)
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If you feel like you've been forgotten, your wrong. The only way you can be forgotten is if you want to be, and sometimes that doesn't even work.
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Arianna Floyd
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Let our stand be together, shoulder to shoulder, hold hands with every human of every color, because together we rise and we shall stand with justice & power forever so we can breath in peace.
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F.M. Sogamiah
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So here, Floyd told himself, is the first generation of the Spaceborn; there would be more of them in the years to come. Though there was sadness in this thought, there was also a great hope. When Earth was tamed and tranquil, and perhaps a little tired, there would still be scope for those who loved freedom, for the tough pioneers, the restless adventurers. But their tools would not be ax and gun and canoe and wagon; they would be nuclear power plant and plasma drive and hydroponic farm. The time was fast approaching when Earth, like all mothers, must say farewell to her children.
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Arthur C. Clarke (2001: A Space Odyssey (Space Odyssey, #1))
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My Dream Date. Putting Pink Floyd on loop in at least a 5-CD rotation or on spotify or something, getting real high on hash while naked, making love on and off for hours, lying on the bed eating cheesy crackers and sipping a quality beer like Tetley's, Guinness or Pilsner Urquell. Repeat as needed.
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Sienna McQuillen
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Wish You Were Here" So, so you think you can tell Heaven from Hell, blue skies from pain. Can you tell a green field from a cold steel rail? A smile from a veil? Do you think you can tell? Did they get you to trade your heroes for ghosts? Hot ashes for trees? Hot air for a cool breeze? Cold comfort for change? Did you exchange a walk on part in the war for a lead role in a cage? How I wish, how I wish you were here. We're just two lost souls swimming in a fish bowl, year after year, Running over the same old ground. What have we found? The same old fears. Wish you were here.
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David Gilmour
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Today, what's normal is being redefined: from vaginal birth to surgical birth; from 'My water broke,' to 'Let's break your water;' from 'It's time' to 'It's time for the induction.' As medical anthropologist Robbie Davis-Floyd writes, 'in the early twenty-first century, we do not know what normal birth is.' Most practicing obstetricians have never witnessed an unplugged birth that wasn't an accident. Women are even beginning to deny normal birth to themselves: if 'normal' means being induced, immobilized by wires and tubes, sped up with drugs, all the while knowing that there's a good chance of surgery, well, might as well just cut to the chase, so to speak. 'Just give me a cesarean,' some are saying. And who can blame them? They want to avoid what they think of as normal birth.
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Jennifer Block (Pushed: The Painful Truth About Childbirth and Modern Maternity Care)
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The more wonderful the means of communication, the more trivial, tawdry, or depressing its contents seemed to be. Accidents, crimes, natural and man-made disasters, threats of conflict, gloomy editorialsβ€”these still seemed to be the main concern of the millions of words being sprayed into the ether. Yet Floyd also wondered if this was altogether
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Arthur C. Clarke (2001: A Space Odyssey (Space Odyssey, #1))
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Syd always gets in there.
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David Gilmour
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No dark sarcasm, in the classroom.
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Roger Waters
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Mayweather was already a gargoyle for our era, a gleaming hood ornament on a demented limo running one red light after another, America’s id.
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Brin-Jonathan Butler
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Floyd sometimes wondered if the Newspad, and the fantastic technology behind it, was the last word in man’s quest for perfect communications. Here he was, far out in space, speeding away from Earth at thousands of miles an hour, yet in a few milliseconds he could see the headlines of any newspaper he pleased. (That very word β€œnewspaper,” of course, was an anachronistic hangover into the age of electronics.) The text was updated automatically on every hour; even if one read only the English versions, one could spend an entire lifetime doing nothing but absorbing the everchanging flow of information from the news satellites. It was hard to imagine how the system could be improved or made more convenient. But sooner or later, Floyd guessed, it would pass away, to be replaced by something as unimaginable as the Newspad itself would have been to Caxton or Gutenberg.
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Arthur C. Clarke (2001: A Space Odyssey (Space Odyssey, #1))
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Karens have a best friend - Becky. She's the one who goes with them to talk to the manager and backs them up and remains silent when she calls the cops on black guys she sees in her area. Becky is Karen's tag-team partner and an enabler. Don't be a Becky.
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Stewart Stafford
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Her sister Lea had an ancient book of myths and legends, and there was all kinds of info in there - of course Lea had written that book herself, so how much could it be counted on for accuracy? For instance, under the heading of "Gods and Demigods,” you could find entries for The Beatles, Pink Floyd, and Led Zeppelin. She'd also added a new "tribe" consisting of her favorite cartoon characters, naming them The Animatus.
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Bethany K. Lovell (Faetal Distraction (Blood Crown, #1))
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The Reverend Elmer Gantry was reading an illustrated pink periodical devoted to prize fighters and chorus girls in his room at Elizabeth J. Schmutz Hall late of an afternoon when two large men walked in without knocking. "Why, good evening, Brother Bainsβ€”Brother Naylor! This is a pleasant surprise. I was, uhβ€” Did you ever see this horrible rag? About actoresses. An invention of the devil himself. I was thinking of denouncing it next Sunday. I hope you never read itβ€”won't you sit down, gentlemen?β€”take this chairβ€” I hope you never read it, Brother Floyd, because the footsteps ofβ€”
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Sinclair Lewis (Elmer Gantry)
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Several years before Maya [Angelou] went home to heaven, she penned the poem popularly known as 'When Great Trees Fall,' but properly titled 'Ailey, Baldwin, Floyd, Killens, and Mayfield,' a lyrical ode she ends this way: And when great souls die, after a period peace blooms, slowly and always irregularly.... Our senses, restored, never to be the same, whisper to us. They existed. They existed. We can be. Be and be better. For they existed. Her sentiments, so often repeated, powerfully sum up what loss does to the human heart, how it lowers our heads and deepens our sorrows, and yet how, in the end, it miraculously restores us. When great trees fall, we weep in unity with the forest--and we rejoice at the legacy that lingers.
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Cicely Tyson (Just as I Am)
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Floyd sometimes wondered if the Newspad, and the fantastic technology behind it, was the last word in man’s quest for perfect communications. Here he was, far out in space, speeding away from Earth at thousands of miles an hour, yet in a few milliseconds he could see the headlines of any newspaper he pleased. (That very word β€œnewspaper,” of course, was an anachronistic hangover into the age of electronics.) The text was updated automatically on every hour; even if one read only the English versions, one could spend an entire lifetime doing nothing but absorbing the everchanging flow of information from the news satellites.
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Arthur C. Clarke (2001: A Space Odyssey (Space Odyssey, #1))
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A great philosopher once said: 'We are what we Contemplate' And in these modern times when mankind is constantly confronted with images of conflict and world disasters, it seems very important to contemplate the Beautiful. It has become my personal crusade as an artist, to create images which uplift and nurture the human heart; to create that which serves as a reminder of what is Sacred and Beautiful within the drama of Life.... Ever since I can remember, my innermost nature has always been to do acts of kindness and to create, from saving lost animals, to organizing charitable events; from mothering my four children to now giving birth to the 'Art of Beauty'.
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Ginger Gilmour (Memoirs of the Bright Side of the Moon)
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Beyond the horizon of the place we lived when we were young In a world of magnets and miracles Our thoughts strayed constantly and without boundary The ringing of the division bell had begun Along the Long Road and on down the Causeway Do they still meet there by the Cut There was a ragged band that followed in our footsteps Running before times took our dreams away Leaving the myriad small creatures trying to tie us to the ground To a life consumed by slow decay The grass was greener The light was brighter When friends surrounded The nights of wonder Looking beyond the embers of bridges glowing behind us To a glimpse of how green it was on the other side Steps taken forwards but sleepwalking back again Dragged by the force of some sleeping tide At a higher altitude with flag unfurled We reached the dizzy heights of that dreamed of world Encumbered forever by desire and ambition There's a hunger still unsatisfied Our weary eyes still stray to the horizon Though down this road we've been so many times The grass was greener The light was brighter The taste was sweeter The nights of wonder With friends surrounded The dawn mist glowing The water flowing The endless river Forever and ever
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David Gilmour
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1 The summer our marriage failed we picked sage to sweeten our hot dark car. We sat in the yard with heavy glasses of iced tea, talking about which seeds to sow when the soil was cool. Praising our large, smooth spinach leaves, free this year of Fusarium wilt, downy mildew, blue mold. And then we spoke of flowers, and there was a joke, you said, about old florists who were forced to make other arrangements. Delphiniums flared along the back fence. All summer it hurt to look at you. 2 I heard a woman on the bus say, β€œHe and I were going in different directions.” As if it had something to do with a latitude or a pole. Trying to write down how love empties itself from a house, how a view changes, how the sign for infinity turns into a noose for a couple. Trying to say that weather weighed down all the streets we traveled on, that if gravel sinks, it keeps sinking. How can I blame you who kneeled day after day in wet soil, pulling slugs from the seedlings? You who built a ten-foot arch for the beans, who hated a bird feeder left unfilled. You who gave carrots to a gang of girls on bicycles. 3 On our last trip we drove through rain to a town lit with vacancies. We’d come to watch whales. At the dock we met five other couplesβ€”all of us fluorescent, waterproof, ready for the pitch and frequency of the motor that would lure these great mammals near. The boat chugged forwardβ€”trailing a long, creamy wake. The captain spoke from a loudspeaker: In winter gray whales love Laguna Guerrero; it’s warm and calm, no killer whales gulp down their calves. Today we’ll see them on their way to Alaska. If we get close enough, observe their eyesβ€”they’re bigger than baseballs, but can only look down. Whales can communicate at a distance of 300 milesβ€”but it’s my guess they’re all saying, Can you hear me? His laughter crackled. When he told us Pink Floyd is slang for a whale’s two-foot penis, I stopped listening. The boat rocked, and for two hours our eyes were lost in the wavesβ€”but no whales surfaced, blowing or breaching or expelling water through baleen plates. Again and again you patiently wiped the spray from your glasses. We smiled to each other, good troopers used to disappointment. On the way back you pointed at cormorants riding the wavesβ€” you knew them by name: the Brants, the Pelagic, the double-breasted. I only said, I’m sure whales were swimming under us by the dozens. 4 Trying to write that I loved the work of an argument, the exhaustion of forgiving, the next morning, washing our handprints off the wineglasses. How I loved sitting with our friends under the plum trees, in the white wire chairs, at the glass table. How you stood by the grill, delicately broiling the fish. How the dill grew tall by the window. Trying to explain how camellias spoil and bloom at the same time, how their perfume makes lovers ache. Trying to describe the ways sex darkens and dies, how two bodies can lie together, entwined, out of habit. Finding themselves later, tired, by a fire, on an old couch that no longer reassures. The night we eloped we drove to the rainforest and found ourselves in fog so thick our lights were useless. There’s no choice, you said, we must have faith in our blindness. How I believed you. Trying to imagine the road beneath us, we inched forward, honking, gently, again and again.
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Dina Ben-Lev
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A child is born with no state of mind Blind to the ways of mankind God is smilin' on you but he's frownin' too Because only God knows what you'll go through You'll grow in the ghetto livin' second-rate And your eyes will sing a song called deep hate The places you play and where you stay Looks like one great big alleyway You'll admire all the number-book takers Thugs, pimps and pushers and the big money-makers Drivin' big cars, spendin' twenties and tens And you'll wanna grow up to be just like them, huh Smugglers, scramblers, burglars, gamblers Pickpocket peddlers, even panhandlers You say I'm cool, huh, I'm no fool But then you wind up droppin' outta high school Now you're unemployed, all non-void Walkin' round like you're Pretty Boy Floyd Turned stick-up kid, but look what you done did Got sent up for a eight-year bid Now your manhood is took and you're a Maytag Spend the next two years as a undercover fag Bein' used and abused to serve like hell 'til one day, you was found hung dead in the cell It was plain to see that your life was lost You was cold and your body swung back and forth But now your eyes sing the sad, sad song Of how you lived so fast and died so young
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Grandmaster Flash
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β€’ Your belief about churchβ€”Church is not a templelike building to attend on Sundays, but a community of revolutionary people who make Jesus the Lord of their whole lives and live to accomplish His mission. If Jesus is the Lord of every day and every part of life, and the church is the people who live for His mission, then church happens every day, everywhere! Church is not limited to a holy-day meeting, led by a holy man; it is mission force of radical people invading every vocation and every nation of the world.
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Floyd McClung (Follow: A Simple and Profound Call to Live Like Jesus)
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There’s a bit in β€œEchoes” we call β€œthe wind section” where it all falls apart, and then comes back in,’ explains Guy Pratt. β€˜Some of the younger players, mentioning no names, couldn’t get their heads around it not being a set number of bars. It was like, β€œYou have to feel it and know instinctively when to come back in.” David’s great line about that was, β€œThe trouble with modern musicians is that they don’t know how to disintegrate.
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Mark Blake (Pigs Might Fly: The Inside Story of Pink Floyd)
β€œ
Grief is a winding, nasty road that has no predictable course, and the best thing you can do as a friend is to show up for the ride. You cannot rush grief. Read that again, and let it soak in as you either walk through it or alongside someone who is in the midst of it. One of the best things you can do for friends who are suffering through loss is to remind them of this over and over. Don’t mention how other people have β€œcoped so well” with their losses or how β€œit seems like so-and-so has come out of this better than you have.” I have heard from people who have heard these exact sentences, and while I have a feeling their friends wanted to encourage them into a place of recovery, they weren’t helped by such remarks. It stings to feel like your grief isn’t normal or that you aren’t recovering the way you should be. There is no normal. There is the loss, and there is the Lord. That balance dictates the season, not the changing leaves or the anniversaries of death. I love the way Gregory Floyd explains the delicate balance of hope and pain, β€œOur faith gives us the sure hope of seeing him again, but the hope does not take away the pain.”1
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Angie Smith (I Will Carry You: The Sacred Dance of Grief and Joy)
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It's weird not being in our subculture of two any more. There was Jen's culture, her little habits and ways of doing things; the collection of stuff she'd already learnt she loved before we met me. Chorizo and Jonathan Franken and long walks and the Eagles (her dad). Seeing the Christmas lights. Taylor Swift, frying pans in the dishwasher, the works absolutely, arsewipe, heaven. Tracy Chapman and prawn jalfrezi and Muriel Spark and HP sauce in bacon sandwiches. And then there was my culture. Steve Martin and Aston Villa and New York and E.T. Chicken bhuna, strange-looking cats and always having squash or cans of soft drinks in the house. The Cure. Pink Floyd. Kanye West, friend eggs, ten hours' sleep, ketchup in bacon sandwiches. Never missing dental check-ups. Sister Sledge (my mum). Watching TV even if the weather is nice. Cadbury's Caramel. John and Paul and George and Ringo. And then we met and fell in love and we introduced each other to all of it, like children showing each other their favourite toys. The instinct never goes - look at my fire engine, look at my vinyl collection. Look at all these things I've chosen to represent who I am. It was fun to find out about each other's self-made cultures and make our own hybrid in the years of eating, watching, reading, listening, sleeping and living together. Our culture was tea drink from very large mugs. And looking forward to the Glastonbury ticket day and the new season of Game of Thrones and taking the piss out of ourselves for being just like everyone else. Our culture was over-tipping in restaurants because we both used to work in the service industry, salty popcorn at the cinema and afternoon naps. Side-by-side morning sex. Home-made Manhattans. Barmade Manhattans (much better). Otis Redding's "Cigarettes and Coffee" (our song). Discovering a new song we both loved and listening to it over and over again until we couldn't listen to it any more. Period dramas on a Sunday night. That one perfect vibrator that finished her off in seconds when we were in a rush. Gravy. David Hockney. Truffle crisps. Can you believe it? I still can't believe it. A smell indisputably reminiscent of bums. On a crisp. And yet we couldn't get enough of them together - stuffing them in our gobs, her hand on my chest, me trying not to get crumbs in her hair as we watched Sense and Sensibility (1995). But I'm not a member of that club anymore. No one is. It's been disbanded, dissolved, the domain is no longer valid. So what do I do with all its stuff? Where so I put it all? Where do I take all my new discoveries now I'm no longer a tribe of two? And if I start a new sub-genre of love with someone else, am I allowed to bring in all the things I loved from the last one? Or would that be weird? Why do I find this so hard?
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Dolly Alderton (Good Material)