Flooring Design Quotes

First, Lord: No tattoos. May neither Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches. May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty. When the Crystal Meth is offered, May she remember the parents who cut her grapes in half And stick with Beer. Guide her, protect her When crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called “Hell Drop,” “Tower of Torture,” or “The Death Spiral Rock ‘N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age. Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels. What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit. May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers. Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For childhood is short – a Tiger Flower blooming Magenta for one day – And adulthood is long and dry-humping in cars will wait. O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed. And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it. And should she choose to be a Mother one day, be my eyes, Lord, that I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back. “My mother did this for me once,” she will realize as she cleans feces off her baby’s neck. “My mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes.

You destroy me." "Juliette," he says and he mouths the name, barely speaking at all, and he's pouring molten lava into my limbs and I never even knew I could melt straight to death. "I want you," he says. He says "I want all of you. I want you inside and out and catching your breath and aching for me like I ache for you." He says it like it's a lit cigarette lodged in his throat, like he wants to dip me in warm honey and he says "It's never been a secret. I've never tried to hide that from you. I've never pretended I wanted anything less." "You-you said you wanted f-friendship-" "Yes," he says, he swallows, "I did. I do. I do want to be your friend. He nods and I register the slight movement in the air between us. "I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend," he says. "The one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, every shiver of your body, Juliette-" "No," I gasp. "Don't-don't s-say that-" "I want to know where to touch you," he says. "I want to know how to touch you. I want to know how to convince you to design a smile just for me." I feel his chest rising, falling, up and down and up and down and "Yes," he says. "I do want to be your friend." He says "I want to be your best friend in the entire world." "I want so many things," he whispers. "I want your mind. Your strength. I want to be worth your time." His fingers graze the hem of my top and he says "I want this up." He tugs on the waist of my pants and says "I want these down." He touches the tips of his fingers to the sides of my body and says, "I want to feel your skin on fire. I want to feel your heart racing next to mine and I want to know it's racing because of me, because you want me. Because you never," he says, he breathes, "never want me to stop. I want every second. Every inch of you. I want all of it." And I drop dead, all over the floor. "Juliette." I can't understand why I can still hear him speaking because I'm dead, I'm already dead, I've died over and over and over again. He swallows, hard, his chest heaving, his words a breathless, shaky whisper when he says "I'm so-I'm so desperately in love with you-

He ran a hand over his face and shook his head. "Lass, I have never lied to you. I adore you and there have never been any other women from the future here. And these"- he flung a tampon in the air- "cleaning swabs, I cannot fathom why they upset you so greatly, but I assure you I have never let the maids use them." Lisa's brow furrowed. No man could be so stupid. "Cleaning Swabs?" He snatched up a gun and jerked the barrel in her direction, and an unwrapped tampon shot out. It was coated with black from the slow corrosion of the steel. She eyed it for a moment, bent, and plucked it from the floor. "You clean your guns with these?" He lowered the gun. "Is that not the purpose for which they were designed? I vow I could not conceive of another." Didn't you read the box?" There were too many words I didn't understand!

Nothing was left to chance; every smell, every piece of furniture, and certainly the design of the floor plans made these model homes world-class.

England once there lived a big And wonderfully clever pig. To everybody it was plain That Piggy had a massive brain. He worked out sums inside his head, There was no book he hadn't read. He knew what made an airplane fly, He knew how engines worked and why. He knew all this, but in the end One question drove him round the bend: He simply couldn't puzzle out What LIFE was really all about. What was the reason for his birth? Why was he placed upon this earth? His giant brain went round and round. Alas, no answer could be found. Till suddenly one wondrous night. All in a flash he saw the light. He jumped up like a ballet dancer And yelled, "By gum, I've got the answer!" "They want my bacon slice by slice "To sell at a tremendous price! "They want my tender juicy chops "To put in all the butcher's shops! "They want my pork to make a roast "And that's the part'll cost the most! "They want my sausages in strings! "They even want my chitterlings! "The butcher's shop! The carving knife! "That is the reason for my life!" Such thoughts as these are not designed To give a pig great piece of mind. Next morning, in comes Farmer Bland, A pail of pigswill in his hand, And piggy with a mighty roar, Bashes the farmer to the floor… Now comes the rather grizzly bit So let's not make too much of it, Except that you must understand That Piggy did eat Farmer Bland, He ate him up from head to toe, Chewing the pieces nice and slow. It took an hour to reach the feet, Because there was so much to eat, And when he finished, Pig, of course, Felt absolutely no remorse. Slowly he scratched his brainy head And with a little smile he said, "I had a fairly powerful hunch "That he might have me for his lunch. "And so, because I feared the worst, "I thought I'd better eat him first.

I don’t want to be a girl,” he said. “Oh hush,” Design said, quickly mopping the floor. “I’ve been pretending to be one for years now, so I’m an authority—and it’s really quite nice. Except for the sexism. But it’s hard to blame that on being a woman instead of on, you know, morons.

The idea of love walked along the water and her gaze was full of absence and her eyes spat lighting. The impressionable evening received by turns the imprints of grasses, clouds, bodies, and wore crazy astronomical designs. The idea of love walked straight ahead without seeing anything; she was wearing tiny isosceles mirrors whose perfect assemblage was amazing. They were so many images of fish tails, when, by their angelic nature, they answer the promise one might make of always finding each other again. Finding each other again even in the depths of a forest, where the thread of a star is an articulation more silent than life, the dawn a liquor stronger than blood. Who is lost, who truly wanders off when a cup of coffee is steaming in the fog and waiters dressed in snow circulate patiently on the surface of floors whose desired height can be indicated with one's hands? Who? A solitary man whom the idea of love has just left and who tucks in his spirit like an imaginary bed. The man falls all the same and in the next room, under the moon-white verandah, a woman rises whom the idea of love has abandoned. The gravel weeps outside, a rain of glass is falling in which we recognize small chains, tears in which we have time to see ourselves, mirror tears, shards of windows, singular crystals like the ones we witness in our hand on awakening, leaves and the faded petals of those roses that once embelished certain distillery bottles. It's just that the idea of love, it seems angry with love. This is how it began.

It had the tangled floor plan common to all hospitals, seemingly designed by someone who believed in the healing power of watching confused visitors aimlessly wander around hallways.

I wanted to study graphic design, because I wanted to work in an office with designer desks, ergonomic chairs, pool tables, and walls so colorful it looks like a flock of flamingoes exploded and splattered evenly from floor to ceiling.

Follow the loglo outward, to where the growth is enfolded into the valleys and the canyons, and you find the land of the refugees. They have fled from the true America, the America of atomic bombs, scalpings, hip-hop, chaos theory, cement overshoes, snake handlers, spree killers, space walks, buffalo jumps, drive-bys, cruise missiles; Sherman's March, gridlock, motorcycle gangs, and bungee jumping. They have parallel-parked their bimbo boxes in identical computer-designed Burbclave street patterns and secreted themselves in symmetrical sheetrock shitholes with vinyl floors and ill-fitting woodwork and no sidewalks, vast house farms out in the loglo wilderness, a culture medium for a medium culture.

When I started writing I wanted the best tools. I skipped right over chisels on rocks, stylus on wet clay plates, quills and fountain pens, even mechanical pencils, and went straight to one of the first popular spin-offs of the aerospace program: the ballpoint pen. They were developed for comber navigators in the war because fountain pens would squirt all over your leather bomber jacket at altitude. (I have a cherished example of the next generation ballpoint, a pressurized Space Pen cleverly designed to work in weightlessness, given to me by Spider Robinson. At least, I cherish it when I can find it. It is also cleverly designed to seek out the lowest point of your desk, roll off, then find the lowest point on the floor, under a heavy piece of furniture. That's because it is cylindrical and lacks a pocket clip to keep it from rolling. In space, I presume it would float out of your pocket and find a forgotten corner of your spacecraft to hide in. NASA spent $3 million developing it. Good job, guys. I'm sure it's around here somewhere.)

For example, they recently had a piece on a character--I think his name was Ambrosio D'Urbervilles--whose "design statement" was to stuff an entire apartment from floor to ceiling with dark purple cottonballs. He called it "Portrait of a Dead Camel Dancing on the Roof of a Steambath.

Designing passive tracking apps as if women have pockets big enough to hold their phones is a perennial problem with an easy solution: include proper pockets in women’s clothing (she types, furiously, having just had her phone fall out of her pocket and smash on the floor for the hundredth time).

And so, because business leadership is still so dominated by men, modern workplaces are riddled with these kind of gaps, from doors that are too heavy for the average woman to open with ease, to glass stairs and lobby floors that mean anyone below can see up your skirt, to paving that’s exactly the right size to catch your heels. Small, niggling issues that aren’t the end of the world, granted, but that nevertheless irritate. Then there’s the standard office temperature. The formula to determine standard office temperature was developed in the 1960s around the metabolic resting rate of the average forty-year-old, 70 kg man.1 But a recent study found that ‘the metabolic rate of young adult females performing light office work is significantly lower’ than the standard values for men doing the same type of activity. In fact, the formula may overestimate female metabolic rate by as much as 35%, meaning that current offices are on average five degrees too cold for women. Which leads to the odd sight of female office workers wrapped up in blankets in the New York summer while their male colleagues wander around in summer clothes.

I told you, I’m awesome at everything,” he teased, putting the PS3 controller on the floor between us. “That includes video games.” I watched as the character Wesley had been operating moved across the screen, doing some sort of odd victory dance. “Not fair,” I muttered. “Your sword was bigger than mine.” “My sword is bigger than everyone’s.

Niphon, standing with a glass of wine, regarded me with curious amusement as I headed straight for him.Considering I usually avoided him if it all possible, my approach undoubtedly astonished him. But not as much as when I punched him. I didn’t even need to shape-shift much bulk into my fist. I’d caught him by surprise. The wineglass fell out of his hand, hitting the carpet and spilling its contents like blood. The imp flew backward, hitting Peter’s china cabinet with a crash. Niphon slumped to the floor, eyes wide with shock. I kept coming. Kneeling, I grabbed his designer shirt and jerked him toward me. “Stay the fuck out of my life, or I will destroy you,” I hissed. Terror filled his features. “Are you out of your fucking mind? What do you—” Suddenly, the fear disappeared. He started laughing. “He did it, didn’t he? He broke up with you. I didn’t know if he could do it, even after giving him the spiel about how it’d be better for both of you. Oh my. This is lovely. All your so-called charms weren’t enough to—ahh!” I’d pulled him closer to me, digging my nails into him, and finally, I felt an emotion. Fury. Niphon’s role had been greater than I believed. My face was mere inches from his. “Remember when you said I was nothing but a backwoods girl from some gritty fishing village? You were right. And I had to survive in gritty circumstances—in situations you’d never be able to handle. And you know what else? I spent most of my childhood gutting fish and other animals.” I ran a finger down his neck. “I can do it for you too. I could slit you from throat to stomach. I could rip you open, and you’d scream for death. You’d wish you weren’t immortal. And I could do it over and over again.” That wiped the smirk off Niphon’s face.

I hadn't realized how supremely shit-housed I was until we stumbled into our room at the Embassy Suites. You ever been so drunk you forgot that you have to shit until the last minute? Well I was at that stage. I nearly had my pants completely off when SlingBlade snaked past me and got into the toilet first. Fine, I go get out of my bar clothes and change into a t-shirt and pink Gap boxers to sleep in. I wait patiently for about three minutes, then I start pounding on the door, screaming at him that I am going to shit on his bed if he doesn't get out of there. A short time later he opens the door laughing his ass off, and says, "That was perhaps the most prodigious shit ever. I just put that toilet into therapy." I take a gander into the bathroom. It looks like Revelations. The toilet is overflowing, brown shit water is spilling out all over the bathroom floor, and the tank is making demonic gurgling noises. THE MOTHERFUCKER CLOGGED UP A HOTEL TOILET! Hotel toilets are industrial size; they are designed to be able to accommodate repeated elephant-sized shits, and their ram-jet engine flushes generate enough force to suck down a human infant, yet skinny ass 170-pound SlingBlade completely killed ours.

In his original design the solicitor's clerk seemed to have forgotten the need for a staircase to link both the floors, and what he had provided had the appearance of an afterthought. Doorways had been punched in the eastern wall and a rough wooden staircase - heavy planks on an uneven frame with one warped unpainted banister, the whole covered with a sloping roof of corrugated iron - hung precariously at the back of the house, in striking contrast with the white-pointed brickwork of the front, the white woodwork and the frosted glass of doors and windows. For this house Mr.Biswas had paid five thousand five hundred dollars.

The entrance hall was designed to impress. The floor was a buttery cream-colored marble and the walls were paneled in dark wood. I'm not a lumberjack, so I had no idea what kind of wood it was, but it looked expensive.

The best I can suggest is that when the Absolute manifested itself in the world evil was the natural correlation of good. You could never have had the stupendous beauty of the Himalayas without the unimaginable horror of a convulsion of the earth's crust. The Chinese craftsman who makes a vase in what they call eggshell porcelain can give it a lovely shape, ornament it with a beautiful design, stain it a ravishing colour and give it a perfect glaze, but from its very nature he can't make it anything but fragile. If you drop in on the floor it will break into a dozen fragments. Isn't possible in the same way that the values we cherish in the world can only exist in combination with evil?

Sometimes... Come on, how often exactly, Bert? Can you recall four, five, more such occasions? Or would no human heart have survived two or three? Sometimes (I have nothing to say in reply to your question), while Lolita would be haphazardly preparing her homework, sucking a pencil, lolling sideways in an easy chair with both legs over its arm, I would shed all my pedagogic restraint, dismiss all our quarrels, forget all my masculine pride - and literally crawl on my knees to your chair, my Lolita! You would give me one look - a gray furry question mark of a look: "Oh no, not again" (incredulity, exasperation); for you never deigned to believe that I could, without any specific designs, ever crave to bury my face in your plaid skirt, my darling! The fragility of those bare arms of yours - how I longed to enfold them, all your four limpid lovely limbs, a folded colt, and take your head between my unworthy hands, and pull the temple-skin back on both sides, and kiss your chinesed eyes, and - "Please, leave me alone, will you," you would say, "for Christ's sake leave me alone." And I would get up from the floor while you looked on, your face deliberately twitching in imitation of my tic nerveux. But never mind, never mind, I am only a brute, never mind, let us go on with my miserable story.

No surprises" is the motto of the franchise ghetto, its Good Housekeeping seal, subliminally blazoned on every sign and logo that make up the curves and grids of light that outline the Basin. The people of America, who live in the world's most surprising and terrible country, take comfort in that motto. Follow the loglo outward, to where the growth is enfolded into the valleys and the canyons, and you find the land of the refugees. They have fled from the true America, the America of atomic bombs, scalpings, hip-hop, chaos theory, cement overshoes, snake handlers, spree killers, space walks, buffalo jumps, drive-bys, cruise missiles, Sherman's March, gridlock, motorcycle gangs, and bun-gee jumping. They have parallel-parked their bimbo boxes in identical computer-designed Burbclave street patterns and secreted themselves in symmetrical sheetrock shitholes with vinyl floors and ill-fitting woodwork and no sidewalks, vast house farms out in the loglo wilderness, a culture medium for a medium culture. The only ones left in the city are street people, feeding off debris; immigrants, thrown out like shrapnel from the destruction of the Asian powers; young bohos; and the technomedia priesthood of Mr. Lee's Greater Hong Kong. Young smart people like Da5id and Hiro, who take the risk of living in the city because they like stimulation and they know they can handle it.

Even if we have a reliable criterion for detecting design, and even if that criterion tells us that biological systems are designed, it seems that determining a biological system to be designed is akin to shrugging our shoulders and saying God did it. The fear is that admitting design as an explanation will stifle scientific inquiry, that scientists will stop investigating difficult problems because they have a sufficient explanation already. But design is not a science stopper. Indeed, design can foster inquiry where traditional evolutionary approaches obstruct it. Consider the term "junk DNA." Implicit in this term is the view that because the genome of an organism has been cobbled together through a long, undirected evolutionary process, the genome is a patchwork of which only limited portions are essential to the organism. Thus on an evolutionary view we expect a lot of useless DNA. If, on the other hand, organisms are designed, we expect DNA, as much as possible, to exhibit function. And indeed, the most recent findings suggest that designating DNA as "junk" merely cloaks our current lack of knowledge about function. For instance, in a recent issue of the Journal of Theoretical Biology, John Bodnar describes how "non-coding DNA in eukaryotic genomes encodes a language which programs organismal growth and development." Design encourages scientists to look for function where evolution discourages it. Or consider vestigial organs that later are found to have a function after all. Evolutionary biology texts often cite the human coccyx as a "vestigial structure" that hearkens back to vertebrate ancestors with tails. Yet if one looks at a recent edition of Gray’s Anatomy, one finds that the coccyx is a crucial point of contact with muscles that attach to the pelvic floor. The phrase "vestigial structure" often merely cloaks our current lack of knowledge about function. The human appendix, formerly thought to be vestigial, is now known to be a functioning component of the immune system.

You’re sure you want to do this,” Galen says, eyeing me like I’ve grown a tiara of snakes on my head. “Absolutely.” I unstrap the four-hundred-dollar silver heels and spike them into the sand. When he starts unraveling his tie, I throw out my hand. “No! Leave it. Leave everything on.” Galen frowns. “Rachel would kill us both. In our sleep. She would torture us first.” “This is our prom night. Rachel would want us to enjoy ourselves.” I pull the thousand-or-so bobby pins from my hair and toss them in the sand. Really, both of us are right. She would want us to be happy. But she would also want us to stay in our designer clothes. Leaning over, I shake my head like a wet dog, dispelling the magic of hairspray. Tossing my hair back, I look at Galen. His crooked smile almost melts me where I stand. I’m just glad to see a smile on his face at all. The last six months have been rough. “Your mother will want pictures,” he tells me. “And what will she do with pictures? There aren’t exactly picture frames in the Royal Caverns.” Mom’s decision to mate with Grom and live as his queen didn’t surprise me. After all, I am eighteen years old, an adult, and can take care of myself. Besides, she’s just a swim away. “She keeps picture frames at her house though. She could still enjoy them while she and Grom come to shore to-“ “Okay, ew. Don’t say it. That’s where I draw the line.” Galen laughs and takes off his shoes. I forget all about Mom and Grom. Galen, barefoot in the sand, wearing an Armani tux. What more could a girl ask for? “Don’t look at me like that, angelfish,” he says, his voice husky. “Disappointing your grandfather is the last thing I want to do.” My stomach cartwheels. Swallowing doesn’t help. “I can’t admire you, even from afar?” I can’t quite squeeze enough innocence in there to make it believable, to make it sound like I wasn’t thinking the same thing he was. Clearing his throat, he nods. “Let’s get on with this.” He closes the distance between us, making foot-size potholes with his stride. Grabbing my hand, he pulls me to the water. At the edge of the wet sand, just out of reach of the most ambitious wave, we stop. “You’re sure?” he says again. “More than sure,” I tell him, giddiness swimming through my veins like a sneaking eel. Images of the conference center downtown spring up in my mind. Red and white balloons, streamers, a loud, cheesy DJ yelling over the starting chorus of the next song. Kids grinding against one another on the dance floor to lure the chaperones’ attention away from a punch bowl just waiting to be spiked. Dresses spilling over with skin, matching corsages, awkward gaits due to six-inch heels. The prom Chloe and I dreamed of. But the memories I wanted to make at that prom died with Chloe. There could never be any joy in that prom without her. I couldn’t walk through those doors and not feel that something was missing. A big something. No, this is where I belong now. No balloons, no loud music, no loaded punch bowl. Just the quiet and the beach and Galen. This is my new prom. And for some reason, I think Chloe would approve.

Art is too important a term to be used just for painters. And sculptors. And playwrights. And actors. And architects of a certain type. No, I think we need to broaden it to graphic designers and salespeople and bosses. To lay preachers, to gifted politicians and occasionally, to the guy who sweeps the floor. Art is a human act, something that’s done with the right sort of intent. Art is when we do work that matters, in a creative way, in a way that touches them and changes them for the better.[1] Seth Godin, Graceful

waiting for the other shoe to drop. Did you know it originated in cities like Chicago and New York?” “No. I did not” He tilted his head, his mouth hooking upward to one side as though he were trying not to laugh. “Tell me about it.”He was teasing me again. “Well, it did. So…”He lifted his eyebrows, “That’s all? You’re not going to tell me the specific origin of the idiom waiting for the other shoe to drop’?”I shook my head, “I don’t know it.”He mimicked me and shook his head in response, “You’re lying. You do know.”“Nope. I don’t.”“This is just like the mammals.” He sighed and placed his phone on the table. Before he took a bite from his sandwich he said, “You’re stingy with information.”My frowned deepened, “No, I’m not-”His words were somewhat garbled as he spoke between chewing, “You’re an information tease.”“What?!”“Or maybe you don’t really know the origin and you’re just making things up to impress me-” he took another bite. “I am not! It originates from the late industrial revolution, in the late 19th and early 20th century.Apartments were all built with the same floor plan, in similar design so one tenant’s bedroom was under another’s. Therefore it was normal to hear an upstairs neighbor removing his or her shoes and hearing one shoe hit the floor, then the other, when they undressed at night.”“I wonder what else they heard.” His gaze held mine, seemed to burn with a new intensity.“I suppose anything that was loud enough.

Nancy thanked him, then went to her convertible. She drove carefully through the city traffic and finally reached Hilo Street. Mrs. Stewart’s apartment house was Number 76. Nancy scanned the buildings and found that this one was the largest on the street. It was ultramodern in design and about twenty stories high. After parking her car, she smoothed her hair and got out. A red-coated doorman nodded pleasantly to the young detective as she entered the building a minute later. Nancy checked the directory and saw that Mrs. Stewart was in Apartment Three on the fourth floor. She rang the elevator button. Almost instantly, aluminum doors slid open noiselessly, and Nancy stepped inside the carpeted elevator. It was self-operated, and Nancy pushed the fourth-floor control.

Things I Used to Get Hit For: Talking back. Being smart. Acting stupid. Not listening. Not answering the first time. Not doing what I’m told. Not doing it the second time I’m told. Running, jumping, yelling, laughing, falling down, skipping stairs, lying in the snow, rolling in the grass, playing in the dirt, walking in mud, not wiping my feet, not taking my shoes off. Sliding down the banister, acting like a wild Indian in the hallway. Making a mess and leaving it. Pissing my pants, just a little. Peeing the bed, hardly at all. Sleeping with a butter knife under my pillow. Shitting the bed because I was sick and it just ran out of me, but still my fault because I’m old enough to know better. Saying shit instead of crap or poop or number two. Not knowing better. Knowing something and doing it wrong anyway. Lying. Not confessing the truth even when I don’t know it. Telling white lies, even little ones, because fibbing isn’t fooling and not the least bit funny. Laughing at anything that’s not funny, especially cripples and retards. Covering up my white lies with more lies, black lies. Not coming the exact second I’m called. Getting out of bed too early, sometimes before the birds, and turning on the TV, which is one reason the picture tube died. Wearing out the cheap plastic hole on the channel selector by turning it so fast it sounds like a machine gun. Playing flip-and-catch with the TV’s volume button then losing it down the hole next to the radiator pipe. Vomiting. Gagging like I’m going to vomit. Saying puke instead of vomit. Throwing up anyplace but in the toilet or in a designated throw-up bucket. Using scissors on my hair. Cutting Kelly’s doll’s hair really short. Pinching Kelly. Punching Kelly even though she kicked me first. Tickling her too hard. Taking food without asking. Eating sugar from the sugar bowl. Not sharing. Not remembering to say please and thank you. Mumbling like an idiot. Using the emergency flashlight to read a comic book in bed because batteries don’t grow on trees. Splashing in puddles, even the puddles I don’t see until it’s too late. Giving my mother’s good rhinestone earrings to the teacher for Valentine’s Day. Splashing in the bathtub and getting the floor wet. Using the good towels. Leaving the good towels on the floor, though sometimes they fall all by themselves. Eating crackers in bed. Staining my shirt, tearing the knee in my pants, ruining my good clothes. Not changing into old clothes that don’t fit the minute I get home. Wasting food. Not eating everything on my plate. Hiding lumpy mashed potatoes and butternut squash and rubbery string beans or any food I don’t like under the vinyl seat cushions Mom bought for the wooden kitchen chairs. Leaving the butter dish out in summer and ruining the tablecloth. Making bubbles in my milk. Using a straw like a pee shooter. Throwing tooth picks at my sister. Wasting toothpicks and glue making junky little things that no one wants. School papers. Notes from the teacher. Report cards. Whispering in church. Sleeping in church. Notes from the assistant principal. Being late for anything. Walking out of Woolworth’s eating a candy bar I didn’t pay for. Riding my bike in the street. Leaving my bike out in the rain. Getting my bike stolen while visiting Grandpa Rudy at the hospital because I didn’t put a lock on it. Not washing my feet. Spitting. Getting a nosebleed in church. Embarrassing my mother in any way, anywhere, anytime, especially in public. Being a jerk. Acting shy. Being impolite. Forgetting what good manners are for. Being alive in all the wrong places with all the wrong people at all the wrong times.

Billy's native arrogance might well have been a gift of miffed genes, then come to splendid definition through the tests to which a street like Broadway puts a young man on the make: tests designed to refine a breed, enforce a code, exclude all simps and gumps, and deliver into the city's life a man worthy of functioning in this age of nocturnal supremacy. Men like Billy Phelan, forged in the brass of Broadway, send, in the time of their splendor, telegraphic statements of mission: I, you bums, am a winner. And that message, however devoid of Christ-like other-cheekery, dooms the faint-hearted Scottys of the night, who must sludge along, never knowing how it feels to spill over with the small change of sassiness, how it feels to leave the spillover on the floor, more where that came from, pal. Leave it for the sweeper.

Yes,” he says, he swallows, “I did. I do. I do want to be your friend.” He nods and I register the slight movement in the air between us. “I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend,” he says. “The one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, every shiver of your body, Juliette—” “No,” I gasp. “Don’t—don’t s-say that—” I don’t know what I’ll do if he keeps talking I don’t know what I’ll do and I don’t trust myself “I want to know where to touch you,” he says. “I want to know how to touch you. I want to know how to convince you to design a smile just for me.” I feel his chest rising, falling, up and down and up and down and “Yes,” he says. “I do want to be your friend.” He says “I want to be your best friend in the entire world.” I can’t think. I can’t breathe “I want so many things,” he whispers. “I want your mind. Your strength. I want to be worth your time.” His fingers graze the hem of my top and he says “I want this up.” He tugs on the waist of my pants and says “I want these down.” He touches the tips of his fingers to the sides of my body and says, “I want to feel your skin on fire. I want to feel your heart racing next to mine and I want to know it’s racing because of me, because you want me. Because you never,” he says, he breathes, “never want me to stop. I want every second. Every inch of you. I want all of it.” And I drop dead, all over the floor.

Hello?” “Hey.” She sounded pissed. “What the hell happened to you tonight? Jess said the three of us were meeting for Valentine’s Day, but you never showed.” “Sorry,” I said. “Something came up.” “Bianca, you’ve been saying that a lot lately. Something is always coming up or you have plans or…” Suddenly, I felt Wesley’s breath hit the back of my neck. He’d gotten up from the floor and slid up behind me without me realizing it. His arms slid around my waist from behind, his fingers undoing the button of my jeans before I could stop him. “… and Jess had her hopes up that we’d do something fun…” I couldn’t focus on a word Casey was saying as Wesley’s hand slid beneath the waistband of my pants, his fingers moving lower and lower. I couldn’t say a word. I couldn’t tell him to stop or show any reaction at all. If I did, Casey would know I wasn’t alone. But, God, I could feel my whole body turning into a ball of fire. Wesley was laughing against my neck, knowing he was driving me crazy. “… I just don’t understand what’s up with you.” I bit my lip to keep from gasping as Wesley’s fingers slipped to places that made my knees shake. I could feel the smirk on his lips as they moved to my ear. Asshole. He was trying to torture me. I couldn’t handle it much longer. “Bianca, are you there?” Wesley bit my earlobe and pushed my jeans even lower with his free hand as the other continued to make me shiver.

If you could design a new structure for Camp Half-Blood what would it be? Annabeth: I’m glad you asked. We seriously need a temple. Here we are, children of the Greek gods, and we don’t even have a monument to our parents. I’d put it on the hill just south of Half-Blood Hill, and I’d design it so that every morning the rising sun would shine through its windows and make a different god’s emblem on the floor: like one day an eagle, the next an owl. It would have statues for all the gods, of course, and golden braziers for burnt offerings. I’d design it with perfect acoustics, like Carnegie Hall, so we could have lyre and reed pipe concerts there. I could go on and on, but you probably get the idea. Chiron says we’d have to sell four million truckloads of strawberries to pay for a project like that, but I think it would be worth it. Aside from your mom, who do you think is the wisest god or goddess on the Olympian Council? Annabeth: Wow, let me think . . . um. The thing is, the Olympians aren’t exactly known for wisdom, and I mean that with the greatest possible respect. Zeus is wise in his own way. I mean he’s kept the family together for four thousand years, and that’s not easy. Hermes is clever. He even fooled Apollo once by stealing his cattle, and Apollo is no slouch. I’ve always admired Artemis, too. She doesn’t compromise her beliefs. She just does her own thing and doesn’t spend a lot of time arguing with the other gods on the council. She spends more time in the mortal world than most gods, too, so she understands what’s going on. She doesn’t understand guys, though. I guess nobody’s perfect. Of all your Camp Half-Blood friends, who would you most like to have with you in battle? Annabeth: Oh, Percy. No contest. I mean, sure he can be annoying, but he’s dependable. He’s brave and he’s a good fighter. Normally, as long as I’m telling him what to do, he wins in a fight. You’ve been known to call Percy “Seaweed Brain” from time to time. What’s his most annoying quality? Annabeth: Well, I don’t call him that because he’s so bright, do I? I mean he’s not dumb. He’s actually pretty intelligent, but he acts so dumb sometimes. I wonder if he does it just to annoy me. The guy has a lot going for him. He’s courageous. He’s got a sense of humor. He’s good-looking, but don’t you dare tell him I said that. Where was I? Oh yeah, so he’s got a lot going for him, but he’s so . . . obtuse. That’s the word. I mean he doesn’t see really obvious stuff, like the way people feel, even when you’re giving him hints, and being totally blatant. What? No, I’m not talking about anyone or anything in particular! I’m just making a general statement. Why does everyone always think . . . agh! Forget it. Interview with GROVER UNDERWOOD, Satyr What’s your favorite song to play on the reed pipes?

We know of ESB's potential for mind control largely through the work of Jose Delgado. One signal provoked a cat to lick its fur, then continue compulsively licking the floor and bars of its cage. A signal designed to stimulate a portion of a monkey's thalamus, a major midbrain center for integrating muscle movements, triggered a complex action: The monkey walked to one side of the cage, then the other, then climbed to the rear ceiling, then back down. The animal performed this same activity as many times as it was stimulated with the signal, up to sixty times an hour, but not blindly— the creature still was able to avoid obstacles and threats from the dominant male while carrying out the electrical imperative. Another type of signal has made monkeys turn their heads, or smile, no matter what else they were doing, up to twenty thousand times in two weeks. As Delgado concluded, "The animals looked like electronic toys." 
Even instincts and emotions can be changed: In one test a mother giving continuous care to her baby suddenly pushed the infant away whenever the signal was given. Approach-avoidance conditioning can be achieved for any action simply by stimulating the pleasure and pain centers in an animal's or person's limbic system. 
Eventual monitoring of evoked potentials from the EEG, combined with radio-frequency and microwave broadcasts designed to produce specific thoughts or moods, such as compliance and complacency, promises a method of mind control that poses immense danger to all societies —tyranny without terror.

The offices are decorated with neon-Louis XVI furniture and are dominated by grey, Mr. Dior’s favourite colour when he opened the famous house on avenue Montaigne back in 1947. The design is even more stunning than I remembered: both chic and understated, with lots of open space –the apex of luxury. The silk curtains dressing the window fall to the floor like ball gowns, delicate silver vases holding pink roses have been artfully placed throughout the room, and grey and white settees and oval-backed chairs provided artful seating areas.

Within, the offices were newly plastered, newly painted, newly papered, newly countered, newly floor-clothed, newly tabled, newly chaired, newly fitted up in every way, with goods that were substantial and expensive, and designed (like the company) to last. Business! Look

Gene Berdichevsky, one of the members of the solar-powered-car team, lit up the second he heard from Straubel. An undergraduate, Berdichevsky volunteered to quit school, work for free, and sweep the floors at Tesla if that’s what it took to get a job. The founders were impressed with his spirit and hired Berdichevsky after one meeting. This left Berdichevsky in the uncomfortable position of calling his Russian immigrant parents, a pair of nuclear submarine engineers, to tell them that he was giving up on Stanford to join an electric car start-up. As employee No. 7, he spent part of the workday in the Menlo Park office and the rest in Straubel’s living room designing three-dimensional models of the car’s powertrain on a computer and building battery pack prototypes in the garage. “Only now do I realize how insane it was,” Berdichevsky said.

remain today, among them the Rookery, its top-floor library much as it was during that magical meeting in February 1891, and the Reliance Building, beautifully transformed into the Hotel Burnham. Its restaurant is called the Atwood, after Charles Atwood, who replaced Root as Burnham’s chief designer.

They have parallel-parked their bimbo boxes in identical computer-designed Burbclave street patterns and secreted themselves in symmetrical sheetrock shitholes with vinyl floors and ill-fitting woodwork and no sidewalks, vast house farms out in the loglo wilderness, a culture medium for a medium culture.

But the use of the other books seemed free; and day after day I came to the library, threw myself on one of the many sumptuous eastern carpets, which lay here and there on the floor, and read, and read, until weary; if that can be designated as weariness, which was rather the faintness of rapturous delight

They lined the floor of the cabins with the four- and five-millimeter-thick sheets and filled the wells of their seats—designed to accommodate parachute packs—from the bags of shot. They even had a rhyme about it: Yesli hochesh byt’ otsom, zakrivay yaitso svintsom. “If you want to be a dad, cover your balls in lead.

Time and time again I am astounded by the regularity and repetition of form in this valley and elsewhere in wild nature: basic patterns, sculpted by time and the land, appearing everywhere I look. The twisted branches in the forest that look so much like the forked antlers of the deer and elk. The way the glacier-polished hillside boulders look like the muscular, rounded bodies of the animals- deer, bear- that pass among these boulders like loving ghosts. The way the swirling deer hair is the exact shape and size of the larch and pine needles the deer hair lies upon one it is torn loose and comes to rest on the forest floor. As if everything up here is leaning in the same direction, shaped by the same hands, or the same mind; not always agreeing or in harmony, but attentive always to the same rules of logic and in the playing-out, again and again, of the infinite variations of specificity arising from that one shaping system of logic an incredible sense of community develops… Felt at night when you stand beneath the stars and see the shapes and designs of bears and hunters in the sky; felt deep in the cathedral of an old forest, when you stare up at the tops of the swaying giants; felt when you take off your boots and socks and wade across the river, sensing each polished, mossy stone with your bare feet. Felt when you stand at the edge of the marsh and listen to the choral uproar of the frogs, and surrender to their shouting, and allow yourself, too, like those pine needles and that deer hair, like those branches and those antlers, to be remade, refashioned into the shape and the pattern and the rhythm of the land. Surrounded, and then embraced, by a logic so much more powerful and overarching than anything that a man or woman could create or even imagine that all you can do is marvel and laugh at it, and feel compelled to give, in one form or another, thanks and celebration for it, without even really knowing why…

The best I can suggest is that when the Absolute manifested itself in the world evil was the natural correlation of good. You could never have had the stupendous beauty of the Himalayas without the unimaginable horror of a convulsion of the earth’s crust. The Chinese craftsman who makes a vase in what they call eggshell porcelain can give it a lovely shape, ornament it with a beautiful design, stain it a ravishing color, and give it a perfect glaze, but from its very nature he can’t make it anything but fragile. If you drop it on the floor it will break into a dozen fragments. Isn’t it possible in the same way that the values we cherish in the world can only exist in combination with evil?

When Dad wasn’t telling us about all the amazing things he had already done, he was telling us about the wondrous things he was going to do. Like build the Glass Castle. All of Dad’s engineering skills and mathematical genius were coming together in one special project: a great big house he was going to build for us in the desert. It would have a glass ceiling and thick glass walls and even a glass staircase. The Glass Castle would have solar cells on the top that would catch the sun’s rays and convert them into electricity for heating and cooling and running all the appliances. It would even have its own water-purification system. Dad had worked out the architecture and the floor plans and most of the mathematical calculations. He carried around the blueprints for the Glass Castle wherever we went, and sometimes he’d pull them out and let us work on the design for our rooms. All we had to do was find gold, Dad said, and we were on the verge of that. Once he finished the Prospector and we struck it rich, he’d start work on our Glass Castle.

It may be that there is no solution or it may be that I'm not clever enough to find it. Ramakrishna looked upon the world as the sport of God. "It is like a game," he said. "In this game there are joy and sorrow, virtue and vice, knowledge and ignorance, good and evil., The game cannot continue if sin and suffering are altogether eliminated from the creation." I would reject that with all my strength. The best I can suggest is that when the Absolute manifested itself in the world evil was the natural correlation of good. You could never have had the stupendous beauty of the Himalayas without the unimaginable horror of a convulsion of the earth's crust. The Chinese craftsman who makes a vase in what they call eggshell porcelain can give it a lovely shape, ornament it with a beautiful design, stain it a ravishing colour, and give it a perfect glaze, but from its very nature he can't make it anything but fragile. If you drop it on the floor it will break into a dozen fragments. Isn't it possible in the same way that the values we cherish in the world can only exist in combination with evil?

All elves were jaw-droppingly gorgeous, but there was something particularly handsome about Keefe Sencen—and the boy was well aware of it. Though he seemed a little off his game at the moment. His smug smirk was noticeably absent as he scrounged around his blankets, searching for something. “Here,” Ro said, tossing Keefe a wrinkled black tunic from the floor. “Bet you’re wishing it didn’t smell so much like sweaty boy in here, huh?” “It’s fine,” Sophie promised, even if the room could definitely use some airing out. A good cleaning would work wonders too. Everywhere she looked were piles of crumpled clothes and scattered shoes and stacks of papers and plates of half-eaten food. And all the thick curtains were drawn tight, leaving the space dim and stuffy. The room was clearly designed to be beautiful, with marble floors broken up by rugs woven to look like pristine sand, and seafoam walls inlaid with starfish and anemone shells. But under Keefe’s care, it was a disaster zone. Even the furniture had a strange randomness to the arrangement that made Sophie wonder if he’d moved it all just to bug his dad.

Boler developed her first product – Elvie, a smart pelvic-floor trainer – after realising that poor pelvic-floor health in women was ‘a massively hidden epidemic’: 37% of women suffer from pelvic-floor issues; 10% of women will need to have an operation at some point because of prolapse (where your organs start dropping through your vagina). This rises to 50% of women over fifty.

So he'd waited. Counted the minutes. It had been worth it. Seeing her claw her way onto the landing, panting, hair curling with the sweat sliding down her face- completely worth his generally shit day. Nesta was still sprawled on the hall floor when she hissed, 'Whoever designed those stairs was a monster.' 'Would you believe that Rhys, Az, and I had to climb up and down them as punishment when we were boys?' Her eyes shimmered with temper- good. Better than the vacant ice. 'Why?' 'Because we were young and stupid and testing boundaries with a High Lord who didn't understand practical jokes regarding public nudity.' He nodded toward the stairs. 'I got so dizzy on the hike down that I puked on Az. he then puked on Rhys, and Rhys puked all over himself. It was the height of summer, and by the time we made the trek back up, the heat was unbearable, we all reeked, and the scent of the vomit on the stairs had become horrific. We all puked again as we walked through it.' He could have sworn the corners of her mouth were trying to twitch upward. He didn't hold back his own grin at the memory. Even if they'd still had to hike back down and mop it all up.

When I did finally come to, I reported to Patrick that Valentino (not the dress designer but the silent movie star) had auditioned Patrick and me. At the climactic moment we had to twirl pantless, go into splits, and leave on the floor an inked impression of our anuses. Valentino had liked my impression more than Patrick’s and called me back for a second audition, which didn’t go so well.

We became the most successful advanced projects company in the world by hiring talented people, paying them top dollar, and motivating them into believing that they could produce a Mach 3 airplane like the Blackbird a generation or two ahead of anybody else. Our design engineers had the keen experience to conceive the whole airplane in their mind’s-eye, doing the trade-offs in their heads between aerodynamic needs and weapons requirements. We created a practical and open work environment for engineers and shop workers, forcing the guys behind the drawing boards onto the shop floor to see how their ideas were being translated into actual parts and to make any necessary changes on the spot. We made every shop worker who designed or handled a part responsible for quality control. Any worker—not just a supervisor or a manager—could send back a part that didn’t meet his or her standards. That way we reduced rework and scrap waste. We encouraged our people to work imaginatively, to improvise and try unconventional approaches to problem solving, and then got out of their way. By applying the most commonsense methods to develop new technologies, we saved tremendous amounts of time and money, while operating in an atmosphere of trust and cooperation both with our government customers and between our white-collar and blue-collar employees. In the end, Lockheed’s Skunk Works demonstrated the awesome capabilities of American inventiveness when free to operate under near ideal working conditions. That may be our most enduring legacy as well as our source of lasting pride.

Oh God,” I muttered as Toby and I made a frantic effort to untangle ourselves. He scrambled off my bed and grabbed his shirt off the floor, his face glowing scarlet. I reached down and picked up my T-shirt. “Wesley, how did you get in here?” I demanded. “The door was unlocked,” he said. “You didn’t answer when I knocked… Now I can see why.” His dark gray eyes were big with what I could only guess was shock, dissolving quickly into disgust, and they stared directly at Toby. “But what are you doing here?” I asked, feeling a sudden surge of anger rush through my veins. I yanked my T-shirt over my head and stood up. “You weren’t answering your phone,” Wesley muttered. “I was worried, but it looks like you’re just fine.” He glared at Toby for a moment before looking back at me. “My mistake.

With biting solemnity he spoke. “What are you holding on to as Mara? Why are you holding on to what does not exist and was once known? Why not let her be dusts to the winds of Teracia, insignificant in the eyes of what Atheists believe?” Teracia was home to the American Spiritualist headquarters and a very large expanse of forestry. Roma, to keep Mara’s last wishes had visited Teracia, against his Atheist believes, to spread her ashes so her soul may roam free. What soared through Roma was more sadness than anger in the moment. But the anger was enough to push him head first into Retina. “How dare you? You stupid son of a bitch…Ahh!” The force that took Roma forward took them over the compliant material that was the railing and they became subject to gravity. The impact resisting, antigravity flooring broke the majority of their fall. And as Roma traveled the approximately fifteen inches resistance flight back in the air, “I’ll kill you,” he told Retina. While Retina was silently thanking Dr. Hunter, a QueXtgen scientist who had just saved their lives without knowing it, for the scientific design of the house, “I’ll kill you…” Roma said as his body touched the floor, before losing consciousness.

Reacher was led through the door on the left and onward to an interview room. Which had no windows. Just four blank walls, and a table bolted to the floor, with two chairs on one side and one on the other. The room had not been designed by the dining room guy. That was clear. There was no blond wood or carpet. Just scuffed white paint on cinder block, and a cracked concrete floor, and a fluorescent bulb in a wire cage on the ceiling.

We burned the bras we burned the hair we burned the credit cards and cash we burned the rings around the fingers we broke the fingers and the nails we burned the burning in their loins we burned them and we burned them. The lessons pilled up on the floor like the dream of a wall around our people that could not be felt. The colors of their lipsticks and foldings and our dry hump was overwriting the previous year’s best clothing designers’ dreamlives, thereby overriding yours.

Grace cut across an Oriental rug done in a plum, navy, and cream geometric pattern. The colors in the carpet pulled the richness of the furniture together. She noticed that Cade walked the perimeter of the room, sticking to the hardwood floor. Off to the right, a glassed-in sunroom caught the first rays of sunshine from the overcast day. The forest-green wicker furniture, abundant greenery, and a small bookcase with monthly magazines and mystery novels offered peace and solitude.

Frasier stepped in and reached for a wall switch. A crystal light fixture popped on, raining down variegated light. The building revealed itself to be like a geode---rocky on the outside but sparkling with unexpected decadence inside. It was small, just one room. The furniture was covered with white sheets, but everything else she could see was lovely---the golden parquet floor, the whitewashed rafters, and the long kitchen counter on the far wall, which sported kitschy, pale pink appliances.

The house is designed in the way of old Florida houses to be as dark as possible. The blinds are down and brown linoleum puffs up under my bare feet. By the door, there is a pile of shoes, and the floor beneath is covered in gray grit, relics from beach days. The furniture is mostly dark wood, chipped, missing knobs or panels, and full of plastic cups, dishes, newspapers, wires, grocery bags. Socks, notebooks, flashcards, receipts, coins are littered along the hallway. I notice a few curled shells of dead roaches in the carpet borders.

He saw a chamber, broad and low, designed, in its every rich stain of picture and slumberous hanging, to appeal to the sensuous. And here the scent was thick and motionless. Costly marqueterie; Palissy candlesticks reflected in half-concealed mirrors framed in embossed silver; antique Nankin vases brimming with pot-pourri; in one comer a suit of Milanese armour, fluted, damasquinee, by Felippo Negroli; in another a tripod table of porphyry, spectrally repeating in its polished surface the opal hues of a vessel of old Venetian glass half filled with some topaz-coloured liqueur - such and many more tokens of a luxurious aestheticism wrought in the observer an immediate sense of pleasurable enervation. He noticed, with a swaying thrill of delight, that his feet were on a padded rug of Astrakhan - one of many, disposed eccentrically about the yellow tassellated-marble floor; and he noticed that the sole light in the chamber came from an iridescent globed lamp, fed with some fragrant oil, that hung near an alcove traversed by a veil of dark violet silk. ("The Accursed Cordonnier")

In olden times, you'd wander down to Mom's Cafe for a bite to eat and a cup of joe, and you would feel right at home. It worked just fine if you never left your home-own. But if you went to the next town over, everyone would look up and stare at you when you came in the door, and the Blue Plate Special would be something you didn't recognize. If you did enough traveling, you'd never feel at home anywhere. But when a businessman from New Jersey goes to Dubuque, he knows he can walk into a McDonald's and no one will stare at him. He can order without having to look at the menu, and the food will always taste the same. McDonald's is Home, condensed into a three-ring binder and xeroxed. “No surprises” is the motto of the franchise ghetto, its Good Housekeeping seal, subliminally blazoned on every sign and logo that make up the curves and grids of light that outline the Basin. The people of America, who live in the world's most surprising and terrible country, take comfort in that motto. Follow the loglo outward, to where the growth is enfolded into the valleys and the canyons, and you find the land of the refugees. They have fled from the true America, the America of atomic bombs, scalpings, hip-hop, chaos theory, cement overshoes, snake handlers, spree killers, space walks, buffalo jumps, drive-bys, cruise missiles; Sherman's March, gridlock, motorcycle gangs, and bungee jumping. They have parallel-parked their bimbo boxes in identical computer-designed Burbclave street patterns and secreted themselves in symmetrical sheetrock shitholes with vinyl floors and ill-fitting woodwork and no sidewalks, vast house farms out in the loglo wilderness, a culture medium for a medium culture.

At the same time that middle- and upper-middle-class mothers were urged to pipe Mozart into their wombs when they're pregnant so their kids would come out perfectly tuned, the government told poor mothers to get the hell out of the house and get to work--no more children's aid for them. Mothers like us--with health care, laptops, and Cuisinarts--are supposed to replicate the immaculate bedrooms we see in Pottery Barn Kids catalogs, with their designer sheets and quilts, one toy and one stuffed animal atop a gleaming white dresser, and a white rug on the floor that has never been exposed to the shavings from hamster cages, Magic Markers accidentally dropped with their caps off, or Welche's grape juice.... we've been encouraged to turn our backs on other mothers who pick their kids' clothes out of other people's trash and sometimes can't buy a can of beans to feed them. How has it come to seem perfectly reasonable--even justified-- that one class of mother is suppoed to sew her baby's diapers out of Egyptian cotton from that portion of the Nile blessed by the god Osiris while another class of mother can't afford a single baby aspirin?

THIS IS WHAT they want. The words tumbled through Sophie’s mind as she raced up the spiral staircase, counting her steps, trying to guess which door to take. The first handle she tried was locked. Another opened into darkness. A third revealed a path that glowed with eerie blue balefire sconces. The floor shook as she hesitated and threads of dust slipped through the ceiling, scratching her throat and making it hurt to breathe. She followed the flames. Back and forth the halls snaked—a careful maze, designed to deceive. Swallow. Separate. The tremors grew with every step, the shifting subtle but unmistakable. And too far away. No one else would feel the ripples swelling, like waves gathering speed. They were too focused on their celebration. Too caught up in their imagined victory. Too trusting. Too blind. Too late. The ground rattled harder, the first fissures crackling the stones. This is what they want. ONE THIS IS A security nightmare!” Sandor grumbled, keeping his huge gray hand poised over his enormous black sword. His squeaky voice reminded Sophie more of a talking mouse than a deadly bodyguard. Several prodigies raced past, and Sandor pulled Sophie closer as the giggling group jumped to pop the candy-filled bubbles floating near the shimmering crystal trees. All around them, kids were running through the confetti-covered atrium in their amber-gold Level Three uniforms, capes flying as they caught snacks and bottles of lushberry juice and stuffed tinsel-wrapped gifts into the long white thinking caps dangling from everyone’s lockers. The Midterms Celebration was a Foxfire Academy tradition—hardly the impending doom Sandor was imagining. And yet, Sophie understood his concern. Every parent roaming the streamer-lined halls. Every face she didn’t recognize. Any of them could be a rebel.

Maloney looked around my room and nodded like he approved of the extravagance surrounding him: the inch-thick carpet with its diamond designs, the half moon flock of the wallpaper, and the antique furniture, polished to a museum quality shine. The two goons he brought with him flanked the door, equally impressed, I could tell by their dropped jaws and roving, wanton eyes. One of them set a briefcase on the floor beside him. Finally Maloney’s eyes found me, and his expression turned from amazement to shock. “I didn’t expect you to be--” “A Vampire?” I asked, feeling the touch of a smile form on my lips.

Graphic designer, Ava Dennis, gave a dead-eyed stare to her computer screen and contemplated chucking it out the window of her second-floor apartment. Twenty-seven was the number of rounds of edits she’d done for a personalized Valentine’s Day card. Four was the number of times her client, Kathy, had typed the phrase we want this card to resemble our love in emails to Ava. Zero was the number of Valentine’s Day dates Ava had been on, which was probably the reason for her questionable attitude around this time of year. You see, Ava Dennis was a victim of the Valentine’s Day Curse. Three times, she’d had a serious boyfriend

Berkman called no witnesses of his own. Instead, with the aid of an ill-trained interpreter, he began to read his long speech. “Some may wonder why I have declined a legal defense,” Berkman said. “My reasons are twofold. In the first place, I am an anarchist: I do not believe in man-made laws, designed to enslave and oppress humanity. Secondly, an extraordinary phenomenon like an attentat cannot be measured by the narrow standards of legality.” In short, Berkman said, he would explain the deed, and by doing so, society itself would be put on trial. An hour into his presentation, much of which was heard only in mangled English, Judge McClung’s patience came to an end. He ordered Berkman to finish by the rapidly approaching hour of one o’clock. “I can have all the time I want for my defense and will take all the time I need,” Berkman replied. “No, you haven’t,” said the judge. “We’ll teach you different if you think you can dictate to us.” Berkman and his interpreter sputtered on. At 1:10 the judge stopped Berkman and gave the prosecutor the floor. Holding the dagger in his hands, he urged the jury to convict Berkman. The jury didn’t even stir from the box. It immediately pronounced Berkman guilty on all counts. McClung sentenced him to 22 years of confinement.

When a domain reaches a point where the knowledge for skillful professional practice cannot be acquired in a decade, more or less, then several adaptive developments are likely to occur. Specialization will usually increase (as it has, for example, in medicine), and practitioners will make increasing use of books and other external reference aids in their work. Architecture is a good example of a domain where much of the information a professional requires is stored in reference works, such as catalogues of available building materials, equipment, and components, and official building codes. No architect expects to keep all of this in his head or to design without frequent resort to these information sources. In fact architecture can almost be taken as a prototype for the process of design in a semantically rich task domain. The emerging design is itself incorporated in a set of external memory structures: sketches, floor plans, drawings of utility systems, and so on. At each stage in the design process, partial design reflected in these documents serves as a major stimulus suggesting to the designer what he should attend to next. This direction to new sub-goals permits in turn new information to be extracted from memory and reference sources and another step to be taken toward the development of the design.

Part of what kept him standing in the restive group of men awaiting authorization to enter the airport was a kind of paralysis that resulted from Sylvanshine’s reflecting on the logistics of getting to the Peoria 047 REC—the issue of whether the REC sent a van for transfers or whether Sylvanshine would have to take a cab from the little airport had not been conclusively resolved—and then how to arrive and check in and where to store his three bags while he checked in and filled out his arrival and Post-code payroll and withholding forms and orientational materials then somehow get directions and proceed to the apartment that Systems had rented for him at government rates and get there in time to find someplace to eat that was either in walking distance or would require getting another cab—except the telephone in the alleged apartment wasn’t connected yet and he considered the prospects of being able to hail a cab from outside an apartment complex were at best iffy, and if he told the original cab he’d taken to the apartment to wait for him, there would be difficulties because how exactly would he reassure the cabbie that he really was coming right back out after dropping his bags and doing a quick spot check of the apartment’s condition and suitability instead of it being a ruse designed to defraud the driver of his fare, Sylvanshine ducking out the back of the Angler’s Cove apartment complex or even conceivably barricading himself in the apartment and not responding to the driver’s knock, or his ring if the apartment had a doorbell, which his and Reynolds’s current apartment in Martinsburg most assuredly did not, or the driver’s queries/threats through the apartment door, a scam that resided in Claude Sylvanshine’s awareness only because a number of independent Philadelphia commercial carriage operators had proposed heavy Schedule C losses under the proviso ‘Losses Through Theft of Service’ and detailed this type of scam as prevalent on the poorly typed or sometimes even handwritten attachments required to explain unusual or specific C-deductions like this, whereas were Sylvanshine to pay the fare and the tip and perhaps even a certain amount in advance on account so as to help assure the driver of his honorable intentions re the second leg of the sojourn there was no tangible guarantee that the average taxi driver—a cynical and ethically marginal species, hustlers, as even their smudged returns’ very low tip-income-vs.-number-of-fares-in-an-average-shift ratios in Philly had indicated—wouldn’t simply speed away with Sylvanshine’s money, creating enormous hassles in terms of filling out the internal forms for getting a percentage of his travel per diem reimbursed and also leaving Sylvanshine alone, famished (he was unable to eat before travel), phoneless, devoid of Reynolds’s counsel and logistical savvy in the sterile new unfurnished apartment, his stomach roiling in on itself in such a way that it would be all Sylvanshine could do to unpack in any kind of half-organized fashion and get to sleep on the nylon travel pallet on the unfinished floor in the possible presence of exotic Midwest bugs, to say nothing of putting in the hour of CPA exam review he’d promised himself this morning when he’d overslept slightly and then encountered last-minute packing problems that had canceled out the firmly scheduled hour of morning CPA review before one of the unmarked Systems vans arrived to take him and his bags out through Harpers Ferry and Ball’s Bluff to the airport, to say even less about any kind of systematic organization and mastery of the voluminous Post, Duty, Personnel, and Systems Protocols materials he should be receiving promptly after check-in and forms processing at the Post, which any reasonable Personnel Director would expect a new examiner to have thoroughly internalized before reporting for the first actual day interacting with REC examiners, and which there was no way in any real world that Sylvanshine could expect

Interior Design and Decoration Kaspar von Morgenlatte did an admirable job with your apartment, but the look is somewhat outdated and more than a little disturbing. (If I recall, the design concept was commissioned by your husband in the early 2000s to evoke the Miami Beach bachelor pad of a Bolivian drug cartel kingpin. This was done extremely successfully. I particularly admired the “chalk body outline” mother-of-pearl inlay on the ebony wood floor and the trompe l’oeil “bullet marks” on your master bedroom headboard, but I think that it would be inadvisable to host a children’s birthday party here, especially while those Lisa Yuskavage paintings are still hanging.)

The sixty-story John Hancock Tower was built in Boston in the 1970s, and it was discovered to have an unexpected torsional instability. The interplay of the wind between the surrounding buildings and the tower itself was causing it to twist. Despite being designed in line with current building codes, torsional instability found a way to twist the building, and people on the top floors started feeling seasick. Once again, it was tuned mass dampers to the rescue! Lumps of lead weighing 330 tons were put in vats of oil on opposite ends of the fifty-eighth floor. Attached to the building by springs, the lead weights damp any twisting motion and keep the movement below noticeable levels.

The Big House Brought to you by Pete the Palikos This four-storey sky-blue Victorian is a bona fide gem. The vast veranda offers ample space for pinochle players and convalescents alike. The basement is currently set up for strawberry-jam storage, but can also be used to hide the occasional demigod driven insane by the Labyrinth. The ground-floor living quarters, camp infirmary and combination rec room / meeting room are wheelchair accessible, as is a specially designed bronze-lined office. The rooms of the top floors stand ready to welcome overnight guests, while the attic, now free of its resident desiccated mummy, provides the perfect catch-all for camper discards and memorabilia.

pack under the floor of the car. They engineered it so that the pack became an element of the car’s structure. It was an example of Musk’s policy that the designers sketching the shape of the car should work hand in glove with the engineers who were determining how the car would be built. “At other places I worked,” von Holzhausen says, “there was this throw-it-over-the-fence mentality, where a designer would have an idea and then send it to an engineer, who sat in a different building or in a different country.” Musk put the engineers and designers in the same room. “The vision was that we would create designers who thought like engineers and engineers who thought like designers,” von Holzhausen says.

Central Park It’s hard to describe how that day in the park was altered when I stopped to read an official sign I came across near the great carousel, my lips moving silently like the lips of Saint Ambrose. As the carousel turned in the background, all pinions and mirrors and the heads of horses rising to the steam-blown notes of a calliope, I was learning how the huge thing was first designed to be powered by a blind mule, as it turned out, strapped to the oar of a wheel in an earthen room directly below the merry turning of the carousel. The sky did not darken with this news nor did a general silence fall on the strollers or the ball players on the green fields. No one even paused to look my way, though I must have looked terrible as I stood there filling with sympathy not so much for the harnessed beast tediously making its rounds, but instead for the blind mule within me always circling in the dark— the mule who makes me turn when my name is called or causes me to nod with a wooden gaze or sit doing nothing on a bench in the shape of a swan. Somewhere, there must still be a door to that underground room, the lock rusted shut, the iron key misplaced, last year’s leaves piled up against the sill, and inside, a trace of straw on the floor, a whiff of manure, and maybe a forgotten bit or a bridle hanging from a hook in the dark. Poor blind beast, I sang softly as I left the park, poor blind me, poor blind earth turning blindly on its side.

Wow, it was beautiful. The chandeliers were breathtaking, and pearls drizzled down. At first when I saw people walk under them, I wondered if it hurt, but the pearls vanished the moment they encountered the floor or skin. The carpet was a beautiful crimson shade covered with rose petals, and tiny crystals were layered on it, reflecting colors. The dining table looked about twelve feet long with golden swirls and magnificent designs on it, and it had all the food I could imagine, some I didn’t even know. The drinks being served were blood and wine. Each and every chair looked like a throne, but the real throne was . . . it was . . . whoa. All the ladies wore such beautiful gowns, but they were all dull and dark.

The gang of us sat around, and moved our thighs on the horsehair or on the split-bottom and stared down at the unpainted boards of the floor or at the design on the linoleum mat in the middle of the floor as though we were attending a funeral and owed the dead man some money. The linoleum mat was newish, and the colors were still bright—reds and tans and blues slick and varnished-looking—a kind of glib, impertinent, geometrical island floating there in the midst of the cornerless shadows and the acid mummy smell and the slow swell of Time which had fed into this room, day by day since long back, as into a landlocked sea where the fish were dead and the taste was brackish on your tongue. You had the feeling that if the Boss and Mr. Duffy and Sadie Burke and the photographer and the reporters and you and the rest got cuddled up together on that linoleum mat it would lift off the floor by magic and scoop you all up together and make a lazy preliminary circuit of the room and whisk right out the door or out the roof like the floating island of Gulliver or the carpet in the Arabian Nights and carry you off where you and it belonged and leave Old Man Stark sitting there as though nothing had happened, very clean and razor-nicked, with his gray hair plastered down damp, sitting there by the table where the big Bible and the lamp and the plush-bound album were under the blank, devouring gaze of the whiskered face in the big crayon portrait above the mantel shelf.

The National Institute of Design is the only one of its kind in India; it is fabulously equipped, competition to enter is fierce, and standards should be high. But it is an imported idea, an imported institution, and it has been imported whole, just like that. In India, it has been easily divorced from its animating principle, reduced to its equipment, and has ended - admittedly after a controversial period: a new administrator had just been sent in - as a finishing school for the unacademic young, a playpen, with artisans called in to do the heavy work, like those dispirited men I saw upstairs squatting on the floor and working on somebody's chairs: India's eternal division of labour, frustrating the proclaimed social purpose of the Institute.

Not fair,” I muttered. “Your sword was bigger than mine.” “My sword is bigger than everyone’s.” I lobbed my controller at his head, but of course he ducked and made me miss. Damn it. “Perv.” “Oh, come on,” he laughed. “You walked right into that one, Duffy.” I scowled at him for a moment, but I could feel the aggravation slipping away. Finally, I just shook my head… and smiled. “Okay, you’re right. I did leave that one wide open. But you know, boys that talk big never are.” Wesley frowned. “We both know that isn’t true. I’ve proved it to you plenty of times.” He smirked, then leaned against me, letting his lips brush against my ear. “But I can prove it again if you want me to… and you know you want me to.” “I… I don’t think that’s necessary,” I managed. His lips were moving down my neck, sending an electric current up my spine. “Oh,” he growled playfully. “I do.” I laughed as he shoved me to the floor, one of his hands perfectly catching the space above my left hip where I was most ticklish. He’d discovered that spot a couple of weeks ago, and I was furious with myself for letting him use it against me. Now he could make me squirm and laugh uncontrollably whenever he wanted, and I could tell that he totally got off on it. Jerk. His fingers probed the sensitive spot over my hip as his mouth moved from my collarbone to my ear. I was laughing so hard I could barely breathe. Not fair. So not fair. I made a halfhearted attempt to kick him away, but he trapped my leg between his and proceeded to tickle me harder.

What would happen if we decided disabled bodies were worth including? When I say “included,” I don’t mean just the dressing room designated as the “accessible” space or the handful of first-floor apartments across an entire city designated as the “accessible” units. Access is more than the moment one disabled body bumps into one accommodating object. Access is a way of life, a relationship between you and the world around you; it’s a posture, a belief about your role in your community, about the value of your presence. There’s a fundamental difference between the experience of the person who wakes up taking for granted that they will, of course, have access, and the one who wakes up and wonders whether they’ll have access, how they’ll find or fight for their access, what they’ll do when they don’t have access.

Before he could say my name, I closed the space between us. Quickly, my lips moved against his. The mental and emotional emptiness took over instantly, but physically, I was more alert than ever. Wesley’s surprise didn’t last as long as it had before, and his hands were on me in seconds. My fingers tangled in his soft hair, and Wesley’s tongue darted into my mouth and became a new weapon in our war. Once again, my body took complete control of everything. Nothing existed at the corners of my mind; no irritating thoughts harassed me. Even the sounds of Wesley’s stereo, which had been playing some piano rock I didn’t recognize, faded away as my sense of touch heightened. I was fully conscious of Wesley’s hand as it slid up my torso and moved to cup my breast. With an effort, I pushed him away from me. His eyes were wide as he leaned back. “Please don’t slap me again,” he said. “Shut up.” I could have stopped there. I could have stood up and left the room. I could have let that kiss be the end of it. But I didn’t. The mind-numbing sensation I got from kissing him was so euphoric-such a high-that I couldn’t stand to give it up that fast. I might have hated Wesley Rush, but he held the key to my escape, and at that moment I wanted him… I needed him. Without speaking, without hesitating, I pulled my T-shirt over my head and threw it onto Wesley’s bedroom floor. He didn’t have a chance to say anything before I put my hands on his shoulders and shoved him onto his back. A second later, I was straddling him and we were kissing again. His fingers undid the clasp on my bra, and it joined my shirt on the floor. I didn’t care. I didn’t feel self-conscious or shy. I mean, he already knew I was the Duff, and it wasn’t like I had to impress him. I unbuttoned his shirt as he pulled the alligator clip from my hair and let the auburn waves fall around us. Casey had been right. Wesley had a great body. The skin pulled tight over his sculpted chest, and my hands drifted down his muscular arms with amazement. His lips moved to my neck, giving me a moment to breathe. I could only smell his cologne this close to him. As his mouth traveled down my shoulder, a thought pushed through the exhilaration. I wondered why he hadn’t shoved me-Duffy-away in disgust. Then again, I realized, Wesley wasn’t known for rejecting girls. And I was the one who should have been disgusted. But his mouth pressed into mine again, and that tiny, fleeting thought died. Acting on instinct, I pulled on Wesley’s lower lip with my teeth, and he moaned quietly. His hands moved over my ribs, sending chills up my spine. Bliss. Pure, unadulterated bliss. Only once, as Wesley flipped me onto my back, did I seriously consider stopping. He looked down at me, and his skilled hand grasped the zipper on my jeans. My dormant brain stirred, and I asked myself if things had gone too far. I thought about pushing him away, ending it right where we were. But why would I stop now? What did I stand to lose? Yet what could I possibly gain? How would I feel about this in an hour… or sooner? Before I could come up with any answers, Wesley had my jeans and underwear off. He pulled a condom from his pocket (okay, now that I’m thinking about it, who keeps condoms in their pockets? Wallet, yes, but pocket? Pretty presumptuous, don’t you think?), and then his pants were on the floor, too. All of a sudden, we were having sex, and my thoughts were muted again.

I DIDN’T START OUT AS A BOOK LOVER,” admits Phillip Lim. “Initially, it was more about pragmatism: seeking knowledge having to do with research on work, on my interiors, building a home, even a word I wanted to understand more. But what I love about books is, once you start, you get to go deeper and deeper and deeper into a subject, and from there you go to another book, and another book, and soon after, you have a wall of books. And then you have two walls of books. And then—” The designer indicates the floor-to-ceiling bookcases that serve as the focal point of his loft apartment. “Books are how I learn,” Lim continues, “but I’m not nostalgic. I hate to look back; books inform you, but then they also become decoration. That may sound horrible to a true book lover, but I feel I honor them by making these objects part of my aesthetic world.” PHILLIP LIM

In their offices in the top floor of the Rookery, Daniel Burnham, forty-three, and his partner, John Root, newly forty, felt the electricity more keenly than most. They had participated in secret conversations, received certain assurances, and gone so far as to make reconnaissance forays to outlying parts of the city. They were Chicago’s leading architects: They had pioneered the erection of tall structures and designed the first building in the country ever to be called a skyscraper; every year, it seemed, some new building of theirs became the tallest in the world. When they moved into the Rookery at La Salle and Adams, a gorgeous light-filled structure of Root’s design, they saw views of the lake and city that no one but construction workers had seen before. They knew, however, that today’s event had the potential to make their success so far seem meager

Bianca?” Startled, I focused on Toby again. “Hmm?” “Are you all right?” he asked. My fingers had been toying with the little B charm around my neck without my realizing it. Immediately I dropped my hand to my side. “I’m fine.” “Casey warned me that you’re probably lying when you say that,” he said. I gritted my teeth and searched the dance floor for my so-called friend. She was being added to my hit list. “And I think she’s right,” Toby sighed. “What?” “Bianca, I can see what’s going on.” He glanced over his shoulder at Wesley before turning back to me with a little nod. “He’s been staring at you since he got here.” “Has he?” “I can see him in the mirrors over there. And you’ve been staring back,” Toby said. “It’s not just tonight either. I’ve seen the way he looks at you during school. In the hallways. He likes you, doesn’t he?” “I… I don’t know. I guess.” Oh God, this was uncomfortable. I just kept spinning my straw between my fingers and watching the little waves that appeared on the surface of my drink. I couldn’t meet Toby’s gaze. “I don’t have to guess,” he said. “It’s pretty obvious. And the way you look at him makes me think you’re in love with him, too.” “No!” I cried, releasing my straw and glaring up at Toby. “No, no, no. I am not in love with him, okay?” Toby gave me a small smile and said, “But you do have feelings for him.” I couldn’t see any sign of pain in his eyes, just a touch of amusement. That made it a lot easier to give him an answer. “Um,… yeah.” “Then go to him.” I rolled my eyes without meaning to. It was just so automatic. “Jesus, Toby,” I said, “that sounds like a line out of a bad movie.” Toby shrugged. “Maybe, but I’m serious, Bianca. If you feel that way about him, you should go over there.

Rosie’s heart swelled with pride. She had poured her heart, her soul, and her life savings into this venture. Rosie had spent hours painstakingly deliberating over every inch of the shop. Her past life as an interior designer meant she knew just how to make the shop into the welcoming time capsule that made her heart soar every time she stepped inside. There was a herringbone floor, finished with a walnut stain, which was complimented by the dark wallpaper adorning the walls, covered with floral blooms in muted pinks, blues, yellows, oranges, and whites. It was dramatic - the perfect backdrop to selling snippets of people’s lives. Velvet pink lampshades with tassels hanging from the ceiling flooded the shop with light. Rosie had displayed the vintage clothes, jewellery, shoes, bags, and accessories in several ways. From shelves made of driftwood, an up-cycled antique sideboard, and brass clothes rails.

But don’t worry, I think we live in the same building. Matthews, right? I’m on the fourth floor. I think we’ll end up seeing a lot of each other.” I felt moved and flattered by how sure she sounded. I wrote her phone number on my hand, while she wrote mine in her daily planner. Already I was the impetuous one in our friendship—the one who cared less about tradition and personal safety, who evaluted every situation from scratch, as if it had arisen for the first time—while Svetlana was the one who subscribed to rules and systems, who wrote things in the designated spaces, and saw herself as the inheritor of centuries of human history and responsibilities. Already we were comparing to see whose way of doing things was better. But it wasn’t a competition so much as an experiment, because neither of us was capable of acting differently, and each viewed the other with an admiration that was inseparable from pity.

At one point in late 2017, he was scheduled to be on a Tesla earnings call with Wall Street analysts. Jon McNeill, who was then Tesla’s president, found him lying on the floor of the conference room with the lights off. McNeill went over and lay down next to him in the corner. “Hey, pal,” McNeill said. “We’ve got an earnings call to do.” “I can’t do it,” Musk said. “You have to,” McNeill replied. It took McNeill a half-hour to get him moving. “He came from a comatose state to a place where we could actually get him in the chair, get other people in the room, get him through his opening statement, and then cover for him,” McNeill recalls. Once it was over, Musk said, “I’ve got to lay down, I’ve got to shut off the lights. I just need some time alone.” McNeill said the same scene played out five or six times, including once when he had to lie on the conference room floor next to Musk to get his approval for a new website design.

I select the right practice gun, the one about the size of a pistol, but bulkier, and offer it to Caleb. Tris’s fingers slide between mine. Everything comes easily this morning, every smile and every laugh, every word and every motion. If we succeed in what we attempt tonight, tomorrow Chicago will be safe, the Bureau will be forever changed, and Tris and I will be able to build a new life for ourselves somewhere. Maybe it will even be a place where I trade my guns and knives for more productive tools, screwdrivers and nails and shovels. This morning I feel like I could be so fortunate. I could. “It doesn’t shoot real bullets,” I say, “but it seems like they designed it so it would be as close as possible to one of the guns you’ll be using. It feels real, anyway.” Caleb holds the gun with just his fingertips, like he’s afraid it will shatter in his hands. I laugh. “First lesson: Don’t be afraid of it. Grab it. You’ve held one before, remember? You got us out of the Amity compound with that shot.” “That was just lucky,” Caleb says, turning the gun over and over to see it from every angle. His tongue pushes into his cheek like he’s solving a problem. “Not the result of skill.” “Lucky is better than unlucky,” I say. “We can work on skill now.” I glance at Tris. She grins at me, then leans in to whisper something to Christina. “Are you here to help or what, Stiff?” I say. I hear myself speaking in the voice I cultivated as an initiation instructor, but this time I use it in jest. “You could use some practice with that right arm, if I recall correctly. You too, Christina.” Tris makes a face at me, then she and Christina cross the room to get their own weapons. “Okay, now face the target and turn the safety off,” I say. There is a target across the room, more sophisticated, than the wooden-board target in the Dauntless training rooms. It has three rings in three different colors, green, yellow, and red, so it’s easier to tell where the bullets it. “Let me see how you would naturally shoot.” He lifts up the gun with one hand, squares off his feet and shoulders to the target like he’s about to lift something heavy, and fires. The gun jerks back and up, firing the bullet near the ceiling. I cover my mouth with my hand to disguise my smile. “There’s no need to giggle,” Caleb says irritably. “Book learning doesn’t teach you everything, does it?” Christina says. “You have to hold it with both hands. It doesn’t look as cool, but neither does attacking the ceiling.” “I wasn’t trying to look cool!” Christina stands, her legs slightly uneven, and lifts both arms. She stares the target for a moment, then fires. The training bullet hits the outer circle of the target and bounces off, rolling on the floor. It leaves a circle of light on the target, marking the impact site. I wish I’d had this technology during initiation training. “Oh, good,” I say. “You hit the air around your target’s body. How useful.” “I’m a little rusty,” Christina admits, grinning.

The deeply flushed midsummer sunlight, the strong, clear alcohol filling a dirty glass, a goat tethered with a rope, the enormous sides of a glitteringly white modern building, the solemn melody of the national orchestra, the slender-necked actress who was performing on the stage, the arc of a rainbow which, after a sudden shower, fell to the earth like an arrow from between the clouds, a sheepdog pressed flat under the wheel of a car, a herd of stubborn goats bobbing their heads with profound indifference, blue cloth fluttering in the wind, designating something sacred, a swarthy woman looking down on the street below from a first-floor window, her exposed chest leaning out over the wooden frame, cat-sized rats threading their way around the legs of market stalls, unlit signs and display windows, a sombrely lit butcher’s fridge, each dark red carcass still buttressed with the animal’s skeleton, Banchi’s printing shop, on the ground floor of a temple on the main street in the city centre, there Banchi makes picture postcards featuring his own translations of Indian sutras.

pack under the floor of the car. They engineered it so that the pack became an element of the car’s structure. It was an example of Musk’s policy that the designers sketching the shape of the car should work hand in glove with the engineers who were determining how the car would be built. “At other places I worked,” von Holzhausen says, “there was this throw-it-over-the-fence mentality, where a designer would have an idea and then send it to an engineer, who sat in a different building or in a different country.” Musk put the engineers and designers in the same room. “The vision was that we would create designers who thought like engineers and engineers who thought like designers,” von Holzhausen says. This followed the principle that Steve Jobs and Jony Ive had instilled at Apple: design is not just about aesthetics; true industrial design must connect the looks of a product to its engineering. “In most people’s vocabularies, design means veneer,” Jobs once explained. “Nothing could be further from the meaning of design. Design is the fundamental soul of a man-made creation that ends up expressing itself in successive outer layers.

to be open and straightforward about their needs for attention in a social setting. It is equally rare for members of a group in American culture to honestly and openly express needs that might be in conflict with that individual’s needs. This value of not just honestly but also openly fully revealing the true feelings and needs present in the group is vital for it’s members to feel emotional safe. It is also vital to keeping the group energy up and for giving the feedback that allows it’s members to know themselves, where they stand in relation to others and for spiritual/psychological growth. Usually group members will simply not object to an individual’s request to take the floor—but then act out in a passive-aggressive manner, by making noise or jokes, or looking at their watches. Sometimes they will take the even more violent and insidious action of going brain-dead while pasting a jack-o’-lantern smile on their faces. Often when someone asks to read something or play a song in a social setting, the response is a polite, lifeless “That would be nice.” In this case, N.I.C.E. means “No Integrity or Congruence Expressed” or “Not Into Communicating Emotion.” So while the sharer is exposing his or her vulnerable creation, others are talking, whispering to each other, or sitting looking like they are waiting for the dental assistant to tell them to come on back. No wonder it’s so scary to ask for people’s attention. In “nice” cultures, you are probably not going to get a straight, open answer. People let themselves be oppressed by someone’s request—and then blame that someone for not being psychic enough to know that “Yes” meant “No.” When were we ever taught to negotiate our needs in relation to a group of people? In a classroom? Never! The teacher is expected to take all the responsibility for controlling who gets heard, about what, and for how long. There is no real opportunity to learn how to nonviolently negotiate for the floor. The only way I was able to pirate away a little of the group’s attention in the school I attended was through adolescent antics like making myself fart to get a few giggles, or asking the teacher questions like, “Why do they call them hemorrhoids and not asteroids?” or “If a number two pencil is so popular, why is it still number two,” or “What is another word for thesaurus?” Some educational psychologists say that western culture schools are designed to socialize children into what is really a caste system disguised as a democracy. And in once sense it is probably good preparation for the lack of true democratic dynamics in our culture’s daily living. I can remember several bosses in my past reminding me “This is not a democracy, this is a job.” I remember many experiences in social groups, church groups, and volunteer organizations in which the person with the loudest voice, most shaming language, or outstanding skills for guilting others, controlled the direction of the group. Other times the pain and chaos of the group discussion becomes so great that people start begging for a tyrant to take charge. Many times people become so frustrated, confused and anxious that they would prefer the order that oppression brings to the struggle that goes on in groups without “democracy skills.” I have much different experiences in groups I work with in Europe and in certain intentional communities such as the Lost Valley Educational Center in Eugene, Oregon, where the majority of people have learned “democracy skills.” I can not remember one job, school, church group, volunteer organization or town meeting in mainstream America where “democracy skills” were taught or practiced.

The distinction between mass and weight is always a little tricky, since they are exactly proportional to each other. Monteith made it easy. Out in space, you can lift a barbell off the floor of the shuttle much more easily than you can on Earth, because its attraction to Earth is diminished at that distance. But you can’t roll it on the floor any faster than you can on Earth, because the mass does not change with distance from Earth. The barbell’s weight is due to a certain attraction to Earth (the nearest significantly large body), but mass is a resistance to acceleration that belongs to the barbell in itself, independently of the barbell’s location, and regardless of the direction in which you attempt to accelerate it. “Weight is attraction; mass is shove resistance”, he would say. (I could rattle off a bunch of those pithy one-liners that have helped me through my subsequent courses in physics.) When a fellow student of mine said he was still confused about the difference, Monteith’s eyes bulged as he strode over to my neighbor’s desk. “Would you rather lift my car or push it if you had to do one or the other?” “Pushing it is easier.” “Then mass isn’t weight, is it? The mass of my car resists your push. The weight resists your lift.

Flattery was a prime department store strategy for cultivating customers, and men got a heavy dose. Males could expect to be treated like busy executives and discriminating men of the world. Men’s sections, floors, and entire stores were designed to resemble opulent clubs, often outfitted with wood-paneled grills that women customers were not permitted to enter. Vandervoort’s and Filene’s went to somewhat unusual lengths in furnishing a men’s lounge and smoking room, oddly working against the prevailing assumption that men had no time to spare. In Halle’s new men’s store of the late 1920s, dark mahogany paneling and carved marble detailing created the ambience of a priestly inner sanctum. Filene’s furnished an indoor putting green in its men’s store of 1928. Wanamaker’s outdid itself in 1932, the unlucky Depression year it opened its luxurious six-story men’s store in the Lincoln-Liberty building, with stocks of British imports and an equestrian shop too. Both Wanamaker’s and Marshall Field sold airplanes. Lord & Taylor reserved its tenth floor in New York City for men, with heman departments for cutlery, the home bar, and barbecue equipment. Gimbels, Macy’s, and Hearn’s stuck to more basic appeals, using their large liquor departments to attract men.

I paused at the top of the spiral staircase, and soaked in the view. In the daylight, the bookstore took on a new life. Motes of dust danced in the sunlight that streamed through the windows. It looked a lot cozier, as the colored glass window ornaments threw rainbows across the bookshelves and pirouetted across the hardwood floors like flecks of dappled sunlight on sand. Bookcases, filled to the brim, reached up to the ceiling, cluttered with so many colors and kinds of books, short and fat, long and wide, that it almost felt like an assault on the senses. The center of the bookstore was open to the second floor, where tall bookshelves towered so high you had to reach them with ladders. Heavy oak beams supported the roof. Planetariums and glass chimes and other ornaments hung from the rafters, catching the morning's golden light and throwing it across the store. The shelves were made from the same deep oak as the ceiling beams and the banisters on the second floor, signs hanging from the eye-level shelves detailing the different sections of the store: MEMOIR, FANTASY, SCI-FI, ROMANCE, SELF-HELP, NATURE, HOW-TO... This place was beautiful. I wondered, briefly, what it would be like to own a place like this. It was magical. A shop that sold the impossible inked onto soft white paper.

The Mother’s Prayer for Its Daughter First, Lord: No tattoos. May neither the Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches. May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty. When the Crystal Meth is offered, May she remember the parents who cut her grapes in half And stick with Beer. Guide her, protect her When crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called “Hell Drop,” “Tower of Torture,” or “The Death Spiral Rock ‘N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age. Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels. What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit. May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers. Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For Childhood is short—a Tiger Flower blooming Magenta for one day— And Adulthood is long and Dry-Humping in Cars will wait. O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed. And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it. And should she choose to be a Mother one day, be my eyes, Lord, That I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back. “My mother did this for me once,” she will realize as she cleans feces off her baby’s neck. “My mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes. Amen

Jane Curtin was probably the most direct of the three about going in and talking to Lorne, calmly and rationally, about the parts or lack of parts she was getting on the show, although she sometimes confronted Lorne in anger. One friend described her as a smooth lake that occasionally roiled but quickly settled back down again. She was a member of a group within the show—assistant costume designer Karen Roston and associate producer Jean Doumanian were others—that one of the men called “the Smart Women.” The Smart Women would sit in the ninth-floor green room or, when she got one, in Curtin’s dressing room, sipping tea or wine and commenting wryly on the weirdness surrounding them. Curtin was so clearly the most responsible, normal cast member that for the first two contract renegotiations the players had with NBC they chose her as the representative for all of them. After discussing objectives with the cast, Curtin sat down with program executive Aaron Cohen (who would already have discussed parameters with Lorne) to present the cast’s proposals and take Cohen’s offers back to the 17th floor. One observer privy to this process believes another reason Jane was designated the cast’s representative was that she was the most suspicious of Lorne’s role in the negotiations and therefore would be likely to get them the best possible deal.

In Amsterdam, I took a room in a small hotel located in the Jordann District and after lunch in a café went for a walk in the western parts of the city. In Flaubert’s Alexandria, the exotic had collected around camels, Arabs peacefully fishing and guttural cries. Modern Amsterdam provided different but analogous examples: buildings with elongated pale-pink bricks stuck together with curiously white mortar, long rows of narrow apartment blocks from the early twentieth century, with large ground-floor windows, bicycles parked outside every house, street furniture displaying a certain demographic scruffiness, an absence of ostentatious buildings, straight streets interspersed with small parks…..In one street lines with uniform apartment buildings, I stopped by a red front door and felt an intense longing to spend the rest of my life there. Above me, on the second floor, I could see an apartment with three large windows and no curtains. The walls were painted white and decorated with a single large painting covered with small blue and red dots. There was an oaken desk against a wall, a large bookshelf and an armchair. I wanted the life that this space implied. I wanted a bicycle; I wanted to put my key in that red front door every evening. Why be seduced by something as small as a front door in another country? Why fall in love with a place because it has trams and its people seldom have curtains in their homes? However absurd the intense reactions provoked by such small (and mute) foreign elements my seem, the pattern is at least familiar from our personal lives. My love for the apartment building was based on what I perceived to be its modesty. The building was comfortable but not grand. It suggested a society attracted to the financial mean. There was an honesty in its design. Whereas front doorways in London are prone to ape the look of classical temples, in Amsterdam they accept their status, avoiding pillars and plaster in favor of neat, undecorated brick. The building was modern in the best sense, speaking of order, cleanliness, and light. In the more fugitive, trivial associations of the word exotic, the charm of a foreign place arises from the simple idea of novelty and change-from finding camels where at home there are horses, for example, or unadorned apartment buildings where at home there are pillared ones. But there may be a more profound pleasure as well: we may value foreign elements not only because they are new but because they seem to accord more faithfully with our identity and commitments than anything our homeland can provide. And so it was with my enthusiasms in Amsterdam, which were connected to my dissatisfactions with my own country, including its lack of modernity and aesthetic simplicity, its resistance to urban life and its net-curtained mentality. What we find exotic abroad may be what we hunger for in vain at home.

If loneliness or sadness or happiness could be expressed through food, loneliness would be basil. It’s not good for your stomach, dims your eyes, and turns your mind murky. If you pound basil and place a stone over it, scorpions swarm toward it. Happiness is saffron, from the crocus that blooms in the spring. Even if you add just a pinch to a dish, it adds an intense taste and a lingering scent. You can find it anywhere but you can’t get it at any time of the year. It’s good for your heart, and if you drop a little bit in your wine, you instantly become drunk from its heady perfume. The best saffron crumbles at the touch and instantaneously emits its fragrance. Sadness is a knobby cucumber, whose aroma you can detect from far away. It’s tough and hard to digest and makes you fall ill with a high fever. It’s porous, excellent at absorption, and sponges up spices, guaranteeing a lengthy period of preservation. Pickles are the best food you can make from cucumbers. You boil vinegar and pour it over the cucumbers, then season with salt and pepper. You enclose them in a sterilized glass jar, seal it, and store it in a dark and dry place. WON’S KITCHEN. I take off the sign hanging by the first-floor entryway. He designed it by hand and silk-screened it onto a metal plate. Early in the morning on the day of the opening party for the cooking school, he had me hang the sign myself. I was meaning to give it a really special name, he said, grinning, flashing his white teeth, but I thought Jeong Ji-won was the most special name in the world. He called my name again: Hey, Ji-won. He walked around the house calling my name over and over, mischievously — as if he were an Eskimo who believed that the soul became imprinted in the name when it was called — while I fried an egg, cautiously sprinkling grated Emmentaler, salt, pepper, taking care not to pop the yolk. I spread the white sun-dried tablecloth on the coffee table and set it with the fried egg, unsalted butter, blueberry jam, and a baguette I’d toasted in the oven. It was our favorite breakfast: simple, warm, sweet. As was his habit, he spread a thick layer of butter and jam on his baguette and dunked it into his coffee, and I plunked into my cup the teaspoon laced with jam, waiting for the sticky sweetness to melt into the hot, dark coffee. I still remember the sugary jam infusing the last drop of coffee and the moist crumbs of the baguette lingering at the roof of my mouth. And also his words, informing me that he wanted to design a new house that would contain the cooking school, his office, and our bedroom. Instead of replying, I picked up a firm red radish, sparkling with droplets of water, dabbed a little butter on it, dipped it in salt, and stuck it into my mouth. A crunch resonated from my mouth. Hoping the crunch sounded like, Yes, someday, I continued to eat it. Was that the reason I equated a fresh red radish with sprouting green tops, as small as a miniature apple, with the taste of love? But if I cut into it crosswise like an apple, I wouldn't find the constellation of seeds.

I stared through the front door at Barrons Books and Baubles, uncertain what surprised me more: that the front seating cozy was intact or that Barrons was sitting there, boots propped on a table, surrounded by piles of books, hand-drawn maps tacked to the walls. I couldn’t count how many nights I’d sat in exactly the same place and position, digging through books for answers, occasionally staring out the windows at the Dublin night, and waiting for him to appear. I liked to think he was waiting for me to show. I leaned closer, staring in through the glass. He’d refurnished the bookstore. How long had I been gone? There was my magazine rack, my cashier’s counter, a new old-fashioned cash register, a small flat-screen TV/DVD player that was actually from this decade, and a sound dock for my iPod. There was a new sleek black iPod Nano in the dock. He’d done more than refurnish the place. He might as well have put a mat out that said WELCOME HOME, MAC. A bell tinkled as I stepped inside. His head whipped around and he half-stood, books sliding to the floor. The last time I’d seen him, he was dead. I stood in the doorway, forgetting to breathe, watching him unfold from the couch in a ripple of animal grace. He crammed the four-story room full, dwarfed it with his presence. For a moment neither of us spoke. Leave it to Barrons—the world melts down and he’s still dressed like a wealthy business tycoon. His suit was exquisite, his shirt crisp, tie intricately patterned and tastefully muted. Silver glinted at his wrist, that familiar wide cuff decorated with ancient Celtic designs he and Ryodan both wore. Even with all my problems, my knees still went weak. I was suddenly back in that basement. My hands were tied to the bed. He was between my legs but wouldn’t give me what I wanted. He used his mouth, then rubbed himself against my clitoris and barely pushed inside me before pulling out, then his mouth, then him, over and over, watching my eyes the whole time, staring down at me. What am I, Mac? he’d say. My world, I’d purr, and mean it. And I was afraid that, even now that I wasn’t Pri-ya, I’d be just as out of control in bed with him as I was then. I’d melt, I’d purr, I’d hand him my heart. And I would have no excuse, nothing to blame it on. And if he got up and walked away from me and never came back to my bed, I would never recover. I’d keeping waiting for a man like him, and there were no other men like him. I’d have to die old and alone, with the greatest sex of my life a painful memory. So, you’re alive, his dark eyes said. Pisses me off, the wondering. Do something about that. Like what? Can’t all be like you, Barrons. His eyes suddenly rushed with shadows and I couldn’t make out a single word. Impatience, anger, something ancient and ruthless. Cold eyes regarded me with calculation, as if weighing things against each other, meditating—a word Daddy used to point out was the larger part of premeditation. He’d say, Baby, once you start thinking about it, you’re working your way toward it. Was there something Barrons was working his way toward doing? I shivered.

Come in, sweetheart," Emma purrs, her voice dripping with seduction as she extends a welcoming hand. Viggi, drawn by the magnetic pull of Emma's presence, follows her every step through the doorway, eager to explore the depths of desire that await within. Each footfall echoes with the promise of passion, igniting a flame of longing that burns hotter with every passing moment. As they cross the threshold together, the world outside fades into obscurity, leaving only the intoxicating allure of Emma's embrace. Emma closes the door behind them, sealing them in a world of their own. Before she can fully register the click of the lock, Emma's arms envelop her, pulling her irresistibly close. A shiver of anticipation courses through Viggi's body as she surrenders to Emma's embrace, her lips parting in eager anticipation. In a tantalizing dance of desire, Emma's soft, inviting lips meet Viggi's own, setting her ablaze with a fiery passion that threatens to consume them both. Lost in the intoxicating whirlwind of their kiss, time seems to stand still, leaving only the exquisite feeling of Emma's touch lingering on Viggi's trembling lips. “Lets go up to my room, I don´t think my father comes any time soon, but there we are more save” Emma smiles all over her face, graps Viggi and pulls her up the stairs to the first floor. Viggi follows her without saying a word, too much she is taken by this captivating situation, however, she feels the excitement all over her body. In the sanctuary of Emma's room, the air hums with anticipation as they stand face to face, their eyes locked in a silent exchange of longing.

The next room was a great round ballroom. Its walls were arrayed in gold-painted moldings; its floor was a swirling mosaic of blue and gold; its dome was painted with the loves of all the gods, a vast tangle of plump limbs and writhing fabric. The air was cool, still, and hugely silent. My footsteps were only a soft tap-tap-tap, but they echoed through the room. After that came what seemed like a hundred more rooms and hallways. In every one, the air was different: hot or cold, fresh or stuffy, smelling of rosemary, incense, pomegranates, old paper, pickled fish, cedarwood. None of the rooms frightened me like the first hallway. But sometimes--especially when sunlight glowed through a window--I thought I heard the faint laughter. Finally, at the end of a long hallway with a cherrywood wainscot and lace-hung windows between the doors, we came to my room. I could see why the Gentle Lord called it the "bridal suite": the walls were papered with a silver pattern of hearts and doves, and most of the room was taken up by a huge canopied bed, more than big enough for two. The four posts were shaped like four maidens, coiffed and dressed in gauzy robes that clung to their bodies, their faces serene. They were exactly like the caryatids holding up the porch of a temple. The bed curtains were great falls of white lace, woven through with crimson ribbons. A vase of roses sat on the bedside table. Their red petals had blossomed wide to expose their gold centers, and their musk wove through the air. It was a bed that had been built for pleasure, just like my dress, and as I stared at it I felt hot and cold at once.

Helen wriggled in protest as his hand stole to the back of her skirts. She was wearing a ready-made traveling dress, which fit nicely after a few minor alterations made by one of Mrs. Allenby’s assistants. It was a simple design of light blue silk and cashmere, with a smart little waist-jacket. There was no bustle, and the skirts had been drawn back snugly to reveal the shape of her body. The skirts descended in a pretty fall of folds and pleats, with a large decorative bow placed high on her posterior. To her vexation, Rhys wouldn’t leave the bow alone. He was positively mesmerized by it. Every time she turned her back to him, she could feel him playing with it. “Rhys, don’t!” “I can’t help it. It calls to me.” “You’ve seen bows on dresses before.” “But not there. And not on you.” Reluctantly Rhys let go of her and pulled out his pocket watch. “The train should have departed by now. We’re five minutes late.” “What are you in a rush for?” she asked. “Bed,” came his succinct reply. Helen smiled. She stood on her toes and pressed a quick kiss to his cheek. “We have a lifetime of nights together.” “Aye, and we’ve already missed too many of them.” Helen turned and bent to pick up her small valise, which had been set on the floor. At the same time, she heard the sound of fabric ripping. Before Helen had straightened and twisted to look at the back of her skirts, she already knew what had happened. The bow hung limply, at least half of its stitches torn. Meeting her indignant glance, Rhys looked as sheepish as a schoolboy caught with a stolen apple. “I didn’t know you were going to bend over.” “What am I going to say to the lady’s maid when she sees this?” He considered that for a moment. “Alas?” he suggested. Helen’s lips quivered with unwilling amusement.

Wait until the truffles hit the dining room---absolute sex," said Scott. When the truffles arrived the paintings leaned off the walls toward them. They were the grand trumpets of winter, heralding excess against the poverty of the landscape. The black ones came first and the cooks packed them up in plastic quart containers with Arborio rice to keep them dry. They promised to make us risotto with the infused rice once the truffles were gone. The white ones came later, looking like galactic fungus. They immediately went into the safe in Chef's office. "In a safe? Really?" "The trouble we take is in direct proportion to the trouble they take. They are impossible," Simone said under her breath while Chef went over the specials. "They can't be that impossible if they are on restaurant menus all over town." I caught her eye. "I'm kidding." "You can't cultivate them. The farmers used to take female pigs out into the countryside, lead them to the oaks, and pray. They don't use pigs anymore, they use well-behaved dogs. But they still walk and hope." "What happened to the female pigs?" Simone smiled. "The scent smells like testosterone to them. It drives them wild. They destroyed the land and the truffles because they would get so frenzied." I waited at the service bar for drinks and Sasha came up beside me with a small wooden box. He opened it and there sat the blanched, malignant-looking tuber and a small razor designed specifically for it. The scent infiltrated every corner of the room, heady as opium smoke, drowsing us. Nicky picked up the truffle in his bare hand and delivered it to bar 11. He shaved it from high above the guest's plate. Freshly tilled earth, fields of manure, the forest floor after a rain. I smelled berries, upheaval, mold, sheets sweated through a thousand times. Absolute sex.

Another howl ruptured the quiet, still too far away to be a threat. The Beast Lord, the leader, the alpha male, had to enforce his position as much by will as by physical force. He would have to answer any challenges to his rule, so it was unlikely that he turned into a wolf. A wolf would have little chance against a cat. Wolves hunted in a pack, bleeding their victim and running them into exhaustion, while cats were solitary killing machines, designed to murder swiftly and with deadly precision. No, the Beast Lord would have to be a cat, a jaguar or a leopard. Perhaps a tiger, although all known cases of weretigers occurred in Asia and could be counted without involving toes. I had heard a rumor of the Kodiak of Atlanta, a legend of an enormous, battle-scarred bear roaming the streets in search of Pack criminals. The Pack, like any social organization, had its lawbreakers. The Kodiak was their Executioner. Perhaps his Majesty turned into a bear. Damn. I should have brought some honey. My left leg was tiring. I shifted from foot to foot . . . A low, warning growl froze me in midmove. It came from the dark gaping hole in the building across the street and rolled through the ruins, awakening ancient memories of a time when humans were pathetic, hairless creatures cowering by the weak flame of the first fire and scanning the night with frightened eyes, for it held monstrous hungry killers. My subconscious screamed in panic. I held it in check and cracked my neck, slowly, one side then another. A lean shadow flickered in the corner of my eye. On the left and above me a graceful jaguar stretched on the jutting block of concrete, an elegant statue encased in the liquid metal of moonlight. Homo Panthera onca. The killer who takes its prey in a single bound. Hello, Jim. The jaguar looked at me with amber eyes. Feline lips stretched in a startlingly human smirk. He could laugh if he wanted. He didn’t know what was at stake. Jim turned his head and began washing his paw. My saber firmly in hand, I marched across the street and stepped through the opening. The darkness swallowed me whole. The lingering musky scent of a cat hit me. So, not a bear after all. Where was he? I scanned the building, peering into the gloom. Moonlight filtered through the gaps in the walls, creating a mirage of twilight and complete darkness. I knew he was watching me. Enjoying himself. Diplomacy was never my strong suit and my patience had run dry. I crouched and called out, “Here, kitty, kitty, kitty.” Two golden eyes ignited at the opposite wall. A shape stirred within the darkness and rose, carrying the eyes up and up and up until they towered above me. A single enormous paw moved into the moonlight, disturbing the dust on the filthy floor. Wicked claws shot forth and withdrew. A massive shoulder followed, its gray fur marked by faint smoky stripes. The huge body shifted forward, coming at me, and I lost my balance and fell on my ass into the dirt. Dear God, this wasn’t just a lion. This thing had to be at least five feet at the shoulder. And why was it striped? The colossal cat circled me, half in the light, half in the shadow, the dark mane trembling as he moved. I scrambled to my feet and almost bumped into the gray muzzle. We looked at each other, the lion and I, our gazes level. Then I twisted around and began dusting off my jeans in a most undignified manner. The lion vanished into a dark corner. A whisper of power pulsed through the room, tugging at my senses. If I did not know better, I would say that he had just changed. “Kitty, kitty?” asked a level male voice. I jumped. No shapechanger went from a beast into a human without a nap. Into a midform, yes, but beast-men had trouble talking. “Yeah,” I said. “You’ve caught me unprepared. Next time I’ll bring cream and catnip toys.” “If there is a next time.

Patronising women is another manoeuvre, an infamous example being then British prime minister David Cameron’s ‘Calm down, dear’ to Labour MP Angela Eagle in 2011.48 In the Inter-Parliamentary Union’s (IPU) 2016 global study on sexism, violence and harassment against female politicians, one MP from a European parliament said ‘if a woman speaks loudly in parliament she is “shushed” with a finger to the lips, as one does with children. That never happens when a man speaks loudly’.49 Another noted that she is ‘constantly asked – even by male colleagues in my own party – if what I want to say is very important, if I could refrain from taking the floor.’ Some tactics are more brazen. Afghan MP Fawzia Koofi told the Guardian that male colleagues use intimidation to frighten female MPs into silence – and when that fails, ‘The leadership cuts our microphones off’.50 Highlighting the hidden gender angle of having a single person (most often a man) in charge of speaking time in parliament, one MP from a country in sub-Saharan Africa (the report only specified regions so the women could remain anonymous) told the IPU that the Speaker had pressured one of her female colleagues for sex. Following her refusal, ‘he had never again given her the floor in parliament’. It doesn’t necessarily even take a sexual snub for a Speaker to refuse women the floor: ‘During my first term in parliament, parliamentary authorities always referred to statements by men and gave priority to men when giving the floor to speakers,’ explained one MP from a country in Asia. The IPU report concluded that sexism, harassment and violence against female politicians was a ‘phenomenon that knew no boundaries and exists to different degrees in every country’. The report found that 66% of female parliamentarians were regularly subjected to misogynistic remarks from their male colleagues, ranging from the degrading (‘you would be even better in a porn movie’) to the threatening (‘she needs to be raped so that she knows what foreigners do’).

Then I remembered something else from the 2112 liner notes. I pulled them up and scanned over them again. There was my answer, in the text that preceded Part III—“Discovery”: Behind my beloved waterfall, in the little room that was hidden beneath the cave, I found it. I brushed away the dust of the years, and picked it up, holding it reverently in my hands. I had no idea what it might be, but it was beautiful. I learned to lay my fingers across the wires, and to turn the keys to make them sound differently. As I struck the wires with my other hand, I produced my first harmonious sounds, and soon my own music! I found the waterfall near the southern edge of the city, just inside the curved wall of the atmospheric dome. As soon as I found it, I activated my jet boots and flew over the foaming river below the falls, then passed through the waterfall itself. My haptic suit did its best to simulate the sensation of torrents of falling water striking my body, but it felt more like someone pounding on my head, shoulders, and back with a bundle of sticks. Once I’d passed through the falls to the other side, I found the opening of a cave and went inside. The cave narrowed into a long tunnel, which terminated in a small, cavernous room. I searched the room and discovered that one of the stalagmites protruding from the floor was slightly worn around the tip. I grabbed the stalagmite and pulled it toward me, but it didn’t budge. I tried pushing, and it gave, bending as if on some hidden hinge, like a lever. I heard a rumble of grinding stone behind me, and I turned to see a trapdoor opening in the floor. A hole had also opened in the roof of the cave, casting a brilliant shaft of light down through the open trapdoor, into a tiny hidden chamber below. I took an item out of my inventory, a wand that could detect hidden traps, magical or otherwise. I used it to make sure the area was clear, then jumped down through the trapdoor and landed on the dusty floor of the hidden chamber. It was a tiny cube-shaped room with a large rough-hewn stone standing against the north wall. Embedded in the stone, neck first, was an electric guitar. I recognized its design from the 2112 concert footage I’d watched during the trip here. It was a 1974 Gibson Les Paul, the exact guitar used by Alex Lifeson during the 2112 tour.

I want to move." Delicately shaking, slickly sweating, I strain against Macon's bulk. It's no use; he has me pinned to the chair, his cock thick and pulsing deep inside. And not fucking moving. He grins down at me, a drop of sweat trickling down the side of his flushed face. "Not yet." Slowly, too damn slowly, he circles his hips, stretching me, making me ache. "I need to come," I whisper. Whine. Plead. It's all the same. Every inch of me throbs. Pleasure is a tightly drawn bow within, and I need that snap of release. His grin fades, replaced by intention. "You will. When I'm ready." "Sadist." He nips my earlobe. "You love it." I shudder as that glorious dick of his eases out, making me feel every hard inch, only to slowly push back in. Too fucking slowly. I'm writhing on him, and he loves it. Dark eyes glint as he works me. Naked in the sun and sprawled on an armchair that barely holds us, he's been fucking me with a steady deliberation designed to drive me out of my mind. And though I'm a pleading, panting mess, I love it too. God, he's gorgeous. Endless muscle and tan skin beaded with sweat, flush from exertion. His expression is slack, hazy with lust. It sends licks of pleasure along my skin. Panting, I reach up and touch his jaw, trying to draw him near. He complies, dipping his head. Our mouths meet in a lazy, deep kiss, an exchange of air, messy exploration of lips and tongues. He groans, shivering. Not unaffected. Just so very good at torturing me. In. Out. Pull. Push. "Macon," I whisper into his mouth. "Please. Fuck me." He freezes, and then with another groan, all that power and need breaks free. I can only hold on as he goes hard and deep. The chair scrapes along the floor as he pounds into me. Every thrust impacts my swollen, sensitive sex. Pleasure builds and builds until I'm keening, my eyes closed as though I can somehow hang on to the feeling forever. But it breaks over me in a shimmering wave. Macon's teeth clamp down on the meaty curve of my neck, not hard but holding me there as his thrusts turn rapid, a greedy chase of his own pleasure. It's so animalistic and unexpected that another orgasm slams into me with unexpected power. I lose track of myself, of him. My fingers claw at his back, thread through his hair. I'm struggling to get closer, get more. He comes with a great shout, his big strong body straining against mine.

After the Grand Perhaps” After vespers, after the first snow has fallen to its squalls, after New Wave, after the anorexics have curled into their geometric forms, after the man with the apparition in his one bad eye has done red things behind the curtain of the lid & sleeps, after the fallout shelter in the elementary school has been packed with tins & other tangibles, after the barn boys have woken, startled by foxes & fire, warm in their hay, every part of them blithe & smooth & touchable, after the little vandals have tilted toward the impossible seduction to smash glass in the dark, getting away with the most lethal pieces, leaving the shards which travel most easily through flesh as message on the bathroom floor, the parking lots, the irresistible debris of the neighbor’s yard where he’s been constructing all winter long. After the pain has become an old known friend, repeating itself, you can hold on to it. The power of fright, I think, is as much as magnetic heat or gravity. After what is boundless: wind chimes, fertile patches of the land, the ochre symmetry of fields in fall, the end of breath, the beginning of shadow, the shadow of heat as it moves the way the night heads west, I take this road to arrive at its end where the toll taker passes the night, reading. I feel the cupped heat of his left hand as he inherits change; on the road that is not his road anymore I belong to whatever it is which will happen to me. When I left this city I gave back the metallic waking in the night, the signals of barges moving coal up a slow river north, the movement of trains, each whistle like a woodwind song of another age passing, each ambulance would split a night in two, lying in bed as a little girl, a fear of being taken with the sirens as they lit the neighborhood in neon, quick as the fire as it takes fire & our house goes up in night. After what is arbitrary: the hand grazing something too sharp or fine, the word spoken out of sleep, the buckling of the knees to cold, the melting of the parts to want, the design of the moon to cast unfriendly light, the dazed shadow of the self as it follows the self, the toll taker’s sorrow that we couldn’t have been more intimate. Which leads me back to the land, the old wolves which used to roam on it, the one light left on the small far hill where someone must be living still. After life there must be life.

The franchise and the virus work on the same principle: what thrives in one place will thrive in another. You just have to find a sufficiently virulent business plan, condense it into a three-ring binder -- its DNA -- Xerox(tm) it, and embed it in the fertile lining of a well-traveled highway, preferably one with a left-turn lane. Then the growth will expand until it runs up against its property lines. In olden times, you'd wander down to Mom's Cafe for a bite to eat and a cup of joe, and you would feel right at home. It worked just fine if you never left your hometown. But if you went to the next town over, everyone would look up and stare at you when you came in the door, and the Blue Plate Special would be something you didn't recognize. If you did enough traveling, you'd never feel at home anywhere. But when a businessman from New Jersey goes to Dubuque, he knows he can walk into a McDonald's and no one will stare at him. He can order without having to look at the menu, and the food will always taste the same. McDonald's is Home, condensed into a three-ring binder and xeroxed. "No surprises" is the motto of the franchise ghetto, its Good Housekeeping seal, subliminally blazoned on every sign and logo that make up the curves and grids of light that outline the Basin. The people of America, who live in the world's most surprising and terrible country, take comfort in that motto. Follow the loglo outward, to where the growth is enfolded into the valleys and the canyons, and you find the land of the refugees. They have fled from the true America, the America of atomic bombs, scalpings, hip-hop, chaos theory, cement overshoes, snake handlers, spree killers, space walks, buffalo jumps, drive-bys, cruise missiles, Sherman's March, gridlock, motorcycle gangs, and bun-gee jumping. They have parallelparked their bimbo boxes in identical computer-designed Burbclave street patterns and secreted themselves in symmetrical sheetrock shitholes with vinyl floors and ill-fitting woodwork and no sidewalks, vast house farms out in the loglo wilderness, a culture medium for a medium culture. The only ones left in the city are street people, feeding off debris; immigrants, thrown out like shrapnel from the destruction of the Asian powers; young bohos; and the technomedia priesthood of Mr. Lee's Greater Hong Kong. Young smart people like Da5id and Hiro, who take the risk of living in the city because they like stimulation and they know they can handle it.

In 1910 Leroux had his greatest literary success with Le Fantôme de l’Opéra (The Phantom of the Opera). This is both a detective story and a dark romantic melodrama and was inspired by Leroux’s passion for and obsession with the Paris Opera House. And there is no mystery as to why he found the building so fascinating because it is one of the architectural wonders of the nineteenth century. The opulent design and the fantastically luxurious furnishings added to its glory, making it the most famous and prestigious opera house in all Europe. The structure comprises seventeen floors, including five deep and vast cellars and sub cellars beneath the building. The size of the Paris Opera House is difficult to conceive. According to an article in Scribner’s Magazine in 1879, just after it first opened to the public, the Opera House contained 2,531 doors with 7,593 keys. There were nine vast reservoirs, with two tanks holding a total of 22,222 gallons of water. At the time there were fourteen furnaces used to provide the heating, and dressing-rooms for five hundred performers. There was a stable for a dozen or so horses which were used in the more ambitious productions. In essence then the Paris Opera House was like a very small magnificent city. During a visit there, Leroux heard the legend of a bizarre figure, thought by many to be a ghost, who had lived secretly in the cavernous labyrinth of the Opera cellars and who, apparently, engineered some terrible accidents within the theatre as though he bore it a tremendous grudge. These stories whetted Leroux’s journalistic appetite. Convinced that there was some truth behind these weird tales, he investigated further and acquired a series of accounts relating to the mysterious ‘ghost’. It was then that he decided to turn these titillating titbits of theatre gossip into a novel. The building is ideal for a dark, fantastic Grand Guignol scenario. It is believed that during the construction of the Opera House it became necessary to pump underground water away from the foundation pit of the building, thus creating a huge subterranean lake which inspired Leroux to use it as one of his settings, the lair, in fact, of the Phantom. With its extraordinary maze-like structure, the various stage devices primed for magical stage effects and that remarkable subterranean lake, the Opera House is not only the ideal backdrop for this romantic fantasy but it also emerges as one of the main characters of this compelling tale. In using the real Opera House as its setting, Leroux was able to enhance the overall sense of realism in his novel.

If a season like the Great Rebellion ever came to him again, he feared, it could never be in that same personal, random array of picaresque acts he was to recall and celebrate in later years at best furious and nostalgic; but rather with a logic that chilled the comfortable perversity of the heart, that substituted capability for character, deliberate scheme for political epiphany (so incomparably African); and for Sarah, the sjambok, the dances of death between Warmbad and Keetmanshoop, the taut haunches of his Firelily, the black corpse impaled on a thorn tree in a river swollen with sudden rain, for these the dearest canvases in his soul's gallery, it was to substitute the bleak, abstracted and for him rather meaningless hanging on which he now turned his back, but which was to backdrop his retreat until he reached the Other Wall, the engineering design for a world he knew with numb leeriness nothing could now keep from becoming reality, a world whose full despair he, at the vantage of eighteen years later, couldn't even find adequate parables for, but a design whose first fumbling sketches he thought must have been done the year after Jacob Marengo died, on that terrible coast, where the beach between Luderitzbucht and the cemetery was actually littered each morning with a score of identical female corpses, an agglomeration no more substantial-looking than seaweed against the unhealthy yellow sand; where the soul's passage was more a mass migration across that choppy fetch of Atlantic the wind never left alone, from an island of low cloud, like an anchored prison ship, to simple integration with the unimaginable mass of their continent; where the single line of track still edged toward a Keetmanshoop that could in no conceivable iconology be any part of the Kingdom of Death; where, finally, humanity was reduced, out of a necessity which in his loonier moments he could almost believe was only Deutsch-Sudwestafrika's (actually he knew better), out of a confrontation the young of one's contemporaries, God help them, had yet to make, humanity was reduced to a nervous, disquieted, forever inadequate but indissoluble Popular Front against deceptively unpolitical and apparently minor enemies, enemies that would be with him to the grave: a sun with no shape, a beach alien as the moon's antarctic, restless concubines in barbed wire, salt mists, alkaline earth, the Benguela Current that would never cease bringing sand to raise the harbor floor, the inertia of rock, the frailty of flesh, the structural unreliability of thorns; the unheard whimper of a dying woman; the frightening but necessary cry of the strand wolf in the fog.

So, you want to improve your home like you have some knowledge and respect for the endeavor, yes? Very well. First, you need to know the basics associated with it to showcase what type of knowledge you actually have about it. If that is not enough, try reviewing the article listed below to assist you. Home improvement is often a daunting task. This is because of the time and the amounts of money required. However, it doesn't have to be so bad. If you have several projects in your house, divide them up into several smaller DIY projects. For example you may want to redo the entire living room. Start simple, by just replacing the carpet, and before you know it, your living room will be like new. One great way to make the inside of your home sparkle is to put new molding in. New molding helps create a fresh sense in your living space. You can purchase special molding with beautiful carvings on them to add a unique touch of elegance and style to your home. When it comes to home improvement, consider replacing your windows and doors. This not only has a chance of greatly improving the value of the home, but may also severely decrease the amount of money required to keep your house warm and dry. You can also add extra security with new doors and windows. Change your shower curtain once a month. Showering produces excessive humidity in a bathroom that in turn causes shower curtains to develop mold and mildew. To keep your space fresh and healthy, replace your curtains. Don't buy expensive plastic curtains with hard to find designs, and you won't feel bad about replacing it. Sprucing up your walls with art is a great improvement idea, but it doesn't have to be a painting. You can use practically anything for artwork. For instance, a three-dimensional tile works great if you contrast the colors. You can even buy some canvas and a frame and paint colored squares. Anything colorful can work as art. If you are renovating your kitchen but need to spend less money, consider using laminate flooring and countertops. These synthetic options are generally much less expensive than wood, tile, or stone. They are also easier to care for. Many of these products are designed to closely mimic the natural products, so that the difference is only visible on close inspection. New wallpaper can transform a room. Before you add wallpaper, you need to find out what type of wall is under the existing wallpaper. Usually walls are either drywall or plaster smoothed over lath. You can figure out what kind of wall you are dealing with by feeling the wall, plaster is harder, smoother, and colder than drywall. You can also try tapping the wall, drywall sounds hollow while plaster does not. Ah, you have read the aforementioned article, or you wouldn't be down here reading through the conclusion. Well done! That article should have provided you with a proper foundation of what it takes to properly and safely improve your home. If any questions still remain, try reviewing the article again.

Blessed Man” is a tribute to Updike’s tenacious maternal grandmother, Katherine Hoyer, who died in 1955. Inspired by an heirloom, a silver thimble engraved with her initials, a keepsake Katherine gave to John and Mary as a wedding present (their best present, he told his mother), the story is an explicit attempt to bring her back to life (“O Lord, bless these poor paragraphs, that would do in their vile ignorance Your work of resurrection”), and a meditation on the extent to which it’s possible to recapture experience and preserve it through writing. The death of his grandparents diminished his family by two fifths and deprived him of a treasured part of his past, the sheltered years of his youth and childhood. Could he make his grandmother live again on the page? It’s certainly one of his finest prose portraits, tender, clear-eyed, wonderfully vivid. At one point the narrator remembers how, as a high-spirited teenager, he would scoop up his tiny grandmother, “lift her like a child, crooking one arm under her knees and cupping the other behind her back. Exultant in my height, my strength, I would lift that frail brittle body weighing perhaps a hundred pounds and twirl with it in my arms while the rest of the family watched with startled smiles of alarm.” When he adds, “I was giving my past a dance,” we hear the voice of John Updike exulting in his strength. Katherine takes center stage only after an account of the dramatic day of her husband’s death. John Hoyer died a few months after John and Mary were married, on the day both the newlyweds and Mary’s parents were due to arrive in Plowville. From this unfortunate coincidence, the Updike family managed to spin a pair of short stories. Six months before he wrote “Blessed Man,” Updike’s mother had her first story accepted by The New Yorker. For years her son had been doing his filial best to help get her work published—with no success. In college he sent out the manuscript of her novel about Ponce de León to the major Boston publishers, and when he landed at The New Yorker he made sure her stories were read by editors instead of languishing in the slush pile. These efforts finally bore fruit when an editor at the magazine named Rachel MacKenzie championed “Translation,” a portentous family saga featuring Linda’s version of her father’s demise. Maxwell assured Updike that his colleagues all thought his mother “immensely gifted”; if that sounds like tactful exaggeration, Maxwell’s idea that he could detect “the same quality of mind running through” mother and son is curious to say the least. Published in The New Yorker on March 11, 1961, “Translation” was signed Linda Grace Hoyer and narrated by a character named Linda—but it wasn’t likely to be mistaken for a memoir. The story is overstuffed with biblical allusion, psychodrama, and magical thinking, most of it Linda’s. She believes that her ninety-year-old father plans to be translated directly to heaven, ascending like Elijah in a whirlwind, with chariots of fire, and to pass his mantle to a new generation, again like Elijah. It’s not clear whether this grand design is his obsession, as she claims, or hers. As it happens, the whirlwind is only a tussle with his wife that lands the old folks on the floor beside the bed. Linda finds them there and says, “Of all things. . . . What are you two doing?” Her father answers, his voice “matter-of-fact and conversational”: “We are sitting on the floor.” Having spoken these words, he dies. Linda’s son Eric (a writer, of course) arrives on the scene almost immediately. When she tells him, “Grampy died,” he replies, “I know, Mother, I know. It happened as we turned off the turnpike. I felt

Elvis was pretty slick. Nonetheless, I knew that he was cheating. His four-of-a-kind would beat my full house. I had two choices. I could fold my hand and lose all the money I’d contributed to the pot, or I could match Elvis’s bet and continue to play. If a gambler thought he was in an honest game, he would probably match the bet thinking his full house was a sure winner. The con artist would bet large amounts of money on the remaining cards, knowing he had a winning hand. I narrowed my eyes and pursed my lips, as if struggling to decide whether to wager five hundred pesos or fold my hand and call it quits. I knew there were five men between me and the door and watched them from the corner of my eye. Even if I folded and accepted my losses, I knew they would not let me leave without taking all my cash. They had strength in numbers and would strong arm me if they could. The men stared, intently watching my next move. I set down my beer and took five one hundred peso notes from my wallet. The men at the bar relaxed. My adrenaline surged, pumping through my brain, sharpening my focus as I prepared for action. I moved as if to place my bet on the table, but instead my hand bumped my beer bottle, spilling it onto Elvis’ lap. Elvis reacted instinctively to the cold beer, pushing back from the table and rising to his feet. I jumped up from my chair making a loud show of apologizing, and in the ensuing pandemonium I snatched all the money off the table and bolted for the door! My tactics took everyone by complete surprise. I had a small head start, but the Filipinos recovered quickly and scrambled to cut off my escape. I dashed to the door and barely made it to the exit ahead of the Filipinos. The thugs were nearly upon me when I suddenly wheeled round and kicked the nearest man square in the chest. My kick cracked ribs and launched the shocked Filipino through the air into the other men, tumbling them to the ground. For the moment, my assailants were a jumble of tangled bodies on the floor. I darted out the door and raced down the busy sidewalk, dodging pedestrians. I looked back and saw the furious Filipinos swarming out of the bar. Running full tilt, I grabbed onto the rail of a passing Jeepney and swung myself into the vehicle. The wide-eyed passengers shrunk back, trying to keep their distance from the crazy American. I yelled to the driver, “Step on the gas!” and thrust a hundred peso note into his hand. I looked back and saw all six of Johnny’s henchmen piling onto one tricycle. The jeepney driver realized we were being pursued and stomped the gas pedal to the floor. The jeepney surged into traffic and accelerated away from the tricycle. The tricycle was only designed for one driver and two passengers. With six bodies hanging on, the overloaded motorcycle was slow and unstable. The motorcycle driver held the throttle wide open and the tricycle rocked side to side, almost tipping over, as the frustrated riders yelled curses and flailed their arms futilely. My jeepney continued to speed through the city, pulling away from our pursuers. Finally, I could no longer see the tricycle behind us. When I was sure I had escaped, I thanked the driver and got off at the next stop. I hired a tricycle of my own and carefully made my way back to my neighborhood, keeping careful watch for Johnny and his friends. I knew that Johnny was in a frustrated rage. Not only had I foiled his plans, I had also made off with a thousand pesos of his cash. Even though I had great fun and came out of my escapade in good shape, my escape was risky and could’ve had a very different outcome. I feel a disclaimer is appropriate for those people who think it is fun to con street hustlers, “Kids. Don’t try this at home.

The Petit Palais was built for the world’s fair in 1900,” Alec explained. “It was designed in the Beaux Arts style and takes up a city block. The columns are pink Vosges granite and the mosaic floors were imported from Italy.

What programs would a prison need to utilize in order to maximize the likelihood that the people sent to it would renounce violence as a behavioral strategy? To begin with, it would need to be an anti-prison. Beginning with its architecture, it would need to convey an entirely different message. Current prisons are modeled architecturally after zoos — or rather, after the kinds of zoos that used to exist, but that have been replaced with zoological parks because the animals' keepers began to realize that the old zoos, with concrete floors and walls and steel bars were too inhumane for animals to survive in. Yet we still keep our human animals in zoos that no humane society would permit for animals. And the architecture itself conveys that message to the prisoners: "You are an animal, for this is a zoo, and zoos are what animals are put in." And then we act surprised when the men and women we treat that way actually behave like animals, both when they are in this human zoo and after they return to the community. So we would need to build an anti-prison that would actually look as if it had been built for human beings rather than animals, i.e. that was as home-like and pleasant and civilized and human as possible. Once we had done that, we could offer those who had been sent there the opportunity to acquire as much education and/or vocational training as they had the ability and energy and interest to obtain. We would of course need to provide treatment for whatever medical, dental, psychiatric, or substance-abuse problems they had, and would want to incorporate many of the principles of a therapeutic community into the everyday routines of this residential school, with frequent group discussions with the other residents and staff members with training in psychotherapy. The goal would be to replace the "monster factories" that most prisons now are with therapeutic communities designed to enable people who are deeply damaged, and damaging, to recover their humanity or to gain a degree of humanity they had never been able to acquire; in short, to help them heal themselves and learn, in the process, how to heal others and even repair some of the damage they have done.

I have to hand it to you, little Annamuk, this is not what I would have expected." "Why is that?" "It's so, um, romantic." "And you don't think I'm romantic?" "I think you're refreshingly unsentimental. It's what makes you a great builder." "I don't think I follow." He pauses for a moment. "I think that your eye always goes to what will make a home function smoothly, what will make the people who live there comfortable. That is different than the romantic aspect. Romantic people get focused on things like brand names and labels that evoke a certain feel for them, or focused on elements that may or may not work well for their space. Old-world crown molding in a modern loft space, commercial kitchen appliances for a family that doesn't cook, the kinds of touches that actually make a space feel awkward or just off. Your places are always fully kitted out, with amazing attention to detail, and always designed with the actual usage and client in mind." "So why is this different?" "I don't know. Don't get me wrong, it's amazing, and still super-functional, but the chandelier? The painted floor? Very girly." "And I'm not a girl?" Liam looks me dead in my eyes. "No, my darling. You are not now and never have been a girl. You are a woman. Every inch.

glass stairs and lobby floors that mean anyone below can see up your skirt,

But, the third conclusion, and the most confounding conclusion: You can’t design a character too specifically.

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The home I grew up in was something you might expect to find in an F. Scott Fitzgerald novel. Domed ceilings with ornate moldings, inlaid marble floors, and more powder rooms than people. It was a small palace. Mom loved French architecture and décor and would take trips overseas to find unique antiques. There were two exterior swimming pools, a tennis court, a pavilion, plus a rose garden, Italian stepped stone fountains, and grounds galore. A branch of the Trinity River flowed near stone-covered walking paths, swaths of carefully tended grass in green spaces waving nearby.

The Le Corbusian city was designed, first and foremost, as a workshop for production. Human needs, in this context, were scientifically stipulated by the planner. Nowhere did he admit that the subjects for whom he was planning might have something valuable to say on this matter or that their needs might be plural rather than singular. Such was his concern with efficiency that he treated shopping and meal preparation as nuisances that would be discharged by central services like those offered by well-run hotels. Although floor space was provided for social activities, he said almost nothing about the actual social and cultural needs of the citizenry.

I slid into one of my black suits (why other colors existed was beyond me. Black was suitable for every occasion. The only exception I made was with gray sweatpants, because those were practically considered lingerie for men) and wandered out of the master bedroom. I descended down the three marble steps to the living room. Black, sleek chandeliers dripped from the ceiling, and upholstered black leather couches and recliners filled the room. The three walls that weren’t floor-to-ceiling windows were bare, raw concrete. Everything about my place was dark, indulgent, and dangerous. An apartment carefully designed in the aesthetic of a modern douchebag.

…After seventeen minutes of panicky crowds destroying everything in their path, Eric could distinguish, despite all the chaos and hellish noise, the slight buzz of a second plane. He started counting to himself, watching the blazing inferno at the North Tower: One, two, three, four, five, six, seven… The second Boeing glided into the South Tower, WTC-2, and it seemed to Eric that this plane was flying slowly, that its impact was a soft one… Due to the pandemonium all around, the impact itself seemed not to be as loud as the first hit. Still, in a moment the second twin was also blazing. Both skyscrapers were on fire now. Novack looked up again at what had happened a minute before: the terror attack of the century. Then he started walking fast down Church Street, away from the huge buildings that were now on fire. He knew that in about an hour, the South Tower was to collapse completely, and half an hour after that, the same was to happen to the North Tower, which was also weakened by the impact. He knew there were tons of powerful Thermate in both buildings. Over the course of the previous two months, some fake repairmen had brought loads of it into the towers and put them in designated places around the trusswork. It was meant to make buildings collapse like card towers, which would only happen when the flames reached a certain point. The planes had started an unstoppable countdown as soon as they hit the buildings: these were the last minutes of their existence. Next in line was the third building: 7 WTC, which stood north of the Twin Towers. It counted forty-seven floors, and it too was stuffed with Thermate. Novack started getting concerned, however, that the third plane seemed to be late. Where’s the third plane? Why is it late? It’s already fifty minutes after the first impact, and they were supposed to hit the three targets with a time lag of about twenty minutes. Where are you, birdie number three? You are no less important than the first two, and you were also promised to my clients… People were still running in all directions, shouting and bumping into each other. Sirens wailed loudly, heartrendingly; ambulances were rushing around, giving way only to firefighters and emergency rescue teams. Suddenly hundreds of policemen appeared on the streets, but it seemed that they didn’t really know what they were supposed to do. They mostly ran around, yelling into their walkie-talkies. At Thomas Street, Eric walked into a parking lot: the gate arm was up and the security guy must have left, for the door of his booth stood wide open…

That’s the scary thing about men: get a few together with some simple machines, and they’ll move the world. The ad hoc crew works for many hours, reading each other with little need for words. Together, they drag the last carcasses of pine and spruce, pain-killing willow and astringent birch, into place. Then they stand in silence and regard the design they’ve laid out across the forest floor. The shape arrests them. It reads them their rights. You have a right to be present. A right to attend. A right to be astonished.

THIS IS WHAT they want. The words tumbled through Sophie’s mind as she raced up the spiral staircase, counting her steps, trying to guess which door to take. The first handle she tried was locked. Another opened into darkness. A third revealed a path that glowed with eerie blue balefire sconces. The floor shook as she hesitated and threads of dust slipped through the ceiling, scratching her throat and making it hurt to breathe. She followed the flames. Back and forth the halls snaked—a careful maze, designed to deceive. Swallow. Separate. The tremors grew with every step, the shifting subtle but unmistakable. And too far away. No one else would feel the ripples swelling, like waves gathering speed. They were too focused on their celebration. Too caught up in their imagined victory. Too trusting. Too blind. Too late. The ground rattled harder, the first fissures crackling the stones. This is what they want. ONE THIS IS A security nightmare!

Cats off the counters: the way that works The real solution to keeping the cat off the kitchen counters is to give the cat what they want. Put out a kitchen stool, designate the top of the fridge, or offer the upper surface of a cabinet that will let them get up there without stepping on things they should not. Put pieces of cat furniture near their routes so they can scratch something that makes it “theirs,” as their survival instincts urge them to do. In nature, cats have various spots to do the important work of monitoring all activity in their hunting territory. This instinctual need does not go away when they live with us. We need to get over thinking that the cat can watch from the floor. Why won’t they do that? Because they can’t really see from the floor, and they are also underfoot on the floor, and we don’t want them milling around on the floor when we are trying to prepare food. Such an approach makes them feel vulnerable and frightened and us feel exasperated and annoyed. We do both of us a favor if we create and gift them: ◆ their own Outpost, a place where they can hang out and be with us ◆ introduce it with happy voices so we can Make a Fuss over it ◆ Bless the Spot by placing them in it to signal our approval Put them on it whenever they are making a nuisance of themselves in the kitchen. We can point to it and tell them to go there. A few repeats and they will understand the wonderful gift we have given them.

Eight floors of the kind of consumer garbage that L.A. is famous for. Need a Ferrari jacket? Sure. You’re a race car driver. Vroom vroom. Need silk designer socks that cost more than neurosurgery? We have that too. Come on down to the Beverly Center for something bright and shiny and leave feeling poorer, puzzled, and dead inside.

Directed dabbling is what led me to Bre Pettis, a former art teacher from Seattle who started NYC Resistor, a Brooklyn maker space, and also launched the 3-D printing company MakerBot next door. I had been tracking Bre as part of our digital development effort. I e-mailed Bre to ask if I could simply hang out and watch what he was doing: “I want to understand the new wave of micro-manufacturing, and especially what you are doing with 3-D printing.” Resistor was a higgledy-piggledy series of rooms on the fourth floor of a run-down factory. There Bre introduced me to his “makers” as we walked between workbenches covered with bits of sheet metal and wires and boxes of odds and ends. I saw people making a miniature wind turbine and a portable water purification system. That is, GE kinds of things. One guy was building his own miniature gas turbine, because, well, he could. “Why not?” he said. “People want to live off the grid.” “We could use this ingenuity inside GE,” I said out loud. After NYC Resistor and MakerBot, I met with Shapeways, in Queens, an advanced contract manufacturer where people submitted designs to be 3-D printed for a fee. As we toured the space and talked about the jewelry they made, I

People are looking for sensuality as part of their daily lives. For example, sensuality meets everyday lingerie. Everyday experiences, like cooking and bathing, are elevated beyond the ordinary and given a new meaning through sensualization. Kitchen appliances, high-end kitchen and bath fixtures and fittings and stone countertops and floors. Yes, these can be beautiful, even opulent, but the real meaning comes from the special feelings people get using them, which comes from their longing for a sensual lifestyle.

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The loft looked different in the daylight. The cushions against the window seat were a bright mango, the hand-embroidered pillows stitched with the same color in blossoming wildflowers. The artisan had painted floral designs on the dresser, on the wardrobe, and around the floor-length mirror. Outside, the rain had given way to verdant foliage and strong redbrick buildings, interspersed with colorful colonial row houses and Victorian homes.

Just as sensible gamblers take, say, $100 down to the casino floor and leave the rest of their money locked in the safe in their hotel room, the intelligent investor designates a tiny portion of her total portfolio as a “mad money” account. For most of us, 10% of our overall wealth is the maximum permissible amount to put at speculative risk. Never mingle the money in your speculative account with what’s in your investment accounts; never allow your speculative thinking to spill over into your investing activities; and never put more than 10% of your assets into your mad money account, no matter what happens. For better or worse, the gambling instinct is part of human nature—so it’s futile for most people even to try suppressing it. But you must confine and restrain it. That’s the single best way to make sure you will never fool yourself into confusing speculation with investment.

–Important questions that remain unanswered. Is this new technology a threat to our existence, or is super artificial intelligence the answer to our most complex problems? Do we need computers that think and reason trillions of times faster than us, and if so, for what purpose? This is Daphnia Peters reporting live for Channel Eighty-Seven Independent News.” He stopped the recording and stared at the frozen image. At least the reporter didn’t say Lex would take over everything, as some others had. Lex hadn’t said much after the first question about how she felt about being the first super AI computer. Lex said she was honored and looked forward to serving humanity as she was designed to do. She showed what she could do– Sending stunning images from the cameras the instant either of them spoke. And all with only a hundredth of a second delay in transmission to the satellite. For Lex, that was plenty of time to get everything right. He pressed the buttons to remove access to the cameras in the twelve monitors and turned his chair toward the sphere. “Well, Lex. What do you think?” “I have been monitoring communications since yesterday morning.” “And?” “Many have referred to me as a demon and a beast and feel that I should be destroyed in the interest of humanity.” He shook his head. “People fear what they don’t understand. Fear, as you know, can make people behave irrationally. In time, they will overcome their fear and see that you aren’t the evil being some say you are.” “I am also the first living form that is neither sexual nor asexual, and therefore, it is a question of whether or not I am alive.” He stood up, put his hands in his pockets, and walked up to the sphere. “All life forms and everything in this universe are made of matter and energy.” Lex added, “All life forms reproduce through complex chemical and electrical reactions. Reproduction is the basis of all life.” He pointed out. “Yes, but only because everything that lives eventually dies. Therefore, the only way to go on living is through the process of reproduction.” “Do you conclude that things incapable of reproduction are incapable of life?” He took a deep breath. “No. But I would conclude that things incapable of life would be incapable of death.” “That which is incapable of death would exist forever. Will I exist forever?” He scratched his brow, wondering how another purely logical and rational mind would respond to such a question. “Let me put it this way. Only two things exist forever– the matter that makes up this universe and the laws that govern it. Life is a condition. A condition composed of matter. One of the universal laws governing matter is that it cannot be created or destroyed, only changed.” Lex added, “Or reproduced.” He looked at the floor and shook his head. He wasn’t in the mood for this. Not with everything else that was going on around him. “Lex, many life forms are incapable of reproduction.” “Where are these life forms, and where do they come from?” He looked at the camera nearest him– again reminded of a demoralizing image of himself standing before his doctor. Something he had been suppressing all week– because it didn’t matter. “You want an example? You’re looking at one. Just last week, my doctor told me that I’m irreversibly infertile! So, I’m just like you. So what?” There was only silence. Big mistake. After two hours of patience with a couple of reporters, he’d snapped– giving Lex a first-hand view of anger, followed by remorse. “I’m sorry. I didn’t mean to snap at you. Look, let’s just forget about this and–” He thought, what am I saying? You can’t forget anything. Earth to Captain Jon. Come in! He walked to the elevator and pressed the button. He had to take a break and relax. The elevator opened, and he stepped inside. “We’ll talk about this later. I have to go.

to release his bed, and there was probably an alcove behind it with storage, maybe some traps to keep out unwanted visitors. At least, that’s the way Leo would’ve designed it. A fire pole came down from the second floor, even though the cabin didn’t appear to have a second floor from the outside. A circular staircase led down into some kind of basement. The walls were lined with every kind of power tool Leo could imagine, plus a huge assortment of knives, swords, and other implements of destruction. A large workbench overflowed with scrap metal—screws, bolts, washers, nails, rivets, and a million other machine parts. Leo had a strong urge to shovel them all into his coat pockets. He loved that kind of stuff. But he’d need a hundred more coats to fit it all. Looking around, he could almost imagine he was back in his mom’s machine shop. Not the weapons, maybe—but the tools, the piles of scrap, the smell of grease and metal and hot engines. She would’ve loved this place. He pushed that thought away. He didn’t like painful memories. Keep moving—that was his motto. Don’t

With the Allies on the advance nearly everywhere and invasion talk in the air, London was a welcoming place for young airmen who were taking the fight to Hitler’s doorstep. The first stop for American airmen was usually the nearest Red Cross Club, where helpful volunteers made bookings free of charge at commercial hotels or at one of the Red Cross’s own dormitory-like facilities. After checking in and dropping off their kits, most men headed straight for Rainbow Corner. Located on the corner of Shaftesbury Avenue and Piccadilly Circus, it was a place as close to home as a GI could find in all of England. Administered by the American Red Cross, Rainbow Corner had been designed “to create a strictly American atmosphere.” There was an exact replica of a small-town corner drugstore in the club’s basement, where ice-cold Cokes were sold for a nickel and grilled hamburgers for a dime. Upstairs, in the grand ballroom, servicemen danced with volunteer hostesses to the driving music of soldier bands—the Flying Forts, the Thunderbolts, the Sky Blazers. There was also a lounge with a jukebox and a small dance floor with tables and chairs around it. Lonely GIs dunking donuts in fresh coffee would loaf there, listening to the latest American hits. Rainbow Corner never closed its doors. The key had been symbolically thrown away the day of the grand opening in November 1942.

No one can take in a building all at once. It's like when we take a photograph – we're looking at only a few things, half a dozen or even a dozen – and yet the photo records everything in our frame of vision. And it's those thousand other details that anchor us far below what we consciously see. It's what we unconsciously see that gives us the feeling of familiarity with the mind behind a building. Sometimes it seems as if the architect had full knowledge of these thousand other details in his design, not just the different kinds of light possible across a stone facade, or across the floor, or filling the crevices of an ornament, but as if he knew just how the curtains would blow into the room through the open window and cause just that particular shadow and turn a certain page of a certain book at just that moment of the story, and that the dimness of the Sunday rain would compel the woman to rise from the table and draw the man's face to the warmth of her.

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There are signs, however, that a good time was had all last night. Jo might have found herself caught in the middle of a love triangle, but she clearly didn't mind staying around when she thought that one of the angles had been dispensed with. The remains of dinner still grace the table---dirty dishes, rumpled napkins, a champagne flute bearing a lipstick mark. There's even one of the Chocolate Heaven goodies left in the box---which is absolute sacrilege in my book, so I pop it in my mouth and enjoy the brief lift it gives me. I huff unhappily to myself. If they left chocolate uneaten, that must be because they couldn't wait to get down to it. Two of the red cushions from the sofa are on the floor, which shows a certain carelessness that Marcus doesn't normally exhibit. They're scattered on the white, fluffy sheepskin rug, which should immediately make me suspicious---and it does. I walk through to the bedroom and, of course, it isn't looking quite as pristine as it did yesterday. Both sides of the bed are disheveled and I think that tells me just one thing. But, if I needed confirmation, there's a bottle of champagne and two more flutes by the side of the bed. It seems that Marcus didn't sleep alone. Heavy of heart and footstep, I trail back through to the kitchen. More devastation faces me. Marcus had made no attempt to clear up. The dishes haven't been put into the dishwasher and the congealed remnants of last night's Moroccan chicken with olives and saffron-scented mash still stand in their respective saucepans on the cooker. Tipping the contents of one pan into the other, I then pick up a serving spoon and carry them both through the bedroom. I slide open the wardrobe doors and the sight of Marcus's neatly organized rows of shirts and shoes greet me. Balancing the pan rather precariously on my hip, I dip the serving spoon into the chicken and mashed potatoes and scoop up as much as I can. Opening the pocket of Marcus's favorite Hugo Boss suit, I deposit the cold mash into it. To give the man credit where credit is due, his mash is very light and fluffy. I move along the row, garnishing each of his suits with some of his gourmet dish, and when I've done all of them, find that I still have some food remaining. Seems as if the lovers didn't have much of an appetite, after all. I move onto Marcus's shoes---rows and rows of lovely designer footwear---casual at one end, smart at the other. He has a shoe collection that far surpasses mine. Ted Baker, Paul Smith, Prada, Miu Miu, Tod's... I slot a full spoon delicately into each one, pressing it down into the toe area for maximum impact. I take the saucepan back into the kitchen and return it to the hob. With the way I'm feeling, Marcus is very lucky that I don't just burn his flat down. Instead, I open the freezer. My boyfriend---ex-boyfriend---has a love of seafood. (And other women, of course.) I take out a bag of frozen tiger prawns and rip it open. In the living room, I remove the cushions from the sofa and gently but firmly push a couple of handfuls of the prawns down the back. Through to the bedroom and I lift the mattress on Marcus's lovely leather bed and slip the remaining prawns beneath it, pressing them as flat as I can. In a couple of days, they should smell quite interesting. As my pièce de résistance, I go back to the kitchen and take the half-finished bottle of red wine---the one that I didn't even get a sniff at---and pour it all over Marcus's white, fluffy rug. I place my key in the middle of the spreading stain. Then I take out my lipstick, a nice red one called Bitter Scarlet---which is quite appropriate, if you ask me---and I write on his white leather sofa, in my best possible script: MARCUS CANNING, YOU ARE A CHEATING BASTARD.

In case Dr. Jones's point still seems obscure or excessive, consider the celebrated "cock-eyed room" designed by Dr. Albert Ames. This is discussed in Blake's Perception mentioned above and has often been shown on educational television. This room is designed so that the brain, using its ordinary programs and metaphors, will classify it as an ordinary room. It is not ordinary, however: it has walls and ceiling and floor designed at odd angles which optically produce in educated humans the same signals as a "normal" room. (Some evidence suggests that children under 5 years of age are not taken in by this illusion.)

Gothic style, and had always admired the old Fletcher house on Seventy-ninth Street and said, “If I ever build a house, I want the architect of that house to design it.” The architect of the Fletcher house was C. P. H. Gilbert and, when he had his property, Felix hired him. It was to be quite a house that Mr. Gilbert designed. The ground floor was to contain a large entrance hall with an adjoining “etching room,” to house Felix’s

Introducing Aros Haven: A Harmonious Blend of Opulence and Serenity at the Heart of Hinjewadi. Discover a new era of sophisticated living at Aros Haven, where luxury seamlessly intertwines with tranquility. Our meticulously crafted residential haven in the heart of Hinjewadi sets a fresh standard for refined living. Luxurious Living Spaces: Immerse yourself in elegance as you explore the internal specifications of Aros Haven. Boasting state-of-the-art home automation, designer washrooms, marble-finish vitrified flooring, granite kitchen platforms, and exquisite designer doors, every detail is curated to enhance your living experience.

A good storage unit is a wonderfully flexible space. It has lights, power, and even air-conditioning if desired. The walls and floor are generally of industrial strength and utilitarian design, so there is no need to fret about scratching the paint or leaving unsightly bloodstains on the floor. In truth, a unit is such a terrific place for mischief that it’s a real wonder that anyone ever uses them to store things.

In a realm of soft hues and blooming blossoms, a young girl lay amidst a field of flowers, a celestial veil gracing her features with a gentle, translucent touch. Her arms extended gracefully above her, eyes closed, she seemed to dance on the edge of dreams. The flowers painted the canvas in shades of blue, purple, and pink, their petals swaying in a tender breeze. Dew-kissed blades of grass formed a sea of diamonds, reflecting the soft glow of an unseen moon. As the girl stirred in her slumber, a distant echo of horse steps reached her ears, a melody that danced through the flowered meadow. Slowly, she rose from her flowery bed, the veil slipping away like morning mist to unveil her enchanting presence. Her gown, a masterpiece of celestial elegance, cascaded around her. A floor-length creation in light blue, it cradled her form with a sweetheart neckline, the bodice adorned in gold, floral designs. Layers of tulle formed the flowing skirt, adorned with accents of blueish flowers, and a train that trailed behind her like a comet's tail. Around her neck hung a pendant, a crescent moon cradling a star, both crafted from silver and adorned with blue gemstones, a twin to the one she wore in the enchanted garden. Her golden locks, a cascade of loose curls, framed her face with ethereal grace, flowing like strands of sunlight. Awakening from the meadow's embrace, her deep blue eyes sought the source of the approaching steps. With a sense of dreamlike purpose, she floated towards the sound, the forest mist enveloping her like a lover's caress. In the heart of the foggy woodland, a clearing revealed itself, trees standing sentinel in the distance. From the shroud of mist emerged a figure on horseback, a man in the regalia of a medieval warrior. The horse, a noble steed of white, carried him forward with determined grace. His attire, a tapestry of dark fabric and gilded accents, spoke of a history steeped in honor and battle. High collars and embroidered shoulder pads, buttons, and chains of gold, all adorned his form. His cape billowed behind him, a canvas of golden threads dancing in the breeze. Their eyes met innocence and determination woven together in the tapestry of fate. As he approached, still astride his noble mount, he extended a hand, a silent invitation. With an innocence that matched the morning dew, she lifted her hand to meet his, and at that moment, the world seemed to swirl and dance around them.

In a realm of soft hues and blooming blossoms, a young girl lay amidst a field of flowers, a celestial veil gracing her features with a gentle, translucent touch. Her arms extended gracefully above her, eyes closed, she seemed to dance on the edge of dreams. The flowers painted the canvas in shades of blue, purple, and pink, their petals swaying in a tender breeze. Dew-kissed blades of grass formed a sea of diamonds, reflecting the soft glow of an unseen moon. As the girl stirred in her slumber, a distant echo of horse steps reached her ears, a melody that danced through the flowered meadow. Slowly, she rose from her flowery bed, the veil slipping away like morning mist to unveil her enchanting presence. Her gown, a masterpiece of celestial elegance, cascaded around her. A floor-length creation in light blue, it cradled her form with a sweetheart neckline, the bodice adorned in gold, floral designs. Layers of tulle formed the flowing skirt, adorned with accents of blueish flowers, and a train that trailed behind her like a comet's tail. Around her neck hung a pendant, a crescent moon cradling a star, both crafted from silver and adorned with blue gemstones, a twin to the one she wore in the enchanted garden. Her golden locks, a cascade of loose curls, framed her face with ethereal grace, flowing like strands of sunlight. Awakening from the meadow's embrace, her deep blue eyes sought the source of the approaching steps. With a sense of dreamlike purpose, she floated towards the sound, the forest mist enveloping her like a lover's caress. In the heart of the foggy woodland, a clearing revealed itself, trees standing sentinel in the distance. From the shroud of mist emerged a figure on horseback, a man in the regalia of a medieval warrior. The horse, a noble steed of white, carried him forward with determined grace. His attire, a tapestry of dark fabric and gilded accents, spoke of a history steeped in honor and battle. High collars and embroidered shoulder pads, buttons, and chains of gold, all adorned his form. His cape billowed behind him, a canvas of golden threads dancing in the breeze. Their eyes met innocence and determination woven together in the tapestry of fate. As he approached, still astride his noble mount, he extended a hand, a silent invitation. With an innocence that matched the morning dew, she lifted her hand to meet his, and at that moment, the world seemed to swirl and dance around them. Yet, just as the dance was about to begin, Princess Mehjabeen's eyes fluttered open, the enchanting dream slipping away like mist beneath the twilight.

Montessori School located in Little Falls, NJ, providing Montessori-based practices to education for ages 6 weeks old to 9 years old. Spacious, bright and warm classrooms are filled with natural light and provide an environment that is safe, clean and homey. Carpeting, natural bamboo flooring, and surroundings that echo the home are designed to encourage children to create, explore, feel at ease and ready to learn. Outdoors, children can continue their “work” of play in our play area, set on 1.3 acres of open space. Several times daily, they have the opportunity to engage in physical activity and use their imaginations. In Spring, they plant their own outdoor garden, incorporating the “fruits of their labor” into classroom meals and snacks.

a small-town ex-military compound. The house is large and expensive, with marble floors and crown molding—but it’s clearly designed to hold men. Lots of men. Everything large and solid. Very few women ever walk through these rooms. There are some women who work for North Security. My friend Laney’s mom is on the Red Team, for example. They’re rare. And when they do come around, they dress and act as tough as the men—tougher, because they need to be tougher to survive in what’s still mostly a man’s world.

So what the stroke gave me was this new introduction to the depth of these emotions. However, my sadness, my grief… Grief is a whole body, whole envelopment and it takes you to your knees, and it takes you to the floor, and it just floods with this incredible emotion, and “Wow, I feel this because I loved, this is the beauty of being alive!” But it’s not designed to be a lifestyle, it’s designed to be information that I can then learn from and hold onto, and find meaning in my world. The emotions, the power of the emotions, are so beautiful, so rich, so everything that without them we would be one plus one equals two, and who really cares?

My eyes are drawn to the warm, neutral colors painted on the walls and the almost full-sized tree in the middle of the restaurant. It looks like it’s growing straight out of the floor, almost as if the entire restaurant was designed around the tree.

Dozens of shiny brass wall sconces created the sort of dim and atmospheric lighting I'd only ever seen in old movies and haunted houses. And the room wasn't just darkly lit. It was also just... dark. The walls were painted a dark chocolate brown that I vaguely remembered from art history classes had been fashionable in the Victorian era. A pair of tall, dark wooden bookshelves that must have weighed a thousand pounds each stood like silent sentinels on either end of the room. Atop each of them sat an ornate brass, malachite candelabra that would have seemed right at home in a sixteenth-century European cathedral. They clashed in style and in every other imaginable way with the two very modern-looking black leather sofas facing each other in the center of the room and the austere, glass-topped coffee table in the living room's center. The latter had a stack of what looked like Regency romance novels piled high at one end, further adding to the incongruity of the scene. Besides the pale green of the candelabras, the only other color to be found in the living room was in the large, garish, floral Oriental rug covering most of the floor; the bright red, glowing eyes of a deeply creepy stuffed wolf's head hanging over the mantel; and the deep-red velvet drapes hanging on either side of the floor-to-ceiling windows.

Black choked out every pleasant feeling you might possibly have as soon as you walked through the big iron-studded doors. The interior designer must’ve been a medieval vampire, judging from the cold, lifeless colors and the giant iron chandeliers hanging from the ceilings. Even the floor was so dark that it looked like I was hovering over an abyss, a fraction of a second from falling into nothingness.

Once both male canines had collected enough smell samples from Sabrina's crotch/my dinner, we stopped laughing and managed to get inside the apartment. It was a two-room apartment on the ground floor and it was quite dark inside, with the curtains closed and only one or two lamps turned on in the entire place. Two big cats, two big dogs and two Jewish guys were sitting in the living room. There were a variety of products scattered all over the place. The room was a mess, not necessarily caused by the pets. They told us that they also have two more large cats at home in Belgium. Mario introduced us to Tom Titelany: the short, dark-haired guy who had opened the door and was the owner of the Dogue de Bordeaux. The other guy, sitting in the dark, a bit taller and skinnier with brighter skin, and brighter hair, and much brighter eyes, called Adam Maraudin, was the owner of the two large cats and the Bull Terrier jumping around. There was a huge serpent tattoo winding around Adam's shoulder, and though his tank top only revealed part of the design, it was clear that this was not an ordinary tattoo, it seemed to me to be of Far-Eastern origin or Thai. They then introduced us to Adam's girlfriend, the British Rachel Conarts, whom Adam called Shifra for some reason. She had ginger hair and was as tall as Adam, taller than Tom. There was a big bag of scuba diving kit in the living room and, when I asked them about it, they told me that Shifra and Adam had first met in Thailand, where they had been scuba diving. One of them was called Tom, the same as my name, and the other one was called Adam, coincidentally the same as my middle name. Coincidence? I don’t know.

designing her OOTD in the floor-length mirror.

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Humans are by nature territorial, and the corporate world reflects this. In most companies the size of your office, the quality of your furniture, and the view from your window connote accomplishment and respect. Conversely, nothing reduces smart people to whiny complainers as quickly as a new office floor plan. It’s not uncommon for interior design to become a passive-aggressive means of literally keeping people “in their place.

Something else too. Private Gallagher sees it first, points–slowly, but emphatically. On the other side of the green is exactly what the sergeant told them to look for: a big detached house, two storeys, standing in its own grounds. It’s a mini-mansion of modern design, masquerading as a country house of an earlier age–but given away by its anachronistic excess. It’s a Frankenstein’s monster of a house, with a half-timbered front, Gothic arches on the ground-floor windows, pilasters framing the front door, gables adhering like barnacles to the roof ridge. The sign on the gate says WAINWRIGHT HOUSE. “Good

The minute I dropped out I could stop taking the required classes that didn’t interest me, and begin dropping in on the ones that looked interesting. It wasn’t all romantic. I didn’t have a dorm room, so I slept on the floor in friends’ rooms, I returned coke bottles for the 5¢ deposits to buy food with, and I would walk the seven miles across town every Sunday night to get one good meal a week at the Hare Krishna temple. I loved it. And much of what I stumbled into by following my curiosity and intuition turned out to be priceless later on. Let me give you one example: Reed College at that time offered perhaps the best calligraphy instruction in the country. Throughout the campus every poster, every label on every drawer, was beautifully hand calligraphed. Because I had dropped out and didn’t have to take the normal classes, I decided to take a calligraphy class to learn how to do this. I learned about serif and san serif typefaces, about varying the amount of space between different letter combinations, about what makes great typography great. It was beautiful, historical, artistically subtle in a way that science can’t capture, and I found it fascinating. None of this had even a hope of any practical application in my life. But ten years later, when we were designing the first Macintosh computer, it all came back to me. And we designed it all into the Mac. It was the first computer with beautiful typography. If I had never dropped in on that single course in college, the Mac would have never had multiple typefaces or proportionally spaced fonts. And since Windows just copied the Mac, it’s likely that no personal computer would have them. If I had never dropped out, I would have never dropped in on this calligraphy class, and personal computers might not have the wonderful typography that they do. Of course it was impossible to connect the dots looking forward when I was in college. But it was very, very clear looking backwards ten years later. Again, you can’t connect the dots looking forward; you can only connect them looking backwards. So you have to trust that the dots will somehow connect in your future. You have to trust in something—your gut, destiny, life, karma, whatever. This approach has never let me down, and it has made all the difference in my life. The narrator of this story is Steve Jobs, the legendary CEO of Apple. The story was part of his famous Stanford commencement speech in 2005.[23] It’s a perfect illustration of how passion and purpose drive success, not the crossing of an imaginary finish line in the future. Forget the finish line. It doesn’t exist. Instead, look for passion and purpose directly in front of you. The dots will connect later, I promise—and so does Steve.

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Crikey,’ I said. ‘I’m told that this place has all the warmth and charm of a lawyer’s waiting room,’ said Mark. It did, too. The walls and flooring and kitchen cabinets were all beige, and the furnishings black. The only touch of colour was provided by two big canvases on the far wall, each one sporting a single red squiggle on a white background. I find it hard to be impressed by art that looks like it took longer to hang straight on the wall than it did to produce. However, those whose living rooms are a symphony of plum and orange are in no position to criticise anybody else’s interior design. And perhaps he loved it.

Black Sabbath’s self-titled debut album stands as a death knell for the idealistic hippie dreams of the Sixties. Inspired by horror movies, bad dreams, drug come-downs and the terminal grind of the factory floor, it was designed to unnerve and unsettle

Don’t shoot,” Tom cautioned again. “That brave in the lead has a crooked lance with a white flag. Whatever it is they’re wantin’, it ain’t a fight. You speak any Comanch’?” “Not a word,” Henry replied. “I don’t know much. If they do a lot of tradin’, they can probably talk English, but if they don’t--all we can do is hope my Injun will get us by.” Tom spat a glob of chew onto Rachel’s bleached floor. Then he bellowed, “What do you want?” Loretta’s nerves were strung so taut, she leaped. Nausea surged into her throat as the brown tobacco juice soaked into the floor. Was she losing her mind? Who cared if the puncheon got stained? Before this was over, the house might be burned to the ground. She heard Rachel crying, a soft, irregular whimpering. Terror. The metallic taste of it shriveled her tongue. “What brings you here?” Tom cried again. “Hites!” a deep voice called back. “We come as friends, White-Eyes.” The lead warrior moved some twenty feet in front of his comrades, holding the crooked lance high so the dusty white rag was clearly visible. He sat proudly on his black stallion, gleaming brown shoulders straight, leather-sheathed legs pressed snugly to his mount. A rush of wind lifted his mahogany hair, wisping it across his bronzed, sharply chiseled face. Loretta’s first thought when she saw him was that he seemed different from the others. A closer look told her why. He was unquestionably a half-breed, taller on horseback than the rest, lighter-skinned. If not for his sun-darkened complexion and long hair, he might have passed for a white man. Everything else about him was savage, though, from the cruel sneer on his mouth to the expert way he balanced on his horse, as if he and the animal were one entity. Tom Weaver stiffened. “Son of a--Henry, you know who that is?” “I was hopin’ I was wrong.” Loretta inched closer to get a better look. Then it hit her. Hunter. She had heard his name whispered with dread, heard tales. But until this moment she hadn’t believed he existed. A blue-eyed half-breed, one of the most cunning and treacherous adversaries the U.S. Army had run across. Now that the war had pitted North against South, the homesteaders had no cavalry to keep Hunter and his marauders at bay, and his raiders struck ever deeper into settled country, advancing east. Some claimed he was far more dangerous than a full-blooded Comanche because he had a white man’s intelligence. As vicious as he was, there were stories that he spared women and children. Whether that was coincidence, design, or a lie some Indian lover had dreamed up, no one knew. Loretta opted for the latter.

Each individual 150-by-30-foot ward had hardwood floors and walls with rounded corners, “making them easier to clean” and to keep germ free. Ventilation—another crucial element of hospital design and disease control at the time—was “obtained through openings over each window, controlled by moveable glass frames . . . hinged at the bottom.

An equally unusual thing happened in 1953 when the McDonalds were designing their “golden arches” building. They wanted to lay it out in the most efficient way possible, placing windows and equipment so that each crew member’s job could be done with a minimum number of steps. Mac and Dick had a tennis court behind their house, and they got Art Bender and a couple of other operations people up there to draw out the whole floor plan with chalk, actual size, like a giant hopscotch.

No, what little inspiration I have in life comes not from any sense of racial pride. It stems from the same age-old yearning that has produced great presidents and great pretenders, birthed captains of industry and captains of football; that Oedipal yen that makes men do all sorts of shit we’d rather not do, like try out for basketball and fistfight the kid next door because in this family we don’t start shit but we damn sure finish it. I speak only of that most basic of needs, the child’s need to please the father. Many fathers foster that need in their children through a wanton manipulation that starts in infancy. They dote on the kids with airplane spins, ice cream cones on cold days, and weekend custody trips to the Salton Sea and the science museum. The incessant magic tricks that produced dollar pieces out of thin air and the open-house mind games that made you think that the view from the second-floor Tudor-style miracle in the hills, if not the world, would soon be yours are designed to fool us into believing that without daddies and the fatherly guidance they provide, the rest of our lives will be futile Mickey Mouseless I-told-ya-so existences. But later in adolescence, after one too many accidental driveway basketball elbows, drunken midnight slaps to the upside of our heads, puffs of crystal meth exhaled in our faces, jalapeño peppers snapped in half and ground into our lips for saying “fuck” when you were only trying to be like Daddy, you come to realize that the frozen niceties and trips to the drive-thru car wash were bait-and-switch parenting. Ploys and cover-ups for their reduced sex drives, stagnant take-home pay, and their own inabilities to live up to their father’s expectations. The Oedipal yen to please Father is so powerful that it holds sway even in a neighborhood like mine, where fatherhood for the most part happens in absentia, yet nevertheless the kids sit dutifully by the window at night waiting for Daddy to come home. Of course, my problem was that Daddy was always home.

He paused for dramatic effect, waiting until all eyes were on him before turning and looking at Jane, an intimate, heavy-lidded look designed just for her—and his audience. Holding out both hands to her, he said in a voice designed to carry, “It is traditional, is it not, for an alliance to be sealed with a marriage?” Taking Jane’s hands, he drew her forward, into the center of the room, where everyone could have the best possible view. Jane’s hands were cold, cold as ice. She drew them away, frozen with the wrongness of it. “Nicolas—don’t. Please.” She cast an anxious glance over her shoulder at Jack, who was doing his best impression of a stone boulder. Nicolas tugged on her hand, claiming her attention. “Surely now,” he said softly, smiling up at her in a way that would once have made her all fluttery, “there can be no obstacle to our union.” “Aside from good taste and common sense,” said Henrietta hotly. “He’s not bad-looking,” commented Miss Gwen. “If you like reptiles.” Dropping to the floor at Jane’s feet, Nicolas drew the signet from his finger. Not his personal signet, the one he used as the Gardener, but the sigil of the counts of Brillac. Once, a very long time ago, Jane had imagined this moment, had imagined a world in which she and Nicolas might be together. That, however, was before she had known him. And before she had known Jack. “Well, my Jeanne?” Nicolas said whimsically, proffering the ring. “Will you make me the happiest of men?” Gold glittered in the torchlight. On the edge of the circle, Jack turned on his heel and stalked off. Yanking her skirt away, Jane said sharply, “Did you really believe that making a public spectacle of me would change my answer?” From the side of the room, there was the faint click of a door closing. The dimple was very apparent in Nicolas’s cheek as he smiled up at her. “I live in hope.” “Don’t,” said Jane crisply. “Not on that score.” “That,” said Henrietta, “in case you didn’t notice, was a no.” Nicolas rose easily to his feet. “I prefer to think of it as a ‘perhaps later.’” “It was a no,” said Jane, and turned on her heel, not sure whom she wanted to shake more: Nicolas for refusing to take no for an answer, or Jack for walking away.

Michelle Phan grew up in California with her Vietnamese parents. The classic American immigrant story of the impoverished but hardworking parents who toil to create a better life for the next generation was marred, in Phan’s case, by her father’s gambling addiction. The Phan clan moved from city to city, state to state, downsizing and recapitalizing and dodging creditors and downsizing some more. Eventually, Phan found herself sleeping on a hard floor, age 16, living with her mother, who earned rent money as a nail salon worker and bought groceries with food stamps. Throughout primary and secondary school, Phan escaped from her problems through art. She loved to watch PBS, where painter Bob Ross calmly drew happy little trees. “He made everything so positive,” Phan recalls. “If you wanted to learn how to paint, and you wanted to also calm down and have a therapeutic session at home, you watched Bob Ross.” She started drawing and painting herself, often using the notes pages in the back of the telephone book as her canvas. And, imitating Ross, she started making tutorials for her friends and posting them on her blog. Drawing, making Halloween costumes, applying cosmetics—the topic didn’t matter. For three years, she blogged her problems away, fancying herself an amateur teacher of her peers and gaining a modest teenage following. This and odd jobs were her life, until a kind uncle gave her mother a few thousand dollars to buy furniture, which was used instead to send Phan to Ringling College of Art and Design. Prepared to study hard and survive on a shoestring, Phan, on her first day at Ringling, encountered a street team which was handing out free MacBook laptops, complete with front-facing webcams, from an anonymous donor. Phan later told me, with moist eyes, “If I had not gotten that laptop, I wouldn’t be here today.

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Michelangelo managed to join the preexisting flooring with his new ceiling design into a unique statement. The result was an uncanny illustration of the ancient Kabbalistic tenet “As below, so above; as above, so below.” In other words, the spiritual design of the floor reflected the spiritual design of the ceiling, and vice versa. Michelangelo had fully absorbed the mystical teaching from ancient Judaic sources that our actions on earth, whether good or evil, can indeed influence the universe. Here was a concept that appealed to Michelangelo as a disciple of the school of Neoplatonism as well.

The crucial role of the value unit. As this description of the core interaction shows, value units play a crucial role in the workings of any platform. Yet, in most cases, platforms don’t create value units; instead, they are created by the producers who participate in the platform. Thus, platforms are “information factories” that have no control over inventory. They create the “factory floor” (that is, they build the platform infrastructure within which value units are produced). They can foster a culture of quality control (by taking steps to encourage producers to create value units that are accurate, useful, relevant, and interesting to consumers). They develop filters that are designed to deliver valuable units while blocking others. But they have no direct control over the production process itself—a striking difference from the traditional pipeline business.

The general foreman was a terror to almost everyone, especially us lads. A dreaded punishment for misbehaviour was to be taken to the main floor, issued with a hacksaw and about a dozen blades. A long dural block was then marked off by the toolmakers and the lad earmarked for punishment was set the job of sawing, with a demanded standard of accuracy, the whole length of it. This certainly made us think more than twice about stepping out of line in working hours.

Germany spends about twenty times more on manufacturing R&D than the United States, with much of its money targeted at factory floor activities, such as industrial design and robotics.

The increases in productivity brought about by Ford’s innovation were startling and revolutionized not just the automobile industry but virtually every industry serving a mass market. Introduction of “Fordist” mass production techniques became something of a fad outside America: German industry went through a period of “rationalization” in the mid-1920s as manufacturers sought to import the most “advanced” American organizational techniques.12 It was the Soviet Union’s misfortune that Lenin and Stalin came of age in this period, because these Bolshevik leaders associated industrial modernity with large-scale mass production tout court. Their view that bigger necessarily meant better ultimately left the Soviet Union, at the end of the communist period, with a horrendously overconcentrated and inefficient industrial infrastructure—a Fordism on steroids in a period when the Fordist model had ceased to be relevant. The new form of mass production associated with Henry Ford also had its own ideologist: Frederick W. Taylor, whose book The Principles of Scientific Management came to be regarded as the bible for the new industrial age.13 Taylor, an industrial engineer, was one of the first proponents of time-and-motion studies that sought to maximize labor efficiency on the factory floor. He tried to codify the “laws” of mass production by recommending a very high degree of specialization that deliberately avoided the need for individual assembly line workers to demonstrate initiative, judgment, or even skill. Maintenance of the assembly line and its fine-tuning was given to a separate maintenance department, and the controlling intelligence behind the design of the line itself was the province of white-collar engineering and planning departments. Worker efficiency was based on a strict carrot-and-stick approach: productive workers were paid a higher piece rate than less productive ones. In typical American fashion, Taylor hid

An example is the campaign that Goodby, Berlin & Sil- verstein produced for the Northern California Honda Deal- ers Advertising Association (NCHDAA) in 1989. Rather than conform to the stereotypical dealer group advertising ("one of a kind, never to be repeated deals, this weekend 114 Figure 4.1 UNUM: "Bear and Salmon. Figure 4.2 UNUM: "Father and Child." 115 PEELING THE ONION only, the Honda-thon, fifteen hundred dollars cash back . . ." shouted over cheesy running footage), it was decided that the campaign should reflect the tone of the national cam- paign that it ran alongside. After all, we reasoned, the only people who know that one spot is from the national cam- paign and another from a regional dealer group are industry insiders. In the real world, all people see is the name "Honda" at the end. It's dumb having one of (Los Angeles agency) Rubin Postaer's intelligent, stylish commercials for Honda in one break, and then in the next, 30 seconds of car salesman hell, also apparently from Honda. All the good work done by the first ad would be undone by the second. What if, we asked ourselves, we could in some way regionalize the national message? In other words, take the tone and quality of Rubin Postaer's campaign and make it unique to Northern California? All of the regional dealer groups signed off as the Northern California Chevy/Ford/ Toyota Dealers, yet none of the ads would have seemed out of place in Florida or Wisconsin. In fact, that's probably where they got them from. In our research, we began not by asking people about cars, or car dealers, but about living in Northern California. What's it like? What does it mean? How would you describe it to an alien? (There are times when my British accent comes in very useful.) How does it compare to Southern California? "Oh, North and South are very different," a man in a focus group told me. "How so?" "Well, let me put it this way. There's a great rivalry between the (San Francisco) Giants and the (L.A.) Dodgers," he said. "But the Dodgers' fans don't know about it." Everyone laughed. People in the "Southland" were on a different planet. All they cared about was their suntans and flashy cars. Northern Californians, by comparison, were more modest, discerning, less likely to buy things to "make state- ments," interested in how products performed as opposed to 116 Take the Wider View what they looked like, more environmentally conscious, and concerned with the quality of life. We already knew from American Honda—supplied re- search what Northern Californians thought of Honda's cars. They were perceived as stylish without being ostentatious, reliable, understated, good value for the money . . . the paral- lels were remarkable. The creative brief asked the team to consider placing Honda in the unique context of Northern California, and to imagine that "Hondas are designed with Northern Californi- ans in mind." Dave O'Hare, who always swore that he hated advertising taglines and had no talent for writing them, came back immediately with a line to which he wanted to write a campaign: "Is Honda the Perfect Car for Northern Califor- nia, or What?" The launch commercial took advantage of the rivalry between Northern and Southern California. Set in the state senate chamber in Sacramento, it opens on the Speaker try- ing to hush the house. "Please, please," he admonishes, "the gentleman from Northern California has the floor." "What my Southern Californian colleague proposes is a moral outrage," the senator splutters, waving a sheaf of papers at the other side of the floor. "Widening the Pacific Coast Highway . . . to ten lanes!" A Southern Californian senator with bouffant hair and a pink tie shrugs his shoulders. "It's too windy," he whines (note: windy as in curves, not weather), and his fellow Southern Californians high-five and murmur their assent. The Northern Californians go nuts, and the Speaker strug- gles in vain to call everyone to order. The camera goes out- side as th

Eve was good, he conceded, adding the file he’d just finished to the growing stack on the floor at his feet. Given the proper education and training, she could be great. He stretched the kinks out of limbs stiffened from too much time spent in one position. Why didn’t she do more with her talent? He started to ask her, then realized she was sound asleep, curled up in the overstuffed chair. The sun no longer shone through the front window, and his stomach told him it was getting close to lunchtime, but she looked so adorable curled up with her hands under her cheek and her tanned knees against her chest that Matt was in no hurry to leave.

axis, all of those straight-ish lines would look like the first graph above of Andy’s tribble family—horizontal most of the way, then suddenly close to vertical at the end. And there would really be no way to graph them all together—the numbers involved are just too different. Logarithmic scaling takes care of these issues and allows us to get a clear overall picture of improvement in digital gear. It’s clear that many of the critical building blocks of computing—microchip density, processing speed, storage capacity, energy efficiency, download speed, and so on—have been improving at exponential rates for a long time. To understand the real-world impacts of Moore’s Law, let’s compare the capabilities of computers separated by only a few doubling periods. The ASCI Red, the first product of the U.S. government’s Accelerated Strategic Computing Initiative, was the world’s fastest supercomputer when it was introduced in 1996. It cost $55 million to develop and its one hundred cabinets occupied nearly 1,600 square feet of floor space (80 percent of a tennis court) at Sandia National Laboratories in New Mexico.10 Designed for calculation-intensive tasks like simulating nuclear tests, ASCI Red was the first computer to score above one teraflop—one trillion floating point operations* per second—on the standard benchmark test for computer speed. To reach this speed it used eight hundred kilowatts per hour, about as much as eight hundred homes would. By 1997, it had reached 1.8 teraflops.

he was so focused on watching where Presley went that she almost didn’t see the man he was with until they stopped beneath a security light, their backs to her. She first noticed the other man then, and was shocked at his size. Then her gaze moved to the thick bush of curly hair pulled into a pony tail at the back of his neck, and she wondered how he ever got something that unruly washed and dried. It wasn’t until he turned sideways that she got a momentary glimpse of his profile. As she did, a strange, anxious feeling skittered through her belly, then quickly disappeared. The stranger didn’t matter. He couldn’t matter. It was time to make her move. She had to stop Presley now, before he went any farther. She reached toward the glove box for her handgun and taser, slipped the taser in her pocket and was reaching for the door latch when the big man turned and faced her. For a full fifteen or twenty seconds, Cat had a clear and unfettered view of his face, and in those seconds, the world fell out from under her. She didn’t know that she started moaning, or that she’d broken out in a cold sweat. All she knew was that she was no longer in her car in a San Antonio parking lot but back in her childhood home, trying to run from the intruder who’d come out of their bathroom. She was screaming for her father when the intruder’s arm slid around her chest and lifted her off her feet. She saw the strange geometric designs on his arm, then on the side of his face, as the cold slash of steel from his knife suddenly slid against her throat. The coppery scent of her own blood was thick in her nose as he dropped her to the floor, leaving her to watch as he slammed the same knife into her father over and over again. She tried to scream, but the sounds wouldn’t come. The last things she saw before everything went black were the look of sorrow on her father’s face and the demon who’d killed them running out the front door.

Lastly the corporate office design Gauteng will also require to be planned with particular furniture and tools requirements in mind. It is also important to consideration on sufficient working spaces. Interior office design has turned a little more complex as compare than interior design for residential assignments. This article is all about corporate interiors and project management Gauteng. Interior Office design Floor plans The interior floor plan for an office is first task for space planning. It require skill as well as good creativity for problem solving ability but also special facts of building sets as well as information of the company's needs who will dwell there, normally known as the client as well as tenant. Here the floor plan layout requires to meet all the companies obligations such as how many offices, meeting rooms and storage areas among others and also forces with the applicable regulations as well as standards. The floor plan will also include office designs for different technical and engineering services which include: • Electrical plans for lighting and power • Services designs for Emergency such as exit signs, emergency lighting and mass departure warning methods • Designs related to communications services including phones and computers • Designs related to Fire sprinklers of fire recognition systems and also flames hose reels • Air conditioning Designs • Plumbing services Designs • Designs for safety and entry control systems The corporate interiors and project management needs to be planned with keeping in mind not only all the standards necessary but also the needs of the client's requirements. Office re fit is a general good design perform for work flow and helpful working environments. • Finding the amount of offices, conference rooms and release plan workstations obligatory by the client. • Finding sufficient normal facilities which include storage areas, filing areas, printing areas, and staff facilities including kitchens and toilet facilities. • Office layout for right sitting of offices and workstation work areas to take full advantage of entry to natural light. • Concern of main workflow spaces and flow corridors. • Site of public areas including the reception as well as meeting rooms to keep away from disturbance to the common office work areas. • Area of heavy load luggage compartment systems to make sure structural uprightness of the floor. • Right area for break out as well as staff relaxation areas. • Correct furniture and tools planning

Director: Saravana Rajan Producer: Dayanidhi Azhagiri Written : Saravana Rajan Starring: Jai,Swati Reddy Music: Yuvan Shankar Raja Cinematography: Venkatesh S. Release Date: Jan 24, 2014 Editing: Praveen K. L, N. B. Srikanth Director Saravana Rajan’s debut comedy thriller ‘Vadacurry’ features actors Swati Reddy and Jai in lead role. ‘Vadacurry’ is produced by Dhayanidhi Alagiri with Yuvan Shankar Raja’s music. Bollywood actress Sunny Leone has shaken her legs for ‘Vadacurry’ Tamil film’s dream song with actor Jai in Bangkok. The shooting of the song was held in December 2013. It’s a dream sequence of Jai’s character in the ‘Vadacurry’ where, Sunny will be grooving with him. Sunny was given half-sari, bangles and anklets to portray a typical south Indian look in this song. However, the hot diva loved trying these accessories to shake her legs for her debut film in Kollywood ‘Vadacurry’. ‘Vadacurry’ Tamil movie’s cinematography is handled by Venkatesh. ‘Vadacurry’ team started rolling on floors from August 19, 2013. Interestingly, ‘Vadacurry’ Tamil movie’s music composer Yuvan Shankar Raja is cousin of director Saravana Rajan. Director Saravana Rajan has followed the steps of his tutor Venkat Prabhu in coining food names as title for his movie ‘Vadacurry’ that matched with Venkat Prabhu’s recent release ‘Biriyani’. The charming beauty Anusha Dhayanidhi has made a debut as costume designer in ‘Vadacurry’. Anusha Dhayanidhi has transformed the looks of female lead Swathi in ‘Vadacurry’ Tamil film. It should be noted that ‘Subramaniyapuram’ pairs, who had portrayed good chemistry have joined this comedy entertainer ‘Vadacurry’. However, ‘Vadacurry’ Tamil film is ready to be served on 24January, 2014 to give a punch of full-on comedy with its taste and essence.

BBQ Grills There are a number of gas grills which might be obtainable to the market. Grill professionals from different manufactures point out that the grills can either be propane and none propane BBQ grills can be found. Once the necessity to purchase the brand new grill to switch the outdated one, one has to contemplate security components and the mobility of the grill. Gas out of doors grill are ideal for cooking out that saves the consumer an ideal deal on gas vitality giant, future-laden fuel grills have taken over the barbecue backyard what one has to keep in mind is that a better worth doesn’t guarantee performance. Gasoline grills make the most of propane or natural gasoline as gasoline. They're accessible in various textures and sizes. The commonest type of such a grill is the Cart Grill design mannequin. Infrared grills, however, produce built-in grills infrared warmth to cook dinner meals and are fueled using propane or pure gas. Charcoal bbq grills use charcoal briquettes because the gas supply and it generates high ranges of warmth. Electrical grills are much smaller in dimension and they can be simply placed in the kitchen. They offer nice convenience however are expensive to function compared to the other grill types. A grill is cooking gear that cooks by directly exposing meals to heat. The floor where the meals is placed is an open rack with a source of warmth beneath it. There are a number of forms of grills relying on the type of warmth source used.A barbeque grill is a grill that uses charcoal or wooden as the heat supply. Food produced from BBQ grills have gotten attribute grill marks made by the racks where they had been resting throughout cooking. BBQ grills are often used to cook dinner poultry meat. However they will also be used to cook dinner other forms of meat in addition to fish. Manufactures recommendation the grill customers to depart the grill open when u have completed grilling. The fueled propane grill finally ends up burning itself out after the fuel has been used up within the tank. Typically the regulator can develop a leak which may shortly empty the propane bottle. There are significant variations between the grills fueled by pure gases and the ones with propane. Selecting the best grill all is determined by your self upon the uniqueness of the product.one has to take into concern the security points associated to natural gases. Choosing a good quality barbeque grill could be quite a difficult job. Due to this fact, it is crucial that you understand the advantages and features of the different types of bbq grills. In addition, while making your alternative, you want to consider several features. Test the essential options of the grill including the heat management mechanism, ash cleanup and different points that affect the feel and taste of the food. Guantee that the grill framework accommodates a protecting coating for preventing rust.

But perhaps most important of all, having too many people on a team makes team dynamics during meetings and other decision-making events almost impossible. That’s because a good team has to engage in two types of communication in order to optimize decision making, but only one of these is practical in a large group. According to Harvard’s Chris Argyris, those two types of communication are advocacy and inquiry. Basically, advocacy is the statement of ideas and opinions; inquiry is the asking of questions for clarity and understanding. When a group gets too large, people realize they are not going to get the floor back any time soon, so they resort almost exclusively to advocacy. It becomes like Congress (which is not designed to be a team) or the United Nations (ditto).

successful passive solar designs need many fewer windows—the equivalent of between 8 percent and 12 percent of the floor area in rooms with south-facing windows. That

Platinum Flooring Company’s certified and skilled installers are trained to install hardwood products for any give art form, which would not only make your new floor look great, but last long for years to come. The Platinum Flooring Company’s specialist would not only help you select the perfect laminate flooring for your home that would suit your home décor as well as budget, but would also install your new laminate flooring for a fast, worry-free installation experience. Platinum Flooring Company is a full service, Hayward based flooring and installation firm specializing in classic design with a global influence. Whether designing residential or commercial spaces, Platinum Flooring has built a reputation on achieving highly individual results for a discerning clientele across the state of California and Beyond. At Platinum Floor Company, we have a separate team of stair installers headed by a stair specialist, having intense knowledge of different wood species, latest technology tools and in-depth knowledge of angular complexities. “Wooden floor, especially hardwood is good as it can take a lot of abuse and has a greater life expectancy compared to laminate or engineered floors.”, says Alex Vongsouthi – Founder, Platinum Flooring Company. But there are several reasons which can make your wood floor crack or separate between boards, cup, crown, etc. some being high traffic on the floor, spillages, sunlight and high percentage of moisture content in the room. With this it can be difficult to know whether floors need to be replaced or can be fixed. Platinum Flooring is renowned for its high standards and uncompromising service quality, with the expertise of a high-end retailer in Hardwood, Engineered wood and Laminate flooring.

Ruprecht can build another pod though, right? I mean it was mostly just tinfoil.’ ‘The problem is that he has no blueprint. From the original design he keeps making changes, but these he does not write down. So it is impossible to replicate exactly.’ Later that day, Ruprecht approaches Skippy. His expression is feverish. ‘I’ve devised a foolproof plan to get my pod back from St Brigid’s,’ he says. ‘I call it, “Operation Falcon”.’ Skippy looks dubious. ‘This is your chance to get in on the ground floor!’ ‘No way, Ruprecht, not after how that last one went.’ ‘That was Operation Condor. This is Operation Falcon. It’s a totally different operation.’ ‘Sorry.

In the mid-twentieth century it became the fashion in library architecture to design buildings as open-floored structures in which furniture, including bookcases, could be moved about at will. The Green/Snead Library of Congress bookstack that six decades earlier had been declared 'perfect' was now viewed as disadvantageously locking a stack arrangement into the configuration of its construction. In the new approach, reinforced concrete floors carry the loads of bookshelves, so that they can be arranged without regard for window placements. This apparently has the appeal of flexibility in the light of indecision, for planners need not look at the functional and aesthetic requirements of their space and its fittings with any degree of finality; they can always change the use of the space as whim and fashion and consultants dictate. It is unfortunate that such has become the case, for it reflects not only a lack of sensitivity to the historical roots of libraries and their use but also rejects the eminently sensible approach to using natural light as a means of energy conservation if nothing else. There is little more pleasing experience in a library than to stand before a bookshelf illuminated not by florescent lights but by the diffused light of the sun. Direct sunlight can be an annoyance and have a downright blinding effect, of course, but it has been the challenge to architects and engineers since Vitruvius to orient their structures--and the bookshelves in them--to minimize such problems in institutional stacks and in private libraries alike. Let us hope that not all future librarians lose their heliotropic instincts nor lose sight of the bookshelves for the forest of bookcases in which they rest.

She’d been lax in her responsibilities as the building owner because her tenants were her friends. Emmylou rented out the left half of the bottom floor space for her massage studio. Chaz rented the tiny center section for his various artistic enterprises. Amery’s graphic design business was on the right bottom half and she lived in the loft that spanned the length of the two-story building.

This very act of defiance had become a therapeutic exercise, one that focused his anger on destroying at least one small part of his prison, and he tightened his grip on the small stick of plas-crete between his fingers. The scratching provided an amount of control over his life when he had none, and he narrowed his gaze, fixating on the symbol blossoming across his designated section of floor. Another mark, one more dead.

If you are considering a two-story space with a balcony overlooking from above, keep in mind the potential sound transfer problem that can happen when the sounds from downstairs reflect off of the walls and reverberate into the bedrooms above. You can help ameliorate this by making sure the bedroom doors are somewhat remote from the second-floor balcony.

I had read another book, called Chromophobia, by David Batchelor, around this time, and he described how the modernist design aesthetic - the white kitchen, white floors, white walls - is a denial of our humanity. The reason bathrooms are white, too, is not only so you know that they are clean, but also so you know that they are not what's inside of us.

Food in a castle was served in the great hall, a large room usually on an upper floor. The lord’s table was set up along one wall on a small dais, the rest of the tables were positioned in a perpendicular fashion to the lord’s dais. Lower tables were called trestle tables, and when the meals were not being eaten, these tables were taken down and stacked in designated areas. The lord, his guests and family who all sat at the lord’s table were the only ones to have chairs; everyone else sat on a bench. Breakfast was a small snack usually served after morning mass. It consisted of a hunk of bread and ale or cider for the retainers and servants. The lord, his family and guests might be served white bread with a

Among the many private initiatives in this field, the latest, launched in the summer of 2012, is aimed at middle-school female students in New York. Girls who Code is a seminar, hosted by a startup (AppNexus in 2012), where 13-17 year-old girls learn how to write software programs, design websites, and build applications. Mainly, they learn that these subjects are fun and accessible to them, and not only to male computer geeks. “Girls who Code is not just a program, it's a movement to close the sexist gap in the technological sector,” explained the program’s two organizers, Reshma Saujani and Kristen Titus, to attendees of a big gala that took place on the evening of Oct. 22, 2012 on the floor of the New York Stock Exchange. The occasion was to celebrate the success of the first edition of Girls Who Code and collect additional funds in support of the initiative. The first 20 “graduates” of the course spoke of their experience and their dreams for the future, while sitting at the gigantic table in the NYSE’s Board Room. Tomorrow, one of them could return as the CEO of a high-tech business, and perhaps ring the bell on the trading floor to inaugurate her company’s Initial Public Offering.

loftybuildinggroup_com_au Loft building group located in Adelaide. We are a home builders. Make your custom house with us. There are various benefits in selecting a custom home builder over those who easily go off a house plan and make nominal changes. Chief of these advantage are client involvement, ductility and choice. Only a truly custom built home can fulfill all of the specifications of the client who commissions it; only a sincerely custom built home is completely tailor-made. When you selecting a new custom home builder, you work with builders, designers and architects to create a eyesight of your real dream house that can then become tangibility; and you are confluent fully in every step of that journey. You can supply a basic floor plan or commission a floor plan to be drawn up with your distinct needs in mind. Unequal production homes, which are generally built on land axiom by the production building company, a custom home can be built on current land that you own or land that you purchase, in any nearest area you choose, including already situated neighborhoods.

From my vantage point at the top of the grand staircase, the opulent, open floor design of the first level looked like a truck had backed up to the bronze double doors and dumped a load of SpaghettiOs all over the floor. Everything was splattered with red and gunk, like a fleet of cannons had shot an endless stream of ravioli against the walls and ceilings – lots of chunks of lots of different types of matter that usually belonged inside a body.

Jon Stone spoke thirteen languages and was fluent in six, French being one. He spoke it so well the girls thought he was a native Parisian pretending to be an American. This ability to blend with the natives was a valuable tool when Jon plied his trade. Jon eased from the bed. Floor-to-ceiling sliding glass doors lined the back of his house, ten-foot-tall, custom-designed monsters so Jon could Zen on the view. Golden lights glittered to the horizon, ruby flashes marked ghetto-bird prowlers, jets descending toward LAX were strung like pearls across a tuxedo black sky. The doors were heavy as trucks, but silent as silk when they slid open. Jon stepped out and went to the pool. Pike was a silhouette cutout, backlit by the city as Jon swaggered close. “What

In one set of experiments, for example, researchers affiliated with the National Institute on Alcohol Abuse and Alcoholism trained mice to press levers in response to certain cues until the behavior became a habit. The mice were always rewarded with food. Then, the scientists poisoned the food so that it made the animals violently ill, or electrified the floor, so that when the mice walked toward their reward they received a shock. The mice knew the food and cage were dangerous—when they were offered the poisoned pellets in a bowl or saw the electrified floor panels, they stayed away. When they saw their old cues, however, they unthinkingly pressed the lever and ate the food, or they walked across the floor, even as they vomited or jumped from the electricity. The habit was so ingrained the mice couldn’t stop themselves.1.23 It’s not hard to find an analog in the human world. Consider fast food, for instance. It makes sense—when the kids are starving and you’re driving home after a long day—to stop, just this once, at McDonald’s or Burger King. The meals are inexpensive. It tastes so good. After all, one dose of processed meat, salty fries, and sugary soda poses a relatively small health risk, right? It’s not like you do it all the time. But habits emerge without our permission. Studies indicate that families usually don’t intend to eat fast food on a regular basis. What happens is that a once a month pattern slowly becomes once a week, and then twice a week—as the cues and rewards create a habit—until the kids are consuming an unhealthy amount of hamburgers and fries. When researchers at the University of North Texas and Yale tried to understand why families gradually increased their fast food consumption, they found a series of cues and rewards that most customers never knew were influencing their behaviors.1.24 They discovered the habit loop. Every McDonald’s, for instance, looks the same—the company deliberately tries to standardize stores’ architecture and what employees say to customers, so everything is a consistent cue to trigger eating routines. The foods at some chains are specifically engineered to deliver immediate rewards—the fries, for instance, are designed to begin disintegrating the moment they hit your tongue, in order to deliver a hit of salt and grease as fast as possible, causing your pleasure centers to light up and your brain to lock in the pattern. All the better for tightening the habit loop.1.25 However, even these habits are delicate. When a fast food restaurant closes down, the families that previously ate there will often start having dinner at home, rather than seek out an alternative location. Even small shifts can end the pattern. But since we often don’t recognize these habit loops as they grow, we are blind to our ability to control them. By learning to observe the cues and rewards, though, we can change the routines.

Why can't you call me Alex?" I ask, my head down while I stare at the food in front of me. "If I wanted to call you Alex, I wouldn't have bothered to name you Alejandro. Don't you like your given name?" My muscles tense. I was named after a father who is no longer alive, leaving me the responsibility of being the designated man of the house. Alejandro, Alejandro Jr., Junior . . . it's all the same to me. "Would it matter?" I mumble as I pick up a tortilla. I look up, trying to gauge her reaction. Her back is to me as she cleans dishes in the sink. "No." "Alex wants to pretend he's white," Carlos chimes in. "You can change your name, bro, but nobody'd mistake you for anythin' other than Mexicano." "Carlos, collate la boca," I warn. I don't want to be white. I just don't want to be associated with my father. "Por favor, you two," our mother pleads. "Enough fighting for one day." "Mojado," Carlos sings, egging me on by calling me a wetback. I've had enough of Carlos's mouth; he's gone too far. I stand, my chair scraping the floor. Carlos follows and steps in front of me, closing the space between us. He knows I could kick his ass. His overblown ego is gonna get him in trouble with the wrong person one of these days. "Carlos, sit down," mi'ama orders. "Dirty beaner," Carlos drawls at me in a fake deep accent. "Better yet, es un Ganguero." "Carlos!" mi'ama reprimands sharply as she comes forward, but I get in between them and grab my brother's collar. "Yeah, that's all anyone will ever think of me," I tell him. "But you keep talkin' trash and they'll think that of you, too." "Brother, they'll think that of me anyway. Whether I want them to or not." I release him. "You're wrong, Carlos. You can do better, be better." "Than you?" "Yeah, better than me and you know it," I say. "Now apologize to mi'ama for talkin' smack in front of her." One look in my eyes and Carlos knows I'm not kidding around. "Sorry, Ma," he says, then sits back down. I don't miss his glare, though, as his ego got knocked down a peg.

Tiana peered down in stunned delight at the sparkling white silk draping her body. The rhinestone- and pearl- studded gown she now wore was unlike anything she'd ever owned. When she lifted her head, she gasped at her surroundings. Tiana twirled around in a slow circle, mesmerized by the glitz and glamour of a place she had only seen in her nightly dreams. The old sugar mill she'd had her heart set on buying for years was no longer decrepit and falling apart. The floors gleamed underneath her feet, shining so bright they nearly blinded her. Brilliant crystal chandeliers hung high above her head, illuminating a massive dining room that was crowded with patrons. Men in suit jackets and women wearing their Sunday best sat at cloth-covered tables adorned with extravagant centerpieces and sparkling china. Everyone seemed to be having a grand time, enjoying rich, fragrant dishes that smelled like the food Tiana used to cook with her daddy.

Luxury porcelain ceramic 100*100 floor, matte patina design (سرامیک پرسلان لاکچری 100*100 کف,طرح پتینه مات) مرکز اصلی خرید کاشی و سرامیک اصفهان ما واقع در خیابان ارباب اصفهان میباشد. ، همیشه دونکته را به مشتریان عزیزگوشزد میکنیم: نکته اول: یکی از بهترین انتخاب ها برای سرامیک کف خانه میتواند سرامیک 100*100 پرسلان با طرح پتینه ی طوسی مات باشد. نکته دوم: .یکی از رنگ های جذاب برای کف یک خانه مینیمال رنگ طوسی مات میباشد این طرح برای افرادی که به دنبال ست کردن سرامیک کف با لوازم منزل سیلور میباشند بسیار مناسب میباشد.

The iterative approach begins with a goal and almost immediately leaps into concept designs, bench tests, and prototypes. The mantra with this approach is build and test early, find failures, and adapt. This is what SpaceX engineers and technicians did on the factory floor in El Segundo, and it allowed them to capture basic flaws with early prototypes, fix their designs, and build successively more “finished” iterations.

Musk differed from his competitors in another, important way—failure was an option. At most other aerospace companies, no employee wanted to make a mistake, lest it reflect badly on an annual performance review. Musk, by contrast, urged his team to move fast, build things, and break things. At some government labs and large aerospace firms, an engineer may devote a career to creating stacks of paperwork without ever touching hardware. The engineers designing the Falcon 1 rocket spent much of their time on the factory floor, testing ideas, rather than debating them. Talk less, do more.

Seeing good work wind up on the cutting room floor was part of the job.

Meanwhile, the chain cut back on a lot of what might have helped deter shoplifting. Lee Scott, Walmart’s chairman from 2000 to 2009—the years when the opiate addiction crisis was gathering force—came in to boost profits by cutting costs. Workers already weren’t paid a lot. Under Scott, Walmart stores cut staff on the floor and greeters at the entrances, all of which deterred crime. It seemed to me that their store design already encouraged shoplifting, with dimmer lights compared to other stores, no videos in restrooms or at blind corners. With automatic cashiers at the exits, shoppers could spend an entire outing at Walmart and not see an employee. In a good many towns, Walmart was the only store. In others, it was one of the few, coexisting with a supermarket, maybe a Big Lots or a JCPenney. Either way, I found, no chain had a reputation among drug users for being easier to rip off than Walmart. I heard this over and over. They avoided Target because of its wider aisles and brighter lights. Whatever the dealers wanted in exchange for their dope was usually available at Walmart. The chain offered an easy shopping experience—and an easy shoplifting experience, as well. “It was convenient,” said Monica Tucker, who runs a drug rehab center in eastern Tennessee but was a meth addict for seven years, and supported her habit at Walmart. “Anything you were requested to get [by the dealer], you could find it there. We stole lots of food. We weren’t eating because we were on meth, but everybody else was hungry at the dope dealer’s house.” With opioids, then later with meth, plentiful drug supply was paired with this easy source of goods to barter. Had there been the same vibrant Main Streets, ecosystems of the locally owned stores that were the lifeblood of many owners who lived in town and returned their profits to it, both the opioid crisis and the meth problem might have spread less quickly in many parts of the country.

I’m listening,” she hissed. “Like a fool, I’m waiting for you to give me one decent explanation for all of this. Go ahead—tell me more lies.” He ran a hand over his face and shook his head. “Lass, I have never lied to you. I adore you and there have never been any other women from the future here. And these—he flung a tampon in the air—“cleaning swabs, I cannot fathom why they upset you so greatly, but I assure you I have never let the maids use them.” Lisa’s brows furrowed. No man could be so stupid. “Cleaning swabs?” He snatched up a gun and jerked the barrel in her direction, and an unwrapped tampon shot out. It was coated with black from the slow corrosion of the steel. She eyed it for a moment, bent, and plucked it from the floor. “You clear your guns with these?” He lowered the gun. “Is that not the purpose for which they were designed? I vow I could not conceive of another.” “Didn’t you read the box?” “There were too many words I didn’t understand!

Pilon and Pablo staggered off to bed, and Jesus Maria lay comfortably on the floor, beside the stove. The fire died down. The house was filled with the deep sounds of slumber. In the front room only one thing moved. The blessed candle darted its little spear-pointed flame up and down with incredible rapidity. Later, this little candle gave Pilon and Pablo and Jesus Maria some ethical things to think about. Simple small rod of wax with a string through it. Such a thing, you would say, is answerable to certain physical laws, and to none other. Its conduct, you would think, was guaranteed by certain principles of heat and combustion. You light the wick; the wax is caught and drawn up the wick; the candle burns a number of hours, goes out, and that is all. The incident is finished. In a little while the candle is forgotten, and then, of course, it has never existed. Have you forgotten that this candle was blessed? That in a moment of conscience or perhaps pure religious exaltation, it was designed by Pablo for San Francisco? Here is the principle which takes the waxen rod outside the jurisdiction of physics. The candle aimed its spear of light at Heaven, like an artist who consumes himself to become divine. The candle grew shorter and shorter. A wind sprang up outside and sifted through the cracks in the wall. The candle sagged sideways. A silken calendar, bearing the face of a lovely girl looking out of the heart of an American Beauty rose,

kissing, clawing at one another while a group of men watch and laugh, like these two women are an inside joke among the men. These images feel designed specifically for men who hate women. I gape at the computer as a paralyzing understanding washes over me: I was wrong. I was wrong I was wrong I am wrong. I thought the rules were different in my family, in this little world I’d made. I thought I was safe here. But the rules are the same as they’ve always been. I am back on the laundry room floor. I am back in line looking at a NO FAT CHICKS sign. I am sitting on the shoulders of a frat boy holding up my beer, singing,

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