Floor Replacement Quotes

You think it's so easy to change yourself. You think it's so easy, but it's not. True, things don't stay the same forever: couches are replaced, boys leave, you discover a song, your body becomes forever scarred. And with each of these moments you change and change again, your true self spinning, shifting positions-- but always at last it returns to you, like a dancer on the floor. Because throughout it all, you are still, always, you: beautiful and bruised, known and unknowable. And isn't that - just you - enough.

He goes directly to the ballroom, making his way to the center of the dance floor. He takes Celia’s arm, spinning her away from Herr Thiessen. Marco pulls her to him in an emerald embrace, so close that no one distinction remains between where his suite ends and her gown begins. To Celia there is suddenly no one else in the room as he holds her in his arms. But before she can vocalize her surprise, his lips close over hers and she is lost in wordless bliss. Marco kisses her as though they are the only two people in the world. The air swirls in a tempest around them, blowing open the glass doors to the garden with a tangle of billowing curtains. Every eye in the ballroom turns in their direction. And then he releases her and walks away. By the time Marco leaves the room, almost everyone has forgotten the incident entirely. It is replaced by a momentary confusion that is blamed on the heat or the excessive amounts of champagne. Herr Thiessen cannot recall why Celia has suddenly stopped dancing, or when her gown has shifted to its current deep green. “Is something wrong?” he asks, when he realizes that she is trembling.

--and then you're in serious trouble, very serious trouble, and you know it, finally, deadly serious trouble, because this Substance you thought was your one true friend, that you gave up all for, gladly, that for so long gave you relief from the pain of the Losses your love of that relief caused, your mother and lover and god and compadre, has finally removed its smily-face mask to reveal centerless eyes and a ravening maw, and canines down to here, it's the Face In The Floor, the grinning root-white face of your worst nightmares, and the face is your own face in the mirror, now, it's you, the Substance has devoured or replaced and become you, and the puke-, drool- and Substance-crusted T-shirt you've both worn for weeks now gets torn off and you stand there looking and in the root-white chest where your heart (given away to It) should be beating, in its exposed chest's center and centerless eyes is just a lightless hole, more teeth, and a beckoning taloned hand dangling something irresistible, and now you see you've been had, screwed royal, stripped and fucked and tossed to the side like some stuffed toy to lie for all time in the posture you land in. You see now that It's your enemy and your worst personal nightmare and the trouble It's gotten you into is undeniable and you still can't stop. Doing the Substance now is like attending Black Mass but you still can't stop, even though the Substance no longer gets you high. You are, as they say, Finished. You cannot get drunk and you cannot get sober; you cannot get high and you cannot get straight. You are behind bars; you are in a cage and can see only bars in every direction. You are in the kind of a hell of a mess that either ends lives or turns them around.

When I look at you, I see something broken that isn’t worth fixing. And you look at me like I’m a cheap thing to replace the expensive one that’s been stolen from you. See, we’re all vases. And you’re the one scattered on the floor, shattered beyond repair. So I’ll let someone else pick you up. It’s really that simple. Have fun with your temporary glue.

What Friedan gave to the world was, "the problem that has no name." She not only named it but dissected it. The advances of science, the development of labor-saving appliances, the development of the suburbs: all had come together to offer women in the 1950s a life their mothers had scarcely dreamed of, free from rampant disease, onerous drudgery, noxious city streets. But the green lawns and big corner lots were isolating, the housework seemed to expand to fill the time available, and polio and smallpox were replaced by depression and alcoholism. All that was covered up in a kitchen conspiracy of denial... [i]nstead the problem was with the mystique of waxed floors and perfectly applied lipstick.

You ask me what it means to be irrelevant? The feeling is akin to visiting your old house as a wandering ghost with unfinished business. Imagine going back: the structure is familiar ,but the door is now metal instead of wood,the walls have been painted a garish pink ,the easy chair you loved so much is gone .Your office is now the family room and your beloved bookcases have been replaced by a brand-new television set . This is your house,and it is not. And you are no longer relevant to this house , to its walls and doors and floors ; you are not seen .

Two kisses in one kiss was all it took, a comfort, a warmth, perhaps temporary, perhaps false, but reassuring nonetheless, and mine, and theirs, ours, all three of us giggling, insane giggles and laughter with still more kisses on the way, and I remember a brief instant then, out of the blue, when I suddenly glimpsed my own father, a rare but oddly peaceful recollection, as if he actually approved of my play in the way he himself had always laughed and played, great updrafts of light, burning off distant plateaus of bistre & sage, throwing him up like an angel, high above the red earth, deep into the sparkling blank, the tender sky that never once let him down, preserving his attachment to youth, propriety and kindness, his plane almost, but never quite, outracing his whoops of joy, trailing him in his sudden turn to the wind, followed then by a near vertical climb up to the angles of the sun, and I was barely eight and still with him and yes, that was the thought that flickered madly through me, a brief instant of communion, possessing me with warmth and ageless ease, causing me to smile again and relax as if memory alone could lift the heart like the wind lifts a wing, and so I renewed my kisses with even greater enthusiasm, caressing and in turn devouring their dark lips, dark with wine and fleeting love, an ancient memory love had promised but finally never gave, until there were too many kisses to count or remember, and the memory of love proved not love at all and needed a replacement, which our bodies found, and then the giggles subsided, and the laughter dimmed, and darkness enfolded all of us and we gave away our childhood for nothing and we died and condoms littered the floor and Christina threw up in the sink and Amber chuckled a little and kissed me a little more, but in a way that told me it was time to leave.

They gaze at each other for a while, down here on the barroom floor of history, feeling sucker-punched, no clear way to get up and on with a day which is suddenly full of holes--family, friends, friends of friends, phone numbers on the Rolodex, just not there anymore. . .the bleak feeling, some mornings, that the country itself may not be there anymore, but being silently replaced screen by screen with something else, some surprise package, by those who've kept their wits about them and their clicking thumbs ready.

The heaving sickness past, her nausea gone, her bodily fluids replaced, she felt the lightness of being in the open space around her. Her walls the canyon's walls, she owned them not at all; her floor, the river beach. Her view, the heavens. It was, this freedom she was in, the longed-for cathedral of her dreams.

Preparing the manor means removing the disc-lift section, installing railings at a few places. Don’t forget the baby-friendly stairs, even though the newborn won’t use it for another year. Rashad has finished the carpet replacement and floor disinfecting, not that the baby will be crawling anytime soon. Other tasks include removing Meera’s books and crafts, also the sharp objects from up to a height.

Because of the power shortage and lack of replacement parts there was only one elevator running in the Empire State Building, and this one went only as high as the twenty-fifth floor. After that you walked.

On production floors and in corporate offices, sociological verbiage has replaced a basic understanding of human behavior.

You think it's so easy to change yourself. You think it's so easy, but it's not True, things don't stay the same forever: couches are replaced, boys leave, you discover a song, your body becomes forever scarred. And with each of these moments you change again, your true self spinning, shifting positions - but always at last it returns to you, like a dancer on the floor. Because throughout it all you are still always, *you*: beautiful and bruised, known and unknowable. And isn't that - just you - enough?

On our first night in the house, we ripped up every square inch of the new green carpeting and dragged it to the curb. Where the carpet had been, we discovered a pristine oak plank floor that, as best as we could tell, had never suffered the scuff of a single shoe. We painstakingly sanded and varnished it to a high sheen. Then we went out and blew the better part of two week's pay for a handwoven Persian rug, which we unfurled in the living room in front of the fireplace. Over the months, we repainted every green surface and replaced every green accessory. The postal clerk's house was slowly becoming our own. Once we got the joint just right, of course, it only made sense that we bring home a large, four-legged roommate with sharp toenails, large teeth, and exceedingly limited English-language skills to start tearing it apart again.

A quiet but indomitable voice behind me said, “I believe this is my dance.” It was Ren. I could feel his presence. The warmth of him seeped into my back, and I quivered all over like spring leaves in a warm breeze. Kishan narrowed his eyes and said, “I believe it is the lady’s choice.” Kishan looked down at me. I didn’t want to cause a scene, so I simply nodded and removed my arms from his neck. Kishan glared at his replacement and stalked angrily off the dance floor. Ren stepped in front of me, took my hands gently in his, and placed them around his neck, bringing my face achingly close to his. Then he slid his hands slowly and deliberately over my bare arms and down my sides, until they encircled my waist. He traced little circles on my exposes lower back with his fingers, squeezed my waist, and drew my body up tightly against him. He guided me expertly through the slow dance. He didn’t say anything, at least not with words, but he was still sending lots of signals. He pressed his forehead against mine and leaned down to nuzzle my ear. He buried his face in my hair and lifted his hand to stroke down the length of it. His fingers played along my bare arm and at my waist. When the song ended, it took both of us a min to recover our senses and remember where we were. He traced the curve of my bottom lip with his finger then reached up to take my hand from around his neck and led me outside to the porch. I thought he would stop there, but he headed down the stairs and guided me to a wooded area with stone benches. The moon made his skin glow. He was wearing a white shirt with dark slacks. The white made me think of him as the tiger. He pulled me under the shadow of a tree. I stood very still and quiet, afraid that if I spoke I’d say something I’d regret. He cupped my chin and tilted my face up so he could look in my eyes. “Kelsey, there’s something I need to say to you, and I want you to be silent and listen.” I nodded my head hesitantly. “First, I want to let you know that I heard everything you said to me the other night, and I’ve been giving your words some very serious thought. It’s important for you to understand that.” He shifted and picked up a lock of hair, tucked it behind my ear, and trailed his fingers down my cheek to my lips. He smiled sweetly at me, and I felt the little love plant bask in his smile and turn toward it as if it contained the nourishing rays of the sun. “Kelsey,” he brushed a hand through his hair, and his smile turned into a lopsided grin, “the fact is…I’m in love with you, and I have been for some time.” I sucked in a deep breath. He picked up my hand and played with my fingers. “I don’t want you to leave.” He began kissing my fingers while looking directly into my eyes. It was hypnotic. He took something out of his pocket. “I want to give you something.” He held out a golden chain covered with small tinkling bell charms. “It’s an anklet. They’re very popular here, and I got this one so we’d never have to search for a bell again.” He crouched down, wrapping his hand around the back of my calf, and then slid his palm down to my ankle and attached the clasp. I swayed and barely stopped myself from falling over. He trailed his warm fingers lightly over the bells before standing up. Putting his hands on my shoulders, he squeezed, and pulled me closer. “Kells . . . please.” He kissed my temple, my forehead, and my cheek. Between each kiss, he sweetly begged, “Please. Please. Please. Tell me you’ll stay with me.” When his lips brushed lightly against mine, he said, “I need you,” then crushed his lips against mine.

His vulnerability allowed me to let my guard down, and gently and methodically, he tore apart my well-constructed dam. Waves of tender feelings were lapping over the top and slipping through the cracks. The feelings flooded through and spilled into me. It was frightening opening myself up to feel love for someone again. My heart pounded hard and thudded audibly in my chest. I was sure he could hear it. Ren’s expression changed as he watched my face. His look of sadness was replaced by one of concern for me. What was the next step? What should I do? What do I say? How do I share what I’m feeling? I remembered watching romance movies with my mom, and our favorite saying was “shut up and kiss her already!” We’d both get frustrated when the hero or heroine wouldn’t do what was so obvious to the two of us, and as soon as a tense, romantic moment occurred, we’d both repeat our mantra. I could hear my mom’s humor-filled voice in my mind giving me the same advice: “Kells, shut up and kiss him already!” So, I got a grip on myself, and before I changed my mind, I leaned over and kissed him. He froze. He didn’t kiss me back. He didn’t push me away. He just stopped…moving. I pulled back, saw the shock on his face, and instantly regretted my boldness. I stood up and walked away, embarrassed. I wanted to put some distance between us as I frantically tried to rebuild the walls around my heart. I heard him move. He slid his hand under my elbow and turned me around. I couldn’t look at him. I just stared at his bare feet. He put a finger under my chin and tried to nudge my head up, but I still refused to meet his gaze. “Kelsey. Look at me.” Lifting my eyes, they traveled from his feet to a white button in the middle of his shirt. “Look at me.” My eyes continued their journey. They drifted past the golden-bronze skin of his chest, his throat, and then settled on his beautiful face. His cobalt blue eyes searched mine, questioning. He took a step closer. My breath hitched in my throat. Reaching out a hand, he slid it around my waist slowly. His other hand cupped my chin. Still watching my face, he placed his palm lightly on my cheek and traced the arch of my cheekbone with his thumb. The touch was sweet, hesitant, and careful, the way you might try to touch a frightened doe. His face was full of wonder and awareness. I quivered. He paused just a moment more, then smiled tenderly, dipped is head, and brushed his lips lightly against mine. He kissed me softly, tentatively, just a mere whisper of a kiss. His other hand slid down to my waist too. I timidly touched his arms with my fingertips. He was warm, and his skin was smooth. He gently pulled me closer and pressed me lightly against his chest. I gripped his arms. He sighed with pleasure, and deepened the kiss. I melted into him. How was I breathing? His summery sandalwood scent surrounded me. Everywhere he touched me, I felt tingly and alive. I clutched his arms fervently. His lips never leaving mine, Ren took both of my arms and wrapped them, one by one, around his neck. Then he trailed one of his hands down my bare arm to my waist while the other slid into my hair. Before I realized what he was planning to do, he picked me up with one arm and crushed me to his chest. I have no idea how long we kissed. It felt like a mere second, and it also felt like forever. My bare feet were dangling several inches from the floor. He was holding all my body weight easily with one arm. I buried my fingers into his hair and felt a rumble in his chest. It was similar to the purring sound he made as a tiger. After that, all coherent thought fled and time stopped.

True, things don't stay the same forever: couches are replaced, boys leave, you discover a song, your body becomes forever scarred. And with each of these moments you change and change again, your true self spinning, shifting positions - but always at last it returns to you, like a dancer on the floor. Because throughout it all, you are still, always, you: beautiful and bruised, known and unknowable. And isn't that - just you - enough?

Arriving at the store, she walked up and down the aisles handling any object her fancy favored. What a wonderful feeling to pick something up, hold it for a moment, feel its contour, run her hand over its surface and then replace it carefully. Her nickel gave her this privilege. If a floor-walker asked whether she intended buying anything, she could say, yes, buy it and show him a thing or two. Money was a wonderful thing, she decided.

Ethanol is a volatile, flammable, colourless liquid with a slight chemical odour. It is used as an antiseptic, a solvent, in medical wipes and antibacterial formulas because it kills organisms by denaturing their proteins. Ethanol is an important industrial ingredient. Ethanol is a good general purpose solvent and is found in paints, tinctures, markers and personal care products such as perfumes and deodorants. The largest single use of ethanol is as an engine fuel and fuel additive. In other words, we drink, for fun, the same thing we use to make rocket fuel, house paint, anti-septics, solvents, perfumes, and deodorants and to denature, i.e. to take away the natural properties of, or kill, living organisms. Which might make sense on some level if we weren’t a generation of green minded, organic, health-conscious, truth seeking individuals. But we are. We read labels, we shun gluten, dairy, processed foods, and refined sugars. We buy organic, we use natural sunscreen and beauty products. We worry about fluoride in our water, smog in our air, hydrogenated oils in our food, and we debate whether plastic bottles are safe to drink from. We replace toxic cleaning products with Mrs. Myers and homemade vinegar concoctions. We do yoga, we run, we SoulCycle and Fitbit, we go paleo and keto, we juice, we cleanse. We do coffee enemas and steam our yonis, and drink clay and charcoal, and shoot up vitamins, and sit in infrared foil boxes, and hire naturopaths, and shamans, and functional doctors, and we take nootropics and we stress about our telomeres. These are all real words. We are hyper-vigilant about everything we put into our body, everything we do to our body, and we are proud of this. We Instagram how proud we are of this, and we follow Goop and Well+Good, and we drop 40 bucks on an exercise class because there are healing crystals in the floor. The global wellness economy is estimated to be worth $4 trillion. $4 TRILLION DOLLARS. We are on an endless and expensive quest for wellness and vitality and youth. And we drink fucking rocket fuel.

Here’s an Advent illustration for kids — and those of us who used to be kids and remember what it was like. Suppose you and your mom get separated in the grocery store, and you start to get scared and panic and don’t know which way to go, and you run to the end of an aisle, and just before you start to cry, you see a shadow on the floor at the end of the aisle that looks just like your mom. It makes you really happy and you feel hope. But which is better? The happiness of seeing the shadow, or having your mom step around the corner and it’s really her? That’s the way it is when Jesus comes to be our High Priest. That’s what Christmas is. Christmas is the replacement of shadows with the real thing.

In a short time God began to manifest His power and soon the building could not contain the people. Now the meetings continue all day and into the night and the fire is kindling all over the city and surrounding towns. Proud, well-dressed preachers come in to "investigate." Soon their high looks are replaced with wonder, then conviction comes, and very often you will find them in a short time wallowing on the dirty floor, asking God to forgive them and make them as little children.

Perhaps an even more surprising case was reported in June 2012, when a security officer at California’s Monterey Bay Aquarium found a banana peel on the floor in front of the Shale Reef exhibit at 3 a.m. On closer inspection, the banana peel turned out to be a healthy, fist-size red octopus. The security officer followed the wet slime trail and replaced the octopus in the exhibit it had come from. But here’s the shocking part: The aquarium didn’t know it had a red octopus living in its Shale Reef exhibit. Apparently the octopus hitchhiked there as a juvenile, attached to a rock or sponge added to the exhibit, and grew up at the aquarium without anyone knowing it was there.

at California’s Monterey Bay Aquarium found a banana peel on the floor in front of the Shale Reef exhibit at 3 a.m. On closer inspection, the banana peel turned out to be a healthy, fist-size red octopus. The security officer followed the wet slime trail and replaced the octopus in the exhibit it had come from. But here’s the shocking part: The aquarium didn’t know it had a red octopus living in its Shale Reef exhibit. Apparently the octopus hitchhiked there as a juvenile, attached to a rock or sponge added to the exhibit, and grew up at the aquarium without anyone knowing it was there.

flagstones replacing the old parquet floor might have been there for centuries. What had I expected – that the house would somehow remember what had happened on

We’ve replaced intrusive, real conversations with small talk, and we’ve substituted soul-baring, deep, connected living with texts and a night out together every once in a while, because the superficial stuff seems more manageable and less risky. But let’s face it: whether we live lonely or deeply connected, life is messy. The magic of the best of relationships is the mess, the sitting-together-on-the-floors-of-bathrooms, hugging-and-sobbing mess.

Professor Khupe felt his chest swell with pride. It was doing so without his encouragement. If an electrical fault had stopped the elevator from rising, his inflating ego would have powered the remainder of their journey to the twenty-second floor.

Thereafter he gave up on a career in the arts and filled a succession of unsuitable vacancies and equally unsuitable women, falling in love whenever he took up a new job, and falling out of love - or more correctly being fallen out of love with - every time he moved on. He drove a removal van, falling in love with the first woman whose house he emptied, delivered milk in an electric float, falling in love with the cashier who paid him every Friday night, worked as an assistant to an Italian carpenter who replaced sash windows in Victorian houses and replaced Julian Treslove in the affections of the cashier, managed a shoe department in a famous London store, falling in love with the woman who managed soft furnishings on the floor above.

That which for Vronsky had been almost a whole year the one absorbing desire of his life, replacing all his old desires; that which for Anna had been an impossible, terrible, and even for that reason more entrancing dream of bliss, that desire had been fulfilled. He stood before her, pale, his lower jaw quivering, and besought her to be calm, not knowing how or why. “Anna! Anna!” he said with a choking voice, “Anna, for pity’s sake!…” But the louder he spoke, the lower she dropped her once proud and gay, now shame-stricken head, and she bowed down and sank from the sofa where she was sitting, down on the floor, at his feet; she would have fallen on the carpet if he had not held her. “My God! Forgive me!” she said, sobbing, pressing his hands to her bosom. She felt so sinful, so guilty, that nothing was left her but to humiliate herself and beg forgiveness; and as now there was no one in her life but him, to him she addressed her prayer for forgiveness. Looking at him, she had a physical sense of her humiliation, and she could say nothing more. He felt what a murderer must feel, when he sees the body he has robbed of life. That body, robbed by him of life, was their love, the first stage of their love. There was something awful and revolting in the memory of what had been bought at this fearful price of shame. Shame at their spiritual nakedness crushed her and infected him. But in spite of all the murderer’s horror before the body of his victim, he must hack it to pieces, hide the body, must use what he has gained by his murder.

You think it's so easy to change yourself. You think it's so easy but it's not. True, things don't stay the same forever: couches are replaced, boys leave, you discover a song, your body becomes forever scarred. And with each of these moments you change and change again, your true self spinning, shifting positions - but always at last it returns to you, like a dancer on the floor. Because throughout it all, you are still, always, you: beautiful and bruised, known and unknowable. And isn't that - just you - enough?

On the first floor near the foot of the stairs, we have placed on the wall an antique mirror so old that it can't reflect anything anymore. Its surface, worn down to nubbled grainy gray stubs, has lost one of its dimensions. like me, its glimmerless. You can't see into it now, just past it. Depth has been replace by texture. The mirror gives back nothing and makes no productive claim upon anyone. The mirror has been so completely worn away that you have to learn to live with what it refuses to do. That's its beauty.

Adara, cease!" She froze at the sound of a voice she hadn't expected to hear. For a moment she thought she might be dreaming, until she blinked to look up into the most handsome face she'd ever known. She stared at the same blue eyes that made the tenderest of love to her. Christian. Her grip went lax and the candlestick in her hand fell to the floor. He was alive! She threw herself into his arms and held him close as giddy tears replaced her grief-induced ones. At least until her rage took hold again. "Damn you, you worthless, heartless son of a dog!" she snarled, pulling back to strike at his chest. "How dare you make me think you were dead! Don't you ever do such a thing to me again. " Christian was stunned by her language and actions. "I didn't know you could hear us through the door." She struck him again on his armor, a blow that no doubt he felt not at all, but it gave her some degree of satisfaction. "Well, think better next time." Her untoward anger amused him. Wiping the tears from her face, he kissed her tenderly.

Any chance of a beverage?’ asked Ruby. ‘I’ll call for my house servant,’ said Clancy, picking up the phone. ‘Olive,’ he said dramatically, ‘do you want to know how it feels to have twenty cents in your pocket. . .? Very good, well, bring up two iced Coca-colas and the money will be yours.’ He replaced the receiver. ‘Nice going,’ said Ruby, nodding. Five-year-old Olive tottered into the room twenty minutes later with two less than full glasses of Coca-cola. It was clear that she had been sampling the drinks during the long journey to the third floor.

remain today, among them the Rookery, its top-floor library much as it was during that magical meeting in February 1891, and the Reliance Building, beautifully transformed into the Hotel Burnham. Its restaurant is called the Atwood, after Charles Atwood, who replaced Root as Burnham’s chief designer.

If the walls were cracking, I'd plastered the surface back to smoothness. If the floor tiles were crumbling, I'd replaced them. If the roof was leaking, I'd patched the leaks. I'd pretended that, because the “house” still appeared okay, all was okay. Nothing had changed; all had been fixed. Nothing else needed to change.

In science class, Mr. As. told us about an experiment where they got this rat or mouse, and they put this rat or mouse on one side of a cage. On the other side of the cage, they put a little piece of food. And this rat or mouse would walk over to the food and eat. Then, they put the rat or mouse back on xsdc original side, and this time, they put electricity all through the floor where the rat or mouse would have to walk to get the piece of food. They did this for a while, and the rat or mouse stopped going to get the food at a certain amount of voltage. Then, they repeated the experiment, but they replaced the food with something that gave the rat or mouse intense pleasure. I don't know what it was that gave them intense pleasure, but I am guessing it is some kind of rat or mouse nip. Anyway, what the scientists found out was that the rat or mouse would put up with a lot more voltage for the pleasure. Even more than for the food. I don't know the significance of this, but I find it very interesting.

And when the ocean starts rising to the level of whatever building they're in and whatever floor they're on as they write their editorials, yeah, then they'll agree that there's a greenhouse effect and we'd better do something about it. Sure, no matter how lunatic people are, at some point or other they're going to realize that these problems exist, and they are approaching fast. It's just that the next thing they'll ask is, "So how can we make some money off it?" In fact, anybody in business who didn't ask that question would find themselves out of business—just because that's the way that capitalist institutions work. I mean, if some executive came along and said," I'm not going to look at it that way, I'm going to do things differently," well, they'd get replaced by someone who would try to make more money off it―because these are simply institutional facts, these are facts about the structure of the institutions. And if you don't like them, and I don't, then you're going to have to change the institutions. There really is no other way.

The problem: affordable housing has to be subsidised, if the ‘affordable’ bit of the phrase is going to work. The solution: replace every wall, ceiling and floor with a gigantic plasma screen and charge for advertising space. The affordable living room of tomorrow is a futuristic cube with a perpetually looping Go Compare commercial in place of carpets and wallpaper.

Instead, as the crystal splinters entered Hornwrack's brain, he experienced two curious dreams of the Low City, coming so quickly one after the other that they seemed simultaneous. In the first, long shadows moved across the ceiling frescoes of the Bistro Californium, beneath which Lord Mooncarrot's clique awaited his return to make a fourth at dice. Footsteps sounded on the threshold. The women hooded their eyes and smiled, or else stifled a yawn, raising dove-grey gloves to their blue, phthisic lips. Viriconium, with all her narcissistic intimacies and equivocal invitations welcomed him again. He had hated that city, yet now it was his past and it was he had to regret...The second of these visions was of the Rue Sepile. It was dawn, in summer. Horse-chestnut flowers bobbed like white wax candles above the deserted pavements. An oblique light struck into the street - so that its long and normally profitless perspective seemed to lead straight into the heart of a younger, more ingenuous city - and fell across the fronts of the houses where he had once lived, warming up the rotten brick and imparting to it a not unpleasant pinkish colour. Up at the second-floor casement window a boy was busy with the bright red geraniums arranged along the outer still in lumpen terra-cotta pots. He looked down at Hornwrack and smiled. Before Hornwrack could speak he drew down the lower casement and turned away. The glass which no separated them reflected the morning sunlight in a silent explosion; and Hornwrack, dazzled mistaking the light for the smile, suddenly imagined an incandescence which would melt all those old streets! Rue Sepile; the Avenue of Children; Margery Fry Court: all melted down! All the shabby dependencies of the Plaza of Unrealized Time! All slumped, sank into themselves, eroded away until nothing was left in his field of vision but an unbearable white sky above and the bright clustered points of the chestnut leaves below - and then only a depthless opacity, behind which he could detect the beat of his own blood, the vitreous humour of the eye. He imagined the old encrusted brick flowing, the glass cracking and melting from its frames even as they shrivelled awake, the sheds of paints flaring green and gold, the geraniums toppling in flames to nothing, not even white ash, under this weight of light! All had winked away like reflections in a jar of water glass, and only the medium remained, bright, viscid, vacant. He had a sense of the intolerable briefness of matter, its desperate signalling and touching, its fall; and simultaneously one of its unendurable durability He thought, Something lies behind all the realities of the universe and is replacing them here, something less solid and more permanent. Then the world stopped haunting him forever.

I’m not going!” she screamed, grabbing her mother by the shoulder. But Laura didn’t even turn around. She hiccupped, once, and watery vomit splashed onto the floor between her legs. Maggie let go of her mother’s shoulder then, her rage replaced not exactly with pity, but with such a tired disgust with her whole pathetic family that she gave up. Kevin never came home at all that night, and the next afternoon, Nanny Ei drove them to O’Hare.

I occasionally find myself aching for the infant and toddler I’d once known and loved. She’s been replaced now with a little girl who has opinions about her hair, asks her mom to paint her nails, and will soon be spending most of her day at school, under the care of a teacher I have yet to meet. These days, I find myself wishing I could turn back the clock so I could more fully experience London’s first five years: I’d work fewer hours, spend more time playing on the floor with her, and share her wonder as she focuses on the flight path of butterflies. I want London to know how much joy she has added to my life and to tell her that I have done the best I could. I want her to understand that even though her mother has always been with her, I have loved her as much as any father could possibly love a daughter. Why, then, I sometimes wonder, do I feel as if that’s not enough?

After purchasing a CLS, Tesla’s engineers tore it apart. One team had reshaped the boxy, rectangular battery pack from the Roadster and made it flat. The engineers cut the floor out of the CLS and plopped in the pack. Next they put the electronics that tied the whole system together in the trunk. After that, they replaced the interior of the car to restore its fit and finish. Following three months of work, Tesla had in effect built an all-electric Mercedes CLS.

Seamstresses had been working all night making uniforms for me. As I waited to be fitted, I looked over at a rack of uniforms tagged with the word “Custer” and the name of another actor. I watched a wardrobe man come in and gather up the uniforms, toss them like rags in a corner, and replace them on the rack with blue and gold-braided uniforms marked “Custer” with my name on them. I looked at those uniforms piled up on the floor and said to myself: “That can happen to me some day.

wrapped-in-cloth kind, but a human female body shriveled to a husk. She wore a tie-dyed sundress, lots of beaded necklaces, and a headband over long black hair. The skin of her face was thin and leathery over her skull, and her eyes were glassy white slits, as if the real eyes had been replaced by marbles; she’d been dead a long, long time. Looking at her sent chills up my back. And that was before she sat up on her stool and opened her mouth. A green mist poured from the mummy’s mouth, coiling over the floor in thick tendrils, hissing like twenty thousand snakes. I stumbled over myself trying to get to the trapdoor, but it slammed shut. Inside my head, I heard a voice, slithering into one ear and coiling around my brain: I am the spirit of Delphi, speaker of the prophecies of Phoebus Apollo, slayer of the mighty Python. Approach, seeker, and ask. I wanted to say, No thanks, wrong door, just looking for the bathroom. But I forced myself to take a deep breath. The mummy wasn’t alive. She

You think it’s so easy to change yourself. You think it’s so easy, but it’s not. True, things don’t stay the same forever: couches are replaced, boys leave, you discover a song, your body becomes forever scarred. And with each of these moments you change and change again, your true self spinning, shifting positions—but always at last it returns to you, like a dancer on the floor. Because throughout it all, you are still, always, you: beautiful and bruised, known and unknowable. And isn't that—just you—enough?

Books? Yes, I read a lot, I’ve always read a lot. No, I’m not sure we do understand each other. I like to read best on the floor, or in bed, almost everything lying down, no, it has less to do with the books, above all it has to do with the reading, with black on white, with the letters, syllables, lines, the signs, the setting down, this inhuman fixing, this insanity, which flows from people and is frozen into expression. Believe me, expression is insanity, it arises out of our insanity. It also has to do with turning pages, with hunting from one page to the other, with flight, with complicity in an absurd, solidified effusion, with a vile overflow of verse, with insuring life in a single sentence, and, in turn, with the sentences seeking insurance in life. Reading is a vice which can replace all other vices or temporarily take their place in more intensely helping people live, it is a debauchery, a consuming addiction. No, I don’t take any drugs, I take books, of course I have certain preferences, many books don’t suit me at all, some I take only in the morning, others at night, there are books I don’t ever let go, I drag them around with me in the apartment, carrying them from the living room into the kitchen, I read them in the hall standing up, I don’t use bookmarks, I don’t move my lips while reading, early on I learned to read very well, I don’t remember the method, but you ought to look into it, they must have used an excellent method in our provincial elementary schools, at least back then when I learned to read. Yes I also realized, but not until later, that there are countries where people don’t know how to read, at least not quickly, but speed is important, not only concentration, can you please tell me who can keep chewing on a simple or even a complex sentence without feeling disgust, either with the eyes or the mouth, just keep on grinding away, over and over, a sentence which only consists of subject and predicate must be consumed rapidly, a sentence with many appositions must for that very reason be taken at tremendous speed, with the eyeballs performing an imperceptible slalom, since a sentence doesn’t convey anything to itself, it has to “convey” something to the reader. I couldn’t “work my way through” a book, that would almost be an occupation. There are people, I tell you, you come across the strangest surprises in this field of reading . . . I do profess a certain weakness for illiterates, I even know someone here who doesn’t read and doesn’t want to, a person who has succumbed to the vice of reading more easily understands such a state of innocence, really unless people are truly capable of reading they ought not to read at all.

Barbara and I had arrived early, so I got to admire everyone’s entrance. We were seated at tables around a dance floor that had been set up on the lawn behind the house. Barbara and I shared a table with Deborah Kerr and her husband. Deborah, a lovely English redhead, had been brought to Hollywood to play opposite Clark Gable in The Hucksters. Louis B. Mayer needed a cool, refined beauty to replace the enormously popular redhead, Greer Garson, who had married a wealthy oil magnate and retired from the screen in the mid-fifties. Deborah, like her predecessor, had an ultra-ladylike air about her that was misleading. In fact, she was quick, sharp, and very funny. She and Barbara got along like old school chums. Jimmy Stewart was also there with his wife. It was the first time I’d seen him since we’d worked for Hitchcock. It was a treat talking to him, and I felt closer to him than I ever did on the set of Rope. He was so genuinely happy for my success in Strangers on a Train that I was quite moved. Clark Gable arrived late, and it was a star entrance to remember. He stopped for a moment at the top of the steps that led down to the garden. He was alone, tanned, and wearing a white suit. He radiated charisma. He really was the King. The party was elegant. Hot Polynesian hors d’oeuvres were passed around during drinks. Dinner was very French, with consommé madrilène as a first course followed by cold poached salmon and asparagus hollandaise. During dessert, a lemon soufflé, and coffee, the cocktail pianist by the pool, who had been playing through dinner, was discreetly augmented by a rhythm section, and they became a small combo for dancing. The dance floor was set up on the lawn near an open bar, and the whole garden glowed with colored paper lanterns. Later in the evening, I managed a subdued jitterbug with Deborah Kerr, who was much livelier than her cool on-screen image. She had not yet done From Here to Eternity, in which she and Burt Lancaster steamed up the screen with their love scene in the surf. I was, of course, extremely impressed to be there with Hollywood royalty that evening, but as far as parties go, I realized that I had a lot more fun at Gene Kelly’s open houses.

In the silence, Kestrel heard a falling leaf scratch the glass of the window, opened out toward the dimming sky. It was warm, but summer was almost over. “Play your tiles,” Arin said roughly. Kestrel turned them over, taking no joy in the fact that she had surely won. She had four scorpions. Arin flipped his. The sound of ivory clacking against the wooden table was unnaturally loud. Four vipers. “I win,” he said, and swept the matches into his hand. Kestrel stared at the tiles, feeling a numbness creep along her limbs. “Well,” she said. She cleared her throat. “Well played.” He gave her a humorless smile. “I did warn you.” “Yes. You did.” He stood. “I think I’ll take my leave while I have the advantage.” “Until next time.” Kestrel realized she had offered him her hand. He looked at it, then took it in his own. She felt the numbness ebb, only to be replaced by a different kind of surprise. He dropped her hand. “I have things to do.” “Like what?” She tried for a lighthearted tone. He answered in kind. “Like contemplate what I am going to do with my sudden windfall of matches.” He widened his eyes in pretend glee, and Kestrel smiled. “I’ll walk you out,” she said. “Do you think I will lose my way? Or steal something as I go?” She felt her expression turn haughty. “I am leaving the villa anyway,” she said, though she had had no such plans until the words left her mouth. They walked in silence through the house until they had reached the ground floor. Kestrel saw his stride pause, almost imperceptibly, as they passed the closed doors that hid her piano. She stopped. “What is your interest in that room?” The look he gave her was cutting. “I have no interest in the music room.” Her eyes narrowed as she watched him walk away.

As you are all aware, in the course of life we experience many kinds of pain. Pains of the body and pains of the heart. I know i have experienced pain in many different forms, and I'm sure you have too. In most cases, though, im sure you've found it very difficult to convey the truth of that pain to another person: to explain it in words. People say that only they themselves can understand the pain they are feeling. But is it true? I for one do not believe that it is. If, before our eyes, we see someone who is truly suffering , we do sometimes feel his suffering and pain as our own. This is the power of empathy. Am I making myself clear?'' He broke off and looked around the room once again. ''The reason that people sing songs for other people is because they want to have the power to arouse empathy, to break free of the narrow shell of the self and share their pain and joy with others. This is not an easy thing to do, of course. And so tonight, as kind of experiment, I want you to experience a simpler, more physical kind of empathy. Lights please.'' Everyone in the place was hushed now, all eyes fixed on stage. Amid the silence, the man stared off into space, as if to insert a pause or to reach a state of mental concentration. Then, without a word, he held his hand over the lighted candle. Little by little, he brought the palm closer and closer to the flame. Someone in the audience made a sound like a sigh or a moan. You could see the tip of the flame burning the man's palm. You could almost hear the sizzle of the flesh. A woman let out a hard little scream. Everyone else just watched in frozen horror. The man endured the pain, his face distorted in agony. What the hell was this? Why did he have to do such a stupid, senseless thing? I felt my mouth going dry. After five or six seconds of this, he slowly removed his hand from the flame and set the dish with the candle in it on the floor. Then he clasped his hands together, the right and left palms pressed against each other. ''As you have seen tonight, ladies and gentleman, pain can actually burn a person's flesh,'' said the man. His voice sounded exactly as it had earlier: quiet, steady, cool. No trace of suffering remained on his face. Indeed, it had been replaced by a faint smile. ''And the pain that must have been there, you have been able to feel as if it were your own. That is the power of empathy.

In a city of almost three million people, a white van stands out about as much as a pigeon in a park. White vans deliver flowers, they carry plumbers, and boxes destined for front porches. This white van is unlike the rest; it has been customized. The flooring has been torn up and replaced with sheets of steel, powder-coated with black paint so they won’t rust or show stains. Metal drains have been installed, complete with catches, drilled in three separate places for easy maintenance and cleaning. There are thick metal eyebolts fastened into the frame in several spots, impossible to remove, at various heights up and down the walls. The gas tank is a custom installation, almost double the normal size, holding up to thirty gallons of gas, which means that it can drive for almost six hundred miles, to St. Louis and back, without running out of fuel. It can also cruise the dark streets all night long—for days, even weeks—before finally becoming empty, frequent gas station stops to be avoided. And the windows are tinted black, illegal of course, but hardly drawing any attention, so dark that even standing up next to them, it’s impossible to see inside. And for the driver, that’s a good thing—a very good thing, indeed.

With Milch fully in charge of the writing process — or, in many cases, the rewriting process — it became all-consuming. When Milch and Lewis replaced Bochco on Hill Street, Milch had developed a working method that he would continue to use for the next several decades: he would lie on the floor of the writers’ room (Milch has a bad back, which can make sitting for long periods difficult) while a typist scrolled through each script at his instruction; Milch made changes line by line, word by word. By the early days of NYPD Blue, it was understood that regardless of whose name was on the script, the bulk of the words — and, almost as importantly, their order— came from Milch.

Well, guys”—he spread his arms—“I could thank Reyna all day long. She has given so much to the legion. She’s been the best mentor and friend. She can never be replaced. On the other hand, I’m up here all alone now, and we have an empty praetor’s chair. So I’d like to take nominations for—” Lavinia started the chant: “HA-ZEL! HA-ZEL!” The crowd quickly joined in. Hazel’s eyes widened. She tried to resist when those sitting around her pulled her to her feet, but her Fifth Cohort fan club had evidently been preparing for this possibility. One of them produced a shield, which they hoisted Hazel onto like a saddle. They raised her overhead and marched her to the middle of the senate floor, turning her around and chanting, “HAZEL! HAZEL!” Reyna clapped and yelled right along with them. Only Frank tried to remain neutral, though he had to hide his smile behind his fist. “Okay, settle down!” he called at last. “We have one nomination. Are there any other—?” “HAZEL! HAZEL!” “Any objections?” “HAZEL! HAZEL!” “Then I recognize the will of the Twelfth Legion. Hazel Levesque, you are hereby promoted to praetor!” More wild cheering. Hazel looked dazed as she was dressed in Reyna’s old cloak and badge of office, then led to her chair. Seeing Frank and Hazel side by side, I had to smile. They looked so right together—wise and strong and brave. The perfect praetors. Rome’s future was in good hands. “Thank you,” Hazel managed at last. “I—I’ll do everything I can to be worthy of your trust. Here’s the thing, though. This leaves the Fifth Cohort without a centurion, so—” The entire Fifth Cohort started chanting in unison: “LAVINIA! LAVINIA!” “What?” Lavinia’s face turned pinker than her hair. “Oh, no. I don’t do leadership!” “LAVINIA! LAVINIA!” “Is this a joke? Guys, I—” “Lavinia Asimov!” Hazel said with a smile. “The Fifth Cohort read my mind. As my first act as praetor, for your unparalleled heroism in the Battle of San Francisco Bay, I hereby promote you to centurion—unless my fellow praetor has any objections?” “None,” Frank said. “Then come forward, Lavinia!

The gnarled pine, I would have said, touch it. This is China. Horticulturalists around the world have come to study it. Yet no one has ever been able to explain why it grows like a corkscrew, just as no one can adequately explain China. But like that tree, there it is, old, resilient, and oddly magnificent. Within that tree are the elements in nature that have inspired Chinese artists for centuries: gesture over geometry, subtlety over symmetry, constant flow over static form. And the temples, walk and touch them. This is China. Don't merely stare at these murals and statues. Fly up to the crossbeams, get down on your hands and knees, and press your head to the floor tiles. Hide behind that pillar and come eye to eye with its flecks of paint. Imagine that you are the interior decorator who is a thousand years in age. Start with a bit of Tibetan Buddhism, plus a dash each of animism and Taoism. A hodgepodge, you say? No, what is in those temples is an amalgam that is pure Chinese, a lovely shabby elegance, a glorious new motley that makes China infinitely intriguing. Nothing is ever completely thrown away and replaced. If one period of influence falls out of favor, it is patched over. The old views still exist, one chipped layer beneath, ready to pop through with the slightest abrasion. That is the Chinese aesthetic and also its spirit. Those are the traces that have affected all who have traveled along China's roads.

He had taken up some bricks in his floor underneath his loom, and here he had made a hole in which he set the iron pot that contained his guineas and silver coins, covering the bricks with sand whenever he replaced them. Not that the idea of being robbed presented itself often or strongly to his mind: hoarding was common in country districts in those days; there were old labourers in the parish of Raveloe who were known to have their savings by them, probably inside their flock-beds; but their rustic neighbours, though not all of them as honest as their ancestors in the days of King Alfred, had not imaginations bold enough to lay a plan of burglary. How could they have spent the money in their own village without betraying themselves? They would be obliged to “run away” — a course as dark and dubious as a balloon journey.

Yuppieville. The fourteenth floor of Lock-Horne Investments & Securities reminded Myron of a medieval fortress. There was the vast space in the middle, and a thick, formidable wall—the big producers’ offices—safeguarding the perimeter. The open area housed hundreds of mostly men, young men, combat soldiers easily sacrificed and replaced, a seemingly endless sea of them, bobbing and blending into the corporate-gray carpet, the identical desks, the identical rolling chairs, the computer terminals, the telephones, the fax machines. Like soldiers they wore uniforms—white button-down shirts, suspenders, bright ties strangling carotid arteries, suit jackets draped across the backs of the identical rolling chairs. There were loud noises, screams, rings, even something that sounded like death cries. Everyone was in motion. Everyone was scattering, panicked, under constant attack. Yes,

Freddy and his brother Tesoro have not seen each other in five years, and they sit at the kitchen table in Freddy's house and have a jalapeno contest. A large bowl of big green and orange jalapeno peppers sit between the two brothers. A saltshaker and two small glasses of beer accompany this feast. When Tesoro nods his head, the two men begin to eat the raw jalapenos. The contest is to see which man can eat more peppers. It is a ritual from their father, but the two brothers tried it only once, years ago. Both quit after two peppers and laughed it off. This time, things are different. They are older and have to prove a point. Freddy eats his first one more slowly than Tesoro, who takes to bites to finish his and is now on his second. Neither says anything, though a close study of each man's face would tell you the sudden burst of jalapeno energy does not waste time in changing the eater's perception of reality. Freddy works on his second as Tesoro rips into his fourth. Freddy is already sweating from his head and is surprised to see that Tesoro's fat face has not shanged its steady, consuming look. Tesoro's long, black hair is neatly combed, and not one bead of sweat has popped out. He is the first to sip from the beer before hitting his fifth jalapeno. Freddy leans back as the table begins to sway in his damp vision. He coughs, and a sharp pain rips through his chest. Tesoro attempts to laugh at his brother, but Freddy sees it is something else. As Freddy finishes his third jalapeno, Tesoro begins to breathe faster upon swallowing his sixth. The contest momentarily stops as both brothers shift in their seats and the sweat pours down their faces. Freddy clutches his stomach as he reaches for his fourth delight. Tesor has not taken his seventh, and it is clear to Freddy that his brother is suffering big-time. There is a bright blue bird sitting on Tesoro's head, and Tesoro is struggling to laugh because Freddy has a huge red spider crawling on top of his head. Freddy wipes the sweat from his eyes and finishes his fourth pepper. Tesoro sips more beer, sprinkles salt on the tip of his jalapeno, and bites it down to the stem. Freddy, who has not touched his beer, stares in amazement as two Tesoros sit in front of him. They both rise hastily, their beer guts pushing the table against Freddy, who leans back as the two Tesoros waver in the kitchen light. Freddy hears a tremendous fart erupt from his brother, who sits down again. Freddy holds his fifth jalapeno and can't breathe. Tesoro's face is purple, but the blue bird has been replaced by a burning flame of light that weaves over Tesoro's shiny head. Freddy is convinced that he is having a heart attack as he watches his brother fight for breath. Freddy bites into his fifth as Tesoro flips his eighth jalapeno into his mouth, stem and all. This is it. Freddy goes into convulsions and drops to the floor as he tries to reach for his glass of beer. He shakes on the dirty floor as the huge animal that is Tesoro pitches forward and throws up millions of jalapeno seeds all over the table. The last thing Freddy sees before he passes out is his brother's body levitating above the table as an angel, dressed in green jalapeno robes, floats into the room, extends a hand to Tesoro, and floats away with him. When Freddy wakes up minutes later, he gets up and makes it to the bathroom before his body lets go through his pants. As he reaches the bathroom door, he turns and gazes upon the jalapeno plants growing healthy and large on the kitchen table, thick peppers hanging under their leaves, their branches immersed in the largest pile of jalapeno seeds Freddy has ever seen.

— and then you’re in serious trouble, very serious trouble, and you know it, finally, deadly serious trouble, because this Substance you thought was your one true friend, that you gave up all for, gladly, that for so long gave you relief from the pain of the Losses your love of that relief caused, your mother and lover and god and compadre, has finally removed its smily-face mask to reveal centerless eyes and a ravening maw, and canines down to here, it’s the Face In The Floor, the grinning root-white face of your worst nightmares, and the face is your own face in the mirror, now, it’s you, the Substance has devoured or replaced and become you, and the puke-, drool-and Substance-crusted T-shirt you’ve both worn for weeks now gets torn off and you stand there looking and in the root-white chest where your heart (given away to It) should be beating, in its exposed chest’s center and center-less eyes is just a lightless hole, more teeth, and a beckoning taloned hand dangling something irresistible, and now you see you’ve been had, screwed royal, stripped and fucked and tossed to the side like some stuffed toy to lie for all time in the posture you land in. You see now that It’s your enemy and your worst personal nightmare and the trouble It’s gotten you into is undeniable and you still can’t stop. Doing the Substance now is like attending Black Mass but you still can’t stop, even though the Substance no longer gets you high. You are, as they say, Finished. You cannot get drunk and you cannot get sober; you cannot get high and you cannot get straight. You are behind bars; you are in a cage and can see only bars in every direction. You are in the kind of a hell of a mess that either ends lives or turns them around. You are at a fork in the road that Boston AA calls your Bottom, though the term is misleading, because everybody here agrees it’s more like someplace very high and unsupported: you’re on the edge of something tall and leaning way out forward….

You don’t have to sleep on the floor. I know it’s uncomfortable.” “I think I owe you more than a night on the floor.” “You broke your arm tonight. It’ll be stiff, even if you healed it. I don’t want my ally wounded.” She knew, after all the ways she’d flirted with him before, that any invitation could be misconstrued. Especially in a bed with little space between them, entirely in the dark. But there was no misconstruing the way her stomach somersaulted when she felt the mattress shift as he sat down. When he lay beside her and warmth like fire spread through her from her head to her toes. Nothing good would come of this. This was Alistair Lowe, she reminded herself. The one everyone had declared her greatest rival. The boy her mother had warned her about. After they’d slain all the other champions—her ex-best friend among them—it would only be the two of them left. Maybe that would be months from now. Maybe it would be days. But that was what this alliance led up to. Not a kiss stolen in the dark, or a priceless gift given without being asked. A duel. Sobered, Isobel turned so her back was to him. Several minutes had passed, and Alistair hadn’t moved. She wasn’t even sure if he was still awake. “Tell me a monster story,” she whispered. He stirred, then drowsily murmured, “Have you ever heard of a nightcreeper?” “I haven’t.” “They’re drawn to places with complete darkness because their bodies are made of shadow.” Isobel noted the complete darkness around them and slid deeper beneath the blankets. “They can see in the darkness no better than you can, but their eyes are burned away by the faintest light. That’s what they search for—eyes. New ones that don’t scorch in the daylight, that they pluck out and use to replace their own. So they can finally feast outside.” Isobel’s dread receded, her fears replaced by make-believe ones. When she did fall asleep, she didn’t dream of Briony’s demise. She didn’t dream of how it would feel to kiss Alistair or to curse him. She dreamed of fears that, for once, felt surmountable.

What would it be like to fall all that way? Would you scream? Would you have time to shut your eyes before you hit the ground? And when you landed, you would look like a crumpled thing – not real, kind of like a rag doll in clothes – and one of your shoes would have fallen off and you wouldn’t move at all. There wouldn't be much blood, only a thin trickle from the corner of your mouth. People would rush over to you, bend over you, and someone would pull out a mobile phone and call an ambulance. By the time the ambulance arrived, a small gaggle of bystanders would have formed and one of the would be looking up, pointing at the third-floor balcony. When the ambulance arrived, the green paramedics would put a fat white collar around your neck, press your chest and blow in your mouth. But after a while they would stop, look at their watches, write something down, lift you onto a stretcher, replace your missing shoe, smooth down your skirt, then cover you with a white sheet and lift you into the ambulance. And you would never see her again.

As you are all aware, in the course of life we experience many kinds of pain. Pains of the body and pains of the heart. I know I have experienced pain in many different forms, and I'm sure you have too. In most cases, though, I'm sure you've found it very difficult to convey the truth of that pain to another person: to explain it in words. People say that only they themselves can understand the pain they are feeling. But is it true? I for one do not believe that it is. If, before our eyes, we see someone who is truly suffering, we do sometimes feel his suffering and pain as our own. This is the power of empathy. Am I making myself clear?'' He broke off and looked around the room once again. ''The reason that people sing songs for other people is because they want to have the power to arouse empathy, to break free of the narrow shell of the self and share their pain and joy with others. This is not an easy thing to do, of course. And so tonight, as kind of experiment, I want you to experience a simpler, more physical kind of empathy. Lights please.'' Everyone in the place was hushed now, all eyes fixed on stage. Amid the silence, the man stared off into space, as if to insert a pause or to reach a state of mental concentration. Then, without a word, he held his hand over the lighted candle. Little by little, he brought the palm closer and closer to the flame. Someone in the audience made a sound like a sigh or a moan. You could see the tip of the flame burning the man's palm. You could almost hear the sizzle of the flesh. A woman let out a hard little scream. Everyone else just watched in frozen horror. The man endured the pain, his face distorted in agony. What the hell was this? Why did he have to do such a stupid, senseless thing? I felt my mouth going dry. After five or six seconds of this, he slowly removed his hand from the flame and set the dish with the candle in it on the floor. Then he clasped his hands together, the right and left palms pressed against each other. ''As you have seen tonight, ladies and gentleman, pain can actually burn a person's flesh,'' said the man. His voice sounded exactly as it had earlier: quiet, steady, cool. No trace of suffering remained on his face. Indeed, it had been replaced by a faint smile. ''And the pain that must have been there, you have been able to feel as if it were your own. That is the power of empathy.

We stopped talking about Zampanô then. She paged her friend Christina who took less than twenty minutes to come over. There were no introductions. We just sat down on the floor and snorted lines of coke off a CD case, gulped down a bottle of wine and then used it to play spin the bottle. They kissed each other first, then they both kissed me, and then we forgot about the bottle, and I even managed to forget about Zampanô, about this, and about how much that attack in the tattoo shop had put me on edge. Two kisses in one kiss was all it took, a comfort, a warmth, perhaps temporary, perhaps false, but reassuring nonetheless, and mine, and theirs, ours, all three of us giggling, insane giggles and laughter with still more kisses on the way, and I remember a brief instant then, out of the blue, when I suddenly glimpsed my own father, a rare but oddly peaceful recollection, as if he actually approved of my play in the way he himself had always laughed and played, always laughing, surrendering to its ease, especially when he soared in great updrafts of light, burning off distant plateaus of bistre & sage, throwing him up like an angel, high above the red earth, deep into the sparkling blank, the tender sky that never once let him down, preserving his attachment to youth, propriety and kindness, his plane almost, but never quite, outracing his whoops of joy, trailing him in his sudden turn to the wind, followed then by a near vertical climb up to the angles of the sun, and I was barely eight and still with him and yes, that the thought that flickered madly through me, a brief instant of communion, possessing me with warmth and ageless ease, causing me to smile again and relax as if memory alone could lift the heart like the wind lifts a wing, and so I renewed my kisses with even greater enthusiasm, caressing and in turn devouring their dark lips, dark with wine and fleeting love, an ancient memory love had promised but finally never gave, until there were too many kisses to count or remember, and the memory of love proved not love at all and needed a replacement, which our bodies found, and then the giggles subsided, and the laughter dimmed, and darkness enfolded all of us and we gave away our childhood for nothing and we died and condoms littered the floor and Christina threw up in the sink and Amber chuckled a little and kissed me a little more, but in a way that told me it was time to leave.

Isis in Darkness, he writes. The Genesis. It exalts him simply to form the words. He will exist for her at last, he will be created by her, he will have a place in her mythology after all. It will not be what he once wanted: not Osiris, not a blue-eyed god with burning wings. His are humbler metaphors. He will only be the archaeologist; not part of the main story, but the one who stumbles upon it afterwards, making his way for his own obscure and battered reasons through the jungle, over the mountains, across the desert, until he discovers at last the pillaged and abandoned temple. In the ruined sanctuary, in the moonlight, he will find the Queen of Heaven and Earth and the Underworld lying in shattered white marble on the floor. He is the one who will sift through the rubble, groping for the shape of the past. He is the one who will say it has meaning. That too is a calling, that also can be a fate. He picks up a filing-card, jots a small footnote on it in his careful writing, and replaces it neatly in the mosaic of paper he is making across his desk. His eyes hurt. He closes them and rests his forehead on his two fisted hands, summoning up whatever is left of his knowledge and skill, kneeling beside her in the darkness, fitting her broken pieces back together.

The leader of the Red Guards stepped up to Nien Cheng. “We are the Red Guards. We have come to take revolutionary action against you!” Nien Cheng held up the copy of the Constitution and looked the leader in the eye. “It’s against the Constitution to enter a private house without a search warrant.” The man grabbed the Constitution out of Nien’s hand and threw it on the floor. “The Constitution is abolished. It was a document written by the Revisionists within the Communist Party. We recognize only the teachings of our Great Leader Chairman Mao.” One of the Red Guards took the stick he was carrying and smashed the mirror hanging over a wooden chest in the entryway. Another guard replaced the mirror with a blackboard that bore a quotation from Mao: “When the enemies with guns are annihilated, the enemies without guns still remain. We must not belittle these enemies.”2 With that, the young guards tore through the house, smashing furniture, dumping shelves of books onto the floor, slashing priceless paintings by Lin Fengmian and Qi Baishi. On a rampage, the eager students looted the closets and drawers, tearing most of Nien Cheng’s clothing and linens. They overturned the bed mattresses and hacked them to pieces. Then they smashed her music recordings. Pressing on, they found the food pantry and dumped flour, sugar, and canned goods onto the ravaged clothing. They broke several bottles of red wine, pouring it over the mess.

Questions surround nearly every aspect of the assassination. The chain of possession regarding each piece of evidence was tainted beyond repair. The presidential limousine, which represented the literal crime scene, was taken over by officials immediately after JFK’s body was carried into Parkland Hospital and tampered with. The Secret Service apparently cleaned up the limousine, washing away crucial evidence in the process. Obviously, whatever bullet fragments or other material that was purportedly found there became immediately suspect because of this. On November 26, the windshield on the presidential limo was replaced. The supposed murder weapon—a cheap, Italian Mannlicher-Carcano rifle with a defective scope, allegedly ordered by Oswald through a post office box registered to his purported alias, Alex Hidell—is similarly troublesome. The two Dallas officers who discovered the rifle on the sixth floor of the Texas School Book Depository building, Seymour Weitzman and Eugene Boone, both swore in separate affidavits that the weapon was a German Mauser. As was to become all too common in this case, they would later each claim to be “mistaken” in a curiously identical manner. In fact, as late as midnight on November 22, Dallas District Attorney Henry Wade would refer to the rifle as a Mauser when speaking to the press. Local WFAA television reported the weapon found as both a German Mauser and an Argentine Mauser. NBC, meanwhile, described the weapon as a British Enfield. In an honest court, the Carcano would not even have been permitted into the record, because no reliable chain of possession for it existed. Legally speaking, the rifle found on the sixth floor was a German Mauser, and no one claimed Oswald owned a weapon of that kind.

For most people moving is a tiring experience. When on the verge of moving out to a new home or into a new office, it's only natural to focus on your new place and forget about the one you’re leaving. Actually, the last thing you would even think about is embarking on a heavy duty move out clean. However, you can be certain that agents, landlords and all the potential renters or buyers of your old home will most definitely notice if it's being cleaned, therefore getting the place cleaned up is something that you need to consider. The process of cleaning will basically depend to things; how dirty your property and the size of the home. If you leave the property in good condition, you'll have a higher the chance of getting back your bond deposit or if you're selling, attracting a potential buyer. Below are the steps you need to consider before moving out. You should start with cleaning. Remove all screws and nails from the walls and the ceilings, fill up all holes and dust all ledges. Large holes should be patched and the entire wall checked the major marks. Remove all the cobwebs from the walls and ceilings, taking care to wash or vacuum the vents. They can get quite dusty. Clean all doors and door knobs, wipe down all the switches, electrical outlets, vacuum/wipe down the drapes, clean the blinds and remove all the light covers from light fixtures and clean them thoroughly as they may contain dead insects. Also, replace all the burnt out light bulbs and empty all cupboards when you clean them. Clean all windows, window sills and tracks. Vacuum all carpets or get them professionally cleaned which quite often is stipulated in the rental agreement. After you've finished the general cleaning, you can now embark on the more specific areas. When cleaning the bathroom, wash off the soap scum and remove mould (if any) from the bathroom tiles. This can be done by pre-spraying the tile grout with bleach and letting it sit for at least half an hour. Clean all the inside drawers and vanity units thoroughly. Clean the toilet/sink, vanity unit and replace anything that you've damaged. Wash all shower curtains and shower doors plus all other enclosures. Polish the mirrors and make sure the exhaust fan is free of dust. You can generally vacuum these quite easily. Finally, clean the bathroom floors by vacuuming and mopping. In the kitchen, clean all the cabinets and liners and wash the cupboards inside out. Clean the counter-tops and shine the facet and sink. If the fridge is staying give it a good clean. You can do this by removing all shelves and wash them individually. Thoroughly degrease the oven inside and out. It's best to use and oven cleaner from your supermarket, just take care to use gloves and a mask as they can be quite toxic. Clean the kitchen floor well by giving it a good vacuum and mop . Sometimes the kitchen floor may need to be degreased. Dust the bedrooms and living room, vacuum throughout then mop. If you have a garage give it a good sweep. Also cut the grass, pull out all weeds and remove all items that may be lying or hanging around. Remember to put your garbage bins out for collection even if collection is a week away as in our experience the bins will be full to the brim from all the rubbish during the moving process. If this all looks too hard then you can always hire a bond cleaner to tackle the job for you or if you're on a tight budget you can download an end of lease cleaning checklist or have one sent to you from your local agent. Just make sure you give yourself at least a day or to take on the job. Its best not to rush through the job, just make sure everything is cleaned thoroughly, so it passes the inspection in order for you to get your bond back in full.

Madness is an insidious disease. We do not see the danger until it is too late. It creeps into the cracks and crevices of the mind and makes itself at home, like carpenter ants in the framing of a home. We do not know the floor has rotted away until one ill-timed step destroys the façade of normalcy. But carpenter ants do not destroy a home. They change it. As matter cannot be destroyed, they consume the structures we have built and rearrange it for their own use. While a home beset by such insects might seem uninhabitable for those who look at the situation from the outside, to the ants it was the intended outcome. We might inspect the foundation and find it derelict and dilapidated. We might scoff and say that anyone who lives within such a place is idiotic, and that they should have not neglected it in such a way. And, in extreme cases, they should move. Consider this metaphor in relation to one’s mind. That place in which we spend the entirety of our mortal lives. What happens when your home is beset by insects then? One cannot move out of one’s own mind, try as we might. We are trapped within these structures of ours, for better or worse and come what may. We must make do with what we are given and what we have left. Whereas you or I in our daily lives might seek a new homestead in such an infestation, in this labyrinth of the psyche, we cannot. There are different ways that a consciousness, once gnawed and riddled with holes, might come to adapt to such a state of being. Consider three men with this dilemma, if you will. The first man may seek to repair the damage—replace the eaten portions and shore up the foundations. This man is pragmatic, but shortsighted. He treats the symptoms, but not the cause. The second may seek to exterminate the infestation—to seek the illness at the root and rip it out. This man is wise, but must need act quickly before the house collapses around him. The third man merely laughs—he accepts his new state of being and does nothing to repair his home. He declares himself King of the Ants, lifts up hammer and sledge, and tears the remaining walls apart with his own two hands. You might think that man the fool. You might think him a harmless, laughing lunatic. It is a mistake that leads to ruin. For that man is the most dangerous of them all. -M. L. Harrow

I want to move." Delicately shaking, slickly sweating, I strain against Macon's bulk. It's no use; he has me pinned to the chair, his cock thick and pulsing deep inside. And not fucking moving. He grins down at me, a drop of sweat trickling down the side of his flushed face. "Not yet." Slowly, too damn slowly, he circles his hips, stretching me, making me ache. "I need to come," I whisper. Whine. Plead. It's all the same. Every inch of me throbs. Pleasure is a tightly drawn bow within, and I need that snap of release. His grin fades, replaced by intention. "You will. When I'm ready." "Sadist." He nips my earlobe. "You love it." I shudder as that glorious dick of his eases out, making me feel every hard inch, only to slowly push back in. Too fucking slowly. I'm writhing on him, and he loves it. Dark eyes glint as he works me. Naked in the sun and sprawled on an armchair that barely holds us, he's been fucking me with a steady deliberation designed to drive me out of my mind. And though I'm a pleading, panting mess, I love it too. God, he's gorgeous. Endless muscle and tan skin beaded with sweat, flush from exertion. His expression is slack, hazy with lust. It sends licks of pleasure along my skin. Panting, I reach up and touch his jaw, trying to draw him near. He complies, dipping his head. Our mouths meet in a lazy, deep kiss, an exchange of air, messy exploration of lips and tongues. He groans, shivering. Not unaffected. Just so very good at torturing me. In. Out. Pull. Push. "Macon," I whisper into his mouth. "Please. Fuck me." He freezes, and then with another groan, all that power and need breaks free. I can only hold on as he goes hard and deep. The chair scrapes along the floor as he pounds into me. Every thrust impacts my swollen, sensitive sex. Pleasure builds and builds until I'm keening, my eyes closed as though I can somehow hang on to the feeling forever. But it breaks over me in a shimmering wave. Macon's teeth clamp down on the meaty curve of my neck, not hard but holding me there as his thrusts turn rapid, a greedy chase of his own pleasure. It's so animalistic and unexpected that another orgasm slams into me with unexpected power. I lose track of myself, of him. My fingers claw at his back, thread through his hair. I'm struggling to get closer, get more. He comes with a great shout, his big strong body straining against mine.

As you are all aware, in the course of life we experience many kinds of pain. Pains of the body and pains of the heart. I know I have experienced pain in many different forms, and I'm sure you have too. In most cases, though, I'm sure you've found it very difficult to convey the truth of that pain to another person: to explain it in words. People say that only they themselves can understand the pain they are feeling. But is it true? I for one do not believe that it is. If, before our eyes, we see someone who is truly suffering, we do sometimes feel his suffering and pain as our own. This is the power of empathy. Am I making myself clear?'' He broke off and looked around the room once again. ''The reason that people sing songs for other people is because they want to have the power to arouse empathy, to break free of the narrow shell of the self and share their pain and joy with others. This is not an easy thing to do, of course. And so tonight, as a kind of experiment, I want you to experience a simpler, more physical kind of empathy. Lights please.'' Everyone in the place was hushed now, all eyes fixed on stage. Amid the silence, the man stared off into space, as if to insert a pause or to reach a state of mental concentration. Then, without a word, he held his hand over the lighted candle. Little by little, he brought the palm closer and closer to the flame. Someone in the audience made a sound like a sigh or a moan. You could see the tip of the flame burning the man's palm. You could almost hear the sizzle of the flesh. A woman let out a hard little scream. Everyone else just watched in frozen horror. The man endured the pain, his face distorted in agony. What the hell was this? Why did he have to do such a stupid, senseless thing? I felt my mouth going dry. After five or six seconds of this, he slowly removed his hand from the flame and set the dish with the candle in it on the floor. Then he clasped his hands together, the right and left palms pressed against each other. ''As you have seen tonight, ladies and gentleman, pain can actually burn a person's flesh,'' said the man. His voice sounded exactly as it had earlier: quiet, steady, cool. No trace of suffering remained on his face. Indeed, it had been replaced by a faint smile. ''And the pain that must have been there, you have been able to feel as if it were your own. That is the power of empathy.

Inside the Mousery the smell was overpowering, but it is doubtful if any of the three noticed it. Down the center of the single long room ran a brick path on either side of which were shelves three deep, divided into roomy sections. The admiral stopped before one of them, ‘Golden Agouti’, he remarked. He took hold of a rectangular box, the front of which was wired; very slyly he lifted a lid set into the top panel, and lowered the cage so that the children might look in. Inside, midway between floor and lid was a smaller box five inches long; a little hole at one end of this inner box gave access to the interior of the cage, and from it a miniature ladder slanted down to the sawdust strewn floor. In this box were a number of little heaving pink lumps, by the side of which crouched a brownish mouse. Her beady eyes peered up anxiously, while the whiskers on her muzzle trembled. The admiral touched her gently with the tip of his little finger. ‘She’s a splendid doe’, he said affectionately; ‘a remarkably careful mother and not at all fussy!’ He shut the door and replaced the cage. ‘There’s a fine pair here’, he remarked, passing to a new section; ‘what about that for color!’ He put his hand into another cage and caught one of the occupants deftly by the tail. Holding the tail between his finger and thumb he let the mouse sprawl across the back of his other hand, slightly jerking the feet into position. The children gazed. ‘What color is that?’ they inquired. ‘Chocolate’, replied the admiral. ‘I rather fancy the Self varieties, there’s something so well-bred looking about them; for my part I don’t think a mouse can show his figure if he’s got a pied pelt on him, it detracts. Now this buck for instance, look at his great size, graceful too, very gracefully built, legs a little coarse perhaps, but an excellent tail, a perfect whipcord, no knots, no kinks, a lovely taper to the point!’ The mouse began to scramble. ‘Gently, gently!’ murmured the admiral, shaking it back into position. He eyed it with approbation, then dropped it back into its cage, where it scurried up the ladder and vanished into its bedroom. They passed from cage to cage; into some he would only let them peep lest the does with young should get irritable; from others he withdrew the inmates, displaying them on his hand. ‘Now this’, he told them, catching a grey-blue mouse. ‘This is worth your looking at carefully. Here we have

He held the dipper out to Jake. When Jake reached for it, Tick-Tock pulled it back. "First, cully, tell me what you know about dipolar computers and transitive circuits," he said coldly. "What..." Jake looked toward the ventilator grille, but the golden eyes were still gone. He was beginning to think he had imagined them after all. He shifted his gaze back to the Tick-Tock Man, understanding one thing clearly: he wasn't going to get any water. He had been stupid to even dream he might. "What are dipolar computers?" The Tick-Tock Man's face contorted with rage; he threw the remainder of the watter into Jake's bruised, puffy face. "DON'T YOU PLAY IT LIGHT WITH ME!" he shrieked. He stripped off the Seiko watch and shook it in front of Jake. "WHEN I ASKED YOU IF THIS RAN ON A DIPOLAR CIRCUIT, YOU SAID IT DIDN'T! SO DON'T TELL ME YOU DON'T KNOW WHAT I'M TLAKING ABOUT WHEN YOU ALREADY MADE IT CLEAR THAT YOU DO!" "But...but..." Jake couldn't go on. His head was whirling with fear and confusion. He was aware, in some far-off fashion, that he was licking as much water as he could off his lips. "THERE'S A THOUSAND OF THOSE EVER-FUCKING DIPOLAR COMPUTERS RIGHT UNDER THE EVER-FUCKING CITY, MAYBE A HUNDRED THOUSAND, AND THE ONLY ONE THAT STILL WORKS DON'T DO A THING EXCEPT PLAY WATCH ME AND RUN THOSE DRUMS! I WANT THOSE COMPUTERS! I WANT THEM WORKING FOR ME!" The Tick-Tock Man bolted forward on his throne, seized Jake, shook him back and forth, and then threw him to the floor. Jake struck one of the lamps, knocking it over, and the bulb blew with a hollow coughing sound. Tilly gave a little shriek and stepped backward, her eyes wide and frightened. Copperhead and Brandon looked at each other uneasily. Tick-Tock leaned forward, elbows on his thighs, and screamed into Jake's face: "I WANT THEM AND I MEAN TO HAVE THEM!" Silence fell in the room, broken only by the soft whoosh of warm air pouring from the ventilators. Then the twisted rage on the Tick-Tock Man's face disappeared so suddenly it might never have existed at all. It was replaced by another charming smile. He leaned further forward and helped Jake to his feet. "Sorry. I get thinking about the potential of this place and sometimes I get carried away. Please accept my apology, cully." He picked up the overturned dipper and threw it at Tilly. "Fill this up, you useless bitch! What's the matter with you?" He turned his attention back to Jake, still smiling his TV game-show host smile. "All right; you've had your little joke and I've had mine. Now tell me everything you know about dipolar computers and transitive circuits. Then you can have a drink.

So, you want to improve your home like you have some knowledge and respect for the endeavor, yes? Very well. First, you need to know the basics associated with it to showcase what type of knowledge you actually have about it. If that is not enough, try reviewing the article listed below to assist you. Home improvement is often a daunting task. This is because of the time and the amounts of money required. However, it doesn't have to be so bad. If you have several projects in your house, divide them up into several smaller DIY projects. For example you may want to redo the entire living room. Start simple, by just replacing the carpet, and before you know it, your living room will be like new. One great way to make the inside of your home sparkle is to put new molding in. New molding helps create a fresh sense in your living space. You can purchase special molding with beautiful carvings on them to add a unique touch of elegance and style to your home. When it comes to home improvement, consider replacing your windows and doors. This not only has a chance of greatly improving the value of the home, but may also severely decrease the amount of money required to keep your house warm and dry. You can also add extra security with new doors and windows. Change your shower curtain once a month. Showering produces excessive humidity in a bathroom that in turn causes shower curtains to develop mold and mildew. To keep your space fresh and healthy, replace your curtains. Don't buy expensive plastic curtains with hard to find designs, and you won't feel bad about replacing it. Sprucing up your walls with art is a great improvement idea, but it doesn't have to be a painting. You can use practically anything for artwork. For instance, a three-dimensional tile works great if you contrast the colors. You can even buy some canvas and a frame and paint colored squares. Anything colorful can work as art. If you are renovating your kitchen but need to spend less money, consider using laminate flooring and countertops. These synthetic options are generally much less expensive than wood, tile, or stone. They are also easier to care for. Many of these products are designed to closely mimic the natural products, so that the difference is only visible on close inspection. New wallpaper can transform a room. Before you add wallpaper, you need to find out what type of wall is under the existing wallpaper. Usually walls are either drywall or plaster smoothed over lath. You can figure out what kind of wall you are dealing with by feeling the wall, plaster is harder, smoother, and colder than drywall. You can also try tapping the wall, drywall sounds hollow while plaster does not. Ah, you have read the aforementioned article, or you wouldn't be down here reading through the conclusion. Well done! That article should have provided you with a proper foundation of what it takes to properly and safely improve your home. If any questions still remain, try reviewing the article again.

The most interesting aspects of the story lie between the two extremes of coercion and popularity. It might be instructive to consider fascist regimes’ management of workers, who were surely the most recalcitrant part of the population. It is clear that both Fascism and Nazism enjoyed some success in this domain. According to Tim Mason, the ultimate authority on German workers under Nazism, the Third Reich “contained” German workers by four means: terror, division, some concessions, and integration devices such as the famous Strength Through Joy (Kraft durch Freude) leisure-time organization. Let there be no doubt that terror awaited workers who resisted directly. It was the cadres of the German Socialist and Communist parties who filled the first concentration camps in 1933, before the Jews. Since socialists and communists were already divided, it was not hard for the Nazis to create another division between those workers who continued to resist and those who decided to try to live normal lives. The suppression of autonomous worker organizations allowed fascist regimes to address workers individually rather than collectively. Soon, demoralized by the defeat of their unions and parties, workers were atomized, deprived of their usual places of sociability, and afraid to confide in anyone. Both regimes made some concessions to workers—Mason’s third device for worker “containment.” They did not simply silence them, as in traditional dictatorships. After power, official unions enjoyed a monopoly of labor representation. The Nazi Labor Front had to preserve its credibility by actually paying some attention to working conditions. Mindful of the 1918 revolution, the Third Reich was willing to do absolutely anything to avoid unemployment or food shortages. As the German economy heated up in rearmament, there was even some wage creep. Later in the war, the arrival of slave labor, which promoted many German workers to the status of masters, provided additional satisfactions. Mussolini was particularly proud of how workers would fare under his corporatist constitution. The Labor Charter (1927) promised that workers and employers would sit down together in a “corporation” for each branch of the economy, and submerge class struggle in the discovery of their common interests. It looked very imposing by 1939 when a Chamber of Corporations replaced parliament. In practice, however, the corporative bodies were run by businessmen, while the workers’ sections were set apart and excluded from the factory floor. Mason’s fourth form of “containment”—integrative devices—was a specialty of fascist regimes. Fascists were past masters at manipulating group dynamics: the youth group, the leisure-time association, party rallies. Peer pressure was particularly powerful in small groups. There the patriotic majority shamed or intimidated nonconformists into at least keeping their mouths shut. Sebastian Haffner recalled how his group of apprentice magistrates was sent in summer 1933 on a retreat, where these highly educated young men, mostly non-Nazis, were bonded into a group by marching, singing, uniforms, and drill. To resist seemed pointless, certain to lead nowhere but to prison and an end to the dreamed-of career. Finally, with astonishment, he observed himself raising his arm, fitted with a swastika armband, in the Nazi salute. These various techniques of social control were successful.

Kneeling down next to an article of clothing, Kevin looked up to see Christine a few feet away, gathering up one of her extravagant lolita dresses. Looking at her like this, the girl really did look cute, like a fragile porcelain doll. As he continued to watch her, his eyes landed on the black choker around her neck. “Isn’t that the choker that I bought you for your birthday a while back?” Kevin asked. Christine paused in her work. Her hand went to her choker. “A-ah, um, yes, it is. I… well, this is my… my favorite choker, so I like to wear it a lot…” Christine’s cheeks flushed once more, but she at least didn’t seem to be blowing her top. “After you, Iris, and Lilian left, I was really lonely. I hadn’t realized how important all of you were to me until you were gone. Ever since that day, ever since you three went off to Greece, I’ve taken to wearing this, because it reminded me of all the good times we’ve shared together.” That was probably the most honest thing he’d ever heard Christine say since she’d confessed her feelings for him. He’d noticed it before, but Christine really was a tsundere. She rarely ever told anyone what she was really thinking, and she covered up her embarrassment with bluster and violence. Moments like this were rare for her. He could count the number of times where she’d been honest with her feelings on one hand and still have fingers left over. “I’m sorry we left you like that,” Kevin apologized. Christine shook her head. “You don’t need to apologize. I know that you didn’t have much of a choice. Had you not left, then…” Then he, Lilian, and Iris would have put everyone in danger. Back then, Lilian had been targeted by the Shénshèng Clan. One of its members, a three-tailed kitsune named Fan had attacked them during Lindsay’s soccer game. Iris had nearly been killed and Kevin had destroyed an entire school building just to defeat Fan. Christine had been there when it happened, so she understood why they had to leave. “Thank you for being so understanding,” he said. Christine quickly turned her back to him. “T-there’s no need to thank me. We’re friends. I-I was only doing what any good friend would do.” Tsundere until the end, Kevin thought with an amused chuckle. “Then, Christine, I’m very glad that you’re my friend.” Christine squeaked. As she sputtered incoherently, Kevin finally grabbed the article that he’d been kneeling over. Blinking when he realized that it felt different than everything else that he’d picked up thus far, he held the article up to study it. “What is this…?” He trailed off. The object in his hands… was Christine’s panties. “Uh…” Kevin could hear his brain sizzling. “W-what are you doing, idiot!? Don’t stare at those!” Christine leapt at him, and Kevin, too shocked by the object in his hands to do anything, let her tackle him to the ground. The panties were thrown from his hands as his back slammed into the floor. Spots appeared in his vision, but they were soon replaced by Christine’s face, which hovered not two inches from his own. Their noses were almost touching. “C-Christine?” He felt his eyes widen as Christine’s face inched a little closer to his. This was bad. This was a very bad situation. Christine was straddling him, and he could feel her thighs touching him, and her body was pressed against him, and… and… Oh, no… Perhaps it was the result of him still being horny because Christine had interrupted him and Lilian while they were having sex, but Kevin felt his arousal skyrocket. Christine felt it, too, because her eyes went even wider and she looked down. He also looked down. Then he looked back up. Their eyes met. Christine’s face was the brightest blue that he’d ever seen. “I can explain this,” Kevin said calmly. “KYA!” The sound of Christine’s scream was followed by a loud slap.

With tinny drumbeats, the rain pounds the roof My teary eyes compete They can't keep up Breathe Let it go Breathe The vice on my chest tightens its razoring grip I gasp No relief If only tears could soothe the pain Then, I would look upon the tidal waves against these walls without fear Crush and roll me, I'd plead, Mold my body anew But with these tears come no healing, Just death, slow and determined This old girl, this old woman, this old soul lives here inside A tortoise outgrowing this hare's body This youthful skin encasing a crumbling frame I smooth the matted web of curls off my sweaty neck And roll my eyes at the clock How slowly the time squeaks by here in this room, In this comfortless bed I abandon the warmth from under my blanket tower and shiver The draft rattles my spine One by one, striking my vertebrae Like a spoon chiming empty wine glasses, Hitting the same fragile note till my neck shakes the chill away I swipe along the naked floor with a toe for the slippers beneath the bed Plush fabric caresses my feet Stand! Get up With both hands, Gravity jerks me back down Ugh! This cursed bed! No more, I want no more of it I try again My legs quiver in search of my former strength Come on, old girl, Come on, old woman, Come on, old soul, Don't quit now The floor shakes beneath me, Hoping I trip and fall To the living room window, I trudge My joints grind like gravel under tires More pain no amount of tears can soothe away Pinching the embroidered curtain between my knuckles, I find solace in the gloom The wind humming against the window, Makes the house creak and groan Years ago, the cold numbed my pain But can it numb me again, This wretched body and fractured soul? Outside I venture with chants fluttering my lips, Desperate solemn pleas For comfort, For mercy For ease, For health I open the plush throw spiraled around my shoulders And tiptoe around the porch's rain-soaked boards The chilly air moves through me like Death on a mission, My body, an empty gorge with no barriers to stop him, No flesh or bone My highest and lowest extremities grow numb But my feeble knees and crippling bones turn half-stone, half-bone Half-alive, half-dead No better, just worse The merciless wind freezes my tears My chin tumbles in despair I cover myself and sniffle Earth’s scent funnels up my nose: Decay with traces of life in its perfume The treetops and their slender branches sway, Defying the bitter gusts As I turn to seek shelter, the last browned leaf breaks away It drifts, it floats At the weary tree’s feet, it makes its bed alongside the others Like a pile of corpses, they lie Furled and crinkled with age No one mourns their death Or hurries to honor the fallen with thoughtful burials No rage-filled cries echo their protests at the paws trampling their fragile bodies, Or at the desecration by the animals seeking morning relief And new boundaries to mark Soon, the stark canopy stretching over the pitiful sight Will replace them with vibrant buds and leaves Until the wasting season again returns For now, more misery will barricade my bones as winter creeps in Unless Death meets me first to end it

What programs would a prison need to utilize in order to maximize the likelihood that the people sent to it would renounce violence as a behavioral strategy? To begin with, it would need to be an anti-prison. Beginning with its architecture, it would need to convey an entirely different message. Current prisons are modeled architecturally after zoos — or rather, after the kinds of zoos that used to exist, but that have been replaced with zoological parks because the animals' keepers began to realize that the old zoos, with concrete floors and walls and steel bars were too inhumane for animals to survive in. Yet we still keep our human animals in zoos that no humane society would permit for animals. And the architecture itself conveys that message to the prisoners: "You are an animal, for this is a zoo, and zoos are what animals are put in." And then we act surprised when the men and women we treat that way actually behave like animals, both when they are in this human zoo and after they return to the community. So we would need to build an anti-prison that would actually look as if it had been built for human beings rather than animals, i.e. that was as home-like and pleasant and civilized and human as possible. Once we had done that, we could offer those who had been sent there the opportunity to acquire as much education and/or vocational training as they had the ability and energy and interest to obtain. We would of course need to provide treatment for whatever medical, dental, psychiatric, or substance-abuse problems they had, and would want to incorporate many of the principles of a therapeutic community into the everyday routines of this residential school, with frequent group discussions with the other residents and staff members with training in psychotherapy. The goal would be to replace the "monster factories" that most prisons now are with therapeutic communities designed to enable people who are deeply damaged, and damaging, to recover their humanity or to gain a degree of humanity they had never been able to acquire; in short, to help them heal themselves and learn, in the process, how to heal others and even repair some of the damage they have done.

positive impact on my recovery. (It also helps you sleep if used before bed.) Warning: Start slow. I tried to copy Amelia and did 20-plus minutes my first session. The next day, I felt like I’d been put in a sleeping bag and swung against a tree for a few hours. Rolling your foot on top of a golf ball on the floor to increase “hamstring” flexibility. This is infinitely more helpful than a lacrosse ball. Put a towel on the floor underneath the golf ball, lest you shoot your dog’s eye out. Concept2 SkiErg for training when your lower body is injured. After knee surgery, Amelia used this low-impact machine to maintain cardiovascular endurance and prepare for the 2014 World’s Toughest Mudder, which she won 8 weeks post-op. Kelly Starrett (page 122) is also a big fan of this device. Dry needling: I’d never heard of this before meeting Amelia. “[In acupuncture] the goal is not to feel the needle. In dry-needling, you are sticking the needle in the muscle belly and trying to get it to twitch, and the twitch is the release.” It’s used for super-tight, over-contracted muscles, and the needles are not left in. Unless you’re a masochist, don’t have this done on your calves. Sauna for endurance: Amelia has found using a sauna improves her endurance, a concept that has since been confirmed by several other athletes, including cyclist David Zabriskie, seven-time U.S. National Time Trial Championship winner. He considers sauna training a more practical replacement for high-altitude simulation tents. In the 2005 Tour de France, Dave won the Stage 1 time trial, making him the first American to win stages in all three Grand Tours. Zabriskie beat Lance Armstrong by seconds, clocking an average speed of 54.676 kilometers per hour (!). I now use a sauna at least four times per week. To figure out the best protocols, I asked another podcast guest, Rhonda Patrick. Her response is on page 7. * Who do you think of when you hear the word “successful”?

on a seagull poo–like texture when mixed into cold water. Amelia saved my palate and joints by introducing me to the Great Lakes hydrolyzed version (green label), which blends easily and smoothly. Add a tablespoon of beet root powder like BeetElite to stave off any cow-hoof flavor, and it’s a whole new game. Amelia uses BeetElite pre-race and pre-training for its endurance benefits, but I’m much harder-core: I use it to make tart, low-carb gummy bears when fat Tim has carb cravings. RumbleRoller: Think foam roller meets monster-truck tire. Foam rollers have historically done very little for me, but this torture device had an immediate positive impact on my recovery. (It also helps you sleep if used before bed.) Warning: Start slow. I tried to copy Amelia and did 20-plus minutes my first session. The next day, I felt like I’d been put in a sleeping bag and swung against a tree for a few hours. Rolling your foot on top of a golf ball on the floor to increase “hamstring” flexibility. This is infinitely more helpful than a lacrosse ball. Put a towel on the floor underneath the golf ball, lest you shoot your dog’s eye out. Concept2 SkiErg for training when your lower body is injured. After knee surgery, Amelia used this low-impact machine to maintain cardiovascular endurance and prepare for the 2014 World’s Toughest Mudder, which she won 8 weeks post-op. Kelly Starrett (page 122) is also a big fan of this device. Dry needling: I’d never heard of this before meeting Amelia. “[In acupuncture] the goal is not to feel the needle. In dry-needling, you are sticking the needle in the muscle belly and trying to get it to twitch, and the twitch is the release.” It’s used for super-tight, over-contracted muscles, and the needles are not left in. Unless you’re a masochist, don’t have this done on your calves. Sauna for endurance: Amelia has found using a sauna improves her endurance, a concept that has since been confirmed by several other athletes, including cyclist David Zabriskie, seven-time U.S. National Time Trial Championship winner. He considers sauna training a more practical replacement for high-altitude simulation tents. In the 2005 Tour de France, Dave won the Stage 1 time trial, making him the first American to win stages in all three Grand Tours. Zabriskie beat Lance Armstrong by seconds, clocking an average speed of 54.676 kilometers per hour (!). I now use a sauna at least four times per week. To figure out the best protocols, I asked

We are not sure that this particular trap has a name, but it is familiar to everyone. Let’s call it the “while we are at it” bias. Home improvement projects are often settings where this bias is observed. A family decides that after twenty years of neglect, the kitchen really needs to be upgraded. The initial to-do list includes new appliances and cabinets, but of course, the floor will be ruined during the construction, so we’d better replace that, and gosh, if we just pushed that wall out a bit, we could add a new window, which looks out on the patio, but oh dear, who wants to look at that patio . . . In the military this is called mission creep. Here we plead guilty to book revision creep. The revision that we planned to knock off during the summer was not given to the publisher until late November.

She’ll tear out that one wall in her condo that makes her feel uneasy, and she’ll finally replace her bedroom carpet with hardwood floors, and she’ll train for a marathon, and the absolute last thing she’ll do for the next ten weeks is sit around with her thoughts.

Clothes Washer Hoses and Filters A couple of years ago, I came home from running an errand and heard the sound of rushing water (like a waterfall!) coming from my basement. I tore down the stairs and saw what looked like the Old Faithful geyser spewing water from behind my washing machine. I immediately cut off the water at the supply stop behind the washer, but there was quite a pool on the floor. I cut the power to the washing machine (at the electrical panel), then unplugged it and moved the appliance back from the wall. The washer was about 15 years old, and so were the hoses that ran from the supply valve to the machine. Made of rubber, they had grown brittle and corroded with minerals from our well water over the years. One of them finally split; that’s what caused the gusher. I’d never given them a thought before the split. If you’ve had your washing machine for eight years or more, it might be wise to replace the supply hoses now, before they do to you what mine did to me! Insurance companies—who often wind up paying out for the damage done by burst hoses—advise homeowners to replace supply hoses every 3 to 5 years.

I need you to summon Ilias and Apollo within the hour." "No," Hermes said. Hades lifted a brow. "No?" "What about I have no powers don't you understand?" "You have no power, but you are a divine messenger and part of this war." "Why can't you summon them?" "I have other matters to attend to," he said. "I hope it's trimming that gods-awful beard." That was exactly the matter at hand. He also wanted to bathe. There were just some things glamour couldn't replace. "Even if that is the case—and it should be the case—you can summon Ilias and Apollo and shave faster than I can leave the Underworld." There was a brief moment of silence, and then Hades spoke. "Fine. I suppose I can just...send an email." Hermes gasped. "You wouldn't." Hades shrugged. "You have given me no choice." "After all I've done," Hermes said, throwing off his blanket. He jumped from the bed and started searching the floor for something. Hades hoped it was clothes. "If you are still referring to Ares's island—" "I'm talking about being your best friend!" Hermes said. "But best friends don't use their archenemy, do they? No. You know what's so fucking stupid about email? There are faster ways to communicate! Phones! You could just text! But you are so old, you don't even know that!

We pride ourselves on first class Water heater installation and replacement. The Techs are uniformed fully licensed Plumbers. Because we only do Water Heaters you can count on expert advice from your first call into our office. Because Our Techs take special care of your home when installing your new water heater, your floors are covered from door to door. Your old Water Heater out in a water proof bag. Take a minute to read some of our reviews. We work hard to make the installation of your new Water Heater a smooth experience. Houston Water Heaters are rated A+ with the BBB. We are also members of Angie’s List, NextDoor, and Yelp.

THAT’S EMPHATICALLY not the case in the classroom helmed by Maureen Zink, a fourth-grade teacher at Vallecito Elementary School in San Rafael, California. Her students don’t sit still at their desks; in fact, most of them are not sitting at all. In 2013, the entire school replaced traditional desks and chairs with standing desks, and the school’s “activity-permissive” ethos allows pupils to stand upright, perch on stools, sit on the floor, and otherwise move around as they wish. Though some were hesitant about the change, Zink and the other teachers at Vallecito now say it’s been a resounding success; students are more alert, more attentive, and more engaged. “I taught at sitting desks for 30 years,” says Zink, “and I’ll never go back.” Tracy Smith, the principal at Vallecito during the switch to standing desks, agrees that students are “more focused, confident, and productive” when given license to move.

We read labels. We shun gluten, dairy, processed foods, and refined sugars. We buy organic. We use natural sunscreens and beauty products. We worry about fluoride in our water, smog in our air, hydrogenated oils in our food, and we debate whether plastic bottles are safe to drink from. We replace toxic cleaning products with Mrs. Meyer’s and homemade vinegar concoctions. We do yoga, we run, we SoulCycle and Fitbit, we go paleo and keto, we juice, we cleanse. We do coffee enemas and steam our yonis and drink clay and charcoal and shoot up vitamins and sit in infrared foil boxes and hire naturopaths and shamans and functional doctors and we take nootropics, and we stress about our telomeres (these are all real words). We are hypervigilant about everything we put into our body, everything we do to our body. And we are proud of this. We Instagram how proud we are of this and follow Goop and Well + Good and drop forty bucks on an exercise class because there are healing crystals in the floor. The global wellness economy is estimated to be worth four trillion dollars. Four trillion dollars. We are on an endless and expensive quest for wellness and vitality and youth. And we drink fucking rocket fuel.

Metro Pillar – 211, 22, NDV Towers, First Floor, Kanakapura Rd, above Dry Fruit Shop, Raghuvanahalli, Bengaluru, Karnataka 560062 Contact Us +91 8618292628 Is Elite Orthocare Robotic Knee Replacement Better Than Conventional Surgery? Elite Orthocare's Robotic Total Knee Replacement, led by Dr. Abhinandan Punit, offers superior accuracy in implant positioning, resulting in better patient outcomes, reduced pain, faster recovery, and overall improved results. Robotic knee replacement at Elite Orthocare is among the most innovative technologies in orthopedic surgery. With thousands of robotic knee replacements performed worldwide, this advanced technology continues to set new standards in joint replacement. But you might ask: Does robotic knee replacement surgery in Bangalore really offer significant advantages over conventional surgery? Over 250 peer-reviewed studies highlight the enhanced clinical outcomes and patient benefits of robotic knee replacements compared to traditional manual methods. Here are the major differences between manual knee replacement and Elite Orthocare’s robotic knee replacement: Stage Manual Total Knee Replacement Elite Orthocare’s Robotic Knee Replacement Pre-surgery - Simple X-ray planning - CT scan-based planning for improved precision Surgery - Positioning with traditional tools - Robotic-assisted precise alignment - Larger incision needed - Smaller incision, less tissue damage - Standard ligament release - Minimal ligament release, reducing pain Post-Surgery Benefits of Elite Orthocare’s Robotic Knee Replacement: • Less pain • Faster recovery • Quicker return to mobility • Enhanced overall outcomes Understanding the Benefits of Elite Orthocare’s Robotic Knee Replacement: Accuracy: The robotic system used at Elite Orthocare ensures precise implant positioning and knee alignment. Studies show that robotic-assisted knee replacements are far more accurate than manual methods, ensuring better long-term results. For instance, one study revealed that robotic procedures were 47% more accurate in tibial component alignment and 36% more accurate in femoral component rotation compared to manual surgery. Outcomes: Patients undergoing robotic knee replacement with Dr. Abhinandan Punit report better functional outcomes, less post-operative pain, and higher satisfaction rates. Clinical studies show patients experience faster improvements in mobility and higher overall satisfaction compared to manual knee replacements. Why Choose Dr. Abhinandan Punit at Elite Orthocare? Dr. Abhinandan Punit, founder of Elite Orthocare, is an expert in robotic knee replacement surgery. With a wealth of experience and a dedication to providing top-notch care, Dr. Punit ensures the best outcomes for all his patients. If you're considering robotic knee replacement surgery in Bangalore or want to explore its benefits, book a consultation with Dr. Abhinandan Punit at Elite Orthocare today!

The big boss was in here today,” the day people said. “He asked us how many heats we made, and we told him six. He chalked it down on the floor.” The next morning Schwab walked through the mill again. The night shift had rubbed out “6” and replaced it with a big “7.” When the day shift reported for work that morning, they saw a big “7” chalked on the floor. So the night shift thought they were better than the day shift, did they? Well, they would show the night shift a thing or two. The crew pitched in with enthusiasm, and when they quit that night, they left behind them an enormous, swaggering “10.” Things were stepping up. Shortly, this mill, which had been lagging way behind in production, was turning out more work than any other mill in the plant. The principle? Let Charles Schwab say it in his own words: “The way to get things done,” says Schwab, “is to stimulate competition. I do not mean in a sordid, money-getting way, but in the desire to excel.

I'm Not Alone Can you stay up for the weekend And blame God for looking too old Can you find all that you stand for Has been replaced with mountains of gold You cannot dream yourself to notice To feel pain and swallow fear But can you stay up for the weekend For next year God, I can’t do this any more Though I'll be laid down on the floor As many feet walk through the door I’m not alone If I see a light flashing Could this mean that I’m coming home If I see a man waving Does this mean that I’m not alone If I see a light flashing Could this mean that I’m coming home If I see a man waving Does this mean that I’m not alone No? If I see a light flashing Could this mean that I’m coming home If I see a man waving Does this mean that I’m not alone If I see a light flashing Could this mean that I’m coming home If I see a man waving Does this mean that I’m not alone

Here is the correct order for performing renovations. 1.       Remove any flooring to be replaced 2.       Ceiling repair and ceiling painting 3.       Strip wallpaper, repair walls, paint walls 4.       Paint and replace trim, including crown molding 5.       Cabinet and countertop work 6.       Install tile or quality wood laminate flooring (this may shorten the space for the appliances that go under the counter like dishwashers, so be careful with measurements pre-floor installation) 7.       Install new appliances 8.       Install base molding and baseboards in rooms with tile, vinyl, or quality wood laminate flooring 9.       Install carpet (scratch that, NEVER put carpet in a rental) 10.   Tidy up the landscaping

The new GST: A halfway house In spite of all the favourable features of the GST, it introduces the anomaly of having an origin-based tax on interstate trade he proposed GST would be a single levy. 1141 words From a roadblock during the UPA regime, the incessant efforts of the BJP government have finally paved way for the introduction of the goods and services tax (GST). This would, no doubt, be a major reform in the existing indirect tax system of the country. With a view to introducing the GST, Union finance minister Arun Jaitley has introduced the Constitution (122nd Amendment) Bill 2014 in Parliament. The new tax would be implemented from April 1, 2016. Both the government and the taxpayers will have enough time to understand the implications of the new tax and its administrative nuances. Unlike the 119th Amendment Bill, which lapsed with the dissolution of the previous Lok Sabha, the new Bill will hopefully see the light of the day as it takes into account the objections of the state governments regarding buoyancy of the tax and the autonomy of the states. It proposes setting up of the GST Council, which will be a joint forum of the Centre and the states. This council would function under the chairmanship of the Union finance minister with all the state finance ministers as its members. It will make recommendations to the Union and the states on the taxes, cesses and surcharges levied by the Union, the states and the local bodies, which may be subsumed in the GST; the rates including floor rates with bands of goods and services tax; any special rate or rates for a specified period to raise additional resources during any natural calamity or disaster etc. However, all the recommendations will have to be supported by not less than three-fourth of the weighted votes—the Centre having one-third votes and the states having two-third votes. Thus, no change can be implemented without the consent of both the Centre and the states. The proposed GST would be a single levy. It would aim at creating an integrated national market for goods and services by replacing the plethora of indirect taxes levied by the Centre and the states. While central taxes to be subsumed include central excise duty (CenVAT), additional excise duties, service tax, additional customs duty (CVD) and special additional duty of customs (SAD), the state taxes that fall in this category include VAT/sales tax, entertainment tax, octroi, entry tax, purchase tax and luxury tax. Therefore, all taxes on goods and services, except alcoholic liquor for human consumption, will be brought under the purview of the GST. Irrespective of whether we currently levy GST on these items or not, it is important to bring these items under the Constitution Amendment Bill because the exclusion of these items from the GST does not provide any flexibility to levy GST on these items in the future. Any change in the future would then require another Constitutional Amendment. From a futuristic approach, it is prudent not to confine the scope of the tax under the bindings of the Constitution. The Constitution should demarcate the broad areas of taxing powers as has been the case with sales tax and Union excise duty in the past. Currently, the rationale of exclusion of these commodities from the purview of the GST is solely based on revenue considerations. No other considerations of tax policy or tax administration have gone into excluding petroleum products from the purview of the GST. However, the long-term perspective of a rational tax policy for the GST shows that, at present, these taxes constitute more than half of the retail prices of motor fuel. In a scenario where motor fuel prices are deregulated, the taxation policy would have to be flexible and linked to the global crude oil prices to ensure that prices are held stable and less pressure exerted on the economy during the increasing price trends. The trend of taxation of motor fuel all over the world suggests that these items

What changes that we can control will make this space more gracious?” The group can then reshape the room to suit their needs. At the Center office, we previously had one long table in the conference room bolted to the floor. It offered no flexibility so we removed this table and replaced it with three square tables. They can be configured into one large board table, a medium sized conference table or three smaller tables. We scale the size of the table to the number of participants in the meeting so everyone feels more intimately connected.

So next time you start to question whether you’re missing out on some dream job waiting for you to muster the courage to pursue it, conjure up a pair of images. First, recall passion-obsessed Thomas, heartbroken and sobbing on the forest floor. Then replace this with the image of the smiling, confident, value-focused man who ten years later joined me for coffee—the version of Thomas who looked at me at one point in our conversation and remarked, without irony, “Life is good.

He tossed the dumbbell aside. It went flying and hit with a loud thud, leaving a dent in the pavement of the roof. Curran strode toward me, eyes blazing. “If I let her go, I’ll need a replacement. Want to volunteer for the job?” He looked like he wouldn’t be taking no for an answer. I swiped Slayer from its sheath and backed away from the edge of the roof. “And be girlfriend number twenty-three soon to be dumped in favor of girlfriend number twenty-four who has slightly bigger boobs? I don’t think so.” He kept coming. “Oh yeah?” “Yeah. You get these beautiful women, make them dependent on you, and then dump them. Well, this time a woman left you first, and your enormous ego can’t deal with it. And to think that I hoped we could talk like reasonable adults. If we were the last two people on Earth, I’d find myself a moving island so I could get the hell away from you.” I was almost to the drop door leading to the ladder. He stopped suddenly and crossed his arms over his chest. “We’ll see.” “Nothing to see. Thanks for the recue and for the food. I’m taking my kid and leaving.” I dropped into the hole, slid down the ladder, and backed away down the hall. He didn’t follow me. I was midway down to the first floor when it finally hit me: I had just told the alpha of all shapeshifters that hell would freeze over before I got into his bed. Not only had I just kissed any cooperation from the Pack good-bye, but I had also challenged him. Again. I stopped and hit my head a few times on the wall. Keep your mouth shut, stupid. Derek appeared at the bottom of the stairway. “It went that well, huh?” “Spare me.

Alone now, she took in the scene. Frank Richardson’s blood was black and shiny, several days old and forever interred into the grain of this room. All the scrubbing and cleaning, the replacement carpet and linoleum floors, the fresh paint, none of that would truly erase the imprint of the man’s soul, brutally taken from this space. A certain dislocation of the very air would stay in this room forever. Taylor

Joseph stopped and suddenly his vision seemed to memorize her face. Not once did he move his eyes from her. “Miss Campbell, would you think me too forward if I—” “Joseph!”  Nathaniel’s voice and sudden presence made Kitty gasp. Her eyes shot open wide and she clamped her teeth together to keep her mouth from following suit. What in mercy’s name was he doing here? Unfazed, Nathaniel smacked Joseph on the shoulder and nodded approval as he scanned the man’s suit and breeches. “You are always my inspiration for proper fashion, Joseph, I must say. You are dressed far finer than any other gentleman here, including myself. I’m surprised you don’t have a chorus of women clamoring for your attention.” Joseph grinned as if well acquainted with Nathaniel’s humor, then his smile rested slightly and he looked toward Kitty. “That honor is reserved for you Nathaniel, for I am much more content with only one.”  Kitty’s heart tapped against her ribs. Raising her lips in the most tantalizing smile she could create, she turned her head. Flirtatiousness was never her strong suit, but somehow at this moment the ability proved almost innate. And not, she told herself, because it might make Nathaniel wish he’d come to speak to her sooner.  The music began again and Joseph bowed, offering his hand. “It appears another dance is beginning, Miss Campbell. Would you do me the honor?” Kitty stepped forward, brushing her fingers across Joseph’s, bursting to life with all the charm she knew how to use but so rarely did. “I’d be honored, Mr. Wythe.” Quickly shooting Nathaniel a smile she hoped would broil him, Kitty followed Joseph onto the dance floor.  Nathaniel dodged in front of them, his expression drawn. “Forgive me but I’m afraid your brother-in-law sent me looking for you, Miss Campbell.” Kitty frowned. “Is Eliza unwell?” He shook his head. “Thomas is with her at the fainting couch and asked me to see if you would be available to bring her something to drink.” Worry replaced every other emotion as she gently gripped Joseph’s firm hand. “Forgive me, Mr. Wythe, but I need to see to my sister. May we postpone this dance until a later time?” Joseph nodded, his mouth tipped at one side. “Of course, Miss Campbell. Another time then, and I shall look forward to it.

What if I took the picture books that my grandmother made and snapped open the rings in every binder, let the plastic pages spill out onto the floor, and then attacked them with my scissors? Those books, pasted together by my grandmother, year after year, replaced the cognitive exercise of memory for me. Sitting on a section of wall-to-wall carpeting, drinking the bubbling red birch beer from a tinted brown glass, I reestablished my relationships with the members of my family. This is where I put it all together and perpetuated the lies. Not malicious lies, but lies with so many years to develop that we forgot the truth because nobody rehearsed it. When Mark was sentence to sixty days in a twelve-step rehab program in 1991, he wrote an inventory of his experiences with drugs and alcohol that filled a whole notebook, and then he gave it to us to read, It was in those pages that I learned he had once tapped the powder out of horse tranquilizer capsules, melted it down, and shot it into his veins for a high that lasted fourteen days. My God, I thought, Oh my God. This is Mark's story? Okay, now put the cooked-down shot-up horse tranquilizer against the pictures in the album. What do you get? Collage. Dry made wet and introduced into the body. Cut cut cut. It's not so radical.

You think it's so easy to change yourself. You think it's so easy, but it's not. True, things don't always stay the same forever: couches are replaced, boys leave, you discover a song, your body becomes forever scarred. And with each of these moments you change and change again, your true self spinning, shifting postitions––but at last it returns to you, like a dancer on the floor. Because throughout it all, you are still, always, you: beautiful and bruised, known and unknowable. And isn't that––just you––enough?

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You’re home.” Emmie stopped her puttering, a luminous, beaming smile on her face, a pan of apple tarts steaming on the counter before her. “I am home”—he returned her smile—“though soaked and chilled to the bone.” “I thought I heard the door slam.” Val appeared at Emmie’s elbow. “It looks like a half-drowned friend of Scout’s has come to call. Come along, Devlin.” Val tugged at his wet sleeve. “Emmie had the bathwater heated in anticipation of your arrival. We’ll get you thawed and changed in time for dinner, and then you can regale us with your exploits.” “Behold,” Val announced when they returned forty-five minutes later, “the improved version of the Earl of Rosecroft. Scrubbed, tidied, and attired for supper. He need only be fed, and we’ll find him quite civilized.” Emmie smiled at them both, and Winnie looked up from the worktable where she was making an ink drawing. “I made you a picture,” she said, motioning St. Just over. “This is you.” She’d drawn Caesar and a wet, shivering, bedraggled rider, one whose hat drooped, whose boots sagged, and whose teeth chattered. “We must send this to Her Grace,” St. Just said, “but you have to send along something cheerier, too, Win. Mamas tend to worry about their chicks.” “I thought she wasn’t your mama,” Winnie countered, frowning at her drawing. “She is, and she isn’t.” St. Just tousled Winnie’s blond curls—so like Emmie’s—and blew a rude noise against the child’s neck. “But mostly she is.” “When will you go see her again?” “I just did see her in September. It’s hardly December.” “She’s your mother,” Winnie said, taking the drawing back. “Every now and then, even big children should be with their mothers.” In the pantry, something loud hit the tile floor and shattered. Val and his brother exchanged a look, but Emmie’s voice assured them it had just been the lid to the pan of apple tarts, and no real harm had been done. “That’s fortunate,” St. Just said, going to the pantry and taking the pan from Emmie’s hands. “Watch your step, though, as there’s crockery everywhere.” “I’m sorry.” Emmie stood in the middle of the broken crockery, her cheeks flushed, looking anywhere but at him. “It was my own pan, though, so you won’t need to replace anything of Rosecroft’s.” “Em.” He sighed and set the tarts aside. “I don’t give a tin whistle for the damned lid.” He lifted her by the elbows and hauled her against his chest to swing her out of the pantry. “We’ve a scullery maid, don’t we?” “Joan.” “Well, fetch her in there. I am ravenous, and I will not be deprived of your company while I sup tonight.” “You didn’t stay in York,” Emmie said, searching his eyes. “There is very little do in York on a miserable afternoon that could compare with the pleasure of my own home, your company, and a serving of hot apple tarts.” She blinked then offered him a radiant smile and sailed ahead of him to the dining parlor. “Winnie,” St. Just barked, “wash your paws, and don’t just get them wet. Val, it’s your turn to say grace, and somebody get that damned dog out of here.” Scout slunk out, Winnie washed her paws, Val went on at hilarious length about being appreciative of a brother who wasn’t so old he forgot his apple tart recipe nor how to stay clean nor find his way home. Except

The American embassy in Moscow is situated at No. 8 Bolshoy Deviatinsky Pereulok in a towering glass and stone edifice that took some twenty-seven tortured years to complete. In 1985, during the final act of the Cold War, counterintelligence uncovered that the KGB had honeycombed the chancery building’s steel skeleton with listening devices to such a degree that it essentially rendered the half-built embassy unusable. A quarter-century of head-scratching and diplomatic gridlock later, the top two floors of the embassy were dissembled brick-by-brick and replaced with four new floors, constructed to the most stringent security standards. Although their present adversaries now operated under a different alphabet soup of three-letter acronyms, the elements of the US intelligence community in Moscow had considerably turned the tables on their host

On the first day of the meeting that would become known as the United States Constitutional Convention, Edmund Randolph of Virginia kicked off the proceedings. Addressing his great fellow Virginian General George Washington, victorious hero of the War of Independence, who sat in the chair, Randolph hoped to convince delegates sent by seven, so far, of the thirteen states, with more on the way, to abandon the confederation formed by the states that had sent them—the union that had declared American independence from England and won the war—and to replace it with another form of government. “Our chief danger,” Randolph announced, “arises from the democratic parts of our constitutions.” This was in May of 1787, in Philadelphia, in the same ground-floor room of the Pennsylvania State House, borrowed from the Pennsylvania assembly, where in 1776 the Continental Congress had declared independence. Others in the room already agreed with Randolph: James Madison, also of Virginia; Robert Morris of Pennsylvania; Gouverneur Morris of New York and Pennsylvania; Alexander Hamilton of New York; Washington. They wanted the convention to institute a national government. As we know, their effort was a success. We often say the confederation was a weak government, the national government stronger. But the more important difference has to do with whom those governments acted on. The confederation acted on thirteen state legislatures. The nation would act on all American citizens, throughout all the states. That would be a mighty change. To persuade his fellow delegates to make it, Randolph was reeling off a list of what he said were potentially fatal problems, urgently in need, he said, of immediate repair. He reiterated what he called the chief threat to the country. “None of the constitutions”—he meant those of the states’ governments—“have provided sufficient checks against the democracy.” The term “democracy” could mean different things, sometimes even contradictory things, in 1787. People used it to mean “the mob,” which historians today would call “the crowd,” a movement of people denied other access to power, involving protest, riot, what recently has been called occupation, and often violence against people and property. But sometimes “democracy” just meant assertive lawmaking by a legislative body staffed by gentlemen highly sensitive to the desires of their genteel constituents. Men who condemned the working-class mob as a democracy sometimes prided themselves on being “democratical” in their own representative bodies. What Randolph meant that morning by “democracy” is clear. When he said “our chief danger arises from the democratic parts of our constitutions,” and “none of the constitutions have provided sufficient checks against the democracy,” he was speaking in a context of social and economic turmoil, pervading all thirteen states, which the other delegates were not only aware of but also had good reason to be urgently worried about. So familiar was the problem that Randolph would barely have had to explain it, and he didn’t explain it in detail. Yet he did say things whose context everyone there would already have understood.

As everyone streamed into the house, the music blared and the liquor flowed. All of the furniture in the house had been taken out and replaced with bars or dance floors. The outside deck was covered in people, bars, and heat lamps. People who hadn’t been lucky enough to be invited snuck into the party through a hole in the fence. Inside, partygoers talked with old classmates, danced, and scoured the crowd for a midnight kiss. Upstairs, Evan had created a sectioned-off VIP area, with more bars and friends. It was a house party on steroids, with one hundred, maybe two hundred people crammed into Snapchat’s new headquarters to sip champagne and ring in the New Year. John Spiegel stopped by the party, saying hi and congratulating Evan, Bobby, David, Daniel, and Evan’s girlfriend at the time. He chatted with some of Evan’s friends he had met over the years, sharing a sense of bewilderment over how quickly his son’s crazy scheme had taken off. John had worked his way up a very traditional ladder, climbing from the law review to a Supreme Court clerkship to becoming an extremely successful litigator. Evan had eschewed a bachelor’s degree from Stanford to focus on his seemingly quixotic business. Everything seemed to be going perfectly.