Float Parade Quotes

I thought I would inaugurate a Bipolar Pride Day. You know, with floats and parades and stuff! On the floats we would get the depressives, and they wouldn’t even have to leave their beds - we’d just roll their beds out of their houses, and they could continue staring off miserably into space. And then for the manics, we’d have the manic marching band, with manics laughing and talking and shopping and fucking and making bad judgment calls.

It runs in the family. And don't expect me to be ashamed. Yankees lock away loony relatives, but down here, we prop 'em up on parade floats and march 'em through the middle of town.

As they roared past the streetlamps, people emerged from their houses to see what was happening. Nina tried to imagine what their wild crew must look like to these Fjerdans. What did they see as they poked their heads out of windows and doorways? A group of hooting kids clinging to a tank painted with the Fjerdan flag and charging along like some deranged float gone astray from its parade: a girl in purple silk and a boy with red-gold curls poking out from behind the guns; four soaked people holding tight to the sides for dear life—a Shu boy in prison clothes, two bedraggled drüskelle, and Nina, a half-naked girl in shreds of teal chiffon shouting, "We have a moat!

If you have a son, how will you love him? She is pacing the living room, while the Thanksgiving Day Parade plays behind her, a montage of inflated cartoon bodies, floating slow down 6th Avenue, smiles painted onto their faces. I consider not responding. I consider explaining that I can love him and not trust him. I consider saying that I won’t love him at all. Just to scare her. Instead, I say, If I am ever murdered, like, body found in a ditch, mouth stuffed with dirt, stocking around my neck, identified by my toenails, please don’t go looking for a guilty woman. ("My Grandmother Asks Why I Don't Trust Men")

Nina tried to imagine what their wild crew must look like to these Fjerdans. What did they see as they poked their heads out of windows and doorways? A group of hooting kids clinging to a tank painted with the Fjerdan flag and charging along like some deranged float gone astray from its parade; a girl in purple silk and a boy with red-gold curls poking out from behind the guns; four soaked people holding tight to the sides for dear life – a Shu boy in prison clothes, two bedraggled drüskelle, and Nina, a half-naked girl in shreds of teal chiffon shouting, “We have a moat!

If you don't nail your feet to the ground, you can just believe - and you want to believe. It's so enticing. It felt so good. You could just become a gigantic balloon in the Thanksgiving Day parade and float over everybody.

I saw light wreaths from Joe's pipe floating there, and I fancied it was like a blessing from Joe,—not obtruded on me or paraded before me, but pervading the air we shared together.

He set her down, then turned his blue eyes skyward. No longer was he smiling. No longer did he look like an overhyped imbecile on a gaudy parade float. His eyes met Nova’s, and she swallowed.

A group of hooting kids clinging to a tank painted with the Fjerdan flag and charging along like some deranged float gone astray from its parade: a girl in purple silk and a boy with red-gold curls poking out from behind the guns; four soaked people holding tight to the sides for dear life—a Shu boy in prison clothes, two bedraggled drüskelle, and Nina, a half-naked girl in shreds of teal chiffon shouting, “We have a moat!

I was feeling all fertile and blossoming there for a second. And now I just feel like me, on earth. I was floating a little bit there before. I was like a very small version of a Macy's Thanksgiving Day Parade balloon. I was puffy and needed handlers. I was lumbering through the air, a couple inches off the ground. I was veering toward lampposts.

The ultimate feast! Turkey, dressing, pies, memories. Laughter carries over squabbles and fleeting tears. Game time, go! Heightened adrenaline; increased appetites. Oh, the parade! Marching bands, floats and giant balloons. Stuff the turkey, stuff your tummies! Eat up, eat more! Thanksgiving joys shared with beloved family and friends.

If our style is masterful, if it is fluid and at the same time complete, then we can re-create ourselves, or rather, we can re-create the Infinite Goof within us. We can live on top of content, float above the predictable responses, social programming and hereditary circuitry, letting the bits of color and electricity and light filter up to us, where we may incorporate them at will into our actions. That's what the voices said. They said that content is what a man harbors but does not parade. And I love a parade.

For many viewers, though, the most memorable part of the parade was the very first float. Anointed “God’s Float” by its creators, it consisted of a replica of a house of worship with large photos of churches and synagogues arrayed along the sides. Two phrases appeared in grand Gothic script at each end: “Freedom of Worship” and “In God We Trust.”5

Parades ain't for the people on the floats, they're for the ones watching it go by.

Looking towards the open window, I saw light wreaths from Joe's pipe floating there, and I fancied it was like a blessing from Joe,—not obtruded on me or paraded before me, but pervading the air we shared together. I put

I trace the box’s lid where a gold ribbon binds it. With one tug, the bow poofs into a golden, glittering fall of letters that form a message in midair— Things I once hoped to give you: 1. A magical wedding . . . Choking back tears, I take out the ring and loop it onto the string alongside the diary’s key at my neck, tucking it under my shirt to keep it safe. A picnic basket sits at my feet beneath the bench. There’s another ribbon, and when I untie it, more letters form a glimmering parade through the air: 2. Picnics at the lake with your mom and dad . . . I sniffle and make my way to the middle of the room, where reproductions of my mosaics float next to Sold signs. I tug a ribbon loose and free another message: 3. A lifetime of shared successes and laughter . . .

So these days, I’m on the lookout for grace, and I’m especially on the lookout for ways that I withhold grace from myself and from other people. At first, showing people grace makes you feel powerful, like scattering candy from a float in a parade—grace for you, grace for you. You become almost giddy, thinking of people in generous ways, allowing for their faults, absorbing minor irritations. You feel great, and then you start to feel just ever so slightly superior, because you’re so incredibly evolved and gracious. But then inevitably something happens, and it usually involves you confronting one of your worst selves, often in public, and you realize that you’re not throwing candy off a float to a nameless, dirty public, but rather that you are that nameless, dirty public, and that you are starving and on your knees, praying for a little piece of sweetness, just one mouthful of grace.

...the fact that Urdu was spoken by taxicab drivers; the presence, only two blocks from my East Village apartment, of a samosa- and channa-serving establishment called the Pak-Punjab Deli; the coincidence of crossing Fifth Avenue during a parade and hearing, from loudspeakers mounted on the South Asian Gay and Lesbian Association float, a song to which I had danced at my cousin’s wedding. In a subway car, my skin would typically fall in the middle of the colour spectrum. On street corners, tourists would ask me for directions. I was, in four and a half years, never an American; I was immediately a New Yorker.

Once the language was in the actors’ minds, and their bodies were freed from blocking, and in relationship to real architecture, they became virtuosic. Metaphor suddenly had a more intimate relationship with reality. The actor was real, the staircase was real, the emotion was real, and the language floated on top.    

Wouldn’t hurt a fly. Members of the family, really. Visitors are comforted by the knowledge, then, that these dogs are kept mostly for their alarm purposes, and to frighten away large predators. No one would say that about the dogs at Bicho Raro. There were six of them, and although they were littermates, they were six different colors and sizes and shapes, all of them ugly. There were meant to be twelve of them, but these six were so bad-tempered that in the womb, they’d eaten the other six. They were so bad-tempered that when they’d been born, their mother had lost patience with them and abandoned them under a parade float in Farmington.

With the smugness of an end man on parade, he bounced along on his sinewy legs, effortlessly marching to attention, floating with a lightness of step remarkably different from the heavy tread of the soldiers keeping time with him. Down by his thigh he carried, unsheathed, a thin little sword – it was a small curved sabre, for ceremonial use only – and he looked and turned sideways to the commander and back to the men behind, without straining his big powerful frame or getting out of step. He seemed to strive with every fibre of his soul to march past his commander with maximum style, and his strong sense of doing this well made him a happy man. ‘Left . . . left . . . left . . .’ he seemed to be mouthing to himself at each alternate step, and that was the rhythm to which the solid wall of military men, weighed down by packs and guns, advanced; each face was different in its stern concentration, and each one of these hundreds of soldiers seemed to mouth his own ‘Left . . . left . . . left . . .’ at each alternate step

The typical Savings and Loan president was a leader in a tiny community. He was the sort of fellow who sponsored a float in the town parade; that said it all, didn’t it? He wore polyester suits, made a five-figure income, and worked one-figure hours. He belonged to the Lions or Rotary Club, and also to a less formal group known within the “thrift”* industry as the 3–6–3 Club: he borrowed money at 3 per cent, lent money at 6 per cent, and arrived on the golf course by 3 in the afternoon. *

We have come to the end of our parade of cryptids. I hope you enjoyed every monstrous float. And I hope that you find some value in the idea that cryptids have significance beyond whether or not they physically exist: that they are symbols of hope that our planet is capable of unlimited surprises; that they can rally a spiraling town by bestowing both an identity and an economy; that they help preserve stories from history that would otherwise be lost. Seen this way, cryptids are more important culturally than scientifically. But the best thing about cryptids, for me, is that they’re just a lot of fun.

We decided to attend to our community instead of asking our community to attend the church.” His staff started showing up at local community events such as sports contests and town hall meetings. They entered a float in the local Christmas parade. They rented a football field and inaugurated a Free Movie Night on summer Fridays, complete with popcorn machines and a giant screen. They opened a burger joint, which soon became a hangout for local youth; it gives free meals to those who can’t afford to pay. When they found out how difficult it was for immigrants to get a driver’s license, they formed a drivers school and set their fees at half the going rate. My own church in Colorado started a ministry called Hands of the Carpenter, recruiting volunteers to do painting, carpentry, and house repairs for widows and single mothers. Soon they learned of another need and opened Hands Automotive to offer free oil changes, inspections, and car washes to the same constituency. They fund the work by charging normal rates to those who can afford it. I heard from a church in Minneapolis that monitors parking meters. Volunteers patrol the streets, add money to the meters with expired time, and put cards on the windshields that read, “Your meter looked hungry so we fed it. If we can help you in any other way, please give us a call.” In Cincinnati, college students sign up every Christmas to wrap presents at a local mall — ​no charge. “People just could not understand why I would want to wrap their presents,” one wrote me. “I tell them, ‘We just want to show God’s love in a practical way.’ ” In one of the boldest ventures in creative grace, a pastor started a community called Miracle Village in which half the residents are registered sex offenders. Florida’s state laws require sex offenders to live more than a thousand feet from a school, day care center, park, or playground, and some municipalities have lengthened the distance to half a mile and added swimming pools, bus stops, and libraries to the list. As a result, sex offenders, one of the most despised categories of criminals, are pushed out of cities and have few places to live. A pastor named Dick Witherow opened Miracle Village as part of his Matthew 25 Ministries. Staff members closely supervise the residents, many of them on parole, and conduct services in the church at the heart of Miracle Village. The ministry also provides anger-management and Bible study classes.

Like Manhattan? Yes, precisely! And that was one of the reasons why for me moving to New York felt- so unexpectedly- like coming home. But there were other reasons as well: the fact that Urdu was spoken by taxi cab drivers; the presence, only two blocks from my East Village apartment, of a samosa-and china-serving establishment called the Pak-Punjab Deli; the coincidence of crossing Fifth Avenue during a parade and hearing, from loudspeakers mounted on the South Asian Gay and Lesbian Association float, a song to which I had danced at my cousin's wedding. In a subway car, my skin would typically fall in the middle of the color spectrum. On street corners, tourists would ask me for directions. I was, in four and a half years, never an American; I was immediately a New Yorker. What? My voice is rising? You are right; I tend to become sentimental when I think of that city. It still occupies a place of great fondness in my heart, which is quite something, I must say, given the circumstances under which, after only eight months of residence, I would later depart.

The female Klan of Indiana held its first statewide convention in July 1923, with a parade of white-robed women on horseback, bands and floats, initiation ceremonies, speeches on virtue and temperance, and a cross burning at night.

Zucca sprayed luminol in the Jet Inn’s parking lot, the entire building would glow like a float in Disneyland’s Electrical Parade.

New York City wanted to honor the players, too. Mayor Bill de Blasio announced that the city would hold a ticker-tape parade for the players, making them the first women’s team ever to be given the historic celebration. Within two days, there the players were at Battery Park on their respective floats, waiting for the parade to start. They couldn’t see up Broadway and had no idea just how many people were waiting to catch a glimpse of them. Then, the procession turned the corner. The sidewalks were packed 30-people deep in places—and it continued all the way up Broadway as far as the eye could see. There were thousands and thousands of people lining Broadway into the horizon. “We turned onto the street and it was like, Are you fucking kidding me? All these people are here for us?” Ali Krieger says, laughing. None of the players had seen anything quite like it. Office workers on Broadway were opening their windows and throwing paper shreds out. The air was filled with paper, floating over the parade route like some sort of festive fog. When the parade reached its destination, City Hall, the players got off the 12 floats they had been riding. They waited in a room at City Hall, finally together again and able to talk about what they’d just seen, and the players became emotional. Some players were crying. Some were in shock. “I never quite understand the following this team has until it’s thrown in my face, and the ticker-tape parade epitomizes that,” says Becky Sauerbrunn, who has nearly 150 caps for the USA. “I was like, Is anyone going to be at this parade? What if no one shows up? It blew me away.” CHAPTER 19 “It Is Our Job to Keep on Fighting” In the days after the national team won the World Cup, the players were the most in-demand athletes in the entire country.

The Glendale Bear, affectionately known as Meatball for his successful raids of area homes in search of Costco meatballs, became famous for his neighborhood break-ins, and for the image a live news helicopter captured of the bear startling an unsuspecting resident while he texted on his phone. Meatball also had his own Twitter account and conversed there regularly with P-22 about the challenges of urban living. Ultimately, because of his affinity for human food and relaxing in backyard hot tubs, this smarter-than-average black bear had to be captured in 2012 and sent to the animal sanctuary Lions, Tigers, and Bears in San Diego County, where he now resides. The story, however, has a happy ending, as the residents of Glendale, aware their habits of leaving out trash and pet food might have made them culpable in his fate, promised to mend their ways and even raised funds for a bigger enclosure for Meatball. For the 2014 Rose Bowl Parade, Glendale created a float themed “Let’s Be Neighbors,”featuring Meatball in his famous trash-can pose. As Patricia Betancourt from the City of Glendale office said, “Glendale citizens, because of Meatball’s influence, are now dedicated to being good neighbors to wildlife.

As Naomi says, “Sheldon, you’re gayer than a unicorn in drag riding on a rainbow float at the Pride Parade.

In provisionally characterizing the object which serves as the theme of our investigation (the Being of entities, or the meaning of Being in general), it seems that we have also delineated the method to be employed. The task of ontology is to explain Being itself and to make the Being of entities stand out in full relief. And the method of ontology remains questionable in the highest degree as long as we merely consult those ontologies which have come down to us historically, or other essays of that character. Since the term "ontology" is used in this investigation in a sense which is formally broad, any attempt to clarify the method of ontology by tracing its history is automatically ruled out. When, moreover, we use the term "ontology," we are not talking about some definite philosophical discipline standing in interconnection with the others. Here one does not have to measure up to the tasks of some discipline that has been presented beforehand; on the contrary, only in terms of the objective necessities of definite questions and the kind of treatment which the 'things themselves' require, can one develop such a discipline. With the question of the meaning of Being, our investigation comes up against the fundamental question of philosophy. This is one that must be treated *phenomenologically*. Thus our treatise does not subscribe to a 'standpoint' or represent any special 'direction'; for phenomenology is nothing of either sort, nor can it become so as long as it understands itself. The expression 'phenomenology' signifies primarily a *methodological conception*. This expression does not characterize the what of the objects of philosophical research as subject-matter, but rather the *how* of that research. The more genuinely a methodological concept is worked out and the more comprehensively it determines the principles on which a science is to be conducted, all the more primordially is it rooted in the way we come to terms with the things themselves, and the farther is it removed from what we call "technical devices," though there are many such devices even in the theoretical disciplines. Thus the term 'phenomenology' expresses a maxim which can be formulated as 'To the things themselves!' It is opposed to all free-floating constructions and accidental findings; it is opposed to taking over any conceptions which only seem to have been demonstrated; it is opposed to those pseudo-questions which parade themselves as 'problems', often for generations at a time. Yet this maxim, one may rejoin, is abundantly self-evident, and it expresses, moreover, the underlying principle of any scientific knowledge whatsoever. Why should anything so self-evident be taken up explicitly in giving a title to a branch of research? In point of fact, the issue here is a kind of 'self-evidence' which we should like to bring closer to us, so far as it is important to do so in casting light upon the procedure of our treatise. We shall expound only the preliminary conception [Vorbegriff] of phenomenology. This expression has two components: "phenomenon" and "logos." Both of these go back to terms from the Greek: φαινόμενον and λόγος. Taken superficially, the term "phenomenology" is formed like "theology," "biology," "sociology"―names which may be translated as "science of God," "science of life," "science of society." This would make phenomenology the *science of phenomena*. We shall set forth the preliminary conception of phenomenology by characterizing what one has in mind in the term's two components, 'phenomenon' and 'logos', and by establishing the meaning of the name in which these are *put together*. The history of the word itself, which presumably arose in the Wolffian school, is here of no significance." ―from_Being and Time_. Translated by John Macquarrie & Edward Robinson, pp. 49-51

Excited at the opportunity to witness a professional fashion shoot, especially one for a major fashion magazine, I replied enthusiastically, "Yes! We'd love to come. Do we get to go on one of the parade boats?" Mario laughed. "Correct! Vogue Italia has commissioned a float especially for this fashion photography session. We have three female models on location and I thought, if Andy is agreeable, he could be an accompanying male model. I

Within the tiny changing space (four poles draped with fancy velvet) hung a dozen fabulous couture gowns from internationally well-known designers such as Christian Dior, Givenchy, Chanel, Yves Saint Laurent, Valentino and Emanuel Ungaro. I was in seventh heaven having this rare and unexpected opportunity to study and scrutinize these exquisite designer dresses. I turned every garment inside out to see how they were sewn, beaded and constructed. That day, floating in a parade boat along other vessels in the middle of the Grand Canal in historic Venezia, my fashion schooling had begun. It was the first day of my professional fashion education.

Mardi Gras in Cuba was one of the most uninhibited festivals I have ever witnessed. Although I do not condone the criminal elements that existed behind the festive atmosphere, I dove into the sweeping pleasures without guilt. At my age, life was to be lived, and live it I did! Most of the people surrounding me, on the packed streets of Havana, came from the United States. It also seemed that half of the Miami Police Force was there for these unrestrained festivities. Perhaps the excesses I witnessed are to be criticized, but it was all fun and well beyond my imagination. Everything was new and extremely exciting at the time. The many beautiful girls, who were said to have been exploited, certainly were as caught up in the euphoria as we were and enjoyed the moment every bit as much as we did. The decorated cars and beautiful floats with girls and guys waving, were followed by people dancing to the loud Latin beat. The jubilant parade wound its way along the coastal route to the Avenida Maceo, having started from the wide boulevard Calle G or Avenida de los Presidentes. Crowds of tourists and other revelers laughed and cheered. Smaller, but every bit as intense, were celebrations on other main streets such as Calle Neptuno. Everyone had a great time, and thanks to our officers, even our available time ashore was extended by an hour. I don’t think that it was abused by anyone, but the next day we were all tired and nursing hangovers.

Our contributions had made, when it came to it, not the slightest bit of difference. I had been utterly defeated on every front; I should, at that moment of all moments, have been steeped in despair. And yet, as I sat at the window, I did not find myself despairing. For out of the gloom, the hopelessness, the humiliation of the day, certain images kept defiantly floating up: Frank with Droyd in his arms, lurching out of the stinking basement; Frank thumping the Plexiglas, cheering on the dogs; the glorious moment of Frank, tongue tucked between his teeth, crisply punching Harry on the nose. I didn’t ask for them; they didn’t appear to change anything; yet there they were, floating up out of the darkness before my eyes, over and over again, and with them now something Yeats had said once: “Friendship is all the house I have.” I frowned out through my ghostly reflection at the swaying trees, the rain. Friendship is all the house I have. It wasn’t a line I’d given much thought to before. Still, you could see what he meant, given all the problems one encountered with actual houses—heating bills and mortgages and wayward domestics, rack-renting landlords, actors moving in, all that. What kind of house would my friendship make? The day’s events paraded palely by again, like the tapestry of a long-ago battle. On the evidence it seemed that, for all my aspirations to the courtly life, I hadn’t provided much protection from the elements.

We don’t screw up by saying yes to the wrong things; we screw up by letting all the floats in the parade pass us by and never jumping on one of them for a ride to the end.

Often, the cartoons feature people using sneaky and creative ways to coax their Pop-Tart into a toaster. One such example occurred over the July Fourth holiday, where a cartoon depicted a person luring a Pop-Tart into a toaster made to look like a parade float. While inside the toaster, the Pop-Tart inquires about when to pop out, and the hungry person declares, “Yep, just one more minute …

Then it’s off to the den, where the TV is tuned to a colorful parade, full of floats and balloons! And you watch for awhile, but soon it’s all done, so you roll out the door for a stroll in the sun. And the chilly air tweeks your nose and your cheeks.

Being the captive audience at the men’s evil bullshit parade nearly every time I sat down for a haircut sucked. What also sucked was that I wasn’t just sitting and watching the spectacle go by—this was their way of holding a hand out, inviting me to jump on the float. I felt implicated, because somehow I was.

My brain might be doing jumping jacks, but my body is shutting down, it feels like a lead anchor, sinking in a sea of quilt, tugging me toward repose. I'm drifting. Sleeping? A parade of faces floats behind my closed eyes.

Grant read my book, and he said it was good! A tiny parade marches through my chest, filled with baton-throwing, tutu-clad dancers, people on floats throwing confetti, a full marching band with tubas and bass drums, and not a clown car in sight. Those are creepy and nothing about this moment feels the least bit creepy. Grant read my book. A sigh of contentment softly blows through my nose, and my grin feels like the first taste of summer after a long year of sitting in a stuffy classroom. Grant read my book. I sigh. Is this what swooning feels like?

It wasn’t long ago that I left the CIA and DC, moved to Sinful, adopted a cat, quit my job, acquired a boyfriend, and for Christ’s sake, I just wore a sequined dress and a tiara on a parade float. If there is any more change in my life, I might spontaneously combust.

Magazine Street was a sea of green. Piper reveled in the pleasure and satisfaction of having finished the scene in her first feature film as she made her way through the crowds and watched the floats decorated by New Orleans marching clubs. The float riders threw carrots, potatoes, moon pies, and beads to the onlookers gathered on the sidewalk. Pets joined in the festivities as well, sporting leprechaun attire and green-tinted fur. Under a bright sun and a clear blue sky, families and friends were gathered for the opportunity to celebrate one of the biggest street parties of the year. Some set up ladders along the parade route, climbing atop for the best views. Others scaled trees and found perches among the branches. "Hey, mister, throw me something!" yelled a man next to Piper. Waving hands rose in the air as a head of cabbage came hurtling from the float. Everyone in the crowd lunged for it. The person who snagged it was roundly congratulated for the catch. "What's with the cabbage?" Piper asked the man standing next to her. "They aren't supposed to throw them, just hand them out. Somebody could get hurt by one of those things." The man shrugged. "But the tradition is to cook them for dinner on St. Patrick's Day night.

I change quickly in the bathroom and shuffle out feeling like a beached whale in a muumuu as I crawl up onto the exam table. “You get to stay hot and be checked out by cute nurses while I get to pork up and be optioned as inspiration for a Thanksgiving Day parade float.

Now just no sane person could describe my boat as a rowing boat. It has a cabin, there are no oars, and even if there were, they couldn't be used becasue The Seeker isn't fitted with rowlocks. And what was a "floating" petrol bomb? The whole idea of petrol bombs is to cause as much spreading of the fire as possible. So a glass bottle is used which will shatter on impact and spray the burning petrol over a wide area. Shine said that the "bomb" had been in a plastic bottle, which had floated on the water. This must have been the biggest load of rubbish that he ever came out with. A plastic bottle wouldn't have shattered - it would have most likely bounced off the target. As for floating, the waves on the loch that morning were about two feet high. Shine's "bomb" would surely have been extinguished very quickly. Despite all this, the police seemed to be pursuing the matter. They asked me if I would go on a voluntary identification parade to see if one of Shine's team could pick me out. What a joke! Of course they would have picked me out. I am even more well known than my boat. Twenty thousand visitors a year for the past ten years, two hundred and thirty T.V. documentaries, my picture must have appeared in at least five hundred newspapers and magazines ... I declined the offer. In fact, I began to wonder if the police were helping Shine to set me up. The one consolation I got from all this was that it proved how desperate these people were. How badly they wanted to stop - or hold up the production of this story. Even if the British media won't touch it, I'm sure that certain publications on the Continent will, and I have many contacts. Over the past twenty years one small group of people have taken more than half-a-million pounds out of the Loch Ness scene under the guise of investigation. It's time that they were exposed - and stopped.

We have to say yes. Even when it’s scary or costly or unknown. We don’t screw up by saying yes to the wrong things; we screw up by letting all the floats in the parade pass us by and never jumping on one of them for a ride to the end.

Near the entrance to the famous Specimen Room at Tokyo University, there was a lavishly gilded casket that housed an ancient Egyptian mummy, said by some to have been the favorite concubine of King Tut himself. Elsewhere in the room, the disembodied brains of such celebrated novelists as Natsume Soseki and Kanzo Uchimura were on display, floating dreamily in formaldehyde. Then there was the distinguished married couple, both professors of medicine, who had willed their bodies to science in the 1920s. Now their perfect ivory skeletons stood at attention by the entrance, like a pair of sentries. Interesting though these objects were, the most riveting thing in the room was the collection of vividly colored, intricately-tattooed skins hanging on the walls and suspended from the ceiling. They looked to Kenzo like an eerie parade of souls in limbo, and he gazed at them in awe and fascination.

their statewide newspaper Call of the North touted “these fundamental principles of real Americanism . . . God, flag and hope.”45 The KKK even sponsored a float featuring its robed and hooded adherents at the University of Minnesota’s homecoming parade.