Flick Social Quotes

People are desperate to stay unconscious. We observe how often people flick on the television set the minute they enter a room and then walk around in a dream-like state, constantly being programmed by the data poured into them. People are terrified of facing themselves. They dread even a moment of aloneness. Thus the constant frantic activities: the endless socializing, talking, texting, reading, music playing, working, traveling, sightseeing, shopping, overeating, gambling, movie-going, pill-taking, drug-using, and cocktail-partying.

Personal opinion time: some of the bravest, strangest, coolest stories right now are being told in the young adult space. It's stuff that doesn't fly by tropes or adhere to rules -- appropriate, perhaps, since young adults tend to flick cigarettes in the eyes of the rules and don't play by social norms as much as adults do.

Inside, the air was warm, humid. A mist hung. As this husband and wife strolled the rows arm in arm, the plants seemed to take notice—their swiveling blossoms followed in our lovers’ wake, as if to drink in the full flavor of Sun Moon’s honor and modesty. The couple stopped, deep in the hothouse, to recumbently enjoy the splendor of North Korea’s leadership. An army of hummingbirds hovered above them, expert pollinators of the state, the buzzing thrum of their wing beats penetrating the souls of our lovers, all the while dazzling them with the iridescent flash of their throats and the way their long flower-kissing tongues flicked in delight. Around Sun Moon, blossoms opened, the petals spreading wide to reveal hidden pollen pots. Commander Ga dripped with sweat, and in his honor, groping stamens emanated their scent in clouds of sweet spoor that coated our lovers’ bodies with the sticky seed of socialism. Sun Moon offered her Juche to him, and he gave her all he had of Songun policy. At length, in depth, their spirited exchange culminated in a mutual exclaim of Party understanding. Suddenly, all the plants in the hothouse shuddered and dropped their blossoms, leaving a blanket upon which Sun Moon could recline as a field of butterflies ticklishly alighted upon her innocent skin. Finally, citizens, Sun Moon has shared her convictions with her husband!

[Aza Raskin] designed something that distinctly changed how the web works. It's called 'infinite scroll.' Older readers will remember that it used to be that the internet was divided into pages, and when you got to the bottom of one page, you had to decide to click a button to get to the next page. It was an active choice. It gave you a moment to pause and ask: Do I want to carry on looking at this? Aza designed the code that means you don't have to ask that question any more. ...It downloads a chunk of status updates for your to read through ...when you get to the bottom, it will automatically load another chunk for your to flick through. ...'At the outset, it looks like a really good invention,' he told me. He believed he was making life easier for everyone. He had been taught that increased speed and efficiency of access were always advances. his invention quickly spread all over the internet ...But then Aza watched as the people around him changed. They seemed to be unable to pull themselves away from their devices, flicking through and through and through, thanks in part to the code he had designed. He found himself infinitely scrolling through what he often realised afterwards was crap, and he wondered if he was making good use of his life. ...Aza sat down and did a calculation. At a conservative estimate, infinite scroll makes you spend 50 percent more of your time on sites like Twitter. (For many people, Aza believes, it's vastly more.) Sticking with this low-ball percentage, Aza wanted to know what it meant, in practice, if billions of people were spending 50 percent more time on a string of social media sites. When he was done, he stared at the sums. Every day, as a direct result of his invention, the combined total of 200,000 more total human lifetimes - every moment from birth to death - is now spent scrolling through a screen. These hours would otherwise have been spent on some other activity. When he described this to me, he sounded a little stunned. That time is 'just completely gone. It's like their entire life - poof. That time, which could have been used for solving climate change, for spending time with their family, for strengthening social bonds. For whatever is it that makes their life well-lived. It's just...' He trailed off.

The 1990s saw a rapid increase in the paired technologies of personal computers and internet access (via modem, back then), both of which could be found in most homes by 2001. Over the next 10 years, there was no decline in teen mental health.[26] Millennial teens, who grew up playing in that first wave, were slightly happier, on average, than Gen X had been when they were teens. The second wave was the rapid increase in the paired technologies of social media and the smartphone, which reached a majority of homes by 2012 or 2013. That is when girls’ mental health began to collapse, and when boys’ mental health changed in a more diffuse set of ways. Of course, teens had cell phones since the late 1990s, but they were “basic” phones with no internet access, often known at the time as flip phones because the most popular design could be flipped open with a flick of the wrist. Basic phones were mostly useful for communicating directly with friends and family, one-on-one. You could call people, and you could text them using cumbersome thumb presses on a numeric key. Smartphones are very different. They connect you to the internet 24/7, they can run millions of apps, and they quickly became the home of social media platforms, which can ping you continually throughout the day, urging you to check out what everyone is saying and doing. This kind of connectivity offers few of the benefits of talking directly with friends. In fact, for many young people, it’s poisonous.

Twitter The “feed” has become a social staple of many online products. The stream of limitless information displayed in a scrolling interface makes for a compelling reward of the hunt. The Twitter timeline, for example, is filled with a mix of both mundane and relevant content. This variety creates an enticingly unpredictable user experience. On occasion a user might find a particularly interesting piece of news, while other times, she won’t. But to keep hunting for more information, all that is needed is a flick of the finger or scroll of a mouse. Users scroll and scroll and scroll to search for variable rewards in the form of relevant tweets

WHAT DOESN’T WORK SO WELL Psst: Check out all the contradictions, which are all part of the entrepreneurial life. Afternoons: Once it hits 2pm my brain doesn’t work so well. I use this fuzzy time to do monotonous tasks such as social media scheduling, WordPress fixes, editing, etc. Scheduling/ batching: I’d also like to batch things like writing blog posts and creating videos. But I tend to do them randomly when the urge takes me, which isn’t productive at all. Social media: It’s a huge time suck that I wrestle with all day, every day. Boundaries: I try to switch off each evening around 3pm (school days) or 6pm (work days). But I often find myself logging in again. (It doesn’t help that Netflix is on my laptop, which makes it all too easy to flick over to my work email or business Facebook groups every two seconds.) Bravery: Because I’m willing to give things a go, I sometimes launch them without thinking things through!

Director: Sripriya Producer: Rajkumar Sethupathy Screenplay: Aashiq Abu Story: Abhilash Kumar,Shyam Pushkaran Starring: Nithya Menen,Krish J. Sathaar,Naresh Music: Aravind-Shankar Cinematography: Manoj Pillai Editing: Bavan Sreekumar Studio: Rajkumar Theatres Pvt Ltd Sri Priya is back with her new venture titled ‘Malini 22 Palayamkottai’ with actor Krish, son of Malayalam actors Sathar and Jayabharathi. Actor Krish was ready for the negative shades of ‘Malini 22 Palayamkottai’, remake of malayalam film ‘22 Female Kottayam’ when none were ready to play the role with adverse shades. To make a mark in 40th year of Sripriya's venture in Tamil industry, she has come up with a theme carrying crime against women and to reveal the social issues in present scenario through ‘Malini 22 Palayamkottai’ Tamil movie. ‘Malini 22 Palayamkottai’ Tamil film is directed by Sripriya. The revenge thriller movie is produced by Rajkumar Theatres Pvt.ltd. ‘Malini 22 Palayamkottai’ movie casting Nithya Menon, Vidyulekha Raman, Krish J Sathaar and Kota Srinivasa Rao was initially set to release on 13 December, 2013 along with ‘Madha Yaanai Kootam’ and ‘Ivan Vera Mathiri’. However, due to several issues the films release was postponed. Producer Rajkumar Sethupathy’s ‘Malini 22 Palayamkottai’ film is directed and written by his wife Sripriya. ‘Malini 22 Palayamkottai’ Tamil movie has music composed by Aravind-Shankar. Confident producer Rajkumar Sethupathy who has complete faith on his wife Sripriya stated – “My wife has decades of experience in cinema and I myself have starred in several films. While I immersed myself in business, she has remained in touch with the industry taking a brief break to take care of our children. However, with the kids old enough to take care of themselves now, she has the time to get back to the other thing she loves: cinema. She’s already directed a couple of films, but this one is different because of the theme. She watched the original and she asked me to watch it too. I knew right away that if we were going to start our own home productions, this movie was the best way to begin.” Sripriya expressing her thoughts about the film said, ‘Malini 22 Palayamkottai’ was the huff that she had bounded within herself. ‘Malini 22 Palayamkottai’ portrays the exploitation against women and revenge from the gender. However, the revenge thriller flick ‘Malini 22 Palayamkottai’ is set to release on 24 January, 2014.

My day had forty-eight hours. It helped that I had no social life. I recall a poor fellow who asked me out during this period. I agreed to meet him for dinner. As I was getting ready, the phone rang. “We’ve got a possum that’s been hit by a car,” the county animal control office said. “Can you help?” I’ve always liked possums. Like a lot of wildlife, they are completely misunderstood. Virginia opossums are the only North American marsupials. Marsupials tend to have lower body temperatures than other animals, so possums are among the least likely of any mammal to contract rabies. In fact, they are one of the most disease-free animals I’ve dealt with. That evening, answering the call as I dressed for my big date, I didn’t think twice. I thought I could pick it up and still make dinner. But when I got the injured possum home and examined it, I realized that it had probably been hit by the car two or three days earlier, and its body teemed with maggots. There wasn’t any way I could head out for a lovely evening, not with a maggot-infested marsupial under my care. I grabbed my tweezers and began flicking off the fly larvae, one by one. The possum was cooperative, but as the maggot-picking process wore on, it became evident that I was not going to able to make dinner. I called the fellow. “Here’s the situation,” I said. “I am working on a possum that was hit by a car. There is just no way I am going to be on time. What do you want to do?” There was a long hesitation on the other end of the line. “Why don’t I come over and help?” he finally asked. Great! I could always use help. A half hour later, in he came, looking smart and smelling of cologne. His face immediately turned pale as he saw what the project entailed, and he made a halfhearted attempt to help. After a while I wasn’t sure whether I was going to be finishing up with the possum or providing medical aid for my poor date, whose face had now turned a whiter shade of green. He excused himself and headed off into the night, never to be heard from again.

Victor made an amused sound from the threshold. Nora’s eyes flicked to him. “What? What is it?” “I told them you were bad with people.” “I’m not bad with people.” “You aren’t great with them,” Deirdre said.

the false promises of digital technology and social networking. It wasn’t bringing us together; it was making us lonelier and more selfish, less connected to our flesh-and-blood neighbors.

Radical social theories when put into practice have a notoriously short half-life. They dissolve into anarchy. Or the people’s power, even when carefully delegated to provisional authorities, is seized by totalitarians and autocrats. Can you think of a single counterexample?” Julia flicks her gaze at me. “No,” I say. “I guess not.” “No,” she says. “There isn’t one.

This is because even the simplest of motions—a flick of a finger or a turn of the hand to pick up a pencil—is maddeningly complex and requires coordination and computational power beyond electronic abilities. For this you need a brain. One of our favorite quotes on this matter comes from the neuroscientist Rodolfo Llinás: “That which we call thinking is the evolutionary internalization of movement.

My screen, that shiny black pool I longed to escape into again and again, even though it filled my mind with the black bile of jealousy and bitterness. The shrinkage. The side-by-side comparison. There was a cultural obsession with the possibility of multiverses, but to me, social media was proof enough of their existence. With a flick of a finger, you could see every life you could have had if only you’d been born smarter or luckier, or made better choices.

but to me, social media was proof enough of their existence. With a flick of a finger, you could see every life you could have had if only you’d been born smarter or luckier, or made better choices. The

Arise Reborn! by Stewart Stafford In cosy choice, the complacent lie, Teasing open the serpent's eye, To outflank, usurp then suppress, A deceiver's mask under duress. Delusion lays a gossamer snare, Flicking forked tongues tasting air, Devotion to clan, a dying dream, Delirious mining of treachery's seam. Battle drums as heroes rise, Saving tribe and land by surprise, The call to action, your country's plea, The broad church of necessity. Lessons echo in infancy's steps, Territory gained, homeland re-annexed, Skirmishes coalesce in a patriot's war, To campfire tales of visionary valour. © 2025, Stewart Stafford. All rights reserved.

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