Flexible Funny Quotes

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What an astonishing thing a book is. It's a flat object made from a tree with flexible parts on which are imprinted lots of funny dark squiggles. But one glance at it and you're inside the mind of another person, maybe somebody dead for thousands of years. Across the millennia, an author is speaking clearly and silently inside your head, directly to you. Writing is perhaps the greatest of human inventions, binding together people who never knew each other, citizens of distant epochs. Books break the shackles of time. A book is proof that humans are capable of working magic." [Cosmos, Part 11: The Persistence of Memory (1980)]
Carl Sagan (Cosmos)
Follow my lead, Miss Rook," Jackaby said, rapping on the ornately trimmed door to 1206 Campbell Street. Were my employer a standard private investigator, those might have been simple instructions, but in the time I've been his assistant, I've found very little about Jackaby to be standard. Following his lead tends to call for a somewhat flexible relationship with reality.
William Ritter (Beastly Bones (Jackaby, #2))
What an astonishing thing a book is. It’s a flat object made from a tree with flexible parts on which are imprinted lots of funny dark squiggles. But one glance at it and you’re inside the mind of another person, maybe somebody dead for thousands of years. Across the millennia, an author is speaking clearly and silently inside your head, directly to you. Writing is perhaps the greatest of human inventions, binding together people who never knew each other, citizens of distant epochs. Books break the shackles of time. A book is proof that humans are capable of working magic.
Sasha Sagan (For Small Creatures Such As We: Rituals and reflections for finding wonder)
There is yet one leverage point that is even higher than changing a paradigm. That is to keep oneself unattached in the arena of paradigms, to stay flexible, to realize that no paradigm is “true,” that every one, including the one that sweetly shapes your own worldview, is a tremendously limited understanding of an immense and amazing universe that is far beyond human comprehension. It is to "get" at a gut level the paradigm that there are paradigms, and to see that that itself is a paradigm, and to regard that whole realization as devastatingly funny.
Donella H. Meadows (Thinking In Systems: A Primer)
What an astonishing thing a book is. It’s a flat object made from a tree with flexible parts on which are imprinted lots of funny dark squiggles. But one glance at it and you’re inside the mind of another person, maybe somebody dead for thousands of years. Across the millennia, an author is speaking clearly and silently inside your head, directly to you. Writing is perhaps the greatest of human inventions, binding together people who never knew each other, citizens of distant epochs. Books break the shackles of time. A book is proof that humans are capable of working magic.
Carl Sagan
WHAT AN ASTONISHING THING A BOOK IS. IT IS A FLAT OBJECT MADE FROM A TREE WITH FLEXIBLE PARTS ON WHICH ARE IMPRINTED LOTS OF FUNNY DARK SQUIGGLES. BUT ONE GLANCE AT IT AND YOU'RE INSIDE THE MIND OF ANOTHER PERSON, MAYBE SOMEONE DEAD FOR THOUSANDS OF YEARS ACROSS THE MILLENNIA, AN AUTHOR IS SPEAKING CLEARLY AND SILENTLY INSIDE YOUR HEAD, DIRECTLY TO YOU. WRITING IS PERHAPS THE GREATEST OF HUMAN INVENTIONS, BINDING TOGETHER PEOPLE WHO NEVER KNEW EACH OTHER, CITIZENS OF DISTANT EPOCHS. BOOKS BREAK THE SHACKLES oF TIME. A BOOK IS PROOF THAT HUMANS ARE CAPABLE OF WORK IN & MAGIC.
Carl Sagan
Many experiments show that when people are put into a good mood (e.g., by giving them candy or showing them a funny movie), they are more creative. For example, they are better at inventing diverse and unusual ways for getting a candle to burn without dripping, or at finding more obscure and remote associations between words and ideas.22 People in good moods are “more cognitively flexible —more able to make associations, to see dimensions, and to see potential relationships among stimuli—than are persons in a neutral state.”23 In other words, they generate more varied ideas and combinations of those ideas, which are crucial aspects of creative work.
Robert I. Sutton (Weird Ideas That Work: 11 1/2 Practices for Promoting, Managing, and Sustaining Innovation)
Funny, what a freeing thing right is. And how . . . flexible it is. There is all sorts of right available to me now. Before, when I had to choose between Adam and James, I chose the hardest right path. It almost killed me. For now, I’m choosing the easiest right path.
Kiersten White (Perfect Lies (Mind Games, #2))
ACKNOWLEDGEMENTS My husband, for all the backrubs he gives me, the double-chocolate muffins he bakes, for the kisses, the gentle teasing, the pep talks, and the patience he displays whenever I am stressed, irritated, angry, or grumpy about uncooperative characters and plots. Thank you for listening to my theories about true crime shows and for being a magnificent DM for our D&D group. My brave, funny, fierce daughter, whose persistence and strength in the face of multiple challenges, including spina bifida and clubfoot, inspires me every day, and my sweet, sensitive, story-loving son, who has worked so hard to learn coping strategies for his sensory processing disorder. “Allo” you both with all my heart, babies. Thank you for inspiring me, for keeping me laughing, for asking for so many kisses and hugs every single day, and for having absolutely zero interest in my stories because they don’t feature any trains. D, for helping with my children during a pandemic when no one else is available, and for reading a thousand books to them and “playing Star Wars” with them so enthusiastically. My family, for helping so much with my children and supporting my career’s success however you can. Love you guys. Dani Crabtree, for being the most understanding and flexible editor in existence. If this book has errors, they’re mine. (I like to add extra things after she’s seen the book.) My dear, lovely, generous readers—thank you from the bottom of my heart for reading and loving my books. I couldn’t do it without you. The stories only come alive with your imaginations, so with you all to imagine them, our beloved characters would only live in my head. I’m thrilled to share them with you. Thank you for all the notes you write me and the emails you send. Your words make a difference, especially when I’m struggling to remember what I love about this job (usually during a particularly stubborn first draft.) I love you all!
Kate Avery Ellison (Hollowfell Huntress (Spellwood Academy, #3))
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