Bouncing Related Quotes

A person who doesn’t understand both sides of an issue can’t relate to the side he is trying to sway, so his words will bounce off of them without leaving any impression.

This has been the century of strangers, brown, yellow and white. This has been the century of the great immigrant experiment. It is only this late in the day that you can walk into a playground and find Isaac Leung by the fish pond, Danny Rahman in the football cage, Quang O’Rourke bouncing a basketball, and Irie Jones humming a tune. Children with first and last names on a direct collision course. Names that secrete within them mass exodus, cramped boats and planes, cold arrivals, medical checks. It is only this late in the day, and possibly only in Willesden, that you can find best friends Sita and Sharon, constantly mistaken for each other because Sita is white (her mother liked the name) and Sharon is Pakistani (her mother thought it best — less trouble).

Richard Davidson, a University of Wisconsin psychologist. He discovered that people who have greater activity in the left frontal lobe, compared to the right, are by temperament cheerful; they typically take delight in people and in what life presents them with, bouncing back from setbacks as my aunt June did. But those with relatively greater activity on the right side are given to negativity and sour moods, and are easily fazed by life’s difficulties; in a sense, they seem to suffer because they cannot turn off their worries and depressions. In

It might be useful here to say a word about Beckett, as a link between the two stages, and as illustrating the shift towards schism. He wrote for transition, an apocalyptic magazine (renovation out of decadence, a Joachite indication in the title), and has often shown a flair for apocalyptic variations, the funniest of which is the frustrated millennialism of the Lynch family in Watt, and the most telling, perhaps, the conclusion of Comment c'est. He is the perverse theologian of a world which has suffered a Fall, experienced an Incarnation which changes all relations of past, present, and future, but which will not be redeemed. Time is an endless transition from one condition of misery to another, 'a passion without form or stations,' to be ended by no parousia. It is a world crying out for forms and stations, and for apocalypse; all it gets is vain temporality, mad, multiform antithetical influx. It would be wrong to think that the negatives of Beckett are a denial of the paradigm in favour of reality in all its poverty. In Proust, whom Beckett so admires, the order, the forms of the passion, all derive from the last book; they are positive. In Beckett, the signs of order and form are more or less continuously presented, but always with a sign of cancellation; they are resources not to be believed in, cheques which will bounce. Order, the Christian paradigm, he suggests, is no longer usable except as an irony; that is why the Rooneys collapse in laughter when they read on the Wayside Pulpit that the Lord will uphold all that fall. But of course it is this order, however ironized, this continuously transmitted idea of order, that makes Beckett's point, and provides his books with the structural and linguistic features which enable us to make sense of them. In his progress he has presumed upon our familiarity with his habits of language and structure to make the relation between the occulted forms and the narrative surface more and more tenuous; in Comment c'est he mimes a virtually schismatic breakdown of this relation, and of his language. This is perfectly possible to reach a point along this line where nothing whatever is communicated, but of course Beckett has not reached it by a long way; and whatever preserves intelligibility is what prevents schism. This is, I think, a point to be remembered whenever one considers extremely novel, avant-garde writing. Schism is meaningless without reference to some prior condition; the absolutely New is simply unintelligible, even as novelty. It may, of course, be asked: unintelligible to whom? --the inference being that a minority public, perhaps very small--members of a circle in a square world--do understand the terms in which the new thing speaks. And certainly the minority public is a recognized feature of modern literature, and certainly conditions are such that there may be many small minorities instead of one large one; and certainly this is in itself schismatic. The history of European literature, from the time the imagination's Latin first made an accommodation with the lingua franca, is in part the history of the education of a public--cultivated but not necessarily learned, as Auerbach says, made up of what he calls la cour et la ville. That this public should break up into specialized schools, and their language grow scholastic, would only be surprising if one thought that the existence of excellent mechanical means of communication implied excellent communications, and we know it does not, McLuhan's 'the medium is the message' notwithstanding. But it is still true that novelty of itself implies the existence of what is not novel, a past. The smaller the circle, and the more ambitious its schemes of renovation, the less useful, on the whole, its past will be. And the shorter. I will return to these points in a moment.

I was still in and out of consciousness so much, and so emotional. But there were little things that helped. I remember at one point hearing my dad say, “He likes music. I am going to put on some music.” He brought in a little red radio and left it on this Top 40 station all the time hoping to cheer me up. Top 40 stations play the same songs over and over again. At the time there was one song that stood out and struck a chord with me: Sheryl Crow’s “Good is Good.” I don’t know what Sheryl Crow’s intentions were when she wrote it, but I felt like she was singing to me directly. I really related to this song. The words would bounce around my head even when I was asleep, about things going south and that it was up to you to make it better. Things are only as good as you make them. I felt calmer and comforted every time I heard it.

Now, you might think that because there are more poets than ever, there might be more opportunities for poets than ever. And you’d be correct. If your fondest wish is to become the next totally obscure minor poet on the block, well, you’re probably already successful at that. This literary landscape has proven itself infinitely capable of absorbing countless interchangeable artists, all doing roughly the same thing in relative anonymity: just happily plucking away until death at the grindstone, making no great cultural headway, bouncing poems off their friends and an audience of about 40 people. A totally fine little life for an artist, to be sure. No grand expectations from the world to sit up and listen. One can live out one’s days quite satisfied to create something enjoyed by a genial cult. But that’s not why any of us are here tonight. We’re here to conquer American Poetry and suck it dry of all glory and juice.

ADD seemed to explain many of my behavior patterns, thought processes, childish emotional reactions, my workaholism and other addictive tendencies, the sudden eruptions of bad temper and complete irrationality, the conflicts in my marriage and my Jekyll and Hyde ways of relating to my children. And, too, my humor, which can break from any odd angle and leave people laughing or leave them cold, my joke bouncing back at me, as the Hungarians say, like “peas thrown at a wall.” It also explained my propensity to bump into doorways, hit my head on shelves, drop objects and brush close to people before I notice they are there. No longer mysterious was my ineptness following directions or even remembering them, or my paralytic rage when confronted by a sheet of instructions telling me how to use even the simplest of appliances. Beyond everything, recognition revealed the reason for my lifelong sense of somehow never approaching my potential in terms of self-expression and self-definition—

Streamline Your Focus Instead of Jumping From Unfinished Project to Unfinished Project Although it seems contradictory, anxiety-related perfectionism can cause people to persist too long on some tasks and leave other projects unfinished. Perfectionists who are intolerant of uncertainty often jump from project to project. They might start multiple business plans, grant proposals, job applications, movie scripts, stand-up routines, craft projects, or novels, and not finish any of them. They may sour quickly on an idea when their self-doubt starts to creep in rather than stay with the idea long enough to realistically judge it’s potential. If you bounce from idea to idea, it could very well be because it’s hard for you to tolerate your uncertainty about whether the idea you’re working on is going to pan out. If you have a habit of not finishing things, you’re likely to be better off sticking with a project and finishing it, instead of jumping to another project when you start to feel unsure. To help you be less tempted to jump around, reduce your exposure to excessive information and alternatives.

A lady told me about one of her husband’s relatives who was very opinionated. He was always making these cutting, demeaning remarks about her. This couple hadn’t been married that long. Every time they went to family get-togethers, this relative would say something to offend her. She would get all upset and it would ruin the day. She reached the point where she refused to even go to family events. Finally, she told her husband, “You’ve got to do something about that man. He’s your relative.” She was expecting her husband to say, “You’re right, honey. He shouldn’t talk to you like that. I will set him straight.” But the husband did just the opposite. He said, “Honey, I love you but I cannot control him. He has every right to have his opinion. He can say what he wants to, but you have every right to not get offended.” At first she couldn’t understand why her husband wouldn’t really stick up for her. Time and time again she would become upset. If this relative was in one room she would go to another. If he went outside she would make sure she stayed inside. She was always focused on avoiding this man. One day she realized she was giving away her power. It was like a light turned on in her mind. She was allowing one person with issues to keep her from becoming who she was meant to be. When you allow what someone says or does to upset you, you’re allowing them to control you. When you say, “You make me so mad,” what you’re really doing is admitting that you’re giving away your power. As long as that person knows they can push this button and you’ll respond this way, you are giving them exactly what they want. When you allow what someone says or does to upset you, you’re allowing them to control you. People have a right to say what they want, to do what they want, as long as it’s legal. But we have a right to not get offended. We have a right to overlook it. But when we get upset and go around angry, we change. What’s happening is we’re putting too much importance on what they think about us. What they say about you does not define who you are. Their opinion of you does not determine your self-worth. Let that bounce off of you like water off of a duck’s back. They have every right to have their opinion, and you have every right to ignore it.

The game within the game is the game that only the players see. They experience it in relation to one another on the floor at a particular time and in the middle of the action. It is one of the nuances of the game of basketball. As Knick teammates during those years, we knew what a teammate was going to do almost before he did it. We helped one another on defense and shared the ball on offense. We made room for each of us to be his best within the context of the team. For example, I often would see Clyde come down the floor with the ball. I'd catch his eye. I knew he wanted to go down my side of the floor. In order to give him a little more room to move, I would clear out. That way I didn't clog up his space. Or, when I had the ball on the side and he was at the top of the key, waiting to go backdoor, our center knew he had to move to the other side of the floor to create the room for the backdoor bounce pass from me to Clyde who was moving down the lane toward the basket. That was the game within the game. On one level, the game within the game was a matter of mechanics but is also operated on a psychological level in that we truly were all for one and one for all. We challenged one another in practice to become better. We helped one another come back from defeat. We inspired one another to reach our peak team performance. None of us felt we could be as good alone as all of us could be together. Our unity came sometimes with laughs, sometimes with conflicts, sometimes with moments of collective insight, but it was that spirit of camaraderie which brought us together in a way that allowed the fans to see something very special.

OUR ABILITY TO RECOGNIZE FAMILIAR THINGS At first glance our ability to recognize familiar things may not seem so unusual, but brain researchers have long realized it is quite a complex ability. For example, the absolute certainty we feel when we spot a familiar face in a crowd of several hundred people is not just a subjective emotion, but appears to be caused by an extremely fast and reliable form of information processing in our brain. In a 1970 article in the British science magazine Nature, physicist Pieter van Heerden proposed that a type of holography known as recognition holography offers a way of understanding this ability. * In recognition holography a holographic image of an object is recorded in the usual manner, save that the laser beam is bounced off a special kind of mirror known as a focusing mirror before it is allowed to strike the unexposed film. If a second object, similar but not identical * Van Heerden, a researcher at the Polaroid Research Laboratories in Cambridge, Massachusetts, actually proposed his own version of a holographic theory of memory in 1963, but his work went relatively unnoticed. to the first, is bathed in laser light and the light is bounced off the mirror and onto the film after it has been developed, a bright point of light will appear on the film. The brighter and sharper the point of light the greater the degree of similarity between the first and second objects. If the two objects are completely dissimilar, no point of light will appear. By placing a light-sensitive photocell behind the holographic film, one can actually use the setup as a mechanical recognition system.7 A similar technique known as interference holography may also explain how we can recognize both the familiar and unfamiliar features of an image such as the face of someone we have not seen for many years. In this technique an object is viewed through a piece of holographic film containing its image. When this is done, any feature of the object that has changed since its image was originally recorded will reflect light differently. An individual looking through the film is instantly aware of both how the object has changed and how it has remained the same. The technique is so sensitive that even the pressure of a finger on a block of granite shows up immediately, and the process has been found to have practical applications in the materials testing industry.

Heightened capacity for visual imagery and fantasy “Was able to move imaginary parts in relation to each other.” “It was the non-specific fantasy that triggered the idea.” “The next insight came as an image of an oyster shell, with the mother-of-pearl shining in different colors. I translated that in the idea of an interferometer—two layers separated by a gap equal to the wavelength it is desired to reflect.” “As soon as I began to visualize the problem, one possibility immediately occurred. A few problems with that concept occurred, which seemed to solve themselves rather quickly…. Visualizing the required cross section was instantaneous.” “Somewhere along in here, I began to see an image of the circuit. The gates themselves were little silver cones linked together by lines. I watched the circuit flipping through its paces….” “I began visualizing all the properties known to me that a photon possesses and attempted to make a model for a photon…. The photon was comprised of an electron and a positron cloud moving together in an intermeshed synchronized helical orbit…. This model was reduced for visualizing purposes to a black-and-white ball propagating in a screwlike fashion through space. I kept putting the model through all sorts of known tests.” 5. Increased ability to concentrate “Was able to shut out virtually all distracting influences.” “I was easily able to follow a train of thought to a conclusion where normally I would have been distracted many times.” “I was impressed with the intensity of concentration, the forcefulness and exuberance with which I could proceed toward the solution.” “I considered the process of photoconductivity…. I kept asking myself, ‘What is light? and subsequently, ‘What is a photon?’ The latter question I repeated to myself several hundred times till it was being said automatically in synchronism with each breath. I probably never in my life pressured myself as intently with a question as I did this one.” “It is hard to estimate how long this problem might have taken without the psychedelic agent, but it was the type of problem that might never have been solved. It would have taken a great deal of effort and racking of the brains to arrive at what seemed to come more easily during the session.” 6. Heightened empathy with external processes and objects “…the sense of the problem as a living thing that is growing toward its inherent solution.” “First I somehow considered being the needle and being bounced around in the groove.” “I spent a productive period …climbing down on my retina, walking around and thinking about certain problems relating to the mechanism of vision.” “Ability to grasp the problem in its entirety, to ‘dive’ into it without reservations, almost like becoming the problem.” “Awareness of the problem itself rather than the ‘I’ that is trying to solve it.” 7. Heightened empathy with people “It was also felt that group performance was affected in …subtle ways. This may be evidence that some sort of group action was going on all the time.” “Only at intervals did I become aware of the music. Sometimes, when I felt the other guys listening to it, it was a physical feeling of them listening to it.” “Sometimes we even had the feeling of having the same thoughts or ideas.” 8. Subconscious data more accessible “…brought about almost total recall of a course that I had had in thermodynamics; something that I had never given any thought about in years.” “I was in my early teens and wandering through the gardens where I actually grew up. I felt all my prior emotions in relation to my surroundings.

I could tie you down, but then ye’d be no help to Archie. So what’ll it be, lass? Will you obey me or no?” He tried to intimidate her with his posture and size, bracketing her with his bare arms. It didn’t work. Rather, the sight of the succulent, hard mound of his exposed shoulder so close to her face made her wet her lips. His strong collarbones and sinewy neck glistened with sweat, and he smelled of pine and male exertion. Her libido jumped like a feisty poodle. Jeez Louise, Mel, get a grip. This is not a romance novel. He’s not your hero. The box got it wrong. The box was way out of line. “I need it,” she said, pleased her steady voice didn’t betray her attraction. “I have to go with you.” “I told you I’d look for whatever ye lust.” Lust. The antiquated word spoken in his deep voice did strange things to her tummy. It took a solid effort not to lick her lips in invitation as the word called to mind activities that most definitely related to wanting. Home, she reminded herself. She had to get home. “I don’t trust you to look as hard as I would. I’m coming with you.” “Where are your ropes, Archie?” he asked. “The woman refuses to stay put. I have no choice but to tie her to the wagon.” Several of the wounded men snickered. Archie said, “In the foot case there. And bring me some of yon dried moss before ye tie down your woman.” Your woman. The casual declaration made her stomach leap, and the sensation wasn’t entirely unpleasant. “She’s not mine,” Darcy growled as he opened the lid of a wooden chest in the wagon. To her horror, he removed a coil of rope. After tossing a yellowish clump in Archie’s direction, he came at her. Her libido disappeared with a poof. She hopped off the wagon, dodging hands that had no business being so quick, considering how large they were. “Don’t you dare tie me down! I’ve got to get that box. It’s my only hope to return home.” He lunged for her, catching her easily around the waist with his long arm, and plunking her back in the wagon. Libido was back. Her body thrilled at Darcy’s manhandling, though her muscles struggled against it. The thought of him tying her up in private might have some merit, but not in the middle of the forest with several strange men as witnesses. “Okay, okay,” she blurted as he looped the rope around one wrist. “I won’t follow you. Please don’t tie me. I’ll stay. I’ll help.” He paused to eye her suspiciously. “I promise,” she said. “I’ll stay here and make myself useful. As long as you promise to look for a rosewood box inlaid with white gold and about yea big.” She gestured with her hands, rope trailing from one wrist. “As long as you swear to look as though your life depends on it.” She held his gaze, hoping he was getting how important this was to her, hoping she could trust him. The circle of wounded men went quiet, waiting for his answer. He bounced on the balls of his feet, clearly impatient to return to the skirmish, but he gave her his full attention and said, “I vow that if your cherished box is on that field, I will find it.

It is easy to see that the farther the sun is away, of all the possible directions in which particles can come, a smaller proportion of the particles are being taken out. The sun will appear smaller – in fact inversely as the square of the distance. Therefore there will be an impulse on the earth towards the sun that varies inversely as the square of the distance. And this will be a result of large numbers of very simple operations, just hits, one after the other, from all directions. Therefore the strangeness of the mathematical relation will be very much reduced, because the fundamental operation is much simpler than calculating the inverse of the square of the distance. This design, with the particles bouncing, does the calculation.

On a related issue, my father used to say, “Let negative energy fly out open windows. Don’t take it on.” Sometimes your kids, spouse, or coworkers will make negative or irresponsible comments, and instead of taking it on and trying to resolve it, ignore that it was even uttered. It’s like giving people a free pass for something they said in the heat of the moment. Let it fly out an open window instead of closing the window and letting it bounce around the room. You’ll both get hurt.

I generally have four or five books open around the house—I live alone; I can do this—and they are not books on the same subject. They don’t relate to each other in any particular way, and the ideas they present bounce off one another. And I like this effect. I also listen to audio-books, and I’ll go out for my morning walk with tapes from two very different audio-books, and let those ideas bounce off each other, simmer, reproduce in some odd way, so that I come up with ideas that I might not have come up with if I had simply stuck to one book until I was done with it and then gone and picked up another.

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Now just because the Adaptive Child part of you is rigid does not mean it is always outwardly aggressive. You can have an overly accommodating, people-pleasing Adaptive Child. Your Adaptive Child can tend toward superiority, it can tend toward inferiority, or it can bounce back and forth. But whether it’s more dominating or withdrawn, it will react pretty much the same way whenever you’re triggered. This set point reaction, this relational modus operandi, is your relational stance, the thing you will do over and over again when you are stressed.

spelling doesn’t count THE ASL MANUAL ALPHABET: FINGERSPELLING DO’S AND DON’TS Use fingerspelling for proper nouns, like people, places, and brand names borrowed from English or other languages. Many people and places have sign names, too—introduce these words by spelling first, then signing. The signed name can be used thereafter. Use your dominant hand and try not to bounce. While reading fingerspelling, learn to look at the overall shape of the word instead of individual letters. Don’t conflate knowledge of the manual alphabet with fluency in ASL. Spelling is a very small part of any ASL interaction, and is used mainly for vocabulary borrowed from elsewhere. Don’t use fingerspelling as a shortcut back to English syntax or vocabulary. Try thinking of a synonym instead. DID YOU KNOW? Sign languages aren’t universal. They weren’t “invented” by any one person—instead they grew organically out of Deaf communities. They’re grammatically unrelated to spoken language, so countries that have the same spoken language may have different signed ones. For example, American Sign Language (ASL) and British Sign Language (BSL) are very different—they even use different manual alphabets! ASL’s closest linguistic relative is French Sign Language (LSF) because of Deaf teacher and Frenchman Laurent Clerc’s role in founding the American School for the Deaf.

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bloodied lace, which were both deadly in a very sedate way. "It was totally awesome! Yoyo Hal!" Juergen bounced up and down as an upright version of Hal falling repeatedly out of the tall wind oak only to be recaught and dragged upwards because he insisted on doing commentary in calm even tones. "It's important to note that a strangle vine can have as many as thirty-seven snare vines. Gak! You need to strike the base of the plant, its nerve center, to kill the strangle vine. Fuck! Never tackle one of these alone. Jane!" She stared at Juergen in dismay. He'd seen all that? Live? Unedited? With all the embarrassing parts still intact? How? The mechanic continued to act today's filming. "And you. Rawr!" He mimed the chainsaw. "That rocked! And then Brian! 'Don't try this at home, hire a professional pest control contractor.'" Brian was Brian Scroggins, Pittsburgh Fire Marshal and accidental guest co-host on a regular basis. "Just epic." She fled the embarrassing recount, ignoring the belated, "So how is Hal?

Given anything other than an outright winner by an opponent, professional tennis players can make the shot they want almost all the time: hard or soft, deep or short, left or right, flat or with spin. Professional players aren’t troubled by the things that make the game challenging for amateurs: bad bounces; wind; sun in the eyes; limitations on speed, stamina and skill; or an opponent’s efforts to put the ball beyond reach. The pros can get to most shots their opponents hit and do what they want with the ball almost all the time. In fact, pros can do this so consistently that tennis statisticians keep track of the relatively rare exceptions under the heading “unforced errors.” But the tennis the rest of us play is a “loser’s game,” with the match going to the player who hits the fewest losers. The winner just keeps the ball in play until the loser hits it into the net or off the court. In other words, in amateur tennis, points aren’t won; they’re lost. I recognized in Ramo’s loss-avoidance strategy the version of tennis I try to play.

Ross’s “arbitrage pricing theory” and Rosenberg’s “bionic betas” posited that the returns of any financial security are the result of several systematic factors. Although seemingly stating the obvious, this was a seminal moment in the move toward a more vibrant understanding of markets. The eclectic Rosenberg was even put on the cover of Institutional Investor in May 1978, the bald, mustachioed man depicted as a giant meditating guru with flowers in his hair, worshipped by a gathering of besuited portfolio managers. The headline was “Who Is Barr Rosenberg? And What the Hell Is He Talking About?”8 What he was talking about was how academics were beginning to classify stocks according to not just their industry or their geography, but their financial characteristics. And some of these characteristics might actually prove to deliver better long-term returns than the broader stock market. In 1973, Sanjoy Basu, a finance professor at McMaster University in Ontario, published a paper that indicated that companies with low stock prices relative to their earnings did better than the efficient-markets hypothesis would suggest. Essentially, he showed that the value investing principles espoused by Benjamin Graham in the 1930s—which revolved around buying cheap, out-of-favor stocks trading below their intrinsic worth—was a durable investment factor. By systematically buying all cheap stocks, investors could in theory beat the broader market over time. Then Banz showed the same for small caps, another big moment in the evolution of factor investing. Follow-up studies on smaller stocks in Japan and the UK showed similar results, so in 1986 DFA launched dedicated small-cap funds for those two markets as well. In the early 1990s, finance professors Narasimhan Jegadeesh and Sheridan Titman published a paper indicating that simply surfing market momentum—in practice buying stocks that were already bouncing and selling those that were sliding—could also produce market-beating returns.9 The reasons for these apparent anomalies divide academics. Efficient-markets disciples stipulate that they are the compensation investors receive for taking extra risks. Value stocks, for example, are often found in beaten-up, unpopular, and shunned companies, such as boring industrial conglomerates in the middle of the dotcom bubble. While they can underperform for long stretches, eventually their underlying worth shines through and rewards investors who kept the faith. Small stocks do well largely because small companies are more likely to fail than bigger ones. Behavioral economists, on the other hand, argue that factors tend to be the product of our irrational human biases. For example, just like how we buy pricey lottery tickets for the infinitesimal chance of big wins, investors tend to overpay for fast-growing, glamorous stocks, and unfairly shun duller, steadier ones. Smaller stocks do well because we are illogically drawn to names we know well. The momentum factor, on the other hand, works because investors initially underreact to news but overreact in the long run, or often sell winners too quickly and hang on to bad bets for far longer than is advisable.

I had no brothers or sisters, so life was not difficult for my mother and me. When I think back, I see her clearly with her thin lips resolutely closed, with something on her face like a mask, I don't know – a thick mask, as though her face were the surface of the sea. Do you understand? It possessed not a single colour but a multitude, appearing and disappearing and intermingling. We had no relatives. She and I acted as relatives to each other. It was as if she were some stranger on the road with whom circumstances had chanced to bring me... I used to have – you may be surprised – a warm feeling of being free, that there was not a human being, by father or mother, to tie me down as a tent peg to particular spot, a particular domain... I was not like other children of my age: I wasn't wasn't affected by anything, I didn't cry when hit, wasn't glad if the teacher praised me in class, didn't suffer from the things the rest did. I was like something rounded, made of rubber: you throw it in the water and it doesn't get wet, you throw it on the ground and it bounces back.

If Ally hadn’t had a safe, stable, and nurturing family, an understanding teacher, or her strong faith, her ability to “bounce back” would have quickly drained away. Her ability to heal and continue to demonstrate resilience was related to ongoing safe and stable relationships through which she could “make sense” of horror and put it in the context of her beliefs. Even the most seemingly resilient people can be drained by relational poverty and ongoing stress, distress, and trauma.

Memories While on Everest; Chapter 6 Something transcendental happened to me today, that caused an awakening in me While taking a break while climbing, I saw a huge cumulonimbus cloud Move down over Mount Everest’s Knife’s Edge ridge A cloud so empyreal, so illuminating and brilliant, it was revelatory Mystically, it gave me a higher understanding. It gave me a sort of, sacred knowledge Knowledge about things that’d been bouncing ‘round inside my mind and heart Things that relate to those whom we love and share our lives with And things that relate to that which we dedicate our gifts to Things that endlessly idles and ruminates inside me Things of utmost importance to me, such as life, Love and Poetry What that cloud made me see keenly, with acuity and celerity, is that Love is the seeking of a way of life. A way that cannot be sought alone Poetry is the residence of all spiritual and physical things Love is the acceptance of the things we find whilst we seek Poetry is the marriage of both love and art Love is the giving of life. It’s not charity, which is the giving of things Poetry is the giving of self. It’s the taking and giving of all things beautiful When combined, love and poetry collude to turn on the lights of our inner folds Which then heightens our collective empathy and humanity And informs our inner awareness, that we are always in the presence of Source

Science is filled with claims that cannot be empirically falsified or verified. A great example would be in the special theory of relativity. The claim that the one-way speed of light is constant is unfalsifiable because we can only measure the round-trip velocity of light. You can send a light signal out and then have it bounce back from a mirror or something to the source and measure the round-trip velocity – how long did it take for the light signal to go out and come back? And that is constant. The light signal always travels at the same velocity in a round-trip. But we can't measure the one-way velocity of light. Theoretically, it's possible that light goes out at one velocity and then comes back at a different one, and we'd never be able to tell. And yet obviously this is part of a scientific theory that's part of the foundations of physics today. And there are many other principles of that sort.

TAKE ONE STORY, viewed from two different angles. Take a rainy Sunday morning in July, in the late 1920s, when Eddie and his friends are tossing a baseball Eddie got for his birthday nearly a year ago. Take a moment when that ball flies over Eddie’s head and out into the street. Eddie, wearing tawny pants and a wool cap, chases after it, and runs in front of an automobile, a Ford Model A. The car screeches, veers, and just misses him. He shivers, exhales, gets the ball, and races back to his friends. The game soon ends and the children run to the arcade to play the Erie Digger machine, with its claw-like mechanism that picks up small toys. Now take that same story from a different angle. A man is behind the wheel of a Ford Model A, which he has borrowed from a friend to practice his driving. The road is wet from the morning rain. Suddenly, a baseball bounces across the street, and a boy comes racing after it. The driver slams on the brakes and yanks the wheel. The car skids, the tires screech. The man somehow regains control, and the Model A rolls on. The child has disappeared in the rearview mirror, but the man’s body is still affected, thinking of how close he came to tragedy. The jolt of adrenaline has forced his heart to pump furiously and this heart is not a strong one and the pumping leaves him drained. The man feels dizzy and his head drops momentarily. His automobile nearly collides with another. The second driver honks, the man veers again, spinning the wheel, pushing on the brake pedal. He skids along an avenue then turns down an alley. His vehicle rolls until it collides with the rear of a parked truck. There is a small crashing noise. The headlights shatter. The impact smacks the man into the steering wheel. His forehead bleeds. He steps from the Model A, sees the damage, then collapses onto the wet pavement. His arm throbs. His chest hurts. It is Sunday morning. The alley is empty. He remains there, unnoticed, slumped against the side of the car. The blood from his coronary arteries no longer flows to his heart. An hour passes. A policeman finds him. A medical examiner pronounces him dead. The cause of death is listed as “heart attack.” There are no known relatives. Take one story, viewed from two different angles. It is the same day, the same moment, but one angle ends happily, at an arcade, with the little boy in tawny pants dropping pennies into the Erie Digger machine, and the other ends badly, in a city morgue, where one worker calls another worker over to marvel at the blue skin of the newest arrival.

Darcy picked her up again, this time not as gently as he had when she’d tripped on the root. He carried her under one arm like a sack of grain, though to his credit, he avoided putting pressure on her lower abdomen. “I said no, ye contrary thing, and I’m big enough to make you obey whether ye want to or no’.” He crashed through the line of trees, stomped past the wounded men, and set her firmly in the wagon. “A skirmish is no place for a woman. I willna be responsible for you getting raped or killed.” That vulnerable look softened his hard features for a second. “I could tie you down, but then ye’d be no help to Archie. So what’ll it be, lass? Will you obey me or no?” He tried to intimidate her with his posture and size, bracketing her with his bare arms. It didn’t work. Rather, the sight of the succulent, hard mound of his exposed shoulder so close to her face made her wet her lips. His strong collarbones and sinewy neck glistened with sweat, and he smelled of pine and male exertion. Her libido jumped like a feisty poodle. Jeez Louise, Mel, get a grip. This is not a romance novel. He’s not your hero. The box got it wrong. The box was way out of line. “I need it,” she said, pleased her steady voice didn’t betray her attraction. “I have to go with you.” “I told you I’d look for whatever ye lust.” Lust. The antiquated word spoken in his deep voice did strange things to her tummy. It took a solid effort not to lick her lips in invitation as the word called to mind activities that most definitely related to wanting. Home, she reminded herself. She had to get home. “I don’t trust you to look as hard as I would. I’m coming with you.” “Where are your ropes, Archie?” he asked. “The woman refuses to stay put. I have no choice but to tie her to the wagon.” Several of the wounded men snickered. Archie said, “In the foot case there. And bring me some of yon dried moss before ye tie down your woman.” Your woman. The casual declaration made her stomach leap, and the sensation wasn’t entirely unpleasant. “She’s not mine,” Darcy growled as he opened the lid of a wooden chest in the wagon. To her horror, he removed a coil of rope. After tossing a yellowish clump in Archie’s direction, he came at her. Her libido disappeared with a poof. She hopped off the wagon, dodging hands that had no business being so quick, considering how large they were. “Don’t you dare tie me down! I’ve got to get that box. It’s my only hope to return home.” He lunged for her, catching her easily around the waist with his long arm, and plunking her back in the wagon. Libido was back. Her body thrilled at Darcy’s manhandling, though her muscles struggled against it. The thought of him tying her up in private might have some merit, but not in the middle of the forest with several strange men as witnesses. “Okay, okay,” she blurted as he looped the rope around one wrist. “I won’t follow you. Please don’t tie me. I’ll stay. I’ll help.” He paused to eye her suspiciously. “I promise,” she said. “I’ll stay here and make myself useful. As long as you promise to look for a rosewood box inlaid with white gold and about yea big.” She gestured with her hands, rope trailing from one wrist. “As long as you swear to look as though your life depends on it.” She held his gaze, hoping he was getting how important this was to her, hoping she could trust him. The circle of wounded men went quiet, waiting for his answer. He bounced on the balls of his feet, clearly impatient to return to the skirmish, but he gave her his full attention and said, “I vow that if your cherished box is on that field, I will find it.

Two years ago, she had inherited The Milked Duck Ice Cream Shoppe in downtown Bliss from Great Aunt Agnes. After getting her degree in sociology and then bouncing around the country, waffling from job to job and one relative’s couch to another, she’d finally found where she fit: creating and serving happiness to the locals and the destination wedding tourists in Bliss.

To illustrate this relation, think of a game of table tennis. As the ball hits the table, it will bounce up and down. When we restrain the upward bounce by holding the paddle parallel to the table at a small height, the ball will bounce up and down at a faster rate between paddle and table. If the paddle, the table, and the ball were perfectly elastic, the ball would not lose any energy in the process. The closer to the table we hold the paddle, the more precisely we fix the location of the ball-but at the expense of having it move faster and faster. If we removed both paddle and table in one instant, we would not be able to predict the direction in which the ball moves-up or down. We simply don't know in which direction the very rapidly bouncing ball was moving at the very instant of removal. Consequently, we might say that this process just prior to the removal of table and paddle fixes the location while failing to give us any good information on the velocity; it makes the velocity uncertain. What distinguishes this macroscopic process from the quantum mechanical uncertainty relation is that in principle we can calculate the velocity of the ball at every instant from the initial conditions (how the bounce started) and the boundary conditions (the relative positions of table and paddle). In principle, macroscopic motion is free of uncertainties.

Ask your client to recall a time that he or she was able to successfully manage a time of transition or change—a time that he or she was able to “bounce back” from adversity or “survive in a changing world.” Together with your client, create a “causal loop map” of this ‘story of change’ by going through the following steps: 1.While the client is speaking, note down 7-10 key words from the story or example on a piece of paper. Key words may be of any type: behaviors, people, beliefs, values, phenomena, etc. 2.Draw arrows connecting the key words which illustrate the influences between key words and capture the flow of the story. (The arrows should be in the form of an arc or semi-circle rather than a straight line.) A positive or strengthening influence can be indicated by adding a (+) under the arrow. Negative or weakening influences can be shown by placing a (-) under the arrow. 3.When your client has finished telling his or her story, go over your initial map, checking the key words and giving him or her the chance to edit them, or add other key words you may have missed. Also review and check the links you have drawn between the key words. 4.Make sure that you have “closed” feedback loops (as a rule of thumb all key words should have at least one arrow going from them, and another arrow pointing to them). 5.Refine the map by considering the delays that may be involved between links, and searching for other missing links that may be an important part of the story. 6.Find out what beliefs are behind the map (what assumptions do these links presuppose?). Frequently, you will find that managing change involves several loops relating to the how (the steps and strategies involve), the why (the beliefs, values and motivation related to the change) and who (the role and identity issues).

YouTube: Psychiatrist facing backlash for saying she 'fantasizes about killing white people' by Fox News On April 6, 2021 Dr. Aruna Khilanani, addressing Yale School of Medicine Child Study Center via “Common Sense with Bari Weiss” said: “I had fantasies of unloading a revolver into the head of any white person that got in my way, burying their body and wiping my bloody hands as I walked away relatively guiltless with a bounce in my step. Like I did the world a f***ing favor. … White people are out of their minds and they have been for a long time. … We are asking a demented, violent predator who thinks that they are a saint or a superhero, to accept responsibility. It ain’t gonna happen. They have five holes in their brain.

Absolutely. But not because she was born resilient. Ally was able to show resilience in the face of tragedy due to the quality of loving relationships earlier in her life. Resilience is a capability that can wax and wane, not a permanent, innate trait. If Ally hadn’t had a safe, stable, and nurturing family, an understanding teacher, or her strong faith, her ability to “bounce back” would have quickly drained away. Her ability to heal and continue to demonstrate resilience was related to ongoing safe and stable relationships through which she could “make sense” of horror and put it in the context of her beliefs. Even the most seemingly resilient people can be drained by relational poverty and ongoing stress, distress, and trauma.

I visualized traveling the world, doing great things, and living in a home where I would be surrounded by beauty and love. Even after my parents moved away, and I was bounced around from one relative’s home to another, I decorated my makeshift rooms as best I could because I knew instinctively that I needed dignity in my life. There was no one pushing me to live a better life, or to dream; it was something I wanted for myself, and that desire fueled my seeking spirit. Through the losses and neglect of my childhood, the turmoil of my first marriage, and the battles to extricate myself from that and start over, I never gave up. There were never any limitations to my imagination. Visualization served me well—in my mind’s eye, I always saw a better life. Imagination, visualizing, and dreaming. big, combined with hard work, determination, and faith, are what got me where I wanted to go, and they can do the same for you. If you ever find your resolve melting away, tell yourself, “This time I’ll do it! This time I’ll win!” As long as you keep moving forward, despite any disappointments and setbacks, you will be on the path to victory.

In Newtonian physics, the connection between ping and pong appears mechanical and deterministic (A pushes and B gets pushed, etc.); in thermodynamics, the connection appears mechanical and statistical (when enough A's bounce around enough, they will hit enough B's to get the B's bouncing, too); in electromagnetism, the connection appears as the intersection or interaction of fields; in Relativity, the connection appears as a result of the curvature of space (which we call "gravity"); but the correlation, in any case, involves some sort of connection.

River Rafting in Rishikesh is one of the most thrilling water based adventure sports that gives you an up close splatter of untamed nature in a world where the royal river is what you are up adjacent to. Aboard a raft, when the water wave hits your face for the first time; you be familiar with that it will take a little more than a few ounces of bravery to tame the river beast and indeed this duel next to mother nature will enrich your life forever, even if tried only once in a life time…The modern raft is a boat that is inflated comprising of a very durable and thick coated rubberized or vinyl fabric and also has a number of air chambers. The chief apparatus required for rafting are a life jacket ,Safety helmet, Safety Helmet, Paddles, River guide and a Self-Bailing Raft, etc. It is a very daring activity and it may appear a very perilous sport, but once you knowledge it, you will certainly realize the actual thrill of rafting. The best time for water river rafting is spiral summer to February to May and in winter September to November. You probably think that there is completely no way to extreme sports such as rafting can be fun at all. This is false, because all you need for a great sport like this is fun to be an expert to take manages of all rafting. It is a fun place to take part in all the summer sports, when it's nice and warm and all you need is a movement related to the water to take temperatures down. It is also a thrilling sport that many people can participate at the same time. Friends and family can get together and everybody can have a brilliant day of fun. As you begin your boat journey, you will encounter a number of rapids, which you will be necessary to sail over. Uttarakhand adventure is well known rafting company in Rishikesh. This excursion will roughly be two hours long, and will make you use all your power and skill to keep the boat under control. Water will stay splash all over you, and will keep you invigorated and bouncing if you start feeling tired due to the corporeal work that you will do. As an extreme sport, rafting certainly has its drawbacks, but not all make games? The best way to take safety measures so that you can avoid fatal accidents is to acquire a knowledgeable scout who is qualified for the chore and the best gear for rafting. For example, you should always have a life jacket on the obverse rafting, in the unfortunate event that the boat capsize; you'll be able to stay afloat and hope to swim to defense. Also, if you are unsure of your rafting skills, rapids and waterfalls stay away from very high.

Neuroscientists have proved irrefutably that you can teach an old dog new tricks; you can even heal the dog — or the brain — when necessary. Although the initial wiring of our brains is based on early experience, we know that later experiences, especially healthy relational ones, can undo or overwrite that early learning to help us to cope differently and more resiliently with anything, anything at all. The

NASA's working assumption until then had been that, hardcore space groupies apart, people would only feel an imaginative investment in space if astronauts were involved, acting as a kind of representative human presence and giving the onlookers somewhere to situate themselves in relation to what they were seeing. Astronauts warmed space up, in media terms. They made it consequential. They provided the marker of human intent without which (it was assumed) any location would be just a set of affectless co-ordinates out there in the vacuum. The unmanned science missions to the planets were for scientists only, not for the general public whose emotions swayed space budgets. But when Pathfinder bounced safely to rest in Ares Vallis, and the six-wheeled rover Sojourner trundled out onto the boulder-studded plain like a big, cute, self-propelling roller skay, NASA discovered it had a spontaneous hit on its hands. It turned out people were willing for a robot to act as their surrogate on another world, so long as they could feel intimately connected to what it was doing.

In 2010, a cognitive neuroscientist named Reza Habib asked twenty-two people to lie inside an MRI and watch a slot machine spin around and around. Half of the participants were “pathological gamblers”—people who had lied to their families about their gambling, missed work to gamble, or had bounced checks at a casino— while the other half were people who gambled socially but didn’t exhibit any problematic behaviors. Everyone was placed on their backs inside a narrow tube and told to watch wheels of lucky 7s, apples, and gold bars spin across a video screen. The slot machine was programmed to deliver three outcomes: a win, a loss, and a “near miss,” in which the slots almost matched up but, at the last moment, failed to align. None of the participants won or lost any money. All they had to do was watch the screen as the MRI recorded their neurological activity. “We were particularly interested in looking at the brain systems involved in habits and addictions,” Habib told me. “What we found was that, neurologically speaking, pathological gamblers got more excited about winning. When the symbols lined up, even though they didn’t actually win any money, the areas in their brains related to emotion and reward were much more active than in non-pathological gamblers. “But what was really interesting were the near misses. To pathological gamblers, near misses looked like wins. Their brains reacted almost the same way. But to a nonpathological gambler, a near miss was like a loss. People without a gambling problem were better at recognizing that a near miss means you still lose.” Two groups saw the exact same event, but from a neurological perspective, they viewed it differently. People with gambling problems got a mental high from the near misses—which, Habib hypothesizes, is probably why they gamble for so much longer than everyone else: because the near miss triggers those habits that prompt them to put down another bet. The nonproblem gamblers, when they saw a near miss, got a dose of apprehension that triggered a different habit, the one that says I should quit before it gets worse.

But what he did know was that sadness hit them particularly hard, especially sadness as it related to death. It made sense: phoenixes we’re immortal if not slain and could resurrect if they chose. For them, death was a distant, unknowable thing, and when they did encounter it . . . they did not bounce back as easily.

Free will is autonomy, self-rule, a capacity to choose among the limited opportunities life provides in accordance with internal motives, self-generated criteria. Without free will, the individual would be reduced to nothing. Impressions and sensations would pass through him like light through a point in a vacuum, or bounce off him like an echo. He would be changed, but change nothing. For all his influence on the world, he might as well not exist. He is a null point. Yet surely it is no part of the radical monotheist program to deny the existence of the individual or affirm that for all the being God gave him he'd as well not exist. On the contrary, the purpose of theories of creation and emanation is to explain the fullness of a world bursting with God's presence in terms of a relation of ontological dependence between the world and God.

Each sentence is a present instant, but not an indecisive one that spreads like a stain to the following one. The sentence is sharp, distinct, and self-contained. It is separated by a void from the following one, just as Descartes’s instant is separated from the one that follows it. The world is destroyed and reborn from sentence to sentence. When the word makes its appearance it is a creation ex nihilo. The sentences in The Stranger are islands. We bounce from sentence to sentence, from void to void. It was in order to emphasize the isolation of each sentence unit that Camus chose to tell his story in the present perfect tense. . . . If, in addition, you are careful to reduce it as much as possible to the main proposition, its internal structure attains a perfect simplicity. It gains thereby in cohesiveness. It becomes truly indivisible, an atom of time. The sentences are not, of course, arranged in relation to each other; they are simply juxtaposed. In particular, all causal links are avoided lest they introduce the germ of an explanation and an order other than that of pure succession.

Busy in the business of day— my storming blood has just met a pair of eyes rainswept sand…. That face, again, that face like sunken sand— the sand, sunken, of a face that ancient…. More worn than my face unborn— contours I have known in the bones of her cheeks a recognition— a pair of orphans unmasked at morn…. Because only, only a girl borne of remembering could wear that countenance of mourning…. Across the wash pale soft of dawn float close weighty blossoms on thresholds unknown— for the fragile, delicate tenderness of her composure just-holding, achingly, on the edge of things…. A world of raindrops floating in her eyes— in her eyes sand grains softly settle…. Although to one another we are only a presence in the room and all's silence between us— still, hers is a presence I’ve known: of age more somehow than the day I was born a relation there remains nose kissed to nose…. Slaving in the sweat of the sun I’m back at it in the beds— as, over all the grounds, waxing with the sun personalities of sheds, tines, the animals, define themselves…. Heading now to the meal hall to eat and talk, after digging— when my momentum stalled: by hedges of the wall's the visage of her in the sunny landscape a teardrop of midnight…. Tearing's the flesh of my heart on my cheeks in tears— for her fragile chin and the wrinkles of her eyes when she smiles so glassy I could cry…. Commotion of knives and forks— today the commons are aloud with cups and conversation: a wisp here, a leap of voices there the day’s news bounces its way through the crowd…. Splashing up a laughter of glasses the guys devour their stories about girls at the party— and when we eat our fill glad in our stomachs there’s lots of chin in it we raise each other’s grins sitting in satisfaction and stimulating to the sun…. Tense in the laughter of friends and companions— lines of my age un-wrinkle: by portals of the door her expression there's more sober than smiling: for guile am I un-abled…. Not the friction of sticks, no, nor some feverish itch that must until exhaustion consume— but a long blue flame, slow and fluidly moving will our relation be: a translucent vein loose in the midnight river…. Now— into the doings of day: but to approach her my eyes can't meet my walkingʻs fallen dead at the knees and thoughts of my head now drown in blood— blackness and oblivion...