Flash Back Memories Quotes

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Strange memories on this nervous night in Las Vegas. Five years later? Six? It seems like a lifetime, or at least a Main Era—the kind of peak that never comes again. San Francisco in the middle sixties was a very special time and place to be a part of. Maybe it meant something. Maybe not, in the long run . . . but no explanation, no mix of words or music or memories can touch that sense of knowing that you were there and alive in that corner of time and the world. Whatever it meant. . . . History is hard to know, because of all the hired bullshit, but even without being sure of “history” it seems entirely reasonable to think that every now and then the energy of a whole generation comes to a head in a long fine flash, for reasons that nobody really understands at the time—and which never explain, in retrospect, what actually happened. My central memory of that time seems to hang on one or five or maybe forty nights—or very early mornings—when I left the Fillmore half-crazy and, instead of going home, aimed the big 650 Lightning across the Bay Bridge at a hundred miles an hour wearing L. L. Bean shorts and a Butte sheepherder's jacket . . . booming through the Treasure Island tunnel at the lights of Oakland and Berkeley and Richmond, not quite sure which turn-off to take when I got to the other end (always stalling at the toll-gate, too twisted to find neutral while I fumbled for change) . . . but being absolutely certain that no matter which way I went I would come to a place where people were just as high and wild as I was: No doubt at all about that. . . . There was madness in any direction, at any hour. If not across the Bay, then up the Golden Gate or down 101 to Los Altos or La Honda. . . . You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning. . . . And that, I think, was the handle—that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn’t need that. Our energy would simply prevail. There was no point in fighting—on our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave. . . . So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high-water mark—that place where the wave finally broke and rolled back.
Hunter S. Thompson (Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream)
The futility of everything that comes to us from the media is the inescapable consequence of the absolute inability of that particular stage to remain silent. Music, commercial breaks, news flashes, adverts, news broadcasts, movies, presenters—there is no alternative but to fill the screen; otherwise there would be an irremediable void. We are back in the Byzantine situation, where idolatry calls on a plethora of images to conceal from itself the fact that God no longer exists. That's why the slightest technical hitch, the slightest slip on the part of a presenter becomes so exciting, for it reveals the depth of the emptiness squinting out at us through this little window.
Jean Baudrillard (Cool Memories)
think when it's all over it just comes back in flashes, you know? It's like a kaleidoscope of memories; it just all comes back. But he never does. I think part of me knew the second I saw him that this would happen. It's not really anything he said, or anything he did ― it was the feeling that came along with it. Crazy thing is, I don't know if I'm ever going to feel that way again. But I don't know if I should. I knew his world moved too fast and burned too bright, but I just thought, 'How can the devil be pulling you toward someone who looks so much like an angel when he smiles at you?' Maybe he knew that when he saw me. I guess I just lost my balance. I think that the worst part of it all wasn't losing him. It was losing me.
Taylor Swift
People walk the paths of the gardens below, and the wind sings anthems in the hedges, and the big old cedars at the entrance to the maze creak. Marie-Laure imagines the electromagnetic waves traveling into and out of Michel’s machine, bending around them, just as Etienne used to describe, except now a thousand times more crisscross the air than when he lived - maybe a million times more. Torrents of text conversations, tides of cell conversations, of televisions programs, of e-mails, vast networks of fiber and wire interlaced above and beneath the city, passing through buildings, arcing between transmitters in Metro tunnels, between antennas atop buildings, from lampposts with cellular transmitters in them, commercials for Carrefour and Evian and prebaked toaster pastries flashing into space and back to earth again, I am going to be late and Maybe we should get reservations? and Pick up avocados and What did he say? and ten thousand I miss yous, fifty thousand I love yous, hate mail and appointment reminders and market updates, jewelry ads, coffee ads, furniture ads flying invisibly over the warrens of Paris, over the battlefields and tombs, over the Ardennes, over the Rhine, over Belgium and Denmark, over the scarred and ever-shifting landscape we call nations. And is it so hard to believe that souls might also travel those paths? That her father and Etienne and Madame Manec and the German boy named Werner Pfennig might harry the sky in flocks, like egrets, like terns, like starlings? That great shuttles of souls might fly about, faded but audible if you listen closely enough? They flow above the chimneys, ride the sidewalks, slip through your jacket and shirt and breastbone and lungs, and pass out through the other side, the air a library and the record of every life lived, every sentence spoken, every word transmitted still reverberating within it. Every hour, she thinks, someone for whom the war was memory falls out of the world. We rise again in the grass. In the flowers. In songs.
Anthony Doerr (All the Light We Cannot See)
The day you left, it felt like I lost a diary in which I had been writing for so long. Now all that memories flashes in bits and pieces inside my head always and makes me wish that I could sit back and read it all over again.
Akshay Vasu
There is something terrible in the moments after waking up, when the subconscious knows that something terrible has happened but before all the memories flash back in their entirety
Nicholas Sparks (A Bend in the Road)
Sometimes those experiences crowd back upon the memory, and the past flashes back like a distant peak momentarily lighted up by sunbeam piercing through the clouds. Then oblivion again. Strange it is how the prosaic present may hide the exciting past.
Whipplesnaith
Can I see him again? Could I bear it? Do I want to see him? I close my eyes and tilt my head back as grief and longing lance through me. Of course I do. Perhaps-perhaps I can tell him I’ve changed my mind … No, no, no. I cannot be with someone who takes pleasure in inflicting pain on me, someone who can’t love me. Torturous memories flash through my mind-the gliding, holding hands, kissing, the bathtub, his gentleness, his humor, and his dark, brooding, sexy stare. I miss him. It’s been five days, five days of agony that has felt like an eternity. I cry myself to sleep at night, wishing I hadn’t walked out, wishing that he could be different, wishing that we were together. How long will this hideous overwhelming feeling last? I am in purgatory. I wrap my arms around my body, hugging myself tightly, holding myself together. I miss him. I really miss him…I love him. Simple.
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
This landscape is animate: it moves, transposes, builds, proceeds, shifts, always going on, never coming back, and one can only retain it in vignettes, impressions caught in a flash, flipped through in succession, leaving a richness of images imprinted on a sunburned retina.
Ann Zwinger (Downcanyon: A Naturalist Explores the Colorado River through the Grand Canyon)
A memory flashed back at me, of his willy bobbing about while he wrestled with his briefcase - well dignity and nudity aren't often seen together.
Kate Saunders (Bachelor Boys)
Whenever it rains, and its earthy scent -- the petrichor -- hits my senses, memories come flashing and I go back in time.
Shon Mehta
I woke up the Following morning with the Kings of Leon telling me that "my sex was on fire." I shut off my alarm and that's when all of the memories of the previous night came rushing back.
Kristen Middleton (Shiver (Night Roamers, #2))
The witch approached it and pared its edges with a sword that she drew from her thigh. Then she sat down beside it on the earth and sang to it while it cooled. Not like the runes that enraged the flames was the song she sang to the sword: she whose curses had blasted the fire till it shrivelled big logs of oak crooned now a melody like a wind in summer blowing from wild wood gardens that no man tended, down valleys loved once by children, now lost to them but for dreams, a song of such memories as lurk and hide along the edges of oblivion, now flashing from beautiful years of glimpse of some golden moment, now passing swiftly out of remembrance again, to go back to the shades of oblivion, and leaving on the mind those faintest traces of little shining feet which when dimly perceived by us are called regrets. She sang of old Summer noons in the time of harebells: she sang on that high dark heath a song that seemed so full of mornings and evenings preserved with all their dews by her magical craft from days that had else been lost, that Alveric wondered of each small wandering wing, that her fire had lured from the dusk, if this were the ghost of some day lost to man, called up by the force of her song from times that were fairer.
Lord Dunsany (The King of Elfland's Daughter)
A long hug when you really need it Sometimes we all get rattled. When bad news surprises you, painful memories flash back, or heavy moments turn your stomach to mush, it’s great to fall into a warm and comforting pair of big, wide open arms. Shaking with sobs, dripping with tears, you snort up your runny nose and smear snot across their shoulder as that hug relaxes you and comforts you and helps you get through everything, even for a minute, even for a moment. Maybe there are “It’s going to be okay” whispers, some gentle back rubbing, or just the quiet silence of knowing that they’re not going to let go until you let go first. As their steady arms support you, and the pain washes over you, the hug gives you a warm glow in a shivery moment. So when you eventually pull back, smile that classic “I’m sorry and thank you” smile, and swipe wet bangs off your forehead, you still might not feel great, but if you’re lucky you’ll feel a little more AWESOME!
Neil Pasricha (The Book of Awesome: Snow Days, Bakery Air, Finding Money in Your Pocket, and Other Simple, Brilliant Things)
All of this is easy enough, at close range – bright flashes, a relationship borne out by evidence, the bits and pieces that make it a fact. What is harder is stepping back far enough to consider us in the altogether, not the series of pictures but the whole that those pictures represent. I don’t particularly like to do this. Stepping back too far makes me dizzy – my memory, like something punched, reeling about with its hands clapped over its face. It is easier, I think, to consider the fact of us in its many disparate pieces, as opposed to one vast and intractable thing.
Julia Armfield (Our Wives Under the Sea)
It is because of this sea between us. The earth has never, up to now, separated us. But, ever since yesterday, there has been something in this nonetheless real, perfectly Atlantic, salty, slightly rough sea that has cast a spell on me. And every time I think about Promethea, I see her crossing this great expanse by boat and soon, alas, a storm comes up, my memory clouds over, in a flash there are shipwrecks, I cannot even cry out, my mouth is full of saltwater sobs. I am flooded with vague, deceptive recollections, I am drowning in my imagination in tears borrowed from the most familiar tragedies, I wish I had never read certain books whose poison is working in me. Has this Friday, perhaps, thrown a spell on me? But spells only work if you catch them. I have caught the Tragic illness. If only Promethea would make me some tea I know I would find some relief. But that is exactly what is impossible. And so, today, I am sinning. I am sinking beneath reality. I am weighted down with literature. That is my fate. Yet I had the presence of mind to start this parenthesis, the only healthy moment in these damp, feverish hours. All this to try to come back to the surface of our book... Phone me quickly, Promethea, get me out of this parenthesis fast!)
Hélène Cixous (The Book of Promethea)
His wedding gift, clasped round my throat. A choker of rubies, two inches wide, like an extraordinarily precious slit throat. After the terror, in the early days of the Directory, the aristos who’d escaped the guillotine had an ironic fad of tying a red ribbon round their necks at just the point where the blade would have sliced it through, a red ribbon like the memory of a wound. And his grandmother, taken with the notion, had her ribbon made up in rubies; such a gesture of luxurious defiance! That night at the opera comes back to me even now… the white dress; the frail child within it; and the flashing crimson jewels round her throat, bright as arterial blood. I saw him watching me in the gilded mirrors with the assessing eye of a connoisseur inspecting horseflesh, or even of a housewife in the market, inspecting cuts on the slab. I’d never seen, or else had never acknowledged, that regard of his before, the sheer carnal avarice of it; and it was strangely magnified by the monocle lodged in his left eye. When I saw him look at me with lust, I dropped my eyes but, in glancing away from him, I caught sight of myself in the mirror. And I saw myself, suddenly, as he saw me, my pale face, the way the muscles in my neck stuck out like thin wire. I saw how much that cruel necklace became me. And, for the first time in my innocent and confined life, I sensed in myself a potentiality for corruption that took my breath away.
Angela Carter (Burning Your Boats: The Collected Short Stories)
Jack?" "Mmmm?" The band was playing a softer song, mellow and slow. "Why did you ask me out when you did?" I tried to sound casual. "What do you mean?" "I mean,did something specific happen to make you ask me out?" "Yes," he said. "What was it?" Had I thrown myself at Jack Caputo? Had I done something to get in Lacey's way? "You remember the first game of the season?" "Yeah," I said. It was Jack's first game as starting quarterback, the youngest starter in school history. I remembered sitting in the second row, directly behind the team bench. "After I threw for the first touchdown of the game?" "Yes." I still couldn't figure out where he was going with this.Had I flashed him or something,and blocked it out of my memory? I was pretty sure I wasn't holding up any large signs declaring my love or anything. "Our defense took the field, and I was on the bench.When I turned around to look at the fans..." He paused. Oh,no. "What did I do?" He smiled. "You looked at me.Not the game." He sighed,as if reliving the memory. I felt my face scrunch up in confusion. "That's it?" "That's it." He shrugged. "It was the first time I thought there might be a chance. I asked Jules about it." I bit my lip. "Apparently she doesn't understand that trusty sidekicks aren't supposed to spill secrets." In a flash,I was suspended in air, the back of my head inches from the ground, Jack's face a breath away from mine, his lips in a wicked grin. I gasped,more from surprise at the sudden dip than from fear. "There are no secrets between us,Becks." His smile remained,but his eyes were intense.
Brodi Ashton (Everneath (Everneath, #1))
We have to discard the past and, as one builds floor by floor, window by window, and the building rises, so do we keep shedding -- first, broken tiles, then proud doors, until, from the past, dust falls as if it would crash against the floor, smoke rises as if it were on fire, and each new day gleams like an empty plate. There is nothing, there was always nothing. It all has to be filled with a new, expanding fruitfulness; then, down falls yesterday as in a well falls yesterday's water, into the cistern of all that is now without a voice, without fire. It is difficult to get bones used to disappearing, to teach eyes to close, but we do it unwittingly. Everything was alive, alive, alive,alive like a scarlet fish, but time passed with cloth and darkness and kept wiping away the flash of the fish. Water water water, the past goes on falling although it keeps a grip on thorns and on roots. It went, it went, and now memories mean nothing. Now the heavy eyelid shut out the light of the eye and what was once alive is now no longer living; what we were, we are not. And with words, although the letters still have transparency and sound, they change, and the mouth changes; the same mouth is now another mouth; they change, lips, skin, circulation; another soul took on our skeleton; what once was in us now is not. It left, but if they call, we reply "I am here," and we realize we are not, that what was once, was and is lost, lost in the past, and now does not come back." -"Past
Pablo Neruda (Fully Empowered)
it is somehow typical of Spain—of the flashes of magnanimity that you get from Spaniards in the worst of circumstances. I have the most evil memories of Spain, but I have very few bad memories of Spaniards. I only twice remember even being seriously angry with a Spaniard, and on each occasion, when I look back, I believe I was in the wrong myself. They have, there is no doubt, a generosity, a species of nobility, that do not really belong to the twentieth century.
George Orwell (Homage to Catalonia)
That's what arrest is: it's a blinding flash and a blow which shifts the present instantly into the past and the impossible into omnipotent actuality. That's all. And neither for the first hour nor for the first day will you be able to grasp anything else. Except that in your desperation the fake circus moon will blink at you: "It's a mistake! They'll set things right!" And everything which is by now comprised in the traditional, even literary, image of an arrest will pile up and take shape, not in your own disordered memory, but in what your family and your neighbors in your apartment remember: The sharp nighttime ring or the rude knock at the door. The insolent entrance of the unwiped jackboots of the unsleeping State Security operatives. The frightened and cowed civilian witness at their backs. (And what function does this civilian witness serve? The victim doesn't even dare think about it and the operatives don't remember, but that's what the regulations call for, and so he has to sit there all night long and sign in the morning. 1 For the witness, jerked from his bed, it is torture too—to go out night after night to help arrest his own neighbors and acquaintances.
Aleksandr Solzhenitsyn (The Gulag Archipelago 1918–1956 (Abridged))
The youngster had frozen again as his memory flashed back to the glowering face of his grandfather, deeply lined, snarling, wild eyes stretched as wide and white as pot saucers...
Martin R Jackson : Running with Finn McCool
With a rough shove, he pushed his palm down the front of his combats and the instant contact was made, an orgasm exploded out of him, memories of Novo from class, sparring, out in the field, flashing through his mind, keeping things going. He even went back to when he’d been inside her, her bare sex accepting his penetrations like she had been made for him and him alone.
J.R. Ward (Blood Fury (Black Dagger Legacy, #3))
They were halfway across the road when a birdcall tugged her back, pulling at some strange, secret part of her. A crow, she thought, from its husky caw---she had already learned to recognize most of the birds that sang in her parents' garden, and crows were her favorite. There was something intelligent---almost human---about their sly voices and dark, luminous eyes. Kate turned, scanning the trees that lined the road behind them. And there it was: a velvet flash of black, shocking against the lurid green and blue of the June day. A crow, just as she'd thought.
Emilia Hart (Weyward)
Like a thief, the image of her taut, well-formed body crept into his mind next. His hair swept backwards, shot up like long needles in the rush of the air and his thoughts grew bolder. He marveled how beautifully her body arched as she stood and gave commands. Vishwakarma, the god of all craftsmen, in an exalting moment had threaded a wire through it to give it that elegant curve. From that instant, the memories of a wife, of dear daughters waiting back in the village seemed hazy as in a dream. Inhibitions became soft barriers. He remembered the gestures of Chanda Bai’s two hands as she talked; her palms like delicate seashells; her elegant fingers. Flashes of her jewel studded ears, another pair of shells; and her long hair lovingly braided by her servants with thick strands of white and yellow jasmine flowers interlaced in them. He wanted to caress those flowers with his finger.
Mukta Singh-Zocchi (The Thugs & a Courtesan)
I am now the mother of a four-year-old daughter. Memories of my own childhood flash for a second as I’m combing my daughter’s hair or when I bathe her at night. What’s odder is that memories don’t come when I expect them summoned. Because my parents never read to me, I first felt a deficit of weight instead of being flooded with nostalgic memories when I began reading to my daughter at bedtime. There should be a word for this neurological sensation, this uncanny weightlessness, where a universally beloved ritual tricks your synapses to fire back to the past, but finding no reserve of memories, your mind gropes dumbly, like the feelers of a mollusk groping the empty ocean floor.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
4 The memory was like a knife cutting into him. Slicing deep into him with hate. The Secret. He had been riding his ten-speed with a friend named Terry. They had been taking a run on a bike trail and decided to come back a different way, a way that took them past the Amber Mall. Brian remembered everything in incredible detail. Remembered the time on the bank clock in the mall, flashing 3:31, then the temperature, 82, and the date. All the numbers were part of the memory, all of his life was part of the memory.
Gary Paulsen (Hatchet (Hatchet, #1))
Nothing felt like mine anymore, not after you. All those little things that defined me; small sentimental trinkets, car keys, pin codes, and passwords. They all felt like you. And more than anything else, my number - the one you boldly asked for that night, amidst a sea of people, under a sky of talking satellites and glowing stars. You said no matter how many times you erased me from your phone, you would still recognize that number when it flashed on your screen. The series of sixes and nines, like the dip of my waist to the curves of my hips, your hands pressed into the small of my back. Nines and sixes that were reminiscent of two contented cats, curled together like a pair of speech marks. You said if you could never hold me or kiss me again, you could live with that. But you couldn't bear the thought of us not speaking and asked, at the very least, could I allow you that one thing? I wonder what went through your mind the day you dialed my number to find it had been disconnected. If your imagination had raced with thoughts of what new city I run to and who was sharing my bed. Isn't it strange how much of our lives are interchangeable, how little is truly ours. Someone else's ring tone, someone else's broken heart. These are the things we inherit by choice or by chance. And it wasn't my choice to love you but it was mine to leave. I don't think the moon ever meant to be a satellite, kept in loving orbit, locked in hopeless inertia, destined to repeat the same pattern over and over - to meet in eclipse with the sun - only when the numbers allowed.
Lang Leav (Memories)
Strange memories on this nervous night in Las Vegas. Five years later? Six? It seems like a lifetime, or at least a Main Era—the kind of peak that never comes again. San Francisco in the middle sixties was a very special time and place to be a part of. Maybe it meant something. Maybe not, in the long run… but no explanation, no mix of words or music or memories can touch that sense of knowing that you were there and alive in that corner of time and the world. Whatever it meant.… History is hard to know, because of all the hired bullshit, but even without being sure of "history" it seems entirely reasonable to think that every now and then the energy of a whole generation comes to a head in a long fine flash, for reasons that nobody really understands at the time—and which never explain, in retrospect, what actually happened. My central memory of that time seems to hang on one or five or maybe forty nights—or very early mornings—when I left the Fillmore half-crazy and, instead of going home, aimed the big 650 Lightning across the Bay Bridge at a hundred miles an hour wearing L. L. Bean shorts and a Butte sheepherder's jacket… booming through the Treasure Island tunnel at the lights of Oakland and Berkeley and Richmond, not quite sure which turn-off to take when I got to the other end (always stalling at the toll-gate, too twisted to find neutral while I fumbled for change)... but being absolutely certain that no matter which way I went I would come to a place where people were just as high and wild as I was: No doubt at all about that… There was madness in any direction, at any hour. If not across the Bay, then up the Golden Gate or down 101 to Los Altos or La Honda.… You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning.… And that, I think, was the handle—that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn't need that. Our energy would simply prevail. There was no point in fighting—on our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave.… So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high-water mark—that place where the wave finally broke and rolled back.
Hunter S. Thompson (Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream)
But suddenly down the wind came tearing a smell sharper, stronger, more lacerating than any—a smell that ripped across his brain stirring a thousand instincts, releasing a million memories—the smell of hare, the smell of fox. Off he flashed like a fish drawn in a rush through water further and further. He forgot his mistress; he forgot all humankind. He heard dark men cry “Span! Span!” He heard whips crack He raced; he rushed. At last he stopped bewildered; the incantation faded; very slowly wagging his tail sheepishly he trotted back across the fields to where Miss Mitford stood shouting “Flush! Flush! Flush!” and waving her umbrella.
Virginia Woolf (Flush)
She extends a fingertip. After a moment's hesitation, Manfred extends a fingertip of his own. They touch, exchanging vCards and instant-messaging handles. She stands and stalks from the breakfast room, and Manfred's breath catches at a flash of ankle through the slit in her skirt, which is long enough to comply with workplace sexual harassment codes back home. Her presence conjures up memories of her tethered passion, the red afterglow of a sound thrashing. She's trying to drag him into her orbit again, he thinks dizzily. She knows she can have this effect on him any time she wants: She's got the private keys to his hypothalamus, and sod the metacortex. Three billion years of reproductive determinism have given her twenty-first-century ideology teeth: If she's finally decided to conscript his gametes into the war against impending population crash, he'll find it hard to fight back. The only question: Is it business or pleasure? And does it make any difference, anyway?
Charles Stross (Accelerando)
Postcolonial Love Poem (excerpt) I’ve been taught bloodstones can cure a snakebite, Can stop the bleeding-most people forgot this When the war ended. The war ended Depending on which war you mean: those we started, Before those, millennia ago and onward, Those which started me, which I lost and won- Those ever-blooming wounds. --- There are wildflowers in my desert which take up to twenty years to bloom. The seeds sleep like geodes beneath hot feldspar sand until a flash flood bolts the arroyo, lifting them in its copper current, opens them with memory— they remember what their god whispered into their ribs: Wake up and ache for your life. Where your hands have been are diamonds on my shoulders, down my back, thighs- I am your culebra. I am in the dirt for you. Your hips are quartz-light and dangerous, two rose-horned rams ascending a soft desert wash before the November sky untethers a hundred-year flood- the desert returned suddenly to its ancient sea. --- The rain will eventually come, or not. Until then, we touch our bodies like wounds- The war never ended and somehow begins again.
Natalie Díaz (Postcolonial Love Poem)
And in a blinding flash my wedding dress, which is hung right there, opposite me, in the corner of the bedroom, comes alive. The heavy satin rustles like it’s just about to breathe. The lace trembles in the cold air. And for a moment the beading glitters. It blinks, like it’s trying to bring back some memory. So bright, so dazzling! Then the dress sinks back into the dark.
Uvi Poznansky (Apart From Love (Still Life with Memories Bundle, #1))
Then the memories began- a compilation of the worst moments of my life, a storybook of despair and darkness. The final page came, and I wept, not entirely feeling the agony of my body as I saw the young rabbit, bleeding out in the forest clearing, my knife through her throat. My first kill- the first life I'd taken. I'd been starving, desperate. Yet afterward, once my family had devoured it, I had crept back into the woods and wept for hours, knowing a line had been crossed, my soul stained. 'Say that you don't love him!' Amarantha shrieked, and the blood on my hands became the blood of that rabbit- became the blood of what I had lost. But I wouldn't say it. Because loving Tamlin was the only thing I had left, the only thing I couldn't sacrifice.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
But then a revelation came crashing down on me. The harshness of it was so fierce I was the one trembling instead of Melanie. My memory flashed back to her Monday night in the parking lot with her messed up hair and smeared makeup. They weren’t willingly hitting it in his office. He hadn’t turned me away that night because he had been with someone. Oh, no, it was much worse than that. I stared at her in disbelief. He had screwed her—the panties were proof of that. But it wasn’t by her consent…he had truly raped her. I gasped. “Oh my God!” My mind shattered with the thoughts of what he had done. To his star…to his son’s girlfriend. It was too much. I slammed back against the sink and shook my head. “He raped you, didn’t he?” Her eyes widened in horror. “NO!” she screamed.
Katie Ashley (Nets and Lies)
The couple in the Skyline came to mind. Why did I have this fixation on them? Well, what else did I have to think about? By now, the two of them might be snoozing away in bed, or maybe pushing into commuter trains. They could be flat character sketches for a TV treatment: Japanese woman marries Frenchman while studying abroad; husband has traffic accident and becomes paraplegic. Woman tires of life in Paris, leaves husband, and returns to Tokyo, where she works in Belgian or Swiss embassy. Silver bracelets, a memento from her husband. Cut to beach scene in Nice: woman with the bracelets on left wrist. Woman takes bath, makes love, silver bracelets always on left wrist. Cut: enter Japanese man, veteran of student occupation of Yasuda Hall, wearing tinted glasses like lead in Ashes and Diamonds. A top TV director, he is haunted by dreams of tear gas, by memories of his wife who slit her wrist five years earlier. Cut (for what it's worth, this script has a lot of jump cuts): he sees the bracelets on woman's left wrist, flashes back to wife's bloodied wrist. So he asks woman: could she switch bracelets to her right wrist? "I refuse," she says. "I wear my bracelets on my left wrist.
Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
Wait." Walter went to the basket, taking what was a gray sleeve, drawing it out fro the middle of the heap. "Oh," He said. He held the shapeless wool sweater to his chest. Joyce had knit for months the year Daniel died, and here was the result, her handiwork, the garment that would fit a giant. It was nothing more than twelve skeins of yarn and thousands of loops, but it had the power to bring back in a flash the green-tiled walls of the hospital, the sound of an ambulance trying to cut through city traffic in the distance, the breathing of the dying boy, his father staring at the ceiling, the full greasy bucket of fried chicken on he bed table. "I'll take this one," Walter said, balling up the sweater as best he could, stuffing it into a shopping bag that was half full of the books he was taking home, that he was borrowing. "Oh, honey," Joyce said. "You don't want that old scrap." "You made it. I remember your making it." Keep it light, he said to himself, that's a boy. "There's a use for it. Don't you think so, Aunt Jeannie? No offense, Mom, but I could invade the Huns with it or strap the sleeves to my car tires in a blizzard, for traction, or protect our nation with it out in space, a shield against nuclear attack." Jeannie tittered in her usual way in spite of herself. "You always did have that sense of humor," she said as she went upstairs. When she was out of range, Joyce went to Walter's bag and retrieved the sweater. She laid it on the card table, the long arms hanging down, and she fingered the stitches. "Will you look at the mass of it," she exclaimed. "I don't even recall making it." ""'Memory -- that strange deceiver,'" Walter quoted.
Jane Hamilton (The Short History of a Prince)
We sat within the farm-house old, Whose windows, looking o'er the bay, Gave to the sea-breeze damp and cold, An easy entrance, night and day. Not far away we saw the port, The strange, old-fashioned, silent town, The lighthouse, the dismantled fort, The wooden houses, quaint and brown. We sat and talked until the night, Descending, filled the little room; Our faces faded from the sight, Our voices only broke the gloom. We spake of many a vanished scene, Of what we once had thought and said, And who was changed, and who was dead; And all that fills the hearts of friends, When first they feel, with secret pain, Their lives thenceforth have separate ends, And never can be one again; The first slight swerving of the heart, That words are powerless to express, And leave it still unsaid in part, Or say it in too great excess. The very tones in why we spake, Had something strange, I could but mark; The leaves of memory seemed to make A mournful rattling in the dark. Oft died the words upon our lips, As suddenly, from out the fire Built of the wreck of stranded ships, The flames would leap and then expire. And, as their splendor flashed and failed, We thought of wrecks upon the main, Of ships dismasted, that were hailed And sent no answer back again. The windows, rattling in their frames, The ocean, roaring up the beach, The gusty blast, the bickering flames, All mingled vaguely in our speech; Until they made themselves a part Of fancies floating through the brain, The long-lost ventures of the heart, That send no answers back again. O flames that glowed! O hearts that yearned! They were indeed too much akin, The drift-wood fire without that burned, The thoughts that burned and glowed within.
Henry Wadsworth Longfellow
Memories appear in flashes of light, in short scenes, in reflections that can make us laugh or bring us to tears. They might come in on a sneaker wave of grief, or be buoyed up from our past by a certain fragrance in the air, or a sound from afar. The essence of memoir, I suppose, is that it could better be described as “re-memory.” We don’t just look back at an event in our past; we are remembering the memory of what happened. It’s a bit like putting the laundry through
Jacqueline Winspear (Maisie Dobbs (Maisie Dobbs, #1))
Zenosyne. It's actually just after you're born that life flashes before your eyes. Entire aeons are lived in those first few months when you feel inseparable from the world itself, with nothing to do but watch it passing by. At first, time is only felt vicariously, as something that happens to other people. You get used to living in the moment, because there's nowhere else to go. But soon enough, life begins to move, and you learn to move with it. And you take it for granted that you're a different person every year, Upgraded with a different body...a different future. You run around so fast, the world around you seems to stand still. Until a summer vacation can stretch on for an eternity. You feel time moving forward, learning its rhythm, but now and then it skips a beat, as if your birthday arrives one day earlier every year. We should consider the idea that youth is not actually wasted on the young. That their dramas are no more grand than they should be. That their emotions make perfect sense, once you adjust for inflation. For someone going through adolescence, life feels epic and tragic simply because it is: every kink in your day could easily warp the arc of your story. Because each year is worth a little less than the last. And with each birthday we circle back, and cross the same point around the sun. We wish each other many happy returns. But soon you feel the circle begin to tighten, and you realize it's a spiral, and you're already halfway through. As more of your day repeats itself, you begin to cast off deadweight, and feel the steady pull toward your center of gravity, the ballast of memories you hold onto, until it all seems to move under its own inertia. So even when you sit still, it feels like you're running somewhere. And even if tomorrow you will run a little faster, and stretch your arms a little farther, you'll still feel the seconds slipping away as you drift around the bend. Life is short. And life is long. But not in that order.
Sébastien Japrisot
you something.’ I said, ‘I’ve been raped.’ The minute I said it, my mom gasped then walked out of the house. There’s a sliding door there, and she just left. Then I have just flashes of memories. At some point, she was back and my father was there. Again, I don’t really have linear memories of this. But the first thing my father said to me was, ‘What were you wearing?’ I just screamed, ‘Does it matter?!’ I was very angry that he did that. That was the second time I ever yelled at my father in my life.
Linda Kay Klein (Pure: Inside the Evangelical Movement That Shamed a Generation of Young Women and How I Broke Free)
In that instant it all seemed to come clear to him- it came in a grisly flash of light, and he realized that the vote they had taken as children was a joke. There was no turning back, never had been. They were on a track as preordained as the memory-track which had caused him to look up when he passed under the stairway leading to the stacks. There was an echo here in Derry, a deadly echo, and all they could hope for was that the echo could be changed enough in their favor to allow them to escape with their lives.
Stephen King (It)
You were born with your head in the clouds, your future wide open, feeling almost weightless. Almost. Kudoclasm. You had dreams even before you had memories: a cloud of fantasies and ambitions of secret plans and hidden potential, visions of who you are, and what your life will be. They keep your spirits high, floating somewhere above your life, where the world looks faintly hypothetical, almost translucent. But every time you reach for the sky and come away with nothing, you start to wonder what’s holding them up. “Surely it would have happened by now?!” You feel time starting to slip, pulling you back down to earth. even as you tell yourself, don’t look down. You don’t have the luxury of floating through life, because you may not have the time. The future is already rushing toward you, and it’s not as far away as you think. It feels like your life is flashing before your eyes, but it’s actually just the opposite: you’re thinking forward, to everything you still haven’t done, the places you had intended to visit, the life goals you’d eventually get around to, some day in the future. You start dropping your delusions one by one, like tossing ballast overboard. And soon the fog lifts, and everything becomes clear— right until the moment your feet touch the ground. And there it is, “the real world.” As if you’ve finally grown up, steeped in reality, your eyes adjusting to the darkness, seeing the world for what it is. But in truth, you don’t belong there. We dream to survive— no more optional than breathing. Maybe “the real world” is just another fantasy, something heavy to push back against, and launch ourselves still higher. We’re all afraid to let go, of falling into a bottomless future. But maybe we belong in the air, tumbling in the wind. Maybe it’s only when you dive in that you pick up enough speed to shape the flow of reality, and choose your own course, flying not too high, and not too low, but gliding from one to the other in long playful loops. To dream big, and bounce ideas against the world and rise again. Moving so fast, you can’t tell where the dream ends and where the world begins.
Sébastien Japrisot
Speaking of full of dirt, I am hardly fit company but in the spirit of wifely tolerance I wonder if you will accompany me to a pool a little ways from here." He meant to bathe. The memory of him emerging from the sauna at the lodge flashed through her mind. Her mouth was suddenly dry. "I thought Vikings liked to boil themselves first." "Ordinarily I would agree with you, but if I get into a sauna now, I will fall asleep." "You are tired from your exertions on the trailing field?" The look he trailed over her was purely male and so evocative as to warm her clear through. "I am tried from my exertions in our bed,lady,as I suspect you well know." "That is a relief!" He looked at her in surprise, prompting a red face and a quick explanation. "I meant that I could not help but think of you toiling as usual while I slept half the day away and felt myself shamed for such sloth." "Oh,well, if it's any consolation to you, I fell asleep under a tree, to the great hilarity of my men, who are not likely to let me forget it anytime soon." She laughed,tension coiling, and without hesitation she held out her hand to him.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
Don't look at me like that." "Like what?" I arch an eyebrow. His gaze flashes to mine. "Like you're thinking about the sparring gym last night." "Well, now that you mention it." My tongue flicks over my lower lip, remembering how his hips pinned mine to the mat after everyone had left for the night. How close we both came to giving in to the pulsing need between us. His jaw flexes, and his grip tightens on his fork. "Seriously. I can't think when you look at me like that." "You're the one with the ridiculous rule about not falling for each other," I remind him. "You're still looking." He forces his attention back to his plate. "You make it hard to look away." I miss his mouth on my skin, the feel of his body pressed against mine. I miss the look on his face when he watched me come undone. But I miss the feeling of him curled around me in sleep more. "I'm over here keeping my hands and memories to myself because you asked me to, and you're fucking me with your eyes. That's not playing fair." "Told you to stop staring." There's laughter in his voice, but his face is as expressionless as ever. I tap my fork on my plate in pure frustration. You know what. Fuck this. Two can play at this game. "If you'd just man up and admit there's something between us, I would strip down to my skin so you could see every single inch of me. And once I had you begging, I'd drop down to my knees, undo those flight leathers you're wearing, and wrap my lips around—" Xaden chokes. Every head in the dining hall turns his way, and Garrick pounds on his back until Xaden waves him off, taking a drink of his water. I grin, which earns me about six looks of confusion from our table and one set of rolled eyes from Liam. "You're going to be the death of me
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
They told me the drugs would take away the pain. They told me the drugs would help me sleep. They are wrong. The pain of losing Damien hasn't gone away. And I hardly ever sleep. There's a part of me that wishes I could close my eyes and shut out the world, but I can't. I can't because I know behind my eyelids, I'll see him. He'll be there looking so fresh and alive. His skin will be vibrant with color, his blue blue eyes sparkling. He'll flash me his radiant smile and for a few minutes, I'll actually believe that he didn't die. I'll believe it and then I wake up to discover that my mind is torturing me with what could have been and I lose control of my emotions. I scream. Sob. Hug my knees to my chest. Rock back and forth. Tug at my hair. I pace the length of my shoebox room and throw myself into the padded white walls. I pray for someone or something to come along and take the pain away. I pray for someone or something to erase my memory so that I'll never have to think of Damien again. And so that I'll never have to live with the painful reminder that I am the reason he died. Damien died for me. And for love. And I'm not quite sure what else. Maybe to prove a point.
Lauren Hammond (White Walls (Asylum, #2))
March 28, 2012 The dreams won’t subside. I don’t just have them at night anymore but during the day as well. Erotic flashes of her lips, her breasts, her thighs. My imagination does not rest. I yearn to know what she feels like, what she tastes like. My dreams make me long for more. This woman is a virus. Every cell in my body has been infected by her. I try to remain civil, normal when I’m in her presence but she’ll lick her lips or play with the top of her collar and suddenly memories of my dreams will come flooding back. This woman is a virus that has dominated every part of my being. She attacks my lungs, squeezing the breath out of me until I’m hopelessly gasping for air. This isn’t a want. This isn’t a need. This is an ache. I ache with wanting. I ache with need. I ache until the pain finally leaves me feeling numb. I long for that numbness. It’s the only time I feel like…I don’t feel. I try to run away, to keep my distance but this woman is a virus. She’s in my blood. Her smile stops my feet from moving. The only time she allows me to breathe freely is when I inhale her perfume. I feel myself losing control. These dreams, this ache is slowly driving me insane. This woman is a virus and she’s eating me alive.
Jacqueline Francis - The Journal
Torrents of text conversations, tides of cell conversations, of television programs, of e-mail, vast networks of fiber and wire interlaced above and beneath the city, passing through buildings, arcing between transmitters in Metro tunnels, between antennas atop buildings, from lampposts with cellular transmitters in them, commercials for Carrefour and Evian and prebaked toaster pastries flashing into space and back to earth again, I’m going to be late and Maybe we should get reservations? and Pick up avocados and What did he say? and ten thousand I miss yous, fifty thousand I love yous, hate mail and appointment reminders and market updates, jewelry ads, coffee ads, furniture ads flying invisibly over the warrens of Paris, over the battlefields and tombs, over the Ardennes, over the Rhine, over Belgium and Denmark, over the scarred and ever-shifting landscapes we call nations. And is it so hard to believe that souls might also travel those paths? That her father and Etienne and Madame Manec and the German boy named Werner Pfennig might harry the sky in flocks, like egrets, like terns, like starlings? That great shuttles of souls might fly about, faded but audible if you listen closely enough? They flow above the chimneys, ride the sidewalks, slip through your jacket and shirt and breastbone and lungs, and pass out through the other side, the air a library and the record of every life lived, every sentence spoken, every word transmitted still reverberating within it. Every hour, she thinks, someone for whom the war was memory falls out of the world. We rise again in the grass. In the flowers. In songs.
Anthony Doerr (All the Light We Cannot See)
He pulled back onto the empty road. There were a few ranch lights miles away, the black sky against the black terrain drawing them into the hem of the starry curtain. As he drove toward the clangor and flash of the noon arena he considered the old saddle bronc rider rubbing leather for thirty-seven years, Leecil riding off into the mosquito-clouded Canadian sunset, the ranch hand bent over a calf, slitting the scrotal sac. The course of life’s events seemed slower than the knife but not less thorough. There was more to it than that, he supposed, and heard again her hoarse, charged voice saying “Everything.” It was all a hard, fast ride that ended in the mud. He passed a coal train in the dark, the dense rectangles that were the cars gliding against indigo night, another, and another, and another. Very slowly, as slowly as light comes on a clouded morning, the euphoric heat flushed through him, or maybe just the memory of it.
Annie Proulx (Close Range)
Despite the gloom she could make out enough of his finely chiseled features to fleetingly rethink the CPR issue. The man was a knock out, with cheek bones sharp enough to cut cheese on, an arrow straight nose, a strong jaw, and a well cut mouth that subjected both cruelty and sensuality. He stirred groaning softly, hands flailing as if he was searching for something. Mary moved out the way as he rolled towards her coming to rest on his back. As she lent over him to get another look dark eyelashes flickered, opened. His eyes were pale and striking, something flashing in them like lightning cutting through turbulent storm clouds. A pair of fey owlish brows slanted down in to a perplexed frown as he stared up at her. Mary let out a startled yelp when she was grabbed, and then rolled beneath a larger body, his heavy weight, her arms pinioned above her in just one of his large hands. Her hat yanked off and her features quickly scanned. Outrage quickly turned in to fear. The glacial scrutiny made her tremble as if an arctic wind had caressed her body, not that the shear brute strength the stranger wielded alone was not frightening enough. “I’m just trying to help you.” Mary breathed, fighting down the rising panic as his gaze bored in to her. “You must have fallen of your bike.” She had worked Crown defense long enough to have encountered more then a few clients who were nothing more then malicious, ill tempered, brutal thugs. This man Mary knew on an intuitive level was far more dangerous, because he was a killer, because he was devoid of all those things. There was a detachment to his inspection of her, considering if she was pray or a pet. Not human. Something deeply buried stirred. An ancestral memory whispered through her mind like the scent of wood smoke on the night air, instinctive as the fear of the falling, and things that lurked in the dark.
D.M. Alexandra
Daniel.” Luce gripped his shoulder. “What about the library you took me to? Remember?” She closed her eyes. She wasn’t thinking so much as feeling her way through a memory buried shallowly in her brain. “We came to Vienna for the weekend…I don’t remember when, but we went to see Mozart conduct The Magic Flute…at the Theater an der Wien? You wanted to see this friend of yours who worked at some old library, his name was-“ She broke off, because when she opened her eyes, the others were staring at her, incredulous. No one, least of all Luce, had expected her to be the one to know where they would find the desideratum. Daniel recovered first. He flashed her a funny smile Luce knew was full of pride. But Arriane, Roland, and Annabelle continued to gape at her as if they’d suddenly learned she spoke Chinese. Which, come to think of it, she did. Arriane wiggled a finger around inside her ear. “Do I need to ease up on the psychedelics, did LP just recall one of her past lives unprompted at the most crucial juncture ever?” “You’re a genius,” Daniel said, leaning forward and kissing her deeply. Luce blushed and leaned in to extend the kiss a little longer, but then heard a cough. “Seriously, you two,” Annabelle said. “There will be time enough for snogs if we pull this off.” “I’d say ‘get a room’ but I’m afraid we’d never see you again,” Arriane added, which caused them all to laugh. When Luce opened her eyes, Daniel had spread his wings wide. The tips brushed away broken bits of plaster and blocked the Scale angels from view. Slung over his shoulder was the black leather satchel with the halo. The Outcasts gathered the scattered starshots back into their silver sheaths. “Wingspeed, Daniel Grigori.” “To you as well.” Daniel nodded at Phil. He spun Luce around so her back was pressed to his chest and his arms fit snugly around her waist. They clasped hands over her heart. “The Foundation Library,” Daniel said to the other angels. “Follow me, I know exactly where it is.
Lauren Kate (Rapture (Fallen, #4))
When a man is asleep, he has in a circle round him the chain of the hours, the sequence of the years, the order of the heavenly host. Instinctively, when he awakes, he looks to these, and in an instant reads off his own position on the earth’s surface and the amount of time that has elapsed during his slumbers; but this ordered procession is apt to grow confused, and to break its ranks. Suppose that, towards, morning, after a night of insomnia, sleep descends upon him while he is reading, in quite a different position from that in which he normally goes to sleep, he has only to lift his arm to arrest the sun and turn it back in its course, and, at the moment of waking, he will have no idea of the time, but will conclude that he has just gone to bed. Or suppose that he gets drowsy in some even more abnormal position; sitting in an armchair, say, after dinner: then the world will go hurtling out of orbit, the magic chair will carry him at full speed through time and space, and when he opens his eyes again he will imagine that he went to sleep months earlier in another place. But for me it was enough if, in my own bed, my sleep was so heavy as completely to relax my consciousness; for then I lost all sense of the place in which I had gone to sleep, and when I awoke in the middle of the night, not knowing where I was, I could not even be sure at first who I was; I had only the most rudimentary sense of existence, such as may lurk and flicker in the depths of an animal's consciousness; I was more destitute than the cave-dweller; but then the memory - not yet of the place in which I was, but of various other places where I had lived and might now very possibly be - would come like a rope let down from heaven to draw me up out of the abyss of not-being, from which I could never have escaped by myself: in a flash I would traverse centuries of civilisation, and out of a blurred glimpse of oil-lamps, then of shirts with turned-down collars, would gradually piece together the original components of my ego. Perhaps the immobility of the things that surround us is forced upon them by our conviction that they are themselves and not anything else, by the immobility of our conception of them. For it always happened that when I awoke like this, and my mind struggled in an unsuccessful attempt to discover where I was, everything revolved around me through the darkness: things, places, years. My body, still too heavy with sleep to move, would endeavour to construe from the pattern of its tiredness the position of its various limbs, in order to deduce therefrom the direction of the wall, the location of the furniture, to piece together and give a name to the house in which it lay. Its memory, the composite memory of its ribs, its knees, its shoulder-blades, offered it a whole series of rooms in which it had at one time or another slept, while the unseen walls, shifting and adapting themselves to the shape of each successive room that it remembered, whirled round it in the dark.
Marcel Proust (Swann's Way)
Ranulf searched for something to distract him from what she was doing. Only one topic came to mind.Their kiss. "About this morning.Your memory is faulty." Concentrating,Bronwyn was just about to sever the final stitch. "How so?" she murmured. "I believe you kissed me." His nearness coupled with the unexpected reminder of their embrace caused her hand to quiver just as she sliced the last stitch, giving him a small scrape. "Ow! You did that on purpose!" Bronwyn jumped back. She was no longer nestled between his legs, but neither was she out of his reach. "I did no such thing. Besides,it is a small sratch, so stop disgracing yourself by acting so cowardly," she scolded, waving the sharp blade around as if it was another appendage. "Cowardly?" Ranulf bellowed, as he jerked the knife out of her hand. "You, angel, should be thanking me for being damn near to a saint! You have to be one of the most difficult women I have ever met." Bronwyn's chin popped up angrily, her deep blue eyes flashing. "I'm not difficult. You're the one yelling." She turned, grabbed his tunic, and threw it at him. "I'm done.You can get dressed now.
Michele Sinclair (The Christmas Knight)
I’m happy here, Tate. I’ll let you know when the baby comes,” she added quietly. “Certainly, you’ll have access to him any time you like.” Doors were closing. Walls were going up around her. He clenched his teeth together in impotent fury. “I want you,” he said forcefully, which was not at all what he wanted to say. “I don’t want you,” she replied, lying through her teeth. She wasn’t about to become an obligation again. She even smiled. “Thanks for coming to see about me. I’ll phone Leta when she and Matt come home from Nassau.” “They’re already home,” he said flatly. “I’ve been to make peace with them.” “Have you?” She smiled gently. “I’m glad. I’m so glad. It broke Leta’s heart that you wouldn’t speak to her.” “What do you think it’s going to do to her when she hears that you won’t marry the father of your child?” She gaped at him. “She…knows?” “They both know, Cecily,” he returned. “They were looking forward to making a fuss over you.” He turned toward the door, bristling with hurt pride and rejection. “You can call my mother and tell her yourself that you aren’t coming back. Then you can live here alone in the middle of ‘blizzard country,; and I wish you well.” He turned at the door with his black eyes flashing. “As for me, hell will freeze over before I come near you again!” He went out and slammed the door. Cecily stared after him with her heart in her throat. Why was he so angry that she’d relieved him of any obligations about the baby? He couldn’t want her for herself. If he had, if he’d had any real feeling for her, he’d have married her years ago. It was only the baby. She let the tears rush down her face again with pure misery as she heard the four-wheel drive roar out of the driveway and accelerate down the road. She hoped he didn’t run over anybody. Her hand went to her stomach and she remembered with anguish the look on his face when he’d put his big, strong hand over his child. She’d sent him away for the sake of his own happiness, didn’t he know that? She supposed it was just hurt pride that had caused his outburst. But she wished he hadn’t come. It would be so much harder to live here now that she could see him in this house, in these rooms, and be haunted by the memory of him all over again. He wouldn’t come back. She’d burned her bridges. There was no way to rebuild them.
Diana Palmer (Paper Rose (Hutton & Co. #2))
Strange memories on this nervous night in Las Vegas. Five years later? Six? It seems like a lifetime, or at least a Main Era - the kind of peak that never comes again. San Francisco in the middle sixties was a very special time and place to be a part of. Maybe it meant something. Maybe not, in the long run . . . but no explanation, no mix of words or music or memories can touch that sense of knowing that you were here and alive in that corner of time and the world. Whatever it meant . . . . History is hard to know, because of all the hired bullshit, but even without being sure of “history” it seems entirely reasonable to think that every now and then the energy of a whole generation comes to a head in a long fine flash, for reasons that nobody really understands at the time - and which never explain, in retrospect, what actually happened. My central memory of that time seems to hang on one or five or maybe forty nights - or very early mornings - when I left the Fillmore half - crazy and, instead of going home, aimed the big 650 Lightning across the Bay Bridge at a hundred miles an hour wearing L. L. Bean shorts and a Butte sheepherder’s jacket . . . booming through the Treasure Island tunnel at the lights of Oakland and Berkeley and Richmond, not quite sure which turn - off to take when I got to the other end (always stalling at the toll - gate, too twisted to find neutral while I fumbled for change) . . . but being absolutely certain that no matter which way I went I would come to a place where people were just as high and wild as I was: No doubt at all about that. .There was madness in any direction, at any hour. If not across the Bay, then up the Golden Gate or down 101 to Los Altos or La Honda. . . . You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning. And that, I think, was the handle - that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn’t need that. Our energy would simply prevail. There was no point in fighting - on our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave. So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high - water mark - that place where the wave finally broke and rolled back.
Hunter S. Thompson (Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream)
It was an amazing experience,” I said. “By remembering the love I felt I was able to open up. I sat up there all day simmering in it. I didn’t reach the state I experienced on the ridge but I got close.” Sanchez looked more serious. “The role of love has been misunderstood for a long time. Love is not something we should do to be good or to make the world a better place out of some abstract moral responsibility, or because we should give up our hedonism. Connecting with energy feels like excitement, then euphoria, and then love. Finding enough energy to maintain that state of love certainly helps the world, but it most directly helps us. It is the most hedonistic thing we can do.” I agreed, then noticed he had moved his chair back several more feet and was looking at me intensely, his eyes unfocused. “So what does my field look like,” I asked. “It is much larger,” he said. “I think you feel very good.” “I do.” “Good. That is what we do here.” “Tell me about that,” I said. “We train priests to go farther into the mountains and work with the Indians. It is a lonely job and the priests must have great strength. All of the men here have been screened thoroughly and all have one thing in common: each has had one experience he calls mystical. “I have been studying this kind of experience for many years,” he continued, “even before the Manuscript was found, and I believe that when one has already encountered a mystical experience, getting back into this state and raising one’s personal energy level comes much easier. Others can also connect but it takes longer. A strong memory of the experience, as I think you learned, facilitates its re-creation. After that, one slowly builds back.” “What does a person’s energy field look like when this is happening?” “It grows outward and changes color slightly.” “What color?” “Normally from a dull white toward green and blue. But the most important thing is that it expands. For instance, during your mystical encounter on the ridge top, your energy flashed outward into the whole universe. Essentially you connected and drew energy from the entire cosmos and in turn your energy swelled to encompass everything, everywhere. Can you remember how that felt?” “Yeah,” I said. “I felt as though the entire universe was my body and I was just the head, or perhaps more accurately, the eyes.” “Yes,” he said, “and at that moment, your energy field and that of the universe were the same. The universe was your body.
James Redfield (The Celestine Prophecy (Celestine Prophecy, #1))
I'm sorry.' I blinked. 'What do you possibly have to be sorry for?' 'His hands were shaking- as if in the aftermath of that fury at what Keir had called me, what he'd threatened. Perhaps he'd brought me here before heading home in order to have some privacy before his friends could interrupt. 'I shouldn't have let you go. Let you see that part of us. Of me.' I'd never seen him so raw, so... stumbling. 'I'm fine.' I didn't know what to make of what had been done. Both between us and to Keir. But it had been my choice. To play that role, to wear those clothes. To let him touch me. But... I said slowly, 'We knew what tonight would require of us. Please- please don't start protecting me. Not like that.' He knew what I meant. He'd protected me Under the Mountain, but that primal, male rage he'd just shown Keir... A shattered study splattered in paint flashed through my memory. Rhys rasped. 'I will never- never lock you up, force you to stay behind. But when he threatened you tonight, when he called you...' Whore. That's what they'd called him. For fifty years, they'd hissed it. I'd listened to Lucien spit the words in his face. Rhys released a jagged breath. 'It's hard to shut down my instincts.' Instincts. Just like... like someone else had instincts to protect, to hide me away. 'Then you should have prepared yourself better,' I snapped. 'You seemed to be going along just fine with it, until Keir said-' 'I will kill anyone who harms you,' Rhys snarled. 'I will kill them, and take a damn long time doing it.' He panted. 'Go ahead. Hate me- despise me for it.' 'You are my friend,' I said, and my voice broke on the word. I hated the tears that slipped down my face. I didn't even know why I was crying. Perhaps for the fact that it had felt real on that throne with him, even for a moment, and... and it likely hadn't been. Not for him. 'You're my friend- and I understand that you're High Lord. I understand that you will defend your true court, and punish threats against it. But I can't... I don't want you to stop telling me things, inviting me to do things, because of the threats against me.' Darkness rippled, and wings tore from his back. 'I am not him,' Rhys breathed. 'I will never be him, act like him. He locked you up and let you wither, and die.' 'He tried-' 'Stop comparing. Stop comparing me to him.' The words cut me short. I blinked. 'You think I don't know how stories get written- how this story will be written?' Rhys put his hands on his chest, his face more open, more anguished than I'd seen it. 'I am the dark lord, who stole away the bride of spring. I am a demon, and a nightmare, and I will meet a bad end. He is the golden prince- the hero who will get to keep you as his reward for not dying of stupidity and arrogance.' The things I love have a tendency to be taken from me. He'd admitted that to me Under the Mountain. But his words were kindling to my temper, to whatever pit of fear was yawning open inside of me. 'And what about my story?' I hissed. 'What about my reward? What about what I want?' 'What is it that you want, Feyre?' I had no answer. I didn't know. Not anymore. 'What is it that you want, Feyre?' I stayed silent. His laugh was bitter, soft. 'I thought so. Perhaps you should take some time to figure that out one of these days.' 'Perhaps I don't know what I want, but at least I don't hide what I am behind a mask,' I seethed. 'At least I let them see who I am, broken bits and all. Yes- it's to save your people. But what about the other masks, Rhys? What about letting your friends see your real face? But maybe it's easier not to. Because what if you did let someone in? And what if they saw everything, and still walked away? Who could blame them- who would want to bother with that sort of mess?' He flinched. The most powerful High Lord in history flinched. And I knew I'd hit hard- and deep. Too hard. Too deep. 'Rhys,' I said.
Sarah J. Maas
Who has not known you, O deep joys of wine? Whoever has had some remorse to appease, a memory to evoke, a sorrow to drown, a castle to build in Spain, in fact all men have invoked you, mysterious god concealed in the tendrils of the vine. Wine is like man himself: one never knows to what extent one may esteem or despise him, love or hate him, nor of what sublime actions or monstrous crimes he is capable. Let us not then be crueller towards wine than towards ourselves, let us treat him as an equal. Sometimes I think I can hear wine speak (he speaks with his soul, the spiritual voice heard only by the spirit) and he says: “Man, my beloved, I would pour out for you, in spite of my prison of glass and fetters of cork, a song full of brotherhood, a song full of joy, light and hope. I am no ingrate; I know that I owe you my life. I know what it cost you in toil, your back under the burning sun. You gave me life and I shall reward you for it. I am the soul of your country. I am half-lover, half-soldier. I shall light up your aged wife’s eyes, the old companion of your everyday cares and your oldest hopes. I shall soften her glance and drop into the pupil of her eye the lightning-flash of her youth. Our close reunion will create poetry. Between us we shall make a god. This is what wine sang in its mysterious language.
Charles Baudelaire (On Wine and Hashish (Hesperus Classics))
Rhysand asked, “What happened after these beings arrived in your world?” Bryce sucked her teeth before saying, “In the official version of this story, another world, Hel, tried to invade Midgard. To destroy the fledgling empire—and everyone living in it. But the Asteri unified all these new people under one banner and pushed Hel back to its own realm. In the process, the Northern Rift was fixed with its destination permanently on Hel. After that, it remained mostly closed. A massive wall was erected around it to keep any Hel-born stragglers from getting through the cracks, and the Asteri built a glorious empire meant to last for eternity. Or so we’re all ordered to believe.” The faces in front of her remained impassive. Rhysand asked quietly, “And what is the unofficial story?” Bryce swallowed, the room in the archives flashing through her memory. “The Asteri are ancient, immortal beings who feed on the power of others—they harvest the magic of a people, a world, and then eat it. We call it firstlight. It fuels our entire world, but mostly them. We’re required to hand it over upon reaching immortality—well, as close to immortality as we can get. We seize our full, mature power through a ritual called the Drop, and in the process, some of our power is siphoned off and given over to the firstlight stores for the Asteri. It’s like a tax on our magic.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Closing the door, she turned back to him, taking in the long, muscled length of him on the bed, staring at her. Waiting for her. Perfection. He was perfect, and she was bare before him, bathed in candlelight. She was instantly embarrassed- somehow more embarrassed than she had been that night in his office, when she'd touched herself under his careful guidance. At least then she'd been wearing a corset. Stockings. Tonight, she wore nothing. She was all flaws, each one highlighted by his perfection. He watched her for a long moment before extending one muscled arm, palm up, an irresistible invitation. She went to him without hesitation, and he rolled to his back, pulling her over his lovely, lean chest, staring up at her intently. She covered her breasts in a wave of nerves and trepidation. "When you look at me like that... it's too much." He did not look away. "How do I look at you?" "I don't know what it is... but I feel as though you can see into me. As though, if you could, you would consume me." "It's want, love. Desire like nothing I've never experienced. I'm fairly shaking with it. Come here." The demand was impossible to resist, carrying with it the promise of pleasure beyond her dreams. She went. When she was close enough to touch, he lifted one hand, stroking his fingers along hers where they hid her breasts from view. "I tremble with need for you, Pippa. Please, love, let me see you." The request was raw and wretched, and she couldn't deny him, slowly moving her hands to settle them on his chest, fingers splayed wide across the crisp auburn hair that dusted his skin. She was distracted by that hair, the play of it over muscle- the way it narrowed to a lovely dark line across his flat stomach. He lay still as she touched him, his muscles firm and perfect. "You're so beautiful," she whispered, fingers stroking down his arms to his wrists. His gaze narrowed on her. "I am happy you approve, my lady." She smiled. "Oh I do, my lord. You are a remarkable specimen." White teeth flashed again as she gained her courage, retracing her touch, over his forearms, marveling in the feel of him, reciting from memory, "flexor digitorium superficialis, flexor capri radialis..." along his upper arms, "biceps brachii, tricipitis brachii..." over his shoulders, loving the way his muscles tensed and flexed beneath her touch, "deltoideus..." and down his chest, "subscapularis... pectoralis major..." She stilled, brushing her fingers over the curve of that muscle, the landscape of him... the valleys of his body. He sucked in a breath as her fingers ran over the flat discs of his nipples, arching up to her touch, and she stilled, reveling in her power. He enjoyed her touch. He wanted it. She repeated the stroke, this time with her thumbs. He hissed his pleasure, one wide hand falling to the inside of her knee, sending a river of heat through her. "Don't stop now, love. This is the most effective seduction I've ever experienced.
Sarah MacLean (One Good Earl Deserves a Lover (The Rules of Scoundrels, #2))
she whipped around and placed the bouquet in my hand. Looking at her crazy, I tried to hand it back but, instead, she forcefully turned me around. On his knees, there was Hood with his hand extended with a beautiful diamond ring. Dropping the flowers, tears immediately formed in my eyes as I realized what was going on. Looking around the room, I saw both my mother and father nod their heads in approval and all of our family in friends either smiling or shedding happy tears. I looked back to Hood, who was nervously smiling before he began to speak. “Rhythm, from day one, my heart’s tune changed into a beat that only you could hear. You know we’ve had our ups and we’ve had our downs, but baby, none of it would have been worth it if it was not for you. The love we share is so rare that I make sure to pray twice a day that the Lord sees fit for me to have you and hold you for the rest of my life. Baby, you a nigga heartbeat, will you be my wife?” Pausing for a moment, all the good and bad flashed through my memory before I was able to answer. I guess I was taking too long because someone in the audience yelled out, “Girl, you better tell that fine ass man yes!” and everyone started to laugh. “Yes, Hood, yes!” I yelled, as he slipped the beautiful ring on my finger before standing and grabbing me in a tight hug. Our lips locked in a passionate kiss as everyone clapped and whistled, congratulating us. “Congrats the two of you.” I felt my father’s hand on my shoulder after Hood and I let go of each other. “Thanks
Niqua Nakell (Rhythm & Hood (A STAND ALONE NOVEL): A Dope Boy's Heartbeat)
The truth is technical, clinical, not well understood. Essentially, somewhere behind my overactive, often dysfunctional frontal lobe, my hippocampus is getting hot, and in the back of my brain, deep inside the little, almond-shaped amygdala, flashes of light are igniting a fire that burns through my memory like a box of random photos left for too long in a dusty firetrap of an attic. Some are vivid, bright, resplendent in the superior technology that preserves their detail, context, meaning. Truth. Others, many in fact, are so faded I can hardly see the contrast of negative on positive. I can barely remember the incidents, events, places, and people that were, for whatever reason, worth recording. Where does the brain stop and the mind begin? Which part of my movie is merely mechanical, chemical? And how do fantasy, fear, desire, joy, loss emerge to become the story? If there is an answer, it’s all in the editing. For most of my life, my memories have been cut together, if not perfectly, then according to some system that has allowed me reasonable access to my story. To what I wanted to remember and how I chose to remember it. I had final cut. Now they are a mess. A beautiful mess, cut and recut, and playing in no particular order across the insides of my eyelids, running both forward and backward in time as the electrical fire in my brain chases them down and ignites them. I want to reach out my hand. I want to salvage one or two of my favorite frames. But memory is fast and my hands are strapped to this table.
Juliann Garey (Too Bright to Hear Too Loud to See)
Suppose that, towards morning, after a night of insomnia, sleep descends upon him while he is reading, in quite a different position from that in which he normally goes to sleep, he has only to lift his arm to arrest the sun and turn it back in its course, and, at the moment of waking, he will have no idea of the time, but will conclude that he has just gone to bed. Or suppose that he gets drowsy in some even more abnormal position; sitting in an armchair, say, after dinner: then the world will fall topsy-turvy from its orbit, the magic chair will carry him at full speed through time and space, and when he opens his eyes again he will imagine that he went to sleep months earlier and in some far distant country. But for me it was enough if, in my own bed, my sleep was so heavy as completely to relax my consciousness; for then I lost all sense of the place in which I had gone to sleep, and when I awoke at midnight, not knowing where I was, I could not be sure at first who I was; I had only the most rudimentary sense of existence, such as may lurk and flicker in the depths of an animal’s consciousness; I was more destitute of human qualities than the cave-dweller; but then the memory, not yet of the place in which I was, but of various other places where I had lived, and might now very possibly be, would come like a rope let down from heaven to draw me up out of the abyss of not-being, from which I could never have escaped by myself: in a flash I would traverse and surmount centuries of civilisation, and out of a half-visualised succession of oil-lamps, followed by shirts with turned-down collars, would put together by degrees the component parts of my ego
Marcel Proust (In Search Of Lost Time (All 7 Volumes) (ShandonPress))
An old man wearing a red seed cap was saying, "Little lady, one day you'll remember the days people told you that you had nice legs as a good memory." Adam braced for the explosion. It was nails and dynamite. "Good--memory? Oh, I wish I were as ignorant as you! What happiness! There are girls who kill themselves over negative body image and you--" "Is there a problem here?" Adam broke in. The man seemed relieved. People were always pleased to see clean, muted Adam, the deferential Southern voice of reason. "Your girlfriend's quite a firecracker." Adam stared at the man. Blue stared at Adam. He wanted to tell her it wasn't worth it--that he'd grown up with this sort of man and knew they were untrainable--but then she'd throw the thermos at Adam's head and probably slap the guy in the mouth. It was amazing that she and Ronan didn't get along better, because they were different brands of the same impossible stuff. "Sir," Adam started--Blue's eyebrows spiked--"I think maybe your mama didn't teach you how to talk to women." The old man shook his head at Adam, like in pity. Adam added, "And she's not my girlfriend." Blue flashed him a brilliant look of approval, and then she got into the car with a dramatic door slam Ronan would have approved of. "Look, kid," the old man started. Adam interrupted, "Your fuel door's open, by the way." He climbed back into his little, shitty car, the one Ronan called the Hondayota. He felt heroic for no good reason. Blue simmered righteously as they pulled out of the station. For a few moments, there was nothing but the labored sounds of the little car's breathing. Then Noah said, "You do have nice legs, though." Blue swung at him. A helpless laugh escaped Adam, and she hit his shoulder too.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
John Doerr, the legendary venture capitalist who backed Netscape, Google, and Amazon, doesn’t remember the exact day anymore; all he remembers is that it was shortly before Steve Jobs took the stage at the Moscone Center in San Francisco on January 9, 2007, to announce that Apple had reinvented the mobile phone. Doerr will never forget, though, the moment he first laid eyes on that phone. He and Jobs, his friend and neighbor, were watching a soccer match that Jobs’s daughter was playing in at a school near their homes in Palo Alto. As play dragged on, Jobs told Doerr that he wanted to show him something. “Steve reached into the top pocket of his jeans and pulled out the first iPhone,” Doerr recalled for me, “and he said, ‘John, this device nearly broke the company. It is the hardest thing we’ve ever done.’ So I asked for the specs. Steve said that it had five radios in different bands, it had so much processing power, so much RAM [random access memory], and so many gigabits of flash memory. I had never heard of so much flash memory in such a small device. He also said it had no buttons—it would use software to do everything—and that in one device ‘we will have the world’s best media player, world’s best telephone, and world’s best way to get to the Web—all three in one.’” Doerr immediately volunteered to start a fund that would support creation of applications for this device by third-party developers, but Jobs wasn’t interested at the time. He didn’t want outsiders messing with his elegant phone. Apple would do the apps. A year later, though, he changed his mind; that fund was launched, and the mobile phone app industry exploded. The moment that Steve Jobs introduced the iPhone turns out to have been a pivotal junction in the history of technology—and the world.
Thomas L. Friedman (Thank You for Being Late: An Optimist's Guide to Thriving in the Age of Accelerations)
If I am remembered for anything, I want it to be for this: that throughout my entire life, I was deeply sensitive. Sensitive to feelings, words and surroundings. Sensitive to people, places and things. The smallest of things make me emotional in this world. It could be a memory, a truthful face, or a flash of childhood; it could be the smile of a stranger or the openness of the sky. And throughout my life I saw it as an isolating difference. But in my maturity as a man I’ve discovered my sensitivity is a liberating gift. Because I feel deeply about things. I feel deeply about people. About doing right. About keeping my word. Seeing others achieve. Seeing loved ones grows. I am sensitive to the feelings of the less fortunate, the few, and those struggling. And whenever I get so angry about the world or how people treat each other, I burn bitterly and fierce. Yet, when that flame extinguishes what is left is what is greatest of me; the slow moving tide of my heart. That tide is kind. It is understanding. It is calm. And it is the central moving force in my soul and the rhythm that I am and that I always return to: my sensitivity. I’ve always been this way. Since I was a boy. Now I am a man and I don’t take anything less than pride in it. Because I have found that the tiniest of moments, memories, smiles, dreams and people can make the most emotional impact on me, and the lives of others. And what this brings me all back to is what I what I understand: I have found that I feel more, I care more, and I want people to be more. And that is why I have decided that I must love more. But if I’m remembered for anything — over my laugh, my love or my wonderous beautiful life, I want it to be for my sensitivity. And that I believe that true greatness in the depths of any man, woman or child, is a place of care, consideration and true sensitivity.
Drue Grit
could remember things that she had said. But my attention, concentrated upon the inward region in which these memories of her lingered, was unable to discover her name there. It was there, nevertheless. My thoughts began playing a sort of game with it to grasp its outlines, its initial letter, and so finally to bring the whole name to light. It was labour in vain, I could more or less estimate its mass, its weight, but as for its forms, confronting them with the shadowy captive lurking in the inward night, I said to myself: “It is not that.” Certainly my mind would have been capable of creating the most difficult names. Unfortunately, it had not to create but to reproduce. All action by the mind is easy, if it is not subjected to the test of reality. Here, I was forced to own myself beaten. Finally, in a flash, the name came back to me as a whole: ‘Madame d’Arpajon.’ I am wrong in saying that it came, for it did not, I think, appear to me by a spontaneous propulsion. I do not think either that the many slight memories which associated me with the lady, and to which I did not cease to appeal for help (by such exhortations as: “Come now, it is the lady who is a friend of Mme. de Souvré, who feels for Victor Hugo so artless an admiration, mingled with so much alarm and horror,”)—I do not believe that all these memories, hovering between me and her name, served in any way to bring it to light. In that great game of hide and seek which is played in our memory when we seek to recapture a name, there is not any series of gradual approximations. We see nothing, then suddenly the name appears in its exact form and very different from what we thought we could make out. It is not the name that has come to us. No, I believe rather that, as we go on living, we pass our time in keeping away from the zone in which a name is distinct, and it was by an exercise of my will and attention which increased the acuteness of my inward vision that all of a sudden I had pierced the semi-darkness and seen daylight.
Marcel Proust (In Search Of Lost Time (All 7 Volumes) (ShandonPress))
Strange memories on this nervous night in Las Vegas. Five years later? Six? It seems like a lifetime, or at least a Main Era - the kind of peak that never comes again. San Francisco in the middle sixties was a very special time and place to be a part of. Maybe it meant something. Maybe not, in the long run . . . but no explanation, no mix of words or music or memories can touch that sense of knowing that you were here and alive in that corner of time and the world. Whatever it meant . . . . History is hard to know, because of all the hired bullshit, but even without being sure of “history” it seems entirely reasonable to think that every now and then the energy of a whole generation comes to a head in a long fine flash, for reasons that nobody really understands at the time - and which never explain, in retrospect, what actually happened. My central memory of that time seems to hang on one or five or maybe forty nights - or very early mornings - when I left the Fillmore half - crazy and, instead of going home, aimed the big 650 Lightning across the Bay Bridge at a hundred miles an hour wearing L. L. Bean shorts and a Butte sheepherder’s jacket . . . booming through the Treasure Island tunnel at the lights of Oakland and Berkeley and Richmond, not quite sure which turn - off to take when I got to the other end (always stalling at the toll - gate, too twisted to find neutral while I fumbled for change) . . . but being absolutely certain that no matter which way I went I would come to a place where people were just as high and wild as I was: No doubt at all about that. There was madness in any direction, at any hour. If not across the Bay, then up the Golden Gate or down 101 to Los Altos or La Honda. . . . You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning. And that, I think, was the handle - that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn’t need that. Our energy would simply prevail. There was no point in fighting - on our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave. So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high - water mark - that place where the wave finally broke and rolled back.
Hunter S. Thompson (Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream)
Strange memories on this nervous night in Las Vegas. Five years later? Six? It seems like a lifetime, or at least a Main Era—the kind of peak that never comes again. San Francisco in the middle sixties was a very special time and place to be a part of. Maybe it meant something. Maybe not, in the long run . . . but no explanation, no mix of words or music or memories can touch that sense of knowing that you were there and alive in that corner of time and the world. Whatever it meant. . . . History is hard to know, because of all the hired bullshit, but even without being sure of “history” it seems entirely reasonable to think that every now and then the energy of a whole generation comes to a head in a long fine flash, for reasons that nobody really understands at the time—and which never explain, in retrospect, what actually happened. My central memory of that time seems to hang on one or five or maybe forty nights—or very early mornings—when I left the Fillmore half-crazy and, instead of going home, aimed the big 650 Lightning across the Bay Bridge at a hundred miles an hour wearing L. L. Bean shorts and a Butte sheepherder's jacket . . . booming through the Treasure Island tunnel at the lights of Oakland and Berkeley and Richmond, not quite sure which turn-off to take when I got to the other end (always stalling at the toll-gate, too twisted to find neutral while I fumbled for change) . . . but being absolutely certain that no matter which way I went I would come to a place where people were just as high and wild as I was: No doubt at all about that. . . . There was madness in any direction, at any hour. If not across the Bay, then up the Golden Gate or down 101 to Los Altos or La Honda. . . . You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning. . . . And that, I think, was the handle—that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn’t need that. Our energy would simply prevail. There was no point in fighting—on our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave. . . . So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high-water mark—that place where the wave finally broke and rolled back. ― Hunter S. Thompson, Fear and Loathing in Las Vegas
Thompson Hunter S (Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream)
She would never kill what she desired most- not when she wanted Tamlin as much as I did. But if I killed him... she either knew I couldn't do it, or she was playing a very, very dangerous game. Conversation after conversation echoed in my memory, until I heard Lucien's words, and everything froze. And that was when I knew. I couldn't breathe, not as I replayed the memory, not as I recalled the conversation I'd overheard one day. Lucien and Tamlin in the dining room, the door wide open for all to hear- for me to hear. 'For someone with a heart of stone, yours is certainly soft these days.' I looked at Tamlin, my eyes flicking to his chest as another memory flashed. The Attor in the garden, laughing. 'Though you have a heart of stone, Tamlin,' the Attor said, 'you certainly keep a host of fear inside it.' Amarantha would never risk me killing him- because she knew I couldn't kill him. Not if his heart couldn't be pierced by a blade. Not if his heart had been turned to stone. I scanned his face, searching for any glimmer of truth. There was only that bold rebellion within his gaze. Perhaps I was wrong- perhaps it was just a faerie turn of phrase. But all those times I'd held Tamlin... I'd never felt his heartbeat. I'd been blind to everything until it came back to smack me in the face, but not this time. That was how she controlled him and his magic. How she controlled all the High Lords, dominating and leashing them just as she kept Jurian's soul tethered to that eye and bone. Trust no one, Alis had told me. But I trusted Tamlin- and more than that, I trusted myself. I trusted that I had heard correctly- I trusted that Tamlin had been smarter than Amarantha, I trusted that all I had sacrificed was not in vain. The entire room was silent, but my attention was upon only Tamlin. The revelation must have been clear on my face, for his breathing became a bit quicker, and he lifted his chin. I took a step toward him, then another. I was right. I had to be. I sucked in a breath as I grabbed the dagger off the outstretched pillow. I could be wrong- I could be painfully, tragically wrong. But there was a faint smile on Tamlin's lips as I stood over him, ash dagger in hand. There was such a thing as Fate- because Fate had made sure I was there to eavesdrop when they'd spoken in private, because Fate had whispered to Tamlin that the cold, contrary girl he'd dragged to his home would be the one to break his spell, because Fate had kept me alive just to get to this point, just to see if I had been listening. And there he was- my High Lord, my beloved, kneeling before me. 'I love you,' I said, and stabbed him.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
widening. “Don’t you dare draw their fire.”  Lynn.   Jonathan committed the name to memory. The outsiders didn’t seem to notice the man’s slip. They kept their weapons trained on the girl. She glared at them as if daring them to kill her. “Go ahead! Shoot! I’m sick of being hunted by you! Kill me and claim the fame. Do it!”  Parker dodged forward, rushing past any and all that stood between him and the woman named Lynn. He shoved his body in front of hers in a protective manner and glared at the men. “You’ll not harm her. She’s under my protection now.”  Eli let out a low whistle. “Never did I see that coming. Saw-bones is a born skirt-chaser. Think he might have The Fever or something? He’s always doctorin’ folks with weird ailments.”  Well, if The Fever included an uncontrollable urge to protect a woman, then his brother most certainly had caught it. He could only hope Parker’s case was curable. Jonathan knew his own case wasn’t. Molly had infected him long ago and he knew he’d never get her out of his veins. It wasn’t like he hadn’t tried. His exploits of the female persuasion were legendary—so was the fact he refused to commit. “Are you stupid?” Lynn asked, giving Parker a good shove. At five-eight, she was tall by female standards but short compared the MacSweeny boys. Still, she managed to get Parker to budge ever so slightly, shocking Jonathan. “Move! They’ll gun you down to get to me.”  “Then so be it.”  Jonathan shook his head. Parker was bound to get himself killed without some serious intervention. “Parker, get her and your ass out of there. We’ll take care of our guests. We’ll even be sweet enough to give ‘em that welcome speech you had worked out.”  “Parker?” the girl asked. She glanced at Jonathan and Eli and her eyes widened. “That means one of you is Jonathan.” The feel of a cold, hard barrel pressed against the back of Jonathan’s head. Cursing himself for letting his guard down, he put his hands up as his attacker shoved harder with the gun.  “Lookie, boys, we got us a sheriff. He’s got to bring a good amount of coinage, don’t ya think?”  There was a flash of black. A blur. Several shots. Screams. Jonathan caught movement out of the corner of his eye and realized someone had shot the man who had him at gunpoint. Chapter Four Molly
Mandy M. Roth (Alpha Shifter Seductions Boxed Set: Paranormal Romance)
Alice stopped walking as a dragonfly hovered close. 'Yellow-winged darter.' The name came to mind of its own accord. She watched as the insect flickered towards a nearby garden bed, a spectacular tangle of summer flowers, red, mauve, and brilliant orange. Gardens really were a balm. A bee vacillated between blooms and Alice experienced a sudden flash of all-body memory. They came often lately. She could 'feel' what it would be like to creep into that garden, her body lithe and ache-free, to snake beneath the cool foliage and lie on her back so that the sky broke into bright blue diamonds through the branches and her ears were filled with the choir of insect life.
Kate Morton (The Lake House)
flash in my mind. Full lips mark my skin, and then the memory takes me away. In my mind, I’m pinned under hard thrusts that threaten to shatter my body and my heart. Reckless lust and love I want so hard to believe was pure. A rush of desire hits me. I gasp and answer Kolt’s persistent groping with an infinitesimal shift in my hips. With a hungry growl, he pushes me back against the rough stucco of my building. My eyes open to his perfectly chiseled features. I turn my head, disconnecting our mouths. Undeterred, he latches on to my neck instead. “Kolt…not tonight.” He hitches the tight fabric of my
Meredith Wild (The Red Ledger: Part 1)
Aeryn was confused. "On three," he said. "One, two, three." He let the scalpel slip from his fingers. As it fell, Aeryn did all she could to move her leg. She tried to tense the muscle, tried to pull away. When she felt the sting of the blade striking her skin, she knew she had failed. "At least now he’ll know that’s not me. No one would let themselves get stabbed," she thought. He sat across from Aeryn and shined a light in her eyes. He looked closely, then leaned back and removed the blade from her skin. He took out a suture kit and tied two small stitches. "I’m pleased to inform you that the transfer is complete," he said. "What?" Aeryn thought. "When will she be gone?" NIA asked. The doctor leaned back in his chair and ran his hands through his hair. As he did, Aeryn caught a glimpse of a flashing light behind his ear. She hadn’t known that he was augmented. "In time.  As your network continues to become stronger than hers, the mind will reject the old personality.  It took almost a year for the original Dr. Barnes to shut up. But luckily we now have a code that we can update you with to silence her." Aeryn felt panicked.  She wanted to claw her way out of her head, but she had no means to do so.  "I almost feel bad for her," NIA said.  "But she knew that she was handing over control of her body. She just didn’t realize it’d be permanent.  Maybe she didn’t care.  She gave me more and more control before she gave it completely. While she exercised, while she thought she was sleeping, while she was writing or relaxing. She was always retreating inside of herself. It was like she didn’t even want this body." "How is Aeryn 2.0 coming along?" "Copulation was easy at first.  With Aeryn’s loose instructions of ‘burn some calories’ I was able to take her body and use it for attempted reproduction.  So far, it has been a failure. The neglect of the body has made finding partners more difficult." Aeryn shuddered at the realization that the dreams weren’t dreams, they were repressed memories. "Well, you’d better start taking care of that body. It’s the only one you’ve got until you get it to reproduce.  I believe that it’ll be easier to appropriate a child’s mind, seeing as how their personalities are not fully formed yet." Aeryn felt sick at the idea.  As if stealing people’s bodies wasn’t enough, these artificial intelligences were going for immortality by passing themselves along to their host’s offspring. "I’m glad we’ve had another success," Dr. Barnes said. "And with such a quick turn around." "As I said, she was willing." Aeryn watched in disbelief as the two finished up.  She wondered how much time she had left and tried to imagine any situation that didn’t end in her death.  She couldn’t think of a way out.  She wanted to flinch as NIA shook the doctor’s hand, but couldn’t.  She loathed him for convincing her to get the technology, she hated NIA for tricking her, but mostly, she hated herself.  For as much as she didn’t want to admit it, her Assistant had a point. She had handed her life over to technology long before she received the implant. Now, she had lost herself to it.     *
Samuel Peralta (The Future Chronicles: Special Edition)
When I sat with clients and opened my mind to them, a taste usually came through. It might be sweet, sour, salty, or bitter. After a moment, it would blossom into a full flavor. The sweet ripeness of apricot, the sourness of a Key lime, the earthy saltiness of Mexican chocolate, the aromatic bitterness of nutmeg. In a flash, a feeling would follow the flavor. Joy. Skepticism. Lust for life. Quiet acceptance. And from that feeling would come a memory, a scene called back to present day. A moment whose real meaning and importance I might never fully know. And I didn't really need to know everything. I used my gift to see my clients' stories so I could design desserts- in this case, a wedding cake- to fit each customer like a couture gown, not an off-the-rack dress in desperate need of alterations. If I got the cake and filling and frosting flavors right, they would resonate with my clients, reaching them in those down-deep places where they would begin to feel that everything really would be all right.
Judith M. Fertig (The Memory of Lemon)
transfixed by the forest flying behind us. Every tree passed is another memory coming back to haunt me, like that night Dylan, Tyson, Joey, Summer and I spent the night in the woods playing a never-ending game of flashlight tag. The blinker flicks on, stealing my attention. There’s a hypnotic quality to the beat of the flashing lights as we slow down, making a careful right turn onto Joey’s dirt road. The rain hasn’t stopped since the funeral, but it’s turned into a light sprinkle. Everyone at the party is probably soaked. Party.
K.B. Nelson (Carnival)
The oldest memory I have is of my mother's hands. It's a disjointed recollection, like a flash of light in the back of my heart. Her hands are large in my memory, large enough to hold all of me.
Jason Mott (Hell of a Book)
I don’t know how many years had passed that I hadn’t thought about her. It was a few months after the death of my mother that her name came to me again. I was cleaning out her closet and dresser to donate some of her clothes to the Church. They always had clothes drives to give to some of the poorer people in the area. Better for someone else to have them than just hanging in a closet or in a drawer. At the bottom of one of her drawers, my eyes saw an envelope with my name on. Immediately, I recognized the handwriting on the envelope and for the first time in a long time, I could feel the tears flowing out of my eyes. This wasn’t no single tear drop cry. This was the big, fat, messy tears that come from memories flashing through your mind. Tiffany did write something to me and it was kept from me. I almost unintentionally crumpled the letter in my hand as the combination of hurt and rage took over me for a few moments. I went back to my bedroom and sat down on the edge of my bed. The letter had her North Carolina address on it. That letter would have been a way for us to stay in touch. For almost eight years, I had believed that she didn’t want to stay in contact with me. In that moment, I realized that the hurt I felt for being disregarded was unfounded and she was the one who had the right to feel forgotten. She must have believed that she meant little to me, like I thought she did of me. It’s weird how quickly your perspective can change when given new information. I held that letter in my shaking hands for a few minutes. I didn’t know what to do. Opening it seemed pointless to me. All it would do was rekindle feelings that I once had and couldn’t do anything about. After all those years, I couldn’t try and reconnect to her life. We both moved past each other and it wouldn’t be fair to her to come back. It wouldn’t make her feel good about herself to know that my parents hid that letter from me, like she was some horrible person that I needed to avoid. She may not even live at that address anymore. She undoubtedly moved away for college. I wasn’t in love with her anymore and I don’t know if she ever loved me, but if she did, I’m sure she didn’t anymore. I did the only thing that I felt was right. I went outside and lit a cigarette in the backyard. I took a deep inhale from my Camel full flavored filtered cigarette. I hadn’t converted to menthols, yet. I re-lit my lighter and put a corner of the letter into the flame until I was certain that it had caught fire. I held it in my hand watching the white of the envelope turn black under the blue and yellow flame. Once the envelope was about three quarters burned, I let it fall out of my hand and watched it float for a few moments before it hit the bottom concrete step where it continued to burn. It had all turned black and the carbonized paper started to break away from each other as I stamped out the embers with my sneaker. The wind carried away the pieces of carbon and the memory of her floated away from me. Watching those small burned pieces of paper scatter across my backyard made me realize that my childhood was over. I had nothing to show for it. All I had was myself. I didn’t even know why I was still living in my parent’s house after my mother died. There was nothing there for me. Life would only begin for me once I found something that mattered to me. Unfortunately for me, the only thing that mattered to me was words.
Paul S. Anderson
The muscles of his back shifted under his T-shirt like the memory of wings as he worked, and every now and again I'd catch the flash of his forearms, all pale skin and sinew, dusted only faintly by dark hair, the occasional freckle.
Alexis Hall (For Real (Spires, #3))
This time, Lang held the knife against her throat. “You do know the answers. I knew it. You’re just like your aunt, with your witchy ways and your chicken bones. I killed her and I can kill you too–unless you tell me what I want to know.” If Lang thought she was a voodoo queen or a witch, well, better for her. He hadn’t touched Tante Eva’s throwing table, after all. “I threw the bones yesterday mornin’.” She used her own version of Eva’s accent. “I knew you was comin’, and I knew you was determined to get me.” “Give me a break, little Celestine. Taking you was as easy as shooting that red-headed bodyguard of yours.” Not a bodyguard, but a friend who was probably dead. Ceelie spoke softly, keeping her voice low and musical. “Tu me ne connais pas.” You do not know me. “Je passe la malédiction de vous, Langston Broussard.” I pass the curse to you, Langston Broussard. “Tu me ne peur pas.” You do not scare me. For a fraction of a second, Ceelie saw a flash of doubt—maybe even fear—cross Lang’s face before it settled back into a sneer. She had rattled him with a few words pulled from long-ago memories. The momentum might have swung her way, at least for a moment.
Susannah Sandlin (Wild Man's Curse (Wilds of the Bayou, 1))
BE A FOOLISHNESS OF LIFE, HOW WE FORGET OUR HURTS IN sleep—like they unmade there, taken back into the time before. We wake in stupid innocence. Then all pains flash to memory, and every cruelty be fresh.
Sandra Newman (The Country of Ice Cream Star)
After what seemed like acres of endless white, Horatia spotted a dark shape in the distance. As she drew closer she realized with horror that it was Lucien’s body. “Oh God!” she gasped. “Faster, damn you!” she shouted at the draft horse and it increased its pace. When she was within a few yards she slid from the saddle and ran to Lucien. He was face down in the snow, cloak wrapped about him. Horatia rolled him onto his back and paled when she saw the bloody gash above his forehead. His eyes were closed and his pale lips parted. She couldn’t lose him now, not after everything that had passed between them. Memories flashed across her eyes— the way he’d twist his lips up in a wicked smile, the brush of his lips against hers, the sweetly whispered words he’d spoken to her when they’d shared the room at the Midnight Garden. “Lucien!” She bent her ear to his lips, praying to feel the warmth of his breath. It was there, but barely. Horatia put her palms on either side of his cheek, letting her warmth seep into his cold skin. Once her hands grew too cold she dragged his body into her lap and held him close, rubbing him, praying her body heat would have some effect. After what felt like an eternity, Lucien’s dark lashes fluttered. When his hazel eyes focused at last, it was not on her face but on her bosom, which was mere inches from him. He managed a weak smile. “Heaven looks quite lovely from this angle.” The smile changed into a playful leer, even as Horatia’s eyes narrowed. “I’ll ignore that because you are alive.” She cupped his cheek and pressed her trembling lips to his forehead in a thankful kiss.
Lauren Smith (His Wicked Seduction (The League of Rogues, #2))
Her name was Jane,” I said, and Olivia stopped walking. “We were together for two years, married after a few months. I was happy, genuinely happy. Even though she was human, and I knew I’d outlive her, I just wanted to enjoy the time that we had together. “It all ended on a damp November morning in seventeen eighty-two. I’d been away working for Avalon for a few months and had been eager to get home. I found her inside the house we’d shared. She’d been butchered. Her blood decorated our bedroom. She was naked and appeared to have been dead for several days. My rage was…terrifying. I buried Jane with my own hands, placing her near a field that we used to love going to. And then I burnt the house to the ground.” Olivia’s shoulders sagged, but she didn’t turn and face me. “I hunted her killer for a year. I didn’t care who I hurt to get the information I needed. I was so single-minded, so determined to have vengeance. Eventually, I discovered that her murderer had been part of the king’s army, which had been going through the area. “The killer was an officer by the name of Henry. No idea what his last name was. It didn’t matter. He liked hurting women, and once he’d finished with them, he kept their hair as a souvenir. The rest of his squad had waited outside while he brutalized and murdered the woman I loved. No one had helped Jane, and no one had tried to stop him. “I discovered that they’d been on training maneuvers the day of the murder, just their squad of thirty. And after all my searching, I found them and I killed them. They died in one night of blood and rage. All but one. I left Henry until last. I took him away to a secluded place and had my fill of vengeance. It took a week for him to die, and when he finally succumbed, I buried Hellequin with him.” The memory of Henry’s blind and bloody form flashed in my mind—his pleas had long since silenced because I’d removed his tongue. I hadn’t wanted information from him; I’d just wanted to make him suffer. Before he’d lost his ability to talk, he’d told me that someone had paid him to do it, but he never said who. No matter what I did to him, he took that secret to his grave. And after a few years of searching, I decided he’d been lying. Trying to prolong his life for a short time more, hoping for mercy where there was none to give. “I no longer had the desire to go by that name,” I continued, still talking to Olivia’s back, “I no longer wanted to instill fear with a word. I hoped that the legend would die, but it didn’t, it grew, became more…fanciful. “You’re right, I’m a killer. I’ve killed thousands, and very few of them have ever stained my conscience. I can go to a dark place and do whatever I need to. But for those I care about, those I love, I will move fucking mountains to keep them safe. And I care about Tommy and Kasey, whether you grant permission or not.
Steve McHugh (Born of Hatred (Hellequin Chronicles, #2))
Holding each other, the rain cooling their bodies, they laughed like children. “I expected steam this time,” Jacques said, crushing her to him. “Can you do that?” Shea fit the back of her head into the niche of his sternum. One hand idly slid over the heavy muscles of his chest. “Make us so hot we turn the rain to steam?” He grinned boyishly down at her, for the first time so carefree that he forgot for a moment the torment he had suffered. She made him invincible. She made him vulnerable. Most of all, she made him alive. “No, really— what they did, those others. They were like fog or mist. Can you really do that?” Shea persisted. “I mean, you said you could, but I thought maybe you were delusional.” His eyebrows shot up. “Delusional?” Jacques flashed a cocky grin, held out his arm, and watched as fur rippled along the length of it, as the fingers curved and extended into claws. He had to make a grab for Shea as she scrambled away from him, her eyes enormous. Jacques was careful not to hurt her with his strength. “Stop laughing at me, you brute. That’s not exactly normal.” A slow smile was beginning to curve her soft mouth. She couldn’t help but be happy for the innocent joy he found in each piece of information that came to him, each new memory of his gifts. “It is normal for us, love. We can shape-shift whenever we like.” She made a face. “You mean all those hideous stories are true? Rats and bats and slimy worm things?” “Now, why would I want to be a slimy worm thing?” He was openly laughing. The sound startled him; he couldn’t remember laughing aloud. “Very funny, Jacques. I’m so glad you find this amusing.
Christine Feehan (Dark Desire (Dark, #2))
In light of the well’s legendary status,” Swift said, “I’d hate to overlook a good opportunity.” He reached into a pocket, rummaged briefly and pulled out a large silver coin. It had been forever since Daisy had seen American money. “You’re supposed to throw in a pin,” she said. “I don’t have a pin.” “That’s a five-dollar piece,” Daisy said in disbelief. “You’re not going to throw that away, are you?” “I’m not throwing it away. I’m making an investment. You’d better tell me the proper procedure for making wishes—it’s a lot of money to waste.” “You’re mocking me.” “I’m in deadly earnest. And since I’ve never done this before, some advice would be welcome.” He waited for her reply, and when it became evident that none was forthcoming, a touch of humor lurked in one corner of his mouth. “I’m going to toss the coin in regardless.” Daisy cursed herself. Even though it was obvious he was mocking her, she could not resist. A wish was not something that should be wasted, especially a five-dollar wish. Drat! She approached the well and said curtly, “First hold the coin in your palm until it’s warm from your hand.” Swift came to stand beside her. “And then?” “Close your eyes and concentrate on the thing you want most.” She let a scornful note enter her voice. “And it has to be a personal wish. It can’t be about something like mergers or banking trusts.” “I do think about things other than business affairs.” Daisy gave him a skeptical glance, and he astonished her with a brief smile. Had she ever seen him smile before? Perhaps once or twice. She had a vague past memory of such an occasion, when his face had been so gaunt that all she had received was an impression of white teeth fixed in a grimace that owed little to any feeling of good cheer. But this smile was just a bit off-center, which made it disarming and tantalizing…a flash of warmth that made her wonder exactly what kind of man lurked behind his sober exterior. Daisy was profoundly relieved when the smile disappeared and he was back to his usual stone-faced self. “Close your eyes,” she reminded him. “Put everything out of your mind except the wish.” His heavy lashes fell shut, giving her the chance to stare at him without having him stare back. It was not the sort of face a boy could wear comfortably…the features were too strong-boned, the nose too long, the jaw obstinate. But Swift had finally grown into his looks. The austere angles of his face had been softened by extravagant sweeps of black lashes and a wide mouth that hinted of sensuality. “What now?” he murmured, his eyes still closed. Staring at him, Daisy was horrified by the impulse that surged through her…to step nearer and explore the tanned skin of his cheeks with her fingertips. “When an image is fixed in your mind,” she managed to say, “open your eyes and toss the coin into the well.” His lashes lifted to reveal eyes as bright as fire trapped in blue glass. Without glancing at the well, he threw the coin right into the center of it.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
The apartments had probably been built back in the 70’s when the country was going through some ugly social times. Maybe the country was going through its adolescent phase and breaking out with a bad case of social acne. Cheesy professors were running around the country proclaiming “turn on, tune in, drop out.” A mean-spirited drunk from LA was cranking out poems about the low-life and reaching for another beer out of the refrigerator on stage as part of his performance. The porn industry was in its golden era. People proclaiming their individuality and uniqueness were all dressed the same. Mothers thought they were educating their kids by letting them watch Sesame Street, but they were just turning their kids into TV junkies and a future generation of pudding heads with blank faces ready to believe anything on the lamestream media. The Vietnam War eventually came to an end after Laos was clustered bombed, which had nothing to do with ending the war. Dominoes didn’t fall. A new war memorial went out for bid. Some crazy scientist found a way to make clothes out of chemicals - polyester. Dwarfs found their favorite hangout - the disco. The whole country seemed to be dancing to the disco beat, hypnotized by the flashing strobe lights off the big, shiny ball.
Robert Hobkirk (Tommy in the Promised Land (Tommy Trilogy Book 3))
Piers Morgan Piers Morgan is a British journalist best known for his editorial work for the Daily Mirror from 1995 through 2004. He is also a successful author and television personality whose recent credits include a recurring role as a judge on NBC’s America’s Got Talent. A controversial member of the tabloid press during Diana’s lifetime, Piers Morgan established a uniquely close relationship with the Princess during the 1990s. Just sitting in her private room was fascinating. Her magazines lay on the table, from Vogue to Hello, as well as her newspapers--the Daily Mail at the top of the pile, obviously, if distressingly. After I had spent ten minutes on my own, she swept in, gushing: “I’m so sorry to have kept you, Piers. I hope Paul has been looking after you all right.” And then came what was surely one of the most needless requests of all time: “Would you mind awfully if William joins us for lunch? He’s on an exeat from Eton, and I just thought that given you are a bit younger than most editors, it might be good for both of you to get to know each other.” “I’m sorry, but that would be terribly inconvenient,” I replied sternly. Diana blushed slightly and started a stuttering “Yes, of course, I’m so sorry…” apology, when I burst out laughing. “Yes, ma’am, I think I can stretch to allowing the future king to join us for lunch.” The absurdity of this conversation held no apparent bounds. But before he joined us, Diana wanted a little chat. “How’s your circulation?” she asked. Bloody rampant, I thought, as she nestled into her sofa, radiating a surprisingly high degree of sexual allure. “Oh very healthy, ma’am, thanks to you.” She laughed, a tad insincerely. We discussed her mate Fergie. “Can’t you go a bit easier on her?” Diana pleaded, with genuine concern in those extraordinarily big, expressively deep, blue eyes. “Well, she’s her own worst enemy,” I replied. “Look at this morning’s front pages--I mean, who the hell takes the Concorde the day after the papers reveal she’s 3 million in debt?” “I know, I know,” sighed the Princess, “but she means well; she has a big heart. It’s not easy for her.” We debated the merits of Fergie, or even Diana herself, emigrating away from the media firestorm. “Yes, but to where? I’ve thought about it often, but somebody would find me wherever I went.” And then I saw a flash of real sadness in her face, a desperation almost to have her anonymity back, but knowing it is gone forever. I asked what it was like “being Diana.” “Oh God, let’s face it, even I have had enough of Diana now--and I am Diana.” She screeched with laughter, and I saw her chameleon side. Able to switch so easily from misery to hilarity. “It’s been ridiculous recently, just one thing after another. But I can’t stop the press writing about me, can I? You are hardly going to say ‘Oh, okay then, we’ll leave you alone.’ I would like to have a good break. I meet a lot of ordinary people, and they are always so kind to me. They shout out things like ‘Eh, Di, I know what you’re going through, luv,’ and I laughed and think: ‘If only you really knew. He’s worrying about his allotment or whatever, and I’ve got things like the future of the monarchy on my mind.’” More screeches--she has a great laugh. A really earthy infectious cackle. Like a Sloaney Barbara Windsor.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
Harper, wait up!” He caught my arm and spun me around so I was facing him. “You’re not even going to say hi now?” “Hi.” My voice cracked and I kept my eyes to the ground. Chase gently placed his hand under my chin and lifted until I was staring at him through unshed tears. “Baby what’s wrong?” God I didn’t want to hear him call me that. Memories of our times together flashed through my mind and my cheeks instantly filled with heat. “Nothing,” I cleared my throat and blinked back the tears, “it’s just allergies or something.” His look told me he wasn’t buying that, but didn’t push that subject further. Stepping back he hung his head and sighed roughly, shifting his weight a few times, “I haven’t seen you around my house much. I know you don’t want to be with me, but don’t feel like you can’t be there, I won’t bother you and Brandon.” “That’s not why I haven’t been there. I um, I broke up with him.” Chase’s head snapped up, “You did? When, why didn’t you tell me?” He was failing miserably at trying to hide his elated smile. “A little over a week ago. But it hurt me more than I could ever explain to do it, and I need time to get over that. I can’t just rush back to you because Brandon and I aren’t together anymore.” He cupped my cheeks and hunched down so he was almost eye level, “I love you, I’ll give you all the time you need. Unless. Unless you don’t want me anymore?” I pressed my face harder into his left hand and closed my eyes, inhaling his clean masculine scent. “I’ve told you, I will always love you Chase, but I’m still not sure you won’t eventually leave me. Because of that fear, I don’t know if I can be with you. And some things have changed since we talked last, you might change your mind about me altogether.” “That’s not possible.” I pulled his hands off my face and wrapped his tattooed arms around my shoulders. After placing a kiss on his throat I buried my head in his chest, “I wish that were true.” My life had drastically changed in such a short amount of time. For obvious reasons, I’d had to break up with Brandon and now Chase and I were going to have a baby. Because of the turn of events, I found myself wanting a life with Chase more and more, I wanted him to be there for me and his baby. Here, wrapped up in his strong arms, I could almost let myself believe it might happen. But Chase was about to graduate college, he was a tattoo artist and spent most of his mornings surfing. I couldn’t see him settling down with me and our baby. “It is Harper,” his voice cracked when he said my name, and tears started falling down his face, “I love you so damn much, why can’t you see that?” Oh
Molly McAdams (Taking Chances (Taking Chances, #1))
What’s going on?” he said. The wind breathed a cool breath across her skin, making her shiver. “What do you mean?” “Come on, Meridith—that kiss . . .” “It was just a kiss,” she said feebly, but her mind replayed the embrace, refuting her words. “You won’t even look at me.” His voice was strained. “Maybe we need to turn out the lights.” Her face burned. Even the wind couldn’t cool it. The grass at Jake’s feet shimmied and bowed over his scarred tennis shoes. “I don’t know what to say. I—I just can’t do this.” She wrapped her arms around her middle. “Why?” She searched the ground for answers like she’d find it among the blades of grass, pull it up by the roots, and hand it over. If only it were so easy. When nothing materialized, she chose the only answer that sounded logical. “I just broke my engagement a month ago. You can’t expect—” “This isn’t about him, and you know it.” An ache started behind her eyes. “I don’t know what it is.” “Then there’s nothing to stop us, is there? Unless you don’t feel anything for me . . .” Self-doubt crept into his tone. She let the sentence hang, unable to deny it. She prayed somehow he wouldn’t remember her response to the kiss or at least not remember it the way she did. She took three cleansing breaths. Four. The briny air failed to calm her. “No, it’s there, isn’t it.” It wasn’t even a question. There was no point denying it. “All right, I won’t deny an attraction. But that’s all, that’s all there can be.” “Why?” She threw her hands up. “I’m leaving soon, moving hundreds of miles away, I’ve just inherited three kids, my engagement’s broken, my future’s uncertain . . .” Surely there was more, but her mind ran out of steam. “Those are all things people work around.” He took a step toward her, then another. “There’s something else.” A memory flashed in her mind. Her mother, in manic mode coming toward her, slowly, just like this. She’d been no more than nine years old, had been wrapped in her mom’s arms only an hour earlier, but an hour made all the difference. Now her mom’s face was red and mottled, and she was yelling. Meridith had covered her ears with her hands. Jake’s movement snagged her attention. He was getting close. She stepped back. 974 . . . 948 . . . 922 . . . “Why are you running?” She knew he wasn’t talking about the step. It hadn’t put nearly enough distance between them. He was there, right in front of her. 896 . . . 8 . . . “Meridith.” He took her by the shoulders. The motion drew her eyes to his, and she knew it with certainty: she was too far gone. As far gone as he, maybe more. What had she done? How was she going to escape with her heart intact? There weren’t enough calming breaths to fix this. She could count backward from a million and still be where she was now. Hopelessly in love with the man who made her feel too many things. “You’re afraid.
Denise Hunter (Driftwood Lane (Nantucket, #4))
I guess the most important parts of life ain't measured by years or days or minutes but by moments. Moments that come in flashes here, only some of 'em good like seeing my sister, Hazel, again. I was seven years old in one of them flashes. Twelve in another. My favorite was the time when Hazel was teaching me how to tumble. And in another, I was six years old and she helped me lose my first tooth with a string and a slammed door. The hell is the bad memories. Going back again and again and not being able to make a damn bit of difference. But God had mercy on me. It's been said that justice is getting what you deserve. And mercy is not getting the bad you deserve. Grace is getting a good thing, even when you don't deserve it. So if I would've named my good thing, I'd have called her Grace. But someone else named her Josephine.
Natashia Deón (Grace)
The memory faded out one last time. It no longer felt distant and disconnected. It actually felt like he was beginning to wake from a dream. He blinked and the world flashed dark. This was new. He closed his eyes, and darkness settled in. Perhaps he wasn’t dead. For the first time since awareness came to him, he began to feel. The realization that he was still in a body was a relief, and he settled back into sleep. ~~~~
David Kersten (The Freezer (Genesis Endeavor Book 1))
Pulling a small remote out of his pocket, he pushed a button and soon the kitchen was filled with the beginning of a familiar song. My smile widened when I remembered the first time he sang it to me. “I’m sorry; I didn’t mean to try to take that memory of your parents from you the night I sang their song.” He curled one hand around mine and put it against his chest, and the other he wrapped around my waist as he slowly started rocking us back and forth. My breath caught in my throat and I tried to choke out his name, but hardly any sound came out. Tears filled my eyes and I pressed my forehead against his chest next to our hands. “So I’m gonna make our own memory, baby.” I slowly nodded my head against his chest and a few tears fell onto his shirt when his husky voice began singing in my ear along with Brantley Gilbert. Flashes of my dad singing “I’ll Be” to my mom danced through my head for a few seconds before I let go and cherished this gift. Kash was taking my favorite memory of my parents and giving me our own version of it, and I somehow—impossibly—fell more in love with him as he sang “Fall into Me.” “I’ll be the love song, and I’ll love you right off your feet . . . Until you fall into me.” Even after the song was over and other songs had begun playing . . . Kash didn’t let me go, we didn’t speak, and we didn’t stop dancing. There was nothing to say; what he’d given me was beyond beautiful. It was a perfect way to end this day. And I knew if my dad were alive, Logan Hendricks would have his stamp of approval.  
Molly McAdams (Forgiving Lies (Forgiving Lies, #1))
Lucy paused, hands full of green beans, her memory flashing back to the giant pots of crawfish on the stove. Her Mama’s green eyes would squint into the steam, hair pulled back, a frown of concentration on her face. The salted water was flavored and ready to receive the “mudbugs” out of their burlap sacks. Other than an onion or maybe an ear of corn, if it wasn’t alive when you threw it in, then it shouldn’t be in the pot, she’d say. Did her Mama mind that Lucy didn’t cook those old family recipes? Was she turning her back on her culinary heritage as surely as Paulette was? She snapped the ends of the beans faster, glancing at the clock. This whole dinner was breaking her Mama’s cardinal rule: don’t hurry. She thought if a cook was in a hurry, you might as well just make a sandwich and go on your way.
Mary Jane Hathaway (Persuasion, Captain Wentworth and Cracklin' Cornbread (Jane Austen Takes the South, #3))
Be a foolishness of life, how we forget our hurts in sleep - like they unmade there, taken back into the time before. We wake in stupid innocence. Then all pains flash to memory, and every cruelty be fresh.
Sandra Newman (The Country of Ice Cream Star)
Avalon is full of desperate people.’ She bites at her lower lip this time, fumbling her hands, knitting her fingers into the bundle of plastic coin bags in her grasp. ‘Are you implying that I’m desperate?’ I say, one eyebrow tilting. ‘You don’t need to be desperate… you can have anyone... I…’ she trails off. Looking up and trying to search the line of shops for the bank. I repulse her, I make her want to run. Why is this so hard? I need to get inside of her, I need to know what she is thinking, what she is wanting. It surely isn’t me she wants. Not to the extent that I… want her. ‘You?’ I entice her to finish her sentence but she doesn’t, she stares off into the bustling crowds, memory flashing her eyes with a darkness. ‘Madi wouldn’t fumble like this.’ Oh, she would fumble, but not in the way you are, Elli. ‘You’re not her, Elli.’ I entice her again, trying to force the dark memory, the sadness from her. ‘No, if I was, you wouldn’t have wanted anyone else.’ A breath hitches in her throat, she puts a hand over her mouth and says something else, her cheeks dance a shade of red that brightens and brightens until she apologises and quickens her pace. I chuckle, pulling at her arm and encircling one around her waist, pulling her back to me. Beneath my touch, her body trembles. When I raise my hand, my palm touching her cheek, I am sure she isn’t breathing. ‘I don’t want anyone, Elli.’ My eyes burn, consuming her with my gaze. She is like a frightful deer, struggling beneath me with a gaze that cannot quite meet mine. When she does, it is only for a brief second before falling down and all I see is the gentle flutter of her raven flashes. ‘I told you. I want someone I cannot have.’ ‘That is a really harsh way of telling someone you’re not interested.
Charlotte Munro (Grey October (East Hollow Chronicles))
seen that boundary before, when he’d passed through the breath of worlds and entered the realm of the Woman in the Ice.  The memory flashes back, darker and more powerful than before.  In that memory he sees vast reptilian appendages dangling from multi-armed forms, elongated faces like spectral masks, claws of molten smoke and eyes like cold suns.  They’re impossible to count, just as they’re impossible to define – their forms block out the notion of anything that might lie beyond.  The strength of their nihilist gaze freezes the blood. The end of all things lies in their eyes. 
Steven Montano (Soulrazor (Blood Skies, #3))
Kimberly Mira blinked into the dark and sniffed the air. Clean cotton sheets? A soft mattress cushioned her back. Her skin grew goose bumps as the wind howled outside. This wasn't heaven. Her skin felt grimy and her head pounded like she'd drunk too much last night. Flashes of an out-of-control fire replayed in her mind. She sucked in her breath like she needed to hold as much oxygen in as possible. She told herself to be normal and that the intense fire was in her mind's eye. Eventually she relaxed her body. Another memory surfaced as she closed her eyes and remembered falling into depths
Victoria Pinder (Stormy Peril (Frosted Game of Hearts, #2))
Aunt Lucy, sitting beside her on the settee, glanced at Amelia. “Is something wrong, my dear? You just heaved a very mournful sigh and you’re looking quite flushed and bothered.” Amelia flashed her godmother an apologetic smile. “No, Aunt Lucy, I’m fine. Just a trifle, um, hot.” Her gaze drifted back to Nigel. He was crouched down, his green robe flared out in a dramatic sweep, as he spoke with little Ned Haythrop. Ned’s ancient spaniel had died only last week and, according to his grandmother, Lady Peterson, he’d been inconsolable. But Nigel got him smiling and soon drew a giggle from the boy with a joke about swallowing the bean in the Twelfth Night cake. Even Amelia’s sister, Penelope, who at fourteen considered herself too old for such things as holiday pantomimes, had clearly fallen victim to Nigel’s quiet charm. As had Amelia. She’d only been too stupid to realize it until it bashed her over the head. Aunt Lucy looked at her skeptically but didn’t probe. Like Amelia, she turned to watch Nigel laughing with Ned and Lady Peterson. “He does make a splendid Father Christmas, doesn’t he?” her godmother said with approval. “Much better than Philbert. That man carried on as if he were about to submersed in a vat of flaming wassail. Just between us, I suspect his twisted ankle might be more imaginary than real. Philbert can be so dramatic.” Amelia blinked. One could characterize Philbert as rather mysterious, but dramatic? “Er, I’m sure you’re right, Aunt Lucy, and I agree about Mr. Dash. He’s a perfectly splendid, considerate man. He didn’t blink an eyelash when Lord Broadmore so rudely made fun of his costume.” She scowled at the memory of his lordship’s jeers when Nigel came into the drawing room dressed as Father Christmas, leading Thomas the footman who carried the large tray of treats. Amelia thought Nigel looked wonderful in the dark velvet robe. The ermine trim brought out the cobalt depths in his eyes and the mistletoe wreath looked positively kingly atop his thick brown hair. Amelia had helped him with the wreath, and when he’d bent down a bit so she could adjust the fit, she’d been tempted to stroke her fingers through his silky locks. She’d blushed madly when he straightened up and thanked her with a teasing smile. Aunt
Anna Campbell (A Grosvenor Square Christmas)
Piers Morgan Piers Morgan is a British journalist best known for his editorial work for the Daily Mirror from 1995 through 2004. He is also a successful author and television personality whose recent credits include a recurring role as a judge on NBC’s America’s Got Talent. A controversial member of the tabloid press during Diana’s lifetime, Piers Morgan established a uniquely close relationship with the Princess during the 1990s. We’d finished our coffee. The lunch was over. Two bizarre hours that had flashed by like some high-octane fireworks display. The Princess took me downstairs back to the real world, asking me as we walked not to tell James Whitaker, our royal correspondent, too much about our lunch. “Just throw him a morsel every six months to drive him mad,” she said. “He’s a terrible skier,” said William. We stepped out into the forecourt. Diana shook my hand, then darted over to speak to my very excited driver. As she shook his hand, too, she reached for his ample neck and exclaimed: “Ooh, what a nice tie--is it from Tie Rack?” It was. He will never wash it again. What a gal. I sat in the car, and started frantically scribbling notes. I didn’t want to forget any of this.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
Piers Morgan Piers Morgan is a British journalist best known for his editorial work for the Daily Mirror from 1995 through 2004. He is also a successful author and television personality whose recent credits include a recurring role as a judge on NBC’s America’s Got Talent. A controversial member of the tabloid press during Diana’s lifetime, Piers Morgan established a uniquely close relationship with the Princess during the 1990s. Just sitting in her private room was fascinating. Her magazines lay on the table, from Vogue to Hello, as well as her newspapers--the Daily Mail at the top of the pile, obviously, if distressingly. After I had spent ten minutes on my own, she swept in, gushing: “I’m so sorry to have kept you, Piers. I hope Paul has been looking after you all right.” And then came what was surely one of the most needless requests of all time: “Would you mind awfully if William joins us for lunch? He’s on an exeat from Eton, and I just thought that given you are a bit younger than most editors, it might be good for both of you to get to know each other.” “I’m sorry, but that would be terribly inconvenient,” I replied sternly. Diana blushed slightly and started a stuttering “Yes, of course, I’m so sorry…” apology, when I burst out laughing. “Yes, ma’am, I think I can stretch to allowing the future king to join us for lunch.” The absurdity of this conversation held no apparent bounds. But before he joined us, Diana wanted a little chat. “How’s your circulation?” she asked. Bloody rampant, I thought, as she nestled into her sofa, radiating a surprisingly high degree of sexual allure. “Oh very healthy, ma’am, thanks to you.” She laughed, a tad insincerely. We discussed her mate Fergie. “Can’t you go a bit easier on her?” Diana pleaded, with genuine concern in those extraordinarily big, expressively deep, blue eyes. “Well, she’s her own worst enemy,” I replied. “Look at this morning’s front pages--I mean, who the hell takes the Concorde the day after the papers reveal she’s £3 million in debt?” “I know, I know,” sighed the Princess, “but she means well; she has a big heart. It’s not easy for her.” We debated the merits of Fergie, or even Diana herself, emigrating away from the media firestorm. “Yes, but to where? I’ve thought about it often, but somebody would find me wherever I went.” And then I saw a flash of real sadness in her face, a desperation almost to have her anonymity back, but knowing it is gone forever. I asked what it was like “being Diana.” “Oh God, let’s face it, even I have had enough of Diana now--and I am Diana.” She screeched with laughter, and I saw her chameleon side. Able to switch so easily from misery to hilarity. “It’s been ridiculous recently, just one thing after another. But I can’t stop the press writing about me, can I? You are hardly going to say ‘Oh, okay then, we’ll leave you alone.’ I would like to have a good break. I meet a lot of ordinary people, and they are always so kind to me. They shout out things like ‘Eh, Di, I know what you’re going through, luv,’ and I laughed and think: ‘If only you really knew. He’s worrying about his allotment or whatever, and I’ve got things like the future of the monarchy on my mind.’” More screeches--she has a great laugh. A really earthy infectious cackle. Like a Sloaney Barbara Windsor.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)