Flair Quotes

Your uncle," Poseidon sighed, "has always had a flair for dramatic exits. I think he would've done well as the god of theater.

Well, Vin says that there's something behind all this, right? Some evil force of doom or whatever? Well, if I were said force of doom, then I certainly wouldn't have used my powers to turn the land black. It just lacks flair. Red. Now, that would be an interesting color. Think of the possibilities--if the ash were red, the rivers would run like blood. Black is so monotonous that you can forget about it, but red--you'd always be thinking, 'Why, look at that. That hill is red. That evil force of doom trying to destroy me certainly has style.

Oh, I'll trust you," the boy told him carelessly. "It hardly matters. We are all betrayed sooner or later—all betrayed, or traitors." "I see that a flair for the dramatic runs in the blood," Magnus said under his breath.

Get this. So he comes up to me at lunch, right? And he starts asking me all these questions about you. Like, how long have I known you, where are you from, did I ever meet your mom before she skipped town...' 'My mom? That's weird,' Helen interrupted. 'And I start answering him with my usual flair for clever repartee,' Claire said, a bit too innocently. 'Translation: you insulted him.

Death, it seems," Garp wrote, "does not like to wait until we are prepared for it. Death is indulgent and enjoys, when it can, a flair for the dramatic.

Life gives us a flair of awareness in the breeze of our daily journey and offers a free reign to explore what we are, to experience what we are not and to find out what we may become: a free ride until everything melts down into the indistinct and indefinite, while walking up to the ultimate gate of non-existence. ("Living on probation")

I am not shy about admitting my modest talents. For example, I am happy to admit that I am better than average at clever remarks, and I also have a flair for getting people to like me. But to be perfectly fair to myself, I am ever-ready to confess my shortcomings, too, and a quick round of soul-searching forced me to admit that I had never been any good at all at breathing water. As I hung there from the seat belt, dazed and watching the water pour in and swirl around my head, this began to seem like a very large character flaw.

Determine to live life with flair and laughter.

The true genius of a Woman is her subtle flair in creating the illusion that you are the smart one

She looked at me. "What? Is there something wrong with my idea?" "It's not very heroic," I said dismissively. "I was expecting something with a little more flair." "Well, I left my armor and warhorse at home," she said. "You're just upset because your big University brain couldn't think of a way, and my plan is brilliant.

Will I see you again?” His grin had lost its wild flair. Instead, it was limp and very small. “Sure you will.” A pause. “In my next movie.” With one last look, he climbed in his car and drove away.

And if, by the end [of this book], you reckon you might still disagree with me, then I offer you this: you'll still be wrong, but you'll be wrong with a lot more panache and flair than you could possibly manage right now.

Her only flair is in her nostrils.

Flair is what makes the difference between artistry and mere competence. Cmdr. William Riker

I must say, the queen does have a flair for the dramatic.” Torin cast a sly grin toward Kai. “So, it seems, does her niece.” He smothered a twitch of pride. Cinder did have a knack for making an entrance.

Humanity has always had a flair for guilt by association.

I have never lied to you, Isla.” He took a step closer. “Even though you have lied to me repeatedly.” Another step. “You told me your secret. Now let me tell you my flair. No one can lie to me.” She remembered his words from the cave. “Because I know when people are lying.

Il y a dans la lecture quelque chose qui relève de l'irrationnel. Avant d'avoir lu, on devine tout de suite si on va aimer ou pas. On hume, on flaire le livre, on se demande si ça vaut la peine de passer du temps en sa compagnie. C'est l'alchimie invisible des signes tracés sur une feuille qui s'impriment dans notre cerveau. Un livre, c'est un être vivant.

it behoves you to develop a sagacious flair for sniffing and smelling out and appreciating such fair and fatted books, to be swiff: in pursuit and bold in the attack, and then, by careful reading and frequent meditation, to crack open the bone and seek out the substantificial marrow – that is to say, what I mean by such Pythagorean symbols – sure in the hope that you will be made witty and wise by that reading; for you will discover therein a very different savour and a more hidden instruction which will reveal to you the highest hidden truths and the most awesome mysteries

A story is a map of the world. A gloriously colored and wonderful map, the sort one often sees framed and hanging on the wall in a study full of plush chairs and stained-glass lamps: painstakingly lettered, researched down to the last pebble and participle, drawn with dash and flair, with cloud-goddesses in the corners and giant squid squirming up out of the sea...[T]here are more maps in the world than anyone can count. Every person draws a map that shows themselves at the center.

I confide in everyone. I have no restricted private self, reserved specifically for certain trusted special people. I trust and mistrust anyone. I have traveled a full circle. But this time, on returning to zero again, I am able to act out the mistake more adeptly. I am on my way to becoming a very skilled loser. A specialist, a loser to end all losers. A flair for failing. I do it with style and finesse.

to be the man you have to beat the man and im the man

Every day my mother had tea. My dad has his ritual cigar. They had their evening cocktail. Those rituals were done nicely, with flair and feeling.

That flair for living.

Poirot was an extraordinary looking little man. He was hardly more than five feet, four inches, but carried himself with great dignity. His head was exactly the shape of an egg, and he always perched it a little on one side. His moustache was very stiff and military. The neatness of his attire was almost incredible. I believe a speck of dust would have caused him more pain than a bullet wound. Yet this quaint dandyfied little man who, I was sorry to see, now limped badly, had been in his time one of the most celebrated members of the Belgian police. As a detective, his flair had been extraordinary, and he had achieved triumphs by unravelling some of the most baffling cases of the day.

Have the mind of a fox, the heart of a lion, the tongue of a serpent, the flair of a swan, and the soul of a dove. Have the fortitude of a camel, the courage of a bear, the strength of a bull, the fierceness of a wolf, and the might of an elephant.

I mean most women just want to be good at something, they’ve got good-at minds, and they mean deftness and a flair and good taste and what-not. They can’t ever understand that if your desire is to go to the furthest limits of yourself then the actual form your art takes doesn’t seem important to you. Whether you use words or paint or sounds.

Love the stale glitter on your tired face and the tangled bird’s nest you call hair. Love your wobbly messiness, bad grammar, and sailor cussing flair. Love the crystals falling out of your bra and the feathers stuffed in your pocket. Love the scariness of what you know is held in your little heart locket.

Some days are better than others. The same can be said about people.

Steve always had a flair for the dramatic. He should have raised one ghostly fist in the air as he said it; though,for the full effect.

I'd always been leery of Eric, but I'd appreciated his mischief, his single-mindedness, and his flair. If you could a vampire had jois de vivre, Eric had it in spades. -Sookie

You know who," Jack said. "I mean Flaire, of course.

I leaned back against the headboard and closed my eyes, feeling the inferno flair between us once more. It flickered and pulsed, but my blood was boiling on the inside and Ember was the fire that ignited it.

But use the opposite technique – be liberal with your encouragement, make the thing seem easy to do, let the other person know that you have faith in his ability to do it, that he has an undeveloped flair for it – and he will practise until the dawn comes in the window in order to excel.

Arden, Matt discovered, was a force to be reckoned with. She had a flair for fighting with two curved knives, about the length of daggers. She whirled around like a flailing tornado, blocking and striking with fury. --The Fire Stone

Marketing is so powerful that it can make even an extremely untalented musician a one-hundred-hits wonder.

Our talents are living things, we give birth to them, nourish them till they grow and become immortal.

He holds his hands up to keep the Reapers from advancing. I forgot Zack's flair for the melodramatic. ~Exposing ELE

Have the mind of a fox, the heart of a lion, the tongue of a serpent, the flair of a swan, and the soul of a dove.

It was the story of her life and probably how she had survived this long: with a little talent and a lot of flair.

What no one appreciates is that it takes courage—and considerable dramatic flair—to show up and insist you belong, to invoke genetic claims and demand food and love and housing.

She pointed to the wreckage of one of the frigates in the distance. Half the ship had landed atop one of the towers on the edge of the city, the other half on the flatland beyond. “You didn’t…do that, did you?” He shrugged with proper dramatic flair. “I did say I came to rescue you. They were in my way.

I stepped out of the box because I'm a woman who breaks locks. I break glass ceilings too, the sky knows my flair, boo. Where you see the word 'groundbreaking', know it's me being breathtaking. I'm a woman; I gave birth to all men.

Where before we Comanches had simply stared at her femaleness, we now glared at it. She smiled back at us. It was a shade disconcerting. Then the Chief took over, revealing what had formerly been a well-concealed flair for incompetence.

In these terrific Georgians we had met more than our match. They could out-eat us, out-drink us, out-dance us, out-sing us. They had the fierce gaiety of the Italians, and the physical energy of the Burgundians. Everything they did was done with flair. They were quite different from the Russians we had met, and it is easy to see why they are so admired by the citizens of the other Soviet republics. Their energy not only survives but fattens on a tropical climate. And nothing can break their individuality or their spirit. That has been tried for many centuries by invaders, by czarist armies, by despots, by the little local nobility. Everything has struck at their spirit and nothing has succeeded in making a dent in it.

There were three ways to kill a king: You could face him with all the force of your military might, and in the end one of you would fall. You could stab him from behind like a coward, cringing in the shadows. Or you could kill him slowly, from the inside out, so he wouldn't even know until it was too late. If you did your job right, he might even thank you for it. These were the differences between Soldiers, Assassins, and Politicians. Only Politicians did it with a certain flair.

Mia had seen some fighters who moved like dancers, lithe and graceful. Others moved like bulls, and brawn and bluster. But Cassius moved like a knife. Simple. Straight. Deadly. There was no flash to his style. No flair. He simply cut right to the bone.

It's with such profound happiness. Such a hallelujah. Hallelujah, I shout, hallelujah merging with the darkest human howl of the pain of separation but a shout of diabolic joy. Because no one can hold me back now. I can still reason - I studied mathematics, which is the madness of reason - but now I want the plasma - I want to eat straight from the placenta. I am a little scared: scared of surrendering completely because the next instant is unknown. The next instant, do I make it? or does it make itself? We make it together with our breath. And with the flair of the bullfighter in the ring.

Hester received Punishment Flair. She was sent an A to wear upon her chest and told she must stand before the town with her baby, Pearl. Hester is not enjoying her flair.

You can't reduce passion and flair and eating ham to numbers, sir!

So, did the Roman Empire “fall” to the “barbarians,” or did it transition to an equal yet more decentralized era, one with a more Germanic flair?

The quiet, bright one who loved science and geography and had a natural flair for mathematics. The one who wanted desperately, above all else, to be unremarkable.

For me, where genre ends and literature begins doesn’t matter. What matters is whether a given novel hits me with high impact. If it does, it probably is fulfilling the purpose of fiction. It has drawn me into a story world, held me captive, taken me on a journey with characters like none I’ve ever met, revealed truths I’ve somehow always known and insights that rock my brain. It’s filled me with awe, which is to say it’s made me see the familiar in a wholly new way and made the unfamiliar a foundational part of me. It both entertains and matters. It both captures our age and becomes timelessly great. It does all that with the sturdy tools of story and the flair of narrative art.

When the zebra-striped lizards return, bulbous eyes twisting in every direction, they carry a platter garnished with dried fruit and something that resembles a duck. It’s plucked and roasted but still has its head intact. A warm, herbal scent tickles my nose. At least it’s cooked. "May I introduce you all to the main course?” Morpheus spreads out an arm with dramatic flair. “Dinner, meet your worthy adversaries, the hungry guests.” My tongue dries to sandpaper as the bird’s eyes pop open, and it hobbles to stand on webbed feet, flesh brown and glistening with glaze and oil. There’s a bell hung around its neck, and it jingles as the duck bows to greet everyone. This cannot be happening. Morpheus drags the heavy mallet from beside his chair and pounds it on the table like a judge’s gavel. “Now that we’re all acquainted, let the walloping begin.” Gossamer launches from Morpheus’s shoulder and leaves the room with the other sprites as mass confusion erupts. All the guests leap to their feet, mallets in hand, to chase the jingling duck.

You know, Chuck, You're not always gonna swish. You gonna miss some. Heck, you gonna miss a lot. That's the way the rel world works. But you gotta grab the ball and keep shooting. You understand? I tell you what, though, you'll make a lot more than you miss if you're not always going for the flash and flair.

So before Grim could portal them to Nightshade, she turned and said, “I love you, Oro.” She closed her eyes tightly. Felt tears sweep down. She took Grim’s hand. “But I love him too.” And, because of his flair, he knew it was true.

Clearly, women in active fighting zones unsettled their contemporaries, but they still left a legacy behind. Girls of the ’30s and ’40s joined the SOE to train as spies against the Nazis because they had been inspired by books and stories about women like Louise de Bettignies—and they weren’t inspired by her feminine graces. They were inspired by her courage, her toughness, and her unflinching drive, just as I imagined Charlie being inspired by Eve’s. Such women were fleurs du mal indeed—with steel, with endurance, and with flair, they thrived in evil and inspired others in doing so.

The gospel is not a preference. It’s not another piece of flair we add to our vest. It’s something far more beautiful and disturbing. The gospel is the power to raise the dead, to proclaim the greatness of God in a fallen and confused world.

Those people might have been murderers, sadists, brutes, ugly apish subhumans for all I knew, but I found myself thinking, “What charming people, what flair, how beautiful they are. How I wish I knew them.” And all based on the delicious smell of soup.

Bob Iger, Disney's chief operating officer, had to step in and do damage control. He was as sensible and solid as those around him were volatile. His background was in television; he had been president of the ABC network, which was acquired in 1996 by Disney. His reputation was as an corporate suit, and he excelled at deft management, but he also had a sharp eye for talent, a good-humored ability to understand people, and a quiet flair that he was secure enough to keep muted. Unlike Eisner and Jobs, he had a disciplined calm, which helped him deal with large egos. " Steve did some grandstanding by announcing that he was ending talks with us," Iger later recalled. " We went into crisis mode and I developed some talking points to settle things down.

Despite their vast differences, Hitler, Mussolini, and Chávez followed routes to power that share striking similarities. Not only were they all outsiders with a flair for capturing public attention, but each of them rose to power because establishment politicians overlooked the warning signs and either handed over power to them (Hitler and Mussolini) or opened the door for them (Chávez).

The new definition of success is not about the most revenue, employees, and office space but the most profit, generated through the fewest employees and with the least expensive office space. Make the game of winning based upon efficiency, frugality, and innovation, not on size, flair, and looks.

Most translators prefer to think of their work as a profession and would like to see others treat them as professionals rathen than as skilled or semi-skilled workers. But to achieve this, translators need to develop an ability to stand back and reflect on what they do and how they do it. Like doctors and engineers, they have to prove to themselves as well as others that they are in control of what they do; that they do not just translate well because they have a ´flair´ for translation, but rather because, like other professionals, they have made a conscious effort to understand various aspects of their work.

Evie had swallowed that like it belonged to her and went right back to whatever she was working on. Then, later that day, I was walking behind her as she told a fifth grader in outdated bell-bottoms that he wore them with “a flair and a flourish” all his own. I liked that a whole lot about Evie, how she passed on her treasures.

Why did investment banking pay so many people with so little experience so much money? Answer: When attached to a telephone, they could produce even more money. How could they produce money without experience? Answer: Producing in an investment bank was less a matter of skill and more a matter of intangibles—flair, persistence, and luck.

Poirot looked at me meditatively. “You have an extraordinary effect on me, Hastings. You have so strongly the flair in the wrong direction that I am almost tempted to go by it! You are that wholly admirable type of man, honest, credulous, honourable, who is invariably taken in by any scoundrel. You are the type of man who invests in doubtful oil fields, and non-existent gold mines. From hundreds like you, the swindler makes his daily bread. Ah, well—I shall study this Commander Challenger. You have awakened my doubts.” “My dear Poirot,” I cried, angrily. “You are perfectly absurd. A man who has knocked about the world like I have—” “Never learns,” said Poirot, sadly. “It is amazing—but there it is.” “Do you suppose I’d have made a success of my ranch out in the Argentine if I were the kind of credulous fool you make out?” “Do not enrage yourself, mon ami. You have made a great success of it—you and your wife.” “Bella,” I said, “always goes by my judgement.” “She is as wise as she is charming,” said Poirot. “Let us not quarrel my friend. See, there ahead of us, it says Mott’s Garage. That, I think, is the garage mentioned by Mademoiselle Buckley. A few inquiries will soon give us the truth of that little matter.

We each harbour a talent. It hibernates within us, snug yet eager, waiting for the first darling buds of opportunity to emerge.

Sometimes he wished he didn’t have a sister, though he loved Deenie and still remembered the feeling he had when he caught that kid Ethan pushing her off the swing set in the school yard in fifth grade. And how time seemed to speed up until he was shoving the kid into the fence and tearing his jacket. The admiring look his sister gave him after, the way his parents pretended to be mad at him but he could tell they weren’t. These days, it was pretty different. There’d be those moments he was forced to think about her not just as Deenie but as the girl whose slender tank tops hung over the shower curtain. Like bright streamers, like the flair the cheerleaders threw at games. Sometimes he wished he didn’t have a sister.

The trend toward narcissistic flair has been responsible in large part for smiting rock with the superstar virus, which revolves around the substituting of attitudes and flamboyant trappings, into which the audience can project their fantasies, for the simple desire to make music, get loose, knock the folks out or get ‘em up dancin.’ It’s not enough just to do those things anymore; what you must do instead if you want success on any large scale is figure a way of getting yourself associated in the audience’s mind with their pieties and their sense of “community,” i.e., ram it home that you’re one of THEM; or, alternately, deck and bake yourself into an image configuration so blatant or outrageous that you become a culture myth.

For the survivors and their testimonies I want to single out from the huge and forbidding archive a volume that deserves permanent currency: Anton Gill’s The Journey Back from Hell. It is an extraordinarily inspiring treasury of voices, and one grounded and marshalled by the author with both flair and decorum. Indeed, these reminiscences, these dramatic monologues, reshape our tentative answer to the unavoidable question: What did you have to have to survive? What you had to have is usually tabulated as follows: luck; the ability to adapt, immediately and radically; a talent for inconspicuousness; solidarity with another individual or with a group; the preservation of decency (“the people who had no tenets to live by—of whatever nature—generally succumbed” no matter how ruthlessly they struggled); the constantly nurtured conviction of innocence (an essential repeatedly emphasised by Solzhenitsyn in The Gulag Archipelago); immunity to despair; and, again, luck.

It was difficult to not compare the two men as they stood together. Mr. Beaufort was certainly dashing, with his stylish golden hair and the flair of his dress. But seeing him next to Philip, his appeal faded greatly in my mind. For it was obvious, comparing them side by side, that Mr. Beaufort was like a set of paste jewels—flashy on the outside but really an imposter, with nothing of great value within. Philip, on the other hand, shone like a real gem—without even trying. His clothes were just as well-made as Mr. Beaufort’s, but he wore them with a natural, athletic grace, and he didn’t employ any extreme fashions to create an impression. He was purely elegant, naturally, without thought or planning, and upon looking at them, I found that I would infinitely prefer the real gem to the imposter.

It is an inherent nature of life: Whenever success is in your reach, it tosses either an unexpected obstacle or an alluring offer, straight on your path. That unexpected manifestation, obstacle or offer, would either prompt you to press the panic button or distract your focus from your target. As you become busy dealing with the fresh situation, time, with its own flair, flies miles away from your reach, with the reward in offer. Those who endure, without getting disturbed by the obstacle or decoyed by the illusive offer, will reap the fruit. Others will flop, falling as victims to life’s conspiracy.

You can write with clarity and with flair, too. And though the emphasis is on nonfiction, the explanations should be useful to fiction writers as well, because many principles of style apply whether the world being written about is real or imaginary. I like to think they might also be helpful to poets, orators, and other creative wordsmiths, who need to know the canons of pedestrian prose to flout them for rhetorical effect.

I'm not sure what it means." Grace frowned. "I don't think I do either." "It sounds bad, though." "Sodding bad." Grace said with a smile, and she patted Amelia's hand. Amelia sighed. "A dammed shame." We are repeating ourselves." Grace pointed out. "I know." Amelia said, but with a fair bit of feeling. "But whose fault is ut? Not ours. We've been far too sheltered." "Now that," Grace announced with a flair, "really is a dammed shame!" "A bloody inconvenience, if you ask me.

Although Katie had this same flair for coloring an incident and Johnny himself lived in a half-dream world, yet they tried to squelch these things in their child. Maybe they had a good reason. Maybe they knew their own gift of imagination colored too rosily the poverty and brutality of their lives and made them able to endure it. Perhaps Katie thought that if they did not have this faculty, they would be clearer-minded; see things as they really were, and seeing them loathe them and somehow find a way to make them better. Francie

When the design was finally locked in, Jobs called the Macintosh team together for a ceremony. “Real artists sign their work,” he said. So he got out a sheet of drafting paper and a Sharpie pen and had all of them sign their names. The signatures were engraved inside each Macintosh. No one would ever see them, but the members of the team knew that their signatures were inside, just as they knew that the circuit board was laid out as elegantly as possible. Jobs called them each up by name, one at a time. Burrell Smith went first. Jobs waited until last, after all forty-five of the others. He found a place right in the center of the sheet and signed his name in lowercase letters with a grand flair. Then he toasted them with champagne. “With moments like this, he got us seeing our work as art,” said Atkinson.

I'm honestly kind of surprised. You've got a flair for drama, Misha. I thought you might get hard over some final sacrifice for love, or whatever. I mean, you're the writer, not me, but that's got Emmy written all over it." "Bury your gays." I reply, utterly deadpan. Jack rolls his eyes. In film, in TV, in books... the queer characters never get a happy ending," I press. "Sometimes they're the first to go, other times they make some brave sacrifice in the finale, but it always ends in tragedy and death. That's why it's called bury your gays.

The artist is often misunderstood because, stepping outside himself and holding most details in great tension, he's about as complex as a shape-shifter; or a head with faces on all sides, but not necessarily in the negative connotation as one being two-faced usually implies. For instance, to be misunderstood can mean to be improperly deemed a troublemaker when that is not one's true intent: you see, to troublemakers, the artist knows that the peacemaker may seem like a troublemaker; therefore he may, whether in honesty or in jest, at times, present himself as a troublemaker for perceptual, artistic flair. But then to the artless peacemakers, because of this they will interpret him as a troublemaker. This is why the artist has so few allies. To the troublemakers he's a troublemaker, yet still the peacemakers a troublemaker.

I have quite a story to tell you,” Parke said with a dramatic flair. “Sit back with that ‘coke’ and listen to the tale I’m about to spin. It’s a grand one, full of action, suspense, intrigue, violence, and even some juicy stuff. Just what a good story should have, don’t ya’ think?

Ben Young is out on the deck with his team, having breakfast through his tube. I wonder how that feels. He seems to be content with it, although I am having some trouble reconciling the fact that Ben does not get all the big tastes anymore. He used to love Milanos and milk after every evening dinner. It was a tradition. Sometimes we still give him a tiny taste just for old times' sake. He is so accepting. It's a marvel. He is the most accepting human being I have ever met, and he is very happy. Not all the time, mind you; he has a flair for impatience if he is going somewhere and there is a delay. He just yells! You know he is pissed. There is no stopping him. More power to you, Ben Young! We had to stop feeding Ben Young by mouth because his lungs have become compromised by all the aspirating he does. It's a complex thing, eating. The body does a lot of work to protect itself and keep food out of the lungs. Ben's body is not working like a normal body does. Ben and Dustin and Uncle Tony are out on the deck listening to tunes on the computer and grooving. Ben's next support team is incoming for a shift. Uncle Marian and Ben Bourdon arrive in Hawaii today from the mainland, and the switch takes place around twelve-thirty. Time marches on. Because of the support, Ben has a very full life and keeps moving around, doing things, seeing people and going to events. I reflect on this. Life is good.

Brilliance doesn't depend only on talk and flair, even though we're sometimes tempted to believe so. Brilliance depends on believing in the hard work you're capable of doing, but it also depends on believing in your potential, believing in your minds, believing in your heart. Brilliance sometimes relies on believing in your talents before you have any evidence that they're there. What a luxury, to take such an enormous leap of faith, without hesitation! Because even as I've worked hard year after year for more than twenty years now, as I've polished my work and demanded steady improvement from myself and asked myself to do better, I realize that for all of the concrete skills I've gained, nothing takes the place of truly believing that my ideas and words have a right to be taken seriously. And if I believed enough in my talents years ago to own them, who knows what I could've created?

Why this book is disliked by gay readers: Captain Ernst Roehm, was a stocky, bull-necked, piggish-eyed, scar-faced professional soldier—the upper part of his nose had been shot away in 1914—with a flair for politics and a natural ability as an organizer. Like Hitler he was possessed of a burning hatred for the democratic Republic. His aim was to re-create a strong nationalist Germany and he believed with Hitler that this could be done only by a party based on the lower classes, from which he himself, unlike most Regular Army officers, had come. A tough, ruthless, driving man—albeit, like so many of the early Nazis, a homosexual—he helped to organize the first Nazi strong-arm squads which grew into the S.A.... (...) Murderers, pimps, homosexual perverts, drug addicts or just plain rowdies were all the same to him if they served his purposes. (...) The brown-shirted S.A. never became much more than a motley mob of brawlers. Many of its top leaders, beginning with its chief, Roehm, were notorious homosexual perverts. Lieutenant Edmund Heines, who led the Munich S.A., was not only a homosexual but a convicted murderer. These two and dozens of others quarreled and feuded as only men of unnatural sexual inclinations, with their peculiar jealousies, can. (...) [Hitler] who was so monumentally intolerant by his very nature, was strangely tolerant of one human condition—a man’s morals. No other party in Germany came near to attracting so many shady characters. As we have seen, a conglomeration of pimps, murderers, homosexuals, alcoholics and blackmailers flocked to the party as if to a natural haven. (...) Karl Ernst, a former hotel bellhop and ex-bouncer in a café frequented by homosexuals, whom Roehm had made leader of the Berlin S.A., had alerted the storm troopers...

I'm in my room, consuming, cyber, and confused. I don't remember the last time I made something Besides blunts, cum, minimum wage, bad grades, a noose. Sometimes I know I'm just twiddling my thumbs in front of a screen, That the songs about the money make me fake feel rich too. That the porn gets weirder, life gets shorter, and I eat shit stew. That these unrealistic characters I play make me feel strong. That I'm screaming at plastic that did nothing wrong. That I'm hurting and escaping and yearning and breaking. That underneath this hole, I may actually have some flair. Sometimes I'd like to leave my room and go see what's out there. Would you like to go with me?

Crap. What do I say? “Hi, I followed you here.” Yeah, that’s not super creepy and stalkerish at all. Nope, time for plan B.

relationship with nature, modern humanity has generally been the aggressor, and a daring one at that, altering the flow of rivers, building upon geological faults, and, today, even engineering the genes of existing species. Nature has generally been languid in its response, although contentious once aroused and occasionally displaying a flair for violence. By 1918 humankind was fully modern, and fully scientific, but too busy fighting itself to aggress against nature. Nature, however, chooses its own moments. It chose this moment to aggress against man, and it did not do so prodding languidly. For the first time, modern humanity, a humanity practicing the modern scientific method, would confront nature in its fullest rage.

You can wear a variety of clothing. But you should have one designer you favor. I suggest Amano." "Ooh," Noriko hums. "I love him." Ichiko taps out something on her tablet and hands me photographs of his latest runway show. "I see it now. You are a small-town girl who supports the local artist. An up-and-comer like you. That's your brand." She winks at me. "Amano's pieces are flattering with a nod to classical elements, but with a certain modern flair." Women strut down a white runway. One wears a black silk furisode with flowing kimono sleeves and a lotus flower motif. Another sports a red evening gown with a matching capelet. Another, a turquoise fitted dress with a square neckline and beaded belt. All so pretty. I like.

Please guide this ship away from harm and make her safe - keep her warm... Attention and lust all she desires - and the time it takes to stoke those fires You may invite her to your lair with sensuousness and a passionate flair her draw irresistible, hunger insatiable  -  your thoughts no more your own For she has taken place there, in you, the queen upon her throne..... Sensual bliss one of many rewards, but stolen heart and pointy swords Your skills and gift of most import, for when they wane, pain, and love's cut short.... May crack your inner strength some day and truly steal your time (heart) away.... For a muse but one of intermittent bliss starting from the first kiss And ending only when she's done - then you're left alone as one.....

But she drew in a breath and asked with saccharine sweetness, “Trace, are you ready?” No, he wasn’t ready. Somehow he had to regain control of this situation. Right now she had the upper hand, and that was untenable. With the perfect plan in mind, Trace shook his head, but said with what he hoped sounded like indifference, “Quit stalling.” And then he pulled out his cell phone. This time, she was all but naked. What little material covered her proved mere decoration, like icing on a very sweet cake—a cake he wouldn’t mine eating, slowly, top to toes and everywhere in between. Priss stood with her hands on her generous hips, her feet apart, shoulders back. How such a small woman packed so many perfect curves, he didn’t know. But she managed it with flair. Boy, did she ever. “Good enough.” When she smiled at him, he lifted the cell phone and used it to take a picture. Squawking, Priss leaped behind the curtain and her face went up in flames. “What do you think you’re doing?” “Suddenly shy?” Content with her appalled tone and burning-red face, Trace looked down at the phone. Oh, yeah, that’d do. He pushed a few buttons, then put the cell phone away. “Don’t worry, honey. I emailed it to myself.” His smile felt like a leer. “No one else will see it.” Unappeased by that promise, she glared at him. “You—!” “Now, Priss. Modesty at this late date is more than suspicious. You wanted my approval.” He shrugged—and struggled to keep his attention on her face and off the curves that showed even beneath the curtain she clutched to her chin. “You’ve got it, with my admiration, too.

The rest, with very little exaggeration, was books. Meant-to-be-picked-up books. Permanently-left-behind books. Uncertain-what-to-do-with books. But books, books. Tall cases lined three walls of the room, filled to and beyond capacity. The overflow had been piled in stacks on the floor. There was little space left for walking, and none whatever for pacing. A stranger with a flair for cocktail-party descriptive prose might have commented that the room, at a quick glance, looked as if it had once been tenanted by two struggling twelve-year-old lawyers or researchists. Почти без преувеличение може да се каже, че останалото бяха книги. Книги, които някой все се е канел да отвори. Книги, които някой все не е смогвал да прочете. Книги, които някой не е знаел какво да прави. Но книги, книги. Високи етажерки бяха наредени край трите стени на стаята, претъпкани извън мяра. Книгите, за които нямаше място, бяха струпани на купчини по пода. Почти нямаше къде да се мине, да не говорим за разходки из стаята. Някой посетител с тънък усет към описанията на светски веселби сигурно би казал, че на пръв поглед стаята изглежда като някогашното обиталище на двама амбициозни дванайсетгодишни адвокати или изследователи.

We inherently know that, when controlled by others, life loses its flair and we are cast into melancholy and mediocrity. Without such striving for individual freedom, what becomes of us? We relinquish our free will to a society of strangers that speaks not of liberty and courage but of conformity and caution. Our true self is subjugated and a pseudo self emerges, a mere reflection of a society that has lost its way. “They” start running our lives and soon we are not “us” anymore, just walking zombies filled with the commands of others’ preferences and expectations. We become those masked souls who spend their time wandering in a wildernesses of sameness and sadness. We become tired and weak. We lose our nature. And then we see the worst of human behavior—a mass of people who do not speak up for themselves or others but rather do only what they are told.

There are a number of subjective and objective criteria that I use as a way to rank players. The subjective ones include their ability with both feet; their sense of balance; the disciplined fashion in which they take care of their fitness; their attitude towards training; the consistency between games and over multiple seasons; their demonstrated mastery in several different positions; and the way they add flair to any team for which they play. The objective ones that are impossible to dispute are: the number of goals they have scored; the games they have played for several of the best club teams in the world; the number of League championship and cup medals they have won, and their appearances in World Cups. When you employ this sort of measurement approach, it becomes far easier to define the very highest levels of performance. The people who are least confused about this are other players.

Captain Ernst Roehm, on the staff of the Army’s District Command VII in Munich, had joined the party before Hitler. He was a stocky, bull-necked, piggish-eyed, scar-faced professional soldier—the upper part of his nose had been shot away in 1914—with a flair for politics and a natural ability as an organizer. Like Hitler he was possessed of a burning hatred for the democratic Republic and the “November criminals” he held responsible for it. His aim was to re-create a strong nationalist Germany and he believed with Hitler that this could be done only by a party based on the lower classes, from which he himself, unlike most Regular Army officers, had come. A tough, ruthless, driving man—albeit, like so many of the early Nazis, a homosexual—he helped to organize the first Nazi strong-arm squads which grew into the S.A., the army of storm troopers which he commanded until his execution by Hitler in 1934.

No amount of black girl magic, no repeated proclamations of our worth can fully treat the wound – although acknowledging its persistence is a beginning. The ultimate remedy, as I see it is supernatural. I look daily toward heaven for restoration, for spiritual healing. My true identity isn’t rooted in our history, grievous and glorious as it is. It is grounded in my designation as a Child of God, the Daughter of the Great Physician. In His care I find my cure. My hope for you is the same one I carry for myself. I pray that amid the heartache of our ancestry you can grant yourself the grace so seldom extended to us. I pray that you can pass that compassion on to your children and to their children so that it slathers comfort on our sore spots. I pray that, as a people, we can give ourselves a soft place to land. I pray even as we rightly express our fury as being regarded as sub-human, that we don’t dwell in that space. That we don’t allow anger to poison our spirits. That we embrace love as our One True Antidote. I hope, too, that you recognize your specialness, the distinctiveness the Creator has imbued us with. I see you as clearly as history has, and in unison with it, I nod. I know that swivel in your hips, that fervor in your testimony, that ebullience in your stride, that flair in your song. The fact that others are constantly trying to diminish you, ever attempting to dismiss your talents even as they mimic you, is proof of your uniqueness! No one bothers to undermine you unless they recognize your brilliance. More than anything, I pray that you can carve out a purpose for yourself, a calling beyond your own survival, a sweet offering to the world. You gain a life by giving yours away. Not everyone is meant to raise a picket sign, and yet each of us can choose a path of impact. Rearing your children with affection and warmth is a form of activism. Honoring your word impeccably is a way to raise your voice. Performing your job with excellence, with your chin high and your standards higher is as powerful as any protest march. Sowing into the lives of young people is a worthy crusade. That is what it means to leave this world of ours more lit up than we found it. It’s also what it means to lead a magnificent life, even if an unlikely one.

tear. Short and nebbishy, he had a charmingly awkward persona that concealed a big ambition: to establish Condé Nast as the most prestigious magazine company in the world. Within a year of his father’s death in 1979, Si, in rapid succession, bought the most important publishing house in America, Random House, whose imprints included Alfred A. Knopf, the prestige literary house; oversaw the successful start-up of a pioneering health and fitness magazine, Self; and bought and revamped Gentleman’s Quarterly, better known as GQ. And he was always on the lookout for more. Si was the aesthete in the Newhouse family. He combined an eye for business opportunity with a passion for art, design, and high gloss. Intellectually insecure, he relied on the self-confident baron of taste and flair he had inherited from his father’s circle: Alexander Liberman, Condé Nast’s editorial director. Liberman—Russian-born, like Alexey Brodovitch, his

I eye the karaoke machine in alarm. Shit. I’m going to need a shot. “Let’s do Ssssummer Nightsssss! I jusssst love Greasssse!” Scratch that … I’m going to need a shitload of alcohol before I even think about singing! I turn to Mavis. “Give me everything you’ve got. If I’m going to sing a ‘Grease’ song, I’m not going to do it sober!

I throw him a smile and pull on my suit jacket and then my hat. “Come on, what would you do?” He pauses for a moment and then lets out a low chuckle. “Just go. Maybe you two can sing in the rain Frank!” he jests, eyeballing my fedora. I throw him a sly smirk. “You may be the better looking brother Kyle, but you know I’m the one with the killer style!

It might be useful here to say a word about Beckett, as a link between the two stages, and as illustrating the shift towards schism. He wrote for transition, an apocalyptic magazine (renovation out of decadence, a Joachite indication in the title), and has often shown a flair for apocalyptic variations, the funniest of which is the frustrated millennialism of the Lynch family in Watt, and the most telling, perhaps, the conclusion of Comment c'est. He is the perverse theologian of a world which has suffered a Fall, experienced an Incarnation which changes all relations of past, present, and future, but which will not be redeemed. Time is an endless transition from one condition of misery to another, 'a passion without form or stations,' to be ended by no parousia. It is a world crying out for forms and stations, and for apocalypse; all it gets is vain temporality, mad, multiform antithetical influx. It would be wrong to think that the negatives of Beckett are a denial of the paradigm in favour of reality in all its poverty. In Proust, whom Beckett so admires, the order, the forms of the passion, all derive from the last book; they are positive. In Beckett, the signs of order and form are more or less continuously presented, but always with a sign of cancellation; they are resources not to be believed in, cheques which will bounce. Order, the Christian paradigm, he suggests, is no longer usable except as an irony; that is why the Rooneys collapse in laughter when they read on the Wayside Pulpit that the Lord will uphold all that fall. But of course it is this order, however ironized, this continuously transmitted idea of order, that makes Beckett's point, and provides his books with the structural and linguistic features which enable us to make sense of them. In his progress he has presumed upon our familiarity with his habits of language and structure to make the relation between the occulted forms and the narrative surface more and more tenuous; in Comment c'est he mimes a virtually schismatic breakdown of this relation, and of his language. This is perfectly possible to reach a point along this line where nothing whatever is communicated, but of course Beckett has not reached it by a long way; and whatever preserves intelligibility is what prevents schism. This is, I think, a point to be remembered whenever one considers extremely novel, avant-garde writing. Schism is meaningless without reference to some prior condition; the absolutely New is simply unintelligible, even as novelty. It may, of course, be asked: unintelligible to whom? --the inference being that a minority public, perhaps very small--members of a circle in a square world--do understand the terms in which the new thing speaks. And certainly the minority public is a recognized feature of modern literature, and certainly conditions are such that there may be many small minorities instead of one large one; and certainly this is in itself schismatic. The history of European literature, from the time the imagination's Latin first made an accommodation with the lingua franca, is in part the history of the education of a public--cultivated but not necessarily learned, as Auerbach says, made up of what he calls la cour et la ville. That this public should break up into specialized schools, and their language grow scholastic, would only be surprising if one thought that the existence of excellent mechanical means of communication implied excellent communications, and we know it does not, McLuhan's 'the medium is the message' notwithstanding. But it is still true that novelty of itself implies the existence of what is not novel, a past. The smaller the circle, and the more ambitious its schemes of renovation, the less useful, on the whole, its past will be. And the shorter. I will return to these points in a moment.

Lorelai pulls me in closer and I feel her hair brush the side of my face. Huh, she smells like bubblegum and oranges. Wait. What the hell? Oh great! I’m actually sniffing her hair now. Yeah, that’s not super creepy at all! Time to dial back the crazy. It would be wrong to make a move, remember? The song ends and suddenly The Ronettes’ ‘Be My Baby’ starts to play. “Ah! I loooove thissss!” Lorelai declares as she grabs me and starts gyrating up and down. It’s wrong to make a move. It’s wrong to make a move. It’s wrong to make a move. Oh God …

You’re good at this,” said Ronan. “What?” He leaned to touch the baby’s head. “Being a mother.” “What is that supposed to mean?” Ronan looked awkward. Then he said glibly, “Nothing, if you don’t like it.” He glanced at Benix, Faris, and the others, but they were discussing thumbscrews and nooses. “It didn’t mean anything. I take it back.” Kestrel set the baby on the grass next to Faris. “You cannot take it back.” “Just this once,” he said, echoing her earlier words during the game. She stood and walked away. He followed. “Come, Kestrel. I spoke only the truth.” They had entered the shade of thickly grown laran trees, whose leaves were a bloody color. They would soon fall. “It’s not that I wouldn’t want to have a child someday,” Kestrel told Ronan. Visibly relieved, he said, “Good. The empire needs new life.” It did. She knew this. As the Valorian empire stretched across the continent, it faced the problem of keeping what it had won. The solutions were military prowess and boosting the Valorian population, so the emperor prohibited any activities that unnecessarily endangered Valorian lives--like dueling and the bull-jumping games that used to mark coming-of-age ceremonies. Marriage became mandatory by the age of twenty for anyone who was not a soldier. “It’s just--” Kestrel tried again: “Ronan, I feel trapped. Between what my father wants and--” He held up his hands in flat-palmed defense. “I am not trying to trap you. I am your friend.” “I know. But when you are faced with only two choices--the military or marriage--don’t you wonder if there is a third, or a fourth, or more, even, than that?” “You have many choices. The law says that in three years you must marry, but not whom. Anyway, there is time.” His should grazed hers in the teasing push of children starting a mock fight. “Time enough for me to convince you of the right choice.” “Benix, of course.” She laughed. “Benix.” Ronan made a fist and shook it at the sky. “Benix!” he shouted. “I challenge you to a duel! Where are you, you great oaf?” Ronan stormed from the laran trees with all the flair of a comic actor. Kestrel smiled, watching him go. Maybe his silly flirtations disguised something real. People’s feelings were hard to know for certain. A conversation with Ronan resembled a Bite and Sting game where Kestrel couldn’t tell if the truth looked like a lie, or a lie like the truth. If it was true, what then?

I do not know the substance of the considerations and recommendations which Dr. Szilárd proposes to submit to you,” Einstein wrote. “The terms of secrecy under which Dr. Szilárd is working at present do not permit him to give me information about his work; however, I understand that he now is greatly concerned about the lack of adequate contact between scientists who are doing this work and those members of your Cabinet who are responsible for formulating policy.”34 Roosevelt never read the letter. It was found in his office after he died on April 12 and was passed on to Harry Truman, who in turn gave it to his designated secretary of state, James Byrnes. The result was a meeting between Szilárd and Byrnes in South Carolina, but Byrnes was neither moved nor impressed. The atom bomb was dropped, with little high-level debate, on August 6, 1945, on the city of Hiroshima. Einstein was at the cottage he rented that summer on Saranac Lake in the Adirondacks, taking an afternoon nap. Helen Dukas informed him when he came down for tea. “Oh, my God,” is all he said.35 Three days later, the bomb was used again, this time on Nagasaki. The following day, officials in Washington released a long history, compiled by Princeton physics professor Henry DeWolf Smyth, of the secret endeavor to build the weapon. The Smyth report, much to Einstein’s lasting discomfort, assigned great historic weight for the launch of the project to the 1939 letter he had written to Roosevelt. Between the influence imputed to that letter and the underlying relationship between energy and mass that he had formulated forty years earlier, Einstein became associated in the popular imagination with the making of the atom bomb, even though his involvement was marginal. Time put him on its cover, with a portrait showing a mushroom cloud erupting behind him with E=mc2 emblazoned on it. In a story that was overseen by an editor named Whittaker Chambers, the magazine noted with its typical prose flair from the period: Through the incomparable blast and flame that will follow, there will be dimly discernible, to those who are interested in cause & effect in history, the features of a shy, almost saintly, childlike little man with the soft brown eyes, the drooping facial lines of a world-weary hound, and hair like an aurora borealis… Albert Einstein did not work directly on the atom bomb. But Einstein was the father of the bomb in two important ways: 1) it was his initiative which started U.S. bomb research; 2) it was his equation (E = mc2) which made the atomic bomb theoretically possible.36 It was a perception that plagued him. When Newsweek did a cover on him, with the headline “The Man Who Started It All,” Einstein offered a memorable lament. “Had I known that the Germans would not succeed in producing an atomic bomb,” he said, “I never would have lifted a finger.”37 Of course, neither he nor Szilárd nor any of their friends involved with the bomb-building effort, many of them refugees from Hitler’s horrors, could know that the brilliant scientists they had left behind in Berlin, such as Heisenberg, would fail to unlock the secrets. “Perhaps I can be forgiven,” Einstein said a few months before his death in a conversation with Linus Pauling, “because we all felt that there was a high probability that the Germans were working on this problem and they might succeed and use the atomic bomb and become the master race.”38