Fixing Mistakes Quotes

We've searched our database for all the quotes and captions related to Fixing Mistakes. Here they are! All 100 of them:

I’m going to go back and stop your son from killing her.” The queen’s face fell. For a moment, she looked as old as the years she’d spent lying in a suspended state. “That is not a small mistake to fix. If you do this, Time will take something equally valuable from you.” The Fate gave the queen a look more vicious than any curse. “There is nothing of equal value to me.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
I'm afraid of time... I mean, I'm afraid of not having enough time. Not enough time to understand people, how they really are, or to be understood myself. I'm afraid of the quick judgements or mistakes everybody makes. You can't fix them without time. I'm afraid of seeing snapshots, not movies.
Ann Brashares
They had battled and bloodied one another, they had kept secrets, broken hearts, lied, betrayed, exiled, they had walked away, said goodbye and sworn it was forever, and somehow, every time, they had mended, they had forgiven, they had survived. Some mistakes could never be fixed - some, but not all. Some people can't be driven away, no matter how hard you try. Some friendships won't break.
Robin Wasserman (Greed (Seven Deadly Sins, #7))
Question: I am interested in so many things, and I have a terrible fear because my mother keeps telling me that I'm just going to be exploring the rest of my life and never get anything done. But I find it really hard to set my ways and say, "Well, do I want to do this, or should I try to exploit that, or should I escape and completely do one thing?" Anaïs Nin: One word I would banish from the dictionary is 'escape.' Just banish that and you'll be fine. Because that word has been misused regarding anybody who wanted to move away from a certain spot and wanted to grow. He was an escapist. You know if you forget that word you will have a much easier time. Also you're in the prime, the beginning of your life; you should experiment with everything, try everything.... We are taught all these dichotomies, and I only learned later that they could work in harmony. We have created false dichotomies; we create false ambivalences, and very painful one's sometimes -the feeling that we have to choose. But I think at one point we finally realize, sometimes subconsciously, whether or not we are really fitted for what we try and if it's what we want to do. You have a right to experiment with your life. You will make mistakes. And they are right too. No, I think there was too rigid a pattern. You came out of an education and are supposed to know your vocation. Your vocation is fixed, and maybe ten years later you find you are not a teacher anymore or you're not a painter anymore. It may happen. It has happened. I mean Gauguin decided at a certain point he wasn't a banker anymore; he was a painter. And so he walked away from banking. I think we have a right to change course. But society is the one that keeps demanding that we fit in and not disturb things. They would like you to fit in right away so that things work now.
Anaïs Nin
Any woman knows that a thread, once woven, is fixed in place; the only way to smooth a mistake is to let it all unravel.
Hannah Kent (Burial Rites)
Inertia is so easy—don't fix what's not broken. Leave well enough alone. So we end up accepting what is broken, mistaking complaining for action, procrastinating for deliberation.
Justina Chen (North of Beautiful)
We were both broken, trying to become unbroken. Maybe we just needed a little help. Not to fix each other, but to help us fix ourselves.
Chelsea M. Cameron (My Favorite Mistake (My Favorite Mistake, #1))
Just do something. You might make a mistake, then you can fix it. But if you do nothing, you can't fix anything. And your life might turn out full of regrets.
Jenny Colgan (The Little Shop of Happy Ever After)
But we all make mistakes. It’s how we fix them that makes us who we are.
Jessica Sorensen (Darkness Falls (Darkness Falls, #1))
It was my view then, and still is, that you don't make war without knowing why. Knowledge of course, is always imperfect, but it seemed to me that when a nation goes to war it must have reasonable confidence in the justice and imperative of its cause. You can't fix your mistakes. Once people are dead, you can't make them undead.
Tim O'Brien (The Things They Carried)
You have a right to experiment with your life. You will make mistakes. And they are right too. No, I think there was too rigid a pattern. You came out of an education and are supposed to know your vocation. Your vocation is fixed, and maybe ten years later you find you are not a teacher anymore or you're not a painter anymore. It may happen. It has happened. I mean Gauguin decided at a certain point he wasn't a banker anymore; he was a painter. And so he walked away from banking. I think we have a right to change course. But society is the one that keeps demanding that we fit in and not disturb things. They would like you to fit in right away so that things work now.
Anaïs Nin
Sometimes the only way to fix a mistake- is to make it twice.
Julianna Baggott (Girl Talk)
The karmic philosophy appeals to me on a metaphorical level because even in ones lifetime it's obvious how often we must repeat our same mistakes, banging our heads against the same ole addictions and compulsions, generating the same old miserable and often catastrophic consequences, until we can finally stop and fix it. This is the supreme lesson of karma ( and also of western psychology, by the way)- take care of the problem now, or else you'll just have to suffer again later when you screw everything up the next time. And that repetition of suffering-that's hell. Moving out of that endless repetition to a new level of understanding-there's where you'll find heaven.
Elizabeth Gilbert
I don’t know how to save the world. I don’t have the answers or The Answer. I hold no secret knowledge as to how to fix the mistakes of generations past and present. I only know that without compassion and respect for all of Earth’s inhabitants, none of us will survive—nor will we deserve to.
Leonard Peltier (Prison Writings: My Life Is My Sun Dance)
By acknowledging a petty problem you give it existence and credibility. The more attention you pay an enemy, the stronger you make him; and a small mistake is often made worse and more visible when you try to fix it. It is sometimes best to leave things alone. If there is something you want but cannot have, show contempt for it. The less interest you reveal, the more superior you seem.
Robert Greene (The 48 Laws of Power)
people sometimes mistake their own shortcomings for those of society and want to fix the Cities because they don’t know how to fix themselves.
Isaac Asimov (The Caves of Steel (Robot, #1))
we may fall victim to the misconception that time will heal all wounds and that eventually everything will shake itself out. But as we get older, we learn this sad truth: some things can never be fixed. Some mistakes can never be put right—not by the passage of time, and not by our most fervent wishes, either.
Elizabeth Gilbert (City of Girls)
It isn’t easy being a brilliant inventor, always alone. Always misunderstood. Easy to turn bitter, make horrible mistakes. People are more difficult to work with than machines. And when you break a person, he can’t be fixed. -Hephaestus
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
Thinking of someone else is what got me damned. It’s a mistake I don’t want to repeat. (Xypher) You know sometimes it’s by repeating our mistakes that we realize what went wrong the first time. Knowing that, we’re able to fix the mistake and move past it. (Acheron)
Sherrilyn Kenyon (Dream Chaser (Dark-Hunter, #13; Dream-Hunter, #3))
A young apprentice applied to a master carpenter for a job. The older man asked him, "Do you know your trade?" "Yes, sir!" the young man replied proudly. "Have you ever made a mistake?" the older man inquired. "No, sir!" the young man answered, feeling certain he would get the job. "Then there's no way I'm going to hire you," said the master carpenter, "because when you make one, you won't know how to fix it.
Fred Rogers (The World According to Mister Rogers: Important Things to Remember)
We’re not about cutting people out of our lives. We’re about refusing to accept anything less than what we deserve. About realizing that we’re all important here despite mistakes or bad relationships or lackluster careers.
Tessa Bailey (Fix Her Up (Hot & Hammered, #1))
But the good thing about life is that we can fix our mistakes sometimes. We learn from them. We get better.
R.J. Palacio (The Julian Chapter (Wonder, #1.5))
Mistakes can be fixed. Bad decisions can be undone. Model houses can be rebuilt. And perfection is only a word that makes you feel bad about yourself.
Jessica Brody (My Life Undecided)
Some mistakes, though, you can’t fix by being sorry. Can’t fix them, no matter what you do.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
Like a kid, I hadn't wanted to make it true by saying it out loud. Because if you don't say it, there's still a chance God, or someone, or anyone will notice the mistake and fix it.
Lili St. Crow (Reckoning (Strange Angels, #5))
He grasped her by the wrist , running a thumb along the sensitive skin underneath. "Then let me call you Mine for a dance or two" She grinned but someone was suddenly between them, a tall, powerfully built person. Sam. He ripped the stranger's hand off of her wrist. "She's spoken for," he growled, all too close to the young man's maked face. The stranger's friend was behind him in an instant, his bronze eyes fixed on Sam. Celaena grabbed Sam's elbow. "Enough," she warned him. The masked stranger looked Sam up and down, then held up his hands. "My mistake," he said, but winked at Celaena before disappeared into the crowd, his armed friend close behind. Celaena whirled to face Sam. "What in hell was that for?" "You're drunk," he told her, so close her chest brushed his, "And he knew it, too." "So?" Even as she said it, someone dancing wildly crashed into her and set her reeling. Sam caught her around the waist, his hands firm on her as he kept her from falling to the ground. "You'll thank me in the morning." "Just because we're working together doesn't mean I'm suddenly incapable of handling myself." His hands were still on her waist. "Let me take you home.
Sarah J. Maas (The Assassin and the Underworld (Throne of Glass, #0.4))
You will never be a hero. You were never meant to be a hero." Hero. that one word made Aru lift her chin. It made her think of Mini and Boo, her mom, and all the incredible things she herself had done in just nine days. Breaking the lamp hadn't been heroic... but everything else? Fighting for people she cared about and doing everything it took to fix her mistake? That was heroism. Vajra became a spear in her hand. "I already am. And it's heroine.
Roshani Chokshi (Aru Shah and the End of Time (Pandava, #1))
Arms wrapped around his neck, she kissed his temple. "I'm sorry I scared you." It wasn't the done thing for an archangel to admit fear, but he was hers, and she'd hurt him without meaning to; it was up to her to fix her mistake. His wings shifted, but he didn't extricate their bodies. "I didn't know fear until you, Elena. Use the power wisely.
Nalini Singh (Archangel's Legion (Guild Hunter, #6))
When you blame others, what you are really saying is what is inside of you can’t be fixed, so you have no control of your own happiness. Therefore, you have made the conscience choice to give focus and fuel to a bad situation that will take you nowhere and give you nothing, but ignorance and pain.
Shannon L. Alder
I'm not a big fan of inspiration. I'm too old to sit and wait for the muse to give me a little kiss... I write a lot, and I'm not afraid to make mistakes or to write badly. I can alsways fix something weak and dull. But I can't fix a blank page.
Ron Koertge
I want a happily even after. The kind of happiness you have to earn. The kind you find after a broken heart or an injured knee. After a mistake that feels impossible to fix. It’s the even after part that matters. I already have the happy part.
Kami Garcia (Broken Beautiful Hearts)
When we are young, Angela, we may fall victim to the misconception that time will heal all wounds and that eventually everything will shake itself out. But as we get older, we learn this sad truth: some things can never be fixed. Some mistakes can never be put right - not by the passage of time, and not by our most fervent wishes, either. In my experience, this is the hardest lesson of them all.
Elizabeth Gilbert (City of Girls)
It is a mistake to conceive of choice and decision-making as a process of selecting from existing options according to a fixed formula. That omits the most important element of decision-making, namely the creation of new options.
David Deutsch (The Beginning of Infinity: Explanations That Transform the World)
A-tone-ment-its a chance to fix the unfixable and to start all over again. It begins when you forgive yourself for all you've done wrong, and forgive others for all they've done to you. Your mistakes aren't mistakes anymore, they're just things that make you stronger.
Glenn Beck
It’s not weak to stand by the person you love when they’re trying to fix a big mistake, and it’s not weak to decide to put yourself first.
Sylvia Day (Captivated by You (Crossfire, #4))
Every person on the face of the earth makes mistakes, Lily. Every last one. We're all so human. Your mother made a terrible mistake, but she tried to fix it.' 'Good night,' I said, and rolled onto my side. 'There is nothing perfect,' August said from the doorway. 'There is only life.
Sue Monk Kidd (The Secret Life of Bees)
What on earth would make someone a nonlearner? Everyone is born with an intense drive to learn. Infants stretch their skills daily. Not just ordinary skills, but the most difficult tasks of a lifetime, like learning to walk and talk. They never decide it’s too hard or not worth the effort. Babies don’t worry about making mistakes or humiliating themselves. They walk, they fall, they get up. They just barge forward. What could put an end to this exuberant learning? The fixed mindset. As soon as children become able to evaluate themselves, some of them become afraid of challenges. They become afraid of not being smart. I have studied thousands of people from preschoolers on, and it’s breathtaking how many reject an opportunity to learn.
Carol S. Dweck (Mindset: The New Psychology of Success)
Peace demands solutions, but we never reach living solutions; we only work toward them. A fixed solution is, by definition, a dead solution. The trouble with peace is that it tends to punish mistakes instead of rewarding brilliance. —
Frank Herbert (Children of Dune (Dune, #3))
You told me Dorian would fix the world, make it better. But if he's gone, if we made the mistake today in keeping him alive, then I will find another way to attain that future. And another one after that, if I have to. I will keep getting back up, no matter how many times those butchers shove me down.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
Why is it that people are engineered to live just long enough to pile up a lifetime of mistakes, but not long enough to fix them? If only we were like trees...If only we had centuries. Maybe then there'd be time enough for us to mend all the harm we have done.
Michael Christie (Greenwood)
You cannot travel back in time to fix your mistakes, but you can learn from them and forgive yourself for not knowing better.
Leon Brown
You can't fix your mistakes. Once people are dead, you can't make them undead.
Tim O'Brien (The Things They Carried)
That’s the thing about mistakes. Not all of them can be fixed.
Megan Goldin (The Night Swim (Rachel Krall, #1))
You can't judge people for the mistakes they make. You judge them for how they fix those mistakes.
Barbara O'Connor (Wish)
At the word sacrifice, something sparked in the Fate's cold eyes. He held the girl tighter, carrying her in his bloodstained arms as he stood and started down the ancient hall. 'What are you doing?' A crack of alarm showed in the queen's implacable face. 'I'm going to fix this.' He continued marching forward, holding the girl close as he carried her back through the arch. The angels who'd been guarding it now wept. They cried tears of stone as the Fate set the girl at their feet and began wrenching stone after stone from the arch. 'Jacks of the Hollow,' warned the queen. 'Those arch stones can only be used one time to go back. They were not created for infinite trips to the past.' 'I know,' Jacks growled. 'I'm going to go back and stop your son from killing her.' The queen's face fell. For a moment, she looked as old as the years she'd spent lying in suspended state. 'This is not a small mistake to fix. If you do this, Time will take something equally valuable from you.' The Fate gave the queen a look more vicious than any curse. 'There is nothing of equal value to me.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
Could a machine ever be said to have made its own decisions? Could a machine have beliefs? Could a machine make mistakes? Could a machine believe it made its own decisions? Could a machine erroneously attribute free will to itself? Could a machine come up with ideas that had not been programmed into it in advance? Could creativity emerge from a set of fixed rules? Are we – even the most creative among us – but passive slaves to the laws of physics that govern our neurons?
Andrew Hodges (Alan Turing: The Enigma)
But I guess that’s the thing about the past. You can’t change it. You can’t fix it. You can only understand it. And if you’re lucky, make sure you don’t make those mistakes again.
Tracy Wolff (Court (Crave, #4))
Sometimes things get broken and people make mistakes. It's just what happens. And then, if you're lucky, they get fixed again, before it's too late.
Jennifer Gooch Hummer (Girl Unmoored)
You know, no mistake in the world can’t be fixed. All it takes is wantin’ to fix it. Sometimes it’s hard, though. Sometimes it hurts to fix a mistake, but you have to do it no matter what.
Robert McCammon (Boy's Life)
There's one good thing about a mistake. As long as you're alive, you still have time to fix it.
Benjamin Bayani (The Nation)
But the good thing about life, Julian," she continued, "is that we can fix our mistakes sometimes. We learn from them. We get better. One mistake does not define you.
R.J. Palacio
Sometimes we mistake patience for weakness, but the patient person often realizes that it's much more important for another person to discover his or her own gifts and shortcomings--the patient person doesn't feel a need to "fix" other people, and sometimes will let certain things slide until the other person recognizes the problems. Patient parents often let their kids make the same mistake two or three times because they know that a lesson learned oneself is almost always preferable to a lesson given to us by an authority figure like a parent.
Tom Walsh
I'm afraid of not having enough time," she clarified. "Not enough time to understand people, how they really are, or to be understood myself. I'm afraid of the quick judgments and mistakes that everybody makes. You can't fix them without time. I'm afraid of seeing snapshots instead of movies.
Ann Brashares (The Sisterhood of the Traveling Pants (Sisterhood, #1))
Sarat thought about how easy it would be to fix the mistake, to simply redraw the stars properly. But she knew that even broken history is history. The stars, cast wrong, must remain that way. It would be more wrong to change them.
Omar El Akkad (American War)
Mistakes make us human; don’t torture yourself over a choice you made four years ago. If you think you were wrong, make a plan to change what you can. Action is good. Choices are good. But guilt on its own never fixed anyone’s problem.
Darcy Coates (The Haunting of Blackwood House)
I am so lucky. I used to think trust means "never let you down", but really, it's about love. Family can't always help fix a difficult situation, and everybody makes mistakes. We shouldn't expect perfect. But we can hope that the people we love love us enough to try to make it right.
Miranda Kenneally (Jesse's Girl (Hundred Oaks))
Dwelling on past mistakes did no good. Better to focus on the ones that could be fixed.
Megan Derr (Prisoner)
I know some mistakes can’t ever be fixed, but we’ve got to go on, don’t we, and try to make the most of what’s left.
Fonda Lee (Jade Legacy (The Green Bone Saga, #3))
there's no point in mourning mistakes when you can fix them
Jess Lourey (The Toadhouse Trilogy (The Toadhouse Trilogy, #1))
That they were torn from mistakes they had no chance to fix; everything unfinished. All the sins of love without detail, detail without love. The regret of having spoken, of having run out of time to speak. Of hoarding oneself. Of turning one’s back too often in favour of sleep. I tried to imagine their physical needs, the indignity of human needs grown so extreme they equal your longing for wife, child, sister, parent, friend. But truthfully I couldn’t even begin to imagine the trauma of their hearts, of being taken in the middle of their lives. Those with young children. Or those newly in love, wrenched from that state of grace. Or those who had lived invisibly, who were never know.
Anne Michaels (Fugitive Pieces)
What I mean is, it's not a matter of age. There are boys aged fifty, and men aged fifteen. It's all in what they do, not how old they are...A boy messes up with a lass, and he slinks off without fixing anything. A man makes a mistake, he fixes it. He apologizes.
Kate Quinn (The Alice Network)
The whole idea of losing one's virginity is kind of ridiculous. To lose something implies carelessness. A mistake that you can fix simply by recovering the lost object, like your cell phone or your glasses. Virginity is more like shedding something than losing it. As in, "Don't worry, Mom. You can call off the helicopters and police dogs. Turns out - get this - I didn't actually lose my virginity. I just cast it off somewhere between here and Monterey. Can you believe it? It could be anywhere by now, what with all that wind.
Sarah Ockler (Twenty Boy Summer)
The priest ...told me that I would burn if I did not cast my mind back over the sin of my life and pray for forgiveness. As though prayer could simply pluck sin out. But any woman knows that a thread, once woven, is fixed in place; the only way to smooth a mistake is to let it all unravel.
Hannah Kent (Burial Rites)
I let out another groan. “What if I lost her for good this time?” Garrett and Tucker instantly shake their heads. “You didn’t,” Garrett assures me. “How can you be so sure of that?” “Because she told you she loves you.” “You stupid jackass,” Tucker adds with a grin. I love you, you stupid jackass. Not the words a man wants to hear. The first three, sure. The last three? Pass. “How do I fix this?” I ask, sighing. “Quick. Write her another poem,” Garrett suggests. I scowl at him. “No, I think G’s onto something,” Tuck says. “I think the only way to save this is to bust out another grand gesture. What else was on her list?” “Nothing,” I moan. “I did everything on the list.” Tucker shrugs. “Then come up with something else.” A grand gesture? I’m a guy, damn it. I need direction. “Is Wellsy coming back here?” I ask Garrett. He smirks at my pleading tone. “Even if she is, I’m not letting you pick her brain. You’re gonna have to fix this one all on your own.” There’s a pause, and then… “You stupid jackass,” my friends say in unison.
Elle Kennedy (The Mistake (Off-Campus, #2))
sometimes people are broken and don’t know how to mend because they aren’t able to say what they need or deeply want. Sometimes you get to a point in life where you realize you’ve made a terrible mistake and you desperately need to fix it, but it’s so deep and bitterly ingrained you can’t start.
Loreth Anne White (A Dark Lure (A Dark Lure, #1))
Sometimes, there just isn't the opportunity or willingness to make things better. Sometime you can't simply have another go. You make a choice, and its a bad one, and you're left with it. No amount of trying again will fix it. Don't expect anyone to feel sorry for you, to cut you slack; you made a mistake and you'll have to live with it.
Dan Abnett (Sabbat Worlds (Gaunt's Ghosts Anthology))
A person can become tired of looking himself over and trying to fix himself up. You can spend the entire second half of your life recovering from the mistakes of the first half
Saul Bellow (Seize the Day)
The beauty in correcting our own mistakes; rather than attempting to correct the mistakes in others, is that working upon our own flaws improves us. But working upon the flaws of others not only leaves us unimproved; it actually leaves us being less than we were prior to making those assessments. I believe that the moral of this natural occurrence, is that we are all born to find and fix our own shortcomings; rather than find and fix the shortcomings in others. And if all people were to do this, then we would be a race of creatures looking inward, in order to bring out something better. Now think of what a beautiful race that would be.
C. JoyBell C.
It is a view of suffering, of the pain of others, that is rooted in religious thinking, which links pain to sacrifice, sacrifice to exaltation - a view that could not be more alien to a modern sensibility, which regards suffering as something that is a mistake or an accident or a crime. Something to be fixed. Something to be refused. Something that makes one feel powerless.
Susan Sontag (Regarding the Pain of Others)
People aren’t fundamentally good or bad. It’s all about the choices you make. You have to choose to be a good person over and over. You can’t change the past; you can’t fix the mistakes you’ve made. You just have to choose to be better.
Cameron Lund (Heartbreakers and Fakers)
I gained my wings when I believed they were there all along. It wasn't in the fixing or the healing of my personality that I recognised my worth it when I opened to the truth that I am whole right now, exactly as I am. Flaws, mistakes, fears.
Kelly Martin
Knowledge, of course, is always imperfect, but it seemed to me that when a nation goes to war it must have reasonable confidence in the justice and imperative of its cause. You can’t fix your mistakes. Once people are dead, you can’t make them undead.
Tim O'Brien (The Things They Carried)
Stop trying to heal yourself, fix yourself, even awaken yourself. Let go of letting go. Stop trying to fast-forward the movie of your life, chasing futures that never seem to arrive. Instead, bow deeply to yourself as you actually are. Your pain, your sorrow, your doubts, your deepest longing, your fearful thoughts...are not mistakes, and they aren't asking to be healing. They are asking to be held. Here, now, lightly, in the loving arms of present awareness.
Jeff Foster (Beyond Awakening: The End of the Spiritual Search)
Rather than trying to prevent all errors, we should assume, as is almost always the case, that our people’s intentions are good and that they want to solve problems. Give them responsibility, let the mistakes happen, and let people fix them. If there is fear, there is a reason—our job is to find the reason and to remedy it. Management’s job is not to prevent risk but to build the ability to recover.
Ed Catmull (Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration)
It takes a man a long time to learn all the lessons of all his mistakes. They say there are two sides to everything. But there is only one side to the stock market; and it is not the bull side or the bear side, but the right side. It took me longer to get that general principle fixed firmly in my mind
Edwin Lefèvre (Reminiscences of a Stock Operator)
In medical school, doctors are taught to view the human body as a random mistake-ridden vessel that has to be forced into submission with surgery, antibiotics, antihypertensives, antihistamines, anti-inflammatories, and other medical interventions. The natural extension of this paradigm over the past 100 years has been for the medical profession to condition human beings not to trust anyone but certified medical doctors to fix these defective aberrations of creation.
Suzanne Humphries (Dissolving Illusions)
Jacks of the Hollow," warned the queen. "Those arch stones can only be used one time to go back. They were not created for infinite trips to the past." "I know," Jacks growled. "I'm going to go back and stop your son from killing her." The queen's face fell. For a moment, she looked as old as the years she'd spent lying in a suspended state. "That is not a small mistake to fix. If you do this, Time will take something equally valuable from you." The Fate gave the queen a look more vicious than any curse. "There is nothing of equal value to me.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
And, increasingly, I find myself fixing on that refusal to pull back. Because I don’t care what anyone says or how often or winningly they say it: no one will ever, ever be able to persuade me that life is some awesome, rewarding treat. Because, here’s the truth: life is catastrophe. The basic fact of existence—of walking around trying to feed ourselves and find friends and whatever else we do—is catastrophe. Forget all this ridiculous ‘Our Town’ nonsense everyone talks: the miracle of a newborn babe, the joy of one simple blossom, Life You Are Too Wonderful To Grasp, &c. For me—and I’ll keep repeating it doggedly till I die, till I fall over on my ungrateful nihilistic face and am too weak to say it: better never born, than born into this cesspool. Sinkhole of hospital beds, coffins, and broken hearts. No release, no appeal, no “do-overs” to employ a favored phrase of Xandra’s, no way forward but age and loss, and no way out but death. [“Complaints bureau!” I remember Boris grousing as a child, one afternoon at his house when we had got off on the vaguely metaphysical subject of our mothers: why they—angels, goddesses—had to die? while our awful fathers thrived, and boozed, and sprawled, and muddled on, and continued to stumble about and wreak havoc, in seemingly indefatigable health? “They took the wrong ones! Mistake was made! Everything is unfair! Who do we complain to, in this shitty place? Who is in charge here?”] And—maybe it’s ridiculous to go on in this vein, although it doesn’t matter since no one’s ever going to see this—but does it make any sense at all to know that it ends badly for all of us, even the happiest of us, and that we all lose everything that matters in the end—and yet to know as well, despite all this, as cruelly as the game is stacked, that it’s possible to play it with a kind of joy?
Donna Tartt (The Goldfinch)
The Tomorrow Man theory. It’s pretty basic. Today, right here, you are who you are. Tomorrow, you will be who you will be. Each and every night, we lie down to die, and each morning we arise, reborn. Now, those who are in good spirits, with strong mental health, they look out for their Tomorrow Man. They eat right today, they drink right today, they go to sleep early today–all so that Tomorrow Man, when he awakes in his bed reborn as Today Man, thanks Yesterday Man. He looks upon him fondly as a child might a good parent. He knows that someone–himself–was looking out for him. He feels cared for, and respected. Loved, in a word. And now he has a legacy to pass on to his subsequent selves…. But those who are in a bad way, with poor mental health, they constantly leave these messes for Tomorrow Man to clean up. They eat whatever the hell they want, drink like the night will never end, and then fall asleep to forget. They don’t respect Tomorrow Man because they don’t think through the fact that Tomorrow Man will be them. So then they wake up, new Today Man, groaning at the disrespect Yesterday Man showed them. Wondering why does that guy–myself–keep punishing me? But they never learn and instead come to settle for that behavior, eventually learning to ask and expect nothing of themselves. They pass along these same bad habits tomorrow and tomorrow and tomorrow, and it becomes psychologically genetic, like a curse. Looking at you now, Maven, I can see exactly where you fall on this spectrum. You are a man constantly trying to fix today what Yesterday Man did to you. You make up your bed, you clean those dirty dishes from the night before, and pledge not to start drinking until six, thinking that’s the way to keep an even keel. But in reality you’re always playing catch-up. I know this because I’ve been there. The thing is–you can’t fix the mistakes of Yesterday. Yesterday Man is dead, he’s gone forever, and blame and atonement aren’t worth a damn. What you can do is help yourself today. Eat a vegetable. Read a book. Cut that hair of yours. Leave Tomorrow Man something more than a headache and a jam-packed colon. Do for Tomorrow Man what you would have wanted Yesterday Man to do for you.
Chuck Hogan
It’s easy to point out someone else’s mistake, harder to recognize your own. Especially because most people—except the lucky few like ourselves—are forced to live with their mistakes. So they learn to justify their mistakes, build on them, until they can look back and convince themselves that their mistake was inevitable all along, a good choice, in fact. An unwed teenage mother can look back at her unexpected pregnancy fondly six years down the road once the child’s out of her hair and in school all day. She wouldn’t dare go back and fix that mistake because it’s become part of her life.
Andrea Lochen (The Repeat Year)
Mistake good because you learn, you fix.” “I don’t know how,” said Rosie. “Middle way.” “At home, there is no middle way. You’re male or you’re female. There’s no in between. You conform or you hide. You conform or you’re wrong. If you dress like a girl, then you have to be a girl, all girl, and if any part of you’s not, that’s not okay.” “Not just middle way between male and female. Middle way of being. Middle way of living with what is hard and who do not accept you.
Laurie Frankel (This Is How It Always Is)
is that we can fix our mistakes sometimes. We learn from them. We get better. I never made a mistake like the one I made with Tourteau again, not with anyone in my life. And I have had a very, very long life. You will learn from your mistake, too. You must promise yourself that you will never behave like that with anyone else again. One mistake does not define you, Julian. Do you understand me? You must simply act better next time.” I nodded, but I still cried for a long, long time after that.
R.J. Palacio (Wonder)
But the thought of being associated with that other version of herself was horrifying now. That Rosaland was an enemy, someone she had to push farther and farther into the recesses of her mind, someone she could never think about too much lest she make a return. The Rosalind who was here today could never reacquaint herself with her former remnant; she was too busy trying to fix that girl's damn mistakes
Chloe Gong (Foul Lady Fortune (Foul Lady Fortune, #1))
While most science moves in a sort of curve, being constantly corrected by new evidence, this science flies off into space in a straight line uncorrected by anything. But the habit of forming conclusions, as they can really be formed in more fruitful fields, is so fixed in the scientific mind that it cannot resist talking like this. It talks about the idea suggested by one scrap of bone as if it were something like the aeroplane which is constructed at last out of whole scrapheaps of scraps of metal. The trouble with the professor of the prehistoric is that he cannot scrap his scrap. The marvellous and triumphant aeroplane is made out of a hundred mistakes. The student of origins can only make one mistake and stick to it.
G.K. Chesterton (The Everlasting Man)
I’ll do whatever I have to in order to be worthy of her. She’s everything I’ve ever wanted.” “Don’t change for her. She made that mistake with me. She fell in love with you just the way you are. Just be you, Beau. Just be you.” She loved me. Hearing those words sent a shiver of pleasure over me. I’d finally won my girl. “She had Mr. Perfect and she wanted me instead. Doesn’t make any sense,” I said, grinning over at Sawyer. “There’s no accounting for taste,” he chuckled and elbowed me in the ribs. “Go get her, man. She’s convinced she has to step out of our lives so we can fix our relationship. Her heart’s breaking. I could see it in her eyes. She is ready to sacrifice her happiness in order to do what she thinks is best for you. Go put the girl out of her misery.” Step out of my life. Like hell. I slapped Sawyer on the back and headed out to set her straight. But first I was going to feast on those full lips of hers that were all puckered up in a frown.
Abbi Glines (The Vincent Boys (The Vincent Boys, #1))
My heart seemed to stop. Garret paused, as if gathering his thoughts, or his courage, then took a deep breath. “I know I’ve made mistakes,” he continued, shaking his head. “But there’s still the chance for me to fix them. I shouldn’t have walked out that night.” His brow creased, a flicker of pain and regret going through his eyes. “Ember, I know you can’t feel what I do,” he said. “I get that. But…I want to be with you. And if that’s not possible, I’ll be content just to be close. Fighting Talon with you and Riley, helping people, saving other dragons from the Order-there is nothing I want more. And nowhere else I want to be.
Julie Kagawa (Soldier (Talon, #3))
What rhymes with insensitive?” I tap my pen on the kitchen table, beyond frustrated with my current task. Who knew rhyming was so fucking difficult? Garrett, who’s dicing onions at the counter, glances over. “Sensitive,” he says helpfully. “Yes, G, I’ll be sure to rhyme insensitive with sensitive. Gold star for you.” On the other side of the kitchen, Tucker finishes loading the dishwasher and turns to frown at me. “What the hell are you doing over there, anyway? You’ve been scribbling on that notepad for the past hour.” “I’m writing a love poem,” I answer without thinking. Then I slam my lips together, realizing what I’ve done. Dead silence crashes over the kitchen. Garrett and Tucker exchange a look. An extremely long look. Then, perfectly synchronized, their heads shift in my direction, and they stare at me as if I’ve just escaped from a mental institution. I may as well have. There’s no other reason for why I’m voluntarily writing poetry right now. And that’s not even the craziest item on Grace’s list. That’s right. I said it. List. The little brat texted me not one, not two, but six tasks to complete before she agrees to a date. Or maybe gestures is a better way to phrase it... “I just have one question,” Garrett starts. “Really?” Tuck says. “Because I have many.” Sighing, I put my pen down. “Go ahead. Get it out of your systems.” Garrett crosses his arms. “This is for a chick, right? Because if you’re doing it for funsies, then that’s just plain weird.” “It’s for Grace,” I reply through clenched teeth. My best friend nods solemnly. Then he keels over. Asshole. I scowl as he clutches his side, his broad back shuddering with each bellowing laugh. And even while racked with laughter, he manages to pull his phone from his pocket and start typing. “What are you doing?” I demand. “Texting Wellsy. She needs to know this.” “I hate you.” I’m so busy glaring at Garrett that I don’t notice what Tucker’s up to until it’s too late. He snatches the notepad from the table, studies it, and hoots loudly. “Holy shit. G, he rhymed jackass with Cutlass.” “Cutlass?” Garrett wheezes. “Like the sword?” “The car,” I mutter. “I was comparing her lips to this cherry-red Cutlass I fixed up when I was a kid. Drawing on my own experience, that kind of thing.” Tucker shakes his head in exasperation. “You should have compared them to cherries, dumbass.” He’s right. I should have. I’m a terrible poet and I do know it. “Hey,” I say as inspiration strikes. “What if I steal the words to “Amazing Grace”? I can change it to…um…Terrific Grace.” “Yup,” Garrett cracks. “Pure gold right there. Terrific Grace.” I ponder the next line. “How sweet…” “Your ass,” Tucker supplies. Garrett snorts. “Brilliant minds at work. Terrific Grace, how sweet your ass.” He types on his phone again. “Jesus Christ, will you quit dictating this conversation to Hannah?” I grumble. “Bros before hos, dude.” “Call my girlfriend a ho one more time and you won’t have a bro.” Tucker chuckles. “Seriously, why are you writing poetry for this chick?” “Because I’m trying to win her back. This is one of her requirements.” That gets Garrett’s attention. He perks up, phone poised in hand as he asks, “What are the other ones?” “None of your fucking business.” “Golly gee, if you do half as good a job on those as you’re doing with this epic poem, then you’ll get her back in no time!” I give him the finger. “Sarcasm not appreciated.” Then I swipe the notepad from Tuck’s hand and head for the doorway. “PS? Next time either of you need to score points with your ladies? Don’t ask me for help. Jackasses.” Their wild laughter follows me all the way upstairs. I duck into my room and kick the door shut, then spend the next hour typing up the sorriest excuse for poetry on my laptop. Jesus. I’m putting more effort into this damn poem than for my actual classes.
Elle Kennedy (The Mistake (Off-Campus, #2))
Ask me anything, Bailey challenged. What are you scared of? The question got out of Tibby's mouth before she meant to ask it. Bailey thought. I'm afriad of time, she answered. She was brave, unflinching in the big Cyclops eye of the camera. There was nothing prissy or self-conscious about Bailey. I mean, I'm afraid of not having enough time, she clarified. Not enough time to understand people, how they really are, or to be understood myself. I'm afraid of the quick judgments and mistakes that eerybody makes. You can't fix them without time. I'm afraid of seeing snapshots instead of movies. Tibby looked at her in disbelief. She was struck by this new side of Bailey, this philosophical-beyond-her-years Bailey. Did cancer make you wise? Did those chemicals and X rays supercharge her twelve-year-old brain?
Ann Brashares
There are parts of me that are broken. Thank you, they don't need fixing. There are places and people that I don't 'fit in' with. Thank you, I don't belong. There are words that have a comletely different meaning to me than for others. Thank you, I appreciate my own unique values. There are moments that I feel all alone in the world. Thank you, I rather enjoy and appreciate my solitude. There are people who judge me because they find me to be too shallow or too deep. Thank you, I love exploring the entirety of the ocean. There are people who truly love and value me just as I am. Thank you, you enrich my life profoundly. There is always room for expansion to grow, grace for every mistake, strength made perfect in every weakness and highest kudos for the courage to continue this adventurous soul mission called Life. Thank you, I am truly happy to be here.
Mishi McCoy
Ego is not an object; it’s more like a process that follows through on the proclivity for grasping, and for holding on to fixed ideas and identities. What we call ego is really an ever-changing perception, and although it is central to our narrative story, it is not a thing. It therefore cannot really die, and cannot be killed or transcended. This tendency for grasping arises when we misperceive the constant flow of our body and mind and mistake it for a solid, unchanging self. We do not need to get rid of the ego—this unchanging, solid, and unhealthy sense of self— because it never existed in the first place. The key point is that there is no ego to kill.
Yongey Mingyur (In Love with the World: What a Buddhist Monk Can Teach You About Living from Nearly Dying)
Pain and grief have been kept buried for ages, bred in secrecy and shame, wrapped by an ongoing conspiracy of smiles and well-being. Pain and grief are most healing and ecstatic emotions. Yes, sure, they can be hard, yet what makes them most devastating is the perverted idea that they are wrong, that they need to be hidden and fixed. The greatest perversion I can conceive is the idea that illness and pain are a sign that there is something wrong in our life, that we have unresolved issues, that we have made mistakes. In this world everyone is bound to get ill, experience pain and die. The greatest gift I can give to myself and the world is the joyful acceptance of this. Today I want to be real, I will not hide my pain as well as my happiness. I will not care if my gloomy face or desperate words cause concern or embarrassment in others. I do not need be fed with reassuring words about the beauty of life. The beauty of life resides in the full acceptance of All That Is.
Franco Santoro
I'm sorry l haven 't talked to you in so long. I feel l've been lost... no bearings, no compass. I kept crashing into things, a little crazy, I guess. l've never been lost before. You were my true north. l could always steer for home when you were my home. Forgive me for being so angry when you left. l still think some mistake's been made... and l'm waiting for God to take it back. But l'm doing better now. The work helps me. Most of all, you help me. You came into my dream last night with that smile that always held me like a lover... rocked me like a child. All l remember from the dream is a feeling of peace. l woke up with that feeling and tried to keep it alive as long as l could. l'm writing to tell you that l'm on a journey toward that peace. And to tell you l'm sorry about so many things. l'm sorry l didn't take better care of you so that you never spent one minute being cold or scared or sick. I'm sorry I didn't try harder to find the words to tell you what I was feeling. I'm sorry I never fixed the screen door. I fixed it now. I'm sorry I ever fought with you. I'm sorry I didn't apologize more. I was too proud. I'm sorry I didn't bring you more compliments on everything you wore and every way you fixed your hair. I'm sorry I didn't hold on to you with so much strength that even God couldn't pull you away. All my love.
Nicholas Sparks (Message in a Bottle)
When you make a mistake with metal, you can melt things down and start afresh. It is irritating, and it costs in time and soot and sweat, but it can be done. There is a comfort in iron, knowing that a fresh start is always possible. But a city is not a sword. It is a living thing, and living things defy simple fixing. Roots cannot be reforged. They scar, and broken branches must be cut and sealed with tar, and this makes me angry, as it always has, and my anger has no place to go. It was easier when I was young. I could use my anger like a hammer against the world. I was so sure of myself and my friends and my rightness. I would hammer at the world, and breaking felt like making to me, and I was good at it. And while I was not wrong, neither was I entirely right. Nothing is simple. I do not work in wood. I am not brave enough for that. There is a comfort in iron, a promise of safety, a second chance if mistakes are made. But a city is more a forest than a sword. No, it needs more tending than that. Perhaps a city is like a garden, then. So these days, it seems I have become a gardener. I dig foundations in the earth. I sow rows of houses. I plan and plant. I watch the skies for rain and ruin. I cannot help but think that you would be better at this, but circumstance has put both of us in our own odd place. You are forced to be a hammer in the world, and my ungentle hands are learning how to tend a plot of land. We must do what we can do. Did you know that there are some seeds that cannot sprout unless they are first burned? A friend once told me that. She was– she was a bookish sort. I think of gardening constantly these days. I wear your gift, and I think of you, and I think it is interesting that there are some living things that need to pass through fire before they flourish. I ramble. You have the heart of a gardener, and because of this, you think of consequence, and your current path pains you. I am not wise, and I do not give advice, but I have come to know a few things: sometimes breaking is making, even iron can start again, and there are many things that move through fire and find themselves much better for it afterward.
Patrick Rothfuss
Did you know this is how other families are?...What a peaceful existence. What a joy their lives must be. They open a door and all they've got behind it is a bathroom or living room. Just neutral spaces. And not this endless maze of present rooms and past rooms and the things said in them years ago and everybody's old historical shit all over the place. They're not constantly making the same old mistakes. They're not always hearing the same old shit. They don't do public performances of angst on public transport. Really, these people exist. I'm telling you. The biggest traumas of their lives are things like recarpeting. Bill-paying. Gate-fixing. They don't mind what their kids do in life as long as they're reasonably, you know, healthy. Happy. And every single fucking day is not this huge battle between who they are and who they should be, what they were and what they will be. Go on, ask them. And they'll tell you. No mosque. Maybe a little church. Hardly any sin. Plenty of forgiveness. No attics. No shit in attics. No skeletons in cupboards. No great-grandfathers. I will put twenty quid down now that Samad is the only person in here who knows the inside bloody leg measurement of his great-grandfather. And you know why they don't know? Because it doesn't fucking matter. As far as they're concerned, it's the past. This is what it's like in other families. They're not self-indulgent. They don't run around relishing, relishing the fact that they are utterly dysfunctional. They don't spend their time trying to find ways to make their lives more complicated. They just get on with it.
Zadie Smith (White Teeth)
Do not focus your gaze on things that are wrong, for what you see, slowly begins to penetrate you. You are addicted to fixing your eyes on the wrong; you pay attention only to what is wrong inside you. The angry man concentrates on his anger, and how to get rid of it. Though he wants to get rid of the anger, he is actually concentrating on that white line of anger within him; the more he concentrates the more he is hypnotized by it. Don’t worry! Everybody is! Don’t focus your eyes on the anger, but concentrate on compassion. Concentrate on what is right. As the right gets more and more energy, the strength of the wrong gets weaker and weaker. Ultimately it will disappear. This happens because energy is one; you cannot use it in two ways. If you have utilized your energy in becoming peaceful, you would have no energy for restlessness. All your energy has moved towards peace, and if you have had a taste of peace and serenity, why bother to become restless? You can maintain your restlessness only if you have never known the flavour of serenity. You can dive into the pleasures of the world only if you have not tasted the divine.
Osho (Bliss: Living beyond happiness and misery)
My Dearest, Can you forgive me? In a world that I seldom understand, there are winds of destiny that blow when we least expect them. Sometimes they gust with the fury of a hurricane, sometimes they barely fan one’s cheek. But the winds cannot be denied, bringing as they often do a future that is impossible to ignore. You, my darling, are the wind that I did not anticipate, the wind that has gusted more strongly than I ever imagined possible. You are my destiny. I was wrong, so wrong, to ignore what was obvious, and I beg your forgiveness. Like a cautious traveler, I tried to protect myself from the wind and lost my soul instead. I was a fool to ignore my destiny, but even fools have feelings, and I’ve come to realize that you are the most important thing that I have in this world. I know I am not perfect. I’ve made more mistakes in the past few months than some make in a lifetime. I was wrong to deny what was obvious in my heart: that I can’t go on without you. You were right about everything. I tried to deny the things you were saying, even though I knew they were true. Like one who gazes only backward on a trip across the country, I ignored what lay ahead. I missed the beauty of a coming sunrise, the wonder of anticipation that makes life worthwhile. It was wrong of me to do that, a product of my confusion, and I wish I had come to understand that sooner. Now, though, with my gaze fixed toward the future, I see your face and hear your voice, certain that this is the path I must follow. It is my deepest wish that you give me one more chance. For the first few days after you left, I wanted to believe that I could go on as I always had. But I couldn’t. I knew in my heart that my life would never be the same again. I wanted you back, more than I imagined possible, yet whenever I conjured you up, I kept hearing your words in our last conversation. No matter how much I loved you, I knew it wasn’t going to be possible unless we—both of us—were sure I would devote myself fully to the path that lay ahead. I continued to be troubled by these thoughts until late last night when the answer finally came to me. Oh, I am sorry, so very sorry, that I ever hurt you. Maybe I’m too late now. I don’t know. I love you and always will. I am tired of being alone. I see children crying and laughing as they play in the sand, and I realize I want to have children with you. I am sick and sad without you. As I sit here in the kitchen, I am praying that you will let me come back to you, this time forever.
Nicholas Sparks (Message in a Bottle)
Ethan’s parents constantly told him how brainy he was. “You’re so smart! You can do anything, Ethan. We are so proud of you, they would say every time he sailed through a math test. Or a spelling test. Or any test. With the best of intentions, they consistently tethered Ethan’s accomplishment to some innate characteristic of his intellectual prowess. Researchers call this “appealing to fixed mindsets.” The parents had no idea that this form of praise was toxic.   Little Ethan quickly learned that any academic achievement that required no effort was the behavior that defined his gift. When he hit junior high school, he ran into subjects that did require effort. He could no longer sail through, and, for the first time, he started making mistakes. But he did not see these errors as opportunities for improvement. After all, he was smart because he could mysteriously grasp things quickly. And if he could no longer grasp things quickly, what did that imply? That he was no longer smart. Since he didn’t know the ingredients making him successful, he didn’t know what to do when he failed. You don’t have to hit that brick wall very often before you get discouraged, then depressed. Quite simply, Ethan quit trying. His grades collapsed. What happens when you say, ‘You’re so smart’   Research shows that Ethan’s unfortunate story is typical of kids regularly praised for some fixed characteristic. If you praise your child this way, three things are statistically likely to happen:   First, your child will begin to perceive mistakes as failures. Because you told her that success was due to some static ability over which she had no control, she will start to think of failure (such as a bad grade) as a static thing, too—now perceived as a lack of ability. Successes are thought of as gifts rather than the governable product of effort.   Second, perhaps as a reaction to the first, she will become more concerned with looking smart than with actually learning something. (Though Ethan was intelligent, he was more preoccupied with breezing through and appearing smart to the people who mattered to him. He developed little regard for learning.)   Third, she will be less willing to confront the reasons behind any deficiencies, less willing to make an effort. Such kids have a difficult time admitting errors. There is simply too much at stake for failure.       What to say instead: ‘You really worked hard’   What should Ethan’s parents have done? Research shows a simple solution. Rather than praising him for being smart, they should have praised him for working hard. On the successful completion of a test, they should not have said,“I’m so proud of you. You’re so smart. They should have said, “I’m so proud of you. You must have really studied hard”. This appeals to controllable effort rather than to unchangeable talent. It’s called “growth mindset” praise.
John Medina (Brain Rules for Baby: How to Raise a Smart and Happy Child from Zero to Five)
On Turgenev: He knew from Lavrov that I was an enthusiastic admirer of his writings; and one day, as we were returning in a carriage from a visit to Antokolsky's studio, he asked me what I thought of Bazarov. I frankly replied, 'Bazaraov is an admirable painting of the nihilist, but one feels that you did not love him as mush as you did your other heroes.' 'On the contrary, I loved him, intensely loved him,' Turgenev replied, with an unexpected vigor. 'When we get home I will show you my diary, in which I have noted how I wept when I had ended the novel with Bazarov's death.' Turgenev certainly loved the intellectual aspect of Bazarov. He so identified himself with the nihilist philosophy of his hero that he even kept a diary in his name, appreciating the current events from Bazarov's point of view. But I think that he admired him more than he loved him. In a brilliant lecture on Hamlet and Don Quixote, he divided the history makers of mankind into two classes, represented by one or the other of these characters. 'Analysis first of all, and then egotism, and therefore no faith,--an egotist cannot even believe in himself:' so he characterized Hamlet. 'Therefore he is a skeptic, and never will achieve anything; while Don Quixote, who fights against windmills, and takes a barber's plate for the magic helmet of Mambrino (who of us has never made the same mistake?), is a leader of the masses, because the masses always follow those who, taking no heed of the sarcasms of the majority, or even of persecutions, march straight forward, keeping their eyes fixed upon a goal which is seen, perhaps, by no one but themselves. They search, they fall, but they rise again and find it,--and by right, too. Yet, although Hamlet is a skeptic, and disbelieves in Good, he does not disbelieve in Evil. He hates it; Evil and Deceit are his enemies; and his skepticism is not indifferentism, but only negation and doubt, which finally consume his will.' These thought of Turgenev give, I think, the true key for understanding his relations to his heroes. He himself and several of his best friends belonged more or less to the Hamlets. He loved Hamlet, and admired Don Quixote. So he admired also Bazarov. He represented his superiority admirably well, he understood the tragic character of his isolated position, but he could not surround him with that tender, poetical love which he bestowed as on a sick friend, when his heroes approached the Hamlet type. It would have been out of place.
Pyotr Kropotkin (Memoirs of a Revolutionist)
those who gave me the most pleasure. You know why? Because you’re an idiot, and even to fuck well it takes a little intelligence. For example you don’t know how to give a blow job, you’re hopeless, and it’s pointless to explain it to you, you can’t do it, it’s too obvious that it disgusts you. And he went on like that for a while, making speeches that became increasingly crude; with him vulgarity was normal. Then he wanted to explain clearly how things stood: he was marrying her because of the respect he felt for her father, a skilled pastry maker he was fond of; he was marrying her because one had to have a wife and even children and even an official house. But there should be no mistake: she was nothing to him, he hadn’t put her on a pedestal, she wasn’t the one he loved best, so she had better not be a pain in the ass, believing she had some rights. Brutal words. At a certain point Michele himself must have realized it, and he became gripped by a kind of melancholy. He had murmured that women for him were all games with a few holes for playing in. All. All except one. Lina was the only woman in the world he loved—love, yes, as in the films—and respected. He told me, Gigliola sobbed, that she would have known how to furnish this house. He told me that giving her money to spend, yes, that would be a pleasure. He told me that with her he could have become truly important, in Naples. He said to me: You remember what she did with the wedding photo, you remember how she fixed up the shop? And you, and Pinuccia, and all the others, what the fuck are you, what the fuck do you know how to do? He had said those things to her and not only those. He had told her that he thought about Lila night and day, but not with normal desire, his desire for her didn’t resemble what he knew. In reality he didn’t want her. That is, he didn’t want her the way he generally wanted women, to feel them under him, to turn them over, turn them again, open them up, break them, step on them, and crush them. He didn’t want her in order to have sex and then forget her. He wanted the subtlety of her mind with all its ideas. He wanted her imagination. And he wanted her without ruining her, to make her last. He wanted her not to screw her—that word applied to Lila disturbed him. He wanted to kiss her and caress her. He wanted to be caressed, helped, guided, commanded. He wanted to see how she changed with the passage of time, how she aged. He wanted to talk with her and be helped to talk. You understand? He spoke of her in way that to me, to me—when we are about to get married—he has never spoken.
Elena Ferrante (Those Who Leave and Those Who Stay)
Mr. Rohan,” she heard Beatrix ask, “are you going to marry my sister?” Amelia choked on her tea and set the cup down. She sputtered and coughed into her napkin. “Hush, Beatrix,” Win murmured. “But she’s wearing his ring—” Poppy clamped her hand over Beatrix’s mouth. “Hush!” “I might,” Cam replied. His eyes sparkled with mischief as he continued. “I find your sister a bit lacking in humor. And she doesn’t seem particularly obedient. On the other hand—” One set of French doors flew open, accompanied by the sound of breaking glass. Everyone on the back terrace looked up in startlement, the men rising from their chairs. “No,” came Win’s soft cry. Merripen stood there, having dragged himself from his sickbed. He was bandaged and disheveled, but he looked far from helpless. He looked like a maddened bull, his dark head lowered, his hands clenched into massive fists. And his stare, promising death, was firmly fixed on Cam. There was no mistaking the bloodlust of a Roma whose kinswoman had been dishonored. “Oh, God,” Amelia muttered. Cam, who stood beside her chair, glanced down at her questioningly. “Did you say something to him?” Amelia turned red as she recalled her blood-spotted nightgown and the maid’s expression. “It must have been servants’ talk.” Cam stared at the enraged giant with resignation. “You may be in luck,” he said to Amelia. “It looks as if our betrothal is going to end prematurely.” She made to stand beside him, but he pressed her back into the chair. “Stay out of this. I don’t want you hurt in the fray.” “He won’t hurt me,” Amelia said curtly. “It’s you he wants to slaughter.” Holding Merripen’s gaze, Cam moved slowly away from the table. “Is there something you’d like to discuss, chal?” he asked with admirable self-possession. Merripen replied in Romany. Although no one save Cam understood what he said, it was clearly not encouraging. “I’m going to marry her,” Cam said, as if to pacify him. “That’s even worse!” Merripen moved forward, murder in his eyes. Lord St. Vincent swiftly interceded, stepping between the pair. Like Cam, he’d had his share of putting down fights at the gambling club. He lifted his hands in a staying gesture and spoke smoothly. “Easy, large fellow. I’m sure you can find a way to resolve your differences in a reasonable fashion.” “Get out of my way,” Merripen growled, putting an end to the notion of civilized discourse. St. Vincent’s pleasant expression didn’t change. “You have a point. There’s nothing so tiresome as being reasonable. I myself avoid it whenever possible. Still, I’m afraid you can’t brawl when there are ladies present. It might give them ideas.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))