Five O'clock Quotes

We've searched our database for all the quotes and captions related to Five O'clock. Here they are! All 200 of them:

I'll come and make love to you at five o'clock. If I'm late start without me.
Tallulah Bankhead
Have you kissed many boys before?" he asked quietly. His question brought my mind back into focus. I raised an eyebrow. "Boys? That's an assumption." Noah laughed, the sound low and husky. "Girls, then?" "No." "Not many girls? Or not many boys?" "Neither," I said. Let him make of that what he would. "How many?" "Why—" "I am taking away that word. You are no longer allowed to use it. How many?" My cheeks flushed, but my voice was steady as I answered. "One." At this, Noah leaned in impossibly closer, the slender muscles in his forearm flexing as he bent his elbow to bring himself nearer to me, almost touching. I was heady with the proximity of him and grew legitimately concerned that my heart might explode. Maybe Noah wasn't asking. Maybe I didn't mind. I closed my eyes and felt Noah's five o' clock graze my jaw, and the faintest whisper of his lips at my ear. "He was doing it wrong.
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
I wish we could spend July by the sea, browning ourselves and feeling water-weighted hair flow behind us from a dive. I wish our gravest concerns were the summer gnats. I wish we were hungry for hot dogs and dopes, and it would be nice to smell the starch of summer linens and the faint odor of talc in blistering summer bath houses ... We could lie in long citoneuse beams of the five o'clock sun on the plage at Juan-les-Pins and hear the sound of the drum and piano being scooped out to sea by the waves.
Zelda Fitzgerald (Dear Scott, Dearest Zelda: The Love Letters of F. Scott and Zelda Fitzgerald)
When the tea is brought at five o'clock And all the neat curtains are drawn with care, The little black cat with bright green eyes Is suddenly purring there.
Harold Monro (Collected Poems)
You should see my corgis at sunset in the snow. It's their finest hour. About five o'clock they glow like copper. Then they come in and lie in front of the fire like a string of sausages.
Tasha Tudor (The Private World of Tasha Tudor)
Fridays are absolutely without a doubt the best day of the week, five grueling days of the same routine seem to melt at three o'clock on Friday afternoon. There's a sense of magic there, everything smells better, tastes better, and the colors are brighter. As opposed to Sunday evenings when everything begins to get dim all over again.
Stefanie Ellis (Ashes (The Gray Area, #1))
Its five o'clock some where
Kenny Chesney
After another minute Reuben brought forth the following sentence: "I ha' scranleted two hundred furrows come five o'clock down i' the bute." It was a difficult remark, Flora felt, to which to reply.
Stella Gibbons (Cold Comfort Farm)
At five o'clock Paris always has a current of eroticism in the air.
Anaïs Nin
On game day, until five o'clock or so, the white desert light held off the essential Sunday gloom—autumn sinking into winter, loneliness of October dusk with school the next day—but there was always a long still moment toward the end of those football afternoons where the mood of the crowd turned and everything grew desolate and uncertain, onscreen and off, the sheet-metal glare off the patio glass fading to gold and then gray, long shadows and night falling into desert stillness, a sadness I couldn't shake off, a sense of silent people filing toward the stadium exits and cold rain falling in college towns back east.
Donna Tartt (The Goldfinch)
It was five o’clock when the stupid rooster started crowing relentlessly, robbing me of my sleep. The sun hadn’t even risen yet. Dumbass bird should be on Prozac.
Alison Bliss (Rules of Protection (Tangled in Texas, #1))
During his reading hours, which were between one and five o'clock in the morning, but not every morning, he had come to the disconcerting conclusion that whistling was not an important theme in literature.
Julio Cortázar (Hopscotch)
Would a minute have mattered? No, probably not, although his young son appeared to have a very accurate internal clock. Possibly even 2 minutes would be okay. Three minutes, even. You could go to five minutes, perhaps. But that was just it. If you could go for five minutes, then you'd go to ten, then half an hour, a couple of hours...and not see your son all evening. So that was that. Six o'clock, prompt. Every day. Read to young Sam. No excuses. He'd promised himself that. No excuses. No excuses at all. Once you had a good excuse, you opened the door to bad excuses.
Terry Pratchett (Thud! (Discworld, #34; City Watch #7))
Did you ever stand on a street corner in American at five o'clock in the morning? I did.
Jack Kerouac
What’s going on with your face, by the way?” Gansey rubbed his chin, rueful. His skin felt reluctantly stubbled. He knew he was being diverted, but he allowed it. “Is it growing?” “Dude, you aren’t really going to do that beard thing, are you? I thought you were joking. You know that stopped being cool in the fourteen century or whenever it was that Paul Bunyan lived.” Ronan looked over his shoulder at him. He was sporting the five o’clock shadow that he was capable of growing at any time of the day. “Just stop. You look mangy.” “It’s irrelevant. It’s not growing. I’m doomed to be a man-child.” “If you keep saying things like ‘man-child,’ we’re done,” Ronan said. “Hey, man. Don’t let it get you down. Once your balls drop, that beard’ll come in great.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
Yes," Bitterblue said. "I suppose you could convert everything into minutes. Twelve times sixty is seven hundred twenty, and fifteen times fifty is seven hundred fifty. So our seven-hundred-twenty-minute half day equals its seven-hundred-fifty-minute half day. Let's see...Right now, the watch reads a time of nearly twenty-five past two. That's one hundred twenty-five total minutes, which, divided by seven hundred fifty, should equal our time in minutes divided by seven hundred, seven hundred twenty times one hundred twenty-five is...give me a moment...ninety thousand...divided by seven hundred one hundred twenty...which means...well! The numbers are quite neat, aren't they? It's just about two o'clock. I should go home.
Kristin Cashore (Bitterblue (Graceling Realm, #3))
I am not going to guess, at five o'clock in the morning, with my brains frying and sputtering in my head. If you want me to guess, you must ask me to dinner.
Charles Dickens (A Tale of Two Cities)
We're coming for you whether the Muggles like it or not, you can't miss the World Cup, only Mum and Dad reckon it's better if we pretend to ask their permission first. If they say yes, send Pig back with your answer pronto, and we'll come and get you at five o'clock on Sunday. If they say no, send Pig back pronto and we'll come and get you at five o'clock on Sunday anyway.
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
I'll come and make love to you at five o'clock. If I'm late, start without me. Codeine...bourbon..." (Tallulah Bankhead's last coherent words).
Denis Brian (Tallulah, Darling: A Biography Of Tallulah Bankhead)
I ha' scranleted two hundred furrows come five o'clock down i' the bute.' It was a difficult remark, Flora felt, to which to reply. Was it a complaint? If so, one might say, 'My dear, how too sickening for you!' But then, it might be a boast, in which case the correct reply would be, 'Attaboy!' or more simply, 'Come, that's capital.' Weakly she fell back on the comparatively safe remark: 'Did you?' in a bright, interested voice.
Stella Gibbons (Cold Comfort Farm)
These summer nights are short. Going to bed before midnight is unthinkable and talk, wine, moonlight and the warm air are often in league to defer it one, two or three hours more. It seems only a moment after falling asleep out of doors that dawn touches one gently on the shoulder, and, completely refreshed, up one gets, or creeps into the shade or indoors for another luxurious couple of hours. The afternoon is the time for real sleep: into the abyss one goes to emerge when the colours begin to revive and the world to breathe again about five o'clock, ready once more for the rigours and pleasures of late afternoon, the evening, and the night.
Patrick Leigh Fermor (Mani: Travels in the Southern Peloponnese)
Edinburgh suited Ann; she liked the tall, dignified buildings of grey stone, the short days that sank into street-lamped evenings at five o'clock, and the dual personality of the city's main street, which on one side had glittering shops and on the other the green sweep of Princes Street Gardens.
Maggie O'Farrell (After You'd Gone)
I don’t write in the morning, my brain isn’t up to it yet, I don’t write in the afternoon, I’m too sad, I write from five o’clock on, I need to have been awake a long time, my body relaxed from a day’s fatigue.
Édouard Levé (Autoportrait)
Almanzo! What’s the matter? Be you sick? It’s five o’clock!
Laura Ingalls Wilder (Farmer Boy: Little House on the Prairie #2)
Here we go round the prickly pear Prickly pear prickly pear Here we go round the prickly pear At five o’clock in the morning. Between the idea And the reality Between the motion And the act Falls the Shadow For Thine is the Kingdom Between the conception And the creation Between the emotion And the response Falls the Shadow Life is very long Between the desire And the spasm Between the potency And the existence Between the essence And the descent Falls the Shadow For Thine is the Kingdom For Thine is Life is For Thine is the This is the way the world ends This is the way the world ends This is the way the world ends Not with a bang but a whimper.
T.S. Eliot (The Hollow Men)
She loved hockey. Loved the speed, the agility. The fights. The men. Brawny, sweaty, messy. They let their hair grown, though no one would ever accuse them of being feminine, not with perpetual five o'clock shadow and bulging muscles. They skated with the grace of ballet dancers and fought at the drop of a glove.
Stephanie Julian (How to Worship a Goddess (Forgotten Goddesses, #2))
No,' Dahlia said, 'because I think people like him think work is supposed to be drudgery punctuated by very occasional moments of happiness, but when I say happiness, I mostly mean distraction. You know what I mean?' 'No, please elaborate.' 'Okay, say you go into the break room,' she said, 'and a couple people you like are there, say someone's telling a funny story, you laugh a little, you feel included, everyone's so funny, you go back to your desk with a sort of, I don't know, I guess afterglow would be the word? You go back to your desk with an afterglow, but then by four or five o'clock the day's just turned into yet another day, and you go on like that, looking forward to five o'clock and then the weekend and then your two or three annual weeks of paid vacation time, day in day out, and that's what happens to your life.
Emily St. John Mandel (Station Eleven)
He was looking for programs on which he might be allowed to appear. But it was too early in the evening for programs that allowed people with peculiar opinions to speak out. It was only a little after eight o'clock, so all the shows were about silliness or murder.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
he was sporting a leather jacket and a five o’clock shadow that made you want to defy your parents, jump on the back of his motorcycle, and let him drive you off into the sunset after having had his name tattooed somewhere on your body.
Kelly Oram (Cinder & Ella (Cinder & Ella #1))
My dear, I could hardly keep still in my chair. I wanted to dash out of the house and leap in a taxi and say, "Take me to Charles's unhealthy pictures." Well, I went, but the gallery after luncheon was so full of absurd women in the sort of hats they should be made to eat, that I rested a little--I rested here with Cyril and Tom and these saucy boys. Then I came back at the unfashionable time of five o'clock, all agog, my dear; and what did I find? I found, my dear, a very naughty and very successful practical joke. It reminded me of dear Sebastian when he liked so much to dress up in false whiskers. It was charm again, my dear, simple, creamy English charm, playing tigers.
Evelyn Waugh (Brideshead Revisited)
He slid back again into his earlier position. "This getting up early," he thought, "makes a man quite idiotic. A man must have his sleep. Other travelling salesmen live like harem women. For instance, when I come back to the inn during the course of the morning to write up the necessary orders, these gentlemen are just sitting down to breakfast. If I were to try that with my boss, I'd be thrown out on the spot. Still, who knows whether that mightn't be really good for me? If I didn't hold back for my parents' sake, I'd have quit ages ago. I would've gone to the boss and told him just what I think from the bottom of my heart. He would've fallen right off his desk! How weird it is to sit up at that desk and talk down to the employee from way up there. The boss has trouble hearing, so the employee has to step up quite close to him. Anyway, I haven't completely given up that hope yet. Once I've got together the money to pay off my parents' debt to him—that should take another five or six years—I'll do it for sure. Then I'll make the big break. In any case, right now I have to get up. My train leaves at five o'clock
Franz Kafka (The Metamorphosis)
His baritone voice grits out, "Eyes on me. Now." I raise my eyes and peek up at him. He's got a punitive look in his eyes and his jaw is set. His ebony five o'clock shadow an angry mask. I've never seen him this way, but I kind of love it. Shh, don't tell anyone.
M.K. Gilher (Revival (Return to Us Trilogy, #1))
From five o’clock to eight is on certain occasions a little eternity; but on such an occasion as this the interval could be only an eternity of pleasure.
Henry James (The Portrait of a Lady)
I'll tell you," she says, getting up. "I just need a drink. You want one?" "Now?" Libby makes a face. "It's only midday." "It's five o'clock somewhere in the world.
Rebecca James
I love Israel, I go back all the time. I just love New York a little more. My workers are Arabs, my best friend is a black man from Alabama, my girlfriend's a Puerto Rican, and my landlord is a half-Jew bastard. You know what I did this morning? I read in the paper yesterday that the circus is setting up in the Madison Square Garden, they said the elephants would be walking through the Holland Tunnel at dawn. I'm a photographer a little too, you know? So I get up at five o'clock, bike over to the tunnel, and wait. It turns out the paper got it wrong, they came through the Lincoln, but still, you know? This is a hell of a place.
Richard Price
June 17, 1972. Nine o'clock Saturday morning. Early for the telephone. Woodward fumbled for the receiver and snapped awake. The city editor of the Washington Post was on the line. Five men had been arrested earlier that morning in a burglary attempt at Democratic headquarters, carrying photographic equipment and electronic gear. Could he come in?
Carl Bernstein (All the President's Men)
Sadly, in our technological, impersonal, and avaricious consumer society, people merely hold on to jobs. They put in their time, leave at the five o'clock bell, pick up their pay checks, and leave the whole business behind them. Work, for so many, becomes a necessary evil. They go at it grudgingly, at best resignedly. It is hard to fault them; the stressful conditions and uncertainty under which so many workers labor force them into an adversarial relationship with their occupations and employers.
Robert Dykstra (She Never Said Good-Bye)
Winter dark, five o'clock in the morning by the little gold carriage clock on the bedroom mantelpiece. The clock, an English one ('Better than a French one', her mother had instructed), had been one of her parents' wedding presents. When the creditors came to call after the society portraitist's death his widow hid the clock beneath her skirts, bemoaning the passing of the crinoline. Lottie appeared to chime on the quarter, disconcerting the creditors. Luckily they were not in the room when she struck the hour.
Kate Atkinson (Life After Life (Todd Family, #1))
It was then between one o'clock in the morning and half-past that hour; the sky soon cleared a bit before me, and the lunar crescent peeped out from behind the clouds - that sad crescent of the last quarter of the moon. The crescent of the new moon, that which rises at four or five o'clock in the evening, is clear, bright and silvery; but that which rises after midnight is red, sinister and disquieting; it is the true crescent of the witches' Sabbath: all night-walkers must have remarked the contrast. The first, even when it is as narrow as a silver thread, projects a cheery ray, which rejoices the heart, and casts on the ground sharply defined shadows; while the latter reflects only a mournful glow, so wan that the shadows are bleared and indistinct. ("Who Knows?")
Guy de Maupassant (Ghostly By Gaslight)
He was such a man now. I bet he could shave twice a day and still have a five o’clock shadow.
Christina Lauren (Beautiful Player (Beautiful Bastard, #3))
At five that night, I went back to the market and bought three sixteen-ounce Rainier Ales. I bounced back to my house, Mary Lou Retton-like, sipped the first ale, took the Valium, smoked a joint, drank the second ale, took another Valium, listened to “Into the Mystic” ten times, drank the third Ale, too the Valium and the Halcion, and discovered two unhappy thoughts. One was it was only seven o’clock. The second was that I was wide awake.
Anne Lamott (Traveling Mercies: Some Thoughts on Faith)
It was a joy, though, to get down into the valley and lose sight of all that open sky space underneath everything and finally, as it got graying five o'clocking, about a hundred yards from the other boys and walking alone, to just pick my way singing and thinking along the little black cruds of a deer trail through the rocks, no call to think or look ahead or worry, just follow the little balls of deer crud with your eyes cast down and enjoy life.
Jack Kerouac (The Dharma Bums)
The Major's wife and the daughter's been to Europe, and my wife tells me since they got back they make tea there every afternoon about five o'clock, and drink it. Seems to me it would go against a person's stomach, just before supper like that, and anyway tea isn't fit for much—not unless you're sick or something.
Booth Tarkington (The Magnificent Ambersons (The Growth Trilogy, #2))
Like a battalion of marines at roll call, her neck hairs marshaled to five-alarm status. She stumbled back to her desk, jerked open the botton drawer, retrieved a pair of Nighthawk binoculars, fixed the scopes on him, and fiddled with the focus. Gotcha. Hair the colour of coal. Chocolate brown eyes. A five-o'clock shadow ringing his craggy jawline. Handsome as the day was long... He sauntered towards her, oozing charisma from every pore. Charlee forgot to breathe. And then he committed the gravest sin of all, knocking her world helter-skelter. The scoundrel smiled.
Lori Wilde
Chapter 1 I was sitting in Tina's Sunset Restaurant, watching the outriggers shuffle lazily through the clear waters of Sabang Bay, when Tomboy took a seat opposite me, ordered a San Miguel from Tina's daughter, and told me someone else had to die. It was five o'clock in the afternoon, there wasn't a cloud in the sky, and up until that point I'd been in a good mood. I told him I didn't want to kill people anymore, that it was a part of my past I didn't want to be reminded of, and he replied that he understood all that, but once again we needed the money. 'It's just the way the cookie crumbles.' he added, with the sort of bullshit 'I share your suffering' expression an undertaker might give to one of his customer's relatives. Tomboy Darke was my business partner and a man with a cliche for every occasion, including murder.
Simon Kernick
Employment in the Small Bookstore" Twelve Poems, 1975 The dust is almost motionless in this narrowness, this stillness, yet how unlike a coffin it is, sometimes letting a live one in, sometimes out and the air, though paused, impends not a thing, the silence isn't sinister, and in fact not much goes on at the Ariel Book Shop today, no one weeps in the back room full of books, old books, no one is tearing the books to shreds, in fact I am merely sitting here talking to no one, no one being here, and I am blameless, More, I am grateful for the job, I am fond of the books and touch them, I am grateful that King St. goes down to the river, and that the rain is lovely, the afternoon green. If the soft falling away of the afternoon is all there is, it is nearly enough, just let me hear the beautiful clear voice of a woman in song passing toward silence, and then that will be all for me at five o'clock I will walk down to see the untended sailing yachts of the Potomac bobbing hopelessly in another silence, the small silence that gets to be a long one when the past stops talking to you because it is dead, and still you listen, hearing just the tiny agonies of old boats on a cloudy day, in cloudy water. Talk to it. Men are talking to it by Cape Charles, for them it's the same silence with fishing lines in their hands. We are all looking at the river bearing the wreckage so far away. We wonder how the river ever came to be so grey, and think that once there were some very big doings on this river, and now that is all over.
Denis Johnson (The Throne of the Third Heaven of the Nations Millennium General Assembly: Poems Collected and New)
His cheek touched mine as he spoke, his five o'clock shadow brushing lightly against my ear. I gripped the leathers seat below me, holding on desperately as though I'd melt to a puddle on the floor mats if I let go. He being completely ignorant to his effect on me only made it worse. There was a virginal purity about him that made me want to get him dirty.
Nicole Castle (Chance Assassin: A Story of Love, Luck, and Murder (Chance Assassin, #1))
As if adult males were completely self-sufficient beings, as if a penis and a five o’clock shadow were all they would ever need to get by.
Tom Perrotta (The Leftovers)
His soul stretched tight across the skies That fade behind a city block, Or trampled by insistent feet At four and five and six o’clock;
T.S. Eliot (The Waste Land, Prufrock and Other Poems)
The country does not wait to do its wild things just because you have not pulled into the driveway yet; it doesn’t wait for Friday evenings, or cease on Sundays at five o’clock.
Margaret Roach (And I Shall Have Some Peace There: Trading in the Fast Lane for My Own Dirt Road)
„Silas, it's not even five.” I moaned. „Rule numero uno this summer, it's five o'clock somewhere.
Adriane Leigh (The Morning After (Morning, #1))
I shouldn’t have come, and that’s the truth of it. It’s not even five o’clock in the afternoon, and I’m already fantasizing about a swift, painless coma. Something dramatic, involving a nice collapse to the floor, with my eyes rolling back in their sockets and my limbs shaking.
Maddie Dawson (Matchmaking for Beginners)
There are some occasions when you must not refuse a cup of tea, otherwise you are judged an exotic and barbarous bird without any hope of ever being able to take your place in civilised society. If you are invited to an English home, at five o’clock in the morning you get a cup of tea. It is either brought in by a heartily smiling hostess or an almost malevolently silent maid.
George Mikes (How to Be a Brit)
My father worked behind closed doors inside the house, had a huge ancient Latin dictionary on a wrought-iron stand, spoke Spanish on the phone, and drank sherry and ate raw meat, in the form of chorizo, at five o'clock. Until the day in the yard with my playmate I thought this was what fathers did. Then I began to catalog and notice. They mowed lawns. They drank beer. They played in the yard with their kids, walked around the block with their wives, piled into campers, and, when they went out, wore joke ties or polo shirts, not Phi Beta Kappa keys and tailored vests.
Alice Sebold (Lucky)
Computer business are like fruit market on a Saturday night. If you don't sell it at five o'clock, the price is down tomorrow because the fruit's no good the next day. You'd better sell it now.
Brian Bagnall (On the Edge: The Spectacular Rise and Fall of Commodore)
Tell a computer that it's five o'clock or ten fifty seven, and it doesn't care. Tell it that it's ninety-nine thousand AD, and it gets very upset. Tell it that time has stopped, and it has conniptions.
Richard Roberts (Please Don't Tell My Parents I've Got Henchmen (Please Don't Tell My Parents, #3))
After another minute Reuben brought forth the following sentence: ‘I ha’ scranleted two hundred furrows come five o’clock down i’ the bute.’ It was a difficult remark, Flora felt, to which to reply. Was
Stella Gibbons (Cold Comfort Farm)
Was that all right?" he asked, and all the helplessness I'd ever seen in him, that distant expression when he was making us disappear, or when I'd called him sick in the head, none of it compared to how exposed he was to me now. It wouldn't have taken a month of assassin training to kill him. I could've done it with one word. I lightly touched his face. It was rough under my hand, a five o'clock shadow at noon. "That was perfect.
Nicole Castle (Chance Assassin: A Story of Love, Luck, and Murder (Chance Assassin, #1))
He walked out into a different city, one that was perfumed by the last dahlias of June, and onto a street out of his youth, where the shadowy widows from five o'clock Mass were filing by. But now it was he, not they, who crossed the street, so they would not see the tears he could no longer hold back, not his midnight tears, as he thought, but other tears: the ones he had been swallowing for fifty-one years, nine months and four days.
Gabriel García Márquez
We don’t talk about that. We don’t talk about the fact that we can never hang out at Elody’s house after five o’clock because her mother will be home, and drunk. We don’t talk about the fact that Ally never eats more than a quarter of what’s on her plate, even though she’s obsessed with cooking and watches the Food Network for hours on end.
Lauren Oliver (Before I Fall)
The men, her husband and sons, leave for the quarry at seven o'clock sharp and return at five. What do they imagine she does all day? It makes her shiver to think of it, how not one pair of eyes can see through the roof and walls of her house and regard her as she moves through her dreamlike days, bargaining from minute to minute with indolence, that tempter.
Carol Shields (The Stone Diaries)
father worked behind closed doors inside the house, had a huge ancient Latin dictionary on a wrought-iron stand, spoke Spanish on the phone, and drank sherry and ate raw meat, in the form of chorizo, at five o’clock. Until the day in the yard with my
Alice Sebold (Lucky)
After dinner, at five o’clock, the crew distributed folding canvas cots to the passengers, and each person opened his bed wherever he could find room, arranged it with the bedclothes from his petate, and set the mosquito netting over that. Those with hammocks hung them in the salon, and those who had nothing slept on the tablecloths that were not changed more than twice during the trip.
Gabriel García Márquez (Love in the Time of Cholera)
Again at eight o’clock, when the dark lanes of the Forties were five deep with throbbing taxicabs, bound for the theater district, I felt a sinking in my heart. Forms leaned together in the taxis as they waited, and voices sang, and there was laughter from unheard jokes, and lighted cigarettes outlined unintelligible gestures inside. Imagining that I, too, was hurrying toward gayety and sharing their intimate excitement, I wished them well.
F. Scott Fitzgerald (The Great Gatsby)
Bleary-eyed one morning, with caffeine still missing from my system, I fumbled my way along the dusty path to the guest tents, calling out ‘Good morning!’ in as cheery a voice as the hour would allow (it was barely after five o’clock, and the sun had only just cracked the horizon). I heard a rhythmic thumping, getting rapidly louder, and I turned to find 1,600 pounds of pissed-off cow bearing down on me. Clearly it disagreed with my assessment of the morning.
Peter Allison (Whatever You Do, Don't Run: True Tales of a Botswana Safari Guide)
Early in March the crocuses crept alight, then blazed yellow and purple in the park. In fact it is about five o'clock in the evening that the first hour of spring strikes - autumn arrives in the early morning, but spring at the close of a winter day. The air, about to darken, quickens and is run through with mysterious white light; the curtain of darkness is suspended, as though for some unprecedented event. There is perhaps no sunset, the trees are not yet budding - but the senses receive an intimation, an intimation so fine, yet striking in so directly, that this appears a movement in one's own spirit. This exalts whatever feeling is in the heart.
Elizabeth Bowen (The Death of the Heart)
Five o’clock does not say stamina. Five o’clock screams early-bird special.
Brynne Asher (Gifts (The Killers #3))
Thursday night at nine o’clock. Be my plus one?   My fingers hovered above the screen for only a moment.   Yes.     LIBERTY
Santino Hassell (First and First (Five Boroughs, #3))
Come have a drink with me?” “Isn’t it early for that?” Callie shrugged. “We have a saying: ‘It’s always five o’clock in space.
Tim Pratt (The Wrong Stars (Axiom, #1))
​It was five o’clock on a winter’s morning in Syria.
Agatha Christie (Murder on the Orient Express (Hercule Poirot, #10))
Seven o'clock on a Monday morning, five hundred years after the End of the World, and goblins had been at the cellar again.
Joanne Harris (Runemarks (Runemarks, #1))
He had not stopped looking into her eyes, and she showed no signs of faltering. He gave a deep sigh and recited: "O sweet treasures, discovered to my sorrow." She did not understand. "It is a verse by the grandfather of my great-great-grandmother," he explained. "He wrote three eclogues, two elegies, five songs, and forty sonnets. Most of them for a Portuguese lady of very ordinary charms who was never his, first because he was married, and then because she married another man and died before he did." "Was he a priest too?" "A soldier," he said. Something stirred in the heart of Sierva María, for she wanted to hear the verse again. He repeated it, and this time he continued, in an intense, well-articulated voice, until he had recited the last of the forty sonnets by the cavalier of amours and arms Don Garcilaso de la Vega, killed in his prime by a stone hurled in battle.When he had finished, Cayetano took Sierva María's hand and placed it over his heart. She felt the internal clamor of his suffering. "I am always in this state," he said. And without giving his panic an opportunity, he unburdened himself of the dark truth that did not permit him to live. He confessed that every moment was filled with thoughts of her, that everything he ate and drank tasted of her, that she was his life, always and everywhere, as only God had the right and power to be, and that the supreme joy of his heart would be to die with her. He continued to speak without looking at her, with the same fluidity and passion as when he recited poetry, until it seemed to him that Sierva María was sleeping. But she was awake, her eyes, like those of a startled deer, fixed on him. She almost did not dare to ask: "And now?" "And now nothing," he said. "It is enough for me that you know." He could not go on. Weeping in silence, he slipped his arm beneath her head to serve as a pillow, and she curled up at his side. And so they remained, not sleeping, not talking, until the roosters began to crow and he had to hurry to arrive in time for five-o'clock Mass. Before he left, Sierva María gave him the beautiful necklace of Oddúa: eighteen inches of mother-of-pearl and coral beads. Panic had been replaced by the yearning in his heart. Delaura knew no peace, he carried out his tasks in a haphazard way, he floated until the joyous hour when he escaped the hospital to see Sierva María. He would reach the cell gasping for breath, soaked by the perpetual rains, and she would wait for him with so much longing that only his smile allowed her to breathe again. One night she took the initiative with the verses she had learned after hearing them so often. 'When I stand and contemplate my fate and see the path along which you have led me," she recited. And asked with a certain slyness: "What's the rest of it?" "I reach my end, for artless I surrendered to one who is my undoing and my end," he said. She repeated the lines with the same tenderness, and so they continued until the end of the book, omitting verses, corrupting and twisting the sonnets to suit themselves, toying with them with the skill of masters. They fell asleep exhausted. At five the warder brought in breakfast, to the uproarious crowing of the roosters, and they awoke in alarm. Life stopped for them.
Gabriel García Márquez (Of Love and Other Demons)
He looked so damn sexy sitting there, playing a soft, haunting tune, dressed like a lumberjack (with the shoulders to go with) and all that dark wavy hair and the five o’clock shadow.
Juliana Stone (The Family Simon Boxed Set (The Family Simon, #1-3))
His jealousy, like an octopus which throws out a first, then a second, and finally a third tentacle, fastened itself irremovably first to that moment, five o'clock in the afternoon, then to another, then to another again. But Swann was incapable of inventing his sufferings. They were only the memory, the perpetuation of a suffering that had come to him from without.
Marcel Proust (Swann's Way)
There was music from my neighbor's house through the summer nights. In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars. At high tide in the afternoon I watched his guests diving from the tower of his raft, or taking the sun on the hot sand of his beach while his two motor-boats slit the waters of the Sound, drawing aquaplanes over cataracts of foam. On week-ends his Rolls-Royce became an omnibus, bearing parties to and from the city between nine in the morning and long past midnight, while his station wagon scampered like a brisk yellow bug to meet all trains. And on Mondays eight servants, including an extra gardener, toiled all day with mops and scrubbing-brushes and hammers and garden-shears, repairing the ravages of the night before. Every Friday five crates of oranges and lemons arrived from a fruiterer in New York--every Monday these same oranges and lemons left his back door in a pyramid of pulpless halves. There was a machine in the kitchen which could extract the juice of two hundred oranges in half an hour if a little button was pressed two hundred times by a butler's thumb. At least once a fortnight a corps of caterers came down with several hundred feet of canvas and enough colored lights to make a Christmas tree of Gatsby's enormous garden. On buffet tables, garnished with glistening hors-d'oeuvre, spiced baked hams crowded against salads of harlequin designs and pastry pigs and turkeys bewitched to a dark gold. In the main hall a bar with a real brass rail was set up, and stocked with gins and liquors and with cordials so long forgotten that most of his female guests were too young to know one from another. By seven o'clock the orchestra has arrived, no thin five-piece affair, but a whole pitful of oboes and trombones and saxophones and viols and cornets and piccolos, and low and high drums. The last swimmers have come in from the beach now and are dressing up-stairs; the cars from New York are parked five deep in the drive, and already the halls and salons and verandas are gaudy with primary colors, and hair shorn in strange new ways, and shawls beyond the dreams of Castile. The bar is in full swing, and floating rounds of cocktails permeate the garden outside, until the air is alive with chatter and laughter, and casual innuendo and introductions forgotten on the spot, and enthusiastic meetings between women who never knew each other's names. The lights grow brighter as the earth lurches away from the sun, and now the orchestra is playing yellow cocktail music, and the opera of voices pitches a key higher. Laughter is easier minute by minute, spilled with prodigality, tipped out at a cheerful word. The groups change more swiftly, swell with new arrivals, dissolve and form in the same breath; already there are wanderers, confident girls who weave here and there among the stouter and more stable, become for a sharp, joyous moment the centre of a group, and then, excited with triumph, glide on through the sea-change of faces and voices and color under the constantly changing light. Suddenly one of the gypsies, in trembling opal, seizes a cocktail out of the air, dumps it down for courage and, moving her hands like Frisco, dances out alone on the canvas platform. A momentary hush; the orchestra leader varies his rhythm obligingly for her, and there is a burst of chatter as the erroneous news goes around that she is Gilda Gray's understudy from the FOLLIES. The party has begun.
F. Scott Fitzgerald (The Great Gatsby)
I was dozing, and the clock woke me. I didn’t hear the first few chimes distinctly, that is to say, I didn’t count them. But as soon as I decided to count I realized that there had already been three, so I was able to count four, five, and so on. I understood that I could say four and then wait for the fifth, because one, two, and three had passed, and I somehow knew that. If the fourth chime had been the first I was conscious of, I would have thought it was six o’clock. I think our lives are like that—you can only anticipate the future if you can call the past to mind. I can’t count the chimes of my life because I don’t know how many came before. On the other hand, I dozed off because the chair had been rocking for a while. And I dozed off in a certain moment because that moment had been preceded by other moments, and because I was relaxing while awaiting the subsequent moment. But if the first moments hadn’t put me in the right frame of mind, if I had begun rocking in any old moment, I wouldn’t have expected what had to come. I would have remained awake. You need memory even to fall asleep. Or no?
Umberto Eco (The Mysterious Flame of Queen Loana)
In the fall he picked up his phone one afternoon to hear Grandma Lynn. 'Jack,' my grandmother announced, 'I am thinking of coming to stay.' My father was silent, but the line was riddled with his hesitation. 'I would like to make myself available to you and the children. I've been knocking around in this mausoleum long enough.' 'Lynn, we're just beginning to start over again,' he stammered. Still, he couldn't depend on Nate's mother to watch Buckley forever. Four months after my mother left, her temporary absence was beginning to take on the feel of permanence. My grandmother insisted. I watched her resist the remaining slug of vodka in her glass. 'I will contain my drinking until'- she thought hard here- 'after five o'clock, and,' she said,' what the hell, I'll stop altogether if you should find it necessary.' 'Do you know what you're saying?' My grandmother felt a clarity from her phone hand down to her pump-encased feet. 'Yes, I do. I think' It was only after he got off the phone that he let himself wonder, Where will we PUT her? It was obvious to everyone. ~pgs 213-214; Grandma Lynn and Jack;
Alice Sebold (The Lovely Bones)
It lasted more or less through the night; and then intermitted, at that terrible time in the early morning – from two o'clock to five – when the vital energies even of the healthiest of us are at their lowest. It is then that Death gathers in his human harvest most abundantly. It was then that Death and I fought our fight over the bed, which should have the man who lay on it.
Wilkie Collins (The Moonstone (with original illustrations))
You'd try to look elsewhere but you wouldn't be able to help yourself, and you'd look back again. Because there was something going on. There was some sort of special air around this person. Or a special light? Yes. That was it. If you just came in this crummy Lavomatic on the avenue de La Bourdonnais on December twenty-ninth at five o'clock in the afternoon and you saw this figure in the dreary neon lights, this is exactly what you would say to yourself: Holy shit. An angel. Camille raised her eyes just then, saw him, did not react right away as if she had not recognized him, then finally smiled. A very faint smile, a slight brilliance, a little sign of recognition among regulars. "Got your wings in there?" he asked, pointing to her bag. "Sorry?" "Nah, nothing.
Anna Gavalda (Hunting and Gathering)
Then Frank said, ‘Have you ever heard that when five o’clock comes, it’s martini time? We could be right in the middle of a scene, but it’s over for me, because it’s martini time. Did you ever hear that?
James Kaplan (Sinatra: The Chairman)
No, please elaborate.” “Okay, say you go into the break room,” she said, “and a couple people you like are there, say someone’s telling a funny story, you laugh a little, you feel included, everyone’s so funny, you go back to your desk with a sort of, I don’t know, I guess afterglow would be the word? You go back to your desk with an afterglow, but then by four or five o’clock the day’s just turned into yet another day, and you go on like that, looking forward to five o’clock and then the weekend and then your two or three annual weeks of paid vacation time, day in day out, and that’s what happens to your life.
Emily St. John Mandel (Station Eleven)
By the time it was over, I'd learned all the right words for all the dinosaurs (pretty much the same as they were in English), and multiple variations of "Help, for the love of God!," which might come in handy should I ever take up any of the activities that scared me most. It was also past five o'clock.Time to go. I extricated myself from the chair, leaving a distinctly Ella-shaped imprint, and retrieved my jacket.
Melissa Jensen (The Fine Art of Truth or Dare)
TO MY MIND, THOUGH, there is a third development that has altered our parenting experience above all others, and that is the wholesale transformation of the child’s role, both in the home and in society. Since the end of World War II, childhood has been completely redefined. Today, we work hard to shield children from life’s hardships. But throughout most of our country’s history, we did not. Rather, kids worked. In the earliest days of our nation, they cared for their siblings or spent time in the fields; as the country industrialized, they worked in mines and textile mills, in factories and canneries, in street trades. Over time, reformers managed to outlaw child labor practices. Yet change was slow. It wasn’t until our soldiers returned from World War II that childhood, as we now know it, began. The family economy was no longer built on a system of reciprocity, with parents sheltering and feeding their children, and children, in return, kicking something back into the family till. The relationship became asymmetrical. Children stopped working, and parents worked twice as hard. Children went from being our employees to our bosses. The way most historians describe this transformation is to say that the child went from “useful” to “protected.” But the sociologist Viviana Zelizer came up with a far more pungent phrase. She characterized the modern child as “economically worthless but emotionally priceless.” Today parents pour more capital—both emotional and literal—into their children than ever before, and they’re spending longer, more concentrated hours with their children than they did when the workday ended at five o’clock and the majority of women still stayed home. Yet parents don’t know what it is they’re supposed to do, precisely, in their new jobs. “Parenting” may have become its own activity (its own profession, so to speak), but its goals are far from clear.
Jennifer Senior (All Joy and No Fun: The Paradox of Modern Parenthood)
When I opened my eyes again, five hours later, at seven o'clock on Saturday August 4th, I had trouble getting my bearings. The hardest day of the ordeal of my abandonment was about to begin, but I didn't know it yet.
Elena Ferrante (The Days of Abandonment)
The next train left at seven o'clock, and in order to catch it he would have to rush around like mad, and the sample collection was still unpacked and he was not feeling particularly fresh and energetic. And even if he caught the train, a bawling out from the boss was inescapable, because the office messenger had arrived by the five o'clock train and reported his absence long ago; he was the boss's creature, mindless and spineless.
Franz Kafka (The Metamorphosis)
But one night, after I had been in great distress praying about this, I went to sleep, and at one o’clock in the morning suddenly I was waked up out of my sleep, and I found myself with unspeakable joy and awe in the very presence of the Almighty God. And for the space of four hours I was privileged to speak face to face with Him as a man speaks face to face with a friend. At five o’clock it seemed to me as if I again returned to earth.
Evan Roberts (The Story of the Welsh Revival by Eyewitnesses)
Mathematicians call it “the arithmetic of congruences.” You can think of it as clock arithmetic. Temporarily replace the 12 on a clock face with 0. The 12 hours of the clock now read 0, 1, 2, 3, … up to 11. If the time is eight o’clock, and you add 9 hours, what do you get? Well, you get five o’clock. So in this arithmetic, 8 + 9 = 5; or, as mathematicians say, 8 + 9 ≡ 5 (mod 12), pronounced “eight plus nine is congruent to five, modulo twelve.
John Derbyshire (Prime Obsession: Bernhard Riemann and the Greatest Unsolved Problem in Mathematics)
We stood there in the doorway, Barack and me, staring into each other’s eyes like a couple of gunslingers ready to face off at high noon. Except it was past five o’clock, I was in my boxers, and neither of us had a six-shooter.
Andrew Shaffer (Hope Never Dies (Obama Biden Mysteries, #1))
What you said about me hesitating going in to the party, it wasn’t solely nerves that stopped me – it was the last place I wanted to be. I had a pile of paperwork on my desk all about you. Since five o’clock that morning I’d been reading report after report, and I couldn’t get you out of my head. Even as I got dressed to go out, I was thinking of you. Even when I was buying this dress, I wondered what you’d think if you saw me in it. Although it was three years away, I was already counting down the months I had left until that thing came from me. When I called that taxi to take me home, I thought about telling it to take me to the border of Blackthorn instead. I thought about walking into one of the clubs where I knew you hung around, a club just like this one. And my choice was nothing to do with the soul ripper; it was nothing to do with catching you – it was about me. It was about what I wanted. And I wanted you. I’ve always wanted you.
Lindsay J. Pryor (Blood Dark (Blackthorn, #5))
I knew that most of what is frightening and much of what is evil happens by the light of day. No need for darkness. Caesar, after all, had been murdered in the presence of a hundred people and more - some time between high noon and five o'clock. Right in these waters off the coast of Maine the most terrifying sharks are the ones we see in the radiance of fear. The real ones - darkened below us - do no harm until they rise towards the light. If only, I began to wish, it would get dark.
Timothy Findley (The Telling of Lies)
Meet me tonight, six o’clock sharp, at the gates of the municipal hospital. It is very important that you are precise. Not five minutes early, not five minutes late. In case I’m not there, you leave straight away. Got it?” Ingrid aka ‘Alis K’ The Informer
Steen Langstrup (The Informer (Sabotage Group BB #1))
For Raintree County is not the country of the perishable fact. It is the country of the enduring fiction. The clock in the Court House Tower on page five of the "Raintree County Atlas" is always fixed at nine o'clock, and it is summer and the days are long.
Ross Lockridge Jr. (Raintree County)
YESTERDAY afternoon set in misty and cold. I had half a mind to spend it by my study fire, instead of wading through heath and mud to Wuthering Heights. On coming up from dinner, however, (N.B. - I dine between twelve and one o'clock; the housekeeper, a matronly lady, taken as a fixture along with the house, could not, or would not, comprehend my request that I might be served at five) - on mounting the stairs with this lazy intention, and stepping into the room, I saw a servant-girl on her knees surrounded by brushes and coal-scuttles, and raising an infernal dust as she extinguished the flames with heaps of cinders. This spectacle drove me back immediately; I took my hat, and, after a four-miles' walk, arrived at Heathcliff's garden-gate just in time to escape the first feathery flakes of a snow-shower.
Emily Brontë (Wuthering Heights)
Being busy helping customers meant that I had no time to train the way I was used to, with an intense four-or five-hour workout each day. So I adopted the idea of training twice a day, two hours before work and two hours from seven to nine in the evening, when business slacked off and only the serious lifters were left. Split workouts seemed like an annoyance at first, but I realized I was onto something when I saw the results: I was concentrating better and recovering faster while grinding out longer and harder sets. On many days I would add a third training session at lunchtime. I'd isolate a body part that I thought was weak and give it thirty or forty minutes of my full attention, blasting twenty sets of calf raises, say, or one hundred triceps extensions. I did the same thing some nights after dinner, coming back to train for an hour at eleven o'clock. As I went to sleep in my snug little room, I'd often feel one or another muscle that I'd traumatized that day jumping and twitching-just a side effect of a successful workout and every pleasing, because I knew those fibers would now recover and grow.
Arnold Schwarzenegger (Total Recall: My Unbelievably True Life Story)
Unable to bear the silence, she looked over her shoulder. Seth was leaning against the door, arms crossed, watching her, an enigmatic smile on his face. The golden glow of the lamplight washed over his face, highlighting his five o’clock shadow. She was suddenly aware that her hair had come loose from her ponytail. That her worn jeans and T-shirt were probably smudged with who-knew-what. This wasn’t how she’d imagined looking when Seth kissed her. Why hadn’t she done something with herself while he was gone? But judging by the look on his face, he didn’t care about any of that. No longer needing the fire’s warmth, she moved away, lifting her chin and tossing her ponytail over her shoulder. “What?” “I won,” he said quietly. “Won what?” Did he hear the tremor in her voice? His lips twitched. “Our deal . . . sleigh by midnight . . . the kiss . . . Ring any bells?
Denise Hunter (A December Bride (A Year of Weddings #1))
I was determined to know beans. When they were growing, I used to hoe from five o'clock in the morning till noon, and commonly spent the rest of the day about other affairs. Consider the intimate and curious acquaintance one makes with various kinds of weeds—it will bear some iteration in the account, for there was no little iteration in the labor—disturbing their delicate organizations so ruthlessly, and making such invidious distinctions with his hoe, levelling whole ranks of one species, and sedulously cultivating another. That's Roman wormwood—that's pigweed—that's sorrel—that's piper-grass—have at him, chop him up, turn his roots upward to the sun, don't let him have a fibre in the shade, if you do he'll turn himself t' other side up and be as green as a leek in two days. A long war, not with cranes, but with weeds, those Trojans who had sun and rain and dews on their side. Daily the beans saw me come to their rescue armed with a hoe, and thin the ranks of their enemies, filling up the trenches with weedy dead. Many a lusty crest—waving Hector, that towered a whole foot above his crowding comrades, fell before my weapon and rolled in the dust.
Henry David Thoreau (Walden)
And romance is just the place for creating mythic figures doing mythic things. Like carving 'civilzation' out of the wilderness. Like showing us what a hero looks life, a real, American, sprung-from-the soil, lethal-weapon-with-leggings, bona fide hero. And for a guy who never marries, he has a lot of offspring. Shane. The Virginian. The Ringo Kid. The Man with No Name. Just think how many actors would have had no careers without Natty Bumppo. Gary Cooper. John Wayne. Alan Ladd. Tom Mix. Clint Eastwood. Silent. Laconic. More committed to their horse or buddy than to a lady. Professional. Deadly. In his Studies in Classic American Literature, D.H. Lawrence waxes prolix on Natty's most salient feature: he's a killer. And so are his offspring. This heros can talk, stiltedly to be sure, but he prefers silence. He appreciates female beauty but is way more committed to his canoe or his business partner (his business being death and war) or, most disturbingly, his long rifle, Killdeer. Dr. Freud, your three-o'clock is here. Like those later avatars, he is a wilderness god, part backwoods sage, part cold-blooded killer, part unwilling Prince Charming, part jack-of-all-trades, but all man. Here's how his creator describes him: 'a philosopher of the wilderness, simple-minded, faithful, utterly without fear, yet prudent.' A great character, no doubt, but hardly a person. A paragon. An archetype. A miracle. But a potentially real person--not so much.
Thomas C. Foster (Twenty-five Books That Shaped America: How White Whales, Green Lights, and Restless Spirits Forged Our National Identity)
By now it was dawn – about five o’clock, Bond guessed – and he reflected that a mile or two on was the turning to Le Chiffre’s villa. He had not thought that they would take Vesper there. Now that he realized that Vesper had only been a sprat to catch a mackerel the whole picture became clear.
Ian Fleming (Casino Royale (James Bond, #1))
I think people like him think work is supposed to be drudgery punctuated by very occasional moments of happiness, but when I say happiness, I mostly mean distraction. You know what I mean?” “No, please elaborate.” “Okay, say you go into the break room,” she said, “and a couple people you like are there, say someone’s telling a funny story, you laugh a little, you feel included, everyone’s so funny, you go back to your desk with a sort of, I don’t know, I guess afterglow would be the word? You go back to your desk with an afterglow, but then by four or five o’clock the day’s just turned into yet another day, and you go on like that, looking forward to five o’clock and then the weekend and then your two or three annual weeks of paid vacation time, day in day out, and that’s what happens to your life.” “Right,” Clark said. He was filled in that moment with an inexpressible longing. The previous day he’d gone into the break room and spent five minutes laughing at a colleague’s impression of a Daily Show bit. “That’s what passes for a life, I should say. That’s what passes for happiness, for most people. Guys like Dan, they’re like sleepwalkers,” she said, “and nothing ever jolts them awake.
Emily St. John Mandel (Station Eleven)
You've come to give me a piece of your mind, I repeated, looking at her. "You know that phrase is really beautiful. The mind is the most powerful thing in the body, you know, whatever the mind believes, the body can achieve. So to give someone a piece of it...well, thank you, Elizabeth. Funny how people are always intent on giving it to the people they dislike when it really should be for the ones they love. There's another funny thing. But a piece of your mind...what a gift that would be." I looped the last stalk and formed a chain. "I'll give you a daisy chain in return for a piece of your mind." I slid the bracelet onto her arm. She sat on the grass. Didn't move, didn't say anything, just looked at her daisy chain. Then she smiled and when she spoke her voice was soft. "Has anyone ever been mad at you for more than five minutes." I looked at my watch. "Yes. You, from the o'clock this morning until now.
Cecelia Ahern
There was no friend of Kant's but considered the day on which he was to dine with him as a day of pleasure. Without giving himself the air of an instructor, Kant really was so in the very highest degree. The whole entertainment was seasoned with the overflow of his enlightened mind, poured out naturally and unaffectedly upon every topic, as the chances of conversation suggested it; and the time flew rapidly away, from one o'clock to four, five, or even later, profitably and delightfully. Kant tolerated no calms, which was the name he gave to the momentary pauses in conversation, or periods when its animation languished.
Thomas De Quincey (The Last Days of Immanuel Kant (Illustrated))
But it was not in Mr. Gruber's nature to look for reasons. That was why he was an ideal secretary. He had been given much fancier assignments in the past. Find out by six in the evening whether Hubermann played any Tschaikovsky after the first intermission of his concert in Brussels last year. Produce a narwhal tusk at least five feet long by eight o'clock Thursday morning. Buy, in your own name, the Domino Motion Picture Theater in Zurich. On Wednesday afternoon between five and six in the Café Meteor in Budapest, slap the face of a character known as Ervin Kugyec. A good secretary does not look for reasons but gets results.
Lajos Zilahy (The Dukays)
You have plenty of time; it's only twelve o'clock." Passepartout pulled out his big watch. "Twelve!" he exclaimed; "why, it's only eight minutes before ten." "Your watch is slow." "My watch? A family watch, monsieur, which has come down from my great-grandfather! It doesn't vary five minutes in the year. It's a perfect chronometer, look you." "I see how it is," said Fix. "You have kept London time, which is two hours behind that of Suez. You ought to regulate your watch at noon in each country." "I regulate my watch? Never!" "Well, then, it will not agree with the sun." "So much the worse for the sun, monsieur. The sun will be wrong, then!
Jules Verne (Around the World in Eighty Days)
On social barriers, VJ Simon, the Indian-Jewish venture capitalist in The Best People observed: "Some of those rich and powerful people I met risked a few dollars with me. They only risked money. They didn't risk their social status. We never met at one of their clubs. We had lunch at Elegante. I thought of it as the five o' clock curtain.
Marc Grossberg (The Best People: A Tale of Trials and Errors)
Every morning Mrs Eglantine sat at the round bamboo bar of the New Pacific Hotel and drank her breakfast. This consisted of two quick large brandies, followed by several slower ones. By noon breakfast had become lunch and by two o'clock the pouches under and above Mrs Eglantine's bleared blue eyes began to look like large puffed pink prawns.
H.E. Bates (Seven by Five)
A man whose identity flows out of deep validation doesn’t wilt under criticism. He enjoys applause when it comes but frankly isn’t desperate for it. He can walk away from work at five o’clock; he doesn’t measure his success by how much money he makes. We grow into this man, to be sure; I’m not setting a new standard of perfection. But what I am describing
John Eldredge (Killing Lions: A Guide Through the Trials Young Men Face)
The French came to Morocco to build roads, railways, hospitals, schools, fashion sense - all the things that the average Frenchman knows to be indispensable to a modern civilization - and when five o’clock came, and the French looked upon their works and saw that they were good, they reckoned they had bloody well earned the right to live like Maharajahs. Which, for a time, they did.
Hugh Laurie (The Gun Seller)
By the time James had dressed and made his way down to the Great Hal for breakfast, it was nearly ten o’clock. Less than a dozen students could be seen moving disconsolately among the detritus of the morning’s earlier rush. At the far corner of the Slytherin table, Zane sat hunched and squinting under a beam of sunlight. Across from him was Ralph, who saw James enter and waved him over. As James made his way across the Hal , four or five house-elves, each wearing large linen napkins with the Hogwarts crest embroidered on them, circled the tables, meandering in what at first appeared to be random paths. Occasional y, one of them would duck beneath the surface of a table and then reappear a moment later, tossing a stray fork or half a biscuit casual y onto the mess of the table. As James passed one of the elves, it straightened, raised its spindly arms, and then brought them swiftly down. The contents on the table in front of him swirled together as if caught in a miniature cyclone. With a great clattering of dishes and silverware, the corners of the tablecloth shot upwards and twisted around the pile of breakfast debris, creating a huge clanking bag floating improbably over the polished wood table. The house-elf leaped from floor to bench to tabletop, and then jumped, turning in midair and landing lightly on top of the bag. It grasped the twisted top of the bag, using the knot as if it were a set of reins, and turned the bag, driving it bobbingly toward the gigantic service doors in the side of the Hal . James ducked as the bag swooped over his head.
G. Norman Lippert (James Potter and the Hall of Elders' Crossing (James Potter, #1))
Fictional Characters" Do they ever want to escape? Climb out of the white pages and enter our world? Holden Caulfield slipping in the movie theater to catch the two o'clock Anna Karenina sitting in a diner, reading the paper as the waitress serves up a cheeseburger. Even Hector, on break from the Iliad, takes a stroll through the park, admires the tulips. Maybe they grew tired of the author's mind, all its twists and turns. Or were finally weary of stumbling around Pamplona, a bottle in each fist, eating lotuses on the banks of the Nile. For others, it was just too hot in the small California town where they'd been written into a lifetime of plowing fields. Whatever the reason, here they are, roaming the city streets rain falling on their phantasmal shoulders. Wouldn't you, if you could? Step out of your own story, to lean against a doorway of the Five & Dime, sipping your coffee, your life, somewhere far behind you, all its heat and toil nothing but a tale resting in the hands of a stranger, the sidewalk ahead wet and glistening. "Fictional Characters" by Danusha Laméris from The Moons of August. © Autumn House Press, 2014. Reprinted with permission
Danusha Laméris
It is within your power to release yourself from mortal bonds. To be free of them.” “What? I don’t need to worry about the cold?” “Nope.” “Right.” She stuffed icy hands into the pockets of her jeans. “And apple strudel?” “Mind over matter.” A reluctant smile found her face. “Well, we’ve already established that you can breathe for me.” “Don’t underestimate yourself.” Daniel smiled back briefly. “This has to do more with you than me. Try it: Tell yourself that you are not cold, not hungry, not tired.” “All right.” Luce sighed. “I am not…” She’d started to mumble, disbelieving, but then she caught Daniel’s eye. Daniel, who believed she could do things she never thought she was capable of, who believed that her will meant the difference between having the halo and letting it slip away. She was holding it in her hands. Proof. Now he was telling her she had mortal needs only because she thought she did. She decided to give this crazy idea a try. She straightened her shoulders. She projected the words into the misty dusk. “I, Lucinda Price, am not cold, not hungry, not tired.” The wind blew, and the clock tower in the distance struck five-and something lifted off her so that she didn’t feel depleted anymore. She felt rested, equipped for whatever the night called for, determined to succeed. “Nice touch, Lucinda Price,” Daniel said. “Five senses transcended at five o’clock.” She reached for his wing, wrapped herself in it, let its warmth spread through her. This time, the weight of his wing welcomed her into a powerful new dimension. “I can do this.” Daniel’s lips brushed the top of her head. “I know.
Lauren Kate (Rapture (Fallen, #4))
The commissar looked around, saw the knapsacks, looked at the books, saw German, French, English and Romanian books. At his request, I explained that I had been a student of languages and literature. After looking around everywhere, he asked Father to come to the chief police station, at five o'clock. I told him that I would come along, since Father didn't know Romanian. He gave us a summons to appear that day. We were greatly alarmed as it was during the deportations. Although we were terribly scared, yet my optimistic side thought that nothing could happen, since we really had no radio. My optimism was a kind of defense, a negation of the evil that loomed all around. On the way to the Siguran ta, it was a very long walk, Father was saying his prayer. I took again the Waterman fountain pen, in case of need, as a small bribe.
Pearl Fichman (Before Memories Fade)
There was something very boyish about him at that moment, despite the five o’clock shadow, the blue rivers of veins mapping the back of his hand, the entire adult world he was part of. He looked lost. Maybe it was hypocritical, but the boyishness I barely tolerated in guys my age was exactly what drew me to him. He was like me: not fully part of the adult or child world. An exile, watching wistfully from the outside.
Leah Raeder (Unteachable)
You telephoned me every evening. I was very grateful to you. Sometimes we would talk for five or ten minutes, and sometimes for three-quarters of an hour. I liked to be in bed before you rant at ten o’clock, and I always asked if everything was all right. Of course things were not, and never will be all right, but you were all right with me. That is what matters throughout the whole of the world. “You are all right with me.” (22)
Sarah Ferguson (A Guard Within)
For the first time in ages, we had a no-gravity alert. ‘This is the Disaster Preparedness Office speaking. We have been informed that there is an eighty per cent chance that a no-gravity event will take place between two and five o’clock this afternoon. Please remain indoors during those hours. If you must go out for reason, please make sure you are well weighted down. This has been a message from the Disaster Preparedness Office.
Hiromi Kawakami (People From My Neighbourhood)
At Lowell, a Female Labor Reform Association put out a series of “Factory Tracts.” The first was entitled “Factory Life as It Is By an Operative” and spoke of the textile mill women as “nothing more nor less than slaves in every sense of the word! Slaves, to a system of labor which requires them to toil from five until seven o’clock, with one hour only to attend to the wants of nature—slaves to the will and requirements of the ‘powers that be.’ . . .
Howard Zinn (A People's History of the United States: 1492 to Present)
I’m not worried about tomorrow. I’m worried about right now, with you, under this Christmas tree.” Blake supported her neck as he laid her on the floor. Livia turned her head. “You’d better convince me. So far you’ve talked about the dog going to the bathroom, trash, and dirtiness.” Blake kissed her jaw and turned her head gently, kissing her mouth as she bit her lips together. “Can’t I just convince you with my manly ways?” He wiggled his eyebrows. He could, of course, do just that—but she shook her head. She loved the playful sparkle in his green eyes. His five o’clock shadow just made him more handsome, framing his kissable lips with scruff. “Okay.” He put his fingers at the bottom of her shirt, lifting it gently so he could circle her belly button with his index finger. “You’re the sexiest, most beautiful woman on this planet. So sexy, in fact, that I had to have you. I had to make you bear my children because my universe and yours had to be combined. Everything I’ve ever been needed to be buried inside of you, so deep, so full of love that we created life. Twice.” He lifted her shirt and kissed the tops of her breasts, whispering his devotion into her skin. “And it’s never enough. Unless I can hear you coming, I can’t think of anything else. All day every day. For years now. You’re that powerful, Livia. This. Us. It’s so intense that years haven’t cured me. I can’t stop wanting to make love to you.” “Wow.” Livia smiled and pulled his face back to hers, kissing him and effectively stopping his beautiful words.
Debra Anastasia (Saving Poughkeepsie (Poughkeepsie Brotherhood, #3))
I have a peculiar affection for McCarthy; nothing serious or personal, but I recall standing next to him in the snow outside the “exit” door of a shoe factory in Manchester, New Hampshire, in February of 1968 when the five o’clock whistle blew and he had to stand there in the midst of those workers rushing out to the parking lot. I will never forget the pain in McCarthy’s face as he stood there with his hand out, saying over and over again: “Shake hands with Senator McCarthy… shake hands with Senator McCarthy… shake hands with Senator McCarthy…,” a tense plastic smile on his face, stepping nervously toward anything friendly, “Shake hands with Senator McCarthy”… but most of the crowd ignored him, refusing to even acknowledge his outstretched hand, staring straight ahead as they hurried out to their cars. There was at least one network TV camera on hand that afternoon, but the scene was never aired. It was painful enough, just being there, but to have put that scene on national TV would have been an act of genuine cruelty.
Hunter S. Thompson (Fear and Loathing on the Campaign Trail '72)
Glance at your watch. What time is it? It’s five o’clock as I write this. What does that mean, anyhow? Even if time passes slowly, it will soon be five o’clock again in another part of the world. What is this fascination all about? In reality, it’s just a way to measure the revolving earth - tilted at a peculiar angle of 23 degrees - as it orbits a gigantic Sun. That’s it. I’ve nailed it. Time’s just a blue dot moving through an infinite space. The world revolves without us so why take this Earth time so personally?
M.P. Neary (Free Your Mind)
Shortly before five o’clock, Mayor Thorin woke from a terrible dream. In it, a bird with pink eyes had been cruising slowly back and forth above the Barony. Wherever its shadow fell, the grass turned yellow, the leaves fell shocked from the trees, and the crops died. The shadow was turning his green and pleasant Barony into a waste land. It may be my Barony, but it’s my bird, too, he thought just before awakening, huddled into a shuddery ball on one side of his bed. My bird, I brought it here, I let it out of its cage.
Stephen King (Wizard and Glass (The Dark Tower, #4))
Philips was setting up a new ‘underground’ label called Vertigo when we were looking for a deal. We were a perfect fit. But the funny thing was that Vertigo wasn’t even up and running in time for our first single, ‘Evil Woman’, so it was originally released on another Philips label, Fontana, before being reissued on Vertigo a few weeks later. Not that it made any f**king difference: the song went down like a concrete turd both times. But we didn’t care, because the BBC played it on Radio 1. Once. At six o’clock in the morning. I was so nervous, I got up at five and drank about eight cups of tea. ‘They won’t play it,’ I kept telling myself, ‘They won’t play it...’ But then: BLAM...BLAM... Dow-doww... BLAM... Dow-dow-d-d-dow, dooooow... D-d-d-d-d-d-d-d-d DUH-DA! Do-doo-do DUH-DA! Do-doo-do... It’s impossible to describe what it feels like to hear yourself on Radio 1 for the first time. It was magic, squared. I ran around the house screaming, ‘I’m on the radio! I’m on the f**king radio!’ until my mum stomped downstairs in her nightie and told me to shut up.
Ozzy Osbourne (I Am Ozzy)
I’ll remember this kiss till my very last breath, I thought to myself. I’ll remember every detail. Strong, calloused hands gripping my upper arms. Five o’clock shadow rubbing gently against my chin. Faint smell of boot leather in the air. Starched denim shirt against my palms, which have gradually found their way around his trim, chiseled waist… I don’t know how long we stood there in the first embrace of our lives together. But I do know that when that kiss was over, my life as I’d always imagined it was over, too. I just didn’t know it yet.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
The news that she had gone of course now spread rapidly, and by lunch time Riseholme had made up its mind what to do, and that was hermetically to close its lips for ever on the subject of Lucia. You might think what you pleased, for it was a free country, but silence was best. But this counsel of perfection was not easy to practice next day when the evening paper came. There, for all the world to read were two quite long paragraphs, in "Five o'clock Chit-Chat," over the renowned signature of Hermione, entirely about Lucia and 25 Brompton Square, and there for all the world to see was the reproduction of one of her most elegant photographs, in which she gazed dreamily outwards and a little upwards, with her fingers still pressed on the last chord of (probably) the Moonlight Sonata. . . . She had come up, so Hermione told countless readers, from her Elizabethan country seat at Riseholme (where she was a neighbour of Miss Olga Bracely) and was settling for the season in the beautiful little house in Brompton Square, which was the freehold property of her husband, and had just come to him on the death of his aunt. It was a veritable treasure house of exquisite furniture, with a charming music-room where Lucia had given Hermione a cup of tea from her marvellous Worcester tea service. . . . (At this point Daisy, whose hands were trembling with passion, exclaimed in a loud and injured voice, "The very day she arrived!") Mrs. Lucas (one of the Warwickshire Smythes by birth) was, as all the world knew, a most accomplished musician and Shakespearean scholar, and had made Riseholme a centre of culture and art. But nobody would suspect the blue stocking in the brilliant, beautiful and witty hostess whose presence would lend an added gaiety to the London season. Daisy was beginning to feel physically unwell. She hurried over the few remaining lines, and then ejaculating "Witty! Beautiful!" sent de Vere across to Georgie's with the paper, bidding him to return it, as she hadn't finished with it. But she thought he ought to know. . . . Georgie read it through, and with admirable self restraint, sent Foljambe back with it and a message of thanks--nothing more--to Mrs. Quantock for the loan of it. Daisy, by this time feeling better, memorised the whole of it. Life under the new conditions was not easy, for a mere glance at the paper might send any true Riseholmite into a paroxysm of chattering rage or a deep disgusted melancholy. The Times again recorded the fact that Mr. and Mrs. Philip Lucas had arrived at 25 Brompton Square, there was another terrible paragraph headed 'Dinner,' stating that Mrs. Sandeman entertained the following to dinner. There was an Ambassador, a Marquis, a Countess (dowager), two Viscounts with wives, a Baronet, a quantity of Honourables and Knights, and Mr. and Mrs. Philip Lucas. Every single person except Mr. and Mrs. Philip Lucas had a title. The list was too much for Mrs. Boucher, who, reading it at breakfast, suddenly exclaimed: "I didn't think it of them. And it's a poor consolation to know that they must have gone in last." Then she hermetically sealed her lips again on this painful subject, and when she had finished her breakfast (her appetite had quite gone) she looked up every member of that degrading party in Colonel Boucher's "Who's Who.
E.F. Benson (Lucia in London (Lucia, #3))
When his count reached thirty children he stopped. Five more hours at six children per hour would take him to eight o’clock. He crouched down before a two-year-old girl. Lily was her name if he remembered correctly. He said, “Hello Beautiful,” and stroked her hot cheek with the back of his hand. He took the cap off the iodine and wet the tip of his index finger. He drew a semicircle on her forehead and added two dots. To him it was a smiley face, but if asked he would say it was a moon and two stars. Turning to the mother he said, “Your daughter will be the last patient of the day.
Tim Tigner (Betrayal)
Should the girls decide to go for a walk, they would need to change into a different outfit, a light woollen tweed suit and sturdier boots - but on simpler days, such as for the garden party, they make mercifully few changes. Cora, like many married ladies in her position, takes the opportunity on quiet afternoons to take off her corset and wear a teagown for an hour or two before getting into her evening dress. Its huge advantage was that it was always ornately decorated but simply cut, meaning it was the only garment a woman could conceivably get in and out of alone, as it could be worn without a corset underneath. Worn between five and seven o'clock, it gave rise to the French phrase 'cinq a sept'. This referred to the hours when lovers were received, the only time of day when a maid wouldn't need to be there to help you undress and therefore discover your secret. Lady Colin Campbell's divorce had hinged on the fact that her clothes had clearly been fastened by a man who didn't know what he was doing; when her lady's maid saw her for the next change, the fastenings were higgledy-piggledy. But for Cora, the teagown is not for any illicit behaviour, just for respite from her underpinnings.
Jessica Fellowes (The World of Downton Abbey)
Yesterday, I went to see Gladwell, who is home for a few days. A terrible blow has struck them, his young sister, so full of life, with dark eyes and hair, had fallen from a horse at Blackheath; they found her unconscious and she died five hours later, without regaining consciousness. She was seventeen years old. As soon as I heard the news, I went to see them, knowing that Gladwell was home. I left at eleven o’clock; and had a long walk to Lewisham. I crossed London from one end to the other and didn’t arrive at my destination until almost five o’clock. They had all just come back from the funeral; the whole household was in mourning. I was happy to have come, but confused, truly upset by the spectacle of a pain so great and so venerable. “Blessed are they that mourn, blessed are they that sorrow, but always rejoice, blessed are the pure in heart for they shall see God. Blessed are those that find love on their road, who are bound together by God, for to them all things will work together for their good.” I chatted for a long time, until evening, with Harry, about everything, the kingdom of God, the Bible; we chatted further, we walked up and down the station platform. Never will we forget the moments before we said goodbye.
Vincent van Gogh (The Letters of Vincent van Gogh)
On game day, until five o’clock or so, the white desert light held off the essential Sunday gloom—autumn sinking into winter, loneliness of October dusk with school the next day—but there was always a long still moment toward the end of those football afternoons where the mood of the crowd turned and everything grew desolate and uncertain, onscreen and off, the sheet-metal glare off the patio glass fading to gold and then gray, long shadows and night falling into desert stillness, a sadness I couldn’t shake off, a sense of silent people filing toward the stadium exits and cold rain falling in college towns back east.
Donna Tartt (The Goldfinch)
I looked at her without a word. She held an edge of the beach towel in each hand, pressing the edges against her cheeks. White smoke was rising from the cigarette between her fingers. With no wind to disturb it, the smoke rose straight up, like a miniature smoke signal. She was apparently having trouble deciding whether to cry or to laugh. At least she looked that way to me. She wavered atop the narrow line that divided one possibility from the other, but in the end she fell to neither side. May Kasahara pulled her expression together, put the towel on the ground, and took a drag on her cigarette. The time was nearly five o’clock, but the heat showed no sign of abating.
Haruki Murakami (The Wind-Up Bird Chronicle)
When I got to the gig I was told I would be singing for a male vocalist. In walked this sexy, serene, toasted-almond-colored artsy young man—he just looked like the definition of an artist. His thick, dark hair was just in the beginning phases of dreadlocks. He had a perfect five o’clock shadow, with a thick stripe of goatee down the center of his chin. He was dressed rock star casual: heavy black leather vintage motorcycle jacket, black jeans, black T-shirt. He had a thin ring in his nose and smelled how I imagined ancient Egyptian oils would smell. His face was kind and fine, with a boyish smile. He went by the name of Romeo Blue. His friends called him Lenny. And about a year later, the world would know him as Lenny Kravitz.
Mariah Carey (The Meaning of Mariah Carey)
the streets. So now everyone is afraid of it. Petr GINZ Today it’s clear to everyone who is a Jew and who’s an Aryan, because you’ll know Jews near and far by their black and yellow star. And Jews who are so demarcated must live according to the rules dictated: Always, after eight o’clock, be at home and click the lock; work only labouring with pick or hoe, and do not listen to the radio. You’re not allowed to own a mutt; barbers can’t give your hair a cut; a female Jew who once was rich can’t have a dog, even a bitch, she cannot send her kids to school must shop from three to five since that’s the rule. She can’t have bracelets, garlic, wine, or go to the theatre, out to dine; she can’t have cars or a gramophone, fur coats or skis or a telephone; she can’t eat onions, pork, or cheese, have instruments, or matrices; she cannot own a clarinet or keep a canary for a pet, rent bicycles or barometers, have woollen socks or warm sweaters. And especially the outcast Jew must give up all habits he knew: he can’t buy clothes, can’t buy a shoe, since dressing well is not his due; he can’t have poultry, shaving soap, or jam or anything to smoke; can’t get a license, buy some gin, read magazines, a news bulletin, buy sweets or a machine to sew; to fields or shops he cannot go even to buy a single pair of winter woollen underwear, or a sardine or a ripe pear. And if this list is not complete there’s more, so you should be discreet; don’t buy a thing; accept defeat. Walk everywhere you want to go in rain or sleet or hail or snow. Don’t leave your house, don’t push a pram, don’t take a bus or train or tram; you’re not allowed on a fast train; don’t hail a taxi, or complain; no matter how thirsty you are you must not enter any bar; the riverbank is not for you, or a museum or park or zoo or swimming pool or stadium or post office or department store, or church, casino, or cathedral or any public urinal. And you be careful not to use main streets, and keep off avenues! And if you want to breathe some air go to God’s garden and walk there among the graves in the cemetery because no park to you is free. And if you are a clever Jew you’ll close off bank accounts and you will give up other habits too like meeting Aryans you knew. He used to be allowed a swag, suitcase, rucksack, or carpetbag. Now he has lost even those rights but every Jew lowers his sights and follows all the rules he’s got and doesn’t care one little jot.
Petr Ginz (The Diary of Petr Ginz)
Jennifer had exactly five pounds, six shillings, and fourpence halfpenny when she left No. 7 Maple Street. She lugged her two suitcases along with her into various buses, and arrived at Paddington with three-quarters of an hour to wait before the twelve o’clock train should bear her away from London forever. Thirty-two shillings and sixpence of her capital went on her third-class ticket, and three shillings more on a cup of coffee, two rashers of bacon, and a banana, for she had eaten no breakfast. During this wait she had time to think over her crazy flight from the boardinghouse. It had been her home since she was six years old, and she had left her mother without one pang of regret. “I must be terribly unnatural,” thought Jennifer sadly. “But it can’t be helped. I was probably born without a heart; I believe some people are.” She
Daphne du Maurier (The Loving Spirit)
I deal in information," he says to the smarmy, toadying pseudojournalist who "interviews" him. He's sitting in his office in Houston, looking slicker than normal. "All television going out to Consumers throughout the world goes through me. Most of the information transmitted to and from the CIC database passes through my networks. The Metaverse -- -the entire Street -- exists by virtue of a network that I own and control. "But that means, if you'll just follow my reasoning for a bit, that when I have a programmer working under me who is working with that information, he is wielding enormous power. Information is going into his brain. And it's staying there. It travels with him when he goes home at night. It gets all tangled up into his dreams, for Christ's sake. He talks to his wife about it. And, goddamn it, he doesn't have any right to that information. If I was running a car factory, I wouldn't let workers drive the cars home or borrow tools. But that's what I do at five o'clock each day, all over the world, when my hackers go home from work. "When they used to hang rustlers in the old days, the last thing they would do is piss their pants. That was the ultimate sign, you see, that they had lost control over their own bodies, that they were about to die. See, it's the first function of any organization to control its own sphincters. We're not even doing that. So we're working on refining our management techniques so that we can control that information no matter where it is -- on our hard disks or even inside the programmers' heads. Now, I can't say more because I got competition to worry about. But it is my fervent hope that in five or ten years, this kind of thing won't even be an issue.
Neal Stephenson (Snow Crash)
On game day, until five o’clock or so, the white desert light held off the essential Sunday gloom—autumn sinking into winter, loneliness of October dusk with school the next day—but there was always a long still moment toward the end of those football afternoons where the mood of the crowd turned and everything grew desolate and uncertain, onscreen and off, the sheet-metal glare off the patio glass fading to gold and then gray, long shadows and night falling into desert stillness, a sadness I couldn’t shake off, a sense of silent people filing toward the stadium exits and cold rain falling in college towns back east. The panic that overtook me then was hard to explain. Those game days broke up with a swiftness, a sense of losing blood almost, that reminded me of watching the apartment in New York being boxed up and carted away: groundlessness and flux, nothing to hang on
Donna Tartt (The Goldfinch)
You look terrible,” was Ron’s greeting as he entered the room to wake Harry. “Not for long,” said Harry, yawning. They found Hermione downstairs in the kitchen. She was being served coffee and hot rolls by Kreacher and wearing the slightly manic expression that Harry associated with exam review. “Robes,” she said under her breath, acknowledging their presence with a nervous nod and continuing to poke around in her beaded bag, “Polyjuice Potion . . . Invisbility Cloak . . . Decoy Detonators . . . You should each take a couple just in case. . . . Puking Pastilles, Nosebleed Nougat, Extendable Ears . . .” They gulped down their breakfast, then set off upstairs, Kreacher bowing them out and promising to have a steak-and-kidney pie ready for them when they returned. “Bless him,” said Ron fondly, “and when you think I used to fantasize about cutting off his head and sticking it on the wall.” They made their way onto the front step with immense caution: They could see a couple of puffy-eyed Death Eaters watching the house from across the misty square. Hermione Disapparated with Ron first, then came back for Harry. After the usual brief spell of darkness and near suffocation, Harry found himself in the tiny alleyway where the first phase of their plan was scheduled to take place. It was as yet deserted, except for a couple of large bins; the first Ministry workers did not usually appear here until at least eight o’clock. “Right then,” said Hermione, checking her watch. “She ought to be here in about five minutes. When I’ve Stunned her—” “Hermione, we know,” said Ron sternly. “And I thought we were supposed to open the door before she got here?” Hermione squealed. “I nearly forgot! Stand back—” She pointed her wand at the padlocked and heavily graffitied fire door beside them, which burst open with a crash. The dark corridor behind it led, as they knew from their careful scouting trips, into an empty theater. Hermione pulled the door back toward her, to make it look as though it was still closed. “And now,” she said, turning back to face the other two in the alleyway, “we put on the Cloak again—” “—and we wait,” Ron finished, throwing it over Hermione’s head like a blanket over a birdcage and rolling his eyes at Harry.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Well, check out these questions below, and if you can answer yes to most or all of the following points about a person and her business, you would have a pretty deep referral relationship: ​You trust them to do a great job and take great care of your referred prospects. ​You have known each other for at least one year. ​You understand at least three major products or services within their business and feel comfortable explaining them to others. ​You know the names of their family members and have met them personally. ​You have both asked each other how you can help grow your respective businesses. ​You know at least five of their goals for the year, including personal and business goals. ​You could call them at 9 o’clock at night if you really needed something. ​You would not feel awkward asking them for help with either a personal or business challenge. ​You enjoy the time you spend together. ​You see each other on a regular basis—in both business and personal situations. ​You enjoy seeing them achieve further success. ​They are “top of mind” regularly. ​You have open, honest talks about how you can help each other further.
Ivan R. Misner (Networking Like a Pro: Turning Contacts into Connections)
I am revoking the defendant’s bail and remanding him to the county prison, to remain there until and through the duration of his trial.” With that he nods to the two deputies, who walk to the front of the courtroom, cuff David, and lead him out the side door, their destination the holding cells in the subbasement. David will stay there until five o’clock, at which time he will be loaded into the sheriff’s bus and transported to the Curran-Fromhold Correctional Facility in Northeast Philadelphia. I watch David’s exit, watch him hold his head high, keep his back straight, trying to retain as much dignity as he can. Before the deputies close the door behind them, David glances back into the courtroom. I’ve seen the “last glance” from dozens of defendants, seen the guilt, sorrow, regret, fear, numbed disbelief plastered all over their faces as they take in a final look at the loved ones they’re leaving behind, sometimes for good. But David isn’t looking back in sadness or distress. And he isn’t looking at Marcie. His eyes hold only hatred for his real enemy. For Edwin. According to David, it was Edwin who placed the anonymous call to the DA’s office. Somehow,
William L. Myers Jr. (A Criminal Defense (Philadelphia Legal #1))
My husband and I have been a part of the same small group for the past five years.... Like many small groups, we regularly share a meal together, love one another practically, and serve together to meet needs outside our small group. We worship, study God’s Word, and pray. It has been a rich time to grow in our understanding of God, what Jesus has accomplished for us, God’s purposes for us as a part of his kingdom, his power and desire to change us, and many other precious truths. We have grown in our love for God and others, and have been challenged to repent of our sin and trust God in every area of our lives. It was a new and refreshing experience for us to be in a group where people were willing to share their struggles with temptation and sin and ask for prayer....We have been welcomed by others, challenged to become more vulnerable, held up in prayer, encouraged in specific ongoing struggles, and have developed sweet friendships. I have seen one woman who had one foot in the world and one foot in the church openly share her struggles with us. We prayed that God would show her the way of escape from temptation many times and have seen God’s work in delivering her. Her openness has given us a front row seat to see the power of God intersect with her weakness. Her continued vulnerability and growth in godliness encourage us to be humble with one another, and to believe that God is able to change us too. Because years have now passed in close community, God’s work can be seen more clearly than on a week-by-week basis. One man who had some deep struggles and a lot of anger has grown through repenting of sin and being vulnerable one on one and in the group. He has been willing to hear the encouragement and challenges of others, and to stay in community throughout his struggle.... He has become an example in serving others, a better listener, and more gentle with his wife. As a group, we have confronted anxiety, interpersonal strife, the need to forgive, lust, family troubles, unbelief, the fear of man, hypocrisy, unemployment, sickness, lack of love, idolatry, and marital strife. We have been helped, held accountable, and lifted up by one another. We have also grieved together, celebrated together, laughed together, offended one another, reconciled with one another, put up with one another,...and sought to love God and one another. As a group we were saddened in the spring when a man who had recently joined us felt that we let him down by not being sensitive to his loneliness. He chose to leave. I say this because, with all the benefits of being in a small group, it is still just a group of sinners. It is Jesus who makes it worth getting together. Apart from our relationship with him...,we have nothing to offer. But because our focus is on Jesus, the group has the potential to make a significant and life-changing difference in all our lives. ...When 7 o’clock on Monday night comes around, I eagerly look forward to the sound of my brothers and sisters coming in our front door. I never know how the evening will go, what burdens people will be carrying, how I will be challenged, or what laughter or tears we will share. But I always know that the great Shepherd will meet us and that our lives will be richer and fuller because we have been together. ...I hope that by hearing my story you will be encouraged to make a commitment to become a part of a small group and experience the blessing of Christian community within the smaller, more intimate setting that it makes possible. 6
Timothy S. Lane (How People Change)
Chang came in five minutes later, in the same jeans but a fresh T-shirt, her hair still inky with water from the shower. Her own jacket was pulled down on one side, by her own Smith. Like any ex-cop she looked around, the full 360, seven or eight separate snapshots, and then she moved through the room with plenty of energy, powered by what looked like enthusiasm, or maybe some kind of shared euphoria at their mutual survival through the night. She slid in alongside him. He said, “Did you sleep?” She said, “I must have. I didn’t think I was going to.” “You didn’t go meet the train.” “He’s a prisoner, according to you. And that’s the best-case scenario.” “I’m only guessing.” “It’s a reasonable assumption.” “Did you see the woman in 203?” “I thought she was hard to explain. Dressed in black, she could have been an investor or a fund manager or something else deserving of the junior executive routine. Her face and hair were right. And she has a key to the company gym. That’s for sure. But dressed in white? She looked like she was going to a garden party in Monte Carlo. At seven o’clock in the morning. Who does that?” “Is it a fashion thing? Someone’s idea of summer clothes?” “I sincerely hope not.
Lee Child (Make Me (Jack Reacher, #20))
I’d gone on dates with every flavor of cute boy under the sun. Except for one. Cowboy. I’d never even spoken to a cowboy, let alone ever known one personally, let alone ever dated one, and certainly, absolutely, positively never kissed one--until that night on my parents’ front porch, a mere couple of weeks before I was set to begin my new life in Chicago. After valiantly rescuing me from falling flat on my face just moments earlier, this cowboy, this western movie character standing in front of me, was at this very moment, with one strong, romantic, mind-numbingly perfect kiss, inserting the category of “Cowboy” into my dating repertoire forever. The kiss. I’ll remember this kiss till my very last breath, I thought to myself. I’ll remember every detail. Strong, calloused hands gripping my upper arms. Five o’clock shadow rubbing gently against my chin. Faint smell of boot leather in the air. Starched denim shirt against my palms, which have gradually found their way around his trim, chiseled waist… I don’t know how long we stood there in the first embrace of our lives together. But I do know that when that kiss was over, my life as I’d always imagined it was over, too. I just didn’t know it yet.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Tuesday. When five o’clock Tuesday evening comes, I approach the apartment, carrying two large pizzas—a cheese pizza with only cheese, like Madison requested, the other a monstrosity made with ham and pineapple. Hesitantly, I knock, hearing a flurry of footsteps inside before the door yanks open, the little ball of energy in front of me, grinning. “Madison Jacqueline!” Kennedy shouts, popping up in my line of sight. “What did I say about answering the door like that?” “Oh.” Her eyes widen, and before I can say a word, she swings the door shut, slamming it in my face. I stand here for a moment before the door cracks open again, her head peeking out as she whispers, “You gots to knock.” As soon as it shuts again, I tap on the door. “Who’s there?” she yells. “Jonathan.” “Jonathan who?” I laugh, shifting the pizzas around when they start slipping from my grip. Before I can answer, the door opens once more, Kennedy standing there. “Sorry,” she mumbles, motioning for me to come in as she grasps Madison by the shoulders, steering her along. “We’re working on this stranger danger thing. She’s way too trusting.” “But I know it was him,” Madison protests. “You can never be too sure,” Kennedy says. “It’s always best to double-check.” I open my mouth to offer an opinion but stop myself, not sure if I’m at that place where my advice is welcome. I’m not trying to get kicked out before even eating any pizza
J.M. Darhower (Ghosted)
Miss Kay About three months later, I went to lunch one day with a friend from work. When we returned to the Howard Brothers offices, I saw Phil’s old truck in the parking lot. My friend asked me if I wanted her to call the police, and I said, “No, I’ll go talk to him. Just watch me through the window. If anything happens, then call them.” As I walked toward the truck and saw Phil bent over the steering wheel, I assumed he was drunk. He was not; he was crying. I opened the door of the truck and for the first time in my life saw huge tears flowing down his face. I’ll never forget what he said: “I can’t sleep. I can’t eat. I want my family back, and I am never going to drink again.” My first though was, This is the man I want. This one, right here. But I had enough sense not to say that right away. “Phil, you can’t do it by yourself,” I told him. “You need help. You really need help.” “Are you talking about God?” he asked. “Yep, that’s it,” I answered. “I don’t know how to find Him,” said Phil. “Well, I do,” I responded. “You be back in this parking lot at five o’clock and follow me home. I’ll have someone there to talk to you.” Phil agreed. Back in my office, I called Bill Smith, told him what happened, and asked him to come to my apartment at five fifteen that evening to talk to Phil. He said he would have to check his calendar. “Check your calendar?” I said, almost in disbelief. “What on earth could be more important than this lost soul?” He must have realized I was right, because he immediately said, “I’ll be there.
Korie Robertson (The Women of Duck Commander: Surprising Insights from the Women Behind the Beards About What Makes This Family Work)
Whether he talked or not made little difference to my mood. My only enemy was the clock on the dashboard, whose hands would move relentlessly to one o'clock. We drove east, we drove west, amidst the myriad villages that cling like limpets to the Mediterranean shore, and today I remember none of them. All I remember is the feel of the leather seats, the texture of the map upon my knee, its frayed edges, its worn seams, and how one day, looking at the clock, I thought to myself, 'This moment now, at twenty past eleven, this must never be lost, ' and I shut my eyes to make the experience more lasting. When I opened my eyes we were by a bend in the road, and a peasant girl in a black shawl waved to us; I can see her now, her dusty skirt, her gleaming, friendly smile, and in a second we had passed the bend and could see her no more. Already she belonged to the past, she was only a memory. I wanted to go back again, to recapture the moment that had gone, and then it came to me that if we did it would not be the same, even the sun would be changed in the sky, casting another shadow, and the peasant girl would trudge past us along the road in a different way, not waving this time, perhaps not even seeing us. There was something chilling in the thought, something a little melancholy, and looking at the clock I saw that five more minutes had gone by. Soon we would have reached our time limit, and must return to the hotel. 'If only there could be an invention', I said impulsively, 'that bottled up a memory, like scent. And it never faded, and it never got stale. And then, when one wanted it, the bottle could be uncorked, and it would be like living the moment all over again." (Rebecca, chapter five)
Daphne du Maurier
She remembers her name. She remembers the name of the president. She remembers the name of the president’s dog. She remembers what city she lives in. And on which street. And in which house. The one with the big olive tree where the road takes a turn. She remembers what year it is. She remembers the season. She remembers the day on which you were born. She remembers the daughter who was born before you – She had your father’s nose, that was the first thing I noticed about her – but she does not remember that daughter’s name. She remembers the name of the man she did not marry – Frank – and she keeps his letters in a drawer by her bed. She remembers that you once had a husband, but she refuses to remember your ex-husband’s name. That man, she calls him. She does not remember how she got the bruises on her arms or going for a walk with you earlier this morning. She does not remember bending over, during that walk, and plucking a flower from a neighbour’s front yard and slipping it into her hair. Maybe your father will kiss me now. She does not remember what she ate for dinner last night, or when she last took her medicine. She does not remember to drink enough water. She does not remember to comb her hair. She remembers the rows of dried persimmons that once hung from the eaves of her mother’s house in Berkeley. They were the most beautiful shade of orange. She remembers that your father loves peaches. She remembers that every Sunday morning, at ten, he takes her for a drive down to the sea in the brown car. She remembers that every evening, right before the eight o’clock news, he sets two fortune cookies on a paper plate and announces to her that they are having a party. She remembers that on Mondays he comes home from the college at four, and if he is even five minutes late she goes out to the gate and begins to wait for him. She remembers which bedroom is hers and which is his. She remembers that the bedroom that is now hers was once yours. She remembers that it wasn’t always like this...
Julie Otsuka
The war against ISIS in Iraq was a long, hard slog, and for a time the administration was as guilty of hyping progress as the most imaginative briefers at the old “Five O’Clock Follies” in Saigon had been. In May 2015, an ISIS assault on Ramadi and a sandstorm that grounded U.S. planes sent Iraqi forces and U.S. Special Forces embedded with them fleeing the city. Thanks to growing hostility between the Iraqi government and Iranian-supported militias in the battle, the city wouldn’t be taken until the end of the year. Before it was over we had sent well over five thousand military personnel back to Iraq, including Special Forces operators embedded as advisors with Iraqi and Kurdish units. A Navy SEAL, a native Arizonan whom I had known when he was a boy, was killed in northern Iraq. His name was Charles Keating IV, the grandson of my old benefactor, with whom I had been implicated all those years ago in the scandal his name had branded. He was by all accounts a brave and fine man, and I mourned his loss. Special Forces operators were on the front lines when the liberation of Mosul began in October 2016. At immense cost, Mosul was mostly cleared of ISIS fighters by the end of July 2017, though sporadic fighting continued for months. The city was in ruins, and the traumatized civilian population was desolate. By December ISIS had been defeated everywhere in Iraq. I believe that had U.S. forces retained a modest but effective presence in Iraq after 2011 many of these tragic events might have been avoided or mitigated. Would ISIS nihilists unleashed in the fury and slaughter of the Syrian civil war have extended their dystopian caliphate to Iraq had ten thousand or more Americans been in country? Probably, but with American advisors and airpower already on the scene and embedded with Iraqi security forces, I think their advance would have been blunted before they had seized so much territory and subjected millions to the nightmare of ISIS rule. Would Maliki have concentrated so much power and alienated Sunnis so badly that the insurgency would catch fire again? Would Iran’s influence have been as detrimental as it was? Would Iraqis have collaborated to prevent a full-scale civil war from erupting? No one can answer for certain. But I believe that our presence there would have had positive effects. All we can say for certain is that Iraq still has a difficult road to walk, but another opportunity to progress toward that hopeful vision of a democratic, independent nation that’s learned to accommodate its sectarian differences, which generations of Iraqis have suffered without and hundreds of thousands of Americans risked everything for.
John McCain (The Restless Wave: Good Times, Just Causes, Great Fights, and Other Appreciations)
We've been here three days already, and I've yet to cook a single meal. The night we arrived, my dad ordered Chinese takeout from the old Cantonese restaurant around the corner, where they still serve the best egg foo yung, light and fluffy and swimming in rich, brown gravy. Then there had been Mineo's pizza and corned beef sandwiches from the kosher deli on Murray, all my childhood favorites. But last night I'd fallen asleep reading Arthur Schwartz's Naples at Table and had dreamed of pizza rustica, so when I awoke early on Saturday morning with a powerful craving for Italian peasant food, I decided to go shopping. Besides, I don't ever really feel at home anywhere until I've cooked a meal. The Strip is down by the Allegheny River, a five- or six-block stretch filled with produce markets, old-fashioned butcher shops, fishmongers, cheese shops, flower stalls, and a shop that sells coffee that's been roasted on the premises. It used to be, and perhaps still is, where chefs pick up their produce and order cheeses, meats, and fish. The side streets and alleys are littered with moldering vegetables, fruits, and discarded lettuce leaves, and the smell in places is vaguely unpleasant. There are lots of beautiful, old warehouse buildings, brick with lovely arched windows, some of which are now, to my surprise, being converted into trendy loft apartments. If you're a restaurateur you get here early, four or five in the morning. Around seven or eight o'clock, home cooks, tourists, and various passers-through begin to clog the Strip, aggressively vying for the precious few available parking spaces, not to mention tables at Pamela's, a retro diner that serves the best hotcakes in Pittsburgh. On weekends, street vendors crowd the sidewalks, selling beaded necklaces, used CDs, bandanas in exotic colors, cheap, plastic running shoes, and Steelers paraphernalia by the ton. It's a loud, jostling, carnivalesque experience and one of the best things about Pittsburgh. There's even a bakery called Bruno's that sells only biscotti- at least fifteen different varieties daily. Bruno used to be an accountant until he retired from Mellon Bank at the age of sixty-five to bake biscotti full-time. There's a little hand-scrawled sign in the front of window that says, GET IN HERE! You can't pass it without smiling. It's a little after eight when Chloe and I finish up at the Pennsylvania Macaroni Company where, in addition to the prosciutto, soppressata, both hot and sweet sausages, fresh ricotta, mozzarella, and imported Parmigiano Reggiano, all essential ingredients for pizza rustica, I've also picked up a couple of cans of San Marzano tomatoes, which I happily note are thirty-nine cents cheaper here than in New York.
Meredith Mileti (Aftertaste: A Novel in Five Courses)
Of course, no china--however intricate and inviting--was as seductive as my fiancé, my future husband, who continued to eat me alive with one glance from his icy-blue eyes. Who greeted me not at the door of his house when I arrived almost every night of the week, but at my car. Who welcomed me not with a pat on the arm or even a hug but with an all-enveloping, all-encompassing embrace. Whose good-night kisses began the moment I arrived, not hours later when it was time to go home. We were already playing house, what with my almost daily trips to the ranch and our five o’clock suppers and our lazy movie nights on his thirty-year-old leather couch, the same one his parents had bought when they were a newly married couple. We’d already watched enough movies together to last a lifetime. Giant with James Dean, The Good, the Bad, and the Ugly, Reservoir Dogs, Guess Who’s Coming to Dinner, The Graduate, All Quiet on the Western Front, and, more than a handful of times, Gone With the Wind. I was continually surprised by the assortment of movies Marlboro Man loved to watch--his taste was surprisingly eclectic--and I loved discovering more and more about him through the VHS collection in his living room. He actually owned The Philadelphia Story. With Marlboro Man, surprises lurked around every corner. We were already a married couple--well, except for the whole “sleepover thing” and the fact that we hadn’t actually gotten hitched yet. We stayed in, like any married couple over the age of sixty, and continued to get to know everything about each other completely outside the realm of parties, dates, and gatherings. All of that was way too far away, anyway--a minimum hour-and-a-half drive to the nearest big city--and besides that, Marlboro Man was a fish out of water in a busy, crowded bar. As for me, I’d been there, done that--a thousand and one times. Going out and panting the town red was unnecessary and completely out of context for the kind of life we’d be building together. This was what we brought each other, I realized. He showed me a slower pace, and permission to be comfortable in the absence of exciting plans on the horizon. I gave him, I realized, something different. Different from the girls he’d dated before--girls who actually knew a thing or two about country life. Different from his mom, who’d also grown up on a ranch. Different from all of his female cousins, who knew how to saddle and ride and who were born with their boots on. As the youngest son in a family of three boys, maybe he looked forward to experiencing life with someone who’d see the country with fresh eyes. Someone who’d appreciate how miraculously countercultural, how strange and set apart it all really is. Someone who couldn’t ride to save her life. Who didn’t know north from south, or east from west. If that defined his criteria for a life partner, I was definitely the woman for the job.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
When the first book out my sister-in-law read it and we were chatting at 5 o'clock in the afternoon and she said, "Oh my God, chapter six, sex and a murder," and her five year old wandered into the kitchen and said, "Sixty hamburgers?
Sara Sheridan
Scream until the drug took her. 5 They started arriving after four o’clock in the afternoon. By five, Rachael’s disappearance was the lead story on all the local news stations, even in Tucson and Phoenix. When six rolled around, there were more cars parked along No-Water Lane than when the Hasslers had hosted their last Fourth of July barbecue. Come 7:15 P.M., more than forty people had crowded into Will and Rachael’s modest adobe home in Ajo.
Blake Crouch (Snowbound)
I gazed at his face in the rapidly fading light of day, admiring his five o-clock stubble and ruggedly handsome features. If you were being technical about it you could say I was fawning. Like a fan girl at Comic Con who’s just spotted Loki - Logan Blake
Jules Deplume (Love Simmers (Sail Away, #1))
I just didn’t want to spend the bulk of my waking hours on this planet yawning and sighing and waiting for five o’clock, all for the little bits of green paper that eventually blew out of my life
David J. Rosen (I Just Want My Pants Back)
At five o’clock Tatiana took off her coat and her mask and goggles, splashed water on her face, retied her hair into a neat ponytail, and left the building. She walked on Prospekt Stachek, along the famous Kirov wall, a concrete structure seven meters tall that ran fifteen city blocks. She walked three of those blocks to her bus stop. And waiting for her at the bus stop was Alexander. When she saw him—Tatiana couldn’t help herself—her face lit up. Putting her hand on her chest, she stopped walking for a moment, but he smiled at her and she blushed and, gulping down whatever was in her throat, walked toward him. She noticed that his officer’s cap was in his hands. She wished she had scrubbed her face harder. The presence of so many words inside her head made her incapable of small talk, just at the time when she needed small talk most. “What are you doing here?” she asked timidly. “We’re at war with Germany,” Alexander said. “I have no time for pretenses.” Tatiana wanted to say something, anything, not to let his words linger in the air. So she said, “Oh.” “Happy birthday.” “Thank you.” “Are you doing something special tonight?” “I don’t know. Today is Monday, so everyone will be tired. We’ll have dinner. A drink.” She sighed. In a different world, perhaps, she might have invited him over for dinner on her birthday. Not in this world. They waited. Somber people stood all around them. Tatiana did not feel somber. She thought, but is this what I’m going to look like when I’m here by myself, waiting for the bus like them? Is this what I am going to look like for the rest of my life?
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
The world is a dark place, but the five-o’clock news doesn’t cover the scariest thing about it.
Chris Travis (inSignificant: Why You Matter in the Surprising Way God Is Changing the World)
At five o'clock that morning reveille was sounded, as usual, by the blows of a hammer on a length of rail hanging up near the staff quarters.
Aleksandr Solzhenitsyn (One Day in the Life of Ivan Denisovich)
the day’s just turned into yet another day, and you go on like that, looking forward to five o’clock and then the weekend and then your two or three annual weeks of paid vacation time, day in day out, and that’s what happens to your life.
Emily St. John Mandel (Station Eleven)
the last rays of the sun touched the hills at night," now, on his next to last day on earth, he had changed his mind and wanted to be buried on Lookout Mountain. "It's pretty up there.... You can look down into four states," he said. At any rate, Denver won the old plainsman's remains, and Lookout Mountain in nearby Golden, Colorado, would receive them-but not immediately. The funeral services were scheduled for Sunday, January 14, but the body would be kept in a mortuary vault in Olinger's Funeral Home until Memorial Day, when it would be finally buried on Lookout Mountain. Cody's funeral, like his life, was carried out on a grand scale. Described as "the most impressive and most largely-attended ever seen in the West," it was a service of such pomp and ceremony as only a head of state would have been granted. At ten o'clock on the morning of January 14, Cody's body was taken from the Decker home to the state capitol, where it lay in state in the rotunda, beneath the huge dome and its flagpole, on which the Stars and Stripes floated at half mast. The body was dressed in a frock coat on which were pinned the badges of the Legion of Honor and of the Grand Army of the Republic. The coffin bore the inscription: "Colonel William F. Cody, `Buffalo Bill."' Troopers from Fort Logan formed lines in the rotunda, through which passed the governors of Colorado and Wyoming, delegations from the legislatures from those states, officers of the United States Army, members of the fraternal organizations of which Cody was a member, veterans of the Grand Army of the Republic, thousands of men, women, and children. Among the mourners were a handful of old Indians and former scouts-those who had been performers in Buffalo Bill's Wild West. The rotunda was open for three hours. During that time, some eighteen thousand people according to the Denver Post's estimates-twenty-five thousand was the New York Times's guess-filed past the casket. At noon the crowd was kept back while the family, including his foster son, Johnny Baker, bade the Colonel farewell. A delegation of Knights Templar from North Platte followed.
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
I started to feel I wasn’t right,” Blaine said. “I’ve been through organ failure, but there’s nothing worse than mental illness. I looked through the ice at a guy standing in front of me and asked him what time it was. He says, ‘Two o’clock.’ I say to myself, Oh, man, I’m not done with this until ten P.M. That’s eight more hours! I tell myself it won’t be so bad once there’s only six hours left, so I just have to get through the next two hours. That’s the kind of time-shift technique I use to change perspective so I get through these stunts. I waited for at least two hours, just patiently waited, and it was difficult. I was hearing voices. I was seeing people’s bodies carved into the ice. And I don’t realize that these are all hallucinations from sleep deprivation. You don’t know what’s going on—you think it’s real because you’re awake. So I waited two hours, and I looked at a guy through the ice and asked, ‘What time is it?’” Gazing through the ice, Blaine still had enough mental resources to realize that this guy looked much like the guy at two o’clock. Then he discovered that it was the same guy. “He goes, ‘Two-oh-five,’” Blaine recalled. “That’s when things got really bad.” Somehow he stayed in the ice until the prime-time removal, but he was so dazed, incoherent, and weak that he had to be rushed off immediately in an
Roy F. Baumeister (Willpower: Rediscovering the Greatest Human Strength)
Ford began building his first automobile after he moved to Detroit, in a workshop he set up in a brick shed behind his Detroit duplex. The quadricycle, as he called it, was more a four-wheeled, motorized bicycle than an automobile. With a two-cylinder, four-cycle, four-horsepower gasoline-fueled internal combustion engine installed under the bench seat, a tiller for steering, and no brakes, it weighed just five hundred pounds.1 It took him three years to design and build, by hand. (“Ford was working in a world that contained no automobile parts,” quips one of his biographers.2) He rolled the quadricycle out of the workshop—after enlarging the narrow brick doorway with a sledgehammer—at two o’clock on a rainy June morning in 1896.
Richard Rhodes (Energy: A Human History)
must hand in their bicycles, Jews are banned from trams and are forbidden to drive. Jews are only allowed to do their shopping between three and five o’clock and then only in shops which bear the placard “Jewish shop”. Jews must be indoors by eight o’clock and cannot even sit in their own gardens after that hour. Jews are forbidden to visit theatres, cinemas, and other places of entertainment. Jews may not take part in public sports. Swimming baths, tennis courts, hockey fields, and other sports grounds are all prohibited to them. Jews may not visit Christians. Jews must go to Jewish schools, and many more restrictions of a similar kind.
Anne Frank (The Diary of a Young Girl)
Jocelyn, as the bus rolled along, looked across a space of green grass, elm-bordered, to the grey mass of the Cathedral. Its towers rose four-square against the sky and the wide expanse of the west front, rising like a precipice, was crowded with sculptured figures... About them the rooks were beating slowly and over their heads the bells were ringing for five o'clock evensong... To his left, on the opposite side of the road to the Cathedral, was another, smaller mass of grey masonry, the Deanery, and in front of him was a second archway. Once through it they were in a discreet road bordered on each side with gracious old houses standing back in walled gardens. Here dwelt the Canons of the Cathedral with their respective wives and families, and the few elderly ladies of respectable antecedents, blameless life and orthodox belief who were considered worthy to be on intimate terms with them.
Elizabeth Goudge (A City of Bells (Torminster, #1))
So on Christmas morning I was up at five o'clock, making the fire as bright as a furnace, baking minc'd pies and boiling plum puddings the size of Medici cannonballs, and setting three sides of roast beef to turn on the spits. Soon I breathed again that steam that tells the soul it is Christmas, and all the year' work done, and time for feasting; the smell of oranges, sugarplums and cloves, all mingled with roasting meats.
Martine Bailey (An Appetite for Violets)
For a month, they ate as much as they liked and whatever they liked, but only between five in the afternoon and ten o’clock at night.
Wim Hof (The Way of the Iceman: How the Wim Hof Method Creates Radiant Long-term Health—Using the Science and Secrets of Breath Control, Cold-Training and Commitment)
She always had a big pot of oatmeal going on the stove and was happy to whip up a short stack of pancakes at the drop of a hat, but she pretty much made the rest of the plates to order. After the first week she had a good handle not only on what each man liked for his morning meal, but what he needed. Mr. Cupertino still loved the occasional inspired omelet and once she had made him Eggs Meurette, poached eggs in a red wine sauce, served with a chunk of crusty French bread, which was a big hit. She balanced him out other mornings with hot cereal, and fresh fruit with yogurt or cottage cheese. Johnny mostly went for bowls of cereal washed down with an ocean of cold milk, so Angelina kept a nice variety on hand, though nothing too sugary. The Don would happily eat a soft-boiled egg with buttered toast every day for the rest of his life, but she inevitably got him to eat a little bowl of oatmeal just before or after with his coffee. Big Phil was on the receiving end of her supersize, stick-to-your-ribs special- sometimes scrambled eggs, toast, potatoes, and bacon, other times maybe a pile of French toast and a slice of ham. Angelina decided to start loading up his plate on her own when she realized he was bashful about asking for seconds. On Sundays, she put on a big spread at ten o'clock, after they had all been to church, which variously included such items as smoked salmon and bagels, sausages, broiled tomatoes with a Parmesan crust, scrapple (the only day she'd serve it), bacon, fresh, hot biscuits and fruit muffins, or a homemade fruit strudel. She made omelets to order for Jerry and Mr. Cupertino. Then they'd all reconvene at five for the Sunday roast with all the trimmings.
Brian O'Reilly (Angelina's Bachelors)
sure Edmonds was busting a gut in Virginia, on East Coast time, gathering information, so she could call early and wake him up. Chapter 57 Edmonds’ first call came in at two in the morning local time, which was five o’clock Eastern. Reacher and Turner both woke up. Reacher put the open phone between their pillows, and they rolled over forehead to forehead, so they could both hear. Edmonds said, “You
Lee Child (Never Go Back (Jack Reacher, #18))
Since the phone conversation was none of my business, I stood and listened to it, and gathered that someone named Philip had better put in an appearance by five o’clock or else.
Rex Stout (Death Times Three (Nero Wolfe, #47))
It is the twenty-third of June nineteen seventy-five, and it is eight o'clock in the evening. Seated at his jigsaw puzzle, Bartlebooth has just died.
Georges Perec (Life: A User's Manual)
CONVENTIONAL SWING (BALL SWINGS IN THE DIRECTION THE SEAM IS POINTING) ‘The key to swinging the ball is to keep a light grip and secondly the flick of the wrist with the fingers going down the ball … not across it. This is the major point. The bowler has to keep the energy behind the ball by flicking their fingers to six o’clock on the dial, rather than to five o’clock or seven o’clock. ‘The grip is also important. The fingers can be together or apart, but I preferred them to be together. Others like the great Ray Lindwall, Australia’s fast bowler of years gone by, would have his fingers placed on both sides of the seam. It’s a personal preference only. ‘I always loved the saying: “If he misses, I will hit his stumps.” It is simple but it is accurate, and 52 per cent of my dismissals in Test and one-day cricket were bowled or LBW.’ THE YORKER: WASIM AKRAM
Dean Jones (Dean Jones' Cricket Tips: The things They Don't Teach You at the Academy)
[Axl Rose] is not a tall man—I doubt even the heels of his boots (red leather) put him at over five feet ten. He walked toward us with stalking, cartoonish pugnaciousness. I feel like all anybody talks about with Axl anymore is his strange new appearance, but it is hard to get past the unusual impression he makes. To me he looks like he's wearing an Axl Rose mask. He looks like a man I saw eating by himself at a truck stop in Monteagle, Tennessee, at two o'clock in the morning about twelve years ago. He looks increasingly like the albino reggae legend Yellowman. His mane evokes a gathering of strawberry red intricately braided hempen fibers, the sharply twisted ends of which have been punched, individually, a half inch into his scalp. His chest hair is the color of a new penny. With the wasp-man sunglasses and the braids and the goatee, he reminds one of the monster in Predator, or of that monster's wife on its home planet. When he first came onto the scene, he often looked, in photographs, like a beautiful, slender, redheaded 20-year-old girl. I hope the magazine will run a picture of him from about 1988 so the foregoing will seem a slightly less creepy observation and the fundamental spade-called-spade exactitude of it will be laid bare. But if not, I stand by it. Now he has thickened through the middle—muscly thickness, not the lard-ass thickness of some years back. He grabs his package tightly, and his package is huge. Only reporting.
John Jeremiah Sullivan (Pulphead)
Oh, law! This morning I look one day older than God and a year younger than water! Last night I didn’t close my eyes. At five o’clock this morning I was still awake in my bed, turning and tossing and thinking about Big D.” “Dallas?” “Dying, precious—Big D is death.
Michael McDowell (The Elementals)
He’d shoved his blue black hair back from his brow. My eyes traced from his forehead to the five o’clock shadow of a beard and down the strong jaw line to his throat, where the water ran in rivulets down that taut muscular body.
Nicole MacDonald (The Arrival (BirthRight Trilogy #1))
constant bombardments, the destruction, the ever-presence of danger and death had now become a way of life. England carried on bravely, and in London “very few people bothered about going to shelters.... One could see more and more people around ... the streets.... At night everywhere was packed, and the town seemed overcrowded, gay and full of atmosphere and intense living,” wrote the former Hélène Foufounis, a good friend of Philip’s. “Nothing stopped. The traffic went on full swing.... Even five o’clock in the morning the tubes and shelters may have been full, but so were the streets and restaurants and the night spots.... It was as if everybody wanted to be with everybody else, as if every minute in the present was terribly important, and the future ... became very vague, hazy and unreal.” Hélène
Anne Edwards (Royal Sisters: Queen Elizabeth II and Princess Margaret)
probably encounter people like him all the time. High-functioning sleepwalkers, essentially.” What was it in this statement that made Clark want to weep? He was nodding, taking down as much as he could. “Do you think he’d describe himself as unhappy in his work?” “No,” Dahlia said, “because I think people like him think work is supposed to be drudgery punctuated by very occasional moments of happiness, but when I say happiness, I mostly mean distraction. You know what I mean?” “No, please elaborate.” “Okay, say you go into the break room,” she said, “and a couple people you like are there, say someone’s telling a funny story, you laugh a little, you feel included, everyone’s so funny, you go back to your desk with a sort of, I don’t know, I guess afterglow would be the word? You go back to your desk with an afterglow, but then by four or five o’clock the day’s just turned into yet another day, and you go on like that, looking forward to five o’clock and then the weekend and then your two or three annual weeks of paid vacation time, day in day out, and that’s what happens to your life.
Emily St. John Mandel (Station Eleven)
Are you married?” “I will be.” Resting a leather-sleeved forearm on the gas tank, he leans in. “Does five o’clock tonight work for you?” I sip the coffee and hum. “Is that a proposal?” “It’s a foregone conclusion.” He rubs his jaw with a gloved hand. “I always wondered what you would look like.” “You wondered what I would look like?” “My forever.
Pam Godwin (One is a Promise (Tangled Lies, #1))
And what a man he is. Tall, but not too tall. Five o’clock shadow. Late twenties, early thirties. Piercing blue eyes. Short, brown hair that juts forward, matching his angular face. He’s wearing an untucked, button-down white shirt and dark-grey slacks. He looks disheveled in the best way possible.
Samantha Riley (You Forgot to Say Please: BDSM Billionaire Erotica (The Please Me Series Book 1))
Perfectly surrounded by rough five o’clock shadow that makes me shiver at the mere thought of it scraping along my skin, because the man is built for sin.
Ainsley Booth (Hate F*@k: Part 2 (The Horus Group, #2))
To find peace and quiet in the crowded farmhouse, he got up morning after morning at four or five o’clock and tiptoed downstairs to read and do his homework by the light of the big what shaded kerosend lamp on the kitchen table.
J. Willard Marriott
DEL, SHRAKE, AND JENKINS watched Lucas make notes, and five minutes later call Carver. Carver came up on the phone almost instantly. He said, “Yeah.” “This is Davenport, the cop that’s been following you around.” “How’d you get this number?” “I’m a cop,” Lucas said. “I need to talk to you. I need to talk to you right away, and somewhere private, where Dannon and Grant aren’t around.” “I don’t think I want to do that,” Carver said, and the line went dead. “Well, shit,” Lucas said. “You’re a smooth talker,” Del said. “I wonder if he’s got a smartphone,” Lucas said. He sent a text: “Six executed in Afghanistan. Want to hear the governor talking about it on TV? Take the call.” He sent it, and got back “delivered” a second later. Ten seconds after that, Carver took the second voice call and said, “What kind of bullshit is this?” “You know what kind of bullshit it is. It’s Leavenworth bullshit,” Lucas said. “Now, you need to take a little time off this afternoon, go out for a cup of coffee. There’s an obscure Caribou Coffee a couple miles from Grant’s house. Give me a time.” After a moment of silence, Carver said, “Three o’clock.
John Sandford (Silken Prey (Lucas Davenport #23))
Since it would take a few minutes to set up, Myron took some unnecessary turns. Two minutes later, Myron took the right on Pleasant Valley Way. Up ahead, he saw Zorra standing by the pizzeria. She wore her ’30s blond wig and smoked a cigarette in a holder and looked just like Veronica Lake after a real bad bender, if Veronica Lake was six feet tall and had a Homer Simpson five o’clock shadow and was really, really ugly. Zorra
Harlan Coben (Promise Me (Myron Bolitar, #8))
To her surprise, Linc was waiting around the first curve on the road, listening to the radio. She could see his hand tapping a beat on the back of the other seat. Kenzie slowed her car to a stop when their windows lined up. He rolled his down. “Hey. How’d it go?” “No big deal. I handed the papers to his temp assistant. What the hell are you doing here?” Linc studied her face. “I wanted to see if the beacon I put on your car was working.” She should have known. “Is that necessary?” “The readout is on this.” He tapped the face of his watch. “I can’t see. And I don’t believe you.” Kenzie put her car into park, got out, and walked around. He turned his wrist to show her. “Check it out. Your dot merged into my dot.” “Isn’t that sweet.” He grinned. “It’s not a problem to remove the beacon if you don’t like it.” “No. It’s all right. You’re the only person who knows where I am most of the time now.” That didn’t seem to have occurred to him. “Really?” She nodded. “So where are you off to?” Kenzie shot him a mocking look. “You don’t have to ask, do you?” Linc laughed. “The beacon can’t read your mind.” She rolled her eyes. “Thank God for that. If you want to know, I was heading to the drugstore to print out some of the photos for Mrs. Corelli. Where are you going?” “Just running errands,” he said. “Need anything from the electronics store?” “I don’t think so.” “Okay. I’m just picking up a couple of components.” Kenzie gave a little yelp. “Yikes--that reminds me. Yesterday my boss asked me to pick something up for him out in the boondocks. I forgot until you said that. So if my dot falls off your watch, you’ll know why.” He smiled at her warmly as he bent his arm and rested it on the bottom of the window frame. The bicep under the flannel rounded up very nicely as he lifted a hand and chucked her gently under the chin. “Funny.” The friendly touch was unexpectedly intimate. In fact, it triggered a dangerous sensation of giving in. She smiled at him, feeling weak. His brown eyes were dark and warm. She felt herself blush under his steady gaze. Linc was the real deal. Maybe she didn’t have to be so tough all the time. It was okay to be protected. More than okay. Back when she’d had Tex at her side, she’d actually liked the feeling. Like all military working dogs, he’d been trained to maintain an invisible six-foot circle around her, and woe to anyone who crossed into it without her permission. Including guys she was dating. “Kenzie?” She snapped out of it. “Sorry. You knocked on my stupid spot.” “I’ll have to remember that.” She shook her head in mock dismay. “Please don’t. Let’s touch base around four or five o’clock.” He nodded and turned the key in the ignition. “Works for me.” His gaze stayed on her a moment longer. “Call me if you need anything.” “I will. Thanks.” She glanced back at the gray monolith a little distance behind them and her mouth tightened. But when her green gaze met Linc’s brown eyes, she managed a quick smile. He raised his left hand in a quick good-bye wave and eased his car ahead of hers, rolling up the window again. She watched him go, then got back into hers and drove on, turning off on the road to the firing range.
Janet Dailey (Honor (Bannon Brothers, #2))
You good?” “Yeah. Okay. Good.” “Now, I’m going to be right here to tell you what to do, and I’ll help you steer if you start running us off the road.” I revved the gas pedal and then placed her foot on it and let her do the same. I could tell she was trying not to bail off of my lap—her body was practically vibrating with nerves—but she didn’t. She stayed, listening intently. I gave her basic instructions, and then I helped her ease onto the road, going about five miles per hour. She didn’t move her hands from two and ten o’clock, and I had to tug at the wheel slightly to straighten us out. And then we picked up speed, just a bit. “How does that feel?” “Like falling,” she whispered, her body rigid, her arms locked on the wheel. “Relax. Falling is easier if you don’t fight it.” “And driving?” “That too. Everything is easier if you don’t fight it.” “What if someone sees us?” “Then I’ll tell you when to wave." She giggled and relaxed slightly against me. I kissed her temple where it rested against my cheek, and she was immediately stiff as a board once more. Shit. I hadn’t thought. I’d just reacted. “I would have patted you on the back, but your forehead was closer,” I drawled. “You’re doin’ it. You’re drivin’.” “How fast are we going?” she said breathlessly. I hoped it was fear and not that kiss. “Oh you’re flyin’, baby. Eight miles an hour. At this rate, we will reach Salt Lake in two days, my legs will be numb, and Henry will want a turn. Give it a little gas. Let’s see if we can push it up to ten.” She pressed her foot down suddenly and we shot forward with a lurch. “Whoa!” I cried, my arms shooting up to brace hers on the wheel. I saw Henry stir from the corner of my eye. “Danika Patrick is the first female NASCAR driver to ever win a NASCAR Sprint Cup Series pole,” he said woodenly, before slumping back down in his seat. I spared him a quick glance, only to see his eyes were closed once more. Millie obviously heard him and she hooted and pressed the gas pedal down a little harder. “Henry just compared you to Danika Patrick. And he obviously isn’t alarmed that you’re driving because he’s already asleep again.” “That’s because Henry knows I’m badass.” “Oh yeah. Badass, Silly Millie. ‘Goin’ ninety miles an hour down a dead-end street,’” I sang a little Bob Dylan, enjoying myself thoroughly.
Amy Harmon (The Song of David (The Law of Moses, #2))
It was a Sunday at the end of November, which meant summertime in Australia. My water broke at night, and this time I knew what was coming. I remember thinking, There’s no turning back now. Immediately after my water broke, the contractions started. I had been sleeping in Bindi’s room because I was so awkward and uncomfortable that I kept waking everybody up. Plus, Bindi loved being able to snuggle down in bed with her daddy. I crept into their room quietly. As I stood beside the bed, I leaned in next to Steve’s ear. I could feel his breath. He smelled warm and sweet and familiar. He is going to be a daddy again, I thought, his favorite job in the world. When I whispered “Steve,” he opened his eyes without moving. Bindi slept on at his side. It was about midnight, and I told Steve that we didn’t have to leave for the hospital yet, but it would be soon. Once he was satisfied that I was okay, I headed back to Bindi’s bed to get some rest. Throughout our life together, I never knew what Steve was going to say next. True to form, he came to my bedside, not long after I lay down, and said, “I’m putting my foot down.” “What?” “The baby is going to be named Robert Clarence Irwin if it’s a boy,” he said. Robert after his dad, Bob, and Clarence after my dad. “You don’t need to put your foot down,” I whispered to him. “I think it’s a beautiful name.” When my contractions were four minutes apart, I knew it was time to head to the hospital. It was five o’clock in the morning. Steve got everything organized to take me. Of course, one of the things he grabbed was a camera. He was determined that we would capture everything on film. We called Trevor, our friend and cinematographer who had filmed Bindi’s birth, to meet us at the hospital, and Thelma, Bindi’s nanny, came over to get her off to school. As we drove in the car, Steve filmed me from the driver’s seat. As he shot, the Ute slowly edged toward the side of the road. He looked up, grabbed the wheel, and corrected the steering. Then he went back to filming and the whole thing happened again. After two or three veers, I had had enough. “Stop filming,” I yelled. He quickly put the camera down. I think he realized that this was no time to argue with mama bear.
Terri Irwin (Steve & Me)
Even our garden lawn—most domesticated of foliage—needed mowing again almost as soon as it was done … like some lush, green five o’clock shadow.
Peter Goldsworthy (Maestro)
It’s five o’clock somewhere.” JULY 5th 4:48 a.m. I
Roger Stelljes (Deadly Stillwater (McRyan Mystery, #2))
brothers in tow at five in the evening (my curfew was six o’clock and my parents were disinclined to relax it this once even if I strongly felt it was the acme of my social life) and took a seat at the best table in the thoroughly empty restaurant that was just setting up for the evening crowd. I would like to express here, my intense love for my brothers. I like to (rightly) give them a great deal of grief for the many horrors they perpetrated against my childhood dignity, but I’ll hand them one thing — they never laughed in my face when I made a fool of myself. They’d always wait until they’d made a fool of me so it didn’t hurt my feelings, only my ego. There can’t be a lot of teenagers/twenty-somethings who would willingly indulge their pesky little sister’s nutty desires when they have a good idea of the horrors in store for them. Like Chinese food at five in the evening. Make that: Chinese food they absolutely did not want at five in the evening. Cousin (reading menu): What shall we eat then? Me (magnanimously patting
What’s so amusing, wench?” came a gravel-throated voice from behind her, followed by a gentle swat across her sheet-covered backside. “Just plotting my mutiny, Captain,” she said. “Mutiny?” he said, pulling the sheet, and her, closer to him. “I thought I’d convinced you to join my merry little band of thieves.” He tugged at the sheet she’d grabbed in her fist, rolling her neatly over and right up against his side. “You don’t want to be the pirate queen of the high seas?” “You’re a merry band of one who can’t sail a boat, so--” He silenced her with a kiss. When he finally lifted his head, she sighed and let her head loll back on his arm. “Well, when you put it that way…” He rolled on top of her, making her squeal. “I’m happy to put it another way, if that’ll help persuade you.” “Sheath your sword, pirate king. Your wench needs some sustenance before she can allow you to have your pirate ways with her again.” “I thought I was sheathing my sword,” he said, then laughed when she hooked her leg over his and rolled him to his back. “I see you’ve been paying attention to my pirate tricks.” “Indeed I have,” she said, looking down into his handsome face and twinkling blue eyes. She didn’t want to think about the next chapter, not now, not yet. But there it was, staring up at her, framed in tousled blond hair and five o’clock shadow. This could be your life, Kerry McCrae. Just say yes.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
I see you’ve been paying attention to my pirate tricks.” “Indeed I have,” she said, looking down into his handsome face and twinkling blue eyes. She didn’t want to think about the next chapter, not now, not yet. But there it was, staring up at her, framed in tousled blond hair and five o’clock shadow. This could be your life, Kerry McCrae. Just say yes. “In other news,” she said, sliding off him to sit on the side of the bed, drawing the sheet around her, trying like hell to push those thoughts away for now, “we need to pull anchor before the sun gets any lower.” “Aw, because that would be…bad?” he said, tugging at the sheet. She couldn’t help it; she laughed, and the glow simply refused to fade. She tugged the sheet free from his grasp and stood, albeit on wobbly legs for a moment or two. Summoning her most haughty pirate queen manner, she made a show of draping the end of the sheet over her shoulder and shaking loose her bed-head curls, knowing she likely looked more like Medusa than anything remotely regal. “Your merry band of one here is going topside to get us underway.” She made the mistake of looking at him, sprawled in all his gorgeous, naked indolence across white sheets, beams of the lowering sun streaking across his golden skin, making it look even more burnished than it already was. Dear Lord, she wanted to have him all over again. Even hungrier now that she knew what awaited her when she did. Taking full advantage of her hesitation, he propped his arms behind his head and crossed his legs at the ankles, a grin equally as indolent as his pose sliding across his handsome face. “You were saying, my queen?” She scooped a pillow off the floor and threw it at him. “Incorrigible.” Chuckling, he caught the pillow with one hand and tucked it behind his head. “Well, I’m pretty sure that’s near the top of the list of preferred character traits in the pirate handbook.” She laughed, then dodged to the door when he made a sudden, nimble grab for the edges of the sheet.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
I’ll stay with you, Reep,” said Edmund. “And I too,” said Caspian. “And me,” said Lucy. And then Eustace volunteered also. This was very brave of him because never having read of such things or even heard of them till he joined the Dawn Treader made it worse for him than for the others. “I beseech your Majesty--” began Drinian. “No, my Lord,” said Caspian. “Your place is with the ship, and you have had a day’s work while we five have idled.” There was a lot of argument about this but in the end Caspian had his way. As the crew marched off to the shore in the gathering dusk none of the five watchers, except perhaps Reepicheep, could avoid a cold feeling in the stomach. They took some time choosing their seats at the perilous table. Probably everyone had the same reason but no one said it out loud. For it was really a rather nasty choice. One could hardly bear to sit all night next to those three terrible hairy objects which, if not dead, were certainly not alive in the ordinary sense. On the other hand, to sit at the far end, so that you would see them less and less as the night grew darker, and wouldn’t know if they were moving, and perhaps wouldn’t see them at all by about two o’clock--no, it was not to be thought of. So they sauntered round and round the table saying, “What about here?” and “Or perhaps a bit further on,” or “Why not on this side?” till at last they settled down somewhere about the middle but nearer to the sleepers than to the other end.
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
I never had to hide my pot smoking from my mom. I’d say, “Mom, you’re drinking! Why don’t you smoke pot instead?” I’d twist one up and say, “Ma, see what it smells like?” She never said, “Put that out!” mainly because Mom loved her five o’clock cocktail
Steven Tyler (Does the Noise in My Head Bother You?: A Rock 'n' Roll Memoir)
Because when on a raw and frosty morning I get up at five o'clock and stand shivering my belly off on the stone floor and all the rest still have another hour to snooze before the bells go, I slink downstairs through all the corridors to the big outside door with a permit running-card in my fist, I feel like the first and last man in the world, both at once, if you can believe what I'm trying to say.
Alan Sillitoe (The Loneliness of the Long-Distance Runner)
Reg would wake me up at five o’clock each morning; by five thirty we’d be at his gym at 42 Kirk Street working out. I never even got up at that hour, but now I learned the advantage of training early, before the day starts, when there are no other responsibilities and nobody else is asking anything of you. Reg also taught me a key lesson about psychological limits. I’d worked my way up to three hundred pounds of weight in calf raises, beyond any other bodybuilder I knew. I thought I must be near the limit of human achievement. So I was amazed to see Reg doing calf raises with one thousand pounds. “The limit is in your mind,” he said. “Think about it: three hundred pounds is less than walking. You weigh two hundred fifty, so you are lifting two hundred fifty pounds with each calf every time you take a step. To really train, you have to go beyond that.” And he was right. The limit I thought existed was purely psychological. Now that I’d seen someone doing a thousand pounds, I started making leaps in my training.
Arnold Schwarzenegger (Total Recall: My Unbelievably True Life Story)
for it was nearly five o’clock; and if people are to quarrel often, it follows as a corollary that their quarrels cannot be protracted beyond certain limits.
George Eliot (Complete Works of George Eliot)
Reaching over she put her hand on my thigh and asked what I would be doing that evening. I couldn’t believe what was happening. She was hitting on me and if I had any plans, they instantly vanished, as I heard myself say with renewed confidence… “Nicole, my time is your time. You know this island better than I do, do you have any ideas?” The driver took us to the ship where Nicole gave me a long passionate kiss. I now knew where the term “French Kissing” came from. Her passion excited me and I didn’t give a damn that the driver and half the midshipmen on the ship were watching what was happening. I scooped up my gear and the paperwork, telling Nicole that I would meet her at the Consulate at six o’clock. She advised me to ring the bell since they lock up at five o’clock. What she didn’t tell me was that she had a room upstairs in the Consulate next to the one the Consul used.
Hank Bracker
He would point to some spot or other near the latrines. “There,” he would say, pushing a bit of bread about inside his mouth, “on the sixth of February at five o’clock in the afternoon I began my memorable discussion with Professor K. on the ramifications of Leibniz’s doctrine of monads in the thought of our day.
Lion Feuchtwanger (The Devil in France: My Encounter with Him in the Summer of 1940)
He has dark hair and a perpetual five o’clock shadow that seems studied and neat. His eyes are an electric blue without a hint of madness behind them. His smile is infectious
Howard Odentz (What We Kill)
I want to invite you to come for a stroll in the menagerie,' I said, feeling pretty uncomfortable. 'But it's too early,' she replied. 'It isn't five o'clock yet. I never get up before ten.' 'It's lovely out,' I added. "Oh, all right, if you insist.' We went down into the silent garden. Dawn is the time when nothing breathes, the hour of silence. Everything is transfixed, only the light moves.
Leonora Carrington
There will be two buses to the park from the hotel. The two o’clock bus is for those who need a little extra work, and then there will be an empty bus leaving at five o’clock.
Wayne Coffey (They Said It Couldn't Be Done: The '69 Mets, New York City, and the Most Astounding Season in Baseball History)
L. Wilson, editor of the Chicago Evening Journal; and General Henry Eugene Davies, who wrote a pamphlet, Ten Days on the Plains, describing the hunt. Among the others rounding out the group were Leonard W. and Lawrence R. Jerome; General Anson Stager of the Western Union Telegraph Company; Colonel M. V. Sheridan, the general's brother; General Charles Fitzhugh; and Colonel Daniel H. Rucker, acting quartermaster general and soon to be Phil Sheridan's father-in-law. Leonard W. Jerome, a financier, later became the grandfather of Winston Churchill when his second daughter, jenny, married Lord Randolph Churchill. The party arrived at Fort McPherson on September 22, 1871. The New York Herald's first dispatch reported: "General Sheridan and party arrived at the North Platte River this morning, and were conducted to Fort McPherson by General Emery [sic], commanding. General Sheridan reviewed the troops, consisting of four companies of the Fifth Cavalry. The party start[s] across the country tomorrow, guided by the renowned Buffalo Bill and under the escort of Major Brown, Company F, Fifth Cavalry. The party expect[s] to reach Fort Hays in ten days." After Sheridan's review of the troops, the general introduced Buffalo Bill to the guests and assigned them to their quarters in large, comfortable tents just outside the post, a site christened Camp Rucker. The remainder of the day was spent entertaining the visitors at "dinner and supper parties, and music and dancing; at a late hour they retired to rest in their tents." The officers of the post and their ladies spared no expense in their effort to entertain their guests, to demonstrate, perhaps, that the West was not all that wild. The finest linens, glassware, and china the post afforded were brought out to grace the tables, and the ballroom glittered that night with gold braid, silks, velvets, and jewels. Buffalo Bill dressed for the hunt as he had never done before. Despite having retired late, "at five o'clock next morning . . . I rose fresh and eager for the trip, and as it was a nobby and high-toned outfit which I was to accompany, I determined to put on a little style myself. So I dressed in a new suit of buckskin, trimmed along the seams with fringes of the same material; and I put on a crimson shirt handsomely ornamented on the bosom, while on my head I wore a broad sombrero. Then mounting a snowy white horse-a gallant stepper, I rode down from the fort to the camp, rifle in hand. I felt first-rate that morning, and looked well." In all probability, Louisa Cody was responsible for the ornamentation on his shirt, for she was an expert with a needle. General Davies agreed with Will's estimation of his appearance that morning. "The most striking feature of the whole was ... our friend Buffalo Bill.... He realized to perfection the bold hunter and gallant sportsman of the plains." Here again Cody appeared as the
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
ABout three-fourths of the whole business was for effect and therefore harmless, ended at the door of the cafe, soon enough for the five-o'clock train back to Yale or Princeton; about one-fourth continued on into the dimmer hours and gathered strange dust from strange places.
F. Scott Fitzgerald (This Side of Paradise)
Might be a DUI,” he said, reading the notes from Dispatch. Luke scoffed from the seat behind me. “Not even nine in the morning.” “Hey, it’s five o’clock somewhere.
Abby Jimenez (The Friend Zone (The Friend Zone, #1))
There will be two buses to the park from the hotel. The two o’clock bus is for those who need a little extra work. Then there will be an empty bus leaving at five o’clock.
Christopher Walsh (Mets Triviology: Fascinating Facts from the Bleacher Seats)
Mazza was another one of those new faces in the White House press area. Although he was only nineteen, he had a perpetual five-o’clock shadow and dressed like he was fifty. From his parents’ house, Mazza had created his own news website called UNF News, which, he explained, stood for “Universal News Forever.” Mazza still lived with his parents in New Jersey but somehow found a way to get himself down to the White House several days a week.
Jonathan Karl (Front Row at the Trump Show)
After twelve hours of blissful sleep, the world is making a lot more sense, even though it is five o'clock in the morning and everything is in Japanese.
Deborah Grant-Dudley (The Lost Castle)