Five O'clock Quotes

I'll come and make love to you at five o'clock. If I'm late start without me.

Have you kissed many boys before?" he asked quietly. His question brought my mind back into focus. I raised an eyebrow. "Boys? That's an assumption." Noah laughed, the sound low and husky. "Girls, then?" "No." "Not many girls? Or not many boys?" "Neither," I said. Let him make of that what he would. "How many?" "Why—" "I am taking away that word. You are no longer allowed to use it. How many?" My cheeks flushed, but my voice was steady as I answered. "One." At this, Noah leaned in impossibly closer, the slender muscles in his forearm flexing as he bent his elbow to bring himself nearer to me, almost touching. I was heady with the proximity of him and grew legitimately concerned that my heart might explode. Maybe Noah wasn't asking. Maybe I didn't mind. I closed my eyes and felt Noah's five o' clock graze my jaw, and the faintest whisper of his lips at my ear. "He was doing it wrong.

I wish we could spend July by the sea, browning ourselves and feeling water-weighted hair flow behind us from a dive. I wish our gravest concerns were the summer gnats. I wish we were hungry for hot dogs and dopes, and it would be nice to smell the starch of summer linens and the faint odor of talc in blistering summer bath houses ... We could lie in long citoneuse beams of the five o'clock sun on the plage at Juan-les-Pins and hear the sound of the drum and piano being scooped out to sea by the waves.

When the tea is brought at five o'clock And all the neat curtains are drawn with care, The little black cat with bright green eyes Is suddenly purring there.

You should see my corgis at sunset in the snow. It's their finest hour. About five o'clock they glow like copper. Then they come in and lie in front of the fire like a string of sausages.

Fridays are absolutely without a doubt the best day of the week, five grueling days of the same routine seem to melt at three o'clock on Friday afternoon. There's a sense of magic there, everything smells better, tastes better, and the colors are brighter. As opposed to Sunday evenings when everything begins to get dim all over again.

Its five o'clock some where

After another minute Reuben brought forth the following sentence: "I ha' scranleted two hundred furrows come five o'clock down i' the bute." It was a difficult remark, Flora felt, to which to reply.

At five o'clock Paris always has a current of eroticism in the air.

It was five o’clock when the stupid rooster started crowing relentlessly, robbing me of my sleep. The sun hadn’t even risen yet. Dumbass bird should be on Prozac.

Would a minute have mattered? No, probably not, although his young son appeared to have a very accurate internal clock. Possibly even 2 minutes would be okay. Three minutes, even. You could go to five minutes, perhaps. But that was just it. If you could go for five minutes, then you'd go to ten, then half an hour, a couple of hours...and not see your son all evening. So that was that. Six o'clock, prompt. Every day. Read to young Sam. No excuses. He'd promised himself that. No excuses. No excuses at all. Once you had a good excuse, you opened the door to bad excuses.

Did you ever stand on a street corner in American at five o'clock in the morning? I did.

What’s going on with your face, by the way?” Gansey rubbed his chin, rueful. His skin felt reluctantly stubbled. He knew he was being diverted, but he allowed it. “Is it growing?” “Dude, you aren’t really going to do that beard thing, are you? I thought you were joking. You know that stopped being cool in the fourteen century or whenever it was that Paul Bunyan lived.” Ronan looked over his shoulder at him. He was sporting the five o’clock shadow that he was capable of growing at any time of the day. “Just stop. You look mangy.” “It’s irrelevant. It’s not growing. I’m doomed to be a man-child.” “If you keep saying things like ‘man-child,’ we’re done,” Ronan said. “Hey, man. Don’t let it get you down. Once your balls drop, that beard’ll come in great.

On game day, until five o'clock or so, the white desert light held off the essential Sunday gloom—autumn sinking into winter, loneliness of October dusk with school the next day—but there was always a long still moment toward the end of those football afternoons where the mood of the crowd turned and everything grew desolate and uncertain, onscreen and off, the sheet-metal glare off the patio glass fading to gold and then gray, long shadows and night falling into desert stillness, a sadness I couldn't shake off, a sense of silent people filing toward the stadium exits and cold rain falling in college towns back east.

During his reading hours, which were between one and five o'clock in the morning, but not every morning, he had come to the disconcerting conclusion that whistling was not an important theme in literature.

I am not going to guess, at five o'clock in the morning, with my brains frying and sputtering in my head. If you want me to guess, you must ask me to dinner.

Yes," Bitterblue said. "I suppose you could convert everything into minutes. Twelve times sixty is seven hundred twenty, and fifteen times fifty is seven hundred fifty. So our seven-hundred-twenty-minute half day equals its seven-hundred-fifty-minute half day. Let's see...Right now, the watch reads a time of nearly twenty-five past two. That's one hundred twenty-five total minutes, which, divided by seven hundred fifty, should equal our time in minutes divided by seven hundred twenty...so, seven hundred twenty times one hundred twenty-five is...give me a moment...ninety thousand...divided by seven hundred fifty...is one hundred twenty...which means...well! The numbers are quite neat, aren't they? It's just about two o'clock. I should go home.

Here we go round the prickly pear Prickly pear prickly pear Here we go round the prickly pear At five o’clock in the morning. Between the idea And the reality Between the motion And the act Falls the Shadow For Thine is the Kingdom Between the conception And the creation Between the emotion And the response Falls the Shadow Life is very long Between the desire And the spasm Between the potency And the existence Between the essence And the descent Falls the Shadow For Thine is the Kingdom For Thine is Life is For Thine is the This is the way the world ends This is the way the world ends This is the way the world ends Not with a bang but a whimper.

We're coming for you whether the Muggles like it or not, you can't miss the World Cup, only Mum and Dad reckon it's better if we pretend to ask their permission first. If they say yes, send Pig back with your answer pronto, and we'll come and get you at five o'clock on Sunday. If they say no, send Pig back pronto and we'll come and get you at five o'clock on Sunday anyway.

These summer nights are short. Going to bed before midnight is unthinkable and talk, wine, moonlight and the warm air are often in league to defer it one, two or three hours more. It seems only a moment after falling asleep out of doors that dawn touches one gently on the shoulder, and, completely refreshed, up one gets, or creeps into the shade or indoors for another luxurious couple of hours. The afternoon is the time for real sleep: into the abyss one goes to emerge when the colours begin to revive and the world to breathe again about five o'clock, ready once more for the rigours and pleasures of late afternoon, the evening, and the night.

I ha' scranleted two hundred furrows come five o'clock down i' the bute.' It was a difficult remark, Flora felt, to which to reply. Was it a complaint? If so, one might say, 'My dear, how too sickening for you!' But then, it might be a boast, in which case the correct reply would be, 'Attaboy!' or more simply, 'Come, that's capital.' Weakly she fell back on the comparatively safe remark: 'Did you?' in a bright, interested voice.

I'll come and make love to you at five o'clock. If I'm late, start without me. Codeine...bourbon..." (Tallulah Bankhead's last coherent words).

Edinburgh suited Ann; she liked the tall, dignified buildings of grey stone, the short days that sank into street-lamped evenings at five o'clock, and the dual personality of the city's main street, which on one side had glittering shops and on the other the green sweep of Princes Street Gardens.

No,' Dahlia said, 'because I think people like him think work is supposed to be drudgery punctuated by very occasional moments of happiness, but when I say happiness, I mostly mean distraction. You know what I mean?' 'No, please elaborate.' 'Okay, say you go into the break room,' she said, 'and a couple people you like are there, say someone's telling a funny story, you laugh a little, you feel included, everyone's so funny, you go back to your desk with a sort of, I don't know, I guess afterglow would be the word? You go back to your desk with an afterglow, but then by four or five o'clock the day's just turned into yet another day, and you go on like that, looking forward to five o'clock and then the weekend and then your two or three annual weeks of paid vacation time, day in day out, and that's what happens to your life.

I don’t write in the morning, my brain isn’t up to it yet, I don’t write in the afternoon, I’m too sad, I write from five o’clock on, I need to have been awake a long time, my body relaxed from a day’s fatigue.

Almanzo! What’s the matter? Be you sick? It’s five o’clock!

She loved hockey. Loved the speed, the agility. The fights. The men. Brawny, sweaty, messy. They let their hair grown, though no one would ever accuse them of being feminine, not with perpetual five o'clock shadow and bulging muscles. They skated with the grace of ballet dancers and fought at the drop of a glove.

He was looking for programs on which he might be allowed to appear. But it was too early in the evening for programs that allowed people with peculiar opinions to speak out. It was only a little after eight o'clock, so all the shows were about silliness or murder.

he was sporting a leather jacket and a five o’clock shadow that made you want to defy your parents, jump on the back of his motorcycle, and let him drive you off into the sunset after having had his name tattooed somewhere on your body.

My dear, I could hardly keep still in my chair. I wanted to dash out of the house and leap in a taxi and say, "Take me to Charles's unhealthy pictures." Well, I went, but the gallery after luncheon was so full of absurd women in the sort of hats they should be made to eat, that I rested a little--I rested here with Cyril and Tom and these saucy boys. Then I came back at the unfashionable time of five o'clock, all agog, my dear; and what did I find? I found, my dear, a very naughty and very successful practical joke. It reminded me of dear Sebastian when he liked so much to dress up in false whiskers. It was charm again, my dear, simple, creamy English charm, playing tigers.

It was then between one o'clock in the morning and half-past that hour; the sky soon cleared a bit before me, and the lunar crescent peeped out from behind the clouds - that sad crescent of the last quarter of the moon. The crescent of the new moon, that which rises at four or five o'clock in the evening, is clear, bright and silvery; but that which rises after midnight is red, sinister and disquieting; it is the true crescent of the witches' Sabbath: all night-walkers must have remarked the contrast. The first, even when it is as narrow as a silver thread, projects a cheery ray, which rejoices the heart, and casts on the ground sharply defined shadows; while the latter reflects only a mournful glow, so wan that the shadows are bleared and indistinct. ("Who Knows?")

From five o’clock to eight is on certain occasions a little eternity; but on such an occasion as this the interval could be only an eternity of pleasure.

June 17, 1972. Nine o'clock Saturday morning. Early for the telephone. Woodward fumbled for the receiver and snapped awake. The city editor of the Washington Post was on the line. Five men had been arrested earlier that morning in a burglary attempt at Democratic headquarters, carrying photographic equipment and electronic gear. Could he come in?

Winter dark, five o'clock in the morning by the little gold carriage clock on the bedroom mantelpiece. The clock, an English one ('Better than a French one', her mother had instructed), had been one of her parents' wedding presents. When the creditors came to call after the society portraitist's death his widow hid the clock beneath her skirts, bemoaning the passing of the crinoline. Lottie appeared to chime on the quarter, disconcerting the creditors. Luckily they were not in the room when she struck the hour.

His baritone voice grits out, "Eyes on me. Now." I raise my eyes and peek up at him. He's got a punitive look in his eyes and his jaw is set. His ebony five o'clock shadow an angry mask. I've never seen him this way, but I kind of love it. Shh, don't tell anyone.

I love Israel, I go back all the time. I just love New York a little more. My workers are Arabs, my best friend is a black man from Alabama, my girlfriend's a Puerto Rican, and my landlord is a half-Jew bastard. You know what I did this morning? I read in the paper yesterday that the circus is setting up in the Madison Square Garden, they said the elephants would be walking through the Holland Tunnel at dawn. I'm a photographer a little too, you know? So I get up at five o'clock, bike over to the tunnel, and wait. It turns out the paper got it wrong, they came through the Lincoln, but still, you know? This is a hell of a place.

He slid back again into his earlier position. "This getting up early," he thought, "makes a man quite idiotic. A man must have his sleep. Other travelling salesmen live like harem women. For instance, when I come back to the inn during the course of the morning to write up the necessary orders, these gentlemen are just sitting down to breakfast. If I were to try that with my boss, I'd be thrown out on the spot. Still, who knows whether that mightn't be really good for me? If I didn't hold back for my parents' sake, I'd have quit ages ago. I would've gone to the boss and told him just what I think from the bottom of my heart. He would've fallen right off his desk! How weird it is to sit up at that desk and talk down to the employee from way up there. The boss has trouble hearing, so the employee has to step up quite close to him. Anyway, I haven't completely given up that hope yet. Once I've got together the money to pay off my parents' debt to him—that should take another five or six years—I'll do it for sure. Then I'll make the big break. In any case, right now I have to get up. My train leaves at five o'clock

Sadly, in our technological, impersonal, and avaricious consumer society, people merely hold on to jobs. They put in their time, leave at the five o'clock bell, pick up their pay checks, and leave the whole business behind them. Work, for so many, becomes a necessary evil. They go at it grudgingly, at best resignedly. It is hard to fault them; the stressful conditions and uncertainty under which so many workers labor force them into an adversarial relationship with their occupations and employers.

It was a joy, though, to get down into the valley and lose sight of all that open sky space underneath everything and finally, as it got graying five o'clocking, about a hundred yards from the other boys and walking alone, to just pick my way singing and thinking along the little black cruds of a deer trail through the rocks, no call to think or look ahead or worry, just follow the little balls of deer crud with your eyes cast down and enjoy life.

He was such a man now. I bet he could shave twice a day and still have a five o’clock shadow.

His jealousy, like an octopus which throws out a first, then a second, and finally a third tentacle, fastened itself irremovably first to that moment, five o'clock in the afternoon, then to another, then to another again. But Swann was incapable of inventing his sufferings. They were only the memory, the perpetuation of a suffering that had come to him from without.

After another minute Reuben brought forth the following sentence: ‘I ha’ scranleted two hundred furrows come five o’clock down i’ the bute.’ It was a difficult remark, Flora felt, to which to reply. Was

When I opened my eyes again, five hours later, at seven o'clock on Saturday August 4th, I had trouble getting my bearings. The hardest day of the ordeal of my abandonment was about to begin, but I didn't know it yet.

For the first time in ages, we had a no-gravity alert. ‘This is the Disaster Preparedness Office speaking. We have been informed that there is an eighty per cent chance that a no-gravity event will take place between two and five o’clock this afternoon. Please remain indoors during those hours. If you must go out for reason, please make sure you are well weighted down. This has been a message from the Disaster Preparedness Office.

At five that night, I went back to the market and bought three sixteen-ounce Rainier Ales. I bounced back to my house, Mary Lou Retton-like, sipped the first ale, took the Valium, smoked a joint, drank the second ale, took another Valium, listened to “Into the Mystic” ten times, drank the third Ale, too the Valium and the Halcion, and discovered two unhappy thoughts. One was it was only seven o’clock. The second was that I was wide awake.

There are some occasions when you must not refuse a cup of tea, otherwise you are judged an exotic and barbarous bird without any hope of ever being able to take your place in civilised society. If you are invited to an English home, at five o’clock in the morning you get a cup of tea. It is either brought in by a heartily smiling hostess or an almost malevolently silent maid.

The Major's wife and the daughter's been to Europe, and my wife tells me since they got back they make tea there every afternoon about five o'clock, and drink it. Seems to me it would go against a person's stomach, just before supper like that, and anyway tea isn't fit for much—not unless you're sick or something.

Like a battalion of marines at roll call, her neck hairs marshaled to five-alarm status. She stumbled back to her desk, jerked open the botton drawer, retrieved a pair of Nighthawk binoculars, fixed the scopes on him, and fiddled with the focus. Gotcha. Hair the colour of coal. Chocolate brown eyes. A five-o'clock shadow ringing his craggy jawline. Handsome as the day was long... He sauntered towards her, oozing charisma from every pore. Charlee forgot to breathe. And then he committed the gravest sin of all, knocking her world helter-skelter. The scoundrel smiled.

Chapter 1 I was sitting in Tina's Sunset Restaurant, watching the outriggers shuffle lazily through the clear waters of Sabang Bay, when Tomboy took a seat opposite me, ordered a San Miguel from Tina's daughter, and told me someone else had to die. It was five o'clock in the afternoon, there wasn't a cloud in the sky, and up until that point I'd been in a good mood. I told him I didn't want to kill people anymore, that it was a part of my past I didn't want to be reminded of, and he replied that he understood all that, but once again we needed the money. 'It's just the way the cookie crumbles.' he added, with the sort of bullshit 'I share your suffering' expression an undertaker might give to one of his customer's relatives. Tomboy Darke was my business partner and a man with a cliche for every occasion, including murder.

As if adult males were completely self-sufficient beings, as if a penis and a five o’clock shadow were all they would ever need to get by.

His soul stretched tight across the skies That fade behind a city block, Or trampled by insistent feet At four and five and six o’clock;

I shouldn’t have come, and that’s the truth of it. It’s not even five o’clock in the afternoon, and I’m already fantasizing about a swift, painless coma. Something dramatic, involving a nice collapse to the floor, with my eyes rolling back in their sockets and my limbs shaking.

My father worked behind closed doors inside the house, had a huge ancient Latin dictionary on a wrought-iron stand, spoke Spanish on the phone, and drank sherry and ate raw meat, in the form of chorizo, at five o'clock. Until the day in the yard with my playmate I thought this was what fathers did. Then I began to catalog and notice. They mowed lawns. They drank beer. They played in the yard with their kids, walked around the block with their wives, piled into campers, and, when they went out, wore joke ties or polo shirts, not Phi Beta Kappa keys and tailored vests.

He walked out into a different city, one that was perfumed by the last dahlias of June, and onto a street out of his youth, where the shadowy widows from five o'clock Mass were filing by. But now it was he, not they, who crossed the street, so they would not see the tears he could no longer hold back, not his midnight tears, as he thought, but other tears: the ones he had been swallowing for fifty-one years, nine months and four days.

Again at eight o’clock, when the dark lanes of the Forties were five deep with throbbing taxicabs, bound for the theater district, I felt a sinking in my heart. Forms leaned together in the taxis as they waited, and voices sang, and there was laughter from unheard jokes, and lighted cigarettes outlined unintelligible gestures inside. Imagining that I, too, was hurrying toward gayety and sharing their intimate excitement, I wished them well.

We don’t talk about that. We don’t talk about the fact that we can never hang out at Elody’s house after five o’clock because her mother will be home, and drunk. We don’t talk about the fact that Ally never eats more than a quarter of what’s on her plate, even though she’s obsessed with cooking and watches the Food Network for hours on end.

The men, her husband and sons, leave for the quarry at seven o'clock sharp and return at five. What do they imagine she does all day? It makes her shiver to think of it, how not one pair of eyes can see through the roof and walls of her house and regard her as she moves through her dreamlike days, bargaining from minute to minute with indolence, that tempter.

No, please elaborate.” “Okay, say you go into the break room,” she said, “and a couple people you like are there, say someone’s telling a funny story, you laugh a little, you feel included, everyone’s so funny, you go back to your desk with a sort of, I don’t know, I guess afterglow would be the word? You go back to your desk with an afterglow, but then by four or five o’clock the day’s just turned into yet another day, and you go on like that, looking forward to five o’clock and then the weekend and then your two or three annual weeks of paid vacation time, day in day out, and that’s what happens to your life.

It lasted more or less through the night; and then intermitted, at that terrible time in the early morning – from two o'clock to five – when the vital energies even of the healthiest of us are at their lowest. It is then that Death gathers in his human harvest most abundantly. It was then that Death and I fought our fight over the bed, which should have the man who lay on it.

After dinner, at five o’clock, the crew distributed folding canvas cots to the passengers, and each person opened his bed wherever he could find room, arranged it with the bedclothes from his petate, and set the mosquito netting over that. Those with hammocks hung them in the salon, and those who had nothing slept on the tablecloths that were not changed more than twice during the trip.

I was determined to know beans. When they were growing, I used to hoe from five o'clock in the morning till noon, and commonly spent the rest of the day about other affairs. Consider the intimate and curious acquaintance one makes with various kinds of weeds—it will bear some iteration in the account, for there was no little iteration in the labor—disturbing their delicate organizations so ruthlessly, and making such invidious distinctions with his hoe, levelling whole ranks of one species, and sedulously cultivating another. That's Roman wormwood—that's pigweed—that's sorrel—that's piper-grass—have at him, chop him up, turn his roots upward to the sun, don't let him have a fibre in the shade, if you do he'll turn himself t' other side up and be as green as a leek in two days. A long war, not with cranes, but with weeds, those Trojans who had sun and rain and dews on their side. Daily the beans saw me come to their rescue armed with a hoe, and thin the ranks of their enemies, filling up the trenches with weedy dead. Many a lusty crest—waving Hector, that towered a whole foot above his crowding comrades, fell before my weapon and rolled in the dust.

There was music from my neighbor's house through the summer nights. In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars. At high tide in the afternoon I watched his guests diving from the tower of his raft, or taking the sun on the hot sand of his beach while his two motor-boats slit the waters of the Sound, drawing aquaplanes over cataracts of foam. On week-ends his Rolls-Royce became an omnibus, bearing parties to and from the city between nine in the morning and long past midnight, while his station wagon scampered like a brisk yellow bug to meet all trains. And on Mondays eight servants, including an extra gardener, toiled all day with mops and scrubbing-brushes and hammers and garden-shears, repairing the ravages of the night before. Every Friday five crates of oranges and lemons arrived from a fruiterer in New York--every Monday these same oranges and lemons left his back door in a pyramid of pulpless halves. There was a machine in the kitchen which could extract the juice of two hundred oranges in half an hour if a little button was pressed two hundred times by a butler's thumb. At least once a fortnight a corps of caterers came down with several hundred feet of canvas and enough colored lights to make a Christmas tree of Gatsby's enormous garden. On buffet tables, garnished with glistening hors-d'oeuvre, spiced baked hams crowded against salads of harlequin designs and pastry pigs and turkeys bewitched to a dark gold. In the main hall a bar with a real brass rail was set up, and stocked with gins and liquors and with cordials so long forgotten that most of his female guests were too young to know one from another. By seven o'clock the orchestra has arrived, no thin five-piece affair, but a whole pitful of oboes and trombones and saxophones and viols and cornets and piccolos, and low and high drums. The last swimmers have come in from the beach now and are dressing up-stairs; the cars from New York are parked five deep in the drive, and already the halls and salons and verandas are gaudy with primary colors, and hair shorn in strange new ways, and shawls beyond the dreams of Castile. The bar is in full swing, and floating rounds of cocktails permeate the garden outside, until the air is alive with chatter and laughter, and casual innuendo and introductions forgotten on the spot, and enthusiastic meetings between women who never knew each other's names. The lights grow brighter as the earth lurches away from the sun, and now the orchestra is playing yellow cocktail music, and the opera of voices pitches a key higher. Laughter is easier minute by minute, spilled with prodigality, tipped out at a cheerful word. The groups change more swiftly, swell with new arrivals, dissolve and form in the same breath; already there are wanderers, confident girls who weave here and there among the stouter and more stable, become for a sharp, joyous moment the centre of a group, and then, excited with triumph, glide on through the sea-change of faces and voices and color under the constantly changing light. Suddenly one of the gypsies, in trembling opal, seizes a cocktail out of the air, dumps it down for courage and, moving her hands like Frisco, dances out alone on the canvas platform. A momentary hush; the orchestra leader varies his rhythm obligingly for her, and there is a burst of chatter as the erroneous news goes around that she is Gilda Gray's understudy from the FOLLIES. The party has begun.

Bleary-eyed one morning, with caffeine still missing from my system, I fumbled my way along the dusty path to the guest tents, calling out ‘Good morning!’ in as cheery a voice as the hour would allow (it was barely after five o’clock, and the sun had only just cracked the horizon). I heard a rhythmic thumping, getting rapidly louder, and I turned to find 1,600 pounds of pissed-off cow bearing down on me. Clearly it disagreed with my assessment of the morning.

There was no friend of Kant's but considered the day on which he was to dine with him as a day of pleasure. Without giving himself the air of an instructor, Kant really was so in the very highest degree. The whole entertainment was seasoned with the overflow of his enlightened mind, poured out naturally and unaffectedly upon every topic, as the chances of conversation suggested it; and the time flew rapidly away, from one o'clock to four, five, or even later, profitably and delightfully. Kant tolerated no calms, which was the name he gave to the momentary pauses in conversation, or periods when its animation languished.

You have plenty of time; it's only twelve o'clock." Passepartout pulled out his big watch. "Twelve!" he exclaimed; "why, it's only eight minutes before ten." "Your watch is slow." "My watch? A family watch, monsieur, which has come down from my great-grandfather! It doesn't vary five minutes in the year. It's a perfect chronometer, look you." "I see how it is," said Fix. "You have kept London time, which is two hours behind that of Suez. You ought to regulate your watch at noon in each country." "I regulate my watch? Never!" "Well, then, it will not agree with the sun." "So much the worse for the sun, monsieur. The sun will be wrong, then!

He had not stopped looking into her eyes, and she showed no signs of faltering. He gave a deep sigh and recited: "O sweet treasures, discovered to my sorrow." She did not understand. "It is a verse by the grandfather of my great-great-grandmother," he explained. "He wrote three eclogues, two elegies, five songs, and forty sonnets. Most of them for a Portuguese lady of very ordinary charms who was never his, first because he was married, and then because she married another man and died before he did." "Was he a priest too?" "A soldier," he said. Something stirred in the heart of Sierva María, for she wanted to hear the verse again. He repeated it, and this time he continued, in an intense, well-articulated voice, until he had recited the last of the forty sonnets by the cavalier of amours and arms Don Garcilaso de la Vega, killed in his prime by a stone hurled in battle.When he had finished, Cayetano took Sierva María's hand and placed it over his heart. She felt the internal clamor of his suffering. "I am always in this state," he said. And without giving his panic an opportunity, he unburdened himself of the dark truth that did not permit him to live. He confessed that every moment was filled with thoughts of her, that everything he ate and drank tasted of her, that she was his life, always and everywhere, as only God had the right and power to be, and that the supreme joy of his heart would be to die with her. He continued to speak without looking at her, with the same fluidity and passion as when he recited poetry, until it seemed to him that Sierva María was sleeping. But she was awake, her eyes, like those of a startled deer, fixed on him. She almost did not dare to ask: "And now?" "And now nothing," he said. "It is enough for me that you know." He could not go on. Weeping in silence, he slipped his arm beneath her head to serve as a pillow, and she curled up at his side. And so they remained, not sleeping, not talking, until the roosters began to crow and he had to hurry to arrive in time for five-o'clock Mass. Before he left, Sierva María gave him the beautiful necklace of Oddúa: eighteen inches of mother-of-pearl and coral beads. Panic had been replaced by the yearning in his heart. Delaura knew no peace, he carried out his tasks in a haphazard way, he floated until the joyous hour when he escaped the hospital to see Sierva María. He would reach the cell gasping for breath, soaked by the perpetual rains, and she would wait for him with so much longing that only his smile allowed her to breathe again. One night she took the initiative with the verses she had learned after hearing them so often. 'When I stand and contemplate my fate and see the path along which you have led me," she recited. And asked with a certain slyness: "What's the rest of it?" "I reach my end, for artless I surrendered to one who is my undoing and my end," he said. She repeated the lines with the same tenderness, and so they continued until the end of the book, omitting verses, corrupting and twisting the sonnets to suit themselves, toying with them with the skill of masters. They fell asleep exhausted. At five the warder brought in breakfast, to the uproarious crowing of the roosters, and they awoke in alarm. Life stopped for them.

Early in March the crocuses crept alight, then blazed yellow and purple in the park. In fact it is about five o'clock in the evening that the first hour of spring strikes - autumn arrives in the early morning, but spring at the close of a winter day. The air, about to darken, quickens and is run through with mysterious white light; the curtain of darkness is suspended, as though for some unprecedented event. There is perhaps no sunset, the trees are not yet budding - but the senses receive an intimation, an intimation so fine, yet striking in so directly, that this appears a movement in one's own spirit. This exalts whatever feeling is in the heart.

Every morning Mrs Eglantine sat at the round bamboo bar of the New Pacific Hotel and drank her breakfast. This consisted of two quick large brandies, followed by several slower ones. By noon breakfast had become lunch and by two o'clock the pouches under and above Mrs Eglantine's bleared blue eyes began to look like large puffed pink prawns.

In the fall he picked up his phone one afternoon to hear Grandma Lynn. 'Jack,' my grandmother announced, 'I am thinking of coming to stay.' My father was silent, but the line was riddled with his hesitation. 'I would like to make myself available to you and the children. I've been knocking around in this mausoleum long enough.' 'Lynn, we're just beginning to start over again,' he stammered. Still, he couldn't depend on Nate's mother to watch Buckley forever. Four months after my mother left, her temporary absence was beginning to take on the feel of permanence. My grandmother insisted. I watched her resist the remaining slug of vodka in her glass. 'I will contain my drinking until'- she thought hard here- 'after five o'clock, and,' she said,' what the hell, I'll stop altogether if you should find it necessary.' 'Do you know what you're saying?' My grandmother felt a clarity from her phone hand down to her pump-encased feet. 'Yes, I do. I think' It was only after he got off the phone that he let himself wonder, Where will we PUT her? It was obvious to everyone. ~pgs 213-214; Grandma Lynn and Jack;

TO MY MIND, THOUGH, there is a third development that has altered our parenting experience above all others, and that is the wholesale transformation of the child’s role, both in the home and in society. Since the end of World War II, childhood has been completely redefined. Today, we work hard to shield children from life’s hardships. But throughout most of our country’s history, we did not. Rather, kids worked. In the earliest days of our nation, they cared for their siblings or spent time in the fields; as the country industrialized, they worked in mines and textile mills, in factories and canneries, in street trades. Over time, reformers managed to outlaw child labor practices. Yet change was slow. It wasn’t until our soldiers returned from World War II that childhood, as we now know it, began. The family economy was no longer built on a system of reciprocity, with parents sheltering and feeding their children, and children, in return, kicking something back into the family till. The relationship became asymmetrical. Children stopped working, and parents worked twice as hard. Children went from being our employees to our bosses. The way most historians describe this transformation is to say that the child went from “useful” to “protected.” But the sociologist Viviana Zelizer came up with a far more pungent phrase. She characterized the modern child as “economically worthless but emotionally priceless.” Today parents pour more capital—both emotional and literal—into their children than ever before, and they’re spending longer, more concentrated hours with their children than they did when the workday ended at five o’clock and the majority of women still stayed home. Yet parents don’t know what it is they’re supposed to do, precisely, in their new jobs. “Parenting” may have become its own activity (its own profession, so to speak), but its goals are far from clear.

Employment in the Small Bookstore" Twelve Poems, 1975 The dust is almost motionless in this narrowness, this stillness, yet how unlike a coffin it is, sometimes letting a live one in, sometimes out and the air, though paused, impends not a thing, the silence isn't sinister, and in fact not much goes on at the Ariel Book Shop today, no one weeps in the back room full of books, old books, no one is tearing the books to shreds, in fact I am merely sitting here talking to no one, no one being here, and I am blameless, More, I am grateful for the job, I am fond of the books and touch them, I am grateful that King St. goes down to the river, and that the rain is lovely, the afternoon green. If the soft falling away of the afternoon is all there is, it is nearly enough, just let me hear the beautiful clear voice of a woman in song passing toward silence, and then that will be all for me at five o'clock I will walk down to see the untended sailing yachts of the Potomac bobbing hopelessly in another silence, the small silence that gets to be a long one when the past stops talking to you because it is dead, and still you listen, hearing just the tiny agonies of old boats on a cloudy day, in cloudy water. Talk to it. Men are talking to it by Cape Charles, for them it's the same silence with fishing lines in their hands. We are all looking at the river bearing the wreckage so far away. We wonder how the river ever came to be so grey, and think that once there were some very big doings on this river, and now that is all over.

You'd try to look elsewhere but you wouldn't be able to help yourself, and you'd look back again. Because there was something going on. There was some sort of special air around this person. Or a special light? Yes. That was it. If you just came in this crummy Lavomatic on the avenue de La Bourdonnais on December twenty-ninth at five o'clock in the afternoon and you saw this figure in the dreary neon lights, this is exactly what you would say to yourself: Holy shit. An angel. Camille raised her eyes just then, saw him, did not react right away as if she had not recognized him, then finally smiled. A very faint smile, a slight brilliance, a little sign of recognition among regulars. "Got your wings in there?" he asked, pointing to her bag. "Sorry?" "Nah, nothing.

YESTERDAY afternoon set in misty and cold. I had half a mind to spend it by my study fire, instead of wading through heath and mud to Wuthering Heights. On coming up from dinner, however, (N.B. - I dine between twelve and one o'clock; the housekeeper, a matronly lady, taken as a fixture along with the house, could not, or would not, comprehend my request that I might be served at five) - on mounting the stairs with this lazy intention, and stepping into the room, I saw a servant-girl on her knees surrounded by brushes and coal-scuttles, and raising an infernal dust as she extinguished the flames with heaps of cinders. This spectacle drove me back immediately; I took my hat, and, after a four-miles' walk, arrived at Heathcliff's garden-gate just in time to escape the first feathery flakes of a snow-shower.

But one night, after I had been in great distress praying about this, I went to sleep, and at one o’clock in the morning suddenly I was waked up out of my sleep, and I found myself with unspeakable joy and awe in the very presence of the Almighty God. And for the space of four hours I was privileged to speak face to face with Him as a man speaks face to face with a friend. At five o’clock it seemed to me as if I again returned to earth.

The news that she had gone of course now spread rapidly, and by lunch time Riseholme had made up its mind what to do, and that was hermetically to close its lips for ever on the subject of Lucia. You might think what you pleased, for it was a free country, but silence was best. But this counsel of perfection was not easy to practice next day when the evening paper came. There, for all the world to read were two quite long paragraphs, in "Five o'clock Chit-Chat," over the renowned signature of Hermione, entirely about Lucia and 25 Brompton Square, and there for all the world to see was the reproduction of one of her most elegant photographs, in which she gazed dreamily outwards and a little upwards, with her fingers still pressed on the last chord of (probably) the Moonlight Sonata. . . . She had come up, so Hermione told countless readers, from her Elizabethan country seat at Riseholme (where she was a neighbour of Miss Olga Bracely) and was settling for the season in the beautiful little house in Brompton Square, which was the freehold property of her husband, and had just come to him on the death of his aunt. It was a veritable treasure house of exquisite furniture, with a charming music-room where Lucia had given Hermione a cup of tea from her marvellous Worcester tea service. . . . (At this point Daisy, whose hands were trembling with passion, exclaimed in a loud and injured voice, "The very day she arrived!") Mrs. Lucas (one of the Warwickshire Smythes by birth) was, as all the world knew, a most accomplished musician and Shakespearean scholar, and had made Riseholme a centre of culture and art. But nobody would suspect the blue stocking in the brilliant, beautiful and witty hostess whose presence would lend an added gaiety to the London season.

I was dozing, and the clock woke me. I didn’t hear the first few chimes distinctly, that is to say, I didn’t count them. But as soon as I decided to count I realized that there had already been three, so I was able to count four, five, and so on. I understood that I could say four and then wait for the fifth, because one, two, and three had passed, and I somehow knew that. If the fourth chime had been the first I was conscious of, I would have thought it was six o’clock. I think our lives are like that—you can only anticipate the future if you can call the past to mind. I can’t count the chimes of my life because I don’t know how many came before. On the other hand, I dozed off because the chair had been rocking for a while. And I dozed off in a certain moment because that moment had been preceded by other moments, and because I was relaxing while awaiting the subsequent moment. But if the first moments hadn’t put me in the right frame of mind, if I had begun rocking in any old moment, I wouldn’t have expected what had to come. I would have remained awake. You need memory even to fall asleep. Or no?

Mathematicians call it “the arithmetic of congruences.” You can think of it as clock arithmetic. Temporarily replace the 12 on a clock face with 0. The 12 hours of the clock now read 0, 1, 2, 3, … up to 11. If the time is eight o’clock, and you add 9 hours, what do you get? Well, you get five o’clock. So in this arithmetic, 8 + 9 = 5; or, as mathematicians say, 8 + 9 ≡ 5 (mod 12), pronounced “eight plus nine is congruent to five, modulo twelve.

I think people like him think work is supposed to be drudgery punctuated by very occasional moments of happiness, but when I say happiness, I mostly mean distraction. You know what I mean?” “No, please elaborate.” “Okay, say you go into the break room,” she said, “and a couple people you like are there, say someone’s telling a funny story, you laugh a little, you feel included, everyone’s so funny, you go back to your desk with a sort of, I don’t know, I guess afterglow would be the word? You go back to your desk with an afterglow, but then by four or five o’clock the day’s just turned into yet another day, and you go on like that, looking forward to five o’clock and then the weekend and then your two or three annual weeks of paid vacation time, day in day out, and that’s what happens to your life.” “Right,” Clark said. He was filled in that moment with an inexpressible longing. The previous day he’d gone into the break room and spent five minutes laughing at a colleague’s impression of a Daily Show bit. “That’s what passes for a life, I should say. That’s what passes for happiness, for most people. Guys like Dan, they’re like sleepwalkers,” she said, “and nothing ever jolts them awake.

Fictional Characters" Do they ever want to escape? Climb out of the white pages and enter our world? Holden Caulfield slipping in the movie theater to catch the two o'clock Anna Karenina sitting in a diner, reading the paper as the waitress serves up a cheeseburger. Even Hector, on break from the Iliad, takes a stroll through the park, admires the tulips. Maybe they grew tired of the author's mind, all its twists and turns. Or were finally weary of stumbling around Pamplona, a bottle in each fist, eating lotuses on the banks of the Nile. For others, it was just too hot in the small California town where they'd been written into a lifetime of plowing fields. Whatever the reason, here they are, roaming the city streets rain falling on their phantasmal shoulders. Wouldn't you, if you could? Step out of your own story, to lean against a doorway of the Five & Dime, sipping your coffee, your life, somewhere far behind you, all its heat and toil nothing but a tale resting in the hands of a stranger, the sidewalk ahead wet and glistening. "Fictional Characters" by Danusha Laméris from The Moons of August. © Autumn House Press, 2014. Reprinted with permission

I have a peculiar affection for McCarthy; nothing serious or personal, but I recall standing next to him in the snow outside the “exit” door of a shoe factory in Manchester, New Hampshire, in February of 1968 when the five o’clock whistle blew and he had to stand there in the midst of those workers rushing out to the parking lot. I will never forget the pain in McCarthy’s face as he stood there with his hand out, saying over and over again: “Shake hands with Senator McCarthy… shake hands with Senator McCarthy… shake hands with Senator McCarthy…,” a tense plastic smile on his face, stepping nervously toward anything friendly, “Shake hands with Senator McCarthy”… but most of the crowd ignored him, refusing to even acknowledge his outstretched hand, staring straight ahead as they hurried out to their cars. There was at least one network TV camera on hand that afternoon, but the scene was never aired. It was painful enough, just being there, but to have put that scene on national TV would have been an act of genuine cruelty.

Shortly before five o’clock, Mayor Thorin woke from a terrible dream. In it, a bird with pink eyes had been cruising slowly back and forth above the Barony. Wherever its shadow fell, the grass turned yellow, the leaves fell shocked from the trees, and the crops died. The shadow was turning his green and pleasant Barony into a waste land. It may be my Barony, but it’s my bird, too, he thought just before awakening, huddled into a shuddery ball on one side of his bed. My bird, I brought it here, I let it out of its cage.

Being busy helping customers meant that I had no time to train the way I was used to, with an intense four-or five-hour workout each day. So I adopted the idea of training twice a day, two hours before work and two hours from seven to nine in the evening, when business slacked off and only the serious lifters were left. Split workouts seemed like an annoyance at first, but I realized I was onto something when I saw the results: I was concentrating better and recovering faster while grinding out longer and harder sets. On many days I would add a third training session at lunchtime. I'd isolate a body part that I thought was weak and give it thirty or forty minutes of my full attention, blasting twenty sets of calf raises, say, or one hundred triceps extensions. I did the same thing some nights after dinner, coming back to train for an hour at eleven o'clock. As I went to sleep in my snug little room, I'd often feel one or another muscle that I'd traumatized that day jumping and twitching-just a side effect of a successful workout and every pleasing, because I knew those fibers would now recover and grow.

Unable to bear the silence, she looked over her shoulder. Seth was leaning against the door, arms crossed, watching her, an enigmatic smile on his face. The golden glow of the lamplight washed over his face, highlighting his five o’clock shadow. She was suddenly aware that her hair had come loose from her ponytail. That her worn jeans and T-shirt were probably smudged with who-knew-what. This wasn’t how she’d imagined looking when Seth kissed her. Why hadn’t she done something with herself while he was gone? But judging by the look on his face, he didn’t care about any of that. No longer needing the fire’s warmth, she moved away, lifting her chin and tossing her ponytail over her shoulder. “What?” “I won,” he said quietly. “Won what?” Did he hear the tremor in her voice? His lips twitched. “Our deal . . . sleigh by midnight . . . the kiss . . . Ring any bells?

And romance is just the place for creating mythic figures doing mythic things. Like carving 'civilzation' out of the wilderness. Like showing us what a hero looks life, a real, American, sprung-from-the soil, lethal-weapon-with-leggings, bona fide hero. And for a guy who never marries, he has a lot of offspring. Shane. The Virginian. The Ringo Kid. The Man with No Name. Just think how many actors would have had no careers without Natty Bumppo. Gary Cooper. John Wayne. Alan Ladd. Tom Mix. Clint Eastwood. Silent. Laconic. More committed to their horse or buddy than to a lady. Professional. Deadly. In his Studies in Classic American Literature, D.H. Lawrence waxes prolix on Natty's most salient feature: he's a killer. And so are his offspring. This heros can talk, stiltedly to be sure, but he prefers silence. He appreciates female beauty but is way more committed to his canoe or his business partner (his business being death and war) or, most disturbingly, his long rifle, Killdeer. Dr. Freud, your three-o'clock is here. Like those later avatars, he is a wilderness god, part backwoods sage, part cold-blooded killer, part unwilling Prince Charming, part jack-of-all-trades, but all man. Here's how his creator describes him: 'a philosopher of the wilderness, simple-minded, faithful, utterly without fear, yet prudent.' A great character, no doubt, but hardly a person. A paragon. An archetype. A miracle. But a potentially real person--not so much.

You've come to give me a piece of your mind, I repeated, looking at her. "You know that phrase is really beautiful. The mind is the most powerful thing in the body, you know, whatever the mind believes, the body can achieve. So to give someone a piece of it...well, thank you, Elizabeth. Funny how people are always intent on giving it to the people they dislike when it really should be for the ones they love. There's another funny thing. But a piece of your mind...what a gift that would be." I looped the last stalk and formed a chain. "I'll give you a daisy chain in return for a piece of your mind." I slid the bracelet onto her arm. She sat on the grass. Didn't move, didn't say anything, just looked at her daisy chain. Then she smiled and when she spoke her voice was soft. "Has anyone ever been mad at you for more than five minutes." I looked at my watch. "Yes. You, from the o'clock this morning until now.

On game day, until five o’clock or so, the white desert light held off the essential Sunday gloom—autumn sinking into winter, loneliness of October dusk with school the next day—but there was always a long still moment toward the end of those football afternoons where the mood of the crowd turned and everything grew desolate and uncertain, onscreen and off, the sheet-metal glare off the patio glass fading to gold and then gray, long shadows and night falling into desert stillness, a sadness I couldn’t shake off, a sense of silent people filing toward the stadium exits and cold rain falling in college towns back east.

But it was not in Mr. Gruber's nature to look for reasons. That was why he was an ideal secretary. He had been given much fancier assignments in the past. Find out by six in the evening whether Hubermann played any Tschaikovsky after the first intermission of his concert in Brussels last year. Produce a narwhal tusk at least five feet long by eight o'clock Thursday morning. Buy, in your own name, the Domino Motion Picture Theater in Zurich. On Wednesday afternoon between five and six in the Café Meteor in Budapest, slap the face of a character known as Ervin Kugyec. A good secretary does not look for reasons but gets results.

What you said about me hesitating going in to the party, it wasn’t solely nerves that stopped me – it was the last place I wanted to be. I had a pile of paperwork on my desk all about you. Since five o’clock that morning I’d been reading report after report, and I couldn’t get you out of my head. Even as I got dressed to go out, I was thinking of you. Even when I was buying this dress, I wondered what you’d think if you saw me in it. Although it was three years away, I was already counting down the months I had left until that thing came from me. When I called that taxi to take me home, I thought about telling it to take me to the border of Blackthorn instead. I thought about walking into one of the clubs where I knew you hung around, a club just like this one. And my choice was nothing to do with the soul ripper; it was nothing to do with catching you – it was about me. It was about what I wanted. And I wanted you. I’ve always wanted you.

I looked at her without a word. She held an edge of the beach towel in each hand, pressing the edges against her cheeks. White smoke was rising from the cigarette between her fingers. With no wind to disturb it, the smoke rose straight up, like a miniature smoke signal. She was apparently having trouble deciding whether to cry or to laugh. At least she looked that way to me. She wavered atop the narrow line that divided one possibility from the other, but in the end she fell to neither side. May Kasahara pulled her expression together, put the towel on the ground, and took a drag on her cigarette. The time was nearly five o’clock, but the heat showed no sign of abating.

Philips was setting up a new ‘underground’ label called Vertigo when we were looking for a deal. We were a perfect fit. But the funny thing was that Vertigo wasn’t even up and running in time for our first single, ‘Evil Woman’, so it was originally released on another Philips label, Fontana, before being reissued on Vertigo a few weeks later. Not that it made any f**king difference: the song went down like a concrete turd both times. But we didn’t care, because the BBC played it on Radio 1. Once. At six o’clock in the morning. I was so nervous, I got up at five and drank about eight cups of tea. ‘They won’t play it,’ I kept telling myself, ‘They won’t play it...’ But then: BLAM...BLAM... Dow-doww... BLAM... Dow-dow-d-d-dow, dooooow... D-d-d-d-d-d-d-d-d DUH-DA! Do-doo-do DUH-DA! Do-doo-do... It’s impossible to describe what it feels like to hear yourself on Radio 1 for the first time. It was magic, squared. I ran around the house screaming, ‘I’m on the radio! I’m on the f**king radio!’ until my mum stomped downstairs in her nightie and told me to shut up.

By the time James had dressed and made his way down to the Great Hal for breakfast, it was nearly ten o’clock. Less than a dozen students could be seen moving disconsolately among the detritus of the morning’s earlier rush. At the far corner of the Slytherin table, Zane sat hunched and squinting under a beam of sunlight. Across from him was Ralph, who saw James enter and waved him over. As James made his way across the Hal , four or five house-elves, each wearing large linen napkins with the Hogwarts crest embroidered on them, circled the tables, meandering in what at first appeared to be random paths. Occasional y, one of them would duck beneath the surface of a table and then reappear a moment later, tossing a stray fork or half a biscuit casual y onto the mess of the table. As James passed one of the elves, it straightened, raised its spindly arms, and then brought them swiftly down. The contents on the table in front of him swirled together as if caught in a miniature cyclone. With a great clattering of dishes and silverware, the corners of the tablecloth shot upwards and twisted around the pile of breakfast debris, creating a huge clanking bag floating improbably over the polished wood table. The house-elf leaped from floor to bench to tabletop, and then jumped, turning in midair and landing lightly on top of the bag. It grasped the twisted top of the bag, using the knot as if it were a set of reins, and turned the bag, driving it bobbingly toward the gigantic service doors in the side of the Hal . James ducked as the bag swooped over his head.

It is within your power to release yourself from mortal bonds. To be free of them.” “What? I don’t need to worry about the cold?” “Nope.” “Right.” She stuffed icy hands into the pockets of her jeans. “And apple strudel?” “Mind over matter.” A reluctant smile found her face. “Well, we’ve already established that you can breathe for me.” “Don’t underestimate yourself.” Daniel smiled back briefly. “This has to do more with you than me. Try it: Tell yourself that you are not cold, not hungry, not tired.” “All right.” Luce sighed. “I am not…” She’d started to mumble, disbelieving, but then she caught Daniel’s eye. Daniel, who believed she could do things she never thought she was capable of, who believed that her will meant the difference between having the halo and letting it slip away. She was holding it in her hands. Proof. Now he was telling her she had mortal needs only because she thought she did. She decided to give this crazy idea a try. She straightened her shoulders. She projected the words into the misty dusk. “I, Lucinda Price, am not cold, not hungry, not tired.” The wind blew, and the clock tower in the distance struck five-and something lifted off her so that she didn’t feel depleted anymore. She felt rested, equipped for whatever the night called for, determined to succeed. “Nice touch, Lucinda Price,” Daniel said. “Five senses transcended at five o’clock.” She reached for his wing, wrapped herself in it, let its warmth spread through her. This time, the weight of his wing welcomed her into a powerful new dimension. “I can do this.” Daniel’s lips brushed the top of her head. “I know.

Yesterday, I went to see Gladwell, who is home for a few days. A terrible blow has struck them, his young sister, so full of life, with dark eyes and hair, had fallen from a horse at Blackheath; they found her unconscious and she died five hours later, without regaining consciousness. She was seventeen years old. As soon as I heard the news, I went to see them, knowing that Gladwell was home. I left at eleven o’clock; and had a long walk to Lewisham. I crossed London from one end to the other and didn’t arrive at my destination until almost five o’clock. They had all just come back from the funeral; the whole household was in mourning. I was happy to have come, but confused, truly upset by the spectacle of a pain so great and so venerable. “Blessed are they that mourn, blessed are they that sorrow, but always rejoice, blessed are the pure in heart for they shall see God. Blessed are those that find love on their road, who are bound together by God, for to them all things will work together for their good.” I chatted for a long time, until evening, with Harry, about everything, the kingdom of God, the Bible; we chatted further, we walked up and down the station platform. Never will we forget the moments before we said goodbye.

Jennifer had exactly five pounds, six shillings, and fourpence halfpenny when she left No. 7 Maple Street. She lugged her two suitcases along with her into various buses, and arrived at Paddington with three-quarters of an hour to wait before the twelve o’clock train should bear her away from London forever. Thirty-two shillings and sixpence of her capital went on her third-class ticket, and three shillings more on a cup of coffee, two rashers of bacon, and a banana, for she had eaten no breakfast. During this wait she had time to think over her crazy flight from the boardinghouse. It had been her home since she was six years old, and she had left her mother without one pang of regret. “I must be terribly unnatural,” thought Jennifer sadly. “But it can’t be helped. I was probably born without a heart; I believe some people are.” She

I wish I could manage to be glad!” the Queen said. “Only I never can remember the rule. You must be very happy, living in this wood, and being glad whenever you like!” “Only it is so very lonely here!” Alice said in a melancholy voice; and at the thought of her loneliness two large tears came rolling down her cheeks. “Oh, don’t go on like that!” cried the poor Queen, wringing her hands in despair. “Consider what a great girl you are. Consider what a long way you’ve come to-day. Consider what o’clock it is. Consider anything, only don’t cry!” Alice could not help laughing at this, even in the midst of her tears. “Can you keep from crying by considering things?” she asked. “That’s the way it’s done,” the Queen said with great decision: “nobody can do two things at once, you know. Let’s consider your age to begin with—how old are you?” “I’m seven and a half exactly.” “You needn’t say ‘exactually,’” the Queen remarked: “I can believe it without that. Now I’ll give you something to believe. I’m just one hundred and one, five months and a day.” “I can’t believe that!” said Alice. “Can’t you?” the Queen said in a pitying tone. “Try again: draw a long breath, and shut your eyes.” Alice laughed. “There’s no use trying,” she said: “one can’t believe impossible things.” “I daresay you haven’t had much practice,” said the Queen. “When I was your age, I always did it for half-an-hour a day. Why, sometimes I’ve believed as many as six impossible things before breakfast.

I’m not worried about tomorrow. I’m worried about right now, with you, under this Christmas tree.” Blake supported her neck as he laid her on the floor. Livia turned her head. “You’d better convince me. So far you’ve talked about the dog going to the bathroom, trash, and dirtiness.” Blake kissed her jaw and turned her head gently, kissing her mouth as she bit her lips together. “Can’t I just convince you with my manly ways?” He wiggled his eyebrows. He could, of course, do just that—but she shook her head. She loved the playful sparkle in his green eyes. His five o’clock shadow just made him more handsome, framing his kissable lips with scruff. “Okay.” He put his fingers at the bottom of her shirt, lifting it gently so he could circle her belly button with his index finger. “You’re the sexiest, most beautiful woman on this planet. So sexy, in fact, that I had to have you. I had to make you bear my children because my universe and yours had to be combined. Everything I’ve ever been needed to be buried inside of you, so deep, so full of love that we created life. Twice.” He lifted her shirt and kissed the tops of her breasts, whispering his devotion into her skin. “And it’s never enough. Unless I can hear you coming, I can’t think of anything else. All day every day. For years now. You’re that powerful, Livia. This. Us. It’s so intense that years haven’t cured me. I can’t stop wanting to make love to you.” “Wow.” Livia smiled and pulled his face back to hers, kissing him and effectively stopping his beautiful words.

Whether he talked or not made little difference to my mood. My only enemy was the clock on the dashboard, whose hands would move relentlessly to one o'clock. We drove east, we drove west, amidst the myriad villages that cling like limpets to the Mediterranean shore, and today I remember none of them. All I remember is the feel of the leather seats, the texture of the map upon my knee, its frayed edges, its worn seams, and how one day, looking at the clock, I thought to myself, 'This moment now, at twenty past eleven, this must never be lost, ' and I shut my eyes to make the experience more lasting. When I opened my eyes we were by a bend in the road, and a peasant girl in a black shawl waved to us; I can see her now, her dusty skirt, her gleaming, friendly smile, and in a second we had passed the bend and could see her no more. Already she belonged to the past, she was only a memory. I wanted to go back again, to recapture the moment that had gone, and then it came to me that if we did it would not be the same, even the sun would be changed in the sky, casting another shadow, and the peasant girl would trudge past us along the road in a different way, not waving this time, perhaps not even seeing us. There was something chilling in the thought, something a little melancholy, and looking at the clock I saw that five more minutes had gone by. Soon we would have reached our time limit, and must return to the hotel. 'If only there could be an invention', I said impulsively, 'that bottled up a memory, like scent. And it never faded, and it never got stale. And then, when one wanted it, the bottle could be uncorked, and it would be like living the moment all over again." (Rebecca, chapter five)

Should the girls decide to go for a walk, they would need to change into a different outfit, a light woollen tweed suit and sturdier boots - but on simpler days, such as for the garden party, they make mercifully few changes. Cora, like many married ladies in her position, takes the opportunity on quiet afternoons to take off her corset and wear a teagown for an hour or two before getting into her evening dress. Its huge advantage was that it was always ornately decorated but simply cut, meaning it was the only garment a woman could conceivably get in and out of alone, as it could be worn without a corset underneath. Worn between five and seven o'clock, it gave rise to the French phrase 'cinq a sept'. This referred to the hours when lovers were received, the only time of day when a maid wouldn't need to be there to help you undress and therefore discover your secret. Lady Colin Campbell's divorce had hinged on the fact that her clothes had clearly been fastened by a man who didn't know what he was doing; when her lady's maid saw her for the next change, the fastenings were higgledy-piggledy. But for Cora, the teagown is not for any illicit behaviour, just for respite from her underpinnings.

the streets. So now everyone is afraid of it. Petr GINZ Today it’s clear to everyone who is a Jew and who’s an Aryan, because you’ll know Jews near and far by their black and yellow star. And Jews who are so demarcated must live according to the rules dictated: Always, after eight o’clock, be at home and click the lock; work only labouring with pick or hoe, and do not listen to the radio. You’re not allowed to own a mutt; barbers can’t give your hair a cut; a female Jew who once was rich can’t have a dog, even a bitch, she cannot send her kids to school must shop from three to five since that’s the rule. She can’t have bracelets, garlic, wine, or go to the theatre, out to dine; she can’t have cars or a gramophone, fur coats or skis or a telephone; she can’t eat onions, pork, or cheese, have instruments, or matrices; she cannot own a clarinet or keep a canary for a pet, rent bicycles or barometers, have woollen socks or warm sweaters. And especially the outcast Jew must give up all habits he knew: he can’t buy clothes, can’t buy a shoe, since dressing well is not his due; he can’t have poultry, shaving soap, or jam or anything to smoke; can’t get a license, buy some gin, read magazines, a news bulletin, buy sweets or a machine to sew; to fields or shops he cannot go even to buy a single pair of winter woollen underwear, or a sardine or a ripe pear. And if this list is not complete there’s more, so you should be discreet; don’t buy a thing; accept defeat. Walk everywhere you want to go in rain or sleet or hail or snow. Don’t leave your house, don’t push a pram, don’t take a bus or train or tram; you’re not allowed on a fast train; don’t hail a taxi, or complain; no matter how thirsty you are you must not enter any bar; the riverbank is not for you, or a museum or park or zoo or swimming pool or stadium or post office or department store, or church, casino, or cathedral or any public urinal. And you be careful not to use main streets, and keep off avenues! And if you want to breathe some air go to God’s garden and walk there among the graves in the cemetery because no park to you is free. And if you are a clever Jew you’ll close off bank accounts and you will give up other habits too like meeting Aryans you knew. He used to be allowed a swag, suitcase, rucksack, or carpetbag. Now he has lost even those rights but every Jew lowers his sights and follows all the rules he’s got and doesn’t care one little jot.

My husband and I have been a part of the same small group for the past five years.... Like many small groups, we regularly share a meal together, love one another practically, and serve together to meet needs outside our small group. We worship, study God’s Word, and pray. It has been a rich time to grow in our understanding of God, what Jesus has accomplished for us, God’s purposes for us as a part of his kingdom, his power and desire to change us, and many other precious truths. We have grown in our love for God and others, and have been challenged to repent of our sin and trust God in every area of our lives. It was a new and refreshing experience for us to be in a group where people were willing to share their struggles with temptation and sin and ask for prayer....We have been welcomed by others, challenged to become more vulnerable, held up in prayer, encouraged in specific ongoing struggles, and have developed sweet friendships. I have seen one woman who had one foot in the world and one foot in the church openly share her struggles with us. We prayed that God would show her the way of escape from temptation many times and have seen God’s work in delivering her. Her openness has given us a front row seat to see the power of God intersect with her weakness. Her continued vulnerability and growth in godliness encourage us to be humble with one another, and to believe that God is able to change us too. Because years have now passed in close community, God’s work can be seen more clearly than on a week-by-week basis. One man who had some deep struggles and a lot of anger has grown through repenting of sin and being vulnerable one on one and in the group. He has been willing to hear the encouragement and challenges of others, and to stay in community throughout his struggle.... He has become an example in serving others, a better listener, and more gentle with his wife. As a group, we have confronted anxiety, interpersonal strife, the need to forgive, lust, family troubles, unbelief, the fear of man, hypocrisy, unemployment, sickness, lack of love, idolatry, and marital strife. We have been helped, held accountable, and lifted up by one another. We have also grieved together, celebrated together, laughed together, offended one another, reconciled with one another, put up with one another,...and sought to love God and one another. As a group we were saddened in the spring when a man who had recently joined us felt that we let him down by not being sensitive to his loneliness. He chose to leave. I say this because, with all the benefits of being in a small group, it is still just a group of sinners. It is Jesus who makes it worth getting together. Apart from our relationship with him...,we have nothing to offer. But because our focus is on Jesus, the group has the potential to make a significant and life-changing difference in all our lives. ...When 7 o’clock on Monday night comes around, I eagerly look forward to the sound of my brothers and sisters coming in our front door. I never know how the evening will go, what burdens people will be carrying, how I will be challenged, or what laughter or tears we will share. But I always know that the great Shepherd will meet us and that our lives will be richer and fuller because we have been together. ...I hope that by hearing my story you will be encouraged to make a commitment to become a part of a small group and experience the blessing of Christian community within the smaller, more intimate setting that it makes possible. 6