Variety Show Quotes

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Welcome to the first ever Selection Variety Show, starring a bunch of losers competing for your attention.
Kiera Cass (The Heir (The Selection, #4))
Boomer took bites of all six varieties, contemplating each one and "guring out the order in which he would then eat them. “I like the brown one and the lighter brown one and the almost-brown one. I’m not so sure about the minty one. But really, I think the lebkuchen spice one is the best.” “The what?” “The lebkuchen spice one.” He held it up for me. “This one.” “You’re making that up. What’s a lebkuchen spice? It sounds like a cross between a Keebler elf and a stripper. Hello, my name ees Lebkuchen Spice, and I vant to show you my cooooookies...” “Don’t be rude!” Boomer protested. As if the cookie might be offended.
David Levithan (Dash & Lily's Book of Dares (Dash & Lily, #1))
But recently I have learned from discussions with a variety of scientists and other non-philosophers (e.g., the scientists participating with me in the Sean Carroll workshop on the future of naturalism) that they lean the other way: free will, in their view, is obviously incompatible with naturalism, with determinism, and very likely incoherent against any background, so they cheerfully insist that of course they don't have free will, couldn’t have free will, but so what? It has nothing to do with morality or the meaning of life. Their advice to me at the symposium was simple: recast my pressing question as whether naturalism (materialism, determinism, science...) has any implications for what we may call moral competence. For instance, does neuroscience show that we cannot be responsible for our choices, cannot justifiably be praised or blamed, rewarded or punished? Abandon the term 'free will' to the libertarians and other incompatibilists, who can pursue their fantasies untroubled. Note that this is not a dismissal of the important issues; it’s a proposal about which camp gets to use, and define, the term. I am beginning to appreciate the benefits of discarding the term 'free will' altogether, but that course too involves a lot of heavy lifting, if one is to avoid being misunderstood.
Daniel C. Dennett (Consciousness Explained)
Innumerable conditions must be exquisitely optimized for the support of humanity and of civilization. Many of them are highly time variable. Evidence showing that a wide variety of independent conditions all reached optimality during the identical narrow epoch when human beings appeared on the cosmic and terrestrial scene testifies of supernatural design and purpose rather than mere coincidence.
Hugh Ross (Why the Universe Is the Way It Is)
Circus performers and variety shows will never captivate me in the same way as steppes or rainforests, or the sky's uncountable galaxies and all the billions of light years that separate them.
Jostein Gaarder (The Castle in the Pyrenees)
Independent study, community service, adventures and experience, large doses of privacy and solitude, a thousand different apprenticeships — the one-day variety or longer — these are all powerful, cheap, and effective ways to start a real reform of schooling. But no large-scale reform is ever going to work to repair our damaged children and our damaged society until we force open the idea of “school” to include family as the main engine of education. If we use schooling to break children away from parents — and make no mistake, that has been the central function of schools since John Cotton announced it as the purpose of the Bay Colony schools in 1650 and Horace Mann announced it as the purpose of Massachusetts schools in 1850 — we’re going to continue to have the horror show we have right now.
John Taylor Gatto (Dumbing Us Down: The Hidden Curriculum of Compulsory Schooling)
He looked at her and tried to discover behind her lascivious expression the familiar features that he loved tenderly. It was as if he were looking at two images through the same lens, at two images superimposed one on the other with one showing through the other. These two images showing through each other were telling him that everything was in the girl, that her soul was terrifyingly amorphous, that it held faithfulness and unfaithfulness, treachery and innocence, flirtatiousness and chastity. This disorderly jumble seemed disgusting to him, like the variety to be found in a pile of garbage. Both images continued to show through each other, and the young man understood that the girl differed only on the surface from other women, but deep down was the same as they: full of all possible thoughts, feelings, and vices, which justified all his secret misgivings and fits of jealousy. The impression that certain outlines delineated her as an individual was only a delusion to which the other person, the one who was looking, was subject--namely himself. It seemed to him that the girl he loved was a creation of his desire, his thoughts, and his faith and that the real girl now standing in front of him was hopelessly other, hopelessly alien, hopelessly ambiguous. He hated her.
Milan Kundera (Laughable Loves)
He knew that the very memory of the piano falsified still further the perspective in which he saw the elements of music, that the field open to the musician is not a miserable stave of seven notes, but an immeasurable keyboard (still almost entirely unknown) on which, here and there only, separated by the thick darkness of its unexplored tracts, some few among the millions of keys of tenderness, of passion, of courage, of serenity, which compose it, each one differing from all the rest as one universe differs from another, have been discovered by a few great artists who do us the service, when they awaken in us the emotion corresponding to the theme they have discovered, of showing us what richness, what variety lies hidden, unknown to us, in that vast, unfathomed and forbidding night of our soul which we take to be an impenetrable void.
Marcel Proust (Swann's Way)
Westerners think of Hindus as idol worshipers, but what is it they themselves worship? Money and power – aren’t those idols? There is nothing wrong or contrary to spiritual truth in using images as reminders of high principles. How many people are able to visualize such abstractions as love or wisdom? The Hindu images are not idols. They are symbols of different aspects of God. Their very variety shows a recognition of the fact that God is infinite." —Paramhansa Yogananda
Paramahansa Yogananda
Voting, we might even say, is the next to last refuge of the politically impotent. The last refuge is, of course, giving your opinion to a pollster, who will get a version of it through a desiccated question, and then will submerge it in a Niagara of similar opinions, and convert them into--what else?--another piece of news. Thus we have here a great loop of impotence: The news elicits from you a variety of opinions about which you can do nothing except to offer them as more news, about which you can do nothing.
Neil Postman (Amusing Ourselves to Death: Public Discourse in the Age of Show Business)
Chris Hedges said that Michael Jackson's memorial service was a variety show with a coffin, that MJ transformed himself through surgery and perhaps female hormones from a brown-skinned African American male to a chalk-faced androgynous ghoul with no clear sexual identity.
Chris Hedges
Expose them {your kids} to the widest variety of vegetables and fruits, showing them how good things can be in season. Tasteless fruits and vegetables won't win them over for life.
Mireille Guiliano (French Women Don't Get Fat: The Secret of Eating for Pleasure)
Your online life is a variety show, so if anything, the fact that you didn't put me in your stand-up act means you covet me. Maybe even more than I realize, since right now your hand is heading to your cunt yet again.
Caroline Kepnes (You (You, #1))
Dear Jim." The writing grew suddenly blurred and misty. And she had lost him again--had lost him again! At the sight of the familiar childish nickname all the hopelessness of her bereavement came over her afresh, and she put out her hands in blind desperation, as though the weight of the earth-clods that lay above him were pressing on her heart. Presently she took up the paper again and went on reading: "I am to be shot at sunrise to-morrow. So if I am to keep at all my promise to tell you everything, I must keep it now. But, after all, there is not much need of explanations between you and me. We always understood each other without many words, even when we were little things. "And so, you see, my dear, you had no need to break your heart over that old story of the blow. It was a hard hit, of course; but I have had plenty of others as hard, and yet I have managed to get over them,--even to pay back a few of them,--and here I am still, like the mackerel in our nursery-book (I forget its name), 'Alive and kicking, oh!' This is my last kick, though; and then, tomorrow morning, and--'Finita la Commedia!' You and I will translate that: 'The variety show is over'; and will give thanks to the gods that they have had, at least, so much mercy on us. It is not much, but it is something; and for this and all other blessings may we be truly thankful! "About that same tomorrow morning, I want both you and Martini to understand clearly that I am quite happy and satisfied, and could ask no better thing of Fate. Tell that to Martini as a message from me; he is a good fellow and a good comrade, and he will understand. You see, dear, I know that the stick-in-the-mud people are doing us a good turn and themselves a bad one by going back to secret trials and executions so soon, and I know that if you who are left stand together steadily and hit hard, you will see great things. As for me, I shall go out into the courtyard with as light a heart as any child starting home for the holidays. I have done my share of the work, and this death-sentence is the proof that I have done it thoroughly. They kill me because they are afraid of me; and what more can any man's heart desire? "It desires just one thing more, though. A man who is going to die has a right to a personal fancy, and mine is that you should see why I have always been such a sulky brute to you, and so slow to forget old scores. Of course, though, you understand why, and I tell you only for the pleasure of writing the words. I loved you, Gemma, when you were an ugly little girl in a gingham frock, with a scratchy tucker and your hair in a pig-tail down your back; and I love you still. Do you remember that day when I kissed your hand, and when you so piteously begged me 'never to do that again'? It was a scoundrelly trick to play, I know; but you must forgive that; and now I kiss the paper where I have written your name. So I have kissed you twice, and both times without your consent. "That is all. Good-bye, my dear" Then am I A happy fly, If I live Or if I die
Ethel Lilian Voynich
The Internet is a beautiful thing and you sent a tweet an hour after we met that day: I smell cheeseburgers. #CornerBistroIsMakingMeFat And let me tell you, for a moment there, I was concerned. Maybe I wasn’t special. You didn’t even mention me, our conversation. Also: I talk to strangers is a line in your Twitter bio. I talk to strangers. What the fuck is that, Beck? Children are not supposed to talk to strangers but you are an adult. Or is our conversation nothing to you? Am I just another stranger? Is your Twitter bio your subtle way of announcing that you’re an attention whore who has no standards and will give audience to any poor schmuck who says hello? Was I nothing to you? You don’t even mention the guy in the bookstore? Fuck, I thought, maybe I was wrong. Maybe we had nothing. But then I started to explore you and you don’t write about what really matters. You wouldn’t share me with your followers. Your online life is a variety show, so if anything, the fact that you didn’t put me in your stand-up act means that you covet me. Maybe even more than I realize...
Caroline Kepnes (You (You, #1))
while the rest of the show continued, she made her round of the boxes. There, on request, she knelt before a man, unbuttoned his pants, took his penis in her jeweled hands, and with a neatness of touch, an expertness, a subtlety few women had ever developed, sucked at it until he was satisfied. Her two hands were as active as her mouth. The titillation almost deprived each man of his senses. The elasticity of her hands; the variety of rhythms; the change from a hand grip of the entire penis to the lightest touch of the tip of it,
Anaïs Nin (Delta of Venus)
It is, I believe, one of the few dangerous forms of eccentricity, a highly contagious mania, to be precise, of the rampant social variety! In your friend's case, we may not yet be dealing with out-and-out insanity . . . No . . . Maybe his trouble is only exaggerated conviction . . . But the contagious manias are well known to me! . . . I've known a good many sufferers from conviction mania . . . Of many different types . . . And in the last analysis, those who talk about justice seem to be the maddest of the lot! . . . At first, I must confess, I took a certain interest in justice fanatics . . . Today those particular maniacs annoy and exasperate me more than I can tell . . . Don't you feel the same way? . . . Human beings show a strange aptitude for transmitting this mania. It terrifies me, and we find it, mind you, in all human beings!
Louis-Ferdinand Céline
Life would be unendurable without quarrels. A good quarrel is the salt of the earth; it’s better than a variety show!
Ethel Lilian Voynich (خرمگس)
Whereas the food debris of the Neanderthals shows a wide variety of animal bones, suggesting that they took whatever they could find, archaeological remnants from Homo sapiens show that they sought out particular kinds of game and tracked animals seasonally. All of this strongly suggests that they possessed a linguistic system sufficiently sophisticated to deal with concepts such as: “Today let’s kill some red deer. You take some big sticks and drive the deer out of the woods and we’ll stand by the riverbank with our spears and kill them as they come down towards us.” By comparison Neanderthal speech may have been something more like: “I’m hungry. Let’s hunt.
Bill Bryson (The Mother Tongue: English and How It Got That Way)
Geeks are not the world’s rowdiest people. We’re quiet and introspective, and usually more comfortable communing with our keyboards or a good book than each other. Our idea of how to paint the Emerald City red involves light liquor, heavy munchies, and marathon sessions of video games of the ‘giant robots shooting each other and everything else in sight’ variety. We debate competing lines of software or gaming consoles with passion, and dissect every movie, television show, and novel in the science fiction, fantasy, and horror genres. With as many of us as there are in this town, people inevitably find ways to cater to us when we get in the mood to spend our hard-earned dollars. Downtown Seattle boasts grandiose geek magnets, like the Experience Music Project and the Experience Science Fiction museum, but it has much humbler and far more obscure attractions too, like the place we all went to for our ship party that evening: a hole-in-the-wall bar called the Electric Penguin on Capitol Hill.
Angela Korra'ti (Faerie Blood (The Free Court of Seattle #1))
Uh-oh," Will muttered. "This is going to be ... interesting." It turned out the creative genius behind the movie was Will's dad - the god Apollo, which meant this was not going to be a typical orientation flick. No, as we soon found out, Apollo had written, directed, produced, hosted and starred in ... a variety show. For those of you who don't know what a variety show is, imagine a talent show on steroids, complete with canned laughter, pre-recorded applause, and an extra-large helping of hokeyness. For the next hour, we cringe-watched as Apollo and our demigod predecessors performed in song-and-dance numbers, recited poetry, acted in comedy sketches and harmonized in a musical group called the Lyre Choir. Naturally, Apollo featured prominently in most of the acts. The one of him hula-hooping shirtless while satyrs capered around with long rainbow ribbons on sticks ... you can't unsee that kind of thing.
Rick Riordan (Camp Half-Blood Confidential (The Trials of Apollo, #2.5))
When Hodges returns to his chair with his small bundle of mail, the fight-show host is saying goodbye and promising his TV Land audience that tomorrow there will be midgets. Whether of the physical or mental variety he does not specify.
Stephen King (Mr. Mercedes (Bill Hodges Trilogy, #1))
Considering thus how much honor is awarded to antiquity, and how many times—letting pass infinite other examples—a fragment of an ancient statue has been bought at high price because someone wants to have it near oneself, to honor his house with it, and to be able to have it imitated by those who delight in that art, and how the latter then strive with all industry to represent it in all their works; and seeing, on the other hand, that the most virtuous works the histories show us, which have been done by ancient kingdoms and republics, by kings, captains, citizens, legislators, and others who have labored for their fatherland, are rather admired than imitated—indeed they are so much shunned by everyone in every least thing that no sign of that ancient virtue remains with us—I can do no other than marvel and grieve… From this it arises that the infinite number who read [the histories] take pleasure in hearing of the variety of accidents contained within them without thinking of imitating them, judging that imitation is not only difficult but impossible—as if heaven, sun, elements, men had varied in motion, order, and power from what they were in antiquity. Wishing, therefore, to turn men from this error, I have judged it necessary to write on all those books of Titus Livy...
Niccolò Machiavelli (The Discourses)
Technology allows us to instantly find the facts that support what we already believe. While in the past we may have subscribed to particular newspapers or magazines that leaned in the direction of our opinions, still, we could not avoid being exposed to a variety of different ideas. The opportunities to come across information we don’t agree with are now diminished. We can easily expose ourselves only to the information that supports our views, stated as facts right there on the Internet. We show up at the table armed with our already decided upon personal truths, and when the information coming at us doesn’t fit what we already know, we stop listening and discard it.
Nancy Colier (The Power of Off: The Mindful Way to Stay Sane in a Virtual World)
A man with a conviction is a hard man to change. Tell him you disagree and he turns away. Show him facts or figures and he questions your sources. Appeal to logic and he fails to see your point. We have all experienced the futility of trying to change a strong conviction, especially if the convinced person has some investment in his belief. We are familiar with the variety of ingenious defenses with which people protect their convictions, managing to keep them unscathed through the most devastating attacks. But man’s resourcefulness goes beyond simply protecting a belief. Suppose an individual believes something with his whole heart; suppose further that he has a commitment to this belief, that he has taken irrevocable actions because of it; finally, suppose that he is presented with evidence, unequivocal and undeniable evidence, that his belief is wrong: what will happen? The individual will frequently emerge, not only unshaken, but even more convinced of the truth of his beliefs than ever before. Indeed, he may even show a new fervor about convincing and converting other people to his view.
Leon Festinger (When Prophecy Fails: A Social & Psychological Study of a Modern Group that Predicted the Destruction of the World)
So when we say that Christians work from a gospel worldview, it does not mean that they are constantly speaking about Christian teaching in their work. Some people think of the gospel as something we are principally to “look at” in our work. This would mean that Christian musicians should play Christian music, Christian writers should write stories about conversion, and Christian businessmen and -women should work for companies that make Christian-themed products and services for Christian customers. Yes, some Christians in those fields would sometimes do well to do those things, but it is a mistake to think that the Christian worldview is operating only when we are doing such overtly Christian activities. Instead, think of the gospel as a set of glasses through which you “look” at everything else in the world. Christian artists, when they do this faithfully, will not be completely beholden either to profit or to naked self-expression; and they will tell the widest variety of stories. Christians in business will see profit as only one of several bottom lines; and they will work passionately for any kind of enterprise that serves the common good. The Christian writer can constantly be showing the destructiveness of making something besides God into the central thing, even without mentioning God directly.
Timothy J. Keller (Every Good Endeavor: Connecting Your Work to God's Work)
We aren’t born with a ready-made conscience. As we pass through life, we hurt people and people hurt us, we act compassionately and others show compassion to us. If we pay attention, our moral sensitivity sharpens, and these experiences become a source of valuable ethical knowledge about what is good, what is right and who I really am. Humanism thus sees life as a gradual process of inner change, leading from ignorance to enlightenment by means of experiences. The highest aim of humanist life is to fully develop your knowledge through a large variety of intellectual, emotional and physical experiences. In the early nineteenth century, Wilhelm von Humboldt – one of the chief architects of the modern education system – said that the aim of existence is ‘a distillation of the widest possible experience of life into wisdom’. He also wrote that ‘there is only one summit in life – to have taken the measure in feeling of everything human’. This could well be the humanist motto.
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
Someone recently showed me the annual prospectus of a large spiritual organization. When I looked through it, I was impressed by the wide choice of interesting seminars and workshops. It reminded me of a smorgasbord, one of those Scandinavian buffets where you can take your pick from a huge variety of enticing dishes. The person asked me whether I could recommend one or two courses. “I don’t know,” I said. “They all look so interesting. But I do know this,” I added. “Be aware of your breathing as often as you are able, whenever you remember. Do that for one year, and it will be more powerfully transformative than attending all of these courses. And it’s free.
Eckhart Tolle (A New Earth: Awakening to Your Life's Purpose)
Anxiety shows up as a variety of symptoms, from behavioral and emotional to physical and cognitive (which just means thoughts).
Alice Boyes (The Anxiety Toolkit: Strategies for Fine-Tuning Your Mind and Moving Past Your Stuck Points)
The news elicits from you a variety of opinions about which you can do nothing except to offer them as more news, about which you can do nothing.
Neil Postman (Amusing Ourselves to Death: Public Discourse in the Age of Show Business)
Bell Labs showed how sustained innovation could occur when people with a variety of talents were brought together,
Walter Isaacson (The Innovators: How a Group of Inventors, Hackers, Geniuses, and Geeks Created the Digital Revolution)
Decades of research into a variety of cognitive biases show you tend to see the world through thick Coke-bottle lenses forged from belief and smudged with attitudes and ideologies.
David McRaney (You Are Now Less Dumb: How to Conquer Mob Mentality, How to Buy Happiness, and All the Other Ways to Outsmart Yourself)
So Pat showed me a variety of exotic looks—from Russian princesses to Swedish maids. I looked at the images, slightly alarmed. There was no Lady Gaga to guide me.
Carrie Fisher (The Princess Diarist)
...Showing that they descend from common parents, and consequently must be ranked as varieties.
Charles Darwin (On the Origin of Species By Means of Natural Selection)
This is a show of the shit variety,
Carl Hiaasen (Squeeze Me (Skink #8))
A positive man makes an airplane, while a negative man makes a parachute.
Kim Jong Min
Einstein, twenty-six years old, only three years away from crude privation, still a patent examiner, published in the Annalen der Physik in 1905 five papers on entirely different subjects. Three of them were among the greatest in the history of physics. One, very simple, gave the quantum explanation of the photoelectric effect—it was this work for which, sixteen years later, he was awarded the Nobel prize. Another dealt with the phenomenon of Brownian motion, the apparently erratic movement of tiny particles suspended in a liquid: Einstein showed that these movements satisfied a clear statistical law. This was like a conjuring trick, easy when explained: before it, decent scientists could still doubt the concrete existence of atoms and molecules: this paper was as near to a direct proof of their concreteness as a theoretician could give. The third paper was the special theory of relativity, which quietly amalgamated space, time, and matter into one fundamental unity. This last paper contains no references and quotes to authority. All of them are written in a style unlike any other theoretical physicist's. They contain very little mathematics. There is a good deal of verbal commentary. The conclusions, the bizarre conclusions, emerge as though with the greatest of ease: the reasoning is unbreakable. It looks as though he had reached the conclusions by pure thought, unaided, without listening to the opinions of others. To a surprisingly large extent, that is precisely what he had done.
C.P. Snow (Variety of Men)
Thus, we have here a great loop of impotence: The news elicits from you a variety of opinions about which you can do nothing except to offer them as more news, about which you can do nothing.
Neil Postman (Amusing Ourselves to Death: Public Discourse in the Age of Show Business)
The experiences which we have been studying during this hour (and a great many other kinds of religious experiences are like them) plainly show the universe to be a more many-sided affair than any sect, even the scientific sect, allows for. What, in the end, are all our verifications but experiences that agree with more or less isolated systems of ideas (conceptual systems) that our minds have framed?
William James (The Varieties of Religious Experience: A Study in Human Nature)
Curiously, only 13 percent of those surveyed could correctly identify the source of the following principle: “You must defend those who are helpless and have no hope. Be fair and give justice to the poor and homeless.” Fifty-four percent misattributed it to a variety of contemporary politicians and celebrities, including Barack Obama, Oprah Winfrey, and Bono. Let the record show that the actual source is the Bible—Proverbs 31: 8–9.[
Tom Krattenmaker (The Evangelicals You Don't Know: Introducing the Next Generation of Christians)
We just need more dots to connect. You should develop broad personal interests in a variety of subjects. What you present to the world should be narrow and show deep focus. In other words, generalize internally, and specialize externally.
Chris Do (Pocket Full of Do)
[Free trade agreements] are trade agreements that don't stick to trade…they colonize environmental labor, and consumer issues of grave concern (in terms of health safety, and livelihoods too) to many, many hundreds of millions of people - and they do that by subordinating consumer, environmental, and labor issues to the imperatives and the supremacy of international commerce. That is exactly the reverse of how democratic societies have progressed, because over the decades they've progressed by subordinating the profiteering priorities of companies to, say, higher environmental health standards; abolition of child labor; the right of workers to have fair worker standards…and it's this subordination of these three major categories that affect people's lives, labor, environment, the consumer, to the supremacy and domination of trade; where instead of trade getting on its knees and showing that it doesn't harm consumers - it doesn't deprive the important pharmaceuticals because of drug company monopolies, it doesn't damage the air and water and soil and food (environmentally), and it doesn't lacerate the rights of workers - no, it's just the opposite: it's workers and consumers and environments that have to kneel before this giant pedestal of commercial trade and prove that they are not, in a whole variety of ways, impeding international commerce…so this is the road to dictatorial devolution of democratic societies: because these trade agreements have the force of law, they've got enforcement teeth, and they bypass national courts, national regulatory agencies, in ways that really reflect a massive, silent, mega-corporate coup d'etat…that was pulled off in the mid-1990's.
Ralph Nader
The experiences which we have been studying during this hour (and a great many other kinds of religious experiences are like them) plainly show the universe to be a more many-sided affair than any sect, even the scientific sect, allows for. What, in the end, are all our verifications but experiences that agree with more or less isolated systems of ideas (conceptual systems) that our minds have framed? But why in the name of common sense need we assume that only one such system of ideas can be true?
William James (The Varieties of Religious Experience: A Study in Human Nature)
Not that this deterred him and his friend Klapaucius from further experimentation, which showed that the extent of a dragon's existence depends mainly on its whim, though also on its degree of satiety, and that the only sure method of negating it is to reduce the probability to zero or lower. All this research, naturally enough, took a great deal of time and energy; meanwhile the dragons that had gotten loose were running rampant, laying waste to a variety of planets and moons. What was worse, they multiplied. Which enabled Klapaucius to publish an excellent article entitled "Covariant Transformation from Dragons to Dragonets, in the Special Case of Passage from States Forbidden by the Laws of Physics to Those Forbidden by the Local Authorities.
Stanisław Lem (The Cyberiad)
God's wisdom is like the rainbow, in symmetry, beauty, and variety. He does not paint scenes merely in black and white, but uses a riot of colour from the heavenly palette in order to show the wonder of His wise dealings with His people. - Sinclair Ferguson
John F. MacArthur Jr. (Our Awesome God)
New Rule: Republicans must stop pitting the American people against the government. Last week, we heard a speech from Republican leader Bobby Jindal--and he began it with the story that every immigrant tells about going to an American grocery store for the first time and being overwhelmed with the "endless variety on the shelves." And this was just a 7-Eleven--wait till he sees a Safeway. The thing is, that "endless variety"exists only because Americans pay taxes to a government, which maintains roads, irrigates fields, oversees the electrical grid, and everything else that enables the modern American supermarket to carry forty-seven varieties of frozen breakfast pastry.Of course, it's easy to tear government down--Ronald Reagan used to say the nine most terrifying words in the Englishlanguage were "I'm from the government and I'm here to help." But that was before "I'm Sarah Palin, now show me the launch codes."The stimulus package was attacked as typical "tax and spend"--like repairing bridges is left-wing stuff. "There the liberals go again, always wanting to get across the river." Folks, the people are the government--the first responders who put out fires--that's your government. The ranger who shoos pedophiles out of the park restroom, the postman who delivers your porn.How stupid is it when people say, "That's all we need: the federal government telling Detroit how to make cars or Wells Fargo how to run a bank. You want them to look like the post office?"You mean the place that takes a note that's in my hand in L.A. on Monday and gives it to my sister in New Jersey on Wednesday, for 44 cents? Let me be the first to say, I would be thrilled if America's health-care system was anywhere near as functional as the post office.Truth is, recent years have made me much more wary of government stepping aside and letting unregulated private enterprise run things it plainly is too greedy to trust with. Like Wall Street. Like rebuilding Iraq.Like the way Republicans always frame the health-care debate by saying, "Health-care decisions should be made by doctors and patients, not government bureaucrats," leaving out the fact that health-care decisions aren't made by doctors, patients, or bureaucrats; they're made by insurance companies. Which are a lot like hospital gowns--chances are your gas isn't covered.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
There was once a town in the heart of America where all life seemed to live in harmony with its surroundings. The town lay in the midst of a checkerboard of prosperous farms, with fields of grain and hillsides of orchards where, in spring, white clouds of bloom drifted above the green fields. In autumn, oak and maple and birch set up a blaze of color that flamed and flickered across a backdrop of pines. Then foxes barked in the hills and deer silently crossed the fields, half hidden in the mists of the fall mornings. Along the roads, laurel, viburnum, and alder, great ferns and wildflowers delighted the traveler's eye through much of the year. Even in winter the roadsides were places of beauty, where countless birds came to feed on the berries and on the seed heads of the dried weeds rising above the snow. The countryside was, in fact, famous for the abundance and variety of its bird life, and when the flood of migrants was pouring through in spring and fall people traveled from great distances to observe them. Others came to fish the streams, which flowed clear and cold out of the hills and contained shady pools where trout lay. So it had been from the days many years ago when the first settlers raised their homes, sank their wells, and built their barns. Then a strange blight crept over the area and everything began to change. Some evil spell had settled on the community: mysterious maladies swept the flocks of chickens, the cattle, and sheep sickened and died. Everywhere was a shadow of death. The farmers spoke of much illness among their families. In the town the doctors had become more and more puzzled by new kinds of sickness appearing among their patients. There had been sudden and unexplained deaths, not only among adults but even among children whoe would be stricken suddently while at play and die within a few hours. There was a strange stillness. The birds, for example--where had they gone? Many people spoke of them, puzzled and disturbed. The feeding stations in the backyards were deserted. The few birds seen anywhere were moribund; they trembled violently and could not fly. It was a spring without voices. On the mornings that had once throbbed with the dawn chorus of robins, catbirds, doves, jays, wrens, and scores of other bird voices there was no sound; only silence lay over the fields and woods and marsh. On the farms the hens brooded, but no chicks hatched. The farmers complained that they were unable to raise any pigs--the litters were small and the young survived only a few days. The apple trees were coming into bloom but no bees droned among the blossoms, so there was no pollination and there would be no fruit. The roadsides, once so attractive, were now lined with browned and withered vegetation as though swept by fire. These, too, were silent, deserted by all living things. Even the streams were not lifeless. Anglers no longer visited them, for all the fish had died. In the gutters under the eaves and between the shingles of the roofs, a white granular powder still showed a few patches; some weeks before it had fallen like snow upon the roofs and the lawns, the fields and streams. No witchcraft, no enemy action had silenced the rebirth of life in this stricken world. The people had done it to themselves.
Rachel Carson
1:337-338 GREAT CHANGES IN ME I CANNOT DESCRIBE I told the local astrologer that the fact that he doesn't see something doesn't mean it doesn't exist. A lover may perceive a certain light in the beloved's face that another person can't. A healthy person tastes a variety of flavorings in food that a patient with a coated tongue cannot. To the sick everything tastes bitter. Great changes and shifts occur in me that I cannot describe, but they are very real. Ways open. A fragrance from the divine comes through. No one sees this, but it is the most profound event in my life. Friendship cannot be seen or measured, but the experience of living within it is beyond argument. Words like belief, righteousness, and faith can be used however a debater wants. With Hasan the silk-weaver recently I spoke of the power of the Islamic prophets. Then he used my words to support his free-thinking lineage. Soul comes here from the unseen to observe this world, the body, the night, and the sunlit morning landscape, saying, I have seen this; now show me your other properties, Lord of the universes (3:26).
Bahauddin (The Drowned Book: Ecstatic and Earthy Reflections of the Father of Rumi)
How often does it occur that information provided you on morning radio or television, or in the morning newspaper, causes you to alter your plans for the day, or to take some action you would not otherwise have taken, or provides insight into some problem you are required to solve? For most of us, news of the weather will sometimes have consequences; for investors, news of the stock market; perhaps an occasional story about crime will do it, if by chance it occurred near where you live or involved someone you know. But most of our daily news is inert, consisting of information that gives us something to talk about but cannot lead to any meaningful action...You may get a sense of what this means by asking yourself another series of questions: What steps do you plan to take to reduce the conflict in the Middle East? Or the rates of inflation, crime and unemployment? What are your plans for preserving the environment or reducing the risk of nuclear war? What do you plan to do about NATO, OPEC, the CIA, affirmative action, and the monstrous treatment of the Baha’is in Iran? I shall take the liberty of answering for you: You plan to do nothing about them. You may, of course, cast a ballot for someone who claims to have some plans, as well as the power to act. But this you can do only once every two or four years by giving one hour of your time, hardly a satisfying means of expressing the broad range of opinions you hold. Voting, we might even say, is the next to last refuge of the politically impotent. The last refuge is, of course, giving your opinion to a pollster, who will get a version of it through a desiccated question, and then will submerge it in a Niagara of similar opinions, and convert them into—what else?—another piece of news. Thus, we have here a great loop of impotence: The news elicits from you a variety of opinions about which you can do nothing except to offer them as more news, about which you can do nothing.
Neil Postman (Amusing Ourselves to Death: Public Discourse in the Age of Show Business)
The extreme rarity of transitional forms in the fossil record persists as the trade secret of paleontology. The evolutionary trees that adorn our text- books have data only at the tips and nodes of their branches; the rest is inference, however reasonable, not the evidence of fossils. Yet Darwin was so wedded to gradualism that he wagered his entire theory on a denial of this literal record: "The geological record is extremely imperfect and this fact will to a large extent explain why we do not find interminable varieties, connecting together all the extinct and existing forms of life by the finest graduated steps, He who rejects these views on the nature of the geological record, will rightly reject my whole theory." Darwin's argument still persists as the favored escape of most paleontologists from the embarrassment of a record that seems to show so little of evolution. In exposing its cultural and methodological roots, I wish in no way to impugn the potential validity of gradualism (for all general views have similar roots). I wish only to point out that it was never -seen- in the rocks. Paleontologists have paid an exorbitant price for Darwin's argument. We fancy ourselves as the only true students of life's history, yet to preserve our favored account of evolution by natural selection we view our data as so bad that we never see the very process we profess to study. [Evolution’s Erratic Pace - "Natural History," May, 1977]
Stephen Jay Gould
Just as some people enjoy knitting in front of the television, Mrs. Bennet was fond of perusing housewares catalogs; indeed, the sound of pages turning, that quick flap when no item caught her eye and the pauses when something did, the occasional businesslike lick of the index finger, was one of the essential sounds of Liz’s childhood. This habit was also, apparently, what allowed Mrs. Bennet to maintain a belief that she had not actually “watched” a wide variety of shows even though she had been in the room for the duration of entire episodes and, in some cases, entire seasons. They
Curtis Sittenfeld (Eligible (The Austen Project, #4))
How could human behaviour be described? Surely only by showing the actions of a variety of humans, as they are all mixed up together. Not what one man is doing now, but the whole hurly-burly, is the background against which we see an action, and it determines our judgment, our concepts, and our reactions.
Ludwig Wittgenstein (Remarks on the Philosophy of Psychology 2)
In point of fact, he does appeal to a different faculty. Reënacted in human nature is the fable of the wind, the sun, and the traveler. The sexes embody the discrepancy. The woman loves the man the more admiringly the stormier he shows himself, and the world deifies its rulers the more for being willful and unaccountable. But the woman in turn subjugates the man by the mystery of gentleness in beauty, and the saint has always charmed the world by something similar. Mankind is susceptible and suggestible in opposite directions, and the rivalry of influences is unsleeping. The saintly and the worldly ideal pursue their feud in literature as much as in real life.
William James (The Varieties of Religious Experience A Study in Human Nature)
newly powerful nations, with the exception of Spain, showed themselves as capable of great achievement as the Italians had been. From the sixteenth century onward, the history of European thought is dominated by the Reformation. The Reformation was a complex many-sided movement, and owed its success to a variety of causes. In the main, it was a revolt
Bertrand Russell (A History of Western Philosophy)
we're not always ready to receive God's love. And we're not prepared to accept that it comes in a variety of ways. Often when we least expect it, God's love can show up in the form of something or someone we aren't happy to see-something or someone we want to push away or even run from. And, let me tell you, God's love can make us downright uncomfortable at times.
Melody Carlson (The Christmas Dog)
It perplexes me how many people write books where everyone comes from the same basic set of backgrounds—middle class, white, straight, etc. It's like writing a book set in a world without coincidences, accidents, and colors. WHY WOULD YOU DO THAT? It reduces drama and conflicts and narrows the possible variety of points of view. And really, the whole magic of books is to show us the world through someone else's eyes. Experiencing the Other is what novels are for.
Scott Westerfeld
The charge that Anarchism is destructive, rather than constructive, and that, therefore, Anarchism is opposed to organization, is one of the many falsehoods spread by our opponents. They confound our present social institutions with organization; hence they fail to understand how we can oppose the former, and yet favor the latter. The fact, however, is that the two are not identical. “The State is commonly regarded as the highest form of organization. But is it in reality a true organization? Is it not rather an arbitrary institution, cunningly imposed upon the masses? “Industry, too, is called an organization; yet nothing is farther from the truth. Industry is the ceaseless piracy of the rich against the poor. “We are asked to believe that the Army is an organization, but a close investigation will show that it is nothing else than a cruel instrument of blind force. “The Public School! The colleges and other institutions of learning, are they not models of organization, offering the people fine opportunities for instruction? Far from it. The school, more than any other institution, is a veritable barrack, where the human mind is drilled and manipulated into submission to various social and moral spooks, and thus fitted to continue our system of exploitation and oppression. “Organization, as WE understand it, however, is a different thing. It is based, primarily, on freedom. It is a natural and voluntary grouping of energies to secure results beneficial to humanity. “It is the harmony of organic growth which produces variety of color and form, the complete whole we admire in the flower. Analogously will the organized activity of free human beings, imbued with the spirit of solidarity, result in the perfection of social harmony, which we call Anarchism. In fact, Anarchism alone makes non-authoritarian organization of common interests possible, since it abolishes the existing antagonism between individuals and classes. “Under present conditions the antagonism of economic and social interests results in relentless war among the social units, and creates an insurmountable obstacle in the way of a co-operative commonwealth. “There is a mistaken notion that organization does not foster individual freedom; that, on the contrary, it means the decay of individuality. In reality, however, the true function of organization is to aid the development and growth of personality. “Just as the animal cells, by mutual co-operation, express their latent powers in formation of the complete organism, so does the individual, by co-operative effort with other individuals, attain his highest form of development. “An organization, in the true sense, cannot result from the combination of mere nonentities. It must be composed of self-conscious, intelligent individualities. Indeed, the total of the possibilities and activities of an organization is represented in the expression of individual energies. “It therefore logically follows that the greater the number of strong, self-conscious personalities in an organization, the less danger of stagnation, and the more intense its life element. “Anarchism asserts the possibility of an organization without discipline, fear, or punishment, and without the pressure of poverty: a new social organism which will make an end to the terrible struggle for the means of existence,—the savage struggle which undermines the finest qualities in man, and ever widens the social abyss. In short, Anarchism strives towards a social organization which will establish well-being for all. “The germ of such an organization can be found in that form of trades unionism which has done away with centralization, bureaucracy, and discipline, and which favors independent and direct action on the part of its members.
Emma Goldman (Anarchism and Other Essays)
Sex is also a positive way of working on one's personal freedom project. After all, it is one of the few areas of real privacy that a person has in an existence that is almost wholly social, entirely shaped by the parents and society. In this sense, sex as a project represents a retreat from the standardizations and monopolizations of the social world. No wonder people dedicate themselves so all-consumingly to it, often from childhood on in the form of secret masturbations that represent a protest and a triumph of the personal self. As we will see in Part II of this book, Rang goes so far as to say that this use of sex explains all sexual conflicts in the individual-"from masturbation to the most varied perversions." The person attempts to use his sex in an entirely individual way in order to control it and relieve it of its determinism. It is as though one tried to transcend the body by depriving it entirely of its given character, to make sport and new invention in place of what nature "intended." The "perversions" of children certainly show this very clearly: they are the true artists of the body, using it as clay to assert their symbolic mastery. Freud saw this and recorded it as "polymorphous perversity"-which is one way of talking about it. But he seems not to have realized that this kind of play is already a very serious attempt to transcend determinism, not merely an animal search for a variety of body-zone pleasures.
Ernest Becker (The Denial of Death)
The Institute had explored the behavior of a great variety of complex systems—corporations in the marketplace, neurons in the human brain, enzyme cascades within a single cell, the group behavior of migratory birds—systems so complex that it had not been possible to study them before the advent of the computer. The research was new, and the findings were surprising. It did not take long before the scientists began to notice that complex systems showed certain common behaviors. They started to think of these behaviors as characteristic of all complex systems. They realized that these behaviors could not be explained by analyzing the components of the systems. The time-honored scientific approach of reductionism—taking the watch apart to see how it worked—didn’t get you anywhere with complex systems, because the interesting behavior seemed to arise from the spontaneous interaction of the components. The behavior wasn’t planned or directed; it just happened. Such behavior was therefore called “self-organizing.
Michael Crichton (The Lost World (Jurassic Park, #2))
In order to feel safe, the misogynist must control your thoughts, your opinions, your feelings, and your behavior. Therefore, only those friends and family members that support his view of himself or his version of reality will be welcome in your lives. Anyone who may show you a different view of things will probably not be acceptable to him. The misogynist may use a variety of tactics to constrict and narrow your world. One method is to make social contact with other people so unpleasant that you prefer to stay home.
Susan Forward (Men Who Hate Women and the Women Who Love Them: When Loving Hurts and You Don't Know Why)
When Galileo showed that his methods of scientific discovery were competent to provide a mechanical theory which should cover every occupant of space, Descartes found in himself two conflicting motives. As a man of scientific genius he could not but endorse the claims of mechanics, yet as a religious and moral man he could not accept, as Hobbes accepted, the discouraging rider to those claims, namely that human nature differs only in degree of complexity from clockwork. Thgjnental could not be just a variety of the mechanical.
If the topic be highly abstract, show its nature by concrete examples; if it be unfamiliar, make it figure as part of a story; if it be difficult, couple its acquisition with some prospect of personal gain. Above all things, make sure that it shall run through certain inner changes, since no unvarying object can possibly hold the mental field for long. Let your pupil wander from one aspect to another of your subject, if you do not wish him to wander from it altogether to something else, variety in unity being the secret of all interesting talk and thought.
William James (Talks to Teachers on Psychology and to Students on Some of Life's Ideals)
The abyss that divides the two modalities of experience — sacred and profane — will be apparent when we come to describe sacred space and the ritual building of the human habitation, or the varieties of the religious experience of time, or the relations of religious man to nature and the world of tools, or the consecration of human life itself, the sacrality with which man’s vital functions (food, sex, work and so on) can be charged. Simply calling to mind what the city or the house, nature, tools, or work have become for modern and nonreligious man will show with the utmost vividness all that distinguishes such a man from a man belonging to any archaic society, or even form a peasant of Christian Europe. For modern consciousness, a physiological act — eating, sex, and so on — is in sum only an organic phenomenon, however much it may still be encumbered by tabus (imposing, for example, particular rules for "eating properly" or forbidding some sexual behavior disapproved by social morality). But for the primitive, such an act is never simply physiological; it is , or can become, a sacrament, that is, a communion with the sacred.
Mircea Eliade (The Sacred and the Profane: The Nature of Religion)
Before I knew my dear Milena, I thought life itself was unbearable. Then she came into my life and showed me that that was not so. True, our first meeting was not auspicious, for her mother answered the door, and what a strong forehead the woman had, with an inscription on it which read: "I am dead, and I despise anyone who is not." Milena seemed pleased that I had come, but much more pleased when I left. That day, I happened to look at a map of the city. For a moment it seemed incomprehensible to me that anyone would build a whole city when all that is needed was a room for her.
Lydia Davis (Varieties of Disturbance)
These (Shakespeare, Milton, and Victor Hugo) not only knit and knot the logical texture of the style with all the dexterity and strength of prose; they not only fill up the pattern of the verse with infinite variety and sober wit; but they give us, besides, a rare and special pleasure, by the art, comparable to that of counterpoint, with which they follow at the same time, and now contrast, and now combine, the double pattern of the texture and the verse.  Here the sounding line concludes; a little further on, the well-knit sentence; and yet a little further, and both will reach their solution on the same ringing syllable.  The best that can be offered by the best writer of prose is to show us the development of the idea and the stylistic pattern proceed hand in hand, sometimes by an obvious and triumphant effort, sometimes with a great air of ease and nature.  The writer of verse, by virtue of conquering another difficulty, delights us with a new series of triumphs.  He follows three purposes where his rival followed only two; and the change is of precisely the same nature as that from melody to harmony. -ON SOME TECHNICAL ELEMENTS OF STYLE IN LITERATURE
Robert Louis Stevenson (Essays in the Art of Writing)
I showed how the two ends of the political spectrum rely upon each foundation in different ways, or to different degrees. It appears that the left relies primarily on the Care and Fairness foundations, whereas the right uses all five. If this is true, then is the morality of the left like the food served in The True Taste restaurant? Does left-wing morality activate just one or two taste receptors, whereas right-wing morality engages a broader palate, including loyalty, authority, and sanctity? And if so, does that give conservative politicians a broader variety of ways to connect with voters?
Jonathan Haidt (The Righteous Mind: Why Good People are Divided by Politics and Religion)
LONG, LONG AGO IN the Incubation Period of Man—long before booking agents, five-a-days, theatrical boarding houses, subway circuits, and Variety—when Megatherium roamed the trees, when Broadway was going through its First Glacial Period, and when the first vaudeville show was planned by the first lop-eared, low-browed, hairy impresario, it was decreed: “The acrobat shall be first.” Why the acrobat should be first no one ever explained; but that this was a dubious honor every one on the bill—including the acrobat—realized only too well. For it was recognized even then, in the infancy of Show Business, that the first shall be last in the applause of the audience. And all through the ages, in courts and courtyards and feeble theatres, it was the acrobat—whether he was called buffoon, farceur, merry-andrew, tumbler, mountebank, Harlequin, or punchinello—who was thrown, first among his fellow-mimes, to the lions of entertainment to whet their appetites for the more luscious feasts to come. So that to this day their muscular miracles are performed hard on the overture’s last wall shaking blare, performed with a simple resignation that speaks well for the mildness and resilience of the whole acrobatic tribe.
Ellery Queen (The Adventures of Ellery Queen)
The Sun burned down in a warm contrasting world of white and black, of white Sun against black sky and white rolling ground mottled with black shadow. The bright sweet smell of the Sun on every exposed square centimeter of metal contrasting with the creeping death-of-aroma on the other side. He lifted his hand and stared at it, counting the fingers. Hot-hot-hot-turning, putting each finger, one by one, into the shadow of the others and the hot slowly dying in a change in tactility that made him feel the clean, comfortable vacuum. Yet not entirely vacuum. He straightened and lifted both arms over his head, stretching them out, and the sensitive spots on either wrist felt the vapors- the thin, faint touch of tin and lead rolling through the cloy of mercury. The thicker taste rose from his feet; the silicates of each variety, marked by the clear separate-and-together touch and tang of each metal ion. He moved one foot slowly through the crunchy, caked dust, and felt the changes like a soft, not quite random symphony. And over all the Sun. He looked up at it, large and fat and bright and hot, and heard its joy. He watched the slow rise of prominences around its rim and listened to the crackling sound of each; and to the other happy noises over the broad face. When he dimmed the background light, the red of the rising wisps of hydrogen showed in bursts of mellow contralto, and the deep bass of the spots amid the muted whistling of the wispy, moving faculae, and the occasional thin keening of a flare, the ping-pong ticking of gamma rays and cosmic particles, and over all in every direction the soft, fainting, and ever-renewed sigh of the Sun's substance rising and retreating forever in a cosmic wind which reached out and bathed him in glory. He jumped, and rose slowly in the air with a freedom he had never felt, and jumped again when he landed, and ran, and jumped, and ran again, with a body that responded perfectly to this glorious world, this paradise in which he found himself.
Isaac Asimov (The Bicentennial Man and Other Stories)
You truly engage readers in the introduction when you convince them that it’s worth their time to keep reading, which means making a variety of credible promises (implicit and explicit) about both the value of the problem you will solve (usually explicit: “We have an inadequate or limited theory of early modern sexuality”), your professional credibility for addressing that problem (both explicit and implicit: you show the reader that you understand and know the field in which the problem takes place), and, ideally, by writing sentences or laying out ideas in ways that are rhetorically, rhythmically, or lexically appealing (always implicit). By having, in other words, some kind of style.
Eric Hayot (The Elements of Academic Style: Writing for the Humanities)
Jagadis Bose, who developed some of the earliest work on plant neurobiology in the early 1900s, treated plants with a wide variety of chemicals to see what would happen. In one instance, he covered large, mature trees with a tent then chloroformed them. (The plants breathed in the chloroform through their stomata, just as they would normally breathe in air.) Once anesthetized, the trees could be uprooted and moved without going into shock. He found that morphine had the same effects on plants as that of humans, reducing the plant pulse proportionally to the dose given. Too much took the plant to the point of death, but the administration of atropine, as it would in humans, revived it. Alcohol, he found, did indeed get a plant drunk. It, as in us, induced a state of high excitation early on but as intake progressed the plant began to get depressed, and with too much it passed out. and it had a hangover the next day Irrespective of the chemical he used, Bose found that the plant responded identically to the human; the chemicals had the same effect on the plants nervous systems as it did the human. This really should not be surprising. The neurochemicals in our bodies were used in every life-form on the planet long before we showed up. They predate the emergence of the human species by hundreds of millions of years. They must have been doing something all that time, you know, besides waiting for us to appear.
Stephen Harrod Buhner (Plant Intelligence and the Imaginal Realm: Beyond the Doors of Perception into the Dreaming of Earth)
Language is a social energy, and our capacity for articulate speech is the key factor that makes us different from other species. We are not as fast as cheetahs – or even as horses. Nor are we as strong as bulls or as adaptable as bacteria. But our brains are equipped with the facility to produce and process speech, and we are capable of abstract thought. A bee may dance to show other bees the location of a source of food, a green monkey may deliver sophisticated vocal signals, and a sparrow may manage as many as thirteen different types of song, but an animal's system of communication has a limited repertoire; ours, on the other hand, is 'open', and its mechanisms permit a potentially infinite variety of utterances.
Henry Hitchings (The Secret Life of Words: How English Became English)
It is relatively easy for a person to lie. Saying “I love you” takes little or no effort. However, demonstrating love requires involvement, participation, and action. If your relationship doesn’t have any involvement, participation, and action, then you can assume it also has very little love. Conversely, if a partner shows his or her love in a variety of physical ways—asking if you want something from the kitchen, doing household chores without prodding, buying little gifts when they’re not expected, et cetera—then the words “I love you” become less important. They’re nice to hear, but they become the icing on the cake when a person’s love is demonstrated regularly. Stop and Consider: Does your partner demonstrate his or her love?
Ruth Westheimer (Stay or Go: Dr. Ruth's Rules for Real Relationships)
Leonardo’s willingness to question and then abandon the enticing analogy between the circulation of water on the earth and the circulation of blood in the human body shows his curiosity and ability to be open-minded. Throughout his life, he was brilliant at discerning patterns and abstracting from them a framework that could be applied across disciplines. His geology studies show an even greater talent: not letting these patterns blind him. He came to appreciate not only nature’s similarities but also its infinite variety. Yet even as he abandoned the simplistic version of the microcosm-macrocosm analogy, he retained the aesthetic and spiritual concept underlying it: the harmonies of the cosmos are reflected in the beauty of living creatures.
Walter Isaacson (Leonardo da Vinci)
The reason we haven’t solved the race problem in America after hundreds of years is that people apart from God are trying to create unity, while people under God who already have unity are not living out the unity we possess. The result of both of these conditions is disastrous for America. Our failure to find cultural unity as a nation is directly related to the church’s failure to preserve our spiritual unity. The church has already been given unity because we’ve been made part of the same family. An interesting point to note about family is that you don’t have to get family to be family. A family already is a family. But sometimes you do have to get family to act like family. In the family of God, this is done through the presence and power of the Holy Spirit. A perfect example of spiritual unity came on the Day of Pentecost when God’s people spoke with other tongues (Acts 2:4). When the Holy Spirit showed up, people spoke in languages they didn’t know so that people from a variety of backgrounds could unite under the cross of Jesus Christ. The people who heard the apostles speak on the Day of Pentecost were from all over the world, representing at least sixteen different geographical areas, racial categories, or ethnic groups (Acts 2:8–11). But in spite of the great diversity, they found true oneness in the presence of the Holy Spirit. Spiritual oneness always and only comes to those who are under God’s authority because in that reality He enables them with the power of His Spirit.
John M. Perkins (One Blood: Parting Words to the Church on Race and Love)
And by the early 1970s our little parable of Sam and Sweetie is exactly what happened to the North American Golden Retriever. One field-trial dog, Holway Barty, and two show dogs, Misty Morn’s Sunset and Cummings’ Gold-Rush Charlie, won dozens of blue ribbons between them. They were not only gorgeous champions; they had wonderful personalities. Consequently, hundreds of people wanted these dogs’ genes to come into their lines, and over many matings during the 1970s the genes of these three dogs were flung far and wide throughout the North American Golden Retriever population, until by 2010 Misty Morn’s Sunset alone had 95,539 registered descendants, his number of unregistered ones unknown. Today hundreds of thousands of North American Golden Retrievers are descended from these three champions and have received both their sweet dispositions and their hidden time bombs. Unfortunately for these Golden Retrievers, and for the people who love them, one of these time bombs happens to be cancer. To be fair, a so-called cancer gene cannot be traced directly to a few famous sires, but using these sires so often increases the chance of recessive genes meeting—for good and for ill. Today, in the United States, 61.4 percent of Golden Retrievers die of cancer, according to a survey conducted by the Golden Retriever Club of America and the Purdue School of Veterinary Medicine. In Great Britain, a Kennel Club survey found almost exactly the same result, if we consider that those British dogs—loosely diagnosed as dying of “old age” and “cardiac conditions” and never having been autopsied—might really be dying of a variety of cancers, including hemangiosarcoma, a cancer of the lining of the blood vessels and the spleen. This sad history of the Golden Retriever’s narrowing gene pool has played out across dozens of other breeds and is one of the reasons that so many of our dogs spend a lot more time in veterinarians’ offices than they should and die sooner than they might. In genetic terms, it comes down to the ever-increasing chance that both copies of any given gene are derived from the same ancestor, a probability expressed by a number called the coefficient of inbreeding. Discovered in 1922 by the American geneticist Sewall Wright, the coefficient of inbreeding ranges from 0 to 100 percent and rises as animals become more inbred.
Ted Kerasote (Pukka's Promise: The Quest for Longer-Lived Dogs)
I hope I have now made it clear why I thought it best, in speaking of the dissonances between fiction and reality in our own time, to concentrate on Sartre. His hesitations, retractations, inconsistencies, all proceed from his consciousness of the problems: how do novelistic differ from existential fictions? How far is it inevitable that a novel give a novel-shaped account of the world? How can one control, and how make profitable, the dissonances between that account and the account given by the mind working independently of the novel? For Sartre it was ultimately, like most or all problems, one of freedom. For Miss Murdoch it is a problem of love, the power by which we apprehend the opacity of persons to the degree that we will not limit them by forcing them into selfish patterns. Both of them are talking, when they speak of freedom and love, about the imagination. The imagination, we recall, is a form-giving power, an esemplastic power; it may require, to use Simone Weil's words, to be preceded by a 'decreative' act, but it is certainly a maker of orders and concords. We apply it to all forces which satisfy the variety of human needs that are met by apparently gratuitous forms. These forms console; if they mitigate our existential anguish it is because we weakly collaborate with them, as we collaborate with language in order to communicate. Whether or no we are predisposed towards acceptance of them, we learn them as we learn a language. On one view they are 'the heroic children whom time breeds / Against the first idea,' but on another they destroy by falsehood the heroic anguish of our present loneliness. If they appear in shapes preposterously false we will reject them; but they change with us, and every act of reading or writing a novel is a tacit acceptance of them. If they ruin our innocence, we have to remember that the innocent eye sees nothing. If they make us guilty, they enable us, in a manner nothing else can duplicate, to submit, as we must, the show of things to the desires of the mind. I shall end by saying a little more about La Nausée, the book I chose because, although it is a novel, it reflects a philosophy it must, in so far as it possesses novel form, belie. Under one aspect it is what Philip Thody calls 'an extensive illustration' of the world's contingency and the absurdity of the human situation. Mr. Thody adds that it is the novelist's task to 'overcome contingency'; so that if the illustration were too extensive the novel would be a bad one. Sartre himself provides a more inclusive formula when he says that 'the final aim of art is to reclaim the world by revealing it as it is, but as if it had its source in human liberty.' This statement does two things. First, it links the fictions of art with those of living and choosing. Secondly, it means that the humanizing of the world's contingency cannot be achieved without a representation of that contingency. This representation must be such that it induces the proper sense of horror at the utter difference, the utter shapelessness, and the utter inhumanity of what must be humanized. And it has to occur simultaneously with the as if, the act of form, of humanization, which assuages the horror. This recognition, that form must not regress into myth, and that contingency must be formalized, makes La Nausée something of a model of the conflicts in the modern theory of the novel. How to do justice to a chaotic, viscously contingent reality, and yet redeem it? How to justify the fictive beginnings, crises, ends; the atavism of character, which we cannot prevent from growing, in Yeats's figure, like ash on a burning stick? The novel will end; a full close may be avoided, but there will be a close: a fake fullstop, an 'exhaustion of aspects,' as Ford calls it, an ironic return to the origin, as in Finnegans Wake and Comment c'est. Perhaps the book will end by saying that it has provided the clues for another, in which contingency will be defeated, ...
Frank Kermode (The Sense of an Ending: Studies in the Theory of Fiction)
Embrace your multiple personalities. As a kid, I went back and forth between being a metalhead and a Latin dancer. A strange combination? Yes, but it showed me that I should never let one single thing define who I am. I am many things, many voices, many personalities. I try to embrace them rather than suppress them. There’s a time to be disciplined and there’s a time to let go. There’s a time to crowd-surf and a time to practice. The more variety in your life, the more color. Sometimes I think we give ourselves a label: “I’m an accountant.” Or “I’m a mom.” Or “I’m a schoolteacher.” That isn’t all of you, just like dancing wasn’t--and still isn’t--all of me. Give yourself permission to embrace all the facets of you; it’s what makes you unique and special. We are who we tell ourselves we are.
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
Today, ethologists who study the minds and behaviors of nonhuman animals show that, such as Darwin theorized, there is no radical break between the emotional and mental capacities of humans and other animals; instead, there is a continuity of capacities. As we shall see in chapter 17, ethologists who work with great apes, dolphins, and parrots, as well as a wide variety of other animals, continue to find more and more examples of this continuity. We now know that many animals can feel and experience much of what we once considered to be “human” emotions, that they have self-recognition and self-awareness, that they can communicate with each other (and with us) through sophisticated communication systems and perhaps even languages; they can make and use tools, empathize with others, deceive others, joke, plan, and understand the past and the future.
Margo Demello (Animals and Society: An Introduction to Human-Animal Studies)
Roberta went on, ‘We’ll have your luggage brought in . . . What else? Jules can show you how to use the galley. We generally eat fresh produce from the forest, but you may find it easier to use the food printer units.’ Dev frowned. ‘Food printer?’ Stella said, ‘Like your own matter printers, but rather more sophisticated. And based to some extent on silver-beetle technology – you know something about that. It’s voice activated; you can ask for a wide variety of foodstuffs.’ ‘Replicators,’ Dev said. ‘They’ve got replicators.’ He stepped forward to inspect the nondescript ceramic boxes. He could see no power connection; maybe there was some kind of energy-beam technology, invisible transmission. Roberta said, ‘With such devices we have made a major step towards a true post-scarcity society. Hunger banished without labour, for ever.’ Dev couldn’t resist it. ‘Can it give me Earl Grey tea?’ Lee grinned. ‘Hot!’ The
Terry Pratchett (The Long Cosmos (Long Earth #5))
Do you know where we are?” he whispered. “Surely that is Baker Street,” I answered, staring through the dim window. “Exactly. We are in Camden House, which stands opposite to our own old quarters.” “But why are we here?” “Because it commands so excellent a view of that picturesque pile. Might I trouble you, my dear Watson, to draw a little nearer to the window, taking every precaution not to show yourself, and then to look up at our old rooms--the starting-point of so many of your little fairy-tales? We will see if my three years of absence have entirely taken away my power to surprise you.” I crept forward and looked across at the familiar window. As my eyes fell upon it, I gave a gasp and a cry of amazement. The blind was down, and a strong light was burning in the room. The shadow of a man who was seated in a chair within was thrown in hard, black outline upon the luminous screen of the window. There was no mistaking the poise of the head, the squareness of the shoulders, the sharpness of the features. The face was turned half-round, and the effect was that of one of those black silhouettes which our grandparents loved to frame. It was a perfect reproduction of Holmes. So amazed was I that I threw out my hand to make sure that the man himself was standing beside me. He was quivering with silent laughter. “Well?” said he. “Good heavens!” I cried. “It is marvellous.” “I trust that age doth not wither nor custom stale my infinite variety,” said he, and I recognized in his voice the joy and pride which the artist takes in his own creation. “It really is rather like me, is it not?” “I should be prepared to swear that it was you.” “The credit of the execution is due to Monsieur Oscar Meunier, of Grenoble, who spent some days in doing the moulding. It is a bust in wax. The rest I arranged myself during my visit to Baker Street this afternoon.
Arthur Conan Doyle (The Complete Sherlock Holmes)
Still, it became a big challenge to train our bank workers to overcome opposition from political and religious leaders without endangering their safety and that of the women they were serving. We tried a variety of techniques, and after a few years we learned that our staff members should quietly go about their business in one tiny corner of the village. If just a handful of desperate women make a leap of faith and join Grameen, everything changes. They get their money, start to earn additional income, and nothing terrible happens to them. Others begin to show interest. We find that borrowing groups form quickly after the initial period of resistance. When the ice finally breaks, women who originally said no to us begin to say, “Why not? I need money, too. In fact, I need the money more desperately than those who already joined. And I can make better use of it!” Gradually people come to accept us, and opposition dies off. But in every new village, it is a battle to begin. After
Muhammad Yunus (Banker To The Poor: Micro-Lending and the Battle Against World Poverty)
He shared his place with a Dr. Tubeside, whose practice consisted largely of injecting people with "vitamin B12", a euphemism for the physician's own blend of amphetamines. Today, early as it was, Doc still had to edge his way past a line of "B12"- deficient housewives of a certain melancholy index, actors with casting calls to show up at, deeply tanned geezers looking ahead to an active day of schmoozing in the sun, stewardii just off in some high-stress red-eye, even a few legit cases of pernicious anemia or vegetarian pregnancy, all shuffling along half asleep, chain-smoking, talking to themselves, sliding one by one into the lobby of the little cinder-block building through a turnstile, next to which, holding a clipboard and checking them in, stood Petunia Leeway, a stunner in a starched cap and micro-length medical outfit, not so much an actual nurse uniform as a lascivious commentary on one, which Dr. Tubeside claimed to've bought a truckload of from Fredericks's of Hollywood, in a variety of fashion pastels, today's being aqua, at close to wholesale.
Thomas Pynchon (Inherent Vice)
In the late 1960's, physicists Steven Weinberg, Abdus Salam, and Sheldon Glashow conquered the next unification frontier. In a phenomenal piece of scientific work they showed that the electromagnetic and weak nuclear forces are nothing but different aspects of the same force, subsequently dubbed the electroweak force. The predictions of the new theory were dramatic. The electromagnetic force is produced when electrically charged particles exchange between them bundles of energy called photons. The photon is therefore the messenger of electromagnetism. The electroweak theory predicted the existence of close siblings to the photon, which play the messenger role for the weak force. These never-before-seen particles were prefigured to be about ninety times more massive than the proton and to come in both an electrically charged (called W) and a neutral (called Z) variety. Experiments performed at the European consortium for nuclear research in Geneva (known as CERN for Conseil Europeen pour la Recherche Nucleaire) discovered the W and Z particles in 1983 and 1984 respectively.
Mario Livio (The Equation That Couldn't Be Solved: How Mathematical Genius Discovered the Language of Symmetry)
I always start my class with a coloring assignment using crayons to color three pages from a variety of coloring pages pinned to the wall. Pick 3. Color them densely, trying to get as much of the crayon on the paper as possible. Students find it frustrating because crayons are surprisingly hard to work with, but they usually have some fun doing it. Until...when the finished pages were pinned to the wall, all of the pages were colored just the way I assigned— but all the joy was gone. Something went wrong. What was it? This: I told them to color hard in order to do it right. And go straight to using force— thinking I was showing them a short-cut—— this took away the way of coloring they would have found on their own. By telling them just how to do it, I took the playing-around away, the gradual figuring out that brings something alive to this activity, makes it worth-while, and is transferable to other activities. I realize now the best results came when I gave no instructions except, “spend time on this assignment.” That was 3 years ago. Why did it take me so long to figure this out?
Lynda Barry (Syllabus: Notes from an Accidental Professor)
Throughout history, wise observers of human behavior have pinpointed over and over again a core group of unhealthy human tendencies that are obstacles to happiness. They're the states of mind that distract us in meditation practice, and trip us up in the rest of our lives. Broadly speaking, they are: desire, aversion, sloth, restlessness, and doubt. And they manifest in a variety of ways - many of which you'll recognize. Desire includes grasping, clinging, wanting, or attachment. Aversion can appear as hatred, anger, fear, or impatience. Sloth is not just laziness, but also numbing out, switching off, disconnecting, and the sluggishness that comes with denial or feeling overwhelmed: This is going to be difficult; I think I'll take a nap. Restlessness shows itself as anxiety, worry, fretfulness, or agitation. The kind of doubt we're talking about is not healthy questioning but rather the inability to make a decision or commitment. Doubt keeps us feeling stuck; we don't know what to do next. Doubt undermines wholehearted involvement (in relationships, in our meditation practice) and robs us of in-depth experience.
Sharon Salzberg (Real Happiness: The Power of Meditation)
The stranger drew the curtains round the bed, took up the light, and inspected the apartment. The walls of both rooms were hung with drawings of masterly excellence. A portfolio was filled with sketches of equal skill,—but these last were mostly subjects that appalled the eye and revolted the taste: they displayed the human figure in every variety of suffering,—the rack, the wheel, the gibbet; all that cruelty has invented to sharpen the pangs of death seemed yet more dreadful from the passionate gusto and earnest force of the designer. And some of the countenances of those thus delineated were sufficiently removed from the ideal to show that they were portraits; in a large, bold, irregular hand was written beneath these drawings, “The Future of the Aristocrats.” In a corner of the room, and close by an old bureau, was a small bundle, over which, as if to hide it, a cloak was thrown carelessly. Several shelves were filled with books; these were almost entirely the works of the philosophers of the time,—the philosophers of the material school, especially the Encyclopedistes, whom Robespierre afterwards so singularly attacked when the coward deemed it unsafe to leave his reign without a God.
Edward Bulwer-Lytton (Zanoni Book One: The Musician: The Magical Antiquarian Curiosity Shoppe, A Weiser Books Collection)
I see prawns, mussels... a whole host of seafood!" "Don't forget the perfectly ripe tomatoes and the bottle of olive oil. Aah, I get it. It seems he is making Acqua Pazza." ACQUA PAZZA A local delicacy in Southern Italy... ... Acqua Pazza is a simple yet gourmet dish of poached white fish mixed with a variety of other ingredients. Traditional ingredients include olive oil, tomatoes and shellfish. "Compared to many other poached or simmered dishes, it uses relatively few seasonings. Because it's so uncomplicated, the quality of the ingredients themselves comes to the forefront. It's the perfect dish to show off his superhuman eye for selecting fish." "Not that Acqua Pazza itself is a poor choice... ... but the centerpiece of the dish must still be the pike! Yet the ingredients he's chosen have distinct flavors that demand attention. Won't simmering them all together drown out the flavor of the fish?" "True! It would be a waste of an in-season pike to- Wait..." "Exactly. Precisely because it is in season, the pike's flavor won't be drowned out. Instead, it has the potential to become the base of the entire dish! It's a recipe only someone with great confidence in their eye for fish could have chosen for this competition.
Yuto Tsukuda (食戟のソーマ 12 [Shokugeki no Souma 12] (Food Wars: Shokugeki no Soma, #12))
I’ll go myself,” the sergeant said tersely. He was getting annoyed. The stairway went down underneath the ground floor to a depth of about eight feet. A short paved corridor ran in front of the boiler room at right angles to the stairs, where each end was closed off by unpainted panelled doors. Both the stairs and the corridor felt like loose gravel underfoot, but otherwise they were clean. Splotches of blood were more in evidence in the corridor and a bloody hand mark showed clearly on the unpainted door to the rear. “Let’s not touch anything,” the sergeant cautioned, taking out a clean white handkerchief to handle the doorknob. “I better call the fingerprint crew,” the photographer said. “No, Joe will call them; I’ll need you. And you local fellows better wait outside, we’re so crowded in here we’ll destroy the evidence.” “Ed and I won’t move,” Grave Digger said. Coffin Ed grunted. Taking no further notice of them, the sergeant pushed open the door. It was black and dark inside. First he shone his light over the wall alongside the door and all over the corridor looking for electric light switches. One was located to the right of each door. Taking care to avoid stepping in any of the blood splotches, the sergeant moved from one switch to another, but none worked. “Blown fuse,” he muttered, picking his way back to the open room. Without having to move, Grave Digger and Coffin Ed could see all they wanted through the open door. Originally made to accommodate a part-time janitor or any type of laborer who would fire the boiler for a place to sleep, the room had been converted into a pad. All that remained of the original was a partitioned-off toilet in one corner and a washbasin in the other. An opening enclosed by heavy wire mesh opened into the boiler room, serving for both ventilation and heat. Otherwise the room was furnished like a boudoir. There was a dressing-table with a triple mirror, three-quarter bed with chenille spread, numerous foam-rubber pillows in a variety of shapes, three round yellow scatter rugs. On the whitewashed walls an obscene mural had been painted in watercolors depicting black and white silhouettes in a variety of perverted sex acts, some of which could only be performed by male contortionists. And everything was splattered with blood, the walls, the bed, the rugs. The furnishings were not so much disarrayed, as though a violent struggle had taken place, but just bloodied. “Mother-raper stood still and let his throat be cut,” Grave Digger observed. “Wasn’t that,” Coffin Ed corrected. “He just didn’t believe it is all.
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
Hey Pete. So why the leave from social media? You are an activist, right? It seems like this decision is counterproductive to your message and work." A: The short answer is I’m tired of the endless narcissism inherent to the medium. In the commercial society we have, coupled with the consequential sense of insecurity people feel, as they impulsively “package themselves” for public consumption, the expression most dominant in all of this - is vanity. And I find that disheartening, annoying and dangerous. It is a form of cultural violence in many respects. However, please note the difference - that I work to promote just that – a message/idea – not myself… and I honestly loath people who today just promote themselves for the sake of themselves. A sea of humans who have been conditioned into viewing who they are – as how they are seen online. Think about that for a moment. Social identity theory run amok. People have been conditioned to think “they are” how “others see them”. We live in an increasing fictional reality where people are now not only people – they are digital symbols. And those symbols become more important as a matter of “marketing” than people’s true personality. Now, one could argue that social perception has always had a communicative symbolism, even before the computer age. But nooooooothing like today. Social media has become a social prison and a strong means of social control, in fact. Beyond that, as most know, social media is literally designed like a drug. And it acts like it as people get more and more addicted to being seen and addicted to molding the way they want the world to view them – no matter how false the image (If there is any word that defines peoples’ behavior here – it is pretention). Dopamine fires upon recognition and, coupled with cell phone culture, we now have a sea of people in zombie like trances looking at their phones (literally) thousands of times a day, merging their direct, true interpersonal social reality with a virtual “social media” one. No one can read anymore... they just swipe a stream of 200 character headlines/posts/tweets. understanding the world as an aggregate of those fragmented sentences. Massive loss of comprehension happening, replaced by usually agreeable, "in-bubble" views - hence an actual loss of variety. So again, this isn’t to say non-commercial focused social media doesn’t have positive purposes, such as with activism at times. But, on the whole, it merely amplifies a general value system disorder of a “LOOK AT ME! LOOK AT HOW GREAT I AM!” – rooted in systemic insecurity. People lying to themselves, drawing meaningless satisfaction from superficial responses from a sea of avatars. And it’s no surprise. Market economics demands people self promote shamelessly, coupled with the arbitrary constructs of beauty and success that have also resulted. People see status in certain things and, directly or pathologically, use those things for their own narcissistic advantage. Think of those endless status pics of people rock climbing, or hanging out on a stunning beach or showing off their new trophy girl-friend, etc. It goes on and on and worse the general public generally likes it, seeking to imitate those images/symbols to amplify their own false status. Hence the endless feedback loop of superficiality. And people wonder why youth suicides have risen… a young woman looking at a model of perfection set by her peers, without proper knowledge of the medium, can be made to feel inferior far more dramatically than the typical body image problems associated to traditional advertising. That is just one example of the cultural violence inherent. The entire industry of social media is BASED on narcissistic status promotion and narrow self-interest. That is the emotion/intent that creates the billions and billions in revenue these platforms experience, as they in turn sell off people’s personal data to advertisers and governments. You are the product, of course.
Peter Joseph
Rip ran a hand through his dusty brown hair and tried to imagine what Larsen had found. Larsen’s words “a Cosega find” had been playing over in his mind almost constantly since he’d heard them. Cosega was the reason that Rip became an archaeologist. The Jeep’s motor whined as it pushed over the unmaintained road. Rip’s thoughts drifted to the past. They always did when he was in the mountains. Fifteen years earlier he had graduated from the University of Pennsylvania with honors after publishing a series of papers on the prehistory of man. His first break came when billionaire Booker Lipton, a Penn alumnus who had amassed a fortune through brutal corporate takeovers and a variety of other business dealings, immediately offered him funding. Rip had skipped the “cap and gown nonsense,” as he called it, and was already in Africa when his degree caught up with him. His first human origins digs were featured in an eight-page layout for National Geographic. Within a few years Archaeology Magazine had twice detailed his findings for cover stories. He taught courses at three different universities, and often shared his expertise on news and talk shows. Then, four years ago, he published a paper on the creation stories of all known Native American tribes entitled: Cosega. The controversy that erupted after had almost ended his career. Not yet forty, Ripley had already achieved more than the greats
Brandt Legg (Cosega Search (The Cosega Sequence, #1))
What luxury ingredient will it be this year? Matsutake mushrooms? "Returning" Skipjack? Fresh soba?" "IT'S MACKEREL PIKE!" "Really? Pike?!" "Umm... that's kind of a letdown, to be honest. They're such common fish..." "Not so fast, folks. It is true that throughout Japanese history, pike was viewed as a common fish that only the peasantry ate. But recently, high-class restaurants have begun serving it... ... and it now appears on the menus of restaurants across the world. It has become an unspoken representative of the Fall Fishing Season. A dish that uses pike in some way... ... is the theme for the final round of this year's Fall Classic!" "Mmm, pike! The first thing that springs to mind is yummy salt-grilled pike! The crispy skin... the hot, succulent meat... the savory smell of its juices... A dollop of grated daikon radish on top, and it's yum, yum, yum!" "It's been showing up on sushi menus recently too. That's a general ingredient for you. You can do tons of stuff with it." "As you all know, pike can be used in a wide variety of dishes. But strangely enough, this one ingredient... ... has connections to all three of our contestants. A pike.. ... with its fatty meat is known for its robust fragrance. It is a prized ingredient in seafood dishes across the world. And it has a long history of use in what is viewed as common cuisine!" "Oho! It has facets that appeal to all three chefs." "That means it's an ingredient that can play to each of their strengths!
Yuto Tsukuda (食戟のソーマ 12 [Shokugeki no Souma 12] (Food Wars: Shokugeki no Soma, #12))
Not only does it matter politically how we rank the vices, but freedom demands that as a matter of liberal policy we must learn to endure enormous differences in the relative importance that various individuals and groups attach to the vices. There is a vast gulf between the seven deadly sins, with their emphasis on pride and self-indulgence, and putting cruelty first. These choice are not casual or due merely to the variety of our purely personal dispositions and emotional inclinations. These different ranking orders are parts of very dissimilar systems of values. Some may be extremely old, for the structure of beliefs does not alter nearly as quickly as the more tangible conditions of life. In fact, they do not die at all; they just accumulate one on top of the other. Europe has always had a tradition of traditions, as our demographic and religious history makes amply clear. It is no use looking back to some imaginary classical or medieval utopia of moral and political unanimity, not to mention the horror of planning one for the future. Thinking about the vices has, indeed, the effect of showing precisely to what extent ours is a culture of many subcultures, of layer upon layer of ancient religious and class rituals, ethnic inheritance of sensibility and manners, and ideological residues whose original purpose has by now been utterly forgotten. With this in view, liberal democracy becomes more a recipe for survival than a project for the perfectibility of mankind.
Judith N. Shklar (Ordinary Vices)
The writing style which is most natural for you is bound to echo the speech you heard when a child. English was the novelist Joseph Conrad's third language, and much of that seems piquant in his use of English was no doubt colored by his first language, which was Polish. And lucky indeed is the writer who has grown up in Ireland, for the English spoken there is so amusing and musical. I myself grew up in Indianapolis, where common speech sounds like a band saw cutting galvanized tin, and employs a vocabulary as unornamental as a monkey wrench. In some of the more remote hollows of Appalachia, children still grow up hearing songs and locutions of Elizabethan times. Yes, and many Americans grow up hearing a language other than English, or an English dialect a majority of Americans cannot understand. All these varieties of speech are beautiful, just as the varieties of butterflies are beautiful. No matter what your first language, you should treasure it all your life. If it happens not to be standard English, and if it shows itself when you write standard English, the result is usually delightful, like a very pretty girl with one eye that is green and one that is blue. I myself find that I trust my own writing most, and others seem to trust it most, too, when I sound most like a person from Indianapolis, which is what I am. What alternatives do I have? The one most vehemently recommended by teachers has no doubt been pressed on you, as well: to write like cultivated Englishmen of a century or more ago.
Kurt Vonnegut Jr.
One early terracotta statuette from Catal Huyuk in Anatolia depicts an enthroned female in the act of giving birth, supported by two cat-like animals that form her seat (Plate 1). This figure has been identified as a 'birth goddess' and it is this type of early image that has led a number of feminist scholars to posit a 'reign of the goddess' in ancient Near Eastern prehistory. Maria Gimbutas, for whom such images are proof of a perfect matriarchal society in 'Old Europe' , presents an ideal vision in which a socially egalitarian matriarchal culture was overthrown by a destructive patriarchy (Gimbutas 1991). Gerda Lerner has argued for a similar situation in the ancient Near East; however, she does not discuss nude figurines at any length (Lerner 1986a: 147). More recently, critiques of the matriarchal model of prehistory have pointed out the flaws in this methodology (e.g. Conkey and Tringham 1995; Meskell 1995; Goodison and Morris 1998). In all these critiques the identification of such figures as goddesses is rejected as a modern myth. There is no archaeological evidence that these ancient communities were in fact matriarchal, nor is there any evidence that female deities were worshipped exclusively. Male gods may have worshipped simultaneously with the 'mother goddesses' if such images are indeed representations of deities. Nor do such female figures glorify or show admiration for the female body; rather they essentialise it, reducing it to nothing more nor less than a reproductive vessel. The reduction of the head and the diminution of the extremities seem to stress the female form as potentially reproductive, but to what extent this condition was seen as sexual, erotic or matriarchal is unclear. ....Despite the correct rejection of the 'Mother Goddess' and utopian matriarchy myths by recent scholarship, we should not loose track of the overwhelming evidence that the image of female nudity was indeed one of power in ancient Mesopotamia. The goddess Ishtar/Inanna was but one of several goddesses whose erotic allure was represented as a powerful attribute in the literature of the ancient Near East. In contact to the naked male body which was the focus of a variety of meanings in the visual arts, female nudity was always associated with sexuality, and in particular with powerful sexual attraction, Akkadian *kuzbu*. This sexuality was not limited to Ishtar and her cult. As a literary topos, sensuousness is a defining quality for both mortal women and goddesses. In representational art, the nude woman is portrayed in a provocative pose, as the essence of the feminine. For femininity, sexual allure, *kuzbu*, the ideal of the feminine, was thus expressed as nudity in both visual and verbal imagery. While several iconographic types of unclothed females appear in Mesopotamian representations of the historical period - nursing mothers, women in acts of sexual intercourse, entertainers such as dancers and musicians, and isolated frontally represented nudes with or without other attributes - and while these nude female images may have different iconographic functions, the ideal of femininity and female sexuality portrayed in them is similar. -Zainab Bahrani, Women of Babylon: Gender and Representation in Mesopotamia
Zainab Bahrani
Information or allegations reflecting negatively on individuals or groups seen less sympathetically by the intelligentsia pass rapidly into the public domain with little scrutiny and much publicity. Two of the biggest proven hoaxes of our time have involved allegations of white men gang-raping a black woman-- first the Tawana Brawley hoax of 1987 and later the false rape charges against three Duke University students in 2006. In both cases, editorial indignation rang out across the land, without a speck of evidence to substantiate either of these charges. Moreover, the denunciations were not limited to the particular men accused, but were often extended to society at large, of whom these men were deemed to be symptoms or 'the tip of the iceberg.' In both cases, the charges fit a pre-existing vision, and that apparently made mundane facts unnecessary. Another widely publicized hoax-- one to which the President of the United States added his sub-hoax-- was a 1996 story appearing in USA Today under the headline, 'Arson at Black Churches Echoes Bigotry of the Past.' There was, according to USA Today, 'an epidemic of church burning,' targeting black churches. Like the gang-rape hoaxes, this story spread rapidly through the media. The Chicago Tribune referred to 'an epidemic of criminal and cowardly arson' leaving black churches in ruins. As with the gang-rape hoaxes, comments on the church fire stories went beyond those who were supposed to have set these fires to blame forces at work in society at large. Jesse Jackson was quoted was quoted in the New York Times as calling these arsons part of a 'cultural conspiracy' against blacks, which 'reflected the heightened racial tensions in the south that have been exacerbated by the assault on affirmative action and the populist oratory of Republican politicians like Pat Buchanan.' Time magazine writer Jack White likewise blamed 'the coded phrases' of Republican leaders for 'encouraging the arsonists.' Columnist Barbara Reynolds of USA Today said that the fires were 'an attempt to murder the spirit of black America.' New York Times columnist Bob Herbert said, "The fuel for these fires can be traced to a carefully crafted environment of bigotry and hatred that was developed over the last century.' As with the gang-rape hoaxes, the charges publicized were taken as reflecting on the whole society, not just those supposedly involved in what was widely presumed to be arson, rather than fires that break out for a variety of other reasons. Washington Post columnist Dorothy Gilliam said that society in effect was 'giving these arsonists permission to commit these horrible crimes.' The climax of these comments came when President Bill Clinton, in his weekly radio address, said that these church burnings recalled similar burnings of black churches in Arkansas when he was a boy. There were more that 2,000 media stories done on the subject after the President's address. This story began to unravel when factual research showed that (1) no black churches were burned in Arkansas when Bill Clinton was growing up, (2) there had been no increase in fires at black churches, but an actual decrease over the previous 15 years, (3) the incidence of fires at white churches was similar to the incidence of fires at black churches, and (4) where there was arson, one-third of the suspects were black. However, retractions of the original story-- where there were retractions at all-- typically were given far less prominence than the original banner headlines and heated editorial comments.
Thomas Sowell (Intellectuals and Society)
The victims of right-wing violence are typically immigrants, Muslims, and people of color, while the targets of environmental and animal rights activism are among “the most powerful corporations on the planet” — hence the state’s relative indifference to the one and obsession with the other. The broader pattern helps to explain one partial exception to the left/right gap in official scrutiny—namely, the domestic aspects of the “War on Terror.” Al Qaeda is clearly a reactionary organization. Like much of the American far right, it is theocratic, anti-Semitic, and patriarchal. Like Timothy McVeigh, the 9/11 hijackers attacked symbols of institutional power, killing a great many innocent people to further their cause. But while the state’s bias favors the right over the left, the Islamists were the wrong kind of right-wing fanatic. These right-wing terrorists were foreigners, they were Muslim, and above all they were not white. And so, in retrospect and by comparison, the state’s response to the Oklahoma City bombing seems relatively restrained—short-lived, focused, selectively targeting unlawful behavior for prosecution. The government’s reaction to the September 11th attacks has been something else entirely — an open-ended war fought at home and abroad, using all variety of legal, illegal, and extra-legal military, police, and intelligence tactics, arbitrarily jailing large numbers of people and spying on entire communities of immigrants, Muslims, and Middle Eastern ethnic groups. At the same time, law enforcement was also obsessively pursuing — and sometimes fabricating—cases against environmentalists, animal rights activists, and anarchists while ignoring or obscuring racist violence against people of color. What that shows, I think, is that the left/right imbalance persists, but sometimes other biases matter more.
Kristian Williams (Our Enemies in Blue: Police and Power in America)
She was a new world - a place of endless mysteries and unexpected delights, an enchanting mixture of woman and child. She supervised the domestic routine with deceptive lack of fuss. With her there, suddenly his clothes were clean and had their full complement of buttons; the stew of boots and books and unwashed socks in his wagon vanished. There were fresh bread and fruit preserves on the table; Kandhla's eternal grilled steaks gave way to a variety of dishes. Each day she showed a new accomplishment. She could ride astride, though Sean had to turn his back when she mounted and dismounted. She cut Sean's hair and made as good a job of it as his barber in Johannesburg. She had a medicine chest in her wagon from which she produced remedies for every ailing man or beast in the company. She handled a rifle like a man and could strip and clean Sean's Mannlicher. She helped him load cartridges, measuring the charges with a practised eye. She could discuss birth and procreation with a clinical objectivity and a minute later blush when she looked at him that way. She was as stubborn as a mule, haughty when it suited her, serene and inscrutable at times and at others a little girl. She would push a handful of grass down the back of his shirt and run for him to chase her, giggle for minutes at a secret thought, play long imaginative games in which the dogs were her children and she talked to them and answered for them. Sometimes she was so naive that Sean thought she was joking until he remembered how young she was. She could drive him from happiness to spitting anger and back again within the space of an hour. But, once he had won her confidence and she knew that he would play to the rules, she responded to his caresses with a violence that startled them both. Sean was completely absorbed in her. She was the most wonderful thing he had ever found and, best of all, he could talk to her.
Wilbur Smith (When the Lion Feeds (Courtney, #1))
In both oral and typographic cultures, information derives its importance from the possibilities of action. Of course, in any communication environment, input (what one is informed about) always exceeds output (the possibilities of action based on information. But the situation created by telegraphy, and then exacerbated by later technologies, made the relationship between information and action both abstract and remote. For the first time in human history, people were faced with the problem of information glut, which means that simultaneously they were faced with the problem of a diminished social and political potency. You may get a sense of what this means by asking yourself another series of questions: What steps do you plan to take to reduce the conflict in the Middle East? Or the rates of inflation, crime and unemployment? What are your plans for preserving the environment or reducing the risk of nuclear war? What do you plan to do about NATO, OPEC, the CIA, affirmative action, and the monstrous treatment of the Baha'is in Iran? I shall take the liberty of answering for you: You plan to do nothing about them. You may, of course, cast a ballot for someone who claims to have some plans, as well as the power to act. But this you can do only once every two or four years by giving one hour of your time, hardly a satisfying means of expressing the broad range of opinions you hold. Voting, we might even say, is the next to last refuge of the politically impotent. The last refuge is, of course, giving your opinion to a pollster, who will get a version of it through a desiccated question, and then will submerge it in a Niagara of similar opinions, and convert them into--what else?--another piece of news. Thus, we have here a great loop of impotence: The news elicits from you a variety of opinions about which you can do nothing except to offer them as more news, about which you can do nothing.
Neil Postman (Amusing Ourselves to Death: Public Discourse in the Age of Show Business)
Fine art galleries are the excellent setups for exhibiting art, generally aesthetic art such as paints, sculptures, and digital photography. Basically, art galleries showcase a range of art designs featuring contemporary and traditional fine art, glass fine art, art prints, and animation fine art. Fine art galleries are dedicated to the advertising of arising artists. These galleries supply a system for them to present their jobs together with the works of across the country and internationally popular artists. The UNITED STATE has a wealth of famous art galleries. Lots of villages in the U.S. show off an art gallery. The High Museum of Fine art, Alleged Gallery, Henry Art Gallery, National Gallery of Art Gallery, Washington Gallery of Modern Art, Agora Gallery, Rosalux Gallery, National Portrait Gallery, The Alaska House Gallery, and Anchorage Gallery of History and Art are some of the renowned fine art galleries in the United States. Today, there are on the internet fine art galleries showing initial artwork. Several famous fine art galleries show regional pieces of art such as African fine art, American art, Indian fine art, and European art, in addition to individual fine art, modern-day and modern fine art, and digital photography. These galleries collect, show, and keep the masterpieces for the coming generations. Many famous art galleries try to entertain and educate their local, nationwide, and international audiences. Some renowned fine art galleries focus on specific areas such as pictures. A great variety of well-known fine art galleries are had and run by government. The majority of famous fine art galleries supply an opportunity for site visitors to buy outstanding art work. Additionally, they organize many art-related tasks such as songs shows and verse readings for kids and grownups. Art galleries organize seminars and workshops conducted by prominent artists. Committed to quality in both art and solution, most well-known fine art galleries provide you a rich, exceptional experience. If you wish to read additional information, please visit this site
Famous Art Galleries
The rose is a symbol of the inner mysteries of Witchcraft. A red rose symbolizes the mysteries as they reside in Nature, within the living things. The white rose symbolizes the Otherworld and the mysteries hidden in secret places. When a single rose appears with white petals in the center of red petals, this represents the mysteries joined together within one reality. Thorns appearing with the rose represent challenges and the dedication required to fully grasp the enlightenment of the rose. One of the symbolisms associated with the rose reveals the covenant between the Witch and the Faery. In this, we find that both are stewards of the portal that opens to the inner mysteries. The Faery holds the celestial key, and the Witch bears the terrestrial key. When the two are joined together, they form an X—the sign of the crossroads. In this formation, where the keys cross we find a third point, the in-between place at the center. This is where the portal exists, and this is where it opens between the worlds. Look at the shape of the X and you can see four pointed tip markers (the V shapes). The upper half of the X points down, and the lower half points up. On the sides of the X, you can see that the left and right halves point to the center. This shows us that when the celestial and terrestrial realms join, they pull together the left ways and the right ways. These are occult terms for esoteric and exoteric modes of consciousness. In the fusion, everything briefly loses its distinction, its ability to mask the opposite reality, and in doing so, the secret third reality emerges in the center of it all. If this sounds confusing or nonsensical, then the guardian of that portal is doing its job well. The material in this book will connect you with an entity connected to the rose and its mystery. This is the previously mentioned She of the Thorn-Blooded Rose. With her guidance, you can be directed to the portal, and through it you can meet a variety of beings and entities. However, her primary task is to connect you with the Greenwood Realm and the plant spirits within it. In your journey to encounter these spirits, you will pass through the organic memory of the earth. You'll walk upon roads of mystical concepts and be accompanied by the Old Ones of
Raven Grimassi (Grimoire of the Thorn-Blooded Witch: Mastering the Five Arts of Old World Witchery)
Wherever human beings are thrown together, one of them at once becomes a laughing stock, a source of malicious mirth, whether the mirth is uproarious or restrained, surreptitious, soundless. Society never rests content until one of the many - or of the few - has been selected as its victim and has become the target of every pointing finger. The community always seeks out its weakest member and exposes him to its pitiless laughter, to repeated and ever more exquisite torture by ridicule and mockery; and it always shows itself supremely inventive in constantly devising fresh refinements. We need only look at what goes on in families: there is always one member of a family who is mocked and ridiculed. Wherever three are gathered together, there is always one in the midsts who is mocked and ridiculed. Society cannot exist without one or more such victims. It always derives its amusement from one individual or a small number of individuals in its midst. We see this happening all our lives. And the victims go on being exploited until they are destroyed. In the cases of the crippled schoolboy and Pittioni I was able to observe the degree of viciousness which society or the community can reach in the process of mocking, destroying, and annihilating its victims. It always reaches the very highest degree and then often goes one better, casually killing the victim in the process. Any sympathy felt for the victim is sympathy only in name; it is really no more than bad consience on the part of the individual at the cruel behaviour indulged in by the others, behaviour in which he is in fact just as keenly involved by behaving cruelly himself. No extenuation can be pleaded. Examples of cruelty, viciousness, and ruthlessness practised by the community against its victims to provide itself with entertaiment run into hundreds and thousands, as we know, and the victims are invariably driven to the extremity of despair. Society tries out every variety of cruelty and viciousness on its victims and goes on experimenting until it has killed them. As invariably happens in nature, the weakened elements in the organism, the weakened substances, are the first to be attacked, exploited, killed off, and eliminated. And of all the organisms there are humann society is the basest, being the most cunning. And the passing of centuries has brought not the slightest change: on the contrary, methods have become more refined and hence more appalling and more infamous. Morality is a lie. Inwardly the so-called healthy person gloats over the sick or the crippled.
Thomas Bernhard (Gathering Evidence)
The diversity of India is tremendous; it is obvious: it lies on the surface and anybody can see it. It concerns itself with physical appearances as well as with certain mental habits and traits. There is little in common, to outward seeming, between the Pathan of the Northwest and the Tamil in the far South. Their racial stocks are not the same, though there may be common strands running through them; they differ in face and figure, food and clothing, and, of course, language … The Pathan and Tamil are two extreme examples; the others lie somewhere in between. All of them have still more the distinguishing mark of India. It is fascinating to find how the Bengalis, the Marathas, the Gujaratis, the Tamils, the Andhras, the Oriyas, the Assamese, the Canarese, the Malayalis, the Sindhis, the Punjabis, the Pathans, the Kashmiris, the Rajputs, and the great central block comprising the Hindustani-speaking people, have retained their peculiar characteristics for hundreds of years, have still more or less the same virtues and failings of which old tradition or record tells us, and yet have been throughout these ages distinctively Indian, with the same national heritage and the same set of moral and mental qualities.    There was something living and dynamic about this heritage, which showed itself in ways of living and a philosophical attitude to life and its problems. Ancient India, like ancient China, was a world in itself, a culture and a civilization which gave shape to all things. Foreign influences poured in and often influenced that culture and were absorbed. Disruptive tendencies gave rise immediately to an attempt to find a synthesis. Some kind of a dream of unity has occupied the mind of India since the dawn of civilization. That unity was not conceived as something imposed from outside, a standardization of externals or even of beliefs. It was something deeper and, within its fold, the widest tolerance of beliefs and customs was practiced and every variety acknowledged and even encouraged.    In ancient and medieval times, the idea of the modern nation was non-existent, and feudal, religious, racial, and cultural bonds had more importance. Yet I think that at almost any time in recorded history an Indian would have felt more or less at home in any part of India, and would have felt as a stranger and alien in any other country. He would certainly have felt less of a stranger in countries which had partly adopted his culture or religion. Those, such as Christians, Jews, Parsees, or Moslems, who professed a religion of non-Indian origin or, coming to India, settled down there, became distinctively Indian in the course of a few generations. Indian converts to some of these religions never ceased to be Indians on account of a change of their faith. They were looked upon in other countries as Indians and foreigners, even though there might have been a community of faith between them.6
Fali S. Nariman (Before Memory Fades: An Autobiography)
People, for the most part, live in the objective-immediate mode (discussed earlier). This means that they are totally absorbed in and identified with positive worldly interests and projects, of which there is an unending variety. That is to say, although they differ from one another in their individual natures, the contents of their respective positivities, they are all alike in being positive. Thus, although the fundamental relation between positives is conflict (on account of their individual differences), they apprehend one another as all being in the same boat of positivity, and they think of men generally in terms of human solidarity, and say 'we'. But the person who lives in the subjective-reflexive mode is absorbed in and identified with, not the positive world, but himself. The world, of course, remains 'there' but he regards it as accidental (Husserl says that he 'puts it in parentheses, between brackets'), and this means that he dismisses whatever positive identification he may have as irrelevant. He is no longer 'a politician' or 'a fisherman', but 'a self'. But what we call a 'self', unless it receives positive identification from outside, remains a void, in other words a negative. A 'self', however, is positive in this respect—it seeks identification. So a person who identifies himself with himself finds that his positivity consists in negativity—not the confident 'I am this' or 'I am that' of the positive, but a puzzled, perplexed, or even anguished, 'What am I?'. (This is where we meet the full force of Kierkegaard's 'concern and unrest'.) Eternal repetition of this eternally unanswerable question is the beginning of wisdom (it is the beginning of philosophy); but the temptation to provide oneself with a definite answer is usually too strong, and one falls into a wrong view of one kind or another. (It takes a Buddha to show the way out of this impossible situation. For the sotāpanna, who has understood the Buddha's essential Teaching, the question still arises, but he sees that it is unanswerable and is not worried; for the arahat the question no longer arises at all, and this is final peace.) This person, then, who has his centre of gravity in himself instead of in the world (a situation that, though usually found as a congenital feature, can be acquired by practice), far from seeing himself with the clear solid objective definition with which other people can be seen, hardly sees himself as anything definite at all: for himself he is, at best, a 'What, if anything?'. It is precisely this lack of assured self-identity that is the secret strength of his position—for him the question-mark is the essential and his positive identity in the world is accidental, and whatever happens to him in a positive sense the question-mark still remains, which is all he really cares about. He is distressed, certainly, when his familiar world begins to break up, as it inevitably does, but unlike the positive he is able to fall back on himself and avoid total despair. It is also this feature that worries the positives; for they naturally assume that everybody else is a positive and they are accustomed to grasp others by their positive content, and when they happen to meet a negative they find nothing to take hold of.
Nanavira Thera
Heights plummeted because of a little disaster called civilization. "Heights go way down when we go into state society," says Bogin. "When Egypt conquered the Nile area, the height of peasants fell dramatically. They moved from having access to a wide variety of foods to growing what the Egyptian state demanded. Their bones show lots of deficiencies in minerals and iron." The same stunting happened repeatedly throughout history. As late as the 1800s, male Cheyenne Indians, who hunted bison and collected berries, averaged a whopping 5'10", towering above even today's Americans, not to mention General Custer's cavalry, which averaged 5'7", and the period's wealthy European monarchies.
Arianne Cohen (The Tall Book: A Celebration of Life from on High)
With the Queen Mother and Princess Margaret in attendance, the Beatles headlined the Royal Variety Show, on which John, ever the silver-tongued mischief-maker, famously said, "Will the people in the cheaper seats clap your hands? And the rest of you, if you'll just rattle your jewelry.
Joan's claim that God had France in HIs care because France was sacred to him may not be merely a medieval trope, embarrassingly old-fashioned language that today we must expunge from our vocabularies. To claim that France is sacred does not imply that only France is sacred. Throughout history, men and women have arisen everywhere who testify to the sacredness of nations. Perhaps today more than ever, we are aware that the identity and integrity of nations are supremely significant for the human race - that the facile invasion of a sovereign state and genocide are abbhorent. In this regard, the entire Jewish-Chrisian faith tradition is based on the belief that God once summoned ordinary people and through them worked extraordinary eeds for HIs own purpose, which is to bring all peoples to Himself. Abraham, Isaac, Jacob, Moses and the prophets were but a few of thsoe called to establish and save the nation of Israel. But Israel was brought into existence and alter triumphed over its enimies not only for its own sake. This is made clear throughout the Hebrew scriptures: God saved the nation so that all nations might be emraced. Israel was to be "a light to the gentiles," as both Old and New Testaments reiterate. God chose the ISraelites not to dominate or control but rather to serve others. The Christian Scriptures make the point more specific: the gentiles are not excluded from God's embrace, for the light of ISrael shines on the gentiles and shows the way into that embrace. All the peoples of the world are to be brought into the capacious light of the knowledge of God's friendship.Nowhere is it implied that Israel, or any other nation, should cease to exist. Because no single person or roup represents what it means to be human, its the variety of people within a nation that gives it an irreplaceable character - its national personality. As with individuals, so with nations: it is the diversity of peoples that furthers the process of the world. Although many nations have tried, none may set itself up as the only or the predominant nation, forcing its culture, ideology, religion or political agenda on any other nation. For Joan of Arc, this was precisely what England was trying to do through its nobels, armies and war machinery. France deserved its identity and, as a symbol of its people, the king.
Donald Spoto (Joan: The Mysterious Life of the Heretic Who Became a Saint)
Now, if on the one hand it is very satisfactory to be able to give a common ground in the theory of knowledge for the many varieties of statements concerning space, spatial configurations, and spatial relations which, taken together, constitute geometry, it must on the other hand be emphasised that this demonstrates very clearly with what little right mathematics may claim to expose the intuitional nature of space. Geometry contains no trace of that which makes the space of intuition what it is in virtue of its own entirely distinctive qualities which are not shared by “states of addition-machines” and “gas-mixtures” and “systems of solutions of linear equations”. It is left to metaphysics to make this “comprehensible” or indeed to show why and in what sense it is incomprehensible. We as mathematicians have reason to be proud of the wonderful insight into the knowledge of space which we gain, but, at the same time, we must recognise with humility that our conceptual theories enable us to grasp only one aspect of the nature of space, that which, moreover, is most formal and superficial.
Hermann Weyl (Space, Time, Matter)
urban reinvention is what has been called the “consumer city.” The post-World War II years brought about the rise of suburbanization and the creation of the commuter city. People chose suburban life for its amenities and comforts and commuted into the city only for work and the occasional show. But Vancouver and Los Angeles are two urban areas that reversed the trend. They became consumer cities marked by a new phenomenon — the reverse commuter. Increasingly, these and other cities offer residents a quality of life they could not find elsewhere in the region — a dizzying variety of artistic, educational, cultural, and entertainment events and
Timothy J. Keller (Center Church: Doing Balanced, Gospel-Centered Ministry in Your City)
Exactly why the sources were intertwined in this way is unclear. Exploring this issue really involves asking two questions: (1) Why were all of these sources retained, rather than just retaining the latest or most authoritative one? (2) Why were they combined in this odd way, rather than being left as complete documents that would be read side by side, much like the model of the four different and separate gospels, which introduce the Christian Bible or New Testament? Since there is no direct evidence going back to the redaction of the Torah, these issues may be explored only in a most tentative fashion, with plausible rather than definitive answers. Probably the earlier documents had a certain prestige and authority in ancient Israel, and could not simply be discarded.9 Additionally, the redaction of the Torah from a variety of sources most likely represents an attempt to enfranchise those groups who held those particular sources as authoritative. Certainly the Torah does not contain all of the early traditions of Israel. Yet, it does contain the traditions that the redactor felt were important for bringing together a core group of Israel (most likely during the Babylonian exile of 586-538 B.C.E.). The mixing of these sources by intertwining them preserved a variety of sources and perspectives. (Various methods of intertwining were used-the preferred method was to interleave large blocks of material, as in the initial chapters of Genesis. However, when this would have caused narrative difficulties, as in the flood story or the plagues of Exodus, the sources were interwoven-several verses from one source, followed by several verses from the other.) More than one hundred years ago, the great American scholar G. F Moore called attention to the second-century Christian scholar Tatian, who composed the Diatessaron.10 This work is a harmony of the Gospels, where most of the four canonical gospels are combined into a single work, exactly the same way that scholars propose the four Torah strands of J, E, D, and P have been combined. This, along with other ancient examples, shows that even though the classical model posited by source criticism may seem strange to us, it reflects a way that people wrote literature in antiquity
Marc Zvi Brettler (How to Read the Bible)
he had decided to record with the pint-sized but perfectly formed Scottish belter, Lulu. Lulu had been seriously hitless for more than a wee while (in fact, since 1969, when she was advocating the joys of ‘Boom Bang-A-Bang’), and her career had slipped into the variety twilight zone of guest slots on the Morecambe and Wise Show and suchlike.
David Buckley (Strange Fascination: David Bowie: The Definitive Story)
Summing Up • An analysis of the form of moral logic underlying most traditionalist positions shows that what traditionalists find most fundamentally wrong with same-sex intimate relationships is that they violate divinely intended gender complementarity. • But “gender complementarity” is really more like a category under which a variety of forms of moral logic may appear. Some of these more specific forms, such as hierarchy, are not universally embraced among traditionalists as the deep meaning of gender complementarity. • The most widely embraced form of gender complementarity among traditionalists focuses on the anatomical or biological complementarity of male and female. The physical union of male and female in this view represents the overcoming of the incompleteness of the male on his own or the female on her own. • But this hypothesis raises a deeper question: Is anatomical or biological gender complementarity what Scripture assumes and teaches? The central issue here is the interpretation of the creation of woman in Genesis 2. • In response to a variety of traditionalist readings of Genesis 2, this chapter has argued the following countertheses: ° The original ʿadam of Genesis 1: 26–2: 18 is not a binary or sexually undifferentiated being that is divided into male and female in Genesis 2: 21. ° The focus in Genesis 2 is not on the complementarity of male and female but on the similarity of male and female. ° The fact that male and female are both created in the divine image (Gen. 1: 27) is intended to convey the value, dominion, and relationality that is shared by both men and women, but not the idea that the complementarity of the genders is somehow necessary to fully express or embody the divine image. ° The one-flesh union spoken of in Genesis 2: 24 connotes not physical complementarity but a kinship bond. • These countertheses demonstrate that Genesis 2 does not teach a normative form of gender complementarity, based on the biological differences between male and female. Therefore, this form of moral logic cannot be assumed as the basis for the negative treatment of same-sex relationships in biblical texts. Hence we need to look further to discern why Scripture says what it does about same-sex intimate relationships.
James V. Brownson (Bible, Gender, Sexuality)
The gospels, then, are ‘myth’ in the sense that they are foundational stories for the early Christian worldview. They contain ‘mythological’ language which we can learn, as historians, to decode in the light of other ‘apocalyptic’ writings of the time. But they have these features because of their underlying, and basically Jewish, worldview. Monotheism of the creational and covenantal variety demands that actual history be the sphere in which Israel’s god makes himself known. But this means that the only language in which Israel can appropriately describe her history is language which, while it does indeed intend to refer to actual events in the space-time universe, simultaneously invests those events with (what we might call) trans-historical significance. Such language is called ‘mythological’, if it is, not because it describes events which did not happen, but because it shows that actual events are not separated from ultimate significance by an ugly ditch, as the whole movement of Deist and Enlightenment thought would suggest, but on the contrary carry their significance within them.
N.T. Wright (New Testament People God V1: Christian Origins And The Question Of God)
Jonathon, who has the Kung Chow act—always good to have another of the company about—” “Kung Chow?” Wolf said in dismay. “I am not going to substitute for one of his wretched doves again! Really, Nigel, this is going too far—” “No one is asking you to substitute for a dove, Wolf,” Nigel said, pacing faster. “We should make this a real Arabian Nights story. Shipwreck our girl in Arabia, have her taken to a harem, that way we can bring in all the variety acts as things to entertain the sultan! And have an excuse to put her in as little as we can convince her to wear. And there are plenty of girls in our chorus who wouldn’t blanch at doing a harem dance. Have her escape with the Court Magician’s help—” “Oh good lord, why don’t you just steal the plot and music from my Abduction from the Seraglio and have done with it?” Wolf said in disgust. “Why don’t I—Wolf! That’s brilliant!” Nigel turned towards the parrot and conductor with a smile lighting up his face. “Perfect! You adapt the music for our show, we can tout it as ‘Based on Abduction from the Seraglio by Wolfgang Amadeus Mozart.’ Make the print just large enough that the punters won’t notice and the high-minded will. The punters will get their nautch dances, and the high-toned will tell each other how fine it is to listen to classical music while they gawk at the nautch dances from behind their pince-nezes. It’s brilliant! I love you!” As Wolf growled in startlement, Nigel swooped him up, kissed his beak, and put him back down on his stand again. “Brilliant! Brilliant! I’m going to go look up the libretto of this opera of yours and see what I can keep out of it. Arthur, help Wolf with some catchy lyrics. We’ll need at least one love song, of course, and one song about being homesick. And one from the sultan about making the beauty his slave for all time—” Nigel strode off, heading for the music library. Behind him, Wolf sighed. “Well,” the parrot said in resignation. “At least I won’t have to make up any little tinkly tunes this time.” 5 NINETTE sat up in the bed, curled her arms around her knees, and listened in astonishment to the cat.
Mercedes Lackey (Reserved for the Cat (Elemental Masters, #5))
Many others, including the Croatian study cited earlier, have found thyme to be very effective against mold, more so than many other oils tested. The Croatian study also found that an extract of thyme oil called thymol was even more effective than thyme oil itself, suggesting that other plants containing thymol are probably effective. Oregano is another source of thymol, so it is no surprise that oregano often tests strongly against mold. The tropical plants cinnamon, clove, and lemongrass also show up in study after study as being effective against a variety of molds. In fact, in a study from India17 testing 75 essential oils against Aspergillus niger, the researchers concluded that the most effective were cinnamon, cassia, clove, and lemongrass.
Joey Lott (The Mold Cure: Natural and Effective Solutions to Mold Growth, Allergies, and Mycotoxins)
One of the most important considerations raised in connection with the abolition of government is what should be done with government wealth and property. As far as monetary wealth goes, this is no problem ... since the government doesn’t have any (as a look at the national debt figures will show). The government does, however, possess a tremendous amount and variety of “property” in the form of land, buildings, roads, military installations, schools, businesses such as the Post Office, Government Printing Office, and hundreds less well-known, prisons, libraries, etc., etc. Though these items are in the temporary possession of whatever bureaucrats happen to be in charge of them, they are not actually owned by anyone. “The public” is unable to own them, since nothing can be owned by a collective myth like “the people.” Politicians and bureaucrats don’t own them for the same reason that a thief doesn’t rightfully own the property he has stolen. “Public property” is actually unowned potential property. Since valuables in the possession of government are not actually owned, it would be perfectly proper for anyone to take possession of any piece of “public property” at any time that the government became too weak or careless to prevent him from doing so. The man who took possession of a piece of former “public property,” claiming it and marking it as his own for all to see, would become the rightful owner of that property.
Morris Tannehill (Market for Liberty)
There is a Persian story which I was greatly taken with when I read it as a boy ⎯ I think I understood, even then, something of the underlying idea, though I was a mere child. To show the illusory character of time, a faquir put some magic water into a tub and asked the King to take a dip. The King no sooner dipped his head in than he found himself in a strange country by the sea, where he spent a good long time going through a variety of happenings and doings. He married, had children, his wife and children died, he lost all his wealth, and as he writhed under his sufferings he suddenly found himself back in the room, surrounded by his courtiers. On his proceeding to revile the faquir for his misfortunes, they said: “But, Sire, you have only just dipped your head in, and raised it out of the water!" The whole of our life with its pleasures and pains is in the same way enclosed in one moment of time. However long or intense we may feel it to be while it lasts, as soon as we have finished our dip in the tub of the world, we shall find how like a slight, momentary dream the whole thing has been. . . .
Rabindranath Tagore (Glimpses of Bengal)
Paris became the center for twelfth-century philosophy because of the decision to allow any qualified master to set up a school there, on payment of a fee to the cathedral authorities.4 By the 1130s, as John of Salisbury’s account of his education there shows (Metalogicon II.10), the student could choose among a great variety of masters – rather than being constrained to a single one, however illustrious – and the work of each teacher was stimulated by contact and competition with the others. Outstanding thinkers of the 1130s and 40s, such as Peter Abaelard, Alberic of Paris, and Gilbert of Poitiers explicitly or implicitly adapt and criticize the others’ logical and metaphysical ideas.
John Marenbon
Kit Wilder did not have moves like Jagger. Quite the contrary, she fully recognized that her moves were more of the Elaine from Seinfeld variety, which was why her agent, Beatrice Coleman, said she would never be invited to appear on Dancing with the Stars no matter how many times Beatrice attempted to cattle prod the producers into submission. This disappointed Beatrice more than Katherine, as Beatrice was a fan of the show and her other clients weren’t attractive or popular enough to qualify.
Keeley Bates (A Dead End (Saints & Strangers, #1))
His brother Najib owned an auto-parts store at bustling Shikarpur Gate, the mouth of the narrow road linking their village to the city—an ancient byway that had once led southward through the passes all the way to India. At dusk it is clogged with a riot of vegetable sellers’ handcarts beset by shoppers, Toyota pickup trucks, horse-drawn taxis, and three-wheeled rickshaws clambering around and through the throng like gaudy dung beetles. Nurallah’s brother Najib had gone to Chaman, just across the border in Pakistan, where the streets are lined with cargo containers serving as shops, and used motor oil cements the dust to the ground in a glossy tarmac, and every variety of automotive organ or sinew is laid bare, spread out, and strung up for sale. He had made his purchases and set off back to Kandahar. “He paid his customs dues”—Nurallah emphasized the remarkable point—“because that’s the law. He paid at every checkpoint on the way back, fifty afghanis, a hundred afghanis.” A dollar or two every time an unkempt, underage police boy in green fatigues slouched out of a sandbagged lean-to into the middle of the road—eight times in the sixty-six miles when last I counted. “And then when he reached the entrance to town, the police there wanted five hundred afghanis. Five hundred!” A double arch marks the place where the road that swoops down from Kabul joins the road leading in from Pakistan. The police range from one side to the other, like spear fishermen hunting trout in a narrows. “He refused,” Nurallah continued. “He said he had paid his customs dues—he showed them the receipt. He said he had paid the bribes at every checkpoint all along the way, and he was not paying again.” I waited a beat. “So what happened?” “They reached into his window and smacked him.” “They hit him?” I was shocked. Najib might be a sunny guy, but Kandahar tempers are strung on tripwires. For a second I thought we’d have to go bail him out. “What did he do?” Nurallah’s eyes, beneath his widow’s peak, were banked and smoldering. “What could he do? He paid the money. But then he pulled over to the side of the road and called me. I told him to stay right there. And I called Police Chief Matiullah Qatih, to report the officer who was taking the bribes.” And Matiullah had scoffed at him: Did he die of it? The police buzzards had seen Najib make the call. They had descended on him, snatched the phone out of his hand, and smashed it. “You call that law?” Now Nurallah was ablaze. “They’re the police! They should be showing people what the law is; they should be enforcing the law. And they’re the ones breaking it.” Nurallah was once a police officer himself. He left the force the day his own boss, Kabul police chief Zabit Akrem, was assassinated in that blast in the mosque in 2005.1 Yet so stout was Nurallah’s pride in his former profession that he brought his dark green uniform into work and kept it there, hung neatly on a hook in his locker. “My sacred oath,” he vowed, concluding: “If I see someone planting an IED on a road, and then I see a police truck coming, I will turn away. I will not warn them.” I caught my breath. So maybe he didn’t mean it literally. Maybe Nurallah wouldn’t actually connive with the Taliban. Still, if a former police officer like him was even mouthing such thoughts, then others were acting on them. Afghan government corruption was manufacturing Taliban.
Sarah Chayes (Thieves of State: Why Corruption Threatens Global Security)
All in all, The Sutra of the Teaching ofAksayamati lists eight criteria that distinguish expedient and definitive meaning: i) The expedient meaning assists entry onto the path, while the definitive meaning guides disciples to engage in the fruition. a) The expedient meaning deals with the seeming, while the definitive meaning deals with the ultimate. 3) The expedient meaning teaches about afflicted phenomena, and the definitive meaning teaches about purified phenomena. 4) The expedient meaning teaches how to engage in proper actions, and the definitive meaning shows how karma and afflictions become exhausted. S) The expedient meaning causes weariness with cyclic existence, while the definitive meaning demonstrates that cyclic existence and nirvana are undifferentiable. 6) The expedient meaning teaches a variety of terms and definitions, whereas the definitive meaning teaches the profound, true reality that is difficult to see and realize. 7) The expedient meaning gives detailed explanations in accordance with worldly conduct, while the definitive meaning focuses on concise and pithy instructions for cultivating meditative concentration. 8) The expedient meaning teaches about sentient beings, persons, a self, and so on, while the definitive meaning teaches about the three doors to complete liberation, nonapplication, nonorigination, nonarising, nonentity, identitylessness, and such.
Karl Brunnholzl (The Center Of The Sunlit Sky: Madhyamaka In The Kagyu Tradition (Nitartha Institute))
The fact that John explicitly and carefully contextualizes his prophetic message in seven specific contexts makes it possible for us to resist a common generalization about Revelation: that it is a book written for the consolation and encouragement of Christians suffering persecution, in order to assure them that their oppressors will be judged and they will be vindicated in the end. The common, uncritical acceptance of this generalization probably has to do with the fact that it is a generalization often made about apocalyptic literature as a whole.10 We need not discuss here how far apocalyptic literature in general functions as consolation for the oppressed, because in the case of Revelation it is quite clear from the seven messages that encouragement in the face of oppression was only one of the needs of the seven churches. The messages show that John addresses a variety of situations which he perceives as very different. By no means all of his readers were poor and persecuted by an oppressive system: many were affluent and compromising with the oppressive system. The latter are offered not consolation and encouragement, but severe warnings and calls to repent. For these Christians, the judgments which are so vividly described in the rest of the book should appear not as judgments on their enemies so much as judgments they themselves were in danger of incurring, since worshipping the beast was not something only their pagan neighbours did. Worshipping the beast was something many of John’s Christian readers were tempted to do or were actually doing or even (if they listened, for example, to the prophet ‘Jezebel’ at Thyatira) justified. Whether the visions bring consolation and encouragement or warning and painful challenge depends on which of the groups of Christians depicted in the seven messages a reader belongs to. Moreover, as we shall see in chapter 4 of this book, the call to ‘conquer’ which is addressed to all the churches in the seven messages, transcends both consolation and warning. It calls Christians to a task of witnessing to God and his righteousness for which the consolations and warnings of the seven messages are designed to prepare them.
Richard Bauckham (The Theology of the Book of Revelation (New Testament Theology))
Knowledge,” which for al-Qônawî is never very far from Sufi gnosis, is “an abstract universal reality,” or “a single universal reality.” In contrast to rational knowledge, no perception-and-apperception (tasawwur/tasdîq) is involved in the visionary knowledge of the mystic, as believed by the great mass, but only perception. The Qur- ân is “the form of the knowl- edge that comprises the variety of possible conditions affecting existing things,” or it is the form of the divine attribute of knowledge.85 Another aspect of Muslim theology was thus invaded by logic in a rather intui- tive, unsystematic manner which, however, further shows the desire to divert the powerful current of thought centering around “knowledge” into special channels.
Franz Rosenthal (Knowledge Triumphant: The Concept of Knowledge in Medieval Islam)
Your written words show up in a variety of forms: • Emails, texts, and memos • Blogging and publishing • Your website and social media • Letters of correspondence • Advertising, marketing, and promotion
Susan C. Young (The Art of Communication: 8 Ways to Confirm Clarity & Understanding for Positive Impact(The Art of First Impressions for Positive Impact, #5))
Dr. Rosen’s lab showed that, when asked how easy or difficult it was to pair a variety of tasks together, members of younger generations reported that they felt that it was rather easy to pair most tasks, while those of older generations felt that only more well-practiced tasks could be easily combined.
Adam Gazzaley (The Distracted Mind: Ancient Brains in a High-Tech World (MIT Press))
It had been a long time since she’d seen a tricherpeton, commonly if unimaginatively known as hairmonsters. There was a very specific and small community within the supernatural and super-adjacent world that bred them, like pedigreed dogs, in lots of different varieties, although you could summon them individually via magic if you didn’t have the patience or wherewithal to set up a breeding program. This one wouldn’t have won any show awards for conformation or breed-specific traits; in fact, it looked like a complete mongrel—but the quality of the hair under Greta’s hands was impressive nonetheless. (There were sphynx varieties, but they were somewhat mercifully rare: a hairless faceless creature with nothing but a mouth was difficult to look at, even though their temperament was among the sweetest of the tricherpeton breeds.)
Vivian Shaw (Dreadful Company (Dr. Greta Helsing, #2))
Chef Ayden says you have something special. An 'affinity with the things that come from the dirt,' he says. A master of spices. And coming from Ayden that means a lot. He doesn't usually believe in natural inclinations. Only in working hard enough to make the hard work seem effortless. Is it true about you?" I know my eyebrows look about ready to parachute off my face. "You mean the bay-leaf thing?" "No more oil, that's good." She takes the bowl of marinated octopus from my hand, covers it with a red cloth, and puts it in the fridge. "The 'bay-leaf thing' is exactly what I mean. You're new to Spain. From what your teacher tells me, not many of you have had exposure to world cuisines. Yet, you know a variety of herb that looks and smells slightly different when found outside of this region. I'm sure you've probably seen it in other ways. You've probably mixed spices together no one told you would go together. Cut a vegetable in a certain way that you believe will render it more flavorful. You know things that no one has taught you, sí?" I shake my head no at her. 'Buela always said I had magic hands but I've never said it out loud about myself. And I don't know if I believed it was magic as much as I believed I'm a really good cook. But she is right; most of my experimenting is with spices. "My aunt Sarah sends me recipes that I practice with. And I watch a lot on Food Network. Do you have that channel here? It's really good. They have this show called Chopped-" Chef Amadí puts down the rag she was wiping down the counter with and takes my hands in hers. Studies my palms. "Chef Ayden tells me you have a gift. If you don't want to call it magic, fine. You have a gift and it's probably changed the lives of people around you. When you cook, you are giving people a gift. Remember that.
Elizabeth Acevedo (With the Fire on High)
almost immediately after you take a sip. Experiments show that even holding a single teaspoon of hard liquor in your mouth for five seconds before spitting it out results in the production of potentially carcinogenic levels of acetaldehyde that lingers for more than ten minutes.21 If even a single sip of alcohol might produce cancer-causing levels of acetaldehyde in the mouth, what about using mouthwash that contains alcohol? Researchers who tested the effects of a variety of retail mouthwashes and oral rinses concluded
Michael Greger (How Not to Die: Discover the Foods Scientifically Proven to Prevent and Reverse Disease)
how we appeared to those on the outside—the sense that no one could really understand what it meant to live in this way—but I had believed that there was room for portrayals that showed the varieties of experience within Orthodoxy. I had wanted to reckon with the ways people lived not only within the sanctioned positions of the law but inside all the human possibilities between. I had wanted to write about the small transgressions and religious compromises people make and yet remain inside—that wily inner sphere that surely existed here as it did everywhere. But apparently, here there was no doubting, no desiring
Tova Mirvis (The Book of Separation: A Memoir)
to poetry, but it is also illuminating when applied to religion and atheism. Describing ambiguity as ‘any verbal nuance, however slight, which gives room for alternative reactions to the same piece of language’, he observed that ‘any prose statement could be called ambiguous’. There could be no such thing as ultimate clarity. ‘One can do a great deal to make poetry intelligible’, Empson wrote, ‘by discussing the resultant variety of meanings.’2 It was the nuances of meaning that made poetry possible. In a later book, The Structure of Complex Words (1951), Empson showed how the most straightforward-looking terms were ‘compacted with doctrines’ that left their meaning equivocal.
John N. Gray (Seven Types of Atheism)
in 186 species showing that a huge variety of male traits are correlated with mating success, and the vast majority of these tests involve female choice. There is simply no doubt that female choice has driven the evolution of many sexual dimorphisms. Darwin was right after all. So far we’ve neglected two important questions: Why do females get to do the choosing while males must woo or fight for them? And why do females choose at all? To answer these questions we must first understand why organisms bother to have sex.
Jerry A. Coyne (Why Evolution Is True)
Note: The median survival time is 5.19. Survival analysis can also examine survival rates for different “treatments” or conditions. Assume that data are available about the number of dependents that each client has. Table 18.3 is readily produced for each subset of this condition. For example, by comparing the survival rates of those with and those without dependents, the probability density figure, which shows the likelihood of an event occurring, can be obtained (Figure 18.5). This figure suggests that having dependents is associated with clients’ finding employment somewhat faster. Beyond Life Tables Life tables require that the interval (time) variable be measured on a discrete scale. When the time variable is continuous, Kaplan-Meier survival analysis is used. This procedure is quite analogous to life tables analysis. Cox regression is similar to Kaplan-Meier but allows for consideration of a larger number of independent variables (called covariates). In all instances, the purpose is to examine the effect of treatment on the survival of observations, that is, the occurrence of a dichotomous event. Figure 18.5 Probability Density FACTOR ANALYSIS A variety of statistical techniques help analysts to explore relationships in their data. These exploratory techniques typically aim to create groups of variables (or observations) that are related to each
Evan M. Berman (Essential Statistics for Public Managers and Policy Analysts)
eigenvalue of a factor is the sum of correlations (r) of each variable with that factor. This correlation is also called loading in factor analysis. Analysts can define (or “extract”) how many factors they wish to use, or they can define a statistical criterion (typically requiring each factor to have an eigenvalue of at least 1.0). The method of identifying factors is called principal component analysis (PCA). The results of PCA often make it difficult to interpret the factors, in which case the analyst will use rotation (a statistical technique that distributes the explained variance across factors). Rotation causes variables to load higher on one factor, and less on others, bringing the pattern of groups better into focus for interpretation. Several different methods of rotation are commonly used (for example, Varimax, Promax), but the purpose of this procedure is always to understand which variables belong together. Typically, for purposes of interpretation, factor loadings are considered only if their values are at least .50, and only these values might be shown in tables. Table 18.4 shows the result of a factor analysis. The table shows various items related to managerial professionalism, and the factor analysis identifies three distinct groups for these items. Such tables are commonly seen in research articles. The labels for each group (for example, “A. Commitment to performance”) are provided by the authors; note that the three groupings are conceptually distinct. The table also shows that, combined, these three factors account for 61.97 percent of the total variance. The table shows only loadings greater than .50; those below this value are not shown.6 Based on these results, the authors then create index variables for the three groups. Each group has high internal reliability (see Chapter 3); the Cronbach alpha scores are, respectively, 0.87, 0.83, and 0.88. This table shows a fairly typical use of factor analysis, providing statistical support for a grouping scheme. Beyond Factor Analysis A variety of exploratory techniques exist. Some seek purely to classify, whereas
Evan M. Berman (Essential Statistics for Public Managers and Policy Analysts)
As Maxwell recognized, if atoms and molecules operated on the same principles as the Solar System, the world would be very different. Every atom would be different from every other, and every atom would change over time. Such a world wouldn't have chemistry as we know it, with definite substances and fixed rules. It is not immediately obvious what makes atomic systems behave so differently. In both cases we have a massive central body attracting several small ones. The forces in play, gravitational or electrical, are broadly similar-both decrease as the square of the distance. But there are three factors which make the physical outcome very different, giving us stereotyped atoms but individualized solar systems: 1. Whereas planets differ from one another (as do stars), all electrons have exactly the same properties (as do all nuclei of a given element, or more precisely a given isotope). 2. Atoms obey the rules of quantum mechanics. 3. Atoms are starved for energy. The first item in this explanation begs the question, of course. We're trying to explain why atoms can be the same as each other, and we start off by asserting that some other things, electrons, are all the same as each other! We'll come back to that later. But having the same parts doesn't guarantee the same outcome, by any means. Even if all planets were the same as one another, and all stars were the same as one another, there would still be many possible designs for solar systems, and they'd all be subject to change. We've seen how quantum mechanics brings discreteness, and fixed patterns, into the description of continuous objects that obey dynamical equations. It's the story you'll recall, that unfolds in figures 24 (page 172), 25 (page 174), and 26 (page 187), and plate CC. To close the loop, we need to understand why the electrons in atoms are usually found in just one among their infinite variety of patterns. That's where our third item comes in. The pattern with lowest energy-the so-called ground state-is the one we generally find, because atoms are starved for energy. Why are atoms starved for energy? Ultimately, it is because the Universe is big, cold, and expanding. Atoms can pass from one pattern to another by emitting light, and losing energy, or absorbing light, and gaining energy. If emission and absorption were balanced, many patterns would be in play. That's what would happen in a hot, closed system. Light emitted at one time would be absorbed later, and a balanced equilibrium would set in. But in a big, cold, expanding Universe, emitted light leaks into vast interstellar spaces, carrying away energy that is not returned. In this way we find that dynamical equations, which by themselves cannot impose structure, do so through jujitsu (gentle skill), focusing the power of other principles. They guide the constraining powers of quantum mechanics and cosmology. Cosmology explains their poverty of energy, and quantum mechanics shows how poverty of energy imposes structure.
Frank Wilczek (A Beautiful Question: Finding Nature's Deep Design)
On the seventh days she underwent repairs. A machine longs to be used, but it hates to be mishandled. The strain of extreme anal fisting, pony shows and nosecocking tested the limits of her robot durability. But Dr. Hugo Sploogeworthy, flush with renewed funding for Project Ultrafuck, addressed her injuries with a series of upgrades: a harder, more sensitive skin; removable and interchangeable modular genitals in both genders and a variety of pubic hairstyles; a breakaway stunt nose. He also tested other new features requested specifically by the NAFTA military: nipple tasers, supersensitive fingercams, an anal jetpack. The NAFTA leaders dreamed of a robot that could do double duty, killing and copulating, simultaneously if possible. They wanted mass-produced Slutbots, giant-breasted and strong, ten feet tall, armed with cannons, able to double as crowd-control systems when not producing porn or fellating members of Congress. They wanted Slutbots that could mint money and mine coal, fulfill erotic fantasies and survive a nuclear winter. As society crumbled in their fists, the leaders grew paranoid. Sex and power were their simple needs, and in the golden age of robotics they expected Slutbot and her kin to take care of all the messy details.
Mykle Hansen (I, Slutbot)
Ethan slumped on the bench in the change room, ignoring the ribald behavior around him after yet another foregone win. A hard slap on the rear of his head roused him and he whirled, his lip curled back as he growled menacingly. “Don’t you dare show me your teeth,” Javier warned with a dark look. He ran his hand through hair, already tousled and sweaty from the match. “What the fuck happened out there? I passed you the perfect shot, and instead of grabbing it and scoring, you crashed into the g**damn arena glass. What are you, a rookie? Been watching too many Bugs Bunny cartoons?” Heat burned Ethan’s cheeks in remembrance of his mishap before dejection— along with a large dose of disbelief— quickly set back in. “I missed. It happens and besides, it’s not like we needed the point to win.” “Of course we didn’t,” Javier replied with a scoffing snort. “But it’s the point of it. What the hell distracted you so much? And, why do you look like your best friend died, which, I might add, is an impossibility given I’m standing right beside you.” Javier grinned. “I think I found my mate,” Ethan muttered. A true beauty with light skin, a perfect oval face framed by long, brown hair and the most perfect set of rosebud lips. Javier’s face expressed shock, then glee. “Congrats, dude.” Javier slapped him hard on the back, and while the blow might have killed a human or a smaller species, it didn’t even budge Ethan. “I know you’ve been pining to settle down with someone of the fairer sex. You must be ecstatic.” “Not really.” Although he should have been. Finding one’s mate was a one in a zillion chance given how shifters were scattered across the globe. Most never even came close to finding the one fate deemed their perfect match. His friend’s jovial grin subsided. “What’s wrong? Was she, like, butt ugly? Humongous? Old? Surely she can’t be that bad?” “No, she appears perfect. Or did.” Ethan groaned as banged his head off the locker door. “I am so screwed.” A frown creased Javier’s face. “I don’t get it. I thought you wanted to find the one, you sick bastard. Settle down and pop out cubs.” Ethan looked up in time to see Javier’s mock shudder. “Me, I prefer to share my love among as many women as possible.” Javier mimed slapping an ass then humping it with a leering grin. Ethan didn’t smile at Javier’s attempt at humor even if it happened to be the truth. Javier certainly enjoyed variety where the other sex was concerned. Heck, on many an occasion he’d shared with Ethan. Tag team sessions where they both scored. Best friends who did just about everything together. Blowing out a long sigh, Ethan answered him. “I do want to find my mate, actually, I’m pretty sure I already have, but I don’t think I made a great impression. She’s the one they took out on the stretcher after the ball I missed hit her in the face.” Javier winced. “Ouch. Sucks to be you, my friend. Don’t worry, though. I’m sure she’ll forgive you in, like, fifty years.” Ethan groaned and dropped his head back into his hands. Now that I’ve found her, how do I discover who she is so I can beg her forgiveness? And even worse, how the hell do I act the part of suitor? Raised in the Alaskan wilds by a father who wasn’t all there after the death of Ethan’s mother, his education in social niceties was sadly lacking. He tended to speak with his fists more often than not. Lucky for him, when it came to women, he didn’t usually have to do a thing. Females tended to approach him for sex so they could brag afterward that they’d ridden the Kodiak and survived. Not that Ethan would ever hurt a female, even if his idea of flirty conversation usually consisted of “Suck me harder” and “Bend over.” If I add “darling” on the end, will she count it as sweet talk?
Eve Langlais (Delicate Freakn' Flower (Freakn' Shifters, #1))
In forming a judgment of ourselves now," Edwards writes, we should certainly adopt that evidence which our supreme Judge will chiefly make use of when we come to stand before him at the last day…. There is not one grace of the Spirit of God, of the existence of which, in any professor of religion, Christian practice is not the most decisive evidence…. The degree in which our experience is productive of practice shows the degree in which our experience is spiritual and divine.
William James (Varieties of Religious Experience, a Study in Human Nature)
Like imperfect sleep which, instead of giving more strength to the head, doth but leave it the more exhausted, the result of mere operations of the imagination is but to weaken the soul. Instead of nourishment and energy she reaps only lassitude and disgust: whereas a genuine heavenly vision yields to her a harvest of ineffable spiritual riches, and an admirable renewal of bodily strength. I alleged these reasons to those who so often accused my visions of being the work of the enemy of mankind and the sport of my imagination…. I showed them the jewels which the divine hand had left with me:—they were my actual dispositions.
William James (Varieties of Religious Experience, a Study in Human Nature)
Although NBC took a one-year option on the show, and Danny Thomas’s production company agreed to finance the pilot, the network decided not to air what appeared to be a poor prospect. When ABC finally broadcast the show, it seemed doomed from the start, since it was in the same time slot as two popular dramatic programs, Climax! and Dragnet. The first review, in Variety (October 7, 1957), seemed to confirm Brennan’s original misgivings: “‘The Real McCoys’ is a cornball, folksy-wolksy situation comedy series destined to find the going tough.” The Variety critic called the humor “forced,” the pacing “sluggish,” and the characters’ adventures “only lightly amusing.” And too many lovable characters! Brennan received due praise as a “fine actor,” but the rest of the cast was just “okay.” And yet, by the third week the show was number one in its time slot, compelling the Variety skeptic to allow, “It’s all so hokey that it can’t be taken seriously, and for that reason this quarter can’t see any really strong reason why cityfolk shouldn’t appreciate and enjoy it for what it is. The show is already big in the hinterlands.” By December 2, 1957, the critic was obliged to report that the “laughs come freely.” And then, for season after season, the praise escalated. The show began with an audience of ten million, but within a year the
Carl Rollyson (A Real American Character: The Life of Walter Brennan (Hollywood Legends Series))
THE JACK WEBB SHOW, madcap comedy-variety. BROADCAST HISTORY: Spring 1946, ABC West Coast, from KGO, San Francisco. 30m, Wednesdays at 9:30 Pacific time, premiering March 20. This insane bit of fluff was one of Jack Webb’s earliest efforts, so out of character for the man who created Dragnet and airing three years before that landmark police show.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
Most of the people get trouble in losing their belly fat. It is a big challenge to lose. But it is best to accept the challenge and show our body that it is not difficult. I am here to tell you how to lose belly fat without investing. 1. Lemon: lemon is an easily available ingredient found in everyone’s kitchen. It has various health kit like improving digestion, enhancing focus and increasing energy level. Lemon is low calorie beverage. One glass of lemon water helps to lose weight. Start your day with one glass of lemon and warm water juice and see you midsection getting smaller. 2. Ginger: add ginger in your tea will help you to lose weight. It increases your body temperature and helps burn fat more effectively. It is a natural remedy for a wide variety of digestive disorders, including upset tummy, vomiting, and gastritis. It also helps for cold and cough. It contains a type of caffeine that helps lose weight. 3. AppleCider Vinegar : apple contains lots of fibre and a good source of pectin. Including pectin in your meal can make you feel full and satisfied. It adds amazing flavour in your drink and helps with weight loss. Add apple cider vinegar in water before any meal. 4. Mint : mint and lemon water helps to detox your body. It also helps in decreasing your belly fat by removing additional bile from your gall bladder. Bile helps to store fat in everyone’s body. Mint is also naturally low in calories, and the antioxidants present in them can improve your metabolic rate and help you lose fat. 5. Aleo vera juice : sterol contains in aleo vera, which helps to lose abdominal fat. Also, being a laxative, it can result in weight loss. If you are looking to lose those extra fat quickly, turn aleo vera into juice and add it in your meal. One glass of aleo vera juice per day will help you lose weight. 6. Garlic: garlic helps to boost the energy level which can help to burn all the calories. It is great in detoxifying. Have raw garlic will help to lose weight faster. 7. Water melon : it contain 91% of water. Eat water melon before any meal. It will add substantial amount of calories in your meal, which will keep you feel full for a long time. 8. Beans : Regular consumption of different types of beans helps reduce body fat, develop muscles and improve the digestion process. Beans also help you feel full for a longer time, thus keeping you from overeating. 9. Cucumber : people do prefer to have cucumber before meal is because it is refreshing and low in calories. It contains 96% percent of water in 100 grams of cucumber. They are packed with mineral, vitamins and dietary fibre. 10. Tomatoes: One large tomato has just 33 calories. It contains a compound known as 9-oxo-ODA that helps reduce lipids in the blood, which in turn helps control belly fat. This compound also fights chronic diseases associated with obesity.
Sunrise nutrition hub
Costs In Maintaining The Primary Amenity, The Golf Course – Fred Layman Fred Layman, aka “The Club Doctor” is a veteran golf course and clubs in transition operations director/consultant. In a series of blogs, he will be speaking about “Keeping your club successful by Giving the Full 360 Degree Experience.” Costs in Maintaining the Primary Amenity, The Golf Course As a multi-sports and golf club consultant, I am often asked, “How much a club should budget to maintain its golf course?”This seems like a never-ending Board of Directors/Owners concern, and that’s understandable. The golf course will consume a significant portion of the cash required to run a club and it is also one of the most visible and member-impacting amenities, so a high level of focus in allowed. Since I began working in the club industry in 1994, I have had the opportunity to interact with leaders of clubs across the country. Typically, the discussions I hear about course maintenance budgets involve benchmarks such as cost per hole or cost per member and a variety of specific characteristics ranging from type of grass to geographic location. To understand the way in which these factors might be used determine how much money a club spends on course maintenance, you can undertake extensive analysis of club industry data. That data reveals that while traditional benchmarks (cost per hole, cost per acre, cost per member, type of grass or geographic location) may represent the actual spending of an individual club, the simple fact that the club up the road is spending more on their course than you are is not enough to justify a decision to beef up the budget. So, how much should you be spending? Contrary to conventional wisdom, industry leaders and myresearch clearly shows that the answer is ultimately not determined by some combination of physical characteristics. The reality is the clubs spend what they can afford. Before you dismiss this idea as random or arbitrary, consider this: The amount a club can afford to spend is eminently quantifiable and can be easily and accurately benchmarked. The proportionality of spending in clubs is highly consistent and represents the foundation of the common club business model. The business model of clubs, defines these proportions as the benchmark. So roughly one-third of a club’s gross profit (don’t think net) is the affordability at the average club. Bottomline: Next time you’re in one of these discussions, remember that your club, like all clubs, is subject to the common industry business model and your budget is driven by your gross profit.
Fred Layman
THE CALM BREATH TECHNIQUE If you wish to calm yourself further you can use the Calm Breath Technique. The Calm Breath 1. Inhale through your nose to the count of 4, breathe deeply into your belly and chest area and feel it expand. 2. Exhale through your nose, slowly count to 4 (or whatever rhythm is comfortable), allowing your body to relax and release tension. 3. Repeat for 2-5 minutes. Please don’t underestimate how effective this simple tool can be. One of the most basic, most effective tools soldiers have to keep their cool while under fire is controlling their breathing. Yoga masters have known about the power of the breath for thousands of years. Scientific research is showing that deep breathing is one of the most effective ways to lower everyday stress levels and improve a variety of health factors ranging from mood to metabolism. The key to the Calm Breath is that you slowly inhale into both your chest and relaxed belly (don’t suck your stomach in). You should feel your ribcage and abdomen expand as you fill the entirety of your lungs with oxygen with each breath. If you feel comfortable you can increase the count to 5, the deeper the breath the stronger the sense of relaxation.
Ali Kerr (The Binge Code: 7 Unconventional Keys to End Binge Eating and Lose Excess Weight (+Bonus Audios))
The evidence reviewed here shows not only that reasoning falls quite short of reliably delivering rational beliefs and rational decisions. It may even be, in a variety of cases, detrimental to rationality. Reasoning can lead to poor outcomes, not because humans are bad at it, but because they systematically strive for arguments that justify their beliefs or their actions. This explains the confirmation bias, motivated reasoning, and reason-based choice, among other things.
John Brockman (Thinking: The New Science of Decision-Making, Problem-Solving, and Prediction in Life and Markets)
Ceiling Unlimited began as a series of informative dramas by Orson Welles, who had just returned from a well-publicized air trip to Latin America with film in the can for an ill-fated movie and a yen to be back on radio. He leaped into two CBS series, Hello, Americans (extolling the achievements of South American countries) and Ceiling Unlimited (describing aviation’s role in the war). Welles’s tenure was brief: a blowup with an agency man just before air time one night resulted in a Welles walkout. After a hasty reorganization and a summer series with author James Hilton, the show returned as a half-hour Hollywood variety series.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
Inside the Mousery the smell was overpowering, but it is doubtful if any of the three noticed it. Down the center of the single long room ran a brick path on either side of which were shelves three deep, divided into roomy sections. The admiral stopped before one of them, ‘Golden Agouti’, he remarked. He took hold of a rectangular box, the front of which was wired; very slyly he lifted a lid set into the top panel, and lowered the cage so that the children might look in. Inside, midway between floor and lid was a smaller box five inches long; a little hole at one end of this inner box gave access to the interior of the cage, and from it a miniature ladder slanted down to the sawdust strewn floor. In this box were a number of little heaving pink lumps, by the side of which crouched a brownish mouse. Her beady eyes peered up anxiously, while the whiskers on her muzzle trembled. The admiral touched her gently with the tip of his little finger. ‘She’s a splendid doe’, he said affectionately; ‘a remarkably careful mother and not at all fussy!’ He shut the door and replaced the cage. ‘There’s a fine pair here’, he remarked, passing to a new section; ‘what about that for color!’ He put his hand into another cage and caught one of the occupants deftly by the tail. Holding the tail between his finger and thumb he let the mouse sprawl across the back of his other hand, slightly jerking the feet into position. The children gazed. ‘What color is that?’ they inquired. ‘Chocolate’, replied the admiral. ‘I rather fancy the Self varieties, there’s something so well-bred looking about them; for my part I don’t think a mouse can show his figure if he’s got a pied pelt on him, it detracts. Now this buck for instance, look at his great size, graceful too, very gracefully built, legs a little coarse perhaps, but an excellent tail, a perfect whipcord, no knots, no kinks, a lovely taper to the point!’ The mouse began to scramble. ‘Gently, gently!’ murmured the admiral, shaking it back into position. He eyed it with approbation, then dropped it back into its cage, where it scurried up the ladder and vanished into its bedroom. They passed from cage to cage; into some he would only let them peep lest the does with young should get irritable; from others he withdrew the inmates, displaying them on his hand. ‘Now this’, he told them, catching a grey-blue mouse. ‘This is worth your looking at carefully. Here we have
Radclyffe Hall (Radclyffe Hall: The Complete Novels)
This shows how liturgical repetition, sometimes echoing anaphoras19 from its scriptural origins, is fundamental to authentic Christian praxis from the beginning. If the twenty-first-century Church invests energy in using novelty and variety to counter boredom and over-familiarity among worshippers, its focus is askew; there has to be a place, and a positive value, for repetition too.
Cally Hammond (The Sound of the Liturgy: How Words work in Worship)
There is a beautiful variety in the natural world—mountains and valleys, the gentle breeze and the sweeping tornado, sunbeams and the flashes of lightning, the singing of birds and the rolling of thunder. There is just as great a variety in the spiritual world. When the grace of God reaches some hearts it will show its power by shouts of victory. Some will weep, some will laugh, some will leap, and some will feel so quiet they will hardly want to breathe. There is a great variety of operations by the same Spirit, and all our conventionalities must give way to the will and power of God. We cannot work by an iron rule in praising God.
David F. Gray (Questions Pentecostals Ask Volume 1)
First Lady Eleanor Roosevelt was heard often on radio beginning soon after her husband’s inauguration in 1932. To stem inevitable criticism, all fees from her commercial broadcasts were donated to charity. Her shows were often behindscenes color pieces: on one 1937 Blue Network Pond’s Cream broadcast, her topic was “White Housekeeping,” a discussion of life in the White House, with recipes. Her early talks were given in a hesitant, nervous voice, leading to widespread mimicry and even cruel ridicule. “Eleanor” jokes became common at parties and in the workplace. Perhaps her best radio series came after her husband’s death, when she had attained a kind of senior stateswoman status. She was in Paris for the opening programs of Eleanor and Anna Roosevelt, and her voice was heard by transcription while her daughter, Anna Boettiger, handled the rest of the show live from California. It made instant news: Mrs. Roosevelt blasted the “Dixiecrat” wing of the Democratic Party and called upon party bosses to throw the boll weevils out. While Washington buzzed, Variety raved about her courage and cited her as one of the “standout commentators of the air.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
We need to do the same thing today. We need to show people that their atheism, agnosticism, naturalism, or any variety of unbelief rests on foundations that cannot be proven in a laboratory. We want them to be honest about their faith position so we can compare it with our faith position.
Randy Newman (Bringing the Gospel Home)
We wandered the entire length of the street market, stopping to buy the provisions I needed for the lunch dish I wanted to prepare to initiate l'Inglese into the real art of Sicilian cuisine. I took l'Inglese around the best stalls, teaching him how to choose produce, livestock, game, fish, and meat of the highest quality for his dishes. Together we circled among the vegetable sellers, who were praising their heaps of artichokes, zucchini still bearing their yellow flowers, spikes of asparagus, purple-tinged cauliflowers, oyster mushrooms, and vine tomatoes with their customary cries: "Carciofi fresci." "Funghi belli." "Tutto economico." I squeezed and pinched, sniffed, and weighed things in my hands, and having agreed on the goods I would then barter on the price. The stallholders were used to me, but they had never known me to be accompanied by a man. Wild strawberries, cherries, oranges and lemons, quinces and melons were all subject to my scrutiny. The olive sellers, standing behind their huge basins containing all varieties of olives in brine, oil, or vinegar, called out to me: "Hey, Rosa, who's your friend?" We made our way to the meat vendors, where rabbits fresh from the fields, huge sides of beef, whole pigs and sheep were hung up on hooks, and offal and tripe were spread out on marble slabs. I selected some chicken livers, which were wrapped in paper and handed to l'Inglese to carry. I had never had a man to carry my shopping before; it made me feel special. We passed the stalls where whole tuna fish, sardines and oysters, whitebait and octopus were spread out, reflecting the abundant sea surrounding our island. Fish was not on the menu today, but nevertheless I wanted to show l'Inglese where to find the finest tuna, the freshest shrimps, and the most succulent swordfish in the whole market.
Lily Prior (La Cucina)
Cantor’s 60-minute C&S shows were largely carried by himself, Wallington, and violinist Dave Rubinoff, with occasional guests. Rubinoff supposedly led the orchestra. It was typical early ’30s variety: Cantor singing and mugging, situation skits, orchestra numbers, violin solos. Rubinoff’s segments were billed as “Rubinoff and His Violin,” and his radio-fed fame in those days was greater than that of most noted concert violinists. He “was a good violinist rather than a great violinist,” Cantor wrote years later: but Rubinoff was “a showman who gave the impression of being all the great violinists put together.” His Russian accent was so formidable that he did not speak on the air. In the early days, Cantor did Rubinoff’s lines: he would ask a question in his natural voice and answer it with a Russian accent. Cantor played every conceivable dialect, from “an Irish policeman to a Swedish cook.” Later he hired people for his skits: Teddy Bergman (Alan Reed) and Lionel Stander played dialects, including the Rubinoff role.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
The final word was her daughter’s, in a frank and touching memoir, Knock Wood. Yes, there were disagreements; there were plenty of generation-gap misunderstandings. At the bottom of it was a girl who desperately needed the approval of a father who felt stripped when he had to speak as himself, with no dummy on his lap to make light of things. The book is a love story on both sides: in the end Candice Bergen has placed Charlie McCarthy in an open, healthy spotlight, as a vital piece of her personal history. Bergen did little in television. He was a radio man, even though his art was primarily visual. With Charlie and Mortimer, he emceed the 1956 CBS audience show Do You Trust Your Wife?, and he made numerous guest appearances on TV variety shows of the ’50s. He grew old and gray. Charlie, of course, was eternally young. In September 1978 Bergen announced his retirement: he would do a few more shows, then give his dummy to the Smithsonian. Charlie had been his companion for 56 years. A week later he appeared with Andy Williams at Caesar’s Palace in Las Vegas. He died in his sleep after this performance, Oct. 1, 1978.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
But one element of this contention remains true; namely, that all scientific descriptions of facts are highly selective, that they always depend upon theories. The situation can be best described by comparison with a searchlight (the ‘searchlight theory of science’, as I usually call it in contradistinction to the ‘bucket theory of the mind’3). What the searchlight makes visible will depend upon its position, upon our way of directing it, and upon its intensity, colour, etc.; although it will, of course, also depend very largely upon the things illuminated by it. Similarly, a scientific description will depend, largely, upon our point of view, our interests, which are as a rule connected with the theory or hypothesis we wish to test; although it will also depend upon the facts described. Indeed, the theory or hypothesis could be described as the crystallization of a point of view. For if we attempt to formulate our point of view, then this formulation will, as a rule, be what one sometimes calls a working hypothesis; that is to say, a provisional assumption whose function is to help us to select, and to order, the facts. But we should be clear that there cannot be any theory or hypothesis which is not, in this sense, a working hypothesis, and does not remain one. For no theory is final, and every theory helps us to select and order facts. This selective character of all description makes it in a certain sense ‘relative’; but only in the sense that we would offer not this but another description, if our point of view were different. It may also affect our belief in the truth of the description; but it does not affect the question of the truth or falsity of the description; truth is not ‘relative’ in this sense4. The reason why all description is selective is, roughly speaking, the infinite wealth and variety of the possible aspects of the facts of our world. In order to describe this infinite wealth, we have at our disposal only a finite number of finite series of words. Thus we may describe as long as we like: our description will always be incomplete, a mere selection, and a small one at that, of the facts which present themselves for description. This shows that it is not only impossible to avoid a selective point of view, but also wholly undesirable to attempt to do so; for if we could do so, we should get not a more ‘objective’ description, but only a mere heap of entirely unconnected statements. But, of course, a point of view is inevitable; and the naïve attempt to avoid it can only lead to self-deception, and to the uncritical application of an unconscious point of view5. All this is true, most emphatically, in the case of historical description, with its ‘infinite subject matter’, as Schopenhauer6 calls it. Thus in history no less than in science, we cannot avoid a point of view; and the belief that we can must lead to self-deception and to lack of critical care. This does not mean, of course, that we are permitted to falsify anything, or to take matters of truth lightly. Any particular historical description of facts will be simply true or false, however difficult it may be to decide upon its truth or falsity. So far, the position of history is analogous to that of the natural sciences, for example, that of physics. But if we compare the part played by a ‘point of view’ in history with that played by a ‘point of view’ in physics, then we find a great difference. In physics, as we have seen, the ‘point of view’ is usually presented by a physical theory which can be tested by searching for new facts. In history, the matter is not quite so simple.
Karl Popper (The Open Society and Its Enemies)
Pym argues that highly specialized technical texts are typically embedded in an international community of scientists, engineers, physicians, lawyers, and the like, who attend international conferences and read books in other languages an so have usually eliminated from their discourse the kind of contextual vagueness that is hardest to translate. As Pym's "tomography" example shows, too, international precision tends to be maintained in specialist groups through the use of Greek, Latin, French, and English terms that change only slightly as they move from one phonetic system to another. "General" texts, on the other hand, are grounded in less closely regulated everyday usage, the way people talk in a wide variety of ordinary contexts, which requires far more social knowledge than specialized texts - far more knowledge of how people talk to each other in their different social groupings, at home, at work, at the store, etc. Even slang and jargon, Pym would say, are easier to translate than this "general" discourse - all you have to do to translate slang or jargon is find an expert in it and ask your questions. (What makes that type of translation difficult is that experts are sometimes hard to find.) With a "general" text, everybody's an expert - but all the experts disagree, because they've used the words or phrases in different situations, different contexts, and can never quite sort out in their own minds just what it means with this or that group.
Douglas Robinson (Becoming a Translator: An Introduction to the Theory and Practice of Translation)
The research overwhelmingly showed that competition holds people back from working or learning at their best. For a variety of reasons, optimal performance at most tasks not only doesn’t require people to try to beat one another—it requires that they be freed from such an arrangement. There is no trade-off. Cooperation makes more sense than competition if we care mostly about bottom-line results, just as it does if our prime concern is how people feel about themselves and those around them.
Alfie Kohn (Unconditional Parenting: Moving from Rewards and Punishments to Love and Reason)
Further investigation of the subject shows that the analyst has to combat no less than five kinds of resistance, emanating from three directions—the ego, the id and the super-ego. The ego is the source of three of these, each differing in its dynamic nature. The first of these three ego-resistances is the repression resistance, which we have already discussed above and about which there is least new to be added. Next there is the transference resistance, which is of the same nature but which has different and much clearer effects in analysis, since it succeeds in establishing a relation to the analytic situation or the analyst himself and thus re-animating a repression which should only have been recollected. The third resistance, though also an ego-resistance, is of quite a different nature. It proceeds from the gain from illness and is based upon an assimilation of the symptom into the ego. It represents an unwillingness to renounce any satisfaction or relief that has been obtained. The fourth variety, arising from the id, is the resistance which, as we have just seen, necessitates ‘working-through’. The fifth, coming from the super-ego and the last to be discovered, is also the most obscure though not always the least powerful one. It seems to originate from the sense of guilt or the need for punishment; and it opposes every move towards success, including, therefore, the patient's own recovery through analysis.
Sigmund Freud (Inhibitions, Symptoms and Anxiety)
In our neurofeedback lab we see individuals with long histories of traumatic stress who have only partially responded to existing treatments. Their qEEGs show a variety of different patterns. Often there is excessive activity in the right temporal lobe, the fear center of the brain, combined with too much frontal slow-wave activity. This means that their hyperaroused emotional brains dominate their mental life. Our research showed that calming the fear center decreases trauma-based problems and improves executive functioning
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
The introduction of Richards with Bryan employing the Elmer Fudd voice he used in cartoons may have been a test to create a new character in the neighborhood to give the show some variety. When Roberts asks Fibber what he does for a living, it is the $64 question listeners have been asking themselves since 1935.
The 68-page first issue of Calling All Girls contained four comic stories—an 8-pager on Queen Elizabeth (the mother of the current queen); a 9-pager on famed author Osa Johnson, “the famed jungle adventuress,” as the story so quaintly dubbed her; a fictional 7-pager on Judy Wing, Air Hostess No. 1 (aviation themes were huge in the early years of comics, just as they were in all of popular culture); and a fictional 8-pager on the teenage adventures of the Yorktown Younger Set, which “lives in a town like yours. The other half of the first issue contained text stories of a wide variety, with an astonishing amount of reading material for the teen girl’s dime. There was a 4-page story devoted to Connie Martin, a Nancy Drew knockoff; a 4-pager devoted to circus girls; a 3-pager on Gloria Jean herself; a 3-pager by publisher George Hecht on “13 ways girls can help in the national defense”; a 2-pager on manners; a 3-pager by best-selling sports novelist John R. Tunis on women in sports; a 2-pager on grooming; a 4-pager on a fictional female boater; a 2-pager on films; a 2-pager on fashion, with delightful drawings; a page on fashion accessories; and a 2-pager on cooking, by the famed food writer Cecily Brownstone. This issue gave girls an awful lot of reading, some of it inspirational and showing they could be more than “just a girl,” as the boys in Tubby’s clubhouse used to call Little Lulu and her friends a decade later in their Dell Comics adventures. The most intriguing aspect of Calling All Girls is that it approached schoolgirls not as boy-crazy or male-dependent, but as interesting individuals in their own right. The ensuing issues of Calling All Girls expanded on this theme. This was definitely a mini “feminist manifesto” for teens!
Michelle Nolan (Love on the Racks: A History of American Romance Comics)
Mmm, pike! The first thing that springs to mind is yummy salt-grilled pike! The crispy skin... the hot, succulent meat... the savory smell of its juices... A dollop of grated daikon radish on top, and it's yum, yum, yum!" "It's been showing up on sushi menus recently too. That's a general ingredient for you. You can do tons of stuff with it." "As you all know, pike can be used in a wide variety of dishes. But strangely enough, this one ingredient... ... has connections to all three of our contestants. A pike.. ... with its fatty meat is known for itsrobust fragrance. It is a prized ingredient in seafooddishes across the world. And it has a long history of use in what is viewed as common cuisine!" "Oho! It has facets that appeal to all three chefs." "That means it's an ingredient that can play to each of their strengths!
Yuto Tsukuda (食戟のソーマ 12 [Shokugeki no Souma 12] (Food Wars: Shokugeki no Soma, #12))
When you're starting in social media, you need the most possible information when beginning. You can find many different tips out there, but gathering it together isn't always easy. Lucky for you, this article has a ton of that good information. If a Twitter account is an essential element of your social media marketing campaign, make certain that your tweets show variety and intrigue. Be sure to tweet tips and helpful suggestions to help promote your business. Some of your tweets, of course, will be more bold in their promotion of your business. If you mix in informative tweets you will be less likely to run away potential customers.
Arvada SEO Marketing
The twanging of life Thirteenth part : The essence of the beauty is unity in variety We are only able to contempt and treat people in a bad way, when we forget that the other person belongs to us and to the society as well as we too, when we only forget that in the form of doing the action, there is a strong relationship between the subject and the object so avarice, violence, egoism, sadness and looking at others as pawns of market's chess to get money arise from losing their unity, from forgetting their spirit of cooperation and collaboration and then starting perceiving others in terms of their individual differences. A humanitarian action that isn't intended to be done can make a huge storm of humanity, a single word can give people the feeling of unity, just like every time when a person passes by you and you say for him "السلام عليكم" both of you start to feel like there is a candle within both of you turning into clemency, the more love, the more mercy and the more salaam you show on your face the more light is reflected form that candle, you should start thinking that, greeting the people is proclamations of peace, every time you say "السلام عليكم" to a stranger your heart admits over and over again that we are all united, what I am trying to say is, in your heart's deepest place where the onus of your ego are fallen to pieces and the enigma of your soul is infiltrated, you find the awareness isn't different in any way from what all others may find, the mutuality of Sudanese people is appeared as the sun in the morning but only when our own humanness is surpassed our own dishumanness by accepting that we are all one in the fact that we are all made of diversified differences. We are all equal in the fact that our own society is made by different tribes, we are all the same in the fact that we will never have the same colour, life, thinking, dreams, feelings and luxury, we are united by the reality that Sudan is able to combine all colours, all cultures, all tribes and all of us in the fact that every one believes his tribe and culture are distinguished and individual, we are compatible in the reality that we are all recaptured to this country by the same history, the same conditions of living and the longest river in the world that all of them together give us a light to shine the darkness that covers the sky to allow for us to walk as one hand in the right direction, we don't share the colours but we share the blood, we aren't equal in existence of happiness but we drink River Nile's water that keeps us alive, we are different in existence of tribes but we share the same air that is blended by our breath, so I am you as much as I am me and you are me as much as I am you. Finally swingeing internal ructions and overmuch narcissism of a society devastate the tissue of its unity, not the differences of that society, Lord Robin said that unity begins at home within family is the strength to survive and win the fight of life.
Omer Mohamed
Christ. Study the roster. Study everybody’s photos,” she said. “Where’s the packing list for Earl?” Et cetera, et cetera . . . That spring, the gallery was putting up Ping Xi’s first solo show—“Bowwowwow”—and Natasha was up in arms about every little detail. She probably would have fired me sooner had she not been so busy. I tried to feign interest and mask my horror whenever Natasha talked about Ping Xi’s “dog pieces.” He had taxidermied a variety of pure breeds: a poodle, a Pomeranian, a Scottish terrier. Black Lab, Dachshund. Even a little Siberian husky pup. He’d been working on them for a long time. He and Natasha had grown close since his cum paintings had sold so well. During the installation, I overheard one of the interns whispering to the electrician. “There’s a rumor going around that the artist gets the dogs as puppies, raises them, then kills them when they’re the size he wants. He locks them in an industrial freezer because that’s the most humane way to euthanize them without compromising the look of the animal. When they thaw, he can get them into whatever position he wants.
Ottessa Moshfegh (My Year of Rest and Relaxation)
When a Southerner took the trouble to pack a trunk and travel twenty miles for a visit, the visit was seldom of shorter duration than a month, usually much longer. Southerners were as enthusiastic visitors as they were hosts, and there was nothing unusual in relatives coming to spend the Christmas holidays and remaining until July. Often when newly married couples went on the usual round of honeymoon visits, they lingered in some pleasant home until the birth of their second child. Frequently elderly aunts and uncles came to Sunday dinner and remained until they were buried years later. Visitors presented no problem, for houses were large, servants numerous and the feeding of several extra mouths a minor matter in that land of plenty. All ages and sexes went visiting, honeymooners, young mothers showing of new babies, convalescents, the bereaved, girls whose parents were anxious to remove them from the dangers of unwise matches, girls who had reached the danger age without becoming engaged and who, it was hoped, would make suitable matches under the guidance of relatives in other places. Visitors added excitement and variety to the slow-moving Southern life and they were always welcome.
Margaret Mitchell (Gone with the Wind)
There is no direct relationship between social and artistic ‘planning’. Planning as the exclusion of free, unregulated competition in the field of economics and planning as the strictly disciplined execution of an artistic plan, elaborated to the last detail, can at the very most be brought into a metaphorical relationship with one another; in themselves they represent two absolutely different principles, and it is perfectly conceivable that in a planned economy and society a formally individualistic art, revelling in variety and improvisation, might well come to the fore. There is scarcely any greater danger for the sociological interpretation of cultural structures than such equivocations and none to which it is easier to fall victim. For there is nothing easier than to construct striking connections between the various styles in art and the social patterns predominating at any particular time, which are based on nothing but metaphor, and there is nothing more tempting than to make a show of such daring analogies. But they are just as fateful traps for truth as the illusions enumerated by Bacon and they might well be put on his list of warnings as idola aequivocationis.
Arnold Hauser (The Social History of Art, Volume 1: From Prehistoric Times to the Middle Ages)
You can also do the same using an online thesaurus, as the example below shows, to get ideas on a variety of possible related Keyword Phrases.
Ryan Levesque (Choose: The Single Most Important Decision Before Starting Your Business)
I discovered my B12 deficiency accidentally while experimenting with energy drinks, because I was fed up with being fatigued, sleepy and showing symptoms consistent with Dementia all the time. I bought a variety of energy drinks and the only one that I exhibited a positive response to was the one with a huge dose of vitamin B12.
Steven Magee
The initial guiding principle was simple: “Buy the rights to a fine play, hire the biggest names available, and hope the public will listen.” But competition for big names was fierce in New York. When film stars came east—usually on a train between movies, en route to Europe—they were mobbed by agents seeking their appearances on the big variety shows. An appearance on The Rudy Vallee Hour or Shell Chateau paid more and was less demanding—a bit of fluff between musical selections, which an actor could learn in a single rehearsal. The demand for top stars was so desperate that Lux scouts created devious ways of snaring them. One “bright young fellow,” as described by Radio Guide, simply grabbed up Leslie Howard’s suitcases and led him through a gauntlet of competing agents to a waiting cab. Only when they were settled in the car did it occur to Howard to ask who he was. “I’m from The Lux Radio Theater, and you’re going to act for us tomorrow night,” said the brash young fellow. He had caught (and subsequently booked) a hot young star by knowing that “a man will always follow his suitcases.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
Those who accept the Nature Cure teachings about the causes of disease, but still have a lingering superstition about the malevolent power of germs, may be further reassured by the fact that a clean skin is probably the most powerful germicide known. Tests made with a variety of “pathogenic micro-organisms“ showed consistently that when these were placed upon the clean skin of a normally healthy person, they rapidly disintegrated. Similar tests on unclean skin and less healthy people showed a marked improvement in the microbes’ chances of survival
As the psychiatrist Kay Redfield Jamison writes, “There is a great deal of evidence to suggest that, compared to ‘normal’ individuals, artists, writers, and creative people in general are both psychologically ‘sicker’—that is, they score higher on a wide variety of measures of psychopathology—and psychologically healthier (for example, they show quite elevated scores on measures of self-confidence and ego strength)
Joshua Wolf Shenk (Lincoln's Melancholy: How Depression Challenged a President and Fueled His Greatness)
The sky had changed again; a reddish glow was spreading up beyond the housetops. As dusk set in, the street grew more crowded. People were returning from their walks, and I noticed the dapper little man with the fat wife amongst the passers-by. Children were whimpering and trailing wearily after their parents. After some minutes the local picture houses disgorged their audiences. I noticed that the young fellows coming from them were taking longer strides and gesturing more vigorously than at ordinary times; doubtless the picture they‟d been seeing was of the wild-West variety. Those who had been to the picture houses in the middle of the town came a little later, and looked more sedate, though a few were still laughing. On the whole, however, they seemed languid and exhausted. Some of them remained loitering in the street under my window. A group of girls came by, walking arm in arm. The young men under my window swerved so as to brush against them, and shouted humorous remarks, which made the girls turn their heads and giggle. I recognized them as girls from my part of the town, and two or three of them, whom I knew, looked up and waved to me. Just then the street lamps came on, all together, and they made the stars that were beginning to glimmer in the night sky paler still. I felt my eyes getting tired, what with the lights and all the movement I‟d been watching in the street. There were little pools of brightness under the lamps, and now and then a streetcar passed, lighting up a girl‟s hair, or a smile, or a silver bangle. Soon after this, as the streetcars became fewer and the sky showed velvety black above the trees and lamps, the street grew emptier, almost imperceptibly, until a time came when there was nobody to be seen and a cat, the first of the evening, crossed, unhurrying, the deserted street. It struck me that I‟d better see about some dinner. I had been leaning so long on the back of my chair, looking down, that my neck hurt when I straightened myself up. I went down, bought some bread and spaghetti, did my cooking, and ate my meal standing.I‟d intended to smoke another cigarette at my window, but the night had turned rather chilly and I decided against it. As I was coming back, after shutting the window, I glanced at the mirror and saw reflected in it a corner of my table with my spirit lamp and some bits of bread beside it. It occurred to me that somehow I‟d got through another Sunday, that Mother now was buried, and tomorrow I‟d be going back to work as usual.Really, nothing in my life had changed18
The television screen was Roger’s classroom. As a child, frequently homebound with bruises, he watched variety shows and westerns, lying on the living room couch for hours on end.
I was also moved by William James’s The Varieties of Religious Experience, which not only helped me put my childhood experience in perspective but also showed me how my search to find a new, more authentic spiritual identity fit within the vast landscape of American culture.
Phil Jackson (Eleven Rings: The Soul of Success)
Worldwide Long Range Solutions Special Interest Group [ ¤ SIG AeR.WLRS 253787890.546]. Space Colonization Subgroup. Open discussion board. Okay, so imagine we get past the next few rough decades and finally do what we should have back in TwenCen. Say we mine asteroids for platinum, discover the secrets of true nanotechnology, and set Von Neumann "sheep" grazing on the moon to produce boundless wealth. To listen to some of the rest of you, all our problems would then be over. The next step, star travel, and colonization of the galaxy, would be trivial. But hold on! Even assuming we solve how to maintain long-lasting ecologies in space and get so wealthy the costs of star-flight aren't crippling, you've still got the problem of time. I mean, most hypothetical designs show likely starships creeping along at no more than ten percent of the speed of light, a whole lot slower than those sci-fi cruisers we see zipping on three-vee. At such speeds it may take five, ten generations to reach a good colony site. Meanwhile, passengers will have to maintain villages and farms and cranky, claustrophobic grandkids, all inside their hollowed-out, spinning worldlets. What kind of social engineering will that take? Do you know how to design a closed society that'd last so long without flying apart? Oh, I think it can be done. But don't pretend it'll be simple! Nor will be solving the dilemma of gene pool isolation. In the arks and zoos right now, a lot of rescued species are dying off even though the microecologies are right, simply because too few individuals were included in the original mix. For a healthy gene pool you need diversity, variety, heterozygosity. One thing's clear, no starship will make it carrying only one racial group. What'll be needed, frankly, are mongrels… people who've bred back and forth with just about everybody and seem to enjoy it.
David Brin (Earth)
In 1956, two psychologists, Donald Horton and Richard Wohl, would conclude that television’s representation of celebrities was carefully constructed to create an “illusion of intimacy”—to make viewers believe that they actually were developing a relationship with the famous people on TV. Certain techniques particular to variety but also the chat shows produced this effect: recourse to small talk, the use of first names, and close-ups, among others, acted to close the gap between the audience and the guests, engendering the sense in the viewer of being “part of a circle of friends.” The two coined the term “para-social interaction” to describe this “intimacy at a distance.
Tim Wu (The Attention Merchants: The Epic Scramble to Get Inside Our Heads)
By reversing roles with her son, a mother communicates to him that he is supposed to comfort, protect, and take care of her. She may express this to the child in a variety of ways; she may suffer in martyred silence but make it very clear to her child that she feels trapped and miserable; she may tell her child that she can't take care of herself and that without his love she has nothing left to live for; she may get ill often or be chronically depressed, drink heavily, or become involved in some other form of self-destructive behavior. No matter how she shows her suffering, the result is the same: the young boy feels it is his responsibility to make her happy. He believes that he is expected to rescue his mother. By shoving her son into a role he is not equipped to handle, this mother helps to create in him deep resentments that will later turn into anger at women.
Susan Forward (Men Who Hate Women and the Women Who Love Them: When Loving Hurts and You Don't Know Why)
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Ask a man of mere science, what is the truth of a flower: he will pull it to pieces, show you its parts, explain how they operate, how they minister each to the life of the flower; he will tell you what changes are wrought in it by scientific cultivation; where it lives originally, where it can live; the effects upon it of another climate; what part the insects bear in its varieties—and doubtless many more facts about it. Ask the poet what is the truth of the flower, and he will answer: 'Why, the flower itself, the perfect flower, and what it cannot help saying to him who has ears to hear it.' The truth of the flower is, not the facts about it, be they correct as ideal science itself, but the shining, glowing, gladdening, patient thing throned on its stalk—the compeller of smile and tear from child and prophet. The man of science laughs at this, because he is only a man of science, and does not know what it means; but the poet and the child care as little for his laughter as the birds of God, as Dante calls the angels, for his treatise on aerostation. The children of God must always be mocked by the children of the world, whether in the church or out of it—children with sharp ears and eyes, but dull hearts. Those that hold love the only good in the world, understand and smile at the world's children, and can do very well without anything they have got to tell them. In the higher state to which their love is leading them, they will speedily outstrip the men of science, for they have that which is at the root of science, that for the revealing of which God's science exists. What shall it profit a man to know all things, and lose the bliss, the consciousness of well-being, which alone can give value to his knowledge?
George MacDonald (Unspoken Sermons, Series I., II., and III.)
The claim that there is no alternative but perdition to a worldview that shows how everything fits together and makes perfect sense is a mark of fundamentalism, whether of religious or market variety. In a child, such moments are appealing, necessary and usually harmless.
Susan Neiman (Why Grow Up?: Subversive Thoughts for an Infantile Age)
This One in me knows the universe of the many. But, in whatever it knows, it knows the One in different aspects. It knows this room only because this room is One to it, in spite of the seeming contradiction of the endless facts contained in the single fact of the room. Its knowledge of a tree is the knowledge of a unity, which appears in the aspect of a tree. This One in me is creative. Its creations are a pastime, through which it gives expression to an ideal of unity in its endless show of variety. Such are its pictures, poems, music, in which it finds joy only because they reveal the perfect forms of an inherent unity.
Rabindranath Tagore (Creative Unity)
The Linux world behaves in many respects like a free market or an ecology, a collection of selfish agents attempting to maximize utility which in the process produces a self-correcting spontaneous order more elaborate and efficient than any amount of central planning could have achieved. Here, then, is the place to seek the “principle of understanding”. The “utility function” Linux hackers are maximizing is not classically economic, but is the intangible of their own ego satisfaction and reputation among other hackers. (One may call their motivation “altruistic”, but this ignores the fact that altruism is itself a form of ego satisfaction for the altruist). Voluntary cultures that work this way are not actually uncommon; one other in which I have long participated is science fiction fandom, which unlike hackerdom has long explicitly recognized “egoboo” (ego-boosting, or the enhancement of one’s reputation among other fans) as the basic drive behind volunteer activity. Linus, by successfully positioning himself as the gatekeeper of a project in which the development is mostly done by others, and nurturing interest in the project until it became self-sustaining, has shown an acute grasp of Kropotkin’s “principle of shared understanding”. This quasi-economic view of the Linux world enables us to see how that understanding is applied. We may view Linus’s method as a way to create an efficient market in “egoboo” — to connect the selfishness of individual hackers as firmly as possible to difficult ends that can only be achieved by sustained cooperation. With the fetchmail project I have shown (albeit on a smaller scale) that his methods can be duplicated with good results. Perhaps I have even done it a bit more consciously and systematically than he. Many people (especially those who politically distrust free markets) would expect a culture of self-directed egoists to be fragmented, territorial, wasteful, secretive, and hostile. But this expectation is clearly falsified by (to give just one example) the stunning variety, quality, and depth of Linux documentation. It is a hallowed given that programmers hate documenting; how is it, then, that Linux hackers generate so much documentation? Evidently Linux’s free market in egoboo works better to produce virtuous, other-directed behavior than the massively-funded documentation shops of commercial software producers. Both the fetchmail and Linux kernel projects show that by properly rewarding the egos of many other hackers, a strong developer/coordinator can use the Internet to capture the benefits of having lots of co-developers without having a project collapse into a chaotic mess. So to Brooks’s Law I counter-propose the following: Provided the development coordinator has a communications medium at least as good as the Internet, and knows how to lead without coercion, many heads are inevitably better than one.
Eric S. Raymond (Cathedral and the Bazaar: Musings on Linux and Open Source by an Accidental Revolutionary)
sounded calm when she answered the phone. Which meant that Jody had probably left. They had begun the day with the two women arguing about whose phone the government had legal and moral authority to tap. Pearl and her daughter could discuss such subjects until they were all talked out and Quinn had long since fled to wherever it might be legal and moral to smoke a cigar. “Still reeling from the Minnie Miner show?” Pearl asked him. “Not per se,” Quinn said. “That sounds like something Winston Castle would say. He must have gotten to you with his member-of-parliament persona.” “I suppose that’s why I’m calling,” Quinn said. “There’s something familiar about Winston Castle’s act. It reminds me of a magician’s patter, designed to get you looking at one hand while he’s doing something with the other. Just when everybody’s attention is distracted, Presto! Out of the hat pops the rabbit.” “Or the right card,” “Never play poker with them,” Quinn said. “Rabbits?” “People. Like the ones in Winston Castle’s whack-job family, or whatever it is. They have their patter.” “Meaning?” “Maybe somebody has a real Michelangelo up a sleeve.” “Magicians,” Pearl said, not quite understanding. “I’ve always kind of liked them.” “Their act wouldn’t work if you didn’t.” “I still like them.” “They cut people in half, you know.” “Only beautiful girls. And it doesn’t seem to hurt.” “I wouldn’t want to see you proved wrong.” “Where are you going with this,” Pearl asked with a sigh. Jody had apparently worn her down. “We are going to stake out the Far Castle’s Garden.” “I thought we were concentrating on D.O.A.” “Maybe we are,” Quinn said. “My guess is he’s not one of the many people who think Bellazza isn’t in the garden, just because an imitation has already been found there.” “Are we among the many, Quinn?” “On one hand, yes.” “But on the other?” “Presto!” 78 The searcher came by night, as Quinn had suspected he would, and hours after the restaurant had closed. Quinn was slouching low behind the steering wheel in the black Lincoln. He’d parked where he had a catty-corner view across the intersection and the Far Castle’s outdoor dining area. Beyond the stacked and locked tables and chairs loomed the shadowed topiary forms of the garden. Beginning several feet behind the flower beds was the larger garden, wilder and less arranged than the beds, with a variety of
John Lutz (Frenzy (Frank Quinn, #9))
The Obama Administration has been trying to indoctrinate the public with its climate ideology in many ways and through a variety of agencies. This includes material on agency websites, advocacy of climate “education,”470 exhibits in National Parks,471 and grants by the National Science Foundation. One example is the $700,000 NSF grant to The Civilians, a New York theatre company, to finance the production of a show entitled “The Great Immensity,”472 “a play and media project about our environmental challenges.”473 A second example is a $5.7 million grant to Columbia University to record “voicemails from the future” that paint a picture of an Earth destroyed due to climate change.474 A third example is a $4.9 million grant to the University of Wisconsin-Madison to create scenarios based on America’s climate actions on climate change including a utopian future where everyone rides bicycles and courts forcibly take property from the wealthy.475 The general approach pursued by the Administration for arts and education-related climate propaganda appears to be very similar to the similar propaganda campaigns by Soviet and Eastern European governments to promote their political ends.
Alan Carlin (Environmentalism Gone Mad: How a Sierra Club Activist and Senior EPA Analyst Discovered a Radical Green Energy Fantasy)
Intricacy is related to the variety of reasons for which people come to neighborhood parks. Even the same person comes for different reasons at different times; sometimes to sit tiredly, sometimes to play or to watch a game, sometimes to read or work, sometimes to show off, sometimes to fall in love, sometimes to keep an appointment, sometimes to savor the hustle of the city from a retreat, sometimes in the hope of finding acquaintances, sometimes to get closer to a bit of nature, sometimes to keep a child occupied, sometimes simply to see what offers, and almost always to be entertained by the sight of other people. If the whole thing can be absorbed in a glance, like a good poster, and if every place looks like every other place in the park and also feels like every other place when you try it,
Jane Jacobs
All the many successes and extraordinary accomplishments of the Gemini still left NASA’s leadership in a quandary. The question voiced in various expressions cut to the heart of the problem: “How can we send men to the moon, no matter how well they fly their ships, if they’re pretty helpless when they get there? We’ve racked up rendezvous, docking, double-teaming the spacecraft, starting, stopping, and restarting engines; we’ve done all that. But these guys simply cannot work outside their ships without exhausting themselves and risking both their lives and their mission. We’ve got to come up with a solution, and quick!” One manned Gemini mission remained on the flight schedule. Veteran Jim Lovell would command the Gemini 12, and his space-walking pilot would be Buzz Aldrin, who built on the experience of the others to address all problems with incredible depth and finesse. He took along with him on his mission special devices like a wrist tether and a tether constructed in the same fashion as one that window washers use to keep from falling off ledges. The ruby slippers of Dorothy of Oz couldn’t compare with the “golden slippers” Aldrin wore in space—foot restraints, resembling wooden Dutch shoes, that he could bolt to a work station in the Gemini equipment bay. One of his neatest tricks was to bring along portable handholds he could slap onto either the Gemini or the Agena to keep his body under control. A variety of space tools went into his pressure suit to go along with him once he exited the cabin. On November 11, 1966, the Gemini 12, the last of its breed, left earth and captured its Agena quarry. Then Buzz Aldrin, once and for all, banished the gremlins of spacewalking. He proved so much a master at it that he seemed more to be taking a leisurely stroll through space than attacking the problems that had frustrated, endangered, and maddened three previous astronauts and brought grave doubts to NASA leadership about the possible success of the manned lunar program. Aldrin moved down the nose of the Gemini to the Agena like a weightless swimmer, working his way almost effortlessly along a six-foot rail he had locked into place once he was outside. Next came looping the end of a hundred-foot line from the Agena to the Gemini for a later experiment, the job that had left Dick Gordon in a sweatbox of exhaustion. Aldrin didn’t show even a hint of heavy breathing, perspiration, or an increased heartbeat. When he spoke, his voice was crisp, sharp, clear. What he did seemed incredibly easy, but it was the direct result of his incisive study of the problems and the equipment he’d brought from earth. He also made sure to move in carefully timed periods, resting between major tasks, and keeping his physical exertion to a minimum. When he reached the workstation in the rear of the Gemini, he mounted his feet and secured his body to the ship with the waist tether. He hooked different equipment to the ship, dismounted other equipment, shifted them about, and reattached them. He used a unique “space wrench” to loosen and tighten bolts with effortless skill. He snipped wires, reconnected wires, and connected a series of tubes. Mission Control hung on every word exchanged between the two astronauts high above earth. “Buzz, how do those slippers work?” Aldrin’s enthusiastic voice came back like music. “They’re great. Great! I don’t have any trouble positioning my body at all.” And so it went, a monumental achievement right at the end of the Gemini program. Project planners had reached all the way to the last inch with one crucial problem still unsolved, and the man named Aldrin had whipped it in spectacular fashion on the final flight. Project Gemini was
Alan Shepard (Moon Shot: The Inside Story of America's Race to the Moon)
I think so. Look, I'm here to let you know I'm selling La Bella Luna," Kane began, and the shock showed on Rodney's face. He started to speak, but Kane stopped him, raising a hand. "And I want you to buy it." "Kane, man, I can't afford this place. And I don't have the credit to get this kind of money," Rodney said. He was up and on his feet, panic now replaced the shock. "Trust me, you can afford it. And I'll carry the note. Avery's firm can draw up the papers," Kane said, realizing for the first time in a long time his super-calm facade was back in place. "I want you to have the place. It's the only way I can let it go." That stopped Rodney in his tracks. His face again went through a variety of changes, until uncertainty settled in. "Can I handle it?" "I think you can. You already do most of the work now. I can stay on as your consultant. Talk you through anything you need help with. I'll also handle the paperwork transfer and be your lender. Paulie would want you to have it," Kane added, nodding his head now.
Kindle Alexander (Always (Always & Forever #1))
LORNE MICHAELS: I taught at an art school in Toronto, I was teaching improvisations, the conceptual art movement which was being talked about and on the edge of things in the early seventies. Where that and entertainment met was what Andy Kaufman was doing. It wasn’t just that he lip-synched to “Mighty Mouse”; it was that he only did that one part in it, that one line, and stood around for the rest. It was very conceptual, and it instantly signaled to the brighter part of the audience that that was the kind of show we were going to do. And they weren’t getting that anywhere else on television. In the first couple years, Andy must have been on close to ten times. One night he even read from The Great Gatsby. In the beginning I had Penn and Teller on a few times, because that was the DNA, but I couldn’t do that now. The pure variety show part of it is over. It’s a straight comedy show now.
James Andrew Miller (Live From New York: An Uncensored History Of Saturday Night Live)
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It was in this environment of entrenched racism that America’s first minstrel shows appeared, and they began attracting large audiences of European immigrants, native Whites, and sometimes even Blacks. By 1830, Thomas “Daddy” Rice, who learned to mimic African American English (today called “Ebonics”), was touring the South, perfecting the character that thrust him into international prominence: Jim Crow. Appearing in blackface, and dressed in rags, torn shoes, and a weathered hat, Jim Crow sang and danced as a stupid, childlike, cheerful Black field hand. Other minstrel characters included “Old darky,” the thoughtless, musical head of an enslaved family, and “Mammy,” the hefty asexual devoted caretaker of Whites. The biracial, beautiful, sexually promiscuous “yaller gal” titillated White men. “Dandy,” or “Zip Coon,” was an upwardly mobile northern Black male who mimicked—outrageously—White elites. Typically, minstrel shows included a song-and-dance portion, a variety show, and a plantation skit. In the decades leading up to the Civil War, blackface minstrelsy became the first American theatrical form, the incubator of the American entertainment industry. Exported to excited European audiences, minstrel shows remained mainstream in the United States until around 1920 (when the rise of racist films took their place).15
Ibram X. Kendi (Stamped from the Beginning: The Definitive History of Racist Ideas in America)
Good. Muriel, you have to start coming to Jack’s for dinner with us. It’s getting more interesting by the day. You wouldn’t want to miss it.” “Really?” she asked, sitting up and crossing her legs in front of her. “My innocent little Shelby has picked out a man. I’m sure she’s made a rash choice, he’s too much for her—a thirty-eight-year-old roughneck who flew Black Hawks for almost twenty years. He looks like he could take apart a big gang of Huns with his bare hands. But when he looks at her, sins of many varieties glitter in his eyes. And I scare the hell out of him—a thing of beauty. Well, tonight he showed up with his younger brother, who was a surprise visitor—better-looking, funnier, a lot more socially acute, more sure of himself around Shelby…” He laughed. “Almost caused the roughneck to take his own life. You don’t want to miss too much more of this stuff.” “Shelby picked out this guy?” she asked. “This older guy?” “Oh, there was no question about it. I suspect it was almost the second she saw him.” “But he’s a roughneck. How do you feel about that?” Walt leaned over and took off his boots. He straightened and looked at her with those scary general’s eyes. “If he does anything to hurt her, I’m going to kill him.” Muriel shook her head and pulled the DVD out of the sleeve and loaded it in the portable player. “Shelby must be very grateful,” she said facetiously. He
Robyn Carr (Temptation Ridge)
Benedict XVI often recalled that the liturgy is not supposed to be a work of personal creativity. If we make the liturgy for ourselves, it moves away from the divine; it becomes a ridiculous, vulgar, boring theatrical game. We end up with liturgies that resemble variety shows, an amusing Sunday party at which to relax together after a week of work and cares of all sorts. Once that happens, the faithful go back home, after the celebration of the Eucharist, without having encountered God personally or having heard him in the inmost depths of their heart. What is missing is this silent, contemplative, face-to-face meeting with God that transforms us and restores our energies, which allows us to reveal him to a world that is increasingly indifferent to spiritual questions. The heart of the eucharistic mystery is the celebration of the Passion and tragic death of Christ and of his Resurrection; if this mystery is submerged in long, noisy, elaborate ceremonies, we have to fear the worst. Some Masses are so hectic that they are no different from a county fair. We have to rediscover the fact that the essence of the liturgy will eternally be characterized by care in seeking God as his sons and daughters. Finally,
Robert Sarah (God or Nothing)
I think you might be cracking my ribs,” Lucetta mumbled into his chest, her words having him release his death grip on her before he took a step—but only a step—away from her. “You have no idea how happy I am to see you” was all he could think to say. Lucetta smiled. “You have no idea how happy I am to see you as well, and”—she nodded to Stanley, Ernie, and Mr. Skukman, who were currently sitting on top of Silas Ruff, while Tilda stood guard at the door they’d blown open, looking rather menacing as she kept a pistol at the ready—“I’m delighted to see you brought some assistance as well.” She nodded toward the blown-apart door. “Assistance proficient in the use of dynamite, if I’m not mistaken.” “That was me,” Ernie said, sending Lucetta a grin. “Not that I use dynamite all that often anymore,” he hurried to assure her. “But my expertise with the substance does come in remarkably handy at the oddest of times.” “Should I ask why Ernie’s an expert with dynamite?” Lucetta asked, turning back to Bram. “I would suggest not,” Bram said. Wrinkling her nose, Lucetta nodded. “You’re probably right, but tell me, how did you find me?” “Using a wide variety of interesting contacts spread throughout the city.” Bram blew out a breath. “Everyone’s been so worried about you.” “I’ve been fine,” Lucetta began, nodding when he quirked a brow her way. “Honestly, I have been. I mean, yes, the men Silas hired to abduct me scared me half to death—especially the man I heard was some sort of tracker—but as soon as they delivered me here, they left and I never saw them again. Truth be told, until today, it’s just been me along with a pack of intimidating women Silas hired to make certain I didn’t escape from this cozy little nest he’s been holding me in.” “Silas left you alone until today?” “Curious as that may seem, yes. He only showed up about an hour ago.” She smiled. “I do believe he had a most romantic dinner planned for the two of us, but matters got off to a rough start when he demanded I play him a piece by Bach, and discovered I . . . Well, let’s just say that, if you’d compared my playing with Ruby’s, your sister would sound downright competent at the keys.” Brushing
Jen Turano (Playing the Part (A Class of Their Own, #3))
Our differences will also show up from time to time, underscoring the uniqueness of our personal endowments, the variety of our experiences, and the creativity of our sovereign God.
J. Grant Howard (Balancing Life's Demands: A New Perspective on Priorities)
Of what use is my going to church every day and still come home and remain the same? Of what use is my attending the mosques and the next day I enter the mall with knives and start slaughtering people in the name of religion. God is a God of variety. He was not stupid creating all of us different with our uniqueness. His creating us different shows the level of His creativity. He didn't make you white to hate black or vice versa. He made it so that we can cherish and love each other irrespective of our differences just as He loved us with all our flaws and our short comings. Can we forgive those who have offended us? Yes and some will say no but never forget that you are not worthy but God still forgives you even till the last hour of your life. If God can love us against all our atrocities why can't we learn to love one another. Take a look around you, you can only see sad faces. Was that really God's intention for us on earth? Absolutely not. But we have remoulded God's creativity to suit our taste and lifestyles and now we are reaping the fruit of our labour. You should not expect to reap love when you sowed the seed of hatred. What a man sows that he reaps. We sowed on weapons of war and we are yielding war in return. We have sowed on weapons of destruction so why are we asking for peace. If you ask me....I will say let's go back to our source. He has never lost any battle. I am a living witness.
Patience Johnson (Why Does an Orderly God Allow Disorder)
And yet I believe I have taken the theory almost at its best— almost in its most testable form. One might say that it “almost predicts” a great variety of forms of life.283 In other fields, its predictive or explanatory power is still more disappointing. Take “adaptation”. At first sight natural selection appears to explain it, and in a way it does; but hardly in a scientific way. To say that a species now living is adapted to its environment is, in fact, almost tautological. Indeed we use the terms “adaptation” and “selection” in such a way that we can say that, if the species were not adapted, it would have been eliminated by natural selection. Similarly, if a species has been eliminated it must have been ill adapted to the conditions. Adaptation or fitness is defined by modern evolutionists as survival value, and can be measured by actual success in survival: there is hardly any possibility of testing a theory as feeble as this. . . . Now to the degree that Darwinism creates the same impression, it is not so very much better than the theistic view of adaptation; it is, therefore important to show that Darwinism is not a scientific theory, but metaphysical. But its value for science as a metaphysical research programme is very great, especially if it is admitted that it may be criticized, and improved upon.
Karl Popper (Unended Quest: An Intellectual Autobiography)
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In the next three chapters I’ll catalogue the moral intuitions, showing exactly what else there is beyond harm and fairness. I’ll show how a small set of innate and universal moral foundations can be used to construct a great variety of moral matrices. I’ll offer tools you can use to understand moral arguments emanating from matrices that are not your own.
Jonathan Haidt (The Righteous Mind: Why Good People are Divided by Politics and Religion)
According to Southwest CEO Gary Kelly, a company’s purpose should answer the question, “Why do we exist?” Kelly adds, “We exist to connect people to what’s important in their lives through friendly, reliable, and low-cost air travel.”6 Only storytelling can rally passionate people around a common purpose. Each week Kelly gives a “shout out”—public praise—to employees who have gone above and beyond to show great customer service. Each month the Southwest Spirit magazine features the story of an employee who has gone above and beyond. Southwest highlights positive behaviors through a variety of recognition programs and awards. Finally, internal corporate videos are filled with real examples and stories to help employees visualize what each step of the purpose looks and feels like.
Carmine Gallo (The Storyteller's Secret: From TED Speakers to Business Legends, Why Some Ideas Catch On and Others Don't)
All told, there must have been more than a hundred people there, milling about between the makeshift tricycle track in the parking lot and the fraternity house. The freshmen had come sporting a variety of attire, from the East Coasters in polos to Southern Californians in tank tops, most trying too hard to look cool and casual at the same time. All the brothers were wearing yellow t-shirts for rush; the front depicted Curious George passed out next to a tipped-over bottle of ether. The lower right side of the back showed a small anchor with the fraternity’s letters, KΣ, on each side—it was Evan’s signature. The anchor was his way of saying, “This is an Evan Spiegel production.” Evan was born on June 4, 1990, to a pair of highly successful lawyers. His mother, Melissa Thomas, graduated from Harvard Law School and practiced tax law as a partner at a prominent Los Angeles firm before resigning to become a stay-at-home mother when Evan was young. His father, John Spiegel, graduated from Stanford and Yale Law School and became a partner at Munger, Tolles & Olson, an elite firm started by Berkshire Hathaway’s Charlie Munger. His clients included Warner Bros. and Sergey Brin.
Billy Gallagher (How to Turn Down a Billion Dollars: The Snapchat Story)
Benedict XVI often recalled that the liturgy is not supposed to be a work of personal creativity. If we make the liturgy for ourselves, it moves away from the divine; it becomes a ridiculous, vulgar, boring theatrical game. We end up with liturgies that resemble variety shows, an amusing Sunday party at which to relax together after a week of work and cares of all sorts. Once that happens, the faithful go back home, after the celebration of the Eucharist, without having encountered God personally or having heard him in the inmost depths of their heart. What is missing is this silent, contemplative, face-to-face meeting with God that transforms us and restores our energies, which allows us to reveal him to a world that is increasingly indifferent to spiritual questions. The heart of the eucharistic mystery is the celebration of the Passion and tragic death of Christ and of his Resurrection; if this mystery is submerged in long, noisy, elaborate ceremonies, we have to fear the worst. Some Masses are so hectic that they are no different from a county fair. We have to rediscover the fact that the essence of the liturgy will eternally be characterized by care in seeking God as his sons and daughters.
Robert Sarah (God or Nothing)