Fitted Bathroom Quotes

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Ill-fitting grammar are like ill-fitting shoes. You can get used to it for a bit, but then one day your toes fall off and you can't walk to the bathroom.
Jasper Fforde (One of Our Thursdays Is Missing (Thursday Next, #6))
Man has always been a venal animal. The growth of populations, the huge costs of war, the incessant pressure of confiscatory taxation – all these things make him more and more venal. The average man is tired and scared, and a tired, scared man can’t afford ideals. He has to buy food for his family. In our time we have seen a shocking decline in both public and private morals. You can’t expect quality from people whose lives are a subjection to a lack of quality. You can’t have quality with mass production. You don’t want it because it lasts too long. So you substitute styling, which is a commercial swindle intended to produce artificial obsolescence. Mass production couldn’t sell its goods next year unless it made what is sold this year look unfashionable a year from now. We have the whitest kitchens and the most shining bathrooms in the world. But in the lovely white kitchen the average [person] can’t produce a meal fit to eat, and the lovely shining bathroom is mostly a receptacle for deodorants, laxatives, sleeping pills, and the products of that confidence racket called the cosmetic industry. We make the finest packages in the world, Mr Marlowe. The stuff inside is mostly junk.
Raymond Chandler (The Long Goodbye (Philip Marlowe, #6))
We have the whitest kitchens and the most shining bathrooms in the world. But in the lovely white kitchen the average [person] can’t produce a meal fit to eat, and the lovely shining bathroom is mostly a receptacle for deodorants, laxatives, sleeping pills, and the products of that confidence racket called the cosmetic industry. We make the finest packages in the world, Mr Marlowe. The stuff inside is mostly junk.
Raymond Chandler (The Long Goodbye (Philip Marlowe, #6))
If you're dizzy at all, sit down. Just sit down wherever you are. It's better than falling. Range of motion in the shoulder?" Eve demonstrated it by raising her arms and scrubbing shampoo into her hair. "Hip?" Eve wiggled her butt and made Louise laugh. "Glad to see you're feeling frisky." "That wasn't frisky. I was mooning you, which is supposed to be insulting." "But you have such a cute little butt." "So I've always said," Roarke added. "Jesus, are you still in here? Go away, everybody go away." She flipped back her hair, turned, and let out a thin scream when Peabody walked in. "Hey! How're you feeling?" "Naked. I'm feeling naked and very crowded." "The face doesn't look half-bad." Peabody looked around. "She's in here, McNab, doing a lot better." "He comes in here," Eve said ominously, "and somebody's going to die." "Bathrooms—veritable death traps," Roarke added. "Why don't I just take Peabody and McNab, and Feeney," he added when he heard the EDD captain's voice join McNab's, "up to your office. Louise will stay until she's satisfied you're fit to return to duty." "I'm fit to kick righteous ass if one more person sees my tits this morning." She turned away again and tried to bury herself in water and steam.
J.D. Robb (Reunion in Death (In Death, #14))
I had a bizarre rapport with this mirror and spent a lot of time gazing into the glass to see who was there. Sometimes it looked like me. At other times, I could see someone similar but different in the reflection. A few times, I caught the switch in mid-stare, my expression re-forming like melting rubber, the creases and features of my face softening or hardening until the mutation was complete. Jekyll to Hyde, or Hyde to Jekyll. I felt my inner core change at the same time. I would feel more confident or less confident; mature or childlike; freezing cold or sticky hot, a state that would drive Mum mad as I escaped to the bathroom where I would remain for two hours scrubbing my skin until it was raw. The change was triggered by different emotions: on hearing a particular piece of music; the sight of my father, the smell of his brand of aftershave. I would pick up a book with the certainty that I had not read it before and hear the words as I read them like an echo inside my head. Like Alice in the Lewis Carroll story, I slipped into the depths of the looking glass and couldn’t be sure if it was me standing there or an impostor, a lookalike. I felt fully awake most of the time, but sometimes while I was awake it felt as if I were dreaming. In this dream state I didn’t feel like me, the real me. I felt numb. My fingers prickled. My eyes in the mirror’s reflection were glazed like the eyes of a mannequin in a shop window, my colour, my shape, but without light or focus. These changes were described by Dr Purvis as mood swings and by Mother as floods, but I knew better. All teenagers are moody when it suits them. My Switches could take place when I was alone, transforming me from a bright sixteen-year-old doing her homework into a sobbing child curled on the bed staring at the wall. The weeping fit would pass and I would drag myself back to the mirror expecting to see a child version of myself. ‘Who are you?’ I’d ask. I could hear the words; it sounded like me but it wasn’t me. I’d watch my lips moving and say it again, ‘Who are you?
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
I’ve been chained to my bathroom scale for two decades now. I’ve used the number on my scale to tell me if I’m valuable or not. I’ve let the number on my scale destroy many beautiful opportunities in my life such as scheduling family photos, having fun at the beach, or giving myself 100% in intimacy. I’ve let the number on the scale tell me if I should be confident in who I am. I’ve let the number on the scale tell me if I am worthy of kind thoughts from others. Ultimately, I’ve always let some ridiculous number on the bathroom scale tell me whether or not I should love myself.
Dan Pearce (Single Dad Laughing: The Best of Year One)
Without commentary, you take the scissors from him, and you cut off the rest of his hair, and then you take out his electric shaver, and you shave his hair down as close as you can. "Who's the NPC now?" you say to him. "I'm the one with the controller. I'm the one with the task." "You find your crazy roommate in the bathroom. He's cut off half of his hair in a fit of nonsensical despair. What do you do?" Sam says, imitating the form of interactive fiction. He runs his fingers through his hair. "Don't tell Sadie about any of this." "Brother, I think she'll notice." You take his head in your hands and you kiss him on the crown.
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
should not be “losing 10 pounds,” it should be something intrinsically motivating, such as “Fitting into my sexy black pants (without gastrointestinal distress).” Suddenly, your weight-loss mission starts looking more like a playful quest, with frequent victories along the way, and less like a daily weigh-in on the bathroom scale
Chip Heath (The Power of Moments: Why Certain Moments Have Extraordinary Impact)
The anxiety that has followed me through my life like a bad friend had reappeared with a vengeance and taken a brand-new form. I felt like I was outside my own body, watching myself work. I didn’t care if I succeeded or failed because I wasn’t totally sure I was alive. Between scenes I hid in the bathroom and prayed for the ability to cry, a sure sign I was real. I didn’t know why this was happening. The cruel reality of anxiety is that you never quite do. At the moments it should logically strike, I am fit as a fiddle. On a lazy afternoon, I am seized by a cold dread. In this moment I had plenty to be anxious about: pressure, exposure, a tense argument with a beloved colleague. But I had even more to be thankful for. Yet I couldn’t feel anything.
Lena Dunham (Not That Kind of Girl: A Young Woman Tells You What She's "Learned")
It's not you, it's them. It really is. And those boxes, those binaries, those bathroom signs, those rigid roles, they hurt them too, they do, they carve away at their souls and secret desires and self-esteem and believable dreams and possible wardrobes and acceptable careers just like they do ours, just it's harder for them to tell it's happening on account of no one is hassling them in the bathrooms every other day about it. They somehow just fit better in those boxes, so they can't see what fitting has cost them, not like we can.
Ivan E. Coyote (Tomboy Survival Guide)
go on hating myself forever for all the terrible things I’d done. I sank down on the toilet, sharp mental pictures of other temper fits filling my mind. I saw my anger, clenched my fists against my rage. I wouldn’t be any good for anything if I couldn’t change. My poor mother, I thought. She believes in me. Not even she knows how bad I am. Misery engulfed me in darkness. “If you don’t do this for me, God, I’ve got no place else to go.” At one point I’d slipped out of the bathroom long enough to grab a Bible. Now I opened it and began
Ben Carson (Gifted Hands: The Ben Carson Story)
Dustbin, chair, bathroom, bedroom... all kind of dirty and clean things can fit perfectly well in the house. Similarly, all kind of people can fit perfectly in life if you just define your boundaries and set your priorities right. Don’t sit near dustbin, don’t keep garbage on chair, don’t bath in bedroom and don’t sleep in bathroom.
Shunya
I sank down on the toilet, sharp mental pictures of other temper fits filling my mind. I saw my anger, clenched my fists against my rage. I wouldn’t be any good for anything if I couldn’t change. My poor mother, I thought. She believes in me. Not even she knows how bad I am. Misery engulfed me in darkness. “If you don’t do this for me, God, I’ve got no place else to go.” At one point I’d slipped out of the bathroom long enough to grab a Bible. Now I opened it and
Ben Carson (Gifted Hands: The Ben Carson Story)
There was a knock on the bedroom door and Romeo stiffened. “What!” he yelled. “I hope no one’s naked, ‘cause I’m coming in!” Braeden hollered. A few seconds later, the door opened and he stepped inside. One of his hands covered his eyes. “Is it safe?” he asked. I giggled. “Is that a no for tacos?” Romeo shook his head and rolled his eyes. “We’re dressed, man.” Braeden dropped the hand over his eyes and he zeroed in on me. It took everything in me not to shrink back from embarrassment. He came across the carpeting and held out my glasses. “Here,” he said. “I figured you might need these.” Ah, that explained why everything still looked so blurry. I slid them on and smiled as my sight adjusted back to normal. I noticed Braeden was soaking wet. “Oh!” I exclaimed. “You have to be freezing!” I rushed around the room, pulling out clothes and socks and tossing them at Braeden’s feet. “Here! Put this stuff on.” “She’s giving away your clothes, man,” Braeden said to Romeo. “Chicks.” He sighed. Braeden shook his head. “You’re dripping on the carpet!” I reminded him. He laughed and went in the bathroom to get dressed. “Just leave your clothes with ours. I’ll wash them for you,” I yelled through the door. He laughed. “Laundry service? Damn! I’m moving in.” Romeo shook his head. I yawned. This entire day was catching up to me. Romeo frowned. “I’ll make everyone leave…” He began. “No!” I exclaimed. “This is your victory party! Go enjoy it. I’ll stay here.” He seemed torn on what to do. Braeden came out wearing Romeo’s clothes (they fit him pretty well) and ran his eyes over me in concern. “You okay?” I nodded. “Did you jump in the pool to get my glasses?” He nodded. “Actually, he jumped in the pool right after I did. In case I needed help towing you out.” Romeo corrected. I glanced at Braeden for confirmation. He shrugged. “What kind of brother would I be if I let you drown?” Without thought, I walked over and wrapped my arms around him. He seemed a little taken aback by my display of affection, but after a minute, he hugged me back. “Thank you,” I whispered. “Anytime, tutor girl.” His voice was soft and his arms tightened around me just slightly. For all his witty humor, sarcastic one-liners, and jokes, Braeden was a really good guy. “We need to teach you to swim.” He observed. I shuddered. “I know how to swim.” “Well, you sank to the bottom like an anchor,” he grumbled.
Cambria Hebert (#Hater (Hashtag, #2))
Rumbling freedom is scary because at first it feels like chaos. Pronouns and bathrooms and girls taking girls to prom, oh my! But “progress” is just perpetually undoing our no-longer-true-enough systems in order to create new ones that more closely fit people as they really are. People aren’t changing, after all. It’s just that for the first time, there’s enough freedom for people to stop changing who they are. Progress is the acknowledgment of what is and what has always been. Progress is always a returning.
Glennon Doyle (Untamed)
Do you have a piece of paper I could write on?” I jump up too fast. “Sure. Just one? Do you—of course you need something to write with. Sorry. Here.” I grab him a paper from my deskdrawer and one of my myriad pencils, and he uses the first Children of Hypnos book as a flat surface to write on. When I’m sure he’s writing something for me to read right now, I say, “I thought you only needed to do that when other people were around?” He etches one careful line after the next. He frowns, shakes his head. “Sometimes it’s . . . tough to say things. Certain things.” His voice is hardly a whisper. I sit down beside him again, but his big hand blocks my view of the words. He stops writing, leaves the paper there, and stares. Then he hands it to me and looks the other direction. Can I kiss you? “Um,” is a delightfully complex word. “Um” means “I want to say something but don’t know what it is,” and also “You have caught me off guard,” and also “Am I dreaming right now? Someone please slap me.” I say “um,” then. Wallace’s entire head-neck region is already flushed with color, but the “um” darkens it a few shades, and goddammit, he was nervous about asking me and I made it worse. What good is “um” when I should say “YES PLEASE NOW”? Except there’s no way I’m going to say “YES PLEASE NOW” because I feel like my body is one big wired time bomb of organs and if Wallace so much as brushes my hand, I’m going to jump out of my own skin and run screaming from the house. I’ll like it too much. Out of control. No good. I say, “Can I borrow that pencil?” He hands me the pencil, again without looking. Yes, but not right now. I know it sounds weird. Sorry. I don’t think it’ll go well if I know it’s coming. I will definitely freak out and punch you in the face or scream bloody murder or something like that. Surprising me with it would probably work better. I am giving you permission to surprise me with a kiss. This is a formal invitation for surprise kisses. I don’t like writing the word “kiss.” It makes my skin crawl. Sorry. It’s weird. I’m weird. Sorry. I hope that doesn’t make you regret asking. I hand the paper and pencil back. He reads it over, then writes: No regret. I can do surprises. That’s it. That’s it? Shit. Now he’s going to try to surprise me with a kiss. At some point. Later today? Tomorrow? A week from now? What if he never does it and I spend the rest of the time we hang out wondering if he will? What have I done? This was a terrible idea. I’m going to vomit. “Be right back,” I say, and run to the bathroom to curl up on the floor. Just for like five minutes. Then I go back to my room and sit down beside Wallace. As I’m moving myself into position, his hand falls over mine, and I don’t actually jump out of my skin. My control shakes for a moment, but I turn in to it, and everything smooths out. I flip my hand over. He flexes his fingers so I can fit mine in the spaces between. And we sit there, shoulder to shoulder, with our hands resting on the bed between us. It’s not so bad
Francesca Zappia (Eliza and Her Monsters)
Decades ago, I'm told, my sister-in-law...was stepping out of the shower in the bathroom of her all-women's dorm, and she heard the call "Men on the floor!" At many schools, this would have been a non-event, but she was in a highly conservative religious college. She was naked. She had only a small towel to cover herself, and there were men prowling the hallways. She could hear them. She waited, but they didn't go away. So she began to think about which part of her body to cover with the towel. It barely fit across her bottom or her top. It certainly didn't cover both. She had to make a choice. Finally, she had an inspired idea. She threw the towel over her head and scampered naked to her room. Given the options, it was more important for her to cloak her identity than her body.
Stephen Baker (The Numerati)
She blinked once before the most brilliant smile lit up her face. “Just when I think I can’t possibly love you even more, you do something incredibly unexpected. Thank you.” The ground shifted beneath him the tiniest bit every time she told him she loved him. She’d confessed the first time two days after he’d saved her from Einar. He’d been waiting for the right moment but she’d beat him to it. The only positive thing to come out of that bastard Einar infiltrating the mountain sector was that they’d patched up a security hole. He still wasn’t certain what the male had wanted; probably just to cause as much destruction as he could. It didn’t matter now. “I love you too.” He moved toward her, planning to show her just how much. But she shook her head and waved some wand thing at him. She used it to do something to her eyebrows. Since she’d moved all her stuff into his room he’d discovered that females took up a lot of space. “I know that look. We don’t have time.” She disappeared into the bathroom once again. This time he followed, his body already humming with the need to be inside her. “We have plenty of time.” She’d invited half a dozen females from their sector as well as their mates tonight to celebrate the unanimous change in the Ducereco law. They’d also started plans on her new project. Things were about to change for his people and he knew it was for the better. Shaking her head, she turned away from him and faced the mirror. That would not deter him. If anything, the sight of her pert ass made him even harder. Her tunic only covered the top half, making him crazy as he moved up behind her. He slid his hands up her hips and under her tunic until he grasped the thin scrap of material of her sheer panties and slid them down her legs. She’d paused what she was doing and watched him in the mirror, her own hunger sparking as wild as his. He moved in close, pressing his erection against her back. Leaning down, he brushed her hair to one side and nuzzled her neck. He never got tired of her sweet scent or the perfect way she fit right up against him. “Maybe we have some extra time,” she murmured, her eyes going heavy-lidded as they met his in the mirror. -Leilani & Con
Savannah Stuart (Claimed by the Warrior (Lumineta, #3))
I brushed my teeth like a crazed lunatic as I examined myself in the mirror. Why couldn’t I look the women in commercials who wake up in a bed with ironed sheets and a dewy complexion with their hair perfectly tousled? I wasn’t fit for human eyes, let alone the piercing eyes of the sexy, magnetic Marlboro Man, who by now was walking up the stairs to my bedroom. I could hear the clomping of his boots. The boots were in my bedroom by now, and so was the gravelly voice attached to them. “Hey,” I heard him say. I patted an ice-cold washcloth on my face and said ten Hail Marys, incredulous that I would yet again find myself trapped in the prison of a bathroom with Marlboro Man, my cowboy love, on the other side of the door. What in the world was he doing there? Didn’t he have some cows to wrangle? Some fence to fix? It was broad daylight; didn’t he have a ranch to run? I needed to speak to him about his work ethic. “Oh, hello,” I responded through the door, ransacking the hamper in my bathroom for something, anything better than the sacrilege that adorned my body. Didn’t I have any respect for myself? I heard Marlboro Man laugh quietly. “What’re you doing in there?” I found my favorite pair of faded, soft jeans. “Hiding,” I replied, stepping into them and buttoning the waist. “Well, c’mere,” he said softly. My jeans were damp from sitting in the hamper next to a wet washcloth for two days, and the best top I could find was a cardinal and gold FIGHT ON! T-shirt from my ‘SC days. It wasn’t dingy, and it didn’t smell. That was the best I could do at the time. Oh, how far I’d fallen from the black heels and glitz of Los Angeles. Accepting defeat, I shrugged and swung open the door. He was standing there, smiling. His impish grin jumped out and grabbed me, as it always did. “Well, good morning!” he said, wrapping his arms around my waist. His lips settled on my neck. I was glad I’d spritzed myself with Giorgio. “Good morning,” I whispered back, a slight edge to my voice. Equal parts embarrassed at my puffy eyes and at the fact that I’d slept so late that day, I kept hugging him tightly, hoping against hope he’d never let go and never back up enough to get a good, long look at me. Maybe if we just stood there for fifty years or so, wrinkles would eventually shield my puffiness. “So,” Marlboro Man said. “What have you been doing all day?” I hesitated for a moment, then launched into a full-scale monologue. “Well, of course I had my usual twenty-mile run, then I went on a hike and then I read The Iliad. Twice. You don’t even want to know the rest. It’ll make you tired just hearing about it.” “Uh-huh,” he said, his blue-green eyes fixed on mine. I melted in his arms once again. It happened any time, every time, he held me. He kissed me, despite my gold FIGHT ON! T-shirt. My eyes were closed, and I was in a black hole, a vortex of romance, existing in something other than a human body. I floated on vapors. Marlboro Man whispered in my ear, “So…,” and his grip around my waist tightened. And then, in an instant, I plunged back to earth, back to my bedroom, and landed with a loud thud on the floor. “R-R-R-R-Ree?” A thundering voice entered the room. It was my brother Mike. And he was barreling toward Marlboro Man and me, his arms outstretched. “Hey!” Mike yelled. “W-w-w-what are you guys doin’?” And before either of us knew it, Mike’s arms were around us both, holding us in a great big bear hug. “Well, hi, Mike,” Marlboro Man said, clearly trying to reconcile the fact that my adult brother had his arms around him. It wasn’t awkward for me; it was just annoying. Mike had interrupted our moment. He was always doing that.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
His months of teaching experience were now a lost age of youth and innocence. He could no longer sit in his office at Fort McNair, look out over the elm trees and the golf course, and encompass the world within "neat, geometric patterns" that fit within equally precise lectures. Policy planning was a very different responsibility, but explaining just how was "like trying to describe the mysteries of love to a person who has never experienced it." There was, however, an analogy that might help. "I have a largish farm in Pennsylvania."...it had 235 acres, on each of which things were happening. Weekends, in theory, were days of rest. But farms defied theory: Here a bridge is collapsing. No sooner do you start to repair it than a neighbor comes to complain about a hedge row which you haven't kept up half a mile away on the other side of the farm. At that very moment your daughter arrives to tell you that someone left the gate to the hog pasture open and the hogs are out. On the way to the hog pasture, you discover that the beagle hound is happily liquidating one of the children's pet kittens. In burying the kitten you look up and notice a whole section of the barn roof has been blown off and needs instant repair. Somebody shouts from the bathroom window that the pump has stopped working, and there's no water in the house. At that moment, a truck arrives with five tons of stone for the lane. And as you stand there hopelessly, wondering which of these crises to attend to first, you notice the farmer's little boy standing silently before you with that maddening smile, which is halfway a leer, on his face, and when you ask him what's up, he says triumphantly 'The bull's busted out and he's eating the strawberry bed'. Policy planning was like that. You might anticipate a problem three or four months into the future, but by the time you'd got your ideas down on paper, the months had shrunk to three to four weeks. Getting the paper approved took still more time, which left perhaps three or four days. And by the time others had translated those ideas into action, "the thing you were planning for took place the day before yesterday, and everyone wants to know why in the hell you didn't foresee it a long time ago." Meanwhile, 234 other problems were following similar trajectories, causing throngs of people to stand around trying to get your attention: "Say, do you know that the bull is out there in the strawberry patch again?
John Lewis Gaddis (George F. Kennan: An American Life)
Marlboro Man’s call woke me up the next morning. It was almost eleven. “Hey,” he said. “What’s up?” I hopped out of bed, blinking and stumbling around my room. “Who me? Oh, nothing.” I felt like I’d been drugged. “Were you asleep?” he said. “Who, me?” I said again, trying to snap out of my stupor. I was stalling, trying my darnedest to get my bearings. “Yes. You,” he said, chuckling. “I can’t believe you were asleep!” “I wasn’t asleep! I was…I just…” I was a loser. A pathetic, late-sleeping loser. “You’re a real go-getter in the mornings, aren’t you?” I loved it when he played along with me. I rubbed my eyes and pinched my own cheek, trying to wake up. “Yep. Kinda,” I answered. Then, changing the subject: “So…what are you up to today?” “Oh, I had to run to the city early this morning,” he said. “Really?” I interrupted. The city was over two hours from his house. “You got an early start!” I would never understand these early mornings. When does anyone ever sleep out there? Marlboro Man continued, undaunted. “Oh, and by the way…I’m pulling into your driveway right now.” Huh? I ran to my bathroom mirror and looked at myself. I shuddered at the sight: puffy eyes, matted hair, pillow mark on my left cheek. Loose, faded pajamas. Bag lady material. Sleeping till eleven had not been good for my appearance. “No. No you’re not,” I begged. “Yep. I am,” he answered. “No you’re not,” I repeated. “Yes. I am,” he said. I slammed my bathroom door and hit the lock. Please, Lord, please, I prayed, grabbing my toothbrush. Please let him be joking. I brushed my teeth like a crazed lunatic as I examined myself in the mirror. Why couldn’t I look the women in commercials who wake up in a bed with ironed sheets and a dewy complexion with their hair perfectly tousled? I wasn’t fit for human eyes, let alone the piercing eyes of the sexy, magnetic Marlboro Man, who by now was walking up the stairs to my bedroom. I could hear the clomping of his boots. The boots were in my bedroom by now, and so was the gravelly voice attached to them. “Hey,” I heard him say. I patted an ice-cold washcloth on my face and said ten Hail Marys, incredulous that I would yet again find myself trapped in the prison of a bathroom with Marlboro Man, my cowboy love, on the other side of the door. What in the world was he doing there? Didn’t he have some cows to wrangle? Some fence to fix? It was broad daylight; didn’t he have a ranch to run? I needed to speak to him about his work ethic. “Oh, hello,” I responded through the door, ransacking the hamper in my bathroom for something, anything better than the sacrilege that adorned my body. Didn’t I have any respect for myself? I heard Marlboro Man laugh quietly. “What’re you doing in there?” I found my favorite pair of faded, soft jeans. “Hiding,” I replied, stepping into them and buttoning the waist. “Well, c’mere,” he said softly.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
After showering and picking out the perfect outfit—a magenta colored dress that had a fitted top and a flared skirt attached—I styled my hair, clasping it at the sides with two white ribbons. When I stared at my reflection in the bathroom mirror, I hoped that the Jackson family would approve.
Katrina Kahler (The Lost Girl - Part One: Books 1, 2 and 3: Books for Girls Aged 9-12)
To a text-based life-form, unpredictable syntax and poor grammar is a source of huge discomfort. Ill-fitting grammar are like ill-fitting shoes. You can get used to it for a bit, but then one day your toes fall off and you can’t walk to the bathroom. Poor syntax is even worse. Change word order and a sentence useless for anyone Yoda except you have.
Jasper Fforde (One of Our Thursdays Is Missing (Thursday Next, #6))
Pronouns and bathrooms and girls taking girls to prom, oh my! But “progress” is just perpetually undoing our no-longer-true-enough systems in order to create new ones that more closely fit people as they really are. People aren’t changing, after all. It’s just that for the first time, there’s enough freedom for people to stop changing who they are. Progress is the acknowledgment of what is and what has always been. Progress is always a returning.
Glennon Doyle (Untamed)
We fall into a familiar rhythm of filthy kisses and eager hands. Soon we're shedding our clothing onto the floor. "Mmm, shower," Max mutters against my lips. "I need a shower. I'm so dirty right now." I lean away, playfully pulling out of his hold, and walk down the hallway to stand by the bathroom door. "You know, if I'm gonna move in, first I think I'd like a tour of the bathroom, specifically the shower. I need to know what kind of water pressure this place has before I commit to anything." A mischievous gleam flashes in his eyes. "You've been in that shower once or twice before. And you seemed to enjoy your time in there, if I remember correctly." "True, but I think I need to test it out one more time. Just to be sure I know what I'm getting." That half smile I love so much appears. As I stand there, I soak in the bliss of this moment. Max and I are together. After eighteen months of harboring secret crushes on each other, a million friendly conversations---and a few super-awkward ones---and all the conflict and work upheaval and family struggles, we're here. Together. Back in each other's arms and crazy in love. The motion of his muscled, beautifully tattooed arm yanking off his shirt pulls me back to the very hot moment unfolding. He walks over to me and hoists me over his shoulder. I squeal before falling into a fit of giggles. "Allow me to give you an up-close-and-personal grand tour of the shower," he says. "And the bedroom after that?" "Absolutely." And for the next few hours, Max Boyson gives me one hell of a grand tour.
Sarah Echavarre Smith (The Boy With the Bookstore)
Do you want your home products like an Over the Door storage organizer? Do you enjoy the opportunity to display up your specific way? Users might obtain three objectives with the correct Door hooks. Without their large assortment of hooks and hangers, you can put your clothes back, robes, and towels off the floor and out of crowded cabinets. Choose the coat hooks over door and wall hangers that are right for you. You'll find multicolored hooks that may brighten up a child's room or create a pop of color to a hallway or bathroom wall. You'll find a variety of hooks with clean cuts and outlines if you want modern and glossy. We also have round and classical Door hooks Hanger, as well as individual hooks and wall hanging rows — Basically any type of hook you could possibly want or require. You can also choose from a range of materials, including wood, plastic, and metals, in a range of sizes to suit your tastes and needs. For the correct spot, the perfect coat hooks over door Numerous hangers will fit depending on what you want to attach and where you want to hang it. Our over the door storage organizer can be used in a variety of ways. Some are strung in predefined rows, while others are hung individually so you may pick how you want them to hang. Larger hooks can also be used to hang heavy clothing, whereas smaller hooks can be used to hang hand towels or dish cloths.
unjumbly
EU regulations on heat emissions, on light pollution, on bathroom fittings and a hundred other things, even though I seem to remember we voted to leave.
Richard Osman (The Thursday Murder Club (Thursday Murder Club, #1))
The word brings me back to earth hard as he unlocks the door. My adrenaline high fades and I realize I’m standing in an airplane bathroom on my way to a law school where I’ll never fit in, my dick covered with the spit of a complete stranger who wrecked me and didn’t even get hard. He’ll go home and tell his rich, suit-wearing friends all about my face, my cock, the sounds I made, so they can snicker into their champagne flutes. He’ll leave me alone like this, stupid and lost and saddled with secrets that have gotten so much heavier I don’t know how I’m going to carry them.
Riley Nash (Make Me Fall (Water, Air, Earth, Fire, #2))
AMERICAN WHEAT OR RYE BEER Refreshing wheat or rye beers can display more hop character and less yeast character than their German cousins. This is a beginner-level style that can be brewed by extract or all-grain methods. Ferments at 65° F (18° C). OG FG IBU Color Alcohol 1.040-1.055 (10-13.6 °P) 1.008-1.013 (2.1-3.3 °P) 15-30 3-6 SRM 6-12 EBC 4-5.5% ABV 3.2-4.3% ABW Keys to Brewing American Wheat or Rye Beer: This easy-drinking beer style usually has a subtly grainy wheat character, slightly reminiscent of crackers. The hop flavor and aroma are more variable, with some versions having no hop character, while others have a fairly noticeable citrus or floral flair. Even when the hops are more prominent, they should not be overwhelming, and the hop bitterness should be balanced. The rye version of this style has a slight spicy, peppery note from the addition of rye in place of some or all of the wheat. The key mistake many brewers make is in assuming that American wheat beer should be similar to German hefeweizen. However, this style should not have the clove and banana character of a hefeweizen. This beer should not be as malty (bready) as a German hefeweizen, either, so all-grain brewers will want to use a less malty American two-row malt. To get the right fermentation profile, it is important to use a fairly neutral yeast strain, one that doesn’t produce a lot of esters like the German wheat yeasts do. While you can substitute yeast like White Labs WLP001 California Ale, Wyeast 1056 American Ale, or Fermentis Safale US-05, a better choice is one that provides some crispness, such as an altbier or Kölsch yeast, and fermentation at a cool temperature. RECIPE: KENT'S HOLLOW LEG It was the dead of winter and I was in Amarillo, Texas, on a business trip with Kent, my co-worker. That evening at dinner I watched as Kent drank a liter of soda, several glasses of water, and three or four liters of American wheat beer. I had a glass of water and one liter of beer, and I went to the bathroom twice. Kent never left the table. When I asked Kent about his superhuman bladder capacity, he thought it was due to years of working as a programmer glued to his computer and to the wonderful, easy-drinking wheat beer. This recipe is named in honor of Kent’s amazing bladder capacity. This recipe has a touch more hop character than many bottled, commercial examples on the market, but a lot less than some examples you might find. If you want less hop character, feel free to drop the late hop additions. If you really love hops and want to make a beer with lots of hop flavor and aroma, increase the late hop amounts as you see fit. However, going past the amounts listed below might knock it out of consideration in many competitions for being “too hoppy for style,” no matter how well it is brewed. OG: 1.052 (12.8 °P) FG: 1.012 (3.0 °P) ADF: 77% IBU: 20 Color: 5 SRM (10 EBC) Alcohol: 5.3% ABV (4.1% ABW) Boil: 60 minutes Pre-Boil Volume: 7 gallons (26.5L) Pre-Boil Gravity: 1.044 (11.0 °P) Extract Weight Percent Wheat LME (4 °L) 8.9 lbs. (4.03kg) 100 Hops   IBU Willamette 5.0% AA, 60 min. 1.0 oz. (28g) 20.3 Willamette 5.0% AA, 0 min. 0.3 oz. (9g) 0 Centennial 9.0% AA, 0 min. 0.3 oz. (9g) 0 Yeast White Labs WLP320 American Hefeweizen, Wyeast 1010 American Wheat, or Fermentis Safale US-05 Fermentation and Conditioning Use 10 grams of properly rehydrated dry yeast, 2 liquid yeast packages, or make a starter. Ferment at 65° F (18° C). When finished, carbonate the beer to approximately 2.5 volumes. All-Grain Option Replace the wheat extract with 6 lbs. (2.72kg) American two-row malt and 6 lbs. (2.72kg) wheat malt. Mash at 152° F (67° C). Rye Option This beer can also be made with a portion of malted rye. The rye gives the beer a slightly spicy note and adds a certain creamy mouthfeel. Replace the wheat extract with 6 lbs. (2.72kg) American two-row malt, 3.75 lbs. (1.70kg) rye malt, and 3 lbs. (1.36kg) wheat malt. Mash at 152° F (67° C).
John J. Palmer (Brewing Classic Styles: 80 Winning Recipes Anyone Can Brew)
Austen, I think I got it this time. Let me try to see if this fits. Here are some words for what you are describing. First, you are motivated to clean your bathroom because it does need it. You can even understand your mother’s demand that you clean it, because it is a pit! And it is your responsibility, right?” Austen nods approval. “And you feel a sense of urgency to get your laptop back, too. Right?” Austen nods in the affirmative again. “In fact, you would do almost anything to get your laptop back. Right?” One more time Austen is tracking my logic. “It’s just that you can’t connect cleaning your bathroom and getting the laptop back, because they aren’t related. Right?” “Sure,” Austen says. “It is so obvious that these things aren’t related, and Mother is always trying this stuff. It never works, so why does she bother?” I smile with Austen’s realization. “Actually, this type of approach is used by lots of parents, and it seldom works with teenagers. We parents think that if we withhold a privilege or a favorite item, we’ll get our kids to mind and do things like clean a bathroom. It doesn’t work, and all that happens is a power struggle. But let’s give Mom some slack here and work out your dilemma.” Austen is ready. I explain, “I think the problem is that we need to connect up your motivation to clean your bathroom to your responsibility to clean your bathroom with a call to action to actually clean your bathroom. That will satisfy the urgency you feel to get back your laptop. You’ll get a clean bathroom. You can please your mother. She will be motivated to give you back your laptop even though the laptop has nothing to do with a clean bathroom. This is a win-win solution Austen. You already have motivation, a sense of responsibility, and a feeling of urgency. The only thing that is missing for you is a call to action. That’s the missing piece you keep calling the “not doing it” part. Are you ready to connect the dots?” Austen’s eyes widen, and he smiles. “Yes that’s it!” he says. “I am missing the call to action part.
Kathy J. Marshack (Out of Mind - Out of Sight : Parenting with a Partner with Asperger Syndrome (ASD) ("ASPERGER SYNDROME" & Relationships: (Five books to help you reclaim, refresh, and perhaps save your life) Book 3))
In the trade, moves are known to cause “relocation trauma,” physically and emotionally, for the frail elderly person, already sick and scared, and for the adult children, who must orchestrate everything. The most dramatic example of relocation trauma occurred during Hurricane Katrina and a subsequent series of Gulf Coast storms, when long-term mortality and morbidity was significantly worse for the elders “successfully” relocated than those “sheltered in place.” In other words, those who survived by being bused out of the eye of the storm to higher ground died subsequently at rates much higher than those who remained behind. The main causes of death were twofold: deadly urinary tract infections from catheters inserted for the long bus journey; and falls, leading to broken hips and their cascade of health risks—for instance, if a previously healthy nursing home resident took a tumble while looking for the bathroom in an unfamiliar place or while wearing ill-fitting slippers borrowed after fleeing without all her own belongings.
Jane Gross (A Bittersweet Season: Caring for Our Aging Parents--and Ourselves)
I sit on the bathroom floor, wiping my eyes with toilet paper and doing my best to cover my nose. A loud knock interrupts my crying fit. “Brittany, you in there?” Alex’s voice comes through the door. “No.” “Please come out.” “No.” “Then let me in.” “No.” “I want to teach you somethin’ in Spanish.” “What?” “No es gran cosa.” “What does it mean?” I ask, the tissue still on my face. “I’ll tell you if you let me in.” I turn the knob until it clicks. Alex steps inside. “It means it’s not a big deal.” After locking the door behind him, he crouches beside me and takes me in his arms, pulling me close. Then he sniffs a few times. “Holy shit. Was Paco in here?” I nod. He smoothes my hair and mutters something in Spanish. “What did my mother say to you?” I bury my face in his chest. “She was just being honest,” I mumble into his shirt. A loud knock at the door interrupts us. “Abre la puerta, soy Elena.” “Who’s that?” “The bride.” “Let me in!” Elena commands. Alex unlocks the door. A vision in white ruffles with dozens of dollar bills safety-pinned to the back of her dress squeezes her way into the bathroom, then shuts the door behind her. “Okay, what’s goin’ on?” She, too, sniffs a bunch of times. “Was Paco in here?” Alex and I nod. “What the fuck does that guy eat that it comes out his other end smelling so rotten? Dammit,” she says, wadding up tissue and putting it over her nose.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Weren’t you fucking somebody else last week, Friday?” I blurt out. I want to take it back immediately because it hangs there in the air between us like a bomb about to explode. “What?” she asks, and her voice goes soft. “Last week it was a different guy who took you to lunch.” I grumble to myself and get up, pretending to clean the counter. She thinks it over. “You mean Cody?” “How many are there?” She blinks hard. What the fuck? Friday never cries. Ever. I take a step toward her, and she steps back, putting her hand up like she’s going to push the air around me back. “How dare you?” she breathes. A tear falls over her lashes, and she swipes it away and then looks down at the back of her wet hand like she doesn’t know what the fuck a tear is. “Friday,” I say. I step toward her again. I soften my voice because I have no idea what to do. I have never seen this Friday before. I have only seen the one who can eat my balls for lunch. Hell, she’ll feed my balls to me if I piss her off enough. And make me like it. Four years and I have never seen her shed a tear. She turns around and runs into the bathroom, slamming the door behind her. I lean my ear against the door and listen, but I can’t hear anything over the sound of the fan. I knock. She doesn’t answer. “Dammit,” I swear. I lean my forehead against the door. “Leave her alone,” I hear from behind me. I turn around because Logan is talking. “I can’t,” I say to him. I knock again, but she doesn’t answer. “Just leave her the fuck alone,” he says again. He’s pissed, I can tell. “You have a client.” He waves toward my customer like he’s Vanna Fucking White. “Work to do. So, you might want to get to it.” I heave a sigh and look at my client. “Just a moment,” I say. “Take your time,” he says with a grin. He’s loving the show, apparently. I pull my keys from my pocket and fit the key in the lock. I hesitate long enough for Logan to notice. “You shouldn’t,” he warns. I know I shouldn’t, but I am. I turn the key and let myself into the room. I find Friday washing her face. “What the fuck, Paul!” she cries. She turns back to the mirror and dabs beneath her eyes. She looks at me in the mirror. “Get out.” I close the door behind me and lean against it. “Why are you crying?” “I don’t know,” she bites out. But another tear slides down her cheek. “Fucking hormones,” she says as she swipes it away. All this because she has her period? I know better than to say that out loud. “Oh,” I say instead. She turns to face me, hitching her hip against the sink. She crosses her arms beneath her breasts, which pushes them up and makes little pillows over the top of that low-cut dress she’s wearing. My God. I look up at her face. She smirks at me. I like a smirking Friday a lot better than one who’s crying because I don’t know what do with tears. Not from her. “I didn’t mean to hurt your feelings,” I blurt out when she just glares at me. “Yes, you did.” “No, I didn’t.” “Yes, you did.
Tammy Falkner (Proving Paul's Promise (The Reed Brothers, #5))
Go change, Rach.” “What, you don’t like what I’m wearing now?” I laughed humorlessly and grabbed the shirt from him. He smiled wickedly at me and leaned over so his lips were at my ear. “You look so . . . very . . .” His lips brushed my ear before he leaned back. I cleared my throat and tried not to lean toward him. “I look what? Edible?” I asked, pointing at my newest addition to my shirt. Sucking on the metal in his lip, he gave me a once-over, and when his eyes came back up to mine they were heated. Completely not fitting his next statement. “I was going to say disgusting. But sure, edible works too.” “You’re such an asshole.” I smacked his arm and turned toward the bathroom. He laughed and backed up in the direction of the dining area. “Cheer up, Sour Patch.” Until
Molly McAdams (Forgiving Lies (Forgiving Lies, #1))
But you don’t wear an engagement ring.” “I don’t have one.” He studied the bangle, turning it slowly around. “What kind of man proposes without a ring?” She explained, then, that there had not been a proposal, that she hardly knew Navin. She was looking away, at a dried-out plant on the terrace, but she felt his eyes on her, intrigued, unafraid. “Then why are you marrying him?” She told him the truth, a truth she had not told anybody. “I thought it might fix things.” He did not question her further. Unlike her friends back in America, who either thought she was doing something outrageously stupid or thrillingly bold, Kaushik neither judged nor commended her, and the formal presentation of the facts, the declaration that she was taken, opened the door. Only his kisses, rough, aggressive kisses that were nothing like Navin’s schoolboy behavior at her door, made Hema feel guilty. But the rest of what they did that night felt fresh, new, because she and Navin had never done them before, and there was nothing with which to compare. Navin had never looked at her body unclothed, never explored her with his hands, never told her she was beautiful. Hema remembered that it was Kaushik’s mother who had first paid her that compliment, in a fitting room shopping for bras, and she told this to Kaushik. It was the first mention, between them, of his mother, and yet it did not cause them to grow awkward. If anything it bound them closer together, and Hema knew, without having to be told, that she was the first person he’d ever slept with who’d known his mother, who was able to remember her as he did. His bare feet were warm, surprisingly smooth against her soles as they lay afterward side by side. He slept on his back and at one point was startled awake by a nightmare, lunging forward and springing off the edge of the bed before falling asleep again. It was Hema who stayed awake, listening to him breathing, craving his touch again as light came into the sky. In the morning, looking into the small mirror over the sink in Kaushik’s bathroom, she saw that the area around her lips, at the sides of her mouth, was covered with small red bumps. And she was pleased by that unbecoming proof, pleased that already he had marked her.
Jhumpa Lahiri (Unaccustomed Earth)
Say, girl,” a woman called out to my mother in the late 1950s when she was on her way, in her tailored suit and heels, to decorate and fit slip covers in Cleveland Park, a wealthy neighborhood in Washington, D.C. “Could you come up here and clean my bathroom?” “I’m looking for someone to clean mine,” my mother yelled back to the woman. Ida
Isabel Wilkerson (The Warmth of Other Suns: The Epic Story of America's Great Migration)
But even though I sequester myself in my dark bedroom, I know he stays. . . And when he hears me throwing up in the upstairs bathroom, he comes in to hold back my hair. He tucks me back in bed when I'm done, then frequently replaces a cool towel over my forehead throughout the night while I sleep in scattered, fitful increments.
Tarah DeWitt (Savor It)
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my biggest motivation to keep my weight down is knowing I won’t be able to fit in my kitchen or bathroom if I put on too many extra pounds.
Freida McFadden (The Boyfriend)
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Our expertise at Van Countertops is with helping out customers choose the best countertop for their kitchen or bathroom. We have a great selection of materials to choose from including marble, quartz and laminate. We can remove and install countertops making sure it fits perfectly for your space. Highly rated, we are one of the top rated countertop installation company in Vancouver.
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The precious money Fiona’s mum gifted them as a housewarming gift, and more than they believed she had tucked away, is just enough to pay a plumber to fit a new boiler and replace the pipes in the kitchen and bathroom that make the sounds of a submarine running aground. A home-improvement loan, through the bank where Fiona works, must cover the roof’s repair, or replacement, a new fuse-box and wiring. New windows will have to wait until they can afford them. When he’s got work coming in again. To remain buoyant, to keep his nose and mouth above the choppy surface of the deepest, most precarious waters he’s ever swum – the mortgage he can’t really afford on a house that needs everything doing to it – his focus must remain upon one task at a time. One room and then another. Or he will be consumed, will drown. He knows this and tells himself this fact over and over.
Adam L.G. Nevill (Cunning Folk)
This formula, which should last for several uses, feels as fresh and clean as a spa facial—at a fraction of the cost! ½ cup garbanzo (chickpea) flour 1½ tablespoons turmeric Odorless cooking oil Water Mix the flour and turmeric in a container with a tight fitting lid. Keep it in a dry place in or near the bathroom. To make the mask, mix about 1 tablespoon of the flour mixture in a small dish with about 5 drops of oil. Add enough water to make a paste. It should be the consistency of cake batter.
Bharat B. Aggarwal (Healing Spices: How to Use 50 Everyday and Exotic Spices to Boost Health and Beat Disease)
When you learn to ride a bike, ice skate, or downhill ski, the first thing you’re taught is how to stop. It’s an essential skill because if things start heading the wrong direction, you can stop and limit the damage. This same skill is necessary with conversations that have the potential to go off the rails and create lasting damage. When someone blindsides you and says something that triggers you, find the brakes, so you can hit that Pause button. This can be tricky because, by nature, we often aren’t patient communicators. We expect responses right away and feel compelled to offer the same. I’m inviting you to challenge that and request a little time to gather your thoughts. It can happen faster than you think, so I advise my clients to make simple requests that allow them to Pause. Some examples include: • Let me catch my breath here. • Can we find a place to sit down to talk about this? • Give me a moment to close my door. • Let me go to the bathroom/let the dog out/fill my coffee, and then I will give you my undivided attention. The truth is, your brain needs time to overcome some of your initial reactions and access other choices.
Darcy Luoma (Thoughtfully Fit: Your Training Plan for Life and Business Success)
Micro-studios are very trendy right now, Ms. Mascolo.” I am standing in the tiniest apartment I’ve ever seen. My real estate broker, Cindy, has now shown me three apartments, each smaller than the last. This one is only seventy square feet. Yes, that’s right. Seven-zero. I need to suck in my breath to fit into the room. There are coffins larger than this apartment. “And it’s furnished,” Cindy adds, gesturing at the small sofa pushed against the wall, and the tiny desk smashed into a corner. There’s even a mini-fridge on the side of the sofa, doubling as an end table. “You’ll just need a microwave and maybe some sort of hot pot.” “What about a closet?” I ask around the bile rising in my throat. Cindy pushes aside a faded yellow curtain and there it is: what may be my new closet. It’s roughly one-sixth the size of my current clothing space. I’ll have to get rid of most of what I own if I move in here. I glance around again, sure I’ve missed something. “What about sleeping?” I’m certain Cindy’s going to inform me that sleeping standing up is all the rage right now, but instead, she gestures at a set of stairs leading to a nook just above our heads. No wonder the ceiling is so low. “You’ve got an upstairs bedroom,” Cindy says, without cracking the smile that I feel such a statement clearly deserves. I climb the stairs, which is more of a ladder than a staircase. It leads to a tiny nook above the apartment where I can put a mattress. When I’m lying there, I will have about a foot of space between my nose and the ceiling. The coffin metaphor is becoming more and more apt. “What about a bathroom?” I ask. “There’s one in the hallway. You’ll share it with four other residents.
Freida McFadden (The Ex)
Companies don't want anyone telling them how to deal with their workers  -- they never have; they never will. Stores don't want anyone telling them how to design their entrances; how many steps they can have (or can't have); how heavy their doors can be. Yet they accept their city's building and fire codes, dictating to them how many people they can have in their restaurants, based on square footage, so that the place will not be a fire hazard. They accept that the city can inspect their electrical wiring to ensure that it "meets code" before they open for business. Yet they chafe if an individual wants an accommodation. Because, it seems, it is seen as "special for the handicapped," most of whom likely don't deserve it. Accommodation is fought doubly hard when it is seen to be a way of letting "the disabled" have a part of what we believe is for "normal" people. Although no access code, anywhere, requires them, automatic doors remain the one thing, besides flat or ramped entrances, that one hears about most from people with mobility problems: they need automatic doors as well as flat entrances. Yet no code, anywhere, includes them; mandating them would be "going too far"; giving the disabled more than they have a right to. A ramp is OK. An automatic door? That isn't reasonable. At least that's what the building lobby says. Few disability rights groups, anywhere, have tried to push for that accommodation. Some wheelchair activists are now pressing for "basic, minimal access" in all new single-family housing, so, they say, they can visit friends and attend gatherings in others' homes. This means at least one flat entrance and a bathroom they can get into. De-medicalization No large grocery or hotel firm, no home-and-garden discount supply center would consider designing an entrance that did not include automatic doors. They are standard in hotels and discount warehouses. Not, of course, for the people who literally can not open doors by themselves  -- for such people are "the disabled": them, not us. Firms that operate hotels, groceries and building supply stores fight regulations that require they accommodate "the disabled." Automatic doors that go in uncomplainingly are meant for us, the fit, the nondisabled, to ensure that we will continue to shop at the grocery or building supply center; to make it easy for us to get our grocery carts out, our lumber dollies to our truck loaded with Sheetrock for the weekend project. So the bellhops can get the luggage in and out of the hotel easily. When it is for "them," it is resisted; when it is for "us," however, it is seen as a design improvement. Same item; different purpose
Mary Johnson (Make Them Go Away: Clint Eastwood, Christopher Reeve & The Case Against Disability Rights)
But letting old structures burn can feel uncomfortable and disorienting. Rumbling freedom is scary because at first it feels like chaos. Pronouns and bathrooms and girls taking girls to prom, oh my! But “progress” is just perpetually undoing our no-longer-true-enough systems in order to create new ones that more closely fit people as they really are. People aren’t changing, after all. It’s just that for the first time, there’s enough freedom for people to stop changing who they are. Progress is the acknowledgment of what is and what has always been. Progress is always a returning.
Glennon Doyle (Untamed)
I only got my period once, late last year. And Ray got so angry he took out a knife and made me sit on a chair in the corner of the living room. He looked at me for a long, long time, and then tied me to the chair and left me there until the bleeding stopped. He wouldn't talk to me, wouldn't look at me. Food and water once a day, a trip to the bathroom each morning and night. One time, I stood up and blood dripped down my leg and onto the carpet and he threw up. And then he rubbed my face in it. When the bleeding stopped, he made me scrub myself, the chair, the carpet all around it, and then he threw the chair out and gave me the pills. "We can work this out," he'd said, and cradled me in his arms, my legs cramping from being curled up so I'd fit on his lap. "You're my Alice. You're my little girl. You're all I'll ever want.
Elizabeth Scott (Living Dead Girl)
There were eight of us, but since me and Jamie were so close in age, we stuck together. Strength in numbers. Anyway, one night we kept finding all these frogs roaming around the campground. It was like someone sent out a signal and frogs were everywhere. So we got one of those big five-gallon buckets and started tossing them in. No plan. We just kept catching them and tossing them in the bucket. Eventually, we caught so many frogs we had to drape a towel over the top to keep them from escaping. The bucket became so overloaded we could hardly carry it anymore, so we put it down. Some people walked by, coming from the communal showers. It was nighttime,” Reisman said, frowning. “Not sure if I mentioned that or not. Me and Jamie looked up at the bathrooms and then back at our bucket of frogs at the same time.” Reisman started laughing. “We knew better than to head directly toward it, so we circled around, using the woods for cover, and ended up on the women’s side of the bathroom. We waited until the coast was clear and bolted to the door. We could hear the girls in the stalls and showers, but no one saw us in the doorway. We each took a side of the bucket and heaved it back like a battering ram. My little brother Jamie pulled the towel off at the last second and we must have sent hundreds of frogs into the bathroom,” Reisman said, breaking off in fits of laughter, and Connor joined in. “We hauled ass out of there so fast I think we lost the bucket. Within a minute or two we heard shrieking from the women’s bathroom and then the park ranger came driving up to investigate. God, that was so much fun,” Reisman said and sighed. “Did they ever figure out it was you guys?” Connor asked. Reisman shook his head. “Well, the next morning my dad asked us about the bucket that had gone missing, but before Jamie or I could make something up, he said something about hearing raccoons coming through the campsite the night before. He winked at us and kept whipping up some eggs for breakfast. We got some extra bacon that morning.” Connor snorted.
Ken Lozito (Nemesis (First Colony, #2))
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In order to house our fellow comrades as quickly and economically as possible, we must, indeed, pursue bold new steps. So, let us not get bogged down with elaborate designs or bow to aesthetic vanities. Let us apply ourselves instead to a universal ideal that is fitting for our times.” Thus was born the golden age of the prefabricated, cement-walled, five-story apartment building—and the four-hundred-square-foot living spaces with ready access to communal bathrooms boasting four-foot tubs (after all, who has time to lie down in a bath when your neighbors are knocking at the door.]
Amor Towles (A Gentleman in Moscow)
I edged into the bathroom, watching him and spotting the large marble tile shower, big enough for four of me to fit inside and still have room.
C.L. Stone (Evelyn (Charleston's Leading Ladies #1))
City Gas Plumbing & Heating (Manchester) offer both emergency and standard services throughout Manchester including: Emergency Plumbing, Gas Boiler repairs, replacements & installs, Unblocking drains, Burst pipe repairs, Bathrooms, Gas installers & appliance fitting, Central heating engineers, Gas fires, Gas safety checks, Maintenance services. Our Gas Safe registered team have a reputation second to none with years of experience in delivering a great services at great prices.
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Today she’d taken off for a hair appointment at 10:00 in the morning and hadn’t been home all day. We had Sloan and Brandon’s wedding invitation thing later tonight. It was boring without her here. She’d left Stuntman Mike, wearing his DOGFATHER shirt, and he’d become my work buddy. He mostly slept, but once in a while he’d jump up barking at phantom sounds. It kept things interesting. At 5:00, Kristen still wasn’t home when I got in the shower in the guest bathroom to start getting ready for the party. But when I came out, dressed and ready to go, my breath caught the second I rounded the corner. She sat at the kitchen counter, looking at her phone. She was a fucking knockout. She’d been pretty before, even under her baggy T-shirts and sweatpants. But now? Dressed up? My God, she was sexy as hell. She wore a black fitted cocktail dress and red heels. Her hair was down and curled and she had her makeup on. Bright-red lipstick. When she glanced up, I tried to act like I hadn’t been frozen in the doorway. “Oh, hey. Will you zip me up?” she asked, sliding off the stool still texting. She didn’t even give me a second look. I cleared my throat. “Uh, yeah. Sure.” She turned and gave me her back, still looking at her screen. The zipper to her dress was all the way down and the lacy top of a light-blue G-string peeked out. Her perfume reached my nose, and I could almost taste the tart apples on my tongue. Fuck. This is torture. I pulled the zipper up, my eyes trailing the line of her spine. No bra. She was small on top. Perky. She didn’t need one. I stopped to move her hair and my fingers touched her neck as I gathered it to one side. I had the most incredible urge to put my lips to the spot behind her ear, slip my hands into the sides of her dress, around her waist, peeling it off her. She has a boyfriend. She’s not interested. I finished the job, dragging the zipper to the top. She’d looked at her phone the whole time, totally unaffected. Kristen wasn’t shy or conservative. That much I’d seen over the last few weeks. She probably didn’t even think twice about any of this. But I practically panted. I was getting a hard-on just standing there. I hoped she didn’t look down.
Abby Jimenez
Why can’t I have an ordinary footman like the other ladies have?” “Because you won’t always be going to the places other ladies go.” Gabriel sat on a chair to remove his shoes and stockings. “You’ll be looking for factory space, and meeting with suppliers, retailers, and wholesale traders, and so forth. If you take Drago with you, it will ease my mind about your safety.” As he saw the mulish set of Pandora’s jaw, Gabriel decided to take another tack. “Of course, we’ll replace him if you wish,” he said with a casual shrug. He began to unfasten the buttons of his braces. “But it would be a pity. Drago grew up in an orphanage and has no family. He’s always lived in a small room at the club. He was looking forward to living in a real household for the first time in his life, and seeing what family life was like.” That last sentence was pure conjecture, but it did the trick. Pandora sent him a long-suffering glance and heaved a sigh. “Oh, all right. I suppose I’ll have to keep him. And train him not to scare people.” Dramatically she fell backward on the bed, arms and legs akimbo. Her small, glum voice floated up to the ceiling. “My very own footmonster.” Gabriel regarded the small, splayed figure on the bed, feeling a rush of mingled amusement and lust that made his breath catch. Before another second had passed, he’d climbed over her, crushing her mouth with his. “What are you doing?” Pandora asked with a spluttering laugh, twisting beneath him. “Accepting your invitation.” “What invitation?” “The one you gave me by reclining on the bed in that seductive pose.” “I flopped backward like a dying trout,” she protested, squirming as he began to hike up her skirts. “You knew I wouldn’t be able to resist.” “Take a bath first,” she implored. “You’re not fit for the house. I should take you out to the stables and scrub you like one of the horses, with carbolic soap and a birch brush.” “Oh, you naughty girl . . . yes, let’s do that.” His hand wandered lecherously under her skirts. Pandora yelped with laughter and wrestled him. “Stop, you’re contaminated! Come to the bathroom and I’ll wash you.” He pinned her down. “You’ll be my bath handmaiden?” he asked provocatively. “You’d like that, wouldn’t you?” “I would,” he whispered, touching his tongue to the center of her lower lip. Her dark blue eyes were bright with mischief. “I’ll bathe you, my lord,” she offered, “but only if you agree to keep your hands to yourself, and remain as still and stiff as a statue.” “I’m already as stiff as a statue.” He nudged her to demonstrate. Pandora rolled out from under him with a grin and headed toward the bathroom, while he followed readily.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
Miss Elton, who found the conversation increasingly distressing, got up, murmured a quick good night . . . and went to her room. During the bellicose talk in the lounge, the ghosts of Frank Durrant, Madeleine, Arvid and Mr. Sorenius seemed to be slipping further and further away with their own receding world. And what was one offered in exchange for this world of the dead? A future in which all signposts pointed to war and the ruin of all those useless little things which made life worth living. And then, as if provoked by the contrast of the speeches and ideas to which she had just been listening, a flood of images, each of them a small part of her life at Ashleigh Place, swept through her mind with an overwhelming suddenness—a walk on a windy autumn afternoon to the farm with a message about eggs, cartloads of logs coming before Christmas to be stacked in the stables, the remodelling of the rose-garden, with Mrs. Durrant setting the new labels in their places, two swans which spent a season on the little River Mene at the foot of the western slope, and the sudden appearance of a kingfisher by those fitful waters, the endless cooing of wood-pigeons in the trees round the house, the catch whistled by the baker's boy as he jumped out of his bright little van, the tick of the huge grandfather clock in the darkest corner of the hall, the pattern of the old-fashioned tiles in the bathroom which she had used, cockchafers beating against the windows on hot summer nights, the scent of the tobacco plants in the round bed near the drawing-room, an expedition to the woods on a grey day to cut mistletoe. . . .
C.H.B. Kitchin (The Auction Sale)
Now, Daniel and I propped ourselves up with pillows in his bed, our legs stretched out in front of us, passing the lo mein and dumpling cartons back and forth, digging into them with chopsticks while we heckled the married couple with more money than sense on the television. “Really?” I yelled. “You have a quarter of a million dollars to renovate a Philadelphia row house, and that’s the cheap garbage tile you pick for the bathroom?” “They have to make up for the money they spent replacing those hardwood floors somehow.” Daniel crunched into an eggroll. I tsked and shook my head. “They could have refinished the original ones for half that, easily.” “Oh, yeah?” He bumped my shoulder with his. “Refinish a lot of floors, do you?” “I watch a lot of TV where other people refinish a lot of floors. I think that makes me an expert.” He considered that. “Close enough. I’ll accept that.” I slurped up one more bite of noodles while the couple on the screen bickered about the color of the shower tile. Their marriage wasn’t going to last beyond the renovation of that house. “I wonder what it’s like,” I finally said. “I think the green would have looked better, but that’s not the hill I want to die on.” “No . . .” I passed the lo mein carton to him. “I mean having a space like that. My place would fit in their kitchen, you know? I watch shows like this and wonder what it would be like to live that kind of life. Where you have an amazing space like that, and the money to make it exactly what you want.
Jen DeLuca (Well Played (Well Met, #2))
Sorry. Um. So that’s the ugly truth.” He raised his eyebrows. “What ugly truth?” “That I live with my parents.” I spread my arms in defeat. “You are now welcome to flee in terror.” He made a show of looking around the living area, then walking past me into the kitchen. “I don’t see them here,” he said. “Are they both in the bathroom?” I rolled my eyes. “No.” “Under your bed? Kind of a tight fit under there.” “No,” I said again, but this time with a laugh in my voice. “Then I don’t see the problem.” He shrugged. “You live near your parents. You’re parents-adjacent. I knew that already, remember? You’re close with your parents.” “Literally.
Jen DeLuca (Well Played (Well Met, #2))
What possible difference did it make where somebody sat on a bus, or which water fountain somebody used? Most of all, I’d be thoroughly and permanently reviling my grandfather’s guts if he pitched a fit over the soon-to-be-built bathroom being used by our soon-to-start new housekeeper. I thought that it must be hard for old people to know when they were being horrible and old-fashioned.
Dorothea Benton Frank (Sullivan's Island (Lowcountry Tales #1))
Work+Life Fit was developed by Cali Yost, an international workplace strategy expert. It honors the notion that no two people want the exact same integration of work and personal life. (Which is why your boss may be e-mailing you at midnight, not because she thinks you need to work harder, but because she’s a night owl.)
Morra Aarons-Mele (Hiding in the Bathroom: An Introvert's Roadmap to Getting Out There (When You'd Rather Stay Home))
At least if you don’t ask, I don’t have to lie. I’ve spent most of the past few months asleep on the bathroom floor; sick of keeping everything in, too tired to let it out. “Home” is such an empty word. I’m not sure why it felt whole coming from your mouth. I’m not sure why I felt whole. We both know I’m just an idea to carve into sheetrock with swollen fists; leaving worn out holes that your heart never fit. I try not to wake up, but my body is used to (everyone leaving) routines.
christopher evan
The mystery of the MAGIC BATHROOM will be revealed unto thee... The table next to the sink is for flashcards. I say a Monty Python skit called, "Every sperm is sacred," and it gave me the idea that, "every piss is sacred." Meaning, why not look at flashcards while voiding. Mozart liked to write letters while on the loo. He wrote, "I think it only fitting to write while shitting." This gave me the idea to read while.... If knowledge is money, and money is gold, then this is modern day alchemy. Feces (wasted time) is turned into gold (knowledge)... People often ask, "where do you find so much time to read? How can you remember so well?" Well, there's your answer, the Magic Bathroom.
Peter Rogers (Straight A at Stanford and on to Harvard)
A guy at the furniture store said I can fit five people on the sofa without any problems… Where am I going to find five people without any problems?
Tina Beaucage (Dad Joke Alert!: Best Bathroom Read!)