Fisherman Life Quotes

Believe me, I know all about bottle acoustics. I spent much of the sixth century in an old sesame oil jar, corked with wax, bobbing about in the Red Sea. No one heard my hollers. In the end an old fisherman set me free, by which time I was desperate enough to grant him several wishes. I erupted in the form of a smoking giant, did a few lightning bolts, and bent to ask him his desire. Poor old boy had dropped dead of a heart attack. There should be a moral there, but for the life of me I can't see one.

He shook his head pityingly. “This, more than anything else, is what I have never understood about your people. You can roll dice, and understand that the whole game may hinge on one turn of a die. You deal out cards, and say that all a man's fortune for the night may turn upon one hand. But a man's whole life, you sniff at, and say, what, this naught of a human, this fisherman, this carpenter, this thief, this cook, why, what can they do in the great wide world? And so you putter and sputter your lives away, like candles burning in a draft.” “Not all men are destined for greatness,” I reminded him. “Are you sure, Fitz? Are you sure? What good is a life lived as if it made no difference at all to the great life of the world? A sadder thing I cannot imagine. Why should not a mother say to herself, if I raise this child aright, if I love and care for her, she shall live a life that brings joy to those about her, and thus I have changed the world? Why should not the farmer that plants a seed say to his neighbor, this seed I plant today will feed someone, and that is how I change the world today?” “This is philosophy, Fool. I have never had time to study such things.” “No, Fitz, this is life. And no one has time not to think of such things. Each creature in the world should consider this thing, every moment of the heart's beating. Otherwise, what is the point of arising each day?

I am an obscure and patient pearl-fisherman who dives into the deepest waters and comes up with empty hands and a blue face. Some fatal attraction draws me down into the abysses of thought, down into those innermost recesses which never cease to fascinate the strong. I shall spend my life gazing at the ocean of art, where others voyage or fight; and from time to time I’ll entertain myself by diving for those green and yellow shells that nobody will want. So I shall keep them for myself and cover the walls of my hut with them.

The industrialist was horrified to find the fisherman lying beside his boat, smoking a pipe. -  Why aren’t you fishing?, said the industrialist. -  Because I have caught enough fish for the day. -  Why don’t you catch some more? -  What would I do with them? -  Earn more money. Then you could have a motor fixed to your boat and go into deeper waters and catch more fish. That would bring you money to buy nylon nets, so more fish, more money. Soon you would have enough to buy two boats even a fleet of boats. Then you could be rich like me. - What would I do then? -  Then you could sit back and enjoy life. -  What do you think I’m doing now?

The world is cruel, give me thy heart to take with me.

Just as sure as each knot on a fisherman's net does not physically connect so far as each knot forms continuous connection to make the whole -which works perfectly; know that in the broader picture of life, all things are connected, including you. Even when you feel otherwise disconnected from another - the whole always works perfectly.

This, more than anything else, is what I have never understood about your people. You can roll dice, and understand that the whole game may hinge on one turn of a die. You deal out cards, and say that all a man's fortune for the night may turn upon one hand. But a man's whole life, you sniff at, and say, what, this naught of a human, this fisherman, this carpenter, this thief, this cook, why, what can they do in the great wide world? And so you putter and sputter your lives away, like candles burning in a draft.

You remind me, Geralt, of an old fisherman who, toward the end of his life, discovers that fish stink and the breeze from the sea makes your bones ache. Be consistent. Talking and regretting won’t get you anywhere.

All loss is not created equal, you see. Loss is—it’s like a ladder you don’t know you’re standing at the top of and that reaches down, way down past the loss of your job, your possessions, your home; past the loss of your parents, your spouse, your children; down to the loss of your very life

A true book is like a net, and words are the mesh. The nature of the mesh matters relatively little. What matters is the live catch the fisherman draws up from the depths of the sea, the flashings of silver that we see gleam within the net.

Conversation between Siddhartha, who has temporarily given up all worldly possessions in order to experience total poverty first hand, talks to a merchant. That seems to be the way of things. Everyone takes, everyone gives. Life is like that" (said Siddhartha) Ah, but if you are without possessions, how can you give?" Everyone gives what he has. The soldier gives strength, the merchant goods, the teacher instructions, the farmer rice, the fisherman fish." Very well and what can you give? What have you learned that you can give(the merchant asks of Siddhartha) I can think, I can wait, I can fast." Is that all?" I think that is all." And of what use are they? For example, fasting, what good is that?" It is of great value, sir. If a man has nothing to eat, fasting is the most intelligent thing he can do. If, for instance, Siddhartha had not learned to fast, he would have had to seek some kind of work today, either with you, or elsewhere, for hunger would have driven him. But, as it is, Siddhartha can wait calmly. He is not impatient, he is not in need, he can ward off hunger for a long time and laugh at it. Therefore, fasting is useful, sir.

Manifestation is an act of trust. It is the soul pouring itself out into its world, like a fisherman casting a net to gather in the fish he seeks; with each cast properly made, we will bring what we need to us, but first we must hurl ourselves into the depths without knowing just what lies beneath us.

Do you really suppose God cares whether a man comes to good or ill?" "If He did not, He could not be good himself..." "...Then He can't be so hard on us as the parsons say, even in the after-life?" "He will give absolute justice, which is the only good thing. He will spare nothing to bring His children back to himself, their sole well-being, whether He achieve it here--or there.

but he had seen lots of women behave this way around Willem. They all had. Their friend Lionel used to say that Willem must have been a fisherman in a past life, because he couldn’t help but attract pussy.

Rot figured why be a little fish in a big pond, or a big fish in a little pond, when you could be a fisherman in a boat on any pond drinking beer and living life the way God intended. Rot was deeply religious.

You remind me, Geralt, of an old fisherman who, towards the end of his life, discovers that fish stink and the breeze from the sea makes your bones ache. Be consistent. Talking and regretting won’t get you anywhere. If I were to find that the demand for poetry had come to an end, I’d hang up my lute and become a gardener. I’d grow roses.

John felt grounded again. He remembered his favorite Bible story, the one about Peter getting out of the boat and walking on water. The big fisherman was walking along quite nicely until he looked at the waves and began to sink. As much as possible, John tried to live his life without looking at the waves. But when he did, when the lives of his grown children caused his faith to waver even a little, God always sent someone to illustrate the words of Christ: “You of little faith . . . why did you doubt?” John felt certain that in this, his most trying season yet, the Lord had sent Pastor Mark to fill that role. It was a certainty that kept his eyes where they belonged—off the waves and straight ahead to the outstretched arms of Jesus.

The claim that hung over him haunted his very life, turning the currents of his thought into channels of speculation unknown before. One day when these questions were fighting in his heart, all at once it seemed as if a soundless voice in the depth of his soul replied, "Thy soul, however it became known to itself, is from the pure heart of God." And with the thought, the horizon of his life began to clear.

Amongst those who go to sea there are the navigators who discover new worlds, adding continents to the earth and stars to the heavens: they are the masters, the great, the eternally splendid. Then there are those who spit terror from their gun-ports, who pillage, who grow rich and fat. Others go off in search of gold and silk under foreign skies. Still others catch salmon for the gourmet or cod for the poor. I am the obscure and patient pearl-fisherman who dives into the deepest waters and comes up with empty hands and a blue face. Some fatal attraction draws me into the abysses of thought, down into those innermost recesses which never cease to fascinate the strong. I shall spend my life gazing at the ocean of art, where others voyage or fight; and from time to time I'll entertain myself by diving for those green and yellow shells that nobody will want. So I shall keep them for myself and cover the walls of my hut with them.

I am the obscure and patient pearl-fisherman who dives into the deepest waters and comes up with empty hands and a blue face. Some fatal attraction draws me down into the abysses of thought, down into those innermost recesses which never cease to fascinate the strong. I shall spend my life gazing at the ocean of art, where others voyage or fight; and from time to time I’ll entertain myself by diving for those green and yellow shells that nobody will want. So I shall keep them for myself and cover the walls of my hut with them.

Writing makes me hard, like a fisherman, and brown from the heat. Tossing out and reeling in is a job for visionaries and those with calloused hands.

On the road of life, God sometimes allows you to come upon a pothole. Your faith is your shock absorber.

Wilderness, or wildness is a mystique. A religion, an intense philosophy, a dream of ideal society - these are also mystique. We are not engaged in preserving so many acre-feet of water, so many board-feet of timber, so many billion tons of granite, so many profit possibilities in so many ways for those concerned with the material aspects of the world. Yet, we must accept the fact that human life (at least in the metabolic sense) depends upon the resources of the Earth. As the fisherman depends upon the rivers, lakes and seas, and the farmer upon the land for his existence, so does mankind in general depend upon the beauty of the world about him for his spiritual and emotional existence. From a speech to The Wilderness Society, May 9 1980

You don’t have a chance if you think you can clean yourself up before you come to the Lord. You come to the Lord first, then He will clean up your life. A fisherman cleans the fish after the fish are caught.

And there it is. The threat I have lived with my entire life. If I am not good enough, kind enough, thoughtful enough, obedient enough, I will be cast from my home like a stunted fish from a fisherman's net.

Dunno, Don't know how to spell it. I mean'- he made a picture frame with his hands- 'the poet and the fisherman. Parfait. Boon companions. Out in the open spaces. Living the good life. Metahemeralism's gotta be the glue here see?

Na, she's righted again," said a cool young fisherman, "and they've gotten down that unchancy mast. They maun have stout hearts and skeely hands that work her; but it's for life, and that learns folk baith pith and lear. There!—but it's owre now.

standing at the top of and that reaches down, way down past the loss of your job, your possessions, your home; past the loss of your parents, your spouse, your children; down to the loss of your very life—and, I’ve since come to believe, past even that.

Using a fisherman's net with large holes will only catch big fish; letting the smaller ones escape unharmed. It is a lot like life: focusing only on one golden opportunity lets the smaller ones slip away unnoticed. However, starting small will catch larger opportunities over time.

One year, on vacation in Hawaii, I was relaxing at a beach, watching whales in the distance, when a fisherman, obviously a local, drove up in his pick-up truck. He got out with a dozen fishing rods. Not one. A dozen. He baited each hook, cast all the lines into the ocean, and set the rods in the sand. Intrigued, I wandered over and asked him for an explanation. “It’s simple,” he said. “I love fish but I hate fishin’. I like eatin’, not catchn’. So I cast out 12 lines. By sunset, some of them will have caught a fish. Never all of ’em. So if I only cast one or two I might go hungry. But 12 is enough so some always catch. Usually there’s enough for me and extras to sell to local restaurants. This way, I live the life I want.” The simple fellow had unwittingly put his finger on a powerful secret. The flaw in most businesses, that keeps them always in desperate need—which suppresses prices—is: too few lines cast in the ocean.

...anyone who chooses to make fishing his occupation solely for the money is in the wrong business. If no thrill is experienced in catching fish, no satisfaction in going to sea and returning to shore, no pride in exclaiming "I am a fisherman," then a life on the water will be unfulfilling, perhaps even unbearable. Among the unhappy with whom I am acquainted, perhaps the most miserable people are those who fish out of necessity rather than out of a love of the sea and the seafaring life. I have always maintained that when I no longer feel a thrill, satisfaction, and pride from fishing, I will start a new career. (pp. 248-249)

An old man, I want only peace. The things of this world mean nothing. I know no good way to live and I can’t stop getting lost in my thoughts, my ancient forests. The wind that waves the pines loosens my belt. The mountain moon lights me as I play my lute. You ask: how does a man rise or fall in this life? The fisherman’s song flows deep under the river.

Bill Clinton has perhaps been the most amazing practitioner of truth management in public life. He’s had to be. Beset by enemies willing to use any tool to do him in, he let the truth out like a fly fisherman plays out a line, delicately, artfully, with infinite finesse, never emitting more truth than necessary, struggling mightily to tell us what he could without admitting defeat.

Anything Bunny wrote was bound to be alarmingly original, since he began with such odd working materials and managed to alter them further by his befuddled scrutiny, but the John Donne paper must have been the worst of all the bad papers he ever wrote (ironic, given that it was the only thing he ever wrote that saw print. After he disappeared, a journalist asked for an excerpt from the missing young scholar's work and Marion gave him a copy of it, a laboriously edited paragraph of which eventually found its way into People magazine). Somewhere, Bunny had heard that John Donne had been acquainted with Izaak Walton, and in some dim corridor of his mind this friendship grew larger and larger, until in his mind the two men were practically interchangeable. We never understood how this fatal connection had established itself: Henry blamed it on Men of Thought and Deed, but no one knew for sure. A week or two before the paper was due, he had started showing up in my room about two or three in the morning, looking as if he had just narrowly escaped some natural disaster, his tie askew and his eyes wild and rolling. 'Hello, hello,' he would say, stepping in, running both hands through his disordered hair. 'Hope I didn't wake you, don't mind if I cut on the lights, do you, ah, here we go, yes, yes…' He would turn on the lights and then pace back and forth for a while without taking off his coat, hands clasped behind his back, shaking his head. Finally he would stop dead in his tracks and say, with a desperate look in his eye: 'Metahemeralism. Tell me about it. Everything you know. I gotta know something about metahemeralism.' 'I'm sorry. I don't know what that is.' 'I don't either,' Bunny would say brokenly. 'Got to do with art or pastoralism or something. That's how I gotta tie together John Donne and Izaak Walton, see.' He would resume pacing. 'Donne. Walton. Metahemeralism. That's the problem as I see it.' 'Bunny, I don't think "metahemeralism" is even a word.' 'Sure it is. Comes from the Latin. Has to do with irony and the pastoral. Yeah. That's it. Painting or sculpture or something, maybe.' 'Is it in the dictionary?' 'Dunno. Don't know how to spell it. I mean' – he made a picture frame with his hands – 'the poet and the fisherman. Parfait. Boon companions. Out in the open spaces. Living the good life. Metahemeralism's gotta be the glue here, see?' And so it would go, for sometimes half an hour or more, with Bunny raving about fishing, and sonnets, and heaven knew what, until in the middle of his monologue he would be struck by a brilliant thought and bluster off as suddenly as he had descended. He finished the paper four days before the deadline and ran around showing it to everyone before he turned it in. 'This is a nice paper, Bun -,' Charles said cautiously. 'Thanks, thanks.' 'But don't you think you ought to mention John Donne more often? Wasn't that your assignment?' 'Oh, Donne,' Bunny had said scoffingly. 'I don't want to drag him into this.' Henry refused to read it. 'I'm sure it's over my head, Bunny, really,' he said, glancing over the first page. 'Say, what's wrong with this type?' 'Triple-spaced it,' said Bunny proudly. 'These lines are about an inch apart.' 'Looks kind of like free verse, doesn't it?' Henry made a funny little snorting noise through his nose. 'Looks kind of like a menu,' he said. All I remember about the paper was that it ended with the sentence 'And as we leave Donne and Walton on the shores of Metahemeralism, we wave a fond farewell to those famous chums of yore.' We wondered if he would fail.

When I saw, however, that many were not in love with Philosophy, but simply coveted the reputation of the think, and that although in all the obvious, commonplace matters which anyone can easily copy they were very like worthy men (in beard, I mean, and walk and garb), in their life and actions, however, they contradicted their outward appearance and reversed your practice and sullied the dignity of the profession, I became angry.

You can roll dice, and understand that the whole game may hinge on one turn of a die. You deal out cards, and say that all a man’s fortune for the night may turn upon one hand. But a man’s whole life, you sniff at, and say, what, this nought of a human, this fisherman, this carpenter, this thief, this cook, why, what can they do in the great wide world? And so you putter and sputter your lives away, like candles burning in a draught.

A sensual lifestyle defies the productivist logic, it has time. I love this illustration by Anthony DeMello: A rich entrepreneur from the North was horrified to find the southern fisherman lying lazily besides his boat, smoking pipe. “Why aren’t you out fishing?” said the entrepreneur. “Because I have caught enough fish for the day,” said the fisherman. “Why don’t you catch some more?” “What would I do with them?” “You could earn more money,” was the entrepreneur’s reply. “With that you could have a motor fixed to your boat and go into deeper waters and catch more fish. Then you would make enough to buy nylon nets. These would bring you more fish and more money. Soon you would have more money to own two boats... maybe even a fleet of boats. Then you would be a rich man like me.” “What would I do then?” asked the fisherman. “Then you could really enjoy life.” “What do you think I’m doing right now?

I can see the years that Thomas and I have had together, the fragility of that life. The creation of a marriage, of a family, not because it has been ordained or is meant to be, but because we have simply made it happen. We have done this thing, and then that thing, and then that thing, and I have come to think of our years together as a tightly knotted fisherman’s net; not perfectly made perhaps, but so well knit I would have said it could never have been unraveled. During

The Isle of Pines was Circe's isle, with white marble columns here and there in the dark, green, and pirates would be dueling with a flash of clashing swords and a flash of recklessly smiling white teeth. The Gulf, like the Caribbean, is haunted by the ghosts of the old buccaneers. Tampico, to Pete, wasn't the industrial shipping port his father knew. It had palaces and parrots of many colors, and winding white roads. It was an Arabian Nights city, with robed magicians wandering the streets, benign most of the time, but with gnarled hands like tree-roots that could weave spells. Manoel, his father, could have told him a different story, for Manoel had shipped once under sail, in the old days, before he settled down to a fisherman's life in Cabrillo. But Manoel didn't talk a great deal. Men talk to men, not to boys, and that was why Pete didn't learn as much as he might have from the sun-browned Portuguese who went out with the fishing fleets. He got his knowledge out of books, and strange books they were, and strange knowledge. ("Before I Wake...")

One author, in writing of the Bible’s uniqueness, put it this way: Here is a book: 1. written over a 1500 year span; 2. written over 40 generations; 3. written by more than 40 authors, from every walk of life— including kings, peasants, philosophers, fishermen, poets, statesmen, scholars, etc.: Moses, a political leader, trained in the universities of Egypt Peter, a fisherman Amos, a herdsman Joshua, a military general Nehemiah, a cupbearer Daniel, a prime minister Luke, a doctor Solomon, a king Matthew, a tax collector Paul, a rabbi 4. written in different places: Moses in the wilderness Jeremiah in a dungeon Daniel on a hillside and in a palace Paul inside a prison Luke while traveling John on the isle of Patmos others in the rigors of a military campaign 5. written at different times: David in times of war Solomon in times of peace 6. written during different moods: some writing from the heights of joy and others from the depths of sorrow and despair 7. written on three continents: Asia, Africa, and Europe 8. written in three languages: Hebrew… , Aramaic… , and Greek… 9. Finally, its subject matter includes hundreds of controversial topics. Yet, the biblical authors spoke with harmony and continuity from Genesis to Revelation. There is one unfolding story…

The Drunken Fisherman" Wallowing in this bloody sty, I cast for fish that pleased my eye (Truly Jehovah's bow suspends No pots of gold to weight its ends); Only the blood-mouthed rainbow trout Rose to my bait. They flopped about My canvas creel until the moth Corrupted its unstable cloth. A calendar to tell the day; A handkerchief to wave away The gnats; a couch unstuffed with storm Pouching a bottle in one arm; A whiskey bottle full of worms; And bedroom slacks: are these fit terms To mete the worm whose molten rage Boils in the belly of old age? Once fishing was a rabbit's foot-- O wind blow cold, O wind blow hot, Let suns stay in or suns step out: Life danced a jig on the sperm-whale's spout-- The fisher's fluent and obscene Catches kept his conscience clean. Children, the raging memory drools Over the glory of past pools. Now the hot river, ebbing, hauls Its bloody waters into holes; A grain of sand inside my shoe Mimics the moon that might undo Man and Creation too; remorse, Stinking, has puddled up its source; Here tantrums thrash to a whale's rage. This is the pot-hole of old age. Is there no way to cast my hook Out of this dynamited brook? The Fisher's sons must cast about When shallow waters peter out. I will catch Christ with a greased worm, And when the Prince of Darkness stalks My bloodstream to its Stygian term . . . On water the Man-Fisher walks.

As with Isaiah’s vision in the Temple, and many other scenes both biblical and modern, Peter’s change from fisherman to shepherd comes through his facing of his own sin and his receiving of forgiveness, as Jesus with his three-times-repeated question goes back to Peter’s triple denial and then offers him forgiveness precisely in the form of a transformed and newly commissioned life. Those who don’t want to face that searching question and answer may remain content to help the world with its fishing. Those who find the risen Jesus going to the roots of their rebellion, denial, and sin and offering them love and forgiveness may well also find themselves sent off to be shepherds instead. Let those with ears listen.

But what seemed to me most shocking, Philosophy, was this, that if people saw any of these fellows engaged in any wicked or unseemly or indecent practice, every man of them at once laid t he blame upon Philosophy herself, and upon Chrysippus, or Plato, or Pythagoras or whichever one of you furnished that sinner with a name for himself and a model for his harangues; and from him, because he was leading an evil life, they drew sorry conclusions about you others, who died long ago. For as you were not alive, he could not be compared with you. You were not there, and they all clearly saw him following dreadful and discreditable practices, so that you suffered judgment by default along with him and became involved in the same scandal.

When the Greek king," said the fisherman to the genius, "had finished the story of the parrot, he added to the vizir, "And so, vizir, I shall not listen to you, and I shall take care of the physician, in case I repent as the husband did when he had killed the parrot." But the vizir was determined. "Sire," he replied, "the death of the parrot was nothing. But when it is a question of the life of a king it is better to sacrifice the innocent than save the guilty. It is no uncertain thing, however. The physician, Douban, wishes to assassinate you. My zeal prompts me to disclose this to your Majesty. If I am wrong, I deserve to be punished as a vizir was once punished." "What had the vizir done," said the Greek king, "to merit the punishment?" "I will tell your Majesty, if you will do me the honour to listen," answered the vizir.

At noontime in midsummer, when the sun is at its highest and everything is in a state of embroiled repose, flashes may be seen in the southern sky. Into the radiance of daylight come bursts of light even more radiant. Exactly half a year later, when the fjord is frozen over and the land buried in snow, the very same spirit taunts creation. At night cracks in the ice race from one end of the fjord to the other, resounding like gunshots or like the roaring of a mad demon. The peasants dig tunnels from their door through the drifts over to the cow shed. Where are the trolls and the elves now, and where are the sounds of nature? Even the Beast may well be dead and forgotten. Life itself hangs in suspension - existence has shrunk to nothingness. Now it is only a question of survival. The fox thrashes around in a blizzard in the oak thicket and fights his way out, mortally terrified. It is a time of stillness. Hoarfrost lies in a timeless shroud over the fjord. All day long a strange, sighing sound is heard from out on the ice. It is a fisherman, standing alone at his hole and spearing eel. One night it snows again. The air is sheer snow and the wind a frigid blast. No living creature is stirring. Then a rider comes to the crossing at Hvalpsund. There is no difficulty in getting over­ - he does not even slacken his speed, but rides at a brisk trot from the shore out onto the ice. The hoofbeats thunder beneath him and the ice roars for miles around. He reaches the other side and rides up onto the land. The horse — a mighty steed not afraid to shake its shanks - cleaves the storm with neck outstretched. The blizzard blows the rider's ashen cape back and he sits naked, with his bare bones sticking out and the snow whistling about his ribs. It is Death that is out riding. His crown sits on three hairs and his scythe points triumphantly backward. Death has his whims. He takes it into his head to dis­mount when he sees a light in the winter night. He gives his horse a slap on the haunch and it leaps into the air and is gone. For the rest of the way Death walks like a carefree man, sauntering absentmindedly along. In the snow-streaked night a crow is sitting on a wayside branch. Its head is much too large for its body. Its beady eyes sparkle when it sees the wanderer's familiar face, and its cawing turns into silent laughter as it throws its beak wide open, with its spear-like tongue sticking far out. It seems almost ready to fall off the branch with its laughter, but it keeps on looking at Death with consuming merriment. Death moves on. Suddenly he finds himself beside a man. He raps the man on the back with his fingers and leaves him lying there. There is a light. Death keeps his eye on the light and walks toward it. He moves into the shaft of light and labors his way over a frozen field. But when he comes close enough to make out the house a strange fervor grips him. He has finally come home - yes, this has been his true home from the beginning. Thank goodness he has now found it again after so much difficulty. He goes in, and a solitary old couple make him welcome. They cannot know that he is anything more than a traveling tradesman, spent and sick. He lies down quickly on the bed without a word. They can see that he is really far gone. He lies on his back while they move about the room with the candle and chat. He forgets them. For a long time he lies there, quiet but awake. Finally there are a few low moans, faltering and tentative. He begins to cry, and then quickly stops. But now the moans continue, becoming louder, and then going over to tearless sobs. His body arches up, resting only on head and heels. He stares in anguish at the ceiling and screams, screams like a woman in labor. Finally he collapses, and his cries begin to subside. Little by little he falls silent and lies quiet.

Metahemeralism. Tell me about it. Everything you know. I gotta know something about metahemeralism." "I'm sorry. I don't know what that is." "I don't either," Bunny would say brokenly. "Got to do with art or pastoralism or something. That's how I gotta tie together John Donne and Izaak Walton, see." He would resume pacing. "Donne. Walton. Metahemeralism. That's the problem as I see it." "Bunny, I don't think "metahemeralism" is even a word." "Sure it is. Comes from the Latin. Has to do with irony and the pastoral. Yeah. That's it. Painting or sculpture or something, maybe." "Is it in the dictionary?" "Dunno. Don't know how to spell it. I mean" — he made a picture frame with his hands — "the poet and the fisherman. Parfait. Boon companions. Out in the open spaces. Living the good life. Metahemeralism's gotta be the glue here, see?" And so it would go on, for sometimes half an hour or more, with Bunny raving about fishing, and sonnets, and heaven knew what, until in the middle of his monologue he would be struck by a brilliant thought and bluster off as suddenly as he had descended. He finished the paper four days before the deadline and ran around showing it to everyone before he turned it in. "This is a nice paper, Bun — ," Charles said cautiously. "Thanks, thanks." "But don't you think you ought to mention John Donne more often? Wasn't that your assignment?" "Oh, Donne," Bunny had said scoffingly. "I don't want to drag him into this." Henry had refused to read it. "I'm sure it's over my head, Bunny, really," he said, glancing over the first page. "Say, what's wrong with this type?" "Tripled spaced it," said Bunny proudly. "These lines are about an inch apart." "Looks kind of like free verse, doesn't it?" Henry made a funny little snorting noise through his nose. "Looks kind of like a menu," he said. All I remember about the paper was that it ended with the sentence "And as we leave Donne and Walton on the shores of Metahemeralism, we wave a fond farewell to those famous chums of yore.

The tornadic bundle of legs and arms and feet and hands push farther into the kitchen until only the occasional flailing limb is visible from the living room, where I can’t believe I’m still standing. A spectator in my own life, I watch the supernova of my two worlds colliding: Mom and Galen. Human and Syrena. Poseidon and Triton. But what can I do? Who should I help? Mom, who lied to me for eighteen years, then tried to shank my boyfriend? Galen, who forgot this little thing called “tact” when he accused my mom of being a runaway fish-princess? Toraf, who…what the heck is Toraf doing, anyway? And did he really just sack my mom like an opposing quarterback? The urgency level for a quick decision elevates to right-freaking-now. I decide that screaming is still best for everyone-it’s nonviolent, distracting, and one of the things I’m very, very good at. I open my mouth, but Rayna beats me to it-only, her scream is much more valuable than mine would have been, because she includes words with it. “Stop it right now, or I’ll kill you all!” She pushed past me with a decrepit, rusty harpoon from God-knows-what century, probably pillaged from one of her shipwreck excursions. She waves it at the three of them like a crazed fisherman in a Jaws movie. I hope they don’t notice she’s got it pointed backward and that if she fires it, she’ll skewer our couch and Grandma’s first attempt at quilting. It works. The bare feet and tennis shoes stop scuffling-out of fear or shock, I’m not sure-and Toraf’s head appears at the top of the counter. “Princess,” he says, breathless. “I told you to stay outside.” “Emma, run!” Mom yells. Toraf disappears again, followed by a symphony of scraping and knocking and thumping and cussing. Rayna rolls her eyes at me, grumbling to herself as she stomps into the kitchen. She adjusts the harpoon to a more deadly position, scraping the popcorn ceiling and sending rust and Sheetrock and tetanus flaking onto the floor like dirty snow. Aiming it at the mound of struggling limbs, she says, “One of you is about to die, and right now I don’t really care who it is.” Thank God for Rayna. People like Rayna get things done. People like me watch people like Rayna get things done. Then people like me round the corner of the counter as if they helped, as if they didn’t stand there and let everyone they love beat the shizzle out of one another. I peer down at the three of them all tangled up. Crossing my arms, I try to mimic Rayna’s impressive rage, but I’m pretty sure my face is only capable of what-the-crap-was-that. Mom looks up at me, nostrils flaring like moth wings. “Emma, I told you to run,” she grinds out before elbowing Toraf in the mouth so hard I think he might swallow a tooth. Then she kicks Galen in the ribs. He groans, but catches her foot before she can re-up. Toraf spits blood on the linoleum beside him and grabs Mom’s arms. She writhes and wriggles, bristling like a trapped badger and cussing like sailor on crack. Mom has never been girlie. Finally she stops, her arms and legs slumping to the floor in defeat. Tears puddle in her eyes. “Let her go,” she sobs. “She’s got nothing to do with this. She doesn’t even know about us. Take me and leave her out of this. I’ll do anything.” Which reinforces, right here and now, that my mom is Nalia. Nalia is my mom. Also, holy crap.

This is the story of a boy named Pete Coutinho, who had a spell put on him. Some people might have called it a curse. I don't know. It depends on a lot of things, on whether you've got gipsy blood, like old Beatriz Sousa, who learned a lot about magic from the wild gitana tribe in the mountains beyond Lisbon, and whether you're satisfied with a fisherman's life in Cabrillo. Not that a fisherman's life is a bad one, far from it. By day you go out in the boats that rock smoothly across the blue Gulf waters, and at night you can listen to music and drink wine at the Shore Haven or the Castle or any of the other taverns on Front Street. What more do you want? What more is there? And what does any sensible man, or any sensible boy, want with that sorcerous sort of glamor that can make everything incredibly bright and shining, deepening colors till they hurt, while wild music swings down from stars that have turned strange and alive? Pete shouldn't have wanted that, I suppose, but he did, and probably that's why there happened to him - what did happen. And the trouble began long before the actual magic started working. ("Before I Wake...")

Bycatch and discards are a fact of life to a fisherman. There is no fishing method that catches only the quarry. ...The UN Food and Agriculture Organization estimates that about a third of what is caught worldwide, some 29 million tons, goes over the side. This takes what is hauled from the sea to around 132 million tons a year. Add to that the number of organisms that are killed or damaged by net, line, or trap and are never landed--such as whales, porpoises, turtles, and birds--and the number of animals destroyed on the bottom, and the total catch by fishermen reaches something more like 220 million tons a year. Consider that much of the weight of palatable fish is head, cartilage, bone, and offal, which goes over the side or is thrown away by processors. Consider also that about 44 million tons of fish are caught to make industrial products and food for farmed fish. Consider that some of the palatable fish caught will be turned into products for other than human consumption--as cat food, for instance. Consider that there may be an element of waste because some fish will not sell. Taking all these things into account, it is possible to conclude that the amount of protein eaten by someone or something is maybe less than 20 percent of the 104 million tons landed, and only 10 percent of the amount of marine animals destroyed annually in the oceans. These are rough figures, but, given a wide margin of error, they are about right. So catching wild fish is a wasteful business.

An American businessman took a vacation to a small coastal Mexican village on doctor’s orders. Unable to sleep after an urgent phone call from the office the first morning, he walked out to the pier to clear his head. A small boat with just one fisherman had docked, and inside the boat were several large yellowfin tuna. The American complimented the Mexican on the quality of his fish. “How long did it take you to catch them?” the American asked. “Only a little while,” the Mexican replied in surprisingly good English. “Why don’t you stay out longer and catch more fish?” the American then asked. “I have enough to support my family and give a few to friends,” the Mexican said as he unloaded them into a basket. “But… What do you do with the rest of your time?” The Mexican looked up and smiled. “I sleep late, fish a little, play with my children, take a siesta with my wife, Julia, and stroll into the village each evening, where I sip wine and play guitar with my amigos. I have a full and busy life, señor.” The American laughed and stood tall. “Sir, I’m a Harvard M.B.A. and can help you. You should spend more time fishing, and with the proceeds, buy a bigger boat. In no time, you could buy several boats with the increased haul. Eventually, you would have a fleet of fishing boats.” He continued, “Instead of selling your catch to a middleman, you would sell directly to the consumers, eventually opening your own cannery. You would control the product, processing, and distribution. You would need to leave this small coastal fishing village, of course, and move to Mexico City, then to Los Angeles, and eventually to New York City, where you could run your expanded enterprise with proper management. The Mexican fisherman asked, “But, señor, how long will all this take?” To which the American replied, “15-20 years, 25 tops.” “But what then, señor?” The American laughed and said, “That’s the best part. When the time is right, you would announce an IPO and sell your company stock to the public and become very rich. You would make millions.” “Millions señor? Then what?" “Then you would retire and move to a small coastal fishing village, where you would sleep late, fish a little, play with your kids, take a siesta with your wife, and stroll in to the village in the evenings where you could sip wine and play your guitar with your amigos.

He wanted somebody to give him a chance of asserting himself. He wanted it so urgently that he fidgeted in his chair, looked at this person, then at that person, tried to break into their talk, opened his mouth and shut it again. They were talking about the fishing industry. Why did no one ask him his opinion? What did they know about the fishing industry? Lily Briscoe knew all that. Sitting opposite him, could she not see, as in an X-ray photograph, the ribs and thigh bones of the young man's desire to impress himself, lying dark in the mist of his flesh--that thin mist which convention had laid over his burning desire to break into the conversation? But, she thought, screwing up her Chinese eyes, and remembering how he sneered at women, "can't paint, can't write," why should I help him to relieve himself? There is a code of behaviour, she knew, whose seventh article (it may be) says that on occasions of this sort it behoves the woman, whatever her own occupation might be, to go to the help of the young man opposite so that he may expose and relieve the thigh bones, the ribs, of his vanity, of his urgent desire to assert himself; as indeed it is their duty, she reflected, in her old maidenly fairness, to help us, suppose the Tube97 were to burst into flames. Then, she thought, I should certainly expect Mr. Tansley to get me out. But how would it be, she thought, if neither of us did either of these things? So she sat there 96 Cheated or frustrated himself. 97 The London subway. 64 smiling. "You're not planning to go to the Lighthouse, are you, Lily," said Mrs. Ramsay. "Remember poor Mr. Langley; he had been round the world dozens of times, but he told me he never suffered as he did when my husband took him there. Are you a good sailor, Mr. Tansley?" she asked. Mr. Tansley raised a hammer: swung it high in air; but realising, as it descended, that he could not smite that butterfly with such an instrument as this, said only that he had never been sick in his life. But in that one sentence lay compact, like gunpowder, that his grandfather was a fisherman; his father a chemist; that he had worked his way up entirely himself; that he was proud of it; that he was Charles Tansley--a fact that nobody there seemed to realise; but one of these days every single person would know it. He scowled ahead of him. He could almost pity these mild cultivated people, who would be blown sky high, like bales of wool and barrels of apples, one of these days by the gunpowder that was in him. "Will you take me, Mr. Tansley?" said Lily, quickly, kindly, for, of course, if Mrs. Ramsay said to her, as in effect she did, "I am drowning, my dear, in seas of fire. Unless you apply some balm to the anguish of this hour and say something nice to that young man there, life will run upon the rocks--indeed I hear the grating and the growling at this minute. My nerves are taut as fiddle strings. Another touch and they will snap"--when Mrs. Ramsay said all this, as the glance in her eyes said it, of course for the hundred and fiftieth time Lily Briscoe had to renounce the experiment--what happens if one is not nice to that young man there--and be nice.

One result of active imagination, according to some reports, is an increase in synchronistic and paranormal phenomena. 32 This was certainly true of Jung. In 1916, Jung again felt that something within wanted to get out. An eerie restlessness seemed to permeate his home. Jung, I have to say, was lucky to have his house in Küsnacht, where he retired to a room, his “intellectual cave,” decorated in colored glass, to commune with his interior voices; he demanded and got absolute silence, and neither his children nor Emma—nor even the maid—were allowed to enter.33 As his maternal grandfather did, Jung felt the presence of the dead. His children seemed to feel it, too. One daughter saw a strange white figure; another had her blankets snatched from her at night. His son drew a picture of a fisherman he had seen in a dream: a flaming chimney rose from the fisherman’s head, and a devil flew through the air, cursing the fisherman for stealing his fish. An angel warned the devil that he couldn’t hurt the fisherman because he only caught bad fish. Jung had yet to mention Philemon the Kingfisher to his family. Then, on a Sunday afternoon, the doorbell rang loudly when it was clear no one was there. The pressure increased and Jung finally demanded “What in the world is this?” Then he heard the voices. “We have come back from Jerusalem,” they said, “where we found not what we sought,” the beginning of one of the strangest works of “automatic writing,” Jung’s Seven Sermons to the Dead, which he attributed to “Basilides in Alexandria, the City where the East toucheth the West.

Sometimes, if I am not in a situation where the truth matters, I take the liberty of becoming playful and making up a profession. I’ve said I’m a chef. I’ve said I train astronauts. I’ve said I’m a fisherman. One time I said I was a spy. The person I was talking to became instantly animated and started peppering me with so many questions it would have been easier if I had simply told the truth. As it was, I had to fabricate a wild set of statements based on my uninformed speculation about what a spy does! But such is the mind of a person who has ADHD—in this case, me—that making up stories comes quite naturally. Some people call this lying, but when there is no harm done, I call it playing.

What about now, Cassandra?” he asked, touching his hand to her left cheek, his other hand coming to rest on her slender waist. “Are you ready now? I must return to France to study. Come back with me. I can protect you. I will protect you. And I will try--I will do everything I can to make you happy.” Cass didn’t know what to say. She stared into Luca’s eyes--patient, warm, kind. He would be an excellent husband. An almost-perfect husband. But would he be the perfect husband for her? Cass didn’t know. Just then, something moved in the shadows. Instinctively, Cass tensed up. Her head whipped around as a figure emerged from the taverna behind them. It was Falco, holding a canvas sack over his shoulder. He froze, watching her and Luca, and Cass saw them as he must: standing close like lovers, their arms intertwined. He was still at a distance, but his stare radiated heat. Not anger, just his own peculiar energy. Luca did not appear to notice her attention had been distracted. “Will you go with me?” he prompted. “As my wife?” “I--” Cass looked up into Luca’s face. Her fiancé would love her and protect her. He understood pain and loyalty. He would die to keep her safe. Falco was moving now, walking toward the shoreline. Cass’s heart rose into her throat. Her first love. Falco understood her desire to be free from expectations. The man who would support her in living the life she wanted to live. But what life was that? Cass stood frozen, unable to decide. Luca was still staring at her expectantly. Falco reached the two of them, raising his blue eyes just long enough to give her a single soft look as he passed by. As Falco waved an arm to signal a passing fisherman, the sun dipped completely below the horizon.

the feel of catching that fish, the twitching of my rod, seeing him lift out of the water flipping and flopping, thrilled me. I was a fisherman.

All of those thousands upon thousands of photographs my father had taken. Think of them instead. Each one a record, a testament, a bulwark against forgetting, against nothingness, against death. Look, this happened. A thing happened, and now it will never un happen. Here it is in a photograph: a baby putting its tiny hand in the wrinkled palm of an octogenarian. A fox running across a woodland path and a man raising a gun to shoot it. A plane crash. A comet smeared across a morning sky. A prime minister wiping his brow. The Beatles, sitting at a cafe table on the Champs-Elysees on a cold January day in 1964, John Lennon's pale face under the brim of a fisherman's cap. all these things happened, and my father committed them to a memory that wasn't just his own, but the world's. My father's life wasn't about disappearance. His was a life that worked against it.

There is a famous parable about a man who lived in a cottage by the sea. Every morning, the man went fishing and caught just enough fish for the day. Afterward, he would spend time playing with his son, take a siesta, and enjoy lunch with his family. In the evening, he and his wife would meet friends at a local bar, where they would tell stories, play music, and dance the night away. One day, a tourist saw the fisherman and his meager catch and asked, “Why do you only catch three or four fish?” “That is all my family needs for today,” the fisherman replied. But the tourist had gone to business school and could not help but offer advice: “You know, if you catch a few more fish and sell them at the market, you could make some extra money.” “Why would I want to do that?” the fisherman asked. “With the extra money you could save up and buy a boat. Then, you could catch even more fish, and make even more money, which you could use to buy an entire fleet of boats!” “Why would I need so many boats?” queried the fisherman. “Don’t you see? With a fleet of boats, you could sell more fish, and with the extra money, you could move to New York, run an international business and sell fish all over the world!” “And how long would this take?” the fisherman asked. “Maybe 10 or 20 years,” the businessman said. “Then what?” the fisherman said. “Then you could sell your company for millions, retire, buy a cottage by the sea, go fishing every morning, take a siesta every afternoon, enjoy lunch with your family, and spend the evenings with friends, playing music and dancing!” How many of us today are like this businessman, blindly chasing what has been in front of us all along?

At the age of ninety-two, James spent months hunched over the kitchen table, learning the alphabet, practicing his signature, and slowly progressing to reading simple children’s books. Then his wife died, sending him into a tailspin and robbing him of his motivation to learn to read. But his story doesn’t end there. At the age of ninety-six, Henry became determined to try to learn to read again. This time he not only dove back into reading, but, with the help of a retired English teacher, he began to write, longhand, about his life, his time at sea, a man he lost overboard on one voyage, and what his grandfather’s farm was like in the Azores. He finished his memoir, and when he was ninety-eight it was published and became a bestselling book called In a Fisherman’s Language. It was optioned to become a film, and his success triggered a congratulatory letter from President Obama. Henry was working on his second book when he died at age ninety-nine in 2013. Henry’s story is remarkable on many levels. First, it took a tremendous amount of grit just to get by in today’s world as an illiterate adult. Even more remarkable was his determination to overcome it later in life.

They don’t realise that they have failed to begin with by not having any Goals. 3. Fear of success—A low self-image or fear of having to live up to their success causes some people to fear success. 4. A lack of ambition. Our limited thinking prevents us from progress. There was a fisherman who, every time he caught a big fish, would throw it back into the river, keeping only the smaller ones. A man watching this unusual behavior asked the fisherman why he was doing this. The fisherman replied, “Because I have a small frying pan.” Most people never make it big in life because they are carrying a small frying pan. That is limited thinking.

The earliest fisherman catches the fattest fish.

People who don’t read science fiction, but who have at least given it a fair shot, often say they’ve found it inhuman, elitist, and escapist. Since its characters, they say, are both conventionalized and extraordinary, all geniuses, space heroes, superhackers, androgynous aliens, it evades what ordinary people really have to deal with in life, and so fails an essential function of fiction. However remote Jane Austen’s England is, the people in it are immediately relevant and revelatory—reading about them we learn about ourselves. Has science fiction anything to offer but escape from ourselves? The cardboard-character syndrome was largely true of early science fiction, but for decades writers have been using the form to explore character and human relationships. I’m one of them. An imagined setting may be the most appropriate in which to work out certain traits and destinies. But it’s also true that a great deal of contemporary fiction isn’t a fiction of character. This end of the century isn’t an age of individuality as the Elizabethan and the Victorian ages were. Our stories, realistic or otherwise, with their unreliable narrators, dissolving points of view, multiple perceptions and perspectives, often don’t have depth of character as their central value. Science fiction, with its tremendous freedom of metaphor, has sent many writers far ahead in this exploration beyond the confines of individuality—Sherpas on the slopes of the postmodern. As for elitism, the problem may be scientism: technological edge mistaken for moral superiority. The imperialism of high technocracy equals the old racist imperialism in its arrogance; to the technophile, people who aren’t in the know/in the net, who don’t have the right artifacts, don’t count. They’re proles, masses, faceless nonentities. Whether it’s fiction or history, the story isn’t about them. The story’s about the kids with the really neat, really expensive toys. So “people” comes to be operationally defined as those who have access to an extremely elaborate fast-growth industrial technology. And “technology” itself is restricted to that type. I have heard a man say perfectly seriously that the Native Americans before the Conquest had no technology. As we know, kiln-fired pottery is a naturally occurring substance, baskets ripen in the summer, and Machu Picchu just grew there. Limiting humanity to the producer-consumers of a complex industrial growth technology is a really weird idea, on a par with defining humanity as Greeks, or Chinese, or the upper-middle-class British. It leaves out a little too much. All fiction, however, has to leave out most people. A fiction interested in complex technology may legitimately leave out the (shall we say) differently technologized, as a fiction about suburban adulteries may ignore the city poor, and a fiction centered on the male psyche may omit women. Such omission may, however, be read as a statement that advantage is superiority, or that the white middle class is the whole society, or that only men are worth writing about. Moral and political statements by omission are legitimated by the consciousness of making them, insofar as the writer’s culture permits that consciousness. It comes down to a matter of taking responsibility. A denial of authorial responsibility, a willed unconsciousness, is elitist, and it does impoverish much of our fiction in every genre, including realism.

Genius By The Dozen (A Sonnet) Given the resources, I can build any technology, Unlike some people, I do not need to hire genius. Yet I gave up my obsession of electronics, because, Building rockets is easy, building society not so much. Not everybody is born with a silver spoon in mouth, Rest of us have to choose among bread, dreams and tears. But don't assume that I am whining about a misfortune, Because, a reformer is worth a hundred entrepreneurs. Rocket science is child's play for even a fisherman's son, Cognitive Science is common sense for a laborer's child. Yet you boast about a bunch of counterfeit geniuses whose, Greatest power is that they are born with a golden hide. If you seek true genius, lend a hand to developing nations. And they'll give you Gates, Musks and Byrons by the dozens.

Fables and Fortune Hunters An American businessman took a vacation to a small coastal Mexican village on doctor’s orders. Unable to sleep after an urgent phone call from the office the first morning, he walked out to the pier to clear his head. A small boat with just one fisherman had docked, and inside the boat were several large yellowfin tuna. The American complimented the Mexican on the quality of his fish. “How long did it take you to catch them?” the American asked. “Only a little while,” the Mexican replied in surprisingly good English. “Why don’t you stay out longer and catch more fish?” the American then asked. “I have enough to support my family and give a few to friends,” the Mexican said as he unloaded them into a basket. “But … What do you do with the rest of your time?” The Mexican looked up and smiled. “I sleep late, fish a little, play with my children, take a siesta with my wife, Julia, and stroll into the village each evening, where I sip wine and play guitar with my amigos. I have a full and busy life, señor.” The American laughed and stood tall. “Sir, I’m a Harvard M.B.A. and can help you. You should spend more time fishing, and with the proceeds, buy a bigger boat. In no time, you could buy several boats with the increased haul. Eventually, you would have a fleet of fishing boats.” He continued, “Instead of selling your catch to a middleman, you would sell directly to the consumers, eventually opening your own cannery. You would control the product, processing, and distribution. You would need to leave this small coastal fishing village, of course, and move to Mexico City, then to Los Angeles, and eventually New York City, where you could run your expanding enterprise with proper management.” The Mexican fisherman asked, “But, señor, how long will all this take?” To which the American replied, “15–20 years. 25 tops.” “But what then, señor?” The American laughed and said, “That’s the best part. When the time is right, you would announce an IPO and sell your company stock to the public and become very rich. You would make millions.” “Millions, señor? Then what?” “Then you would retire and move to a small coastal fishing village, where you would sleep late, fish a little, play with your kids, take a siesta with your wife, and stroll to the village in the evenings where you could sip wine and play your guitar with your amigos …

Life is harsh and heartbreaking

Net of love! What are these scenes unfolding, Over the water of the lake, Where boats are sailing though water is randomly flowing, Is it a sight of motion with no mistake? As the fisherman casts his net, And its octagonal boundaries gradually sink into the water, Where they now lie in their world wet, And wait as octagonal shapes and one single net, when put together, A shoal of fish swims freely and maybe happily too, As they enter this octagonal mesh that waits in silence, The fisherman feels something stir in his mind too, And pulls the net breaking his wait of prolonged patience, And he smiles at the fish struggling to break free, He holds them one by one and tosses them on the floor, This is how it has always been and this is how it shall always be, The struggle for the floor to be the sky and for the sky to even invade the floor, For what spring and summer tames as beauty, Shall be confounded by the Autumn that appears to appear too soon, For in the temple of life there is no deity, There is only the law of bane and the boon, So I watch the fish wriggle on the floor of the boat, As my thoughts sail away with the one I love, And I cast my net over the vast expanse of fate as I wait, To notice in her the same feeling of love reflecting all over my net of love, That I cast only to seek her attention and few smiles, While her beauty glides throughout the universe, Her charm is rendered eternal across the universe’s infinite miles, And my net of love also gets cast across this endless universe!

What exactly are the discomforts that follow, say, a five-course meal at the French Laundry? Epicurus is speaking of physical sensations—indigestion, a hangover—but mostly about another, insidious kind of pain: the pain of not-having. You enjoyed the Pacific Wild King Salmon Terrine—the pleasure was real—but now it is gone and you crave it again. You have outsourced your happiness to the Salmon Terrine—and to the fisherman who caught it, the restaurant that serves it, the boss who cuts your paycheck so you can afford it. You are now a Salmon Terrine junkie, your happiness dependent on regular hits of the stuff. All because you have mistaken an unnecessary desire for a necessary one.

Life drifting, in its continuous, unpredictable flow. Life inimitable. Japanese Buddhism teaches us that art (or bliss) is surprise, it cannot be calculated. It is a prey, a catch: “Be as ignorant of what you are going to catch as a fisherman of what is at the end of his fishing rod” (the fish that arises from nowhere).

Once something was a part of him, once he made promises, they stuck. He stuck. A fisherman’s life was rooted in tradition and he’d always taken comfort in that. Protocols might change, but the rhythm of the ocean didn’t. The songs remained the same, sunsets were reliable and eternal, the tides would always shift and pull.

Think of a fisherman fishing at dusk in the middle of a calm sea, and think of yourself amidst the unbearable noise of a terrible city crowd! Yes, that's right, how unlucky you are!

We did so with the resignation of the peasant watching the hail flatten his crops, of the fisherman finding his nets empty, of the mother certain that her child will be born dead or will be carried off by a fever without ever leaving its cradle. Only the pampered and the comfortable and the cowardly, who live with their backs turned on the realities of life, rebel against the inevitable price that sooner or later we all have to pay.

the old house, in the lee of the hills, surrounded by relics of the old powder mill. the ancient stones silent, the water wheels still, but yet there is life in the ruins of the mill. the birds and the sheep find shelter to sleep the fisherman fish in the river so deep. the flowers of the forest carpet the glades. and the frogs they are leaping down in the lades. laughter bygone forever is still yet the echoes still linger here in the mill. voices come whispering from the century that was and dash is just resting under the moss. on nights of bright moon flooding over the hill I sense the life breathing here, in the mill. and here in the house time beats gently past as it has done before and will to the last.

That break comes for all of us, at different times and in different ways. The nourishment of food, the bonds of friendship, the occasions for celebration, and the delights of legitimate pleasure end in a matter of a moment for each life and each relationship. It is to this vulnerability of living that Jesus points His finger. The poet puts it in these words: Our life contains a thousand springs and dies if one be gone; Strange that a harp of a thousand strings can stay in tune so long. There is an old adage that says you can give a hungry man a fish, or better still, you can teach him how to fish. Jesus would add that you can teach a person how to fish, but the most successful fisherman has hungers fish will not satisfy. G

Steve came from a very different background to the band. His father Tommy was a fisherman on the Aran Islands, off the west coast of Ireland; when the great American documentary maker Robert Flaherty made his film Man of Aran about life on the islands in the 1930s, Steve’s father was one of the featured characters.

Fisherman looks for the fish in the middle of a mysterious misty lake; mankind looks for the meaning of life in the middle of a mysterious cold space!

Whitefield was the very first who seems thoroughly to have understood what Chalmers has called the aggressive system. He did not wait for souls to come to him, but he went after souls. He did not sit tamely by his fireside, mourning over the wickedness of the land. He went forth to beard the Devil in his high places. He attacked sin and wickedness face to face, and gave them no peace. He dived into holes and corners after sinners. He hunted up ignorance and vice, wherever it could be found. He showed that he thoroughly realized the nature of the ministerial office. Like a fisherman, he did not wait for the fish to come to him. Like a fisherman, he used every kind of means to catch souls.

Could an angler go fishing without a fishing rod, line and hook? It depends what they’re fishing for.

Good Things Happen to Big-Thinking People A tourist walked down a pier and watched a fisherman pull in a large fish, measure it, and throw it back. He caught a second fish, smaller this time, he measured it, and put it in his basket. Oddly, all fish over 10 inches, he discarded. The smaller ones, he kept. Someone asked him, “why?” The fisherman said, “Because my frying pan only measures 10 inches.” Is that foolish? Of course it is, but it’s no more so than when we throw away the biggest ideas and most beautiful dreams that come into your mind simply because your experience is too limited. Start growing now. Start thinking. Big things happen to big-thinking people. You can become the team you want to be. It’s possible. Every man must make his contribution.

Sometimes Stuart seems like an irritable fisherman. He bobs about, on the disruption of his life, a small, unsteady figure, fishing for order. Then he gets into a rage, 'goes right on one', and it is as if he's taken out the gutting knife and mashed his catch to a pulp - every sign of hated, repressive, reminding order is gone again.

Some kind of relaxed and beautiful thing kept flickering in with the tide and looking around. Black as a fisherman’s boot, with a white belly. If you asked for a picture I would have to draw a smile under the perfectly round eyes and above the chin, which was rough as a thousand sharpened nails. And you know what a smile means, don’t you? * I wanted the past to go away, I wanted to leave it, like another country; I wanted my life to close, and open like a hinge, like a wing, like the part of the song where it falls down over the rocks: an explosion, a discovery; I wanted to hurry into the work of my life; I wanted to know, whoever I was, I was alive for a little while. * It was evening, and no longer summer. Three small fish, I don’t know what they were, huddled in the highest ripples as it came swimming in again, effortless, the whole body one gesture, one black sleeve that could fit easily around the bodies of three small fish. * Also I wanted to be able to love. And we all know how that one goes, don’t we? Slowly * the dogfish tore open the soft basins of water. * You don’t want to hear the story of my life, and anyway I don’t want to tell it, I want to listen to the enormous waterfalls of the sun. And anyway it’s the same old story – - - a few people just trying, one way or another, to survive. Mostly, I want to be kind. And nobody, of course, is kind, or mean, for a simple reason. And nobody gets out of it, having to swim through the fires to stay in this world. * And look! look! look! I think those little fish better wake up and dash themselves away from the hopeless future that is bulging toward them. * And probably, if they don’t waste time looking for an easier world, they can do it.

I might never be really free of him, and I brought this into your life. Insanity and trouble. Maybe even danger. Oh, John... What a bad deal you got with me.” He smiled at her, touched her lips with his. “You can’t believe for one second that’s how I feel. Paige, I don’t care if you have an army of loaded Huns on your tail. The day you and Chris came into my life, that was the biggest miracle of my life. I wouldn’t trade you for anything.” She tightened her arms around him. “Do you know you’re the sweetest man who ever lived?” He laughed at her. “See, that’s the thing. Until you, I was just a fisherman and cook. Look at me now.” He grinned at her. “Now I’m not only the sweetest man alive, I’m like the world’s greatest lover.” That

This, more than anything else, is what I have never understood about your people. You can roll dice, and understand that the whole game may hinge on one turn of a die. You deal out cards, and say that all a man’s fortune for the night may turn upon one hand. But a man’s whole life, you sniff at, and say, what, this naught of a human, this fisherman, this carpenter, this thief, this cook, why, what can they do in the great wide world? And so you putter and sputter your lives away, like candles burning in a draft.

True religion must raise to work at the bar and the bench, on the couch and on the streets, in the cottage of the poor man and in the penthouse of the entrepreneur, with the fisherman that is catching fish and with the students that are studying.

........................................To a man without a country, He appeared a joint sojourner. To Joshua armed but afraid, He came a valiant warrior. To Moses raised up on the mount, He was the One yet higher. To Shadrach, Meshach, and Abednego, He was the fourth man in the fire. To Elijah who stood as one for God, he was never less alone. For Noah's faithful family, He made an ark their home. To Ezekiel He appeared to be the light cast over the dark. To King David running from the throne, He was the true Monarch. To Daniel at the bite of death, He was the lock upon their jaws. To King Solomon who'd had it all, He was the only worthy cause. To a sinking fisherman, He was life upon the water. To a grieving Jairus, He was life unto his daughter. To a woman at the well, He was complete acceptance. To a doubting Thomas, He was the proof for his reluctance. To a dozen throwbacks from the world, He unleashed His awesome power. From a greedy grave of several days burst forth his finest hour. ........................................

To a man without a country, He appeared a joint sojourner. To Joshua armed but afraid, He came a valiant warrior. To Moses raised up on the mount, He was the One yet higher. To Shadrach, Meshach, and Abednego, He was the fourth man in the fire. To Elijah who stood as one for God, he was never less alone. For Noah's faithful family, He made an ark their home. To Ezekiel He appeared to be the light cast over the dark. To King David running from the throne, He was the true Monarch. To Daniel at the bite of death, He was the lock upon their jaws. To King Solomon who'd had it all, He was the only worthy cause. To a sinking fisherman, He was life upon the water. To a grieving Jairus, He was life unto his daughter. To a woman at the well, He was complete acceptance. To a doubting Thomas, He was the proof for his reluctance. To a dozen throwbacks from the world, He unleashed His awesome power. From a greedy grave of several days burst forth his finest hour." ~Things pondered

It is true that a fisherman may fish and never catch any fish, but, if so, he is not much of a fisherman. And so, if there were no souls saved when I preached, perhaps I might find some way of satisfying my conscience, but I don’t know what it is yet. If my hearers are not converted, I feel like I have wasted my time; I have lost the exercise of brain and heart. I feel as if I lost my hope and lost my life, unless I find for my Lord some of his blood-bought ones.10

Labor Day. We could hear their bellow and grind from the Route 19 overpass. Below, the river gleamed like a flaw in metal. Leaving the parking lot behind, we billy-goated down the fisherman's trail, one by one, the way all mountain people do. Loud clumps of bees clustered in the fireweed and boneset, and the trail underfoot crunched with cans, condom wrappers, worm containers. A half-buried coal bucket rose from the dirt with a galvanized grin. The laurel hell wove itself into a tunnel, hazy with gnats. There, a busted railroad spike. The smell of river water filled our noses.

We too spent the night fishing and did not catch anything, each in our own way. He gives us the key to how we can get past that failure, that hopelessness. You will notice that Peter addresses him as “Master” but has never met him before. Here is the simple fisherman looking up at this man covered with dust from Galilee and, somehow, he knows he is looking at a holy man. Can you imagine for a moment what must have been radiating out of this man that caused the fisherman with no education to say “Master”?   Yet even though he called him Master, he knew his business when it came to fishing. He knew that fishing should take place at night when the fish were up by the surface, rather than in the day, when they scatter down into the depths. Yet this holy man, who is not a fisherman, is telling him his business. All of us think we know something about something, don’t we? We have our little corner carved out that we know all about,  and here comes Jesus messing with our business, telling us something that is not logical. Nevertheless, Peter says, “Yet because you say so, we will do it.” That is a sacred teaching: I don’t understand it, I don’t know where it’s going to lead me. it’s not familiar, it’s not what I know but because you say so, I will do it.   Consider a situation in your life where, in applying this teaching, another door will open, another opportunity will arise “because you say so.” Look at the fruits of the Spirit: Because you say to be patient even though I’m so upset and it makes no sense and I’m right and they’re wrong, yet I will be patient.   Try

Try it some time. This is the effort that opens the door to the other side, to a new life, to God’s way in our life. If you want to get out of a dead end -- spiritual, emotional, intellectual -- this is how you do it: Do what God tells you to do even if it makes no sense. Can you manifest enough faith, enough trust in the God revealed by Jesus to say, “If you say so, I will do it”? I will have faith.   Peter responds: “Okay, makes no sense but if you say so, I’ll do it.” And what happens? They go out in the middle of the day time and the net gets so full, it starts breaking. There are so many fish that the other boat comes out to help and the two boats start sinking. Now what does this picture tell us? That is the mercy of God! That is the abundance of Grace with which God wants to fill our life. That is what God wants to give you.   If Peter had not said “if you say so,” if he had said, “I’m sorry, rabbi. We tried it. We can’t do it,” Jesus would be on his way to find himself another fisherman, another community, another set of people who might just be willing to go out and take the risk. But Peter did say it and the simple fisherman is known to us today as one of the great world transformers. God will take anyone of us and use us for His purposes if we are willing like Peter to say, “Okay, I’ll do it.” That decision opens the door, and makes the impossible possible.   We

A fisherman was on a riverbank one day when he saw another man fishing nearby. Every time the other man caught a big fish, he threw it back, but he kept every small fish he hooked. This went on all day, and the more the first fisherman watched the more curious he became. Finally he went over and said, “Sir I’ve watched you all day and I just can’t understand. Why do you throw the big fish back, but you keep the small fish?” “Oh, that’s simple,” said the other man. “All I have is a ten-inch frying pan.

One first tastes the broth—that simmered distillation of fish bones, fennel, and tomatoes, with their hearty suggestions of Provence. One then savors the tender flakes of haddock and the briny resilience of the mussels, which have been purchased on the docks from the fisherman. One marvels at the boldness of the oranges arriving from Spain and the absinthe poured in the taverns. And all of these various impressions are somehow collected, composed, and brightened by the saffron—that essence of summer sun which, having been harvested in the hills of Greece and packed by mule to Athens, has been sailed across the Mediterranean in a felucca. In other words, with the very first spoonful one finds oneself transported to the port of Marseille—where the streets teem with sailors, thieves, and madonnas, with sunlight and summer, with languages and life.

When you’re so close to the catch that your life depends on it, the prayer for daily bread takes on new importance. Imagine a first-century hunter or fisherman praying that God would supply the next deer or trout. For many of us, food is so accessible that we take this petition

Remember how after Peter betrayed Jesus, he returned to fishing? He panicked . . . and despite all the change God had done in him, all he’d learned about Jesus, the Messiah, he went back to what he knew—the simple life of a fisherman. He only saw himself as a fisherman.

Metahemeralism. Tell me about it. Everything you know. I gotta know something about metahemeralism." "I'm sorry. I don't know what that is." "I don't either," Bunny would say brokenly. "Got to do with art or pastoralism or something. That's how I gotta tie together John Donne and Izaak Walton, see." He would resume pacing. "Donne. Walton. Metahemeralism. That's the problem as I see it." "Bunny, I don't think "metahemeralism" is even a word." "Sure it is. Comes from the Latin. Has to do with irony and the pastoral. Yeah. That's it. Painting or sculpture or something, maybe." "Is it in the dictionary?" "Dunno. Don't know how to spell it. I mean" — he made a picture frame with his hands — "the poet and the fisherman. Parfait. Boon companions. Out in the open spaces. Living the good life. Metahemeralism's gotta be the glue here, see?" And so it would go on, for sometimes half an hour or more, with Bunny raving about fishing, and sonnets, and heaven knew what, until in the middle of his monologue he would be struck by a brilliant thought and bluster off as suddenly as he had descended. He finished the paper four days before the deadline and ran around showing it to everyone before he turned it in. "This is a nice paper, Bun — ," Charles said cautiously. "Thanks, thanks." "But don't you think you ought to mention John Donne more often? Wasn't that your assignment?" "Oh, Donne," Bunny had said scoffingly. "I don't want to drag him into this." Henry had refused to read it. "I'm sure it's over my head, Bunny, really," he said, glancing over the first page. "Say, what's wrong with this type?" "Tripled spaced it," said Bunny proudly. "These lines are about an inch apart." "Looks kind of like free verse, doesn't it?" Henry made a funny little snorting noise through his nose. "Looks kind of like a menu," he said. All I remember about the paper was that it ended with the sentence "And as we leave Donne and Walton on the shores of Metahemeralism, we wave a fond farewell to those famous chums of yore.

Who can refuse the hand of the All Powerful One who abases Himself to the most unworthy of His creatures? How happy I am, my dear sister! I have been captured in the loving nets of the divine Fisherman. I would like to make you understand this happiness.

Not only do lighthouse keepers keep secrets, they fish for them. Most waking fisherman also fish for secrets, though few realize it. The typical fisherman casts his line of hope into the wild blue yonder, hopeful the forces of fate will answer his call. Fish for long enough and all those secrets of the universe can be caught: the meaning of life, the nature of reality, to be or not to be. Fish for long enough, and the depths will disclose their own dreams.

Dy5topia in the context of this book is a very real place, with very real 'inhabitants', but to understand Dy5topia you must first look closely at our world. Like the fisherman’s net that allows so much water to spill through, catching only the aquatic life, so too does Dy5topia collect only the fear of our world. Dy5topia is our dark reflection and a manifestation of our collective fears, and so its structure is created and maintained by our fear.

Dy5topia in the context of this book is a very real place, with very real “inhabitants'', but to understand Dy5topia you must first look closely at our world. Like the fisherman’s net that allows so much water to spill through, catching only the aquatic life, so too does Dy5topia collect only the fear of our world. Dy5topia is our dark reflection and a manifestation of our collective fears, and so its structure is created and maintained by our fear.

then asked why he didn’t stay out longer and catch more fish. The Mexican replied that he had enough to meet his family’s needs. The American then asked, “But what do you do with the rest of your day?” The Mexican fisherman said, “I sleep late, I fish a little, I play with my children, I take a siesta with my wife, I stroll into the village each evening where I sip some wine and play guitar with my amigos—so I have a full and busy life, Señor.

I told her I’m engaged to a woman I’ve known nearly my whole life. But I’m in love with a woman I’ve known for a breath, maybe two.

True mysticism just allows us to “fish” from a different side of the boat and with different expectations of what success might mean. All the while, we are totally assured that we are already and always floating on a big, deep, life-filled pond. The mystical heart knows there is a fellow Fisherman nearby who is always available for good advice. He stands and beckons from the shores, at the edges of every ordinary life, every unreligious moment, every “secular” occupation, and he is still talking to working people who, like the first disciples, are not important, influential, especially “holy,” trained in theology, or even educated. This is the mystical doorway, which is not narrow but wide and welcoming.