“
She glanced at the minotaur horn in my hands, then back at me. I imagined she was going to say, You killed a minotaur! or Wow, you're so awesome! or something like that.
Instead she said, "You drool when you sleep.
”
”
Rick Riordan
“
There’s nothing as significant as a human face. Nor as eloquent. We can never really know another person, except by our first glance at him. Because, in that glance, we know everything. Even though we’re not always wise enough to unravel the knowledge.
”
”
Ayn Rand (The Fountainhead)
“
The human capacity for burden is like bamboo- far more flexible than you'd ever believe at first glance.
”
”
Jodi Picoult (My Sister’s Keeper)
“
In order to share one's true brilliance one initially has to risk looking like a fool: genius is like a wheel that spins so fast, it at first glance appears to be sitting still.
”
”
Criss Jami (Venus in Arms)
“
At first glance, the key and the lock it fits may seem very different," Sazed said. "Different in shape, different in function, different in design. The man who looks at them without knowledge of their true nature might think them opposites, for one is meant to open, and the other to keep closed. Yet, upon closer examination he might see that without one, the other becomes useless. The wise man then sees that both lock and key were created for the same purpose.
”
”
Brandon Sanderson (The Well of Ascension (Mistborn, #2))
“
There are moments in every relationship that define when two people start to fall in love.
A first glance
A first smile
A first kiss
A first
fall
...
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
This first glance of a soul which does not yet know itself is like dawn in the heavens; it is the awakening of something radiant and unknown.
”
”
Victor Hugo (Les Misérables)
“
Did he just rip out the engine?" I asked.
"Yes", Saiman said. "And now he is demolishing the Maserati with it."
Ten seconds later Curran hurled the twisted wreck of black and orange that used to be the Maserati into the wall.
The first melodic notes of an old song came from the computer. I glanced at Saiman.
He shrugged. "It begged for a soundtrack.
”
”
Ilona Andrews (Magic Slays (Kate Daniels, #5))
“
So here’s where they put you. I didn’t think they even used these cells anymore.” He glanced sideways. “I got the wrong window at first. Gave your friend in the next cell something of a shock. Attractive fellow, what with the beard and the rags. Kind of reminds me of the street folk back home.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
Or perhaps all those things you missed upon first glance mean much more than you could ever guess.
”
”
Sara Shepard (Wanted (Pretty Little Liars, #8))
“
Oh, I fully intend to form an alliance with Luna.” Kai glanced at the cyborg foot again. “I just intend to put a different queen on the throne first.
”
”
Marissa Meyer (Winter (The Lunar Chronicles, #4))
“
To be around someone whose self-confidence is more than what our first glance led us to expect is seductive.
”
”
Abraham Verghese (Cutting for Stone)
“
Why wouldn't I dance?' Uh, maybe because at first glance he looked like he ate puppies for breakfast and kittens for lunch?
”
”
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
“
I risk a glance, and St. Clair stares back. Deeply. He has not looked at me like this before. I turn away first, then feel him turn a few beats later.
I know he is smiling, and my heart races.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
I want you to have this.” He extended his hand. On his palm sat the beautiful butterfly he had carved. Silver spots on the wings glinted in the sunlight, and a silver chain hung from a small hole drilled into its body.
Valek looped the necklace around my neck. “When I carved this statue, I was thinking about you. Delicate in appearance, but with a strength unnoticed at first glance.” His eyes met mine.
”
”
Maria V. Snyder (Poison Study (Study, #1))
“
When they finally did dare it, at first with stolen glances and then candid ones, they had to smile. They were uncommonly proud. For the first time they had done something out of Love.
”
”
Patrick Süskind (Perfume: The Story of a Murderer)
“
Legion hissed like a startled cat, the noise scraping at Reyes’s skin. “Me no boy. You think me a boy?”
Everyone stopped, stared. Even Aeron.
Reyes was the first to find his voice. “You’re a…girl?”
A nod. “Me pretty.”
“Yes, you are.” Reyes exchanged a glance with Lucien. “Beautiful.
”
”
Gena Showalter (The Darkest Pleasure (Lords of the Underworld, #3))
“
When I saw him look at me with lust, I dropped my eyes but, in glancing away from him, I caught sight of myself in the mirror. And I saw myself, suddenly, as he saw me, my pale face, the way the muscles in my neck stuck out like thin wire. I saw how much that cruel necklace became me. And, for the first time in my innocent and confined life, I sensed in myself a potentiality for corruption that took my breath away.
”
”
Angela Carter (The Bloody Chamber and Other Stories)
“
He fixed his dark eyes on her. 'I am Kekrops, the first and eternal king of Athens. I would welcome you to my city.' He held up the covered platter. ' Also, I brought a Bundt cake.'
Piper glanced at her friends. 'A trick?'
'Probably?' Annabeth said.
'At least he brought dessert.' Percy smiled down at the snake guys. 'Welcome aboard!
”
”
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
“
For the first time Valentine glanced down at the body of Brother Jeremiah. "I did kill him, and the rest of the Silent Brothers as well. I had to. They had something I needed."
"What? A sense of decency?
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
See now the power of truth; the same experiment which at first glance seemed to show one thing, when more carefully examined, assures us of the contrary.
”
”
Galileo Galilei (Discorsi E Dimostrazioni Matematiche: Intorno a Due Nuoue Scienze, Attenenti Alla Mecanica & I Movimenti Locali)
“
I believe
in love at first sight
but I will always believe
that the people
we love
we have loved before.
Many, many, many times before
and when we stumble
through grace and circumstance
and that brilliant illusion of choice
to finally meet them again,
we feel it faster
each time through.
The one glance
that set life alight
is two sets of two eyes
staring through the layers
of lifetimes and stolen glances
and first kisses and hands held;
the brace against the weight
and unrelenting tide
of waiting.
I believe
in love at first sight
but am not burdened with the misconception
that it's a first sight
at all.
”
”
Tyler Knott Gregson
“
You didn't have to attract desire. Either it was in the woman who aroused it or it didn't exist. Either it was there at first glance or else it had never been.
”
”
Marguerite Duras (The Lover)
“
Guess what?' Fitz said.
'I don't know,' Jude said. 'What? Narnie smiled?' He glanced at her for the first time.
'When you guys see a Narnie smile, it's like a revelation,' Webb said, gathering her towards him.
Jude stopped in front of her and, with both hands cupping her face, tried to make a smile. Narnie flinched.
'Leave her alone,' Tate said.
'I need a revelation,' Jude said. 'And you're the only one that can give me one, Narns.
”
”
Melina Marchetta (On the Jellicoe Road)
“
A story about a man who has loved me from the very beginning, from the first glance. The man who always was and still is my soul mate.
”
”
Beth Flynn (Nine Minutes (Nine Minutes, #1))
“
Magnus gave Alec a sidelong look as they climbed the rickety stairs. Alec caught the glance, and his breathing quickened; his blue eyes were bright. Alec bit his lower lip, and Magnus stopped walking. It was only a momentary hesitation. But then Alec reached out and caught his arm, fingers tight above his elbow.
‘Magnus’, he said in a low voice.
”
”
Cassandra Clare (The Course of True Love [and First Dates] (The Bane Chronicles, #10))
“
With a lightning quick glance at me first, he reads one bumper sticker: “Member: BBB. Boys in Books are Better?
”
”
Anne Eliot (Almost)
“
The truth is that the 143 million orphaned children and the 11 million who starve to death or die from preventable diseases and the 8.5 million who work as child slaves, prostitutes, or under other horrific conditions and the 2.3 million who live with HIV add up to 164.8 million needy children. And though at first glance that looks like a big number, 2.1 billion people on this earth proclaim to be Christians. The truth is that if only 8 percent of the Christians would care for one more child, there would not be any statistics left.
”
”
Katie Davis (Kisses from Katie)
“
What makes you walk past thirty-thousand people without a second glance, and then you look at the thirty-thousandth-and-first person and know you'll never take your eyes off her again?
”
”
Jodi Picoult (Second Glance)
“
The young writer should learn to spot them: words that at first glance seem freighted with delicious meaning, but that soon burst in the air, leaving nothing but a memory of bright sound.
”
”
E.B. White
“
I like the sound of that, crashing Monica's party," he glanced at Michael, then quickly away. "What about you? That break some kind of vampire rules or something?"
"Blow me Shane."
"Boys," Eve said primly. "Language. Minor at the table."
"Well," Shane said, "I wasn't actually planning to do it."
Claire rolled her eyes. "Not like it's the first time I've heard it. Or said it."
"You shouldnt say it," Michael said, all seriousness. "No, I mean it. Girls should say 'eat me' not 'blow me'. Wouldn't recommend 'bite me' though. Not around here.
”
”
Rachel Caine (Midnight Alley (The Morganville Vampires, #3))
“
No reflection was to be allowed now, not one glance was to be cast back; not even one forward. Not one thought was to be given either to the past or the future. The first was a page so heavenly sweet, so deadly sad, that to read one line of it would dissolve my courage and break down my energy. The last was an awful blank, something like then world when the deluge was gone by.
”
”
Charlotte Brontë (Jane Eyre)
“
They are not brave, the days when we are twenty-one. They are full of little cowardices, little fears without foundation, and one is so easily bruised, so swiftly wounded, one falls to the first barbed word. To-day, wrapped in the complacent armour of approaching middle age, the infinitesimal pricks of day by day brush one but lightly and are soon forgotten, but then—how a careless word would linger, becoming a fiery stigma, and how a look, a glance over a shoulder, branded themselves as things eternal.
”
”
Daphne du Maurier (Rebecca)
“
At first glance you looked at Kate and thought “fighter,” maybe merc. Five inches taller than me, she was all muscle—well, and some boobs—but mostly muscle. She moved like a predator and when she got pissed off, she exhaled aggression, like hot breath on a winter evening. Still, men looked, until they saw her eyes. Kate’s eyes were crazy. It was that hidden-deep crazy that told you that you had no idea what the hell she would do next but whatever it was, the bad guys wouldn’t like it.
”
”
Ilona Andrews (Gunmetal Magic (Kate Daniels, #5.5; World of Kate Daniels, #6 & #6.5; Andrea Nash, #1))
“
All my life one of my greatest desires has been to travel-to see and touch unknown countries, to swim in unknown seas, to circle the globe, observing new lands, seas, people, and ideas with insatiable appetite, to see everything for the first time and for the last time, casting a slow, prolonged glance, then to close my eyes and feel the riches deposit themselves inside me calmly or stormily according to their pleasure, until time passes them at last through its fine sieve, straining the quintessence out of all the joys and sorrows.
”
”
Nikos Kazantzakis (Report to Greco)
“
Nobody is who you think they are at first glance. We need to see beyond the projections we cast onto each other. Each of us is so much grander, more nuanced, and more extraordinary than anybody thinks, including ourselves.
”
”
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
“
People who are skilled at dialogue do their best to make it safe for everyone to add their meaning to the shared pool--even ideas that at first glance appear controversial, wrong, or at odds with their own beliefs. Now, obviously they don't agree with every idea; they simply do their best to ensure that all ideas find their way into the open.
”
”
Kerry Patterson (Crucial Conversations: Tools for Talking When Stakes are High)
“
Pippin glanced in some wonder at the face now close beside his own, for the sound of that laugh had been gay and merry. Yet in the wizard's face he saw at first only lines of care and sorrow; though as he looked more intently he perceived that under all there was a great joy: a fountain of mirth enough to set a kingdom laughing, were it to gush forth.
”
”
J.R.R. Tolkien (The Lord of the Rings)
“
It was less like seeing than like being for the first time seen, knocked breathless by a powerful glance.
”
”
Annie Dillard (Pilgrim at Tinker Creek)
“
We’ll fight our way out together,” Inej whispered.
Nina glanced from Inej to Kaz and saw they both wore the same expression. Nina knew that look. It came after the shipwreck, when the tide moved against you and the sky had gone dark. It was the first sight of land, the hope of shelter and even salvation that might await you on a distant shore.
”
”
Leigh Bardugo
“
I am glad it cannot happen twice, the fever of first love. For it is a fever, and a burden, too, whatever the poets may say. They are not brave, the days when we are twenty-one. They are full of little cowardices, little fears without foundation, and one is so easily bruised, so swiftly wounded, one falls to the first barbed word. To-day, wrapped in the complacent armour of approaching middle age, the infinitesimal pricks of day by day brush one but lightly and are soon forgotten, but then--how a careless word would linger, becoming a fiery stigma, and how a look, a glance over a shoulder, branded themselves as things eternal. A denial heralded the thrice crowing of a cock, and an insincerity was like the kiss of Judas. The adult mind can lie with untroubled conscience and a gay composure, but in those days even a small deception scoured the tongue, lashing one against the stake itself.
”
”
Daphne du Maurier (Rebecca)
“
So tonight I reach for my journal again. This is the first time I’ve done this since I came to Italy. What I write in my journal is that I am weak and full of fear. I explain that Depression and Loneliness have shown up, and I’m scared they will never leave. I say that I don’t want to take the drugs anymore, but I’m frightened I will have to. I am terrified that I will never really pull my life together.
In response, somewhere from within me, rises a now-familiar presence, offering me all the certainties I have always wished another person would say to me when I was troubled. This is what I find myself writing on the page:
I’m here. I love you. I don’t care if you need to stay up crying all night long. I will stay with you. If you need the medication again, go ahead and take it—I will love you through that, as well. If you don’t need the medication, I will love you, too. There’s nothing you can ever do to lose my love. I will protect you until you die, and after your death I will still protect you. I am stronger than Depression and Braver than Loneliness and nothing will ever exhaust me.
Tonight, this strange interior gesture of friendship—the lending of a hand from
me to myself when nobody else is around to offer solace—reminds me of something that happened to me once in New York City. I walked into an office building one afternoon in a hurry, dashed into the waiting elevator. As I rushed in, I caught an unexpected glance of myself in a security mirror’s reflection. In that moment, my brain did an odd thing—it fired off this split-second message: “Hey! You know her! That’s a friend of yours!” And I actually ran forward toward my own reflection with a smile, ready to welcome that girl whose name I had lost but whose face was so familiar. In a flash instant of course, I realized my mistake and laughed in embarrassment at my almost doglike confusion over how a mirror works. But for some reason that incident comes to mind again tonight during my sadness in Rome, and I find myself writing this comforting reminder at the bottom of the page.
Never forget that once upon a time, in an unguarded moment, you recognized yourself as a FRIEND…
I fell asleep holding my notebook pressed against my chest, open to this most recent assurance. In the morning when I wake up, I can still smell a faint trace of depression’s lingering smoke, but he himself is nowhere to be seen. Somewhere during the night, he got up and left. And his buddy loneliness beat it, too.
”
”
Elizabeth Gilbert
“
I wait for the fist of devestation, the collapse of a year's worth of hopes, the roar of sadness. And I do feel it. The pain of losing him. Or the idea of him. But along with that pain is something else, something quiet at first, so I have to strain for it. but when I do, I hear the sound of a door quietly clicking shut. And then the most amazing thing happens: The night is calm, but I feel a rush of wind, as if a thousand other doors have just simultaneously flung open.
I give one last glance towards Willem. Then I turn to Wolfgang. "Finished," I say.
But I suspect the opposite is true. That really, I'm just beginning.
”
”
Gayle Forman (Just One Day (Just One Day, #1))
“
„Ma'am?“
She glanced up at me, pushing her glasses up her nose as she did. “Hmm? Oh, I remember you. Miss Melbourne.“
“Melrose,“ I corrected.
“Are you sure? I could've sworn you were named after someplace in Australia.“
„Well, my first name is Sydney,“ I said, not sure if I should be encouraging her.
”
”
Richelle Mead (Bloodlines (Bloodlines, #1))
“
Hadley grabs the laminated safety instructions from the seat pocket in front of her and frowns at the cartoon men and women who seem weirdly delighted to be bailing out of a series of cartoon planes. Beside her, Oliver stifles a laugh, and she glances up again.
“What?”
“I’ve just never seen anyone actually read one of those things before,”
“Well,” she says, “then you’re very lucky to be sitting next to me.”
“Just in general?”
She grins. “Well, particularly in case of an emergency.”
“Right,” he says. “I feel incredibly safe. When I’m knocked unconscious by my tray table during some sort of emergency landing, I can’t wait to see all five-foot-nothing of you carry me out of here.
”
”
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
“
He was the kind of young man whose handsome face has brought him plenty of success in the past and is now ever-ready for a new encounter, a fresh-experience, always eager to set off into the unknown territory of a little adventure, never taken by surprise because he has worked out everything in advance and is waiting to see what happens, a man who will never overlook any erotic opportunity, whose first glance probes every woman's sensuality, and explores it, without discriminating between his friend's wife and the parlour-maid who opens the door to him. Such men are described with a certain facile contempt as lady-killers, but the term has a nugget of truthful observation in it, for in fact all the passionate instincts of the chase are present in their ceaseless vigilance: the stalking of the prey, the excitement and mental cruelty of the kill. They are constantly on the alert, always ready and willing to follow the trail of an adventure to the very edge of the abyss. They are full of passion all the time, but it is the passion of a gambler rather than a lover, cold, calculating and dangerous. Some are so persistent that their whole lives, long after their youth is spent, are made an eternal adventure by this expectation. Each of their days is resolved into hundreds of small sensual experiences - a look exchanged in passing, a fleeting smile, knees brushing together as a couple sit opposite each other - and the year, in its own turn, dissolves into hundreds of such days in which sensuous experience is the constantly flowing, nourishing, inspiring source of life.
”
”
Stefan Zweig (The Burning Secret and other stories)
“
Do you love me, Westley? Is that it?’
He couldn’t believe it. ‘Do I love you? My God, if your love were a grain of sand, mine would be a universe of beaches. If your love were—‘
‘I don’t understand the first one yet,’ Buttercup interrupted. She was starting to get very excited now. ‘Let me get this straight. Are you saying my love is the size of a grain of sand and yours is this other thing? Images just confuse me so—is this universal business of yours bigger than my sand? Help me, Westley. I have the feeling we’re on the verge of something just terribly important.’
‘I have stayed these years in my hovel because of you. I have taught myself languages because of you. I have made my body strong because I thought you might be pleased by a strong body. I have lived my life with only the prayer that some sudden dawn you might glance in my direction. I have not known a moment in years when the sight of you did not send my heart careening against my rib cage. I have not known a night when your visage did not accompany me to sleep. There has not been a morning when you did not flutter behind my waking eyelids….Is any of this getting through to you, Buttercup, or do you want me to go on for a while?’
‘Never stop.’
‘There has not been—‘
‘If you’re teasing me, Westley, I’m just going to kill you.’
‘How can you even dream I might be teasing?’
‘Well, you haven’t once said you loved me.’
‘That’s all you need? Easy. I love you. Okay? Want it louder? I love you. Spell it out, should I? I ell-oh-vee-ee why-oh-you. Want it backward? You love I.’
‘You are teasing now; aren’t you?’
‘A little maybe; I’ve been saying it so long to you, you just wouldn’t listen. Every time you said ‘Farm boy do this’ you thought I was answering ‘As you wish’ but that’s only because you were hearing wrong. ‘I love you’ was what it was, but you never heard, and you never heard.
”
”
William Goldman (The Princess Bride)
“
At first glance it seems strange that the attitude of the anti-Semite can be equated with that of the negrophobe. It was my philosophy teacher from the Antilles who reminded me one day: “When you hear someone insulting the Jews pay attention; he is talking about you.” And I believed at the time he was universally right, meaning that I was responsible in my body and my soul for the fate reserved for my brother. Since then, I have understood that what he meant quite simply was the anti-Semite is inevitably a negrophobe.
”
”
Frantz Fanon (Black Skin, White Masks)
“
He glanced up at the sky, but the stars were washed out behind the glare of the stadium lights. He wondered – not for the first time – if his mother was looking down at him. He hoped not. She’d beat him to hell and back if she saw him sitting around moping like that.
”
”
Nora Sakavic (The Foxhole Court (All for the Game, #1))
“
Unwrapping the paper carefully so it doesn’t tear, I find a beautiful red leather
box. Cartier. It’s familiar, thanks to my second-chance earrings and my watch.
Cautiously, I open the box to discover a delicate charm bracelet of silver, or platinum
or white gold—I don’t know, but it’s absolutely enchanting. Attached to it
are several charms: the Eiffel Tower, a London black cab, a helicopter—Charlie
Tango, a glider—the soaring, a catamaran—The Grace, a bed, and an ice cream
cone? I look up at him, bemused.
“Vanilla?” He shrugs apologetically, and I can’t help but laugh. Of course.
“Christian, this is beautiful. Thank you. It’s yar.” He grins.
My favorite is the heart. It’s a locket.
“You can put a picture or whatever in that.”
“A picture of you.” I glance at him through my lashes. “Always in my heart.”
He smiles his lovely, heartbreakingly shy smile.
I fondle the last two charms: a letter C—oh yes, I was his first girlfriend to
use his first name. I smile at the thought. And finally, there’s a key.
“To my heart and soul,” he whispers.
”
”
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
“
We were fools.”
“You were children. Was there no one to protect you?”
“Was there anyone to protect you?”
“My father. My mother. They would have done anything to keep me from being stolen.”
“And they would have been mowed down by slavers.”
“Then I guess I was lucky I didn’t have to see that.”
How could she still look at the world that way? “Sold into a brothel at age fourteen and you count yourself lucky.”
“They loved me. They love me. I believe that.” He saw her draw closer in the mirror. Her black hair was an ink splash against the white tile walls. She paused behind him. “You protected me, Kaz.”
“The fact that you’re bleeding through your bandages tells me otherwise.”
She glanced down. A red blossom of blood had spread on the bandage tied around her shoulder. She tugged awkwardly at the strip of towel. “I need Nina to fix this one.”
He didn’t mean to say it. He meant to let her go. “I can help you.”
Her gaze snapped to his in the mirror, wary as if gauging an opponent. I can help you. They were the first words she’d spoken to him, standing in the parlor of the Menagerie, draped in purple silk, eyes lined in kohl. She had helped him. And she’d nearly destroyed him. Maybe he should let her finish the job.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
Hold your finger to the sky with so much force it lengthens like a spine. Look up to the point of it and beyond. There. That tiny patch of the world, no bigger than the tip of your finger. At first glance, it might look like one flat color. Blue, or gray, or maybe even orange.
But it's much more complex than that. Squint. See the daubs of lilac. The streak of sage no wider than a hyphen. That butterscotch smear and the faint wash of carnelian. All of them coming together to swirl at the point just above your finger.
Breathe them in. Let them settle in your lungs. Those are the colors of right now.
”
”
Emily X.R. Pan (The Astonishing Color of After)
“
As for me? My given name is Jacques Ludefance, Jack for short. If I had to describe myself? I’m 44, six-foot-two, with a long face, high cheek bones, dark hair and mustache, and deep green eyes, which have always been a hit with the ladies. On the down-side there is a deep scar on my right cheek, the slash extending from my eye to my lip that not even my deep tan can hide; which is definitely not a hit with the ladies. At first glance, they either back off, or are curious as to how it happened. My standard answer is short and simple, alligator bite. Growing up in Louisiana, I did some crazy things as a kid. Tangling with alligators was one of them.
”
”
Behcet Kaya (Treacherous Estate (Jack Ludefance, #1))
“
For the sake of a few lines one must see many cities, men and things. One must know the animals, one must feel how the birds fly and know the gesture with which the small flowers open in the morning. One must be able to think back to roads in unknown regions, to unexpected meetings and to partings which one had long seen coming; to days of childhood that are still unexplained, to parents that one had to hurt when they brought one some joy and one did not grasp it (it was joy for someone else); to childhood illness that so strangely began with a number of profound and grave transformations, to days in rooms withdrawn and quiet and to mornings by the sea, to the sea itself, to seas, to nights of travel that rushed along on high and flew with all the stars-and it is not enough if one may think all of this. One must have memories of many nights of love, none of which was like the others, of the screams of women in labor, and of light, white, sleeping women in childbed, closing again. But one must also have been beside the dying, one must have sat beside the dead in the room with the open window and the fitful noises. And still it is not enough to have memories. One must be able to forget them when they are many, and one must have the great patience to wait until they come again. For it is not yet the memories themselves. Not until they have turned to blood within us, to glance, to gesture, nameless and no longer to be distinguished from ourselves-not until then can it happen that in a most rare hour the first word of a verse arises in their midst and goes forth from them.
”
”
Rainer Maria Rilke (The Notebooks of Malte Laurids Brigge)
“
Also, screw you—maybe you can be all stealthy and break into their building to get the woman out, but I can get
us there and back safely. I did this for months and never got a second glance from anyone, including PSFs.”
“Probably because your ugly-ass face blinded them on the first look,” she muttered.
”
”
Alexandra Bracken (In the Afterlight (The Darkest Minds, #3))
“
Taylor: “Show me your craftiness. I’ll give you one question.”
Jeremy: “I’m a big believer in first impressions,” he finally said. “Tell me what your first thought was when Jason walked into the courtroom.”
Taylor: “I vowed to hate him forever.”
Jeremy: “That’s exactly what I said nineteen years ago, five minutes after he first walked into our dorm room.”
....
Jason : “Did I miss something?”
Taylor: “You’re a bit older than I thought, Jason Andrews.”
Jason glanced quickly at Jeremy, who held up his hands innocently.
Jeremy: “I swear, she forced it out of me.
”
”
Julie James (Just the Sexiest Man Alive)
“
I’m going to tell you something once and then whether you die is strictly up to you," Westley said, lying pleasantly on the bed. "What I’m going to tell you is this: drop your sword, and if you do, then I will leave with this baggage here"—he glanced at Buttercup—"and you will be tied up but not fatally, and will be free to go about your business. And if you choose to fight, well, then, we will not both leave alive."
You are only alive now because you said 'to the pain.' I want that phrase explained."
My pleasure. To the pain means this: if we duel and you win, death for me. If we duel and I win, life for you. But life on my terms. The first thing you lose will be your feet. Below the ankle. You will have stumps available to use within six months. Then your hands, at the wrists. They heal somewhat quicker. Five months is a fair average. Next your nose. No smell of dawn for you. Followed by your tongue. Deeply cut away. Not even a stump left. And then your left eye—"
And then my right eye, and then my ears, and shall we get on with it?" the Prince said.
Wrong!" Westley’s voice rang across the room. "Your ears you keep, so that every shriek of every child shall be yours to cherish—every babe that weeps in fear at your approach, every woman that cries 'Dear God, what is that thing?' will reverberate forever with your perfect ears. That is what 'to the pain' means. It means that I leave you in anguish, in humiliation, in freakish misery until you can stand it no more; so there you have it, pig, there you know, you miserable vomitous mass, and I say this now, and live or die, it’s up to you: Drop your sword!"
The sword crashed to the floor.
”
”
William Goldman (The Princess Bride)
“
Ask yourselves, young people, about the love of Christ. Acknowledge His voice resounding in the temple of your heart. Return His bright and penetrating glance which opens the paths of your life to the horizons of the Church’s mission. It is a taxing mission, today more than ever, to teach men the truth about themselves, about their end, their destiny, and to show faithful souls the unspeakable riches of the love of Christ. Do not be afraid of the radicalness of His demands, because Jesus, who loved us first, is prepared to give Himself to you, as well as asking of you. If He asks much of you, it is because He knows you can give much.
”
”
Pope John Paul II (The Meaning of Vocation)
“
The finished clock is resplendent. At first glance it is simply a clock, a rather large black clock with a white face and a silver pendulum. Well crafted, obviously, with intricately carved woodwork edges and a perfectly painted face, but just a clock.
But that is before it is wound. Before it begins to tick, the pendulum swinging steadily and evenly. Then, then it becomes something else.
The changes are slow. First, the color changes in the face, shifts from white to grey, and then there are clouds that float across it, disappearing when they reach the opposite side.
Meanwhile, bits of the body of the clock expand and contract, like pieces of a puzzle. As though the clock is falling apart, slowly and gracefully.
All of this takes hours.
The face of the clock becomes a darker grey, and then black, with twinkling stars where numbers had been previously. The body of the clock, which has been methodically turning itself inside out and expanding, is now entirely subtle shades of white and grey. And it is not just pieces, it is figures and objects, perfectly carved flowers and planets and tiny books with actual paper pages that turn. There is a silver dragon that curls around part of the now visible clockwork, a tiny princess in a carved tower who paces in distress, awaiting an absent prince. Teapots that pour into teacups and minuscule curls of steam that rise from them as the seconds tick. Wrapped presents open. Small cats chase small dogs. An entire game of chess is played.
At the center, where a cuckoo bird would live in a more traditional timepiece, is the juggler. Dress in harlequin style with a grey mask, he juggles shiny silver balls that correspond to each hour. As the clock chimes, another ball joins the rest until at midnight he juggles twelve balls in a complex pattern.
After midnight, the clock begins once more to fold in upon itself. The face lightens and the cloud returns. The number of juggled balls decreases until the juggler himself vanishes.
By noon it is a clock again, and no longer a dream.
”
”
Erin Morgenstern (The Night Circus)
“
After a long time, I cleared my throat. “So anyway, when we get to Nevada...I think we should rethink your
dad’s rule.”
Alex glanced down at me and smiled – the first real smile I’d seen on his face in a long time. “You know
what? It’s already been rethought and completely ditched,” he said. And he wrapped his arms around me
and we stood looking up at the mountains, with the rising rays of the sun lighting them from the east.
”
”
L.A. Weatherly (Angel Fire (Angel, #2))
“
Grave and thoughtful was her glance, as she looked on the king with cool pity in her eyes. Very fair was her face, and her long hair was like a river of gold. Slender and tall she was in her white robe girt with silver; but strong she seemed and stern as steel, a daughter of kings.
Thus Aragorn for the first time in the full light of day beheld Eowyn, Lady of Rohan, and thought her fair; fair and cold, like a morning of pale spring that is not yet come to womanhood. And she now was suddenly aware of him: tall heir of kings, wise with many winters, grey cloaked, hiding a power that yet she felt. For a moment still as stone she stood, then turning swiftly she was gone.
”
”
J.R.R. Tolkien
“
I don’t want to be a widow, I don’t want Michael Bayning, and I don’t want you to joke about such things, you tactless clodpole!”
As all three of them stared at her openmouthed, Poppy leapt up and stalked away, her hands drawn into fists.
Bewildered by the immediate force of her fury—it was like being stung by a butterfly—Harry stared after her dumbly. After a moment, he asked the first coherent thought that came to him. “Did she just say she doesn’t want Bayning?”
“Yes,” Win said, a smile hovering on her lips. “That’s what she said. Go after her, Harry.”
Every cell in Harry’s body longed to comply. Except that he had the feeling of standing on the edge of a cliff, with one ill-chosen word likely to send him over. He gave Poppy’s sister a desperate glance. “What should I say?”
“Be honest with her about your feelings,” Win suggested.
A frown settled on Harry’s face as he considered that. “What’s my second option?
”
”
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
“
Do you know anything
about silent films?”
“Sure,” I said. “The first ones were developed in the late
nineteenth century and sometimes had live musical
accompaniment, though it wasn’t until the 1920s that sound
become truly incorporated into films, eventually making
silent ones obsolete in cinema.”
Bryan gaped, as though that was more than he’d been
expecting. “Oh. Okay. Well, um, there’s a silent film festival
downtown next week. Do you think you’d want to go?”
I shook my head. “No, I don’t think so. I respect it as an
art form but really don’t get much out of watching them.”
“Huh. Okay.” He smoothed his hair back again, and I
could almost see him groping for thoughts. Why on earth
was he asking me about silent films? “What about Starship
30? It opens Friday. Do you want to see that?”
“I don’t really like sci-fi either,” I said. It was true, I found it
completely implausible.
Bryan looked ready to rip that shaggy hair out. “Is there
any movie out there you want to see?”
I ran through a mental list of current entertainment. “No.
Not really.” The bell rang, and with a shake of his head,
Bryan slunk back to his desk. “That was weird,” I muttered.
“He has bad taste in movies.” Glancing beside me, I was
startled to see Julia with her head down on her desk while
she shook with silent laughter. “What?”
“That,” she gasped. “That was hilarious.”
“What?” I said again. “Why?”
“Sydney, he was asking you out!”
I replayed the conversation. “No, he wasn’t. He was
asking me about cinema.”
She was laughing so hard that she had to wipe away a
tear. “So he could find out what you wanted to see and take
you out!”
“Well, why didn’t he just say that?”
“You are so adorably oblivious,” she said. “I hope I’m
around the day you actually notice someone is interested in
you.” I continued to be mystified, and she spent the rest of
class bursting out with spontaneous giggles.
”
”
Richelle Mead (Bloodlines (Bloodlines, #1))
“
You either fainted or you wanted a much closer look at the cracks in the tile. Either way, you hit hard."
"Seriously?"
He nodded. "Maybe you shouldn't have been trying to make out with him," he suggested.
How did he know that? "I was kissing him good-bye."
He snorted and exchanged glances with the nurse. "That's not what it looked like to me."
Probably not. But what happened? Could Reyes Farrow take control over me even from a freaking coma? I was doomed.
”
”
Darynda Jones (First Grave on the Right (Charley Davidson, #1))
“
You first."
"No, you."
"Why?"
"I'm afraid."
"Of what, my Sassenach?" The darkness was rolling in over the fields, filling the land and rising up to meet the night. The light of the new crescent moon marked the ridges of brow and nose, crossing his face with light.
"I'm afraid if I start I shall never stop."
He cast a glance at the horizon, where the sickle moon hung low and rising. "It's nearly winter, and the nights are long, mo duinne." He leaned across the fence, reaching, and I stepped into his arms, feeling the heat of his body and the beat of his heart.
"I love you.
”
”
Diana Gabaldon (Outlander (Outlander, #1))
“
When we fall in love at a glance, the question we should ask ourselves (and this would apply to both men and women) is, What is it that we long for? Or perhaps, What are we lacking so that we can turn life in the direction we want? Creativity? Confidence? Authority? Recklessness? Irresponsibility? Or even darkness? Perhaps the lover is the outlaw in ourselves we don't quite have the nerve to claim. (p. 34)
”
”
Rosemary Sullivan (Labyrinth of Desire: Women, Passion, and Romantic Obsession)
“
What?”
Jace was standing up now.
“When you first step off. Bend the knees right away. Otherwise you did pretty well.”
“But what about Isabelle?” Simon asked. “What do I do?”
“I have no idea,” Jace said.
“So you just came here to torture me and talk about yourself?” Simon demanded.
“Oh, Simon, Simon, Simon,” said Jace. “You may not remember, but that’s kind of our thing.”
With that, he walked away, clearly aware of the admiring glances that followed his every step.
”
”
Cassandra Clare (The Whitechapel Fiend (Tales from the Shadowhunter Academy, #3))
“
...out from the door of the farmhouse came a long file of pigs, all walking on their hind legs...out came Napoleon himself, majestically upright, casting haughty glances from side to side, and with his dogs gambolling round him.
He carried a whip in his trotter.
There was a deadly silence. Amazed, terrified, huddling together, the animals watched the long line of pigs march slowly round the yard. It was as though the world had turned upside-down. Then there came a moment when the first shock had worn off and when, in spite of everything-in spite of their terror of the dogs, and of the habit, developed through long years, of never complaining, never criticising, no matter what happened-they might have uttered some word of protest. But just at that moment, as though at a signal, all the sheep burst out into a tremendous bleating of-
"Four legs good, two legs better! Four legs good, two legs better! Four legs good, two legs better!"
It went on for five minutes without stopping. And by the time the sheep had quieted down, the chance to utter any protest had passed, for the pigs had marched back into the farmhouse.
”
”
George Orwell (Animal Farm)
“
Sophie did this?" He said, not for the first time. They were standing at the foot of Jessamine's bed. She lay flung upon it, her chest rising and falling slowly like the famous Sleeping Beauty waxwork or Madame du Barry. Her fair hair was scattered on the pillow, and a large, bloody welt ran across her forehead. Each of her wrists was tied to a post of the bed. "Our Sophie?"
Tessa glanced over at Sophie, who was sitting in a chair by the door. Her head was down, and she was staring at her hands. She studiously avoided looking at Tessa or Will. "Yes,"Tessa said, "and do stop repeating it."
" I think i may be in love with you, Sophie," said Will. "Marriage could be on the cards."
Sophie whimpered.
”
”
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
“
The first rule of etiquette a boy learns when he's about to enter
society is that civility is due to all women. No provocation, no
matter how unjust and rudely delivered, can validate a man who fails
to treat a woman with anything less than utmost courtesy."
The boys hung on his every word. He glanced in her direction.
"I have met some incredibly unpleasant women, and I have never failed
in this duty. But I must admit: your sister may prove my undoing.
”
”
Ilona Andrews (On the Edge (The Edge, #1))
“
All right, then,” she snapped, “do as you please! Perhaps afterward we could manage a coherent discussion.” Twisting beneath him, she flopped onto her stomach.
Christopher went still. After a long hesitation, she heard him ask in a far more normal voice, “What are you doing?”
“I’m making it easier for you,” came her defiant reply. “Go on, start ravishing.”
Another silence. Then, “Why are you facing downward?”
“Because that’s how it’s done.” Beatrix twisted to look at him over her shoulder. A twinge of uncertainty caused her to ask, “Isn’t it?”
His face was blank. “Has no one ever told you?”
“No, but I’ve read about it.”
Christopher rolled off her, relieving her of his weight. He wore an odd expression as he asked, “From what books?”
“Veterinary manuals. And of course, I’ve observed the squirrels in springtime, and farm animals and-”
She was interrupted as Christopher cleared his throat loudly, and again. Darting a confused glance at him, she realized that he was trying to choke back amusement.
Beatrix began to feel indignant. Her first time in a bed with a man, and he was laughing.
“Look here,” she said in a businesslike manner, “I’ve read about the mating habits of over two dozen species, and with the exception of snails, whose genitalia is on their necks, they all—” She broke off and frowned. “Why are you laughing at me?
Christopher had collapsed, overcome with hilarity. As he lifted his head and saw her affronted expression, he struggled manfully with another outburst. “Beatrix. I’m . . . I’m not laughing at you.”
“You are!”
“No I’m not. It’s just . . .” He swiped a tear from the corner of his eye, and a few more chuckles escaped. “Squirrels . . .”
“Well, it may be humorous to you, but it’s a very serious matter to the squirrels.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
A pretty girl with butterfly clips in her dreadlocks put her hand on his arm. “You were amazing,” she told him, her voice fluting. “You have the reflexes of a striking snake. You should be a stuntman. Really, with your cheekbones, you should be an actor. A lot of people are looking for someone as pretty as you who’d do his own stunts.”
Alec threw Magnus a terrified and beseeching look. Magnus took pity on him, putting a hand on the small of Alec’s back and leaning against him. His attitude and the glance he shot at the girl clearly communicated my date.
“No offence,” said the girl, rapidly removing her hand so she could dig in her bag. “Let me give you my card. I work in a talent agency. You could be a star.”
“He’s foreign,” Magnus told the girl. “He doesn’t have a social security number. You can’t hire him.”
The girl regarded Alec’s bowed head wistfully. “That’s a shame. He could be huge. Those eyes!”
“I realize he’s a knockout,” Magnus said. “But I am afraid I have to whisk him away. He is wanted by Interpol.”
Alec shot him a strange look. “Interpol?”
Magnus shrugged.
“Knockout?” Alec said.
Magnus raised an eyebrow at him. “You had to know I thought so. Why else would I agree to go on a date with you?
”
”
Cassandra Clare (The Course of True Love [and First Dates] (The Bane Chronicles, #10))
“
I finally tracked down Derek. He was alone in the library, thumbing through a book.
"Found you." I said on a sigh of relief.
He turned. His lips curved in a quarter smile, gaze softening in a way that did something to my insides, made me pull up short, momentarily forgetting why I was there.
"I-Is Simon around?"
He blinked, then turned back to the shelf.
"He's upstairs. He's really pissed about Andrew so that's probably that safest place for him until we're ready to go, or he'll say something to him we don't want said. You need him?"
"Actually, m-maybe I should show you first."
He glanced over his shoulder, frowning.
"We found something."
" Oh." He paused, like he was mentally shifting gears, then nodded and followed me out.
”
”
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
“
There are moments in every relationship that define when two people start to fall in love.
A first glance
A first smile
A first kiss
A first fall…
(I remove the Darth Vader house shoes from my satchel and look down at them.)
You were wearing these during one of those moments.
One of the moments I first started to fall in love with you.
The way you gave me butterflies that morning
Had absolutely nothing to do with anyone else,
and everything to do with you.
I was falling in love with you that morning
because of you.
(I take the next item out of the satchel. When I pull it out and look up, she brings her hands to her mouth in shock.)
This ugly little gnome
With his smug little grin…
He's the reason I had an excuse to invite you into my house.
Into my life.
You took a lot of aggression out on him over those next few months.
I would watch from my window as you would kick him over every time you walked by him.
Poor little guy.
You were so tenacious.
That feisty, aggressive, strong-willed side of you….
The side of you that refused to take crap from this concrete gnome?
The side of you that refused to take crap from me?
I fell in love with that side of you
because of you.
(I set the gnome down on the stage and grab the CD)
This is your favorite CD
‘Layken’s shit.’
Although now I know you intended for shit to be possessive, rather than descriptive.
The banjo started playing through the speakers of your car
and I immediately recognized my favorite band.
Then when I realized it was your favorite band, too?
The fact that these same lyrics inspired both of us?
I fell in love with that about you.
That had absolutely nothing to do with anyone else.
I fell in love with that about you
because of you.
(I take a slip of paper out of the satchel and hold it up. When I look at her, I see Eddie slide her a napkin. I can’t tell from up here, but that can only mean she’s crying.)
This is a receipt I kept.
Only because the item I purchased that night was on the verge of ridiculous.
Chocolate milk on the rocks? Who orders that?
You were different, and you didn’t care.
You were being you.
A piece of me fell in love with you at that moment,
because of you.
This? (I hold up another sheet of paper.)
This I didn’t really like so much.
It’s the poem you wrote about me.
The one you titled 'mean?'
I don’t think I ever told you…
but you made a zero.
And then I kept it
to remind myself of all the things I never want to be to you.
(I pull her shirt from my bag. When I hold it into the light, I sigh into the microphone.)
This is that ugly shirt you wear.
It doesn’t really have anything to do with why I fell in love with you.
I just saw it at your house and thought I’d steal it.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
Coming forward with a placating smile, Win handed him a piece of paper. "Of course we would never want to force you into a loveless marriage, dear. But we have put together a list of prospective brides, all of them lovely girls. Won't you take a glance and see if any of them appeals to you?"
Deciding to humor her, Leo looked down at the list. "Marietta Newbury?"
"Yes," Amelia said. "What's wrong with her?"
"I don't like her teeth."
"What about Isabella Charrington?"
"I don't like her mother."
"Lady Blossom Tremaine?"
"I don't like her name."
"Oh, for heaven's sake, Leo, that's not her fault."
"I don't care. I can't have a wife named Blossom. Every night I would feel as if I were calling in one of the cows." Leo lifted his gaze heavenward. "I might as well marry the first woman off the street. Why, I'd be better off with Marks."
Everyone was silent.
”
”
Lisa Kleypas (Married by Morning (The Hathaways, #4))
“
Let me guess,” Eli said, his voice that low, even timbre, as always. “Drinking from kegs also falls under outdoor activity.”
I just looked at him, standing there in jeans and the same blue hoodie he’d had on the first time I met him. Maybe it was the embarrassment, which had been bad enough before I had an audience, but I was instantly annoyed. I said, “Are we outside?”
He glanced round, as if needing to confirm this. “Nope.”
“Then no.” I turned my attention back to the keg.
”
”
Sarah Dessen (Along for the Ride)
“
My, my," he said, looking the note over. "If only students would write this much in their essays. One of you has considerably worse writing than the other, so forgive me if I get anything wrong here." He cleared his throat."'So, I saw J last night,' begins the person with bad handwriting, to which the response is,'What happened,' followed by no fewer than five question marks. Understandable, since sometimes one—let alone four—just won't get the point across, eh?" The class laughed, and I noticed Mia throwing me a particularly mean smile. "The first speaker responds:'What do you think happened? We hooked up in one of the empty lounges.'“
Mr. Nagy glanced up after hearing some more giggles in the room. His British accent only added to the hilarity.
"May I assume by this reaction that the use of 'hook up' pertains to the more recent, shall we say,carnal application of the term than the tamer one I grew up with?”
More snickers ensued. Straightening up, I said boldly, "Yes, sir, Mr. Nagy. That would be correct, sir."
A number of people in the class laughed outright.
"Thank you for that confirmation, Miss Hathaway. Now, where was I? Ah yes, the other speaker then asks,'How was it?' The response is,'Good,' punctuated with a smiley face to confirm said adjective. Well. I suppose kudos are in order for the mysterious J, hmmm?'So, like, how far did you guys go?' Uh, ladies," said Mr. Nagy, "I do hope this doesn't surpass a PG rating.'Not very.We got caught.'And again, we are shown the severity of the situation, this time through the use of a not-smiling face.'What happened?' 'Dimitri showed up. He threw Jesse out and then bitched me out.'“
The class lost it, both from hearing Mr. Nagy say "bitched" and from finally getting some participants named.
"Why, Mr.Zeklos, are you the aforementioned J? The one who earned a smiley face from the sloppy writer?
”
”
Richelle Mead (Vampire Academy (Vampire Academy, #1))
“
You may claim no affiliation with them, but perhaps some have crossed your path.And perhaps you'd like to help us find them."
"Oh,sure.You killed my mother. You can imagine I'm dying to help you out."
Thomas manages to ignore me again. He glances at the first photo projected on the wall. "Know this person?"
I shake my head. "Never seen him before."
Thomas clicks the remote. Another photo pops up. "How about this one?"
"Nope."
Another photo. "How about this?"
"Nope."
Yet another stranger pops up on the wall. "Seen this girl before?"
"Never seen her in my life."
More unfamiliar faces. Thomas goes through them without blinking an eye or questioning my responses. What a stupid puppet of the state. I watch him as we continue, wishing I weren't chained so I could beat this man to the ground.
”
”
Marie Lu (Legend (Legend, #1))
“
What is it?”
Leigh glanced up with uncertainty, then back to his groin with a sort of horrified fascination. “Well, um… is there something about immortals you haven’t told me?”
“What? What do you mean?” he asked with bewilderment.
Leigh shook her head, then leaned forward and said “Hello?” to his groin, only to stiffen again and jerk back as if it had hissed at her.
“Are you talking to my penis?” Lucian asked with disbelief.
“It talked to me first,” she said defensively, and frowned. “You didn’t mention this little skill.”
Lucian decided she must be joking and laughed. “So, what did it say?”
“It said, ‘Lucian? Lucian, are you there?’” He blinked.
“Why would it say that?”
“I don’t know. It’s your penis.”
That’s when he recalled the cell phone in his pocket. A laugh bursting from his lips, Lucian reached in his pocket to retrieve the phone.
”
”
Lynsay Sands (Bite Me If You Can (Argeneau, #6))
“
When her doctor took her bandages off and led her into the garden, the girl who was no longer blind saw “the tree with the lights in it.” It was for this tree I searched through the peach orchards of summer, in the forests of fall and down winter and spring for years. Then one day I was walking along Tinker creek and thinking of nothing at all and I saw the tree with the lights in it. I saw the backyard cedar where the mourning doves roost charged and transfigured, each cell buzzing with flame. I stood on the grass with the lights in it, grass that was wholly fire, utterly focused and utterly dreamed. It was less like seeing that like being for the first time see, knocked breathless by a powerful glance. The flood of fire abated, but I’m still spending the power. Gradually the lights went out in the cedar, the colors died, the cells un-flamed and disappeared. I was still ringing. I had been my whole life a bell and never knew it until at that moment I was lifted and struck. I have since only very rarely seen the tree with the lights in it. The vision comes and goes, mostly goes, but I live for it, for the moment the mountains open and a new light roars in spate through the crack, and the mountains slam.
”
”
Annie Dillard (Pilgrim at Tinker Creek)
“
The theory of exodus proposes that the most effective way of opposing capitalism and the liberal state is not through direct confrontation but by means of what Paolo Virno has called “engaged withdrawal,”mass defection by those wishing to create new forms of community. One need only glance at the historical record to confirm that most successful forms of popular resistance have taken precisely this form. They have not involved challenging power head on (this usually leads to being slaughtered, or if not, turning into some—often even uglier—variant of the
very thing one first challenged) but from one or another strategy of slipping away from its grasp, from flight, desertion, the founding of new communities.
”
”
David Graeber (Fragments of an Anarchist Anthropology (Paradigm))
“
It occurs to me," said Hodge, "that the dilemmas of power are
always the same." Clary glanced at him sideways. "What do you mean?"
She sat on the window seat in the library, Hodge in his chair with Hugo on
the armrest. The remains of breakfast—sticky jam, toast crumbs, and
smears of butter—clung to a stack of plates on the low table that no one
had seemed inclined to clear away. After breakfast they had scattered to
prepare themselves, and Clary had been the first one back. This was hardly
surprising, considering that all she had to do was pull on jeans and a shirt
and run a brush through her hair, while everyone else had to arm
themselves heavily. Having lost Jace's dagger in the hotel, the only
remotely supernatural object she had on her was the witchlight stone in her
pocket.
"I was thinking of your Simon," Hodge said, "and of Alec and Jace,
among others."
She glanced out the window. It was raining, thick fat drops spattering
against the panes. The sky was an impenetrable gray. "What do they have
to do with each other?"
"Where there is feeling that is not requited," said Hodge, "there is an
imbalance of power. It is an imbalance that is easy to exploit, but it is not a
wise course. Where there is love, there is often also hate. They can exist
side by side."
"Simon doesn't hate me."
"He might grow to, over time, if he felt you were using him.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
Is that all?” he blurted out.
Crowley and Halt exchanged slightly puzzled glances. Then Crowley pursed his lips thoughtfully.
“Um…it seems to be…Listed your trainging, mentioned a few achievements, made sure you know which end of an arrow is the sharp part…decided your new name…I think that’s…” Then it seemed that understanding dawned on him and his eyes opened wide.
“Of course! You have to have you Silver…whatsis, don ‘t you?” He took hold of the chain that held his own Silver Oakleaf around his throat and shook it lightly. It was a badge of a Graduate Ranger. Then he began to search through his pockets, frowning.
“Had it here! Had it here! Where the devil is it…wait. I heard something fall on the boards as I came in! Must have dropped it. Just check outside the front door, will you, Will?”
Too stunned to talk, Will rose and went to the door. As he set his hand on the latch, he looked back at the two Rangers, still seated at the table. Crowley made a small shooing motion with the back of his hand, urging him to go outside. Will was still looking back at them when he opened the door and stepped through on the verandah.
“Congratulations!”
The massive cry went up from at least forty throats. He swung around in shock to find all his friends gathered in the clearing outside around the table laid for a feast, their faces beaming with smiles. Baron Arald, Sir Rodney, Lady Pauline and Master Chubb were all there. So were Jenny and George, his former wardmates. There were a dozen others in the Ranger uniform – men he had met worked with over the past five years. And wonder of wonders, there were Erak and Svengal , bellowing his name and waving their huge axes overhead in his praise. Close by them stood Horace and Gilan, both brandishing their swords overhead as well. It looked like a dangerous section of the crowd to be in, Will thought.
After the first concerted shout, people began cheering and calling his name, laughing and waving to him.
Halt and Crowley joined him on the verandah. The Commandant was doubled over with laughter.
“Oh, if you could have seen yourself!” he wheezed. “Your face! Your face! It was priceless! ‘Is that all?’” He mimicked Will’s plaintive tones and doubled over again.
Will tuned to Halt accusingly. His teacher grinned at him.
“Your face was a study,” he said.
“Do you so that to all apprentices?” Will asked.
Halt nodded vigorously. “Every one. Stops them getting a swelled head at the last minute. You have to swear never to let an apprentice in on the secret.
”
”
John Flanagan (Erak's Ransom (Ranger's Apprentice, #7))
“
For the first time in my life, I was reading things which had not been approved by the Prophet's censors, and the impact on my mind was devastating. Sometimes I would glance over my shoulder to see who was watching me, frightened in spite of myself. I began to sense faintly that secrecy is the keystone of all tyranny. Not force, but secrecy...censorship. When any government, or any church for that matter, undertakes to say to it's subjects, This you may not read, this you must not see, this you are forbidden to know, the end result is tyranny and oppression, no matter how holy the motives. Mighty little force is needed to control a man whose mind has been hoodwinked, contrariwise, no amount of force can control a free man, a man whose mind is free. No, not the rack, not fission bombs, not anything---you can't conquer a free man; the most you can do is kill him.
”
”
Robert A. Heinlein
“
Are you enjoying your company so far?"
"Yes! It's been a pleasure getting to know these ladies."
"Are they all the sweet, gentle ladies they appear to be?" Gavril asked. Before Maxon replied, the answer brought a smile to my face. Because I knew that it was yes...sort of.
"Umm..." Maxon looked past Gavril at me. "Almost."
"Almost?" Gavril asked, surprised. He turned to us. "Is someone over there being naughty?"
Mercifully, all the girls let out light giggles, so I blended in. The little traitor!
"What exactly did these girls do that isn't so sweet?" Gavril asked Maxon.
"Oh, well, let me tell you." Maxon crossed his legs and got very comfortable in his chair. It was probably the most relaxed I'd ever seen him, sitting there poking fun at me. I liked this side of him. I wished it would come out more often. "One of them had the nerve to yell at me rather forcefully the first time we met. I was given a very severe scolding."
Above Maxon's head, the king and queen exchanged a glance. It seemed they were hearing this story for the first time, too. Beside me the girls were looking at one another, confused. I didn't get it until Marlee said something.
"I don't remember anyone yelling at him in the Great Room. Do you?"
Maxon seemed to have forgotten that our first meeting was meant to be a secret. "I think he's talking it up to make it funnier. I did say some serious things to him. I think he might mean me."
"A scolding, you say? Whatever for?" Gavril continued.
"Honestly, I wasn't really sure. I think it was a bout of homesickness. Which is why I forgave her, of course." Maxon was loose and easy now, talking to Gavril as if he were the only person in the room. I'd have to tell him later how wonderful he did.
"So she's still with us, then?" Gavril looked over at the collection of girls, grinning widely, and then returned to face his prince.
"Oh, yes. She's still here," Maxon said, not letting his eyes wander from Gavril's face. "And I plan on keeping her here for quite a while.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
Has she accepted you?"
"Not yet.She wants to discuss it with you first."
"Thank God.Because I'll tell her that it's the worst idea I've ever heard."
Leo arched a brow."You doubt I could protect her?"
"I doubt you could keep from murdering each other!I doubt she could ever be happy in such volatile circumstances.I doubt...no,I won't bother listing all my concerns,it would take too bloody long." Harry's eyes were ice-cold. "The answer is no,Ramsay.I'll do what is necessary to take care of Cat.You can return to Hampshire."
"I'm afraid it won't be that easy to get rid of me," Leo said."Perhaps you didn't notice that I haven't asked for your permission.There is no choice.Certain things have happened that can't be undone.Do you understand?"
He saw from Harry's expression that only a few fragile constraints stood between him and certain death.
"You seduced her deliberately," Harry managed to say.
"Would you be happier if I claimed it was an accident?"
"The only thing that would make me happy is to weight you with rocks and toss you into the Thames."
"I understand.I even sympathize.I can't imagine what it would be like to face a man who's compromised your sister,how difficult it would be to keep from murdering him on the spot.Oh, but wait.." Leo tapped a forefinger thoughtfully on his chin. "I can imagine.Because I went through it two bloody months ago."
Harry's eyes narrowed."That wasn't the same.Your sister was still a virgin when I married her."
Leo gave him an unrepenting glance. "When I compromise a woman,I do it properly."
"That does it," Harry muttered, leaping for his throat.
”
”
Lisa Kleypas (Married by Morning (The Hathaways, #4))
“
The First [Friend] is the alter ego, the man who first reveals to you that you are not alone in the world by turning out (beyond hope) to share all your most secret delights. There is nothing to be overcome in making him your friend; he and you join like raindrops on a window. But the Second Friend is the man who disagrees with you about everything. He is not so much the alter ego as the antiself. Of course he shares your interests; otherwise he would not become your friend at all. But he has approached them all at a different angle. He has read all the right books but has got the wrong thing out of every one. It is as if he spoke your language but mispronounced it. How can he be so nearly right and yet, invariably, just not right? He is as fascinating (and infuriating) as a woman. When you set out to correct his heresies, you will find that he forsooth to correct yours! And then you go at it, hammer and tongs, far into the night, night after night, or walking through fine country that neither gives a glance to, each learning the weight of the other's punches, and often more like mutually respectful enemies than friends. Actually (though it never seems so at the time) you modify one another's thought; out of this perpetual dogfight a community of mind and a deep affection emerge.
”
”
C.S. Lewis (Surprised by Joy: The Shape of My Early Life)
“
Exactly one month after he was convicted, when the lights were dimmed and the detention officers made a final sweep of the catwalk, Peter reached down and tugged off his right sock. He turned on his side in the lower bunk, so that he was facing the wall. He fed the sock into his mouth, stuffing it as far back as it would go.
When it got hard to breathe, he fell into a dream. He was still eighteen, but it was the first day of kindergarten. He was carrying his backpack and his Superman lunch box. The orange school bus pulled up and, with a sigh, split open its gaping jaws. Peter climbed the steps and faced the back of the bus, but this time, he was the only student on it. He walked down the aisle to the very end, near the emergency exit. He put his lunch box down beside him and glanced out the rear window. It was so bright he thought the sun itself must be chasing them down the highway.
'Almost there,' a voice said, and Peter turned around to look at the driver. But just as there had been no passengers, there was no one at the wheel.
Here was the amazing thing: in his dream, Peter wasn't scared. He knew, somehow, that he was headed exactly where he'd wanted to go.
”
”
Jodi Picoult (Nineteen Minutes)
“
Mrs. Nightwing glances at the box in my hands. She clears her throat."I understand you've decided against Mr. Middleton."...
It's best to be sure, through and through," she says, keeping her eyes steadfastly on the girls running and playing on the lawn. "Else you could find yourself one day coming home to an empty house, save for a note: I've gone out. You could wait all night for him to return. Nights turn into weeks, to years. It's horrible, the waiting. You can scarcely bear it. And perhaps years later on holiday in Brighton, you see him, walking along the boardwalk as if out of some dream. No longer lost. Your heartbeat quickens. You must call out to him. Someone else calls first. A pretty young woman with a child. He stops and bends to lift the child into his arms. His child. He gives a furtive kiss to his young wife. He hands her a box of candy, which you know to be Chollier's chocolates. He and his family stroll on. Something in you falls away. You will never be as you were. What is left to you is the chance to become something new and unsure. But at least the waiting is over.
”
”
Libba Bray (Rebel Angels (Gemma Doyle, #2))
“
1.
WE'VE LEFT SHORE SOMEHOW
BECOME THE FRIENDS
OF EARLY THEORY
CLOSE ENOUGH TO SPEAK
DESIRE AND PAIN OF ABSENCE
OF MISTAKES WE'D MAKE
GIVEN THE CHANCE.
EACH SMILE RETURNED
MAKES HARDER AVOIDING
DREAMS THAT SEE US
LYING IN EARLY EVENING
CURTAIN SHADOWS, SKIN
SAFE AGAINST SKIN.
BLOOM OF COMPASSION
RESPECT FOR MOMENTS
EYES LOCK TURNS
FOREVER INTO ONE MORE
VEIL THAT FALLS AWAY.
2.
THIS AFTER SEEING YOU
LAST NIGHT, FIRST TIME
SMELLING YOU WITH
PERMISSION: SHOULDERS TO
WONDER OPENLY AT
AS CAREFULLY KISSED
AS THOSE ARMS
WAITED IMPOSSIBLY ON.
THEY'VE HELD ME NOW
AND YOUR BREATH
DOWN MY BACK
SENT AWAY NIGHT AIR
THAT HAD ME SHAKING
IN THE UNLIT ANGLICAN
DOORWAY.
3.
ARE WE RUINED FOR
FINDING OUR FACES FIT
AND WANT TO KNOW MORE
ABOUT MORNING? IS
FRIENDSHIP CANCELLED
IF WE CAN'T CALL
EACH OTHER ANYMORE
IN AMNESIA, INVITE
OURSELVES TO LAST GLANCES
UNDER SUSPICIOUS CLOCKS
TELLING US WHEN WE'VE
HAD ENOUGH?
4.
YOUR STEADY HANDS
CRADLING MY GRATEFUL
SKULL: WERE YOU TAKING
IN MY FACE TO
SAVE AN IMAGE
YOU'VE RARELY ALLOWED
YOURSELF AFTER LEAVING
THAT COLD ALCOVE?
AM I A PHOTOGRAPH
YOU GAZE AT IN
MOMENTS OF WEAKNESS?
YOU ORDERED ME
OFF MY KNEES
INTO YOUR ARMS.
WASN'T TO BEG
THAT I KNELT; ONLY
TO SEE YOU ONCE
FROM BELOW.
TRIED TO SAY SOMETHING
THAT FILLED MY MOUTH
AND LONGED TO REST
IN YOUR EAR.
DON'T DARE WRITE
IT DOWN FOR FEAR IT'LL
BECOME WORDS, JUST
WORDS.
”
”
Viggo Mortensen (Coincidence of Memory)
“
Eat slowly," the blueblood said. "Don't cut your food with the fork. Cut it with the knife, and make the pieces small enough so you can answer a question without having to swallow first."
Why me? "Right. Any other tips?" Her sarcasm whistled right over his head.
"Yes. Look at me and not at your plate. If you have to look at your plate, glance at it occasionally."
Rose put down her fork. "Lord Submarine..."
"Camarine."
"Whatever."
"You can call me Declan." He said it as if granting her a knighthood. The nerve.
"Declan, then. How did you spend your day?"
He frowned.
"It's a simple question: How did you spend your day? What did you do prior to the fight and the pancake making?"
"I rested from my journey," he said with a sudden regal air.
"You took a nap"
"Possibly."
"I spent my day scrubbing, vacuuming and dusting ten offices in the Broken. I got there at seven thirty in the morning and left at six. My back hurts, I can still smell bleach on my fingers, and my feet feel as flat as these pancakes. Tomorrow, I have to go back to work, and I want to eat my food in peace and quiet. I have good table manners. They may not be good enough for you, but they're definitely good enough for the Edge, and they are the height of social graces in this house. So please keep your critique to yourself."
The look on his face was worth having him under her roof. As if he had gotten slapped.
She smiled at him. "Oh and thank you for the pancakes. They are delicious.
”
”
Ilona Andrews (On the Edge (The Edge, #1))
“
We live in a modern society. Husbands and wives don't
grow on trees, like in the old days. So where
does one find love? When you're sixteen it's easy,
like being unleashed with a credit card
in a department store of kisses. There's the first kiss.
The sloppy kiss. The peck.
The sympathy kiss. The backseat smooch. The we
shouldn't be doing this kiss. The but your lips
taste so good kiss. The bury me in an avalanche of tingles kiss.
The I wish you'd quit smoking kiss.
The I accept your apology, but you make me really mad
sometimes kiss. The I know
your tongue like the back of my hand kiss. As you get
older, kisses become scarce. You'll be driving
home and see a damaged kiss on the side of the road,
with its purple thumb out. If you
were younger, you'd pull over, slide open the mouth's
red door just to see how it fits. Oh where
does one find love? If you rub two glances, you get a smile.
Rub two smiles, you get a warm feeling.
Rub two warm feelings and presto-you have a kiss.
Now what? Don't invite the kiss over
and answer the door in your underwear. It'll get suspicious
and stare at your toes. Don't water the kiss with whiskey.
It'll turn bright pink and explode into a thousand luscious splinters,
but in the morning it'll be ashamed and sneak out of
your body without saying good-bye,
and you'll remember that kiss forever by all the little cuts it left
on the inside of your mouth. You must
nurture the kiss. Turn out the lights. Notice how it
illuminates the room. Hold it to your chest
and wonder if the sand inside hourglasses comes from a
special beach. Place it on the tongue's pillow,
then look up the first recorded kiss in an encyclopedia: beneath
a Babylonian olive tree in 1200 B.C.
But one kiss levitates above all the others. The
intersection of function and desire. The I do kiss.
The I'll love you through a brick wall kiss.
Even when I'm dead, I'll swim through the Earth,
like a mermaid of the soil, just to be next to your bones.
”
”
Jeffrey McDaniel
“
We have all heard such stories of expert intuition: the chess master who walks past a street game and announces “White mates in three” without stopping, or the physician who makes a complex diagnosis after a single glance at a patient. Expert intuition strikes us as magical, but it is not. Indeed, each of us performs feats of intuitive expertise many times each day. Most of us are pitch-perfect in detecting anger in the first word of a telephone call, recognize as we enter a room that we were the subject of the conversation, and quickly react to subtle signs that the driver of the car in the next lane is dangerous. Our everyday intuitive abilities are no less marvelous than the striking insights of an experienced firefighter or physician—only more common. The psychology of accurate intuition involves no magic. Perhaps the best short statement of it is by the great Herbert Simon, who studied chess masters and showed that after thousands of hours of practice they come to see the pieces on the board differently from the rest of us. You can feel Simon’s impatience with the mythologizing of expert intuition when he writes: “The situation has provided a cue; this cue has given the expert access to information stored in memory, and the information provides the answer. Intuition is nothing more and nothing less than recognition.
”
”
Daniel Kahneman (Thinking, Fast and Slow)
“
Every fop and fool in London has been sniffing after her." Having said that, Jason returned his attention for the report. "Go ahead and read off the names, if you must."
Frowning in surprise at Jason's dismissive attitude, Charles took the seat across the desk from him and put on his spectacles. "First, there is young Lord Crowley, who has already asked my permission to court her."
"No. Too impulsive," Jason decreed flatly.
"What makes you say so?" Charles said with a bewildered look.
"Crowley doesn't know Victoria well enough to want to 'court' her, as you so quaintly phrased it."
"Don't be ridiculous. The first four men on this list have already asked my permission to do the same thing- providing, of course, that your claim on her is not unbreakable.”
“No, to all those four men- for the same reason,” Jason said curtly, leaning back in his chair, absorbed in the report in his hand. Who’s next?”
“Crowley’s friend, Lord Wiltshire.”
“Too young. Who’s next?”
“Arthur Landcaster.”
“Too short,” Jason said cryptically. “Next?”
“William Rogers,” Charles shot back in a challenging voice, “and he’s tall, conservative, mature, intelligent, and handsome. He’s also the heir to one of the finest estates in England. I think he would do very well for Victoria.”
“No.”
“No?” Charles burst out. “Why not?”
“I don’t like the way Roger sits a horse.”
“You don’t like_” Charles bit out in angry disbelief; then he glanced at Jason’s implacable face and sighed. “Very well. The last name on my list is Lord Terrance. He sits horses extremely well, in addition to being and excellent chap. He is also tall, handsome, intelligent, and wealthy. Now,” he finished triumphantly, “what fault can you find with him?”
Jason’s jaw tightened ominously.“I don’t like him.
”
”
Judith McNaught (Once and Always (Sequels, #1))
“
Go on," Kell told him without taking his eyes from Lila. " Get some rest."
Hastra shifted. "I can't, sir," he said. "I'm to escort Miss Bard--"
"I'll take that charge," cut in Kell. Hastra bit his lip and retreated several steps.
Lila let her forehead come to rest against his, her face so close the features blurred. And yet, that fractured eye shone with frightening clarity.
"You never told me," he whispered.
"You never noticed," she answered. And then, "Alucard did."
The blow landed, and Kell started to pull away when Lila's eyelids fluttered and she swayed dangerously.
He braced her. "Come on," he said gently. "I have a room upstairs. Why don't we--"
A sleepy flicker of amusement. "Trying to get me into bed?"
Kell mustered a smile. "It's only fair. I've spent enough time in yours."
"If I remember correctly," she said, her voice dreamy with fatigue, "you were on top of the bed the entire time."
"And tied to it," observed Kell.
Her words were soft at the edges. "Those were the days..." she said, right before she fell forward. It happened so fast Kell could do nothing but throw his arms around her.
"Lila?" he asked, first gently, and then more urgently. "Lila?"
She murmured against his front, something about sharp knives and soft corners, but didn't rouse, and Kell shot a glance at Hastra, who was still standing there, looking thoroughly embarrassed.
"What have you done?" demanded Kell.
"It was just a tonic, sir," he fumbled, "something for sleep."
"You drugged her?"
"It was Tieren's order," said Hastra, chastised. "He said she was mad and stubborn and no use to us dead." Hastra lowered his voice when he said this, mimicking Tieren's tone with startling accuracy.
"And what do you plan to do when she wakes back up?"
Hastra shrank back. "Apologize?"
Kell made an exasperated sound as Lila nuzzled-- actually nuzzled-- his shoulder.
"I suggest," he snapped at the young man, "you think of something better. Like an escape route."
Hastra paled, and Kell swept Lila up into his arms, amazed at her lightness... Kell swept through the halls until he reached his room and lowered Lila onto the couch.
Hastra handed him a blanket. "Shouldn't you take off her knives?"
"There's not enough tonic in the world to risk it," said Kell.
”
”
Victoria E. Schwab (A Conjuring of Light (Shades of Magic, #3))
“
Tell me something. Do you believe in God?'
Snow darted an apprehensive glance in my direction. 'What? Who still believes nowadays?'
'It isn't that simple. I don't mean the traditional God of Earth religion. I'm no expert in the history of religions, and perhaps this is nothing new--do you happen to know if there was ever a belief in an...imperfect God?'
'What do you mean by imperfect?' Snow frowned. 'In a way all the gods of the old religions were imperfect, considered that their attributes were amplified human ones. The God of the Old Testament, for instance, required humble submission and sacrifices, and and was jealous of other gods. The Greek gods had fits of sulks and family quarrels, and they were just as imperfect as mortals...'
'No,' I interrupted. 'I'm not thinking of a god whose imperfection arises out of the candor of his human creators, but one whose imperfection represents his essential characteristic: a god limited in his omniscience and power, fallible, incapable of foreseeing the consequences of his acts, and creating things that lead to horror. He is a...sick god, whose ambitions exceed his powers and who does not realize it at first. A god who has created clocks, but not the time they measure. He has created systems or mechanisms that serves specific ends but have now overstepped and betrayed them. And he has created eternity, which was to have measured his power, and which measures his unending defeat.'
Snow hesitated, but his attitude no longer showed any of the wary reserve of recent weeks:
'There was Manicheanism...'
'Nothing at all to do with the principles of Good and Evil,' I broke in immediately. 'This god has no existence outside of matter. He would like to free himself from matter, but he cannot...'
Snow pondered for a while:
'I don't know of any religion that answers your description. That kind of religion has never been...necessary. If i understand you, and I'm afraid I do, what you have in mind is an evolving god, who develops in the course of time, grows, and keeps increasing in power while remaining aware of his powerlessness. For your god, the divine condition is a situation without a goal. And understanding that, he despairs. But isn't this despairing god of yours mankind, Kelvin? Is it man you are talking about, and that is a fallacy, not just philosophically but also mystically speaking.'
I kept on:
'No, it's nothing to do with man. man may correspond to my provisional definition from some point of view, but that is because the definition has a lot of gaps. Man does not create gods, in spite of appearances. The times, the age, impose them on him. Man can serve is age or rebel against it, but the target of his cooperation or rebellion comes to him from outside. If there was only a since human being in existence, he would apparently be able to attempt the experiment of creating his own goals in complete freedom--apparently, because a man not brought up among other human beings cannot become a man. And the being--the being I have in mind--cannot exist in the plural, you see? ...Perhaps he has already been born somewhere, in some corner of the galaxy, and soon he will have some childish enthusiasm that will set him putting out one star and lighting another. We will notice him after a while...'
'We already have,' Snow said sarcastically. 'Novas and supernovas. According to you they are candles on his altar.'
'If you're going to take what I say literally...'
...Snow asked abruptly:
'What gave you this idea of an imperfect god?'
'I don't know. It seems quite feasible to me. That is the only god I could imagine believing in, a god whose passion is not a redemption, who saves nothing, fulfills no purpose--a god who simply is.
”
”
Stanisław Lem (Solaris)
“
Dalinar took one step forward, then drove his Blade point-first into the middle of the blackened glyph on the stone. He took a step back. “For the bridgemen,” he said.
Sadeas blinked. Muttering voices fell silent, and the people on the field seemed too stunned, even, to breathe.
“What?”Sadeas asked.
“The Blade,”Dalinar said, firm voice carrying in the air. “In exchange for your bridgemen. All of them. Every one you have in camp. They become mine, to do with as I please, never to be touched by you again. In exchange, you get the sword.”
Sadeas looked down at the Blade, incredulous. “This weapon is worth fortunes. Cities, palaces, kingdoms.”
“Do we have a deal?”Dalinar asked.
“Father, no!”Adolin Kholin said, his own Blade appearing in his hand. “You—”
Dalinar raised a hand, silencing the younger man. He kept his eyes on Sadeas. “Do we have a deal?” he asked, each word sharp.
Kaladin stared, unable to move, unable to think.
Sadeas looked at the Shardblade, eyes full of lust. He glanced at Kaladin, hesitated just briefly, then reached and grabbed the Blade by the hilt. “Take the storming creatures.”
Dalinar nodded curtly, turning away from Sadeas. “Let’s go,”he said to his entourage.
“They’re worthless, you know,”Sadeas said. “You’re of the ten fools, Dalinar Kholin! Don’t you see how mad you are? This will be remembered as the most ridiculous decision ever made by an Alethi highprince!”
Dalinar didn’t look back. He walked up to Kaladin and the other members of Bridge Four. “Go,” Dalinar said to them, voice kindly. “Gather your things and the men you left behind. I will send troops with you to act as guards. Leave the bridges and come swiftly to my camp. You will be safe there. You have my word of honor on it.”
He began to walk away.
Kaladin shook off his numbness. He scrambled after the highprince, grabbing his armored arm. “Wait. You—That—What just happened?”
Dalinar turned to him. Then, the highprince laid a hand on Kaladin’s shoulder, the gauntlet gleaming blue, mismatched with the rest of his slate-grey armor. “I don’t know what has been done to you. I can only guess what your life has been like. But know this. You will not be bridgemen in my camp, nor will you be slaves.”
“But…”
“What is a man’s life worth?” Dalinar asked softly.
“The slavemasters say one is worth about two emerald broams,” Kaladin said, frowning.
“And what do you say?”
“A life is priceless,” he said immediately, quoting his father.
Dalinar smiled, wrinkle lines extending from the corners of his eyes. “Coincidentally, that is the exact value of a Shardblade. So today, you and your men sacrificed to buy me twenty-six hundred priceless lives. And all I had to repay you with was a single priceless sword. I call that a bargain.”
“You really think it was a good trade, don’t you?” Kaladin said, amazed.
Dalinar smiled in a way that seemed strikingly paternal.
”
”
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
“
I remember going to the British Museum one day to read up the treatment for some slight ailment of which I had a touch – hay fever, I fancy it was. I got down the book, and read all I came to read; and then, in an unthinking moment, I idly turned the leaves, and began to indolently study diseases, generally. I forget which was the first distemper I plunged into – some fearful, devastating scourge, I know – and, before I had glanced half down the list of “premonitory symptoms,” it was borne in upon me that I had fairly got it.
I sat for awhile, frozen with horror; and then, in the listlessness of despair, I again turned over the pages. I came to typhoid fever – read the symptoms – discovered that I had typhoid fever, must have had it for months without knowing it – wondered what else I had got; turned up St. Vitus’s Dance – found, as I expected, that I had that too, – began to get interested in my case, and determined to sift it to the bottom, and so started alphabetically – read up ague, and learnt that I was sickening for it, and that the acute stage would commence in about another fortnight. Bright’s disease, I was relieved to find, I had only in a modified form, and, so far as that was concerned, I might live for years. Cholera I had, with severe complications; and diphtheria I seemed to have been born with. I plodded conscientiously through the twenty-six letters, and the only malady I could conclude I had not got was housemaid’s knee.
...
I had walked into that reading-room a happy, healthy man. I crawled out a decrepit wreck.
I went to my medical man. He is an old chum of mine, and feels my pulse, and looks at my tongue, and talks about the weather, all for nothing, when I fancy I’m ill; so I thought I would do him a good turn by going to him now. “What a doctor wants,” I said, “is practice. He shall have me. He will get more practice out of me than out of seventeen hundred of your ordinary, commonplace patients, with only one or two diseases each.” So I went straight up and saw him, and he said:
“Well, what’s the matter with you?”
I said:
“I will not take up your time, dear boy, with telling you what is the matter with me. Life is brief, and you might pass away before I had finished. But I will tell you what is NOT the matter with me. I have not got housemaid’s knee. Why I have not got housemaid’s knee, I cannot tell you; but the fact remains that I have not got it. Everything else, however, I HAVE got.”
And I told him how I came to discover it all.
Then he opened me and looked down me, and clutched hold of my wrist, and then he hit me over the chest when I wasn’t expecting it – a cowardly thing to do, I call it – and immediately afterwards butted me with the side of his head. After that, he sat down and wrote out a prescription, and folded it up and gave it me, and I put it in my pocket and went out.
I did not open it. I took it to the nearest chemist’s, and handed it in. The man read it, and then handed it back.
He said he didn’t keep it.
I said:
“You are a chemist?”
He said:
“I am a chemist. If I was a co-operative stores and family hotel combined, I might be able to oblige you. Being only a chemist hampers me.”
I read the prescription. It ran:
“1 lb. beefsteak, with
1 pt. bitter beer
every 6 hours.
1 ten-mile walk every morning.
1 bed at 11 sharp every night.
And don’t stuff up your head with things you don’t understand.”
I followed the directions, with the happy result – speaking for myself – that my life was preserved, and is still going on.
”
”
Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
“
What is a Gallagher Girl?” Liz asked.
She looked nervously down at the papers in her hand even though I knew for a fact she had memorized every word.
“When I was eleven I thought I knew the answer to that question. That was when the recruiters came to see me. They showed me brochures and told me they were impressed by my test scores and asked if I was ready to be challenged. And I said yes. Because that was what a Gallagher Girl was to me then, a student at the toughest school in the world.”
She took a deep breath and talked on.
“What is a Gallagher Girl?” Liz asked again. “When I was thirteen I thought I knew the answer to that question. That was when Dr. Fibs allowed me to start doing my own experiments in the lab. I could go anywhere—make anything. Do anything my mind could dream up. Because I was a Gallagher Girl. And, to me, that meant I was the future.”
Liz took another deep breath.
“What is a Gallagher Girl?” This time, when Liz asked it, her voice cracked. “When I was seventeen I stood on a dark street in Washington, D.C., and watched one Gallagher Girl literally jump in front of a bullet to save the life of another. I saw a group of women gather around a girl whom they had never met, telling the world that if any harm was to come to their sister, it had to go through them first.”
Liz straightened. She no longer had to look down at her paper as she said, “What is a Gallagher Girl? I’m eighteen now, and if I’ve learned anything, it’s that I don’t really know the answer to that question. Maybe she is destined to be our first international graduate and take her rightful place among Her Majesty’s Secret Service with MI6.”
I glanced to my right and, call me crazy, but I could have sworn Rebecca Baxter was crying.
“Maybe she is someone who chooses to give back, to serve her life protecting others just as someone once protected her.”
Macey smirked but didn’t cry. I got the feeling that Macey McHenry might never cry again.
“Who knows?” Liz asked. “Maybe she’s an undercover journalist.” I glanced at Tina Walters. “An FBI agent.” Eva Alvarez beamed. “A code breaker.” Kim Lee smiled. “A queen.” I thought of little Amirah and knew somehow that she’d be okay.
“Maybe she’s even a college student.” Liz looked right at me. “Or maybe she’s so much more.”
Then Liz went quiet for a moment. She too looked up at the place where the mansion used to stand.
“You know, there was a time when I thought that the Gallagher Academy was made of stone and wood, Grand Halls and high-tech labs. When I thought it was bulletproof, hack-proof, and…yes…fireproof. And I stand before you today happy for the reminder that none of those things are true. Yes, I really am. Because I know now that a Gallagher Girl is not someone who draws her power from that building. I know now with scientific certainty that it is the other way around.”
A hushed awe descended over the already quiet crowd as she said this. Maybe it was the gravity of her words and what they meant, but for me personally, I like to think it was Gilly looking down, smiling at us all.
“What is a Gallagher Girl?” Liz asked one final time. “She’s a genius, a scientist, a heroine, a spy. And now we are at the end of our time at school, and the one thing I know for certain is this: A Gallagher Girl is whatever she wants to be.”
Thunderous, raucous applause filled the student section.
Liz smiled and wiped her eyes. She leaned close to the microphone.
“And, most of all, she is my sister.
”
”
Ally Carter (United We Spy (Gallagher Girls, #6))
“
I watched him as he lined up the ships in bottles on his deck, bringing them over from the shelves where they usually sat. He used an old shirt of my mother's that had been ripped into rags and began dusting the shelves. Under his desk there were empty bottles- rows and rows of them we had collected for our future shipbuilding. In the closet were more ships- the ships he had built with his own father, ships he had built alone, and then those we had made together. Some were perfect, but their sails browned; some had sagged or toppled over the years. Then there was the one that had burst into flames in the week before my death.
He smashed that one first.
My heart seized up. He turned and saw all the others, all the years they marked and the hands that had held them. His dead father's, his dead child's. I watched his as he smashed the rest. He christened the walls and wooden chair with the news of my death, and afterward he stood in the guest room/den surrounded by green glass. The bottle, all of them, lay broken on the floor, the sails and boat bodies strewn among them. He stood in the wreckage. It was then that, without knowing how, I revealed myself. In every piece of glass, in every shard and sliver, I cast my face. My father glanced down and around him, his eyes roving across the room. Wild. It was just for a second, and then I was gone. He was quiet for a moment, and then he laughed- a howl coming up from the bottom of his stomach. He laughed so loud and deep, I shook with it in my heaven.
He left the room and went down two doors to my beadroom. The hallway was tiny, my door like all the others, hollow enough to easily punch a fist through. He was about to smash the mirror over my dresser, rip the wallpaper down with his nails, but instead he fell against my bed, sobbing, and balled the lavender sheets up in his hands.
'Daddy?' Buckley said. My brother held the doorknob with his hand.
My father turned but was unable to stop his tears. He slid to the floor with his fists, and then he opened up his arms. He had to ask my brother twice, which he had never to do do before, but Buckley came to him.
My father wrapped my brother inside the sheets that smelled of me. He remembered the day I'd begged him to paint and paper my room purple. Remembered moving in the old National Geographics to the bottom shelves of my bookcases. (I had wanted to steep myself in wildlife photography.) Remembered when there was just one child in the house for the briefest of time until Lindsey arrived.
'You are so special to me, little man,' my father said, clinging to him.
Buckley drew back and stared at my father's creased face, the fine bright spots of tears at the corners of his eyes. He nodded seriously and kissed my father's cheek. Something so divine that no one up in heaven could have made it up; the care a child took with an adult.
'Hold still,' my father would say, while I held the ship in the bottle and he burned away the strings he'd raised the mast with and set the clipper ship free on its blue putty sea. And I would wait for him, recognizing the tension of that moment when the world in the bottle depended, solely, on me.
”
”
Alice Sebold (The Lovely Bones)