Fireworks Short Quotes

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When does real love begin? At first it was a fire, eclipses, short circuits, lightning and fireworks; the incense, hammocks, drugs, wines, perfumes; then spasm and honey, fever, fatigue, warmth, currents of liquid fire, feast and orgies; then dreams, visions, candlelight, flowers, pictures; then images out of the past, fairy tales, stories, then pages out of a book, a poem; then laughter, then chastity. At what moment does the knife wound sink so deep that the flesh begins to weep with love? At first power, power, then the wound, and love, and love and fears, and the loss of the self, and the gift, and slavery. At first I ruled, loved less; then more, then slavery. Slavery to his image, his odor, the craving, the hunger, the thirst, the obsession.
Anaïs Nin (Fire: From A Journal of Love - The Unexpurgated Diary of Anaïs Nin (1934-1937))
If Nick were on a quest to return the One Ring to the fiery pits of Mount Doom, Jai Hazenbrook would totally be the hot-as-fuck elf in tight leather pants who could shoot the left testicle off an orc at a thousand paces. Whereas Nick, of course, would be the short hairy-footed guy who liked beer and fireworks and second breakfasts. Even in his fantasy worlds, Nick is a realist.
Lisa Henry (Adulting 101)
amYou know, the spark. It could be as simple as a meeting of eyes or as intimate as knuckles skimming down flesh, but one thing it was unmistakable. No denying it once you’d felt it and no sense in trying to conjure one up if it wasn’t there from the beginning. Sparks are beginnings, leading to middles of fireworks, finishing like blasts of dynamite. So, long story short, there were no sparks
Nicole Williams (Fissure (The Patrick Chronicles, #1))
Do you love him?” I jumped out of my skin. She was standing right beside me. “Who?” Her eyes widened. “Seth?” I peered over my shoulder at his retreating back. “Um, we’ve been going together for a long time. A year.” “That’s not what I asked.” I couldn’t look at her. Couldn’t risk her seeing through me, reading me. “Do you hear bells?” she asked. I had to smile at that. “Bells?” “You know, bells. Music, fireworks.” She wiggled her eyebrows. I let out a short laugh. It sounded strangled, same way I felt. “Only in my dreams.” “Oh, yeah?” She arched an eyebrow. Why did I say that? God. Cece said softly, “Maybe you should listen to your dreams.” My stomach suffered a major eruption. She pushed off the locker she’d been balancing against with the sole of her shoe and said, “Think about it.” Like I haven’t been. “Do you think about it?” I asked at her back. She stopped and turned around. “I don’t have to. I know.” (Chapter13)
Julie Anne Peters (Keeping You a Secret)
In life, although we are unable to predict what is going to happen next, as long as we live life to the fullest everyday, and direct ourselves closer to happiness... Even if life is short, it can be bright as fireworks.
Yang Nana
Fireworks made of glass. An explosion of dew. Crescendo. Diminuendo. Silence. There are drugs that work the same, and while I am not suggesting that our founder purchased the glassworks to get more drops, it is clear that she had the seed planted, not once, but twice, and knew already the lovely contradictory nature of glass and she did not have to be told, on the day she saw the works at Darling Harbour, that glass is a thing in disguise, an actor, is not solid at all, but a liquid, that an old sheet of glass will not only take on a royal and purplish tinge but will reveal its true liquid nature by having grown fatter at the bottom and thinner at the top, and that even while it is as frail as the ice on a Parramatta puddle, it is stronger under compression than Sydney sandstone, that it is invisible, solid, in short, a joyous and paradoxical thing, as good a material as any to build a life from.
Peter Carey
I feel as though I have a balloon filled with 4th of July sparklers that is ready to explode inside my chest I want to be a firework to live my life blindingly bright and sparkling and then to go out quickly to burn for a short time but very brightly
Emilie Autumn (The Asylum for Wayward Victorian Girls)
I honestly can’t remember much else about those years except a certain mood that permeated most of them, a melancholy feeling that I associate with watching “The Wonderful World of Disney” on Sunday nights. Sunday was a sad day—early to bed, school the next morning, I was constantly worried my homework was wrong—but as I watched the fireworks go off in the night sky, over the floodlit castles of Disneyland, I was consumed by a more general sense of dread, of imprisonment within the dreary round of school and home: circumstances which, to me at least, presented sound empirical argument for gloom. My father was mean, and our house ugly, and my mother didn’t pay much attention to me; my clothes were cheap and my haircut too short and no one at school seemed to like me that much; and since all this had been true for as long as I could remember, I felt things would doubtless continue in this depressing vein as far as I could foresee. In short: I felt my existence was tainted, in some subtle but essential way.
Donna Tartt (The Secret History)
Without the pathos of distance, the sort which grows out of the deeply rooted difference between the social classes, out of the constant gazing outward and downward of the ruling caste on the subjects and work implements, and out of their equally sustained practice of obedience and command, holding down and holding at a distance, that other more mysterious pathos would have no chance of growing at all, that longing for an ever new widening of distances inside the soul itself, the development of ever higher, rarer, more distant, more expansive, more comprehensive states, in short, simply the enhancement in the type 'man,' the constant 'self-conquest of man,' to cite a moral formula in a supra-moral sense. Of course, where the history of the origins of aristocratic society is concerned (and thus the precondition for that raising of the type 'man' —), We should not surrender to humanitarian illusions: truth is hard. So without further consideration, let's admit to ourselves how up to this point every higher culture on earth has started! People with a still natural nature, barbarians in every dreadful sense of the word, predatory men still in possession of an unbroken power of the will and a desire for power, threw themselves on weaker, more civilized, more peaceful, perhaps trading or cattle-raising races, or on old, worn cultures, in which at that very moment the final forces of life were flaring up in a dazzling fireworks display of spirit and corruption. At the start the noble caste has always been the barbarian caste: its superiority has lain not primarily in physical might but in psychical power — it has been a matter of more COMPLETE human beings (which at every level also means 'more complete beasts').
Friedrich Nietzsche (Beyond Good and Evil)
A few days after the fireworks, I gave them a lesson on category nouns versus exact nouns. I hadn’t heard of this distinction prior to opening the textbook. It transpired that a category noun was something like “vegetables,” whereas exact nouns were “beetroot,” “carrots,” “broccoli.” It was better to use exact nouns because this made your writing more precise and interesting. The chapter gave a short explanation followed by an exercise: an A4 page divided into columns. On the left were various category nouns. On the right, you had to fill in at least three corresponding exact nouns. I told the kids they could use their Cantonese-to-English dictionaries. Cynthia Mak asked what to say for “people.” Did it mean “sister,” “brother,” “father,” or “teacher,” “doctor,” “artist,” or— “They’re all okay,” I said. “But if I put ‘sister,’ ‘father,’ ‘brother’ in ‘people,’ then what about here?” She pointed to the box marked “family.” “Okay, don’t do those. Do ‘teacher’ or something.” “But what about here?”—signaling the “professions” row. “Okay, something else for ‘people.’” “Happy people, sad people?” “‘Happy people’ isn’t an exact noun—it’s an adjective plus a category noun.” “So what should I write?” We looked at each other. It was indeed a challenge to describe people in a way not immediately related to how they earned money or their position in the family unit. I said: “How about ‘friend,’ ‘boyfriend,’ ‘colleague’?” “I don’t want to write ‘boyfriend.’” I couldn’t blame her for questioning the exercise. “Friend,” “enemy,” and “colleague” didn’t seem like ways of narrowing down “people” in the way “apple” did for “fruit.” An apple would still be a fruit if it didn’t have any others in its vicinity, but you couldn’t be someone’s nemesis without their hanging around to complete the definition. The same issue cropped up with my earlier suggestions. “Family” was relational, and “profession” was created and given meaning by external structures. Admittedly “adult,” “child,” and “teenager” could stand on their own. But I still found it depressing that the way we specified ourselves—the way we made ourselves precise and interesting—was by pinpointing our developmental stage and likely distance from mortality. Fruit didn’t have that problem.
Naoise Dolan (Exciting Times)
Sunday was a sad day-early to bed, school the next morning, I was constantly worried my homework was wrong-but as I watched the fireworks go off in the night sky, over the floodlit castles of Disneyland, was consumed by a more general sense of dread, of imprisonment I within the dreary round of school and home: circumstances which, to me at least, presented sound empirical argument for gloom. My father was mean, and our house ugly, and my mother didn't pay much attention to me; my clothes were cheap and my haircut too short and no one at school seemed to like me that much; and since all this had been true for as long as I could remember, I felt things would doubtless continue in this depressing vein as far as I could foresee. In short: I felt my existence was tainted, in some subtle but essential way.
Donna Tartt (The Secret History)
out of their equally sustained practice of obedience and command, holding down and holding at a distance, that other more mysterious pathos would have no chance of growing at all, that longing for an ever new widening of distances inside the soul itself, the development of ever higher, rarer, more distant, more expansive, more comprehensive states, in short, simply the enhancement in the type 'man,' the constant 'self-conquest of man,' to cite a moral formula in a supra-moral sense. Of course, where the history of the origins of aristocratic society is concerned (and thus the precondition for that raising of the type 'man' —), we should not surrender to humanitarian illusions: truth is hard. So without further consideration, let's admit to ourselves how up to this point every higher culture on earth has started! People with a still natural nature, barbarians in every dreadful sense of the word, predatory men still in possession of an unbroken power of the will and a desire for power, threw themselves on weaker, more civilized, more peaceful, perhaps trading or cattle-raising races, or on old, worn cultures, in which at that very moment the final forces of life were flaring up in a dazzling fireworks display of spirit and corruption. At the start the noble caste has always been the barbarian caste: its superiority has lain not primarily in physical might but in psychical power — it has been a matter of more COMPLETE human beings (which at every level also means 'more complete beasts').
Friedrich Nietzsche (Beyond Good and Evil)
Dear Peter K, First of all I refuse to call you Kavinsky. You think you’re so cool, going by your last name all of a sudden. Just so you know, Kavinsky sounds like the name of an old man with a long white beard. Did you know that when you kissed me, I would come to love you? Sometimes I think yes. Definitely yes. You know why? Because you think EVERYONE loves you, Peter. That’s what I hate about you. Because everyone does love you. Including me. I did. Not anymore. Here are all your worst qualities: You burp and you don’t say excuse me. You just assume everyone else will find it charming. And if they don’t, who cares, right? Wrong! You do care. You care a lot about what people think of you. You always take the last piece of pizza. You never ask if anyone else wants it. That’s rude. You’re so good at everything. Too good. You could’ve given other guys a chance to be good, but you never did. You kissed me for no reason. Even though I knew you liked Gen, and you knew you liked Gen, and Gen knew you liked Gen. But you still did it. Just because you could. I really want to know: Why would you do that to me? My first kiss was supposed to be something special. I’ve read about it, what it’s supposed to feel like00fireworks and lightning bolts and the sound of waves crashing in your ears. I didn’t have any of that. Thanks to you it was as unspecial as a kiss could be. The worst part of it is, that stupid nothing kiss is what made me start liking you. I never did before. I never even thought about you before. Gen has always said that you are the best-looking boy in our grade, and I agreed, because sure, you are. But I still didn’t see the allure of you. Plenty of people are good-looking. That doesn’t make them interesting or intriguing or cool. Maybe that’s why you kissed me. To do mind control on me, to make me see you that way. It worked. Your little trick worked. From then on, I saw you. Up close, your face wasn’t so much handsome as beautiful. How many beautiful boys have you ever seen? For me it was just one. You. I think it’s a lot to do with your lashes. You have really long lashes. Unfairly long. Even though you don’t deserve it, fine, I’ll go into all the things I like(d) about you: One time in science, nobody wanted to be partners with Jeffrey Suttleman because he has BO, and you volunteered like it was no big deal. Suddenly everybody thought Jeffrey wasn’t so bad. You’re still in chorus, even though all the other boys take band and orchestra now. You even sing solos. And you dance, and you’re not embarrassed. You were the last boy to get tall. And now you’re the tallest, but it’s like you earned it. Also, when you were short, no one even cared that you were short--the girls still liked you and the boys still picked you first for basketball in gym. After you kissed me, I liked you for the rest of seventh grade and most of eighth. It hasn’t been easy, watching you with Gen, holding hands and making out at the bus stop. You probably make her feel very special. Because that’s your talent, right? You’re good at making people feel special. Do you know what it’s like to like someone so much you can’t stand it and know that they’ll never feel the same way? Probably not. People like you don’t have to suffer through those kinds of things. It was easier after Gen moved and we stopped being friends. At least then I didn’t have to hear about it. And now that the year is almost over, I know for sure that I am also over you. I’m immune to you now, Peter. I’m really proud to say that I’m the only girl in this school who has been immunized to the charms of Peter Kavinsky. All because I had a really bad dose of you in seventh grade and most of eighth. Now I never ever have to worry about catching you again. What a relief! I bet if I did ever kiss you again, I would definitely catch something, and it wouldn’t be love. It would be an STD! Lara Jean Song
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
Anna tugged at Heddy's denim shorts, holding a charred-over remnant of a Roman candle firework she found on the ground. "Will you carry me?
Brooke Lea Foster (Summer Darlings)
Are you well, my lord?” He noticed the caution in her words. Meeting her clear emerald gaze, the corner of his mouth lifted in a half smile. He reached out and tapped her chin with his finger—a brotherly gesture he’d been performing for most of her life—and said wryly, “No need to walk on egg-shells, Minx. I’m fine.” He redirected his gaze to some faraway point and continued, “It feels good to be back in London…away from Essex and all that comes with it.” He returned his attention to her. “And with you about to have your first season”—his half smile turned into a rakish grin—“I wouldn’t want to be anywhere else…I’m eager for the fireworks to begin.” Alex didn’t miss the change in topic. She shook her head as though rejecting the whole idea of a season and turned a sympathetic look on Gavin. “My lord…if you should ever need to talk…about anything…I am here…I hope you know that.” Gavin’s grin disappeared, replaced by firm lips set in a determined line. His next words came out in a manner that brooked no rebuttal. “Once again, I’m fine, Alex. Thank you for your offer, but I assure you that there’s no need for it. Now, if you don’t mind…I have an important meeting for which I really shouldn’t be late.” With a short bow he was gone, leaving Alex with the distinct impression that she’d been summarily dismissed. And Alexandra Stafford did not like being dismissed.
Sarah MacLean (The Season)
There's a beep. And, in that fraction of a second, I see it all → . . Me in bed, covered in lipstick and talcum powder; falling down the coach aisle; smashing into a hat-stall; climbing under a table; thirty hands in the air; spinning under a spotlight; jumping in the snow; a ponytail, cut off; sitting on a catwalk; standing on a doorstep; my first kiss, on a television set. I see a Japanese fish market and an octopus; a sumo stage; a glass box and a hundred dolls; a shining lake; a zebra crossing; a brand-new sister. I see New York and a governess; a fairground ride; a planetarium; a party; Brooklyn Bridge. Toilet paper and Icarus; dinosaur biscuits; posters; Marrakesh and a monkey; parties of stars. Picnics and coffee; an advertising agency; a doppelganger; an Indian elephant and firework clouds of paint; a cafe, filled with pink. I see Sydney and diving and a fashion show that glittered with gold. In short: I see a whole world, opening behind me. And a new world, opening in front. A world that I fit into perfectly.
Holly Smale (Forever Geek (Geek Girl, #6))
The Big Show was over. The public had been satisfied. The programme had been rather heavy, the actors not too bad, and the lions had eaten the trainer. It would be discussed for a day or two more round the family table. And even when it was all forgotten—the band, the fireworks, the resplendent uniforms—there would still remain on the village green the holes of the tent pegs and a circle of sawdust. The rain and the shortness of man’s memory would soon wipe out even those.
Pierre Clostermann (The Big Show: The Classic Account of WWII Aerial Combat (Pierre Clostermann's Air War Collection Book 1))
Harris prefers poetry above all else, for how it sets like concrete in his mind, as opposed to the short-acting fireworks of the novel,
Michael Christie (Greenwood)
With that mouth I’m bettin’ ye’re a good kisser, aren’t ye, lass?” Nerissa gasped and this time Captain Lord, his gray eyes going frosty, relinquished both women into the care of Andrew who, flushed with success over the reception his explosive had received, was just joining them. “Outside,” Captain Lord snapped. “What, fisticuffs in the garden?” the Irishman asked, raising one brow and flashing an amused grin at Nerissa. “Saints above, Christian, ’tis beneath ye, don’t ye think?” Sir Elliott, who’d lingered at the stage looking at Andrew’s notes, was frowning as he joined them. “What is this?” “My brother was just leaving,” Deirdre said hurriedly, seizing the tall stranger’s arm. “Aren’t you, Ro—I mean, Ruaidri?” “Actually, I was rather lookin’ forward to watchin’ things go boom in the night.” “What?” the admiral demanded. “Fireworks.” He cocked his head and again, Nerissa felt the heat of his bold gaze as it moved over her lips, her throat, the swell of her breasts, and a strange and not unpleasant sensation centered itself between her legs and spread upwards into her belly, outwards into her blood. “With the pretty lass here, of course.” Andrew came alive. “Now see here! How dare you speak to my sister like—” “Enough! All of you!” Deirdre was losing her patience. “Ruaidri, you told us ye were goin’ out for the evenin’ and ’tis time ye left. Christian and Elliott, ye’re drawin’ the attention of our guests and I won’t let this evenin’ be spoiled by such nonsense. Lord Andrew, I have this situation well under control. Go on out to the garden with our guests and we’ll join ye shortly.” She transferred the sleepy toddler to her other hip. “Lady Nerissa, I apologize for me brother—he’s a rogue and at the moment, a drunken fool. Don’t take him seriously.
Danelle Harmon (The Wayward One (The de Montforte Brothers, #5))
During the past week, Severin had turned the negotiations into a cat-and-mouse game. It had required inhuman discipline and a surplus of energy to contend with Severin’s accelerations, delays, surprises, and amendments. At several points, the lawyers had fallen silent while the two of them feuded and sparred. Finally Devon had been able to force the concessions he’d wanted, just as he had found himself considering the prospect of leaping across the table and strangling his friend. The infuriating part had been knowing that Severin, unlike anyone else in the room, had been having a perfectly splendid time. Severin loved excitement, conflict, anything to entertain his voracious brain. Although people were drawn to him and he was invited everywhere, it was difficult to tolerate his feverish energy for long. Spending time with him was like attending a fireworks display: enjoyable for a short time, but fatiguing if it lasted for too long.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
None of it was good enough for James Watson. I want my daughter. And then, when we ride out of there, I want that place burning down behind me. You sound like a cowboy, Leander had scoffed, and it was then, as they'd crossed the state line, that they hit on a plan that appealed to the both of them. "Hose thieves," Watson said, with some satisfaction. Araminta coughed in the driver's seat, but offered no commentary. Leander had grown up taking riding lessons; James had insisted he'd worked as a trail guide in college. ("He had not," Watson said, "worked as a trail guide in college.") They'd stopped at a twenty-four-hour Walmart and changed from their formal wear into flannel shirts and Carhartts and hats to hide their faces. They bought bolt cutters, shovels, fertilizer, two long-handled lighters, and three twenty-five-packs of Saturn Missile Extremely Loud Fireworks. They'd paid for it all in cash. After parking the car in the woods, they'd approached the facility on foot. The "school" was protected by a twelve-food-high fence crowned with barbed wire. Luckily, it wasn't electrified; less luckily, it was surrounded a spot close enough to the stables for their purposes. Then James chose a spot a mile farther along, laid down both bags of fertilizer, and started a massive fire. At the same time, Leander cut a hole in the fence big enough for a palomino, ducked through, and set off his pack of fireworks. They sang like missiles into the sky as he made his way to the stables. James Watson went for his daughter. In short order, the school was surrounded by fire engines and police cars.
Brittany Cavallaro (A Question of Holmes (Charlotte Holmes, #4))
Amidst the meeting of their lips, Zhao Jiangui suddenly heard the sound of fireworks, the bloom of them shortly filling up the sky. Caught off guard, he moved away a little and turned his face to the side to look, slightly surprised. “Are there fireworks in town today, too?” he had to ask. As he sat beside him, Ji Han looked askance at all the fireworks, a faint smile on his lips. Upon hearing him ask that, he turned his head back to him. “There’s no fireworks in town.” Zhao Jiangui was confused. “Then…” “None will be there today,” Ji Han said clearly, his eyes burning, practically radiating light, “because I set these all of these off for you alone.
一只大雁