Firefly Wash Quotes

Curse your sudden but inevitable betrayal!

I had this dream that my life was a rolling canvas. Everyday it rolled off the sheet, bleached white, into the beach of my life. Come sunup, I'd begin to paint it with my thoughts and actions. My breathing, my living, and my dying. Some days the pictures pleased me, maybe pleased others, pleased God himself, but some days, some months, even some years, they didn't, and I didn't ever want to look at them again. But the thing is this . . . every day, no matter what I'd painted the day before, I got a new canvas, washed white. 'Cause each night the tide rolled in, scrubbed it clean, and receded, taking it's stains with it. And my dreams . . . I just stood on the beach and watched all that stuff wash out to sea.- Nothing more than ripples in the water. No canvas is ever stained clean through. Not one.

A feather on a breeze,” Wash said, then frowned. “Something like that, at any rate. There may be a better analogy.

The wild is an integral part of who we are as children. Without pausing to consider what or where or how, we gather herbs and flowers, old apples and rose hips, shiny pebbles and dead spiders, poems, tears and raindrops, putting each treasured thing into the cauldron of our souls. We stir our bucket of mud as if it were, every one, a bucket of chocolate cake to be mixed for the baking. Little witches, hag children, we dance our wildness, not afraid of not knowing. But there comes a time when the kiss of acceptance is delayed until the mud is washed from our knees, the chocolate from our faces. Putting down our wooden spoon with a new uncertainty, setting aside our magical wand, we learn another system of values based on familiarity, on avoiding threat and rejection. We are told it is all in the nature of growing up. But it isn't so. Walking forward and facing the shadows, stumbling on fears like litter in the alleyways of our minds, we can find the confidence again. We can let go of the clutter of our creative stagnation, abandoning the chaos of misplaced and outdated assumptions that have been our protection. Then beyond the half light and shadows, we can slip into the dark and find ourselves in a world where horizons stretch forever. Once more we can acknowledge a reality that is unlimited finding our true self, a wild spirit, free and eager to explore the extent of our potential, free to dance like fireflies, free to be the drum, free to love absolutely with every cell of our being, or lie in the grass watching stars and bats and dreams wander by. We can live inspired, stirring the darkness of the cauldron within our souls, the source, the womb temple of our true creativity, brilliant, untamed

Her teenage daughter was sprouting like a tree, blooming every day into another variation of who she would someday become. Moods twisted her up and left her looking sometimes like a girl who’d just washed up onshore, unable to quite remember who she was and who she wanted to be. Kate

Scupper walked to the sitting room, calling back, “I used to know most of it by heart, but not anymore. But here it is, I’ll read it to ya.” He sat back down at the table and began reading. When he got to this segment: “And there sat Sam, looking cool and calm, in the heart of the furnace roar; And he wore a smile you could see a mile, and he said, ‘Please close that door. It’s fine in here, but I greatly fear you’ll let in the cold and storm— Since I left Plumtree down in Tennessee, it’s the first time I’ve been warm.’” Scupper and Tate chuckled. “Your mom always laughed at that.” They smiled, remembering. Just sat there a minute. Then Scupper said he’d wash up while Tate did his homework. In his room, scanning through the poetry book for one to read in class, Tate found a poem by Thomas Moore: . . . she’s gone to the Lake of the Dismal Swamp, Where, all night long, by a fire-fly lamp, She paddles her white canoe. And her fire-fly lamp I soon shall see, And her paddle I soon shall hear; Long and loving our life shall be, And I’ll hide the maid in a cypress tree, When the footstep of death is near. The words made him think of Kya, Jodie’s little sister. She’d seemed so small and alone in the marsh’s big sweep. He imagined his own sister lost out there. His dad was right—poems made you feel something.

There were fireflies riding on the dark air and a dog baying on some low and far-away ledge of the cliff. The table seemed to have risen a little toward the sky like a mechanical dancing platform, giving the people around it a sense of being alone with each other in the dark universe, nourished by its only food, warmed by its only lights. And, as if a curious hushed laugh from Mrs. McKisco were a signal that such a detachment from the world had been attained, the two Divers began suddenly to warm and glow and expand, as if to make up to their guests, already so subtly assured of their importance, so flattered with politeness, for anything they might still miss from that country well left behind. Just for a moment they seemed to speak to every one at the table, singly and together, assuring them of their friendliness, their affection. And for a moment the faces turned up toward them were like the faces of poor children at a Christmas tree. Then abruptly the table broke up - the moment when the guests had been daringly lifted above conviviality into the rarer atmosphere of sentiment, was over before it could be irreverently breathed, before they had half realized it was there. But the diffused magic of the hot sweet South had withdrawn into them - the soft-pawed night and the ghostly wash of the Mediterranean far below - the magic left these things and melted into the two Divers and became part of them. Tender is the Night, Ch VII

You aren’t worried about tomorrow, are you?” “What do you think?” He propped himself up on his elbows and studied my face. “You told me last spring it was the easiest thing in the whole wide world. You could hardly wait to jump. Why, even when you got sick you worried you’d die without having a chance to do it.” “I must have been a raving lunatic,” I muttered. Theo scowled, but the sound of a Model T chugging up the driveway stopped him from saying more. Its headlamps lit the trees and washed across the house. “It’s John again,” Theo said. “Papa will start charging him room and board soon.” Hidden in the shadows, we watched John jump out of the car and run up the porch steps. Hannah met him at the door. From inside the house, their laughter floated toward us as silvery as moonlight, cutting into my heart like a knife. “Hannah has a beau.” Theo sounded as if he were trying out a new word, testing it for rightness. He giggled. “Do you think she lets him kiss her?” I spat in the grass, a trick I’d learned from Edward. “Don’t be silly.” “What’s silly about smooching? When I’m old enough, I plan to kiss Marie Jenkins till our lips melt.” Making loud smacking sounds with his mouth, Theo demonstrated. Pushing him away, I wrestled him to the ground and started tickling him. As he pleaded for mercy, we heard the screen door open. Thinking Mama was about to call us inside, we broke apart and lay still. It was Hannah and John. “They’re sitting in the swing,” Theo whispered. “Come on, let’s spy on them. I bet a million zillion dollars they start spooning.” Stuffing his jar of fireflies into his shirt, Theo dropped to his knees and crawled across the lawn toward the house. I followed him, sure he was wrong. Hannah wasn’t old enough for kissing. Or silly enough. We reached the bushes beside the porch without being seen. Crouched in the dirt, we were so close I could have reached up and grabbed Hannah’s ankle. To keep from giggling, Theo pressed his hands over his mouth. Sick with jealousy, I watched John put his arm around Hannah and draw her close. As his lips met hers, I felt Theo jab my side. I teetered and lost my balance. The bushes swayed, the leaves rustled, a twig snapped under my feet. “Be quiet,” Theo hissed in my ear. “Do you want to get us killed?” We backed out of the bushes, hoping to escape, but it was too late. Leaving John in the swing, Hannah strode down the porch steps, grabbed us each by an ear, and shook us like rats. “Can’t a body have a second of privacy?

Hello, Cass.” The words fell stiltedly from Luca’s lips. Cass had never heard him call her by her nickname before. He stopped several feet from her, probably waiting to see if she would bolt out of the garden and into the graveyard rather than be close to him. Cass smiled in response. She gathered her skirts and sat on one of two stone benches near the garden’s center. Luca approached her. He walked stiffly, as if he were still getting accustomed to his long arms and legs. “Sometimes I think we use more water in a day for our gardens than peasant families use for a month’s worth of cooking and washing.” Cass looked up at him. “Is there a water shortage I don’t know about?” She hoped he couldn’t tell she’d been crying. “No.” Just the faintest French accent colored the single word. Luca reached out to examine the beginning bud of a ruby-colored rose. The bloom snapped off in his hand. He twisted it around in his fingers. “I remember when you were a child. You used to have a nickname for all the flowers. You called the marigolds ‘fireflies,’ I recall, and lilies were ‘ladies’ purses.’” “I can’t believe you remember that,” Cass said.

listening, and nobody’s leg was bouncing around. Not even Sketch’s. Unc continued, “When I was in prison, I had this dream that my life was a rolling canvas. Every day it rolled off the sheet, bleached white, onto the beach of my life. Come sunup, I’d begin to paint it with my thoughts and actions. My breathing, my living, and my dying. Some days the pictures pleased me, maybe even pleased others, pleased God himself, but some days, some months, even some years, they didn’t, and I didn’t ever want to look at them again. But the thing is this . . . every day, no matter what I’d painted the day before, I got a new canvas, washed white. ’Cause each night the tide rolled in, scrubbed it clean, and receded, taking the stains with it. And in my dreams . . . I just stood on the beach and watched all that stuff wash out to sea.

Right or wrong, he wasn’t strong enough to walk away from this, from her. He started to lower his mouth to hers, then paused, holding his hands up. “Maybe after we wash off the mud.

How, when we’re together, all I can see is blue. He’s blue, and our story is washed in it. It’s waterfalls and a quick beating heart. It’s starlit skies and the feeling of home. It’s paint, splashed across the floor, a messy declaration of loyalty. It’s the look in his eyes, both familiar and exciting. It’s a million shades of relief and compassion, understanding and trust. It’s all the memories that bind us together. It’s cool and quenching, and it burns like nothing else. Blue is love. To me, it’s love. And that’s always been Lucky.

We're not our worst enemies. That's what Damien said too. How lucky am I to be in the presence of such grace? Life is more beautiful when we let go of the hate, the anger, the pain. It frees room for tenderness. And here, tonight, the girls collect it like a ritual bath they dive headfirst into. Finally, it washes us clean. It's Amelia and Yvette, running through the grass as they chase fireflies. It's how Carmella sets the table with a rose on each plate, a special offering for each of us. It's the way Roisin and Serena devour fresh fruit, letting the juice drip down their chins and stain their white dresses as the sun disappears and crickets come alive. It's the butterfly that lands on the table. The slight breeze in the trees. How the world stills and all the girls smile.

Then count me in,” Wash said to Mal. “Whatever Zoë wants, I want.” “My man.” Zoë slipped an arm around her husband’s waist and kissed him. “That’s why I love you.” “It’s also why you haven’t killed me all this time we’ve been married.” “Smart of you to realize.

When I was in prison, I had this dream that my life was a rolling canvas. Every day it rolled off the sheet, bleached white, onto the beach of my life. Come sunup, I’d begin to paint it with my thoughts and actions. My breathing, my living, and my dying. Some days the pictures pleased me, maybe even pleased others, pleased God himself, but some days, some months, even some years, they didn’t, and I didn’t ever want to look at them again. But the thing is this . . . every day, no matter what I’d painted the day before, I got a new canvas, washed white. ’Cause each night the tide rolled in, scrubbed it clean, and receded, taking the stains with it. And in my dreams . . . I just stood on the beach and watched all that stuff wash out to sea.

She set ice cream on the counter, pulled the pie out of the oven, and set it on a blue and white ceramic trivet. As she cut and served the dessert, still bubbling from the oven, a dollop of filling plopped onto her hand. She made the faintest of squeaks, not enough to disturb Einars and Bass, but Isaac noticed. Hell, he felt it. Without a word, he doused a towel in cold water and took her arm. He rubbed the spot to make sure the filling was washed off completely, then held the cool towel over the burn. He kept his eyes on the pale skin, luminescent in the firefly light, not wanting to make eye contact with her- afraid he wouldn't see his own feelings reflected in her face. Instead he focused on the smoothness of her skin, and the rose scent wafting and twining with the cinnamon. In the dim light, it was all too easy to forget they weren't alone.

every day, no matter what I’d painted the day before, I got a new canvas, washed white. ’Cause each night the tide rolled in, scrubbed it clean, and receded, taking the stains with it.

Dragging the Lake" They are skimming the lake with wooden hooks. Where the oak throws its handful of shadows Children are gathering fireflies. I wait in the deep olive flux As their cries ricochet out of the dark. Lights spear the water. I hear the oak speak. It foists its mouthful of sibilants On a sky involved with a stillborn moon, On the stock-still cottages. I lean Into the dark. On tiny splints, One trellised rose is folding back Its shawls. The beacon strikes the lake. Rowboats bob on the thick dark Over my head. My fingers wave Goodbye, remember me. I love This cold, these captive stars. I shake My blanket of shadows. I breathe in: Dark replenishes my two wineskins. My eyes are huge, two washed-out mollusks. Oars fall, a shower of violet spray. When will my hosts deliver me, Tearing me with their wooden hooks? Lights flicker where my live heart kicked. I taste pine gum, they have me hooked. They reel me in, a displaced anchor. The cygnets scatter. I rise, I nod, Wrapped in a jacket of dark weed. I dangle, I am growing pure, I fester on this wooden prong. An angry nail is in my tongue.

One Day Eight Years Ago - Poem by Jibanananda Das It was heard: to the post-mortem cell he had been taken; last night—in the darkness of Falgoon-night When the five-night-old moon went down— he was longing for death. His wife lay beside—the child therewith; hope and love abundant__in the moonlight—what ghost did he see? Why his sleep broke? Or having no sleep at all since long—he now has fallen asleep in the post-mortem cell. Is this the sleep he’d longed for! Like a plagued rat, mouth filled with crimson froth now asleep in the nook of darkness; And will not ever awake anymore. ‘Never again will wake up, never again will bear the endless—endless burden of painful waking—’ It was told to him when the moon sank down—in the strange darkness by a silence like the neck of a camel that might have shown up at his window side. Nevertheless, the owl stays wide awake; The rotten still frog begs two more moments in the hope for another dawn in conceivable warmth. We feel in the deep tracelessness of flocking darkness The unforgiving enmity of the mosquito-net all around; The mosquito loves the stream of life awake in its monastery of darkness. From sitting in blood and filth, flies fly back into the sun; How often we watched moths and flies hovering in the waves of golden sun. The close-knit sky, as if—as it were, some scattered lives, possessed their hearts; The wavering dragonflies in the grasp of wanton kids Fought for life; As the moon went down, in the impending gloom With a noose in hand you approached the aswattha, alone, by yourself, For you’d learnt a human would ne’er live the life of a locust or a robin The branch of aswattha Had it not raged in protest? And the flock of fireflies Hadn’t they come and mingled with the comely bunch of daffodils? Hadn’t the senile blind owl come over and said: ‘the age-old moon seems to have been washed away by the surging waters? Splendid that! Let’s catch now rats and mouse! ’ Hadn’t the owl hooted out this cherished affair? Taste of life—the fragrance of golden corn of winter evening— seemed intolerable to you; — Content now in the morgue In the morgue—sultry with the bloodied mouth of a battered rat! Listen yet, tale of this dead; — Was not refused by the girl of love, Didn’t miss any joy of conjugal life, the bride went ahead of time and let him know honey and the honey of reflection; His life ne’er shivered in demeaning hunger or painful cold; So now in the morgue he lies flat on the dissection table. Know—I know woman’s heart—love—offspring—home—not all there is to things; Wealth, achievement, affluence apart there is some other baffling surprise that whirls in our veins; It tires and tires, and tires us out; but there is no tiring in the post mortem cell and so, there he rests, in the post mortem cell flat on the dissection table. Still I see the age-old owl, ah, Nightly sat on the aswattha bough Winks and echoes: ‘The olden moon seems to be carried away by the flooding waters? That’s splendid! Let’s catch now rats and mouse—’ Hi, granny dear, splendid even today? Let me age like you—and see off the olden moon in the whirlpool at the Kalidaha; Then the two of us will desert life’s abundant reserve.