Alexandre Dumas Love Quotes

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Woman is sacred; the woman one loves is holy.
Alexandre Dumas (The Count of Monte Cristo)
Love is the most selfish of all the passions.
Alexandre Dumas (The Three Musketeers)
True love always makes a man better, no matter what woman inspires it.
Alexandre Dumas
What I’ve loved most after you, is myself: that is, my dignity and that strength which made me superior to other men. That Strength was my life. You’ve broken it with a word, so I must die.
Alexandre Dumas (The Count of Monte Cristo)
Women sometimes allow you to be unfaithful to their love; they never allow you to wound their self-esteem.
Alexandre Dumas fils (La Dame aux Camélias)
I am strong against everything, except against the death of those I love. He who dies gains; he who sees others die loses.
Alexandre Dumas (The Man in the Iron Mask)
No matter how long I live, I shall live longer than you will love me
Alexandre Dumas fils (Camille)
We must never expect discretion in first love: it is accompanied by such excessive joy that unless the joy is allowed to overflow, it will choke you.
Alexandre Dumas (The Three Musketeers)
Your life story is a novel; and people, though they love novels wound between two yellow paper covers, are oddly suspicious of those which come to them in living vellum.
Alexandre Dumas (The Count of Monte Cristo)
Pure love and suspicion cannot dwell together: at the door where the latter enters, the former makes its exit.
Alexandre Dumas
Everyone knows that God protects drunkards and lovers.
Alexandre Dumas (The Three Musketeers)
Youth is a blossom whose fruit is love; happy is he who plucks it after watching it slowly ripen.
Alexandre Dumas (The Count of Monte Cristo)
I love the life you've always made so sweet for me and I'd regret it if I had to die.' 'Do you mean to say that if I left you---' 'I'd die, yes.' 'Then you love me?
Alexandre Dumas (The Count of Monte Cristo)
Her delight in the smallest things was like that of a child. There were days when she ran in the garden, like a child of ten, after a butterfly or a dragon-fly. This courtesan who had cost more money in bouquets than would have kept a whole family in comfort, would sometimes sit on the grass for an hour, examining the simple flower whose name she bore.
Alexandre Dumas fils (La Dame aux Camélias)
......When one loves, one is only too ready to believe one's love returned.
Alexandre Dumas (CliffsNotes on Dumas's The Three Musketeers (Cliffs Notes))
We’ll go where the air is pure, where all sounds are soothing, where, no matter how proud one may be, one feels humble and finds oneself small- in short, we’ll go to the sea. I love the sea as one loves a mistress and I long for her when I haven’t seen her for some time
Alexandre Dumas (The Count of Monte Cristo)
Had she stabbed me with a knife, she could not have hurt me more.
Alexandre Dumas fils (La Dame aux Camélias)
Men who swear undying love sometimes have the worst intentions in the world.
Alexandre Dumas (The Three Musketeers)
I gave myself to you sooner than I ever did to any man, I swear to you; and do you know why? Because when you saw me spitting blood you took my hand; because you wept; because you are the only human being who has ever pitied me. I am going to say a mad thing to you: I once had a little dog who looked at me with a sad look when I coughed; that is the only creature I ever loved. When he died I cried more than when my mother died. It is true that for twelve years of her life she used to beat me. Well, I loved you all at once, as much as my dog. If men knew what they can have for a tear, they would be better loved and we should be less ruinous to them.
Alexandre Dumas fils (La Dame aux Camélias)
...for, however all other feelings may be withered in a woman's nature, there is always one bright smiling spot in the maternal breast, and that is where a dearly-beloved child is concerned.
Alexandre Dumas (The Count of Monte Cristo)
Youth is the flower of which love is the fruit; Happy the gatherer who picks it after watching it slowly mature.
Alexandre Dumas
...that lovely brow, around which stars of diamonds formed a tremulous circlet...
Alexandre Dumas (Queen Margot)
I have forgiven the world for the love of you;
Alexandre Dumas (The Count of Monte Cristo)
Well, sir, embrace me once, as you would embrace your daughter, and I swear to you that that kiss, the only chaste kiss I have ever had, will make me strong against my love, and that within a week your son will be once more at your side, perhaps unhappy for a time, but cured forever.
Alexandre Dumas fils (La Dame aux Camélias)
Look, look,' cried the count, seizing the young man's hands - "look, for on my soul it is curious. Here is a man who had resigned himself to his fate, who was going to the scaffold to die - like a coward, it is true, but he was about to die without resistance. Do you know what gave him strength? - do you know what consoled him? It was, that another partook of his punishment - that another partook of his anguish - that another was to die before him. Lead two sheep to the butcher's, two oxen to the slaughterhouse, and make one of them understand that his companion will not die; the sheep will bleat for pleasure, the ox will bellow with joy. But man - man, who God created in his own image - man, upon whom God has laid his first, his sole commandment, to love his neighbour - man, to whom God has given a voice to express his thoughts - what is his first cry when he hears his fellowman is saved? A blasphemy. Honour to man, this masterpiece of nature, this king of the creation!
Alexandre Dumas (The Count of Monte Cristo)
Youth is a flower of which love is the fruit; happy is he who, after facing watched its silent growth, is permitted to gather and call it his own
Alexandre Dumas (The Count of Monte Cristo)
God almost always opens two ways which lead thither, the ways of sorrow and of love.
Alexandre Dumas fils (Camille)
How one realizes the shortness of life by the rapidity of sensations! I have only known Marguerite for two days, she has only been my mistress since yesterday, and she has already so completely absorbed my thoughts, my heart, and my life.
Alexandre Dumas fils (La Dame aux Camélias)
what despair to see a woman one loves longing for those thousand nothings from which women compose their happiness, and to be unable to give her those thousand nothings.
Alexandre Dumas (The Three Musketeers)
When I think of you my heart beats fast, the blood burns in my veins and I can hardly breathe.
Alexandre Dumas (The Count of Monte Cristo)
to seek a quarrel with a man is a bad method of pleasing the woman who loves that man.
Alexandre Dumas (The Count of Monte Cristo)
But these first needs of the heart are so imperious, these outpourings of amorous melancholy in young people are at once so sweet and so bitter, that they have often all the real marks of the passion.
Alexandre Dumas (Twenty Years After (The d'Artagnan Romances, #2))
Ah, no difficulties can ever daunt me,' replied d'Artagnan: 'my only fear is, of impossibilities.' 'Nothing is impossible,' said the lady, 'to the one who truly loves.' 'Nothing, madame?' 'Nothing' she replied.
Alexandre Dumas (The Three Musketeers)
If men knew what they can have for a tear, they would be better loved and we should be less ruinous to them.
Alexandre Dumas fils (La Dame aux Camélias)
Here is Christianity with its marvellous parable of the Prodigal Son to teach us indulgence and pardon. Jesus was full of love for souls wounded by the passions of men; he loved to bind up their wounds and to find in those very wounds the balm which should heal them. Thus he said to the Magdalen: "Much shall be forgiven thee because thou hast loved much," a sublimity of pardon which can only have called forth a sublime faith. Why do we make ourselves more strict than Christ? Why, holding obstinately to the opinions of the world, which hardens itself in order that it may be thought strong, do we reject, as it rejects, souls bleeding at wounds by which, like a sick man's bad blood, the evil of their past may be healed, if only a friendly hand is stretched out to lave them and set them in the convalescence of the heart?
Alexandre Dumas fils (La Dame aux Camélias)
And yet the two young people had never declared their affection; they had grown together like two trees whose roots are mingled, whose branches intertwine and whose intermingled perfume rises to the heavens.
Alexandre Dumas (The Count of Monte Cristo)
you cannot reproach me with the slightest coquetry. I have always said to you, 'I love you as a brother; but do not ask from me more than sisterly affection, for my heart is another's.' Is not this true, Fernand?
Alexandre Dumas (The Count of Monte Cristo)
Insensé, dit-il, le jour où j'avais résolu de me venger, de ne pas m'être arraché le cœur !
Alexandre Dumas (Le Comte de Monte Cristo Tome 2 : la vengeance)
Pindar: ‘Youth is a flower of which love is the fruit … Happy the vintager who picks it after watching it slowly mature.’ As
Alexandre Dumas (The Count of Monte Cristo)
We have said that Athos loved d'Artagnan like a child, and this somber and inflexible personage felt the anxiety of a parent for the young man.
Alexandre Dumas (The Three Musketeers (The D'Artagnan Romances, #1))
the count left, murmuring these verses from Pindar: ‘Youth is a flower of which love is the fruit … Happy the vintager who picks it after watching it slowly mature.
Alexandre Dumas (The Count of Monte Cristo)
Never did a man deeply in love allow the clocks to go on peacefully.
Alexandre Dumas (The Count of Monte Cristo)
Alas, madame!" exclaimed Athos, "to-day love is like war--the breastplate is becoming useless.
Alexandre Dumas (Twenty Years After (The D'Artagnan Romances, #2))
A love as tender as that of a lover for his mistress dwells, undoubtedly, in some paternal hearts toward a son.
Alexandre Dumas (Twenty Years After (The D'Artagnan Romances, #2))
But if you have never loved, what right have you to boast that you've suffered?
Alexandre Dumas (The Red Sphinx: A Sequel to The Three Musketeers)
No man truly in love has ever let the hands of a clock go peacefully on their way.
Alexandre Dumas (The Count of Monte Cristo)
We must never look for discretion in first love. First love is accompanied by such excessive joy that unless the joy be allowed to overflow, it will stifle you.
Alexandre Dumas (The Three Musketeers (The D'Artagnan Romances, #1))
I say that love is a lottery in which he who wins, wins death! You are very fortunate to have lost, believe me, my dear d'Artagnan. And if I have any counsel to give, it is, always lose!
Alexandre Dumas (The Three Musketeers)
Enough,' said Mercedes, 'enough Edmond! Believe me that she who alone recognized you has been the only one to comprehend you. And had she crossed your path, and you had crushed her like a frail glass, still, Edmond, still she must have admired you! Like the gulf between me and the past, there is an abyss between you, Edmond, and the rest of mankind; and I tell you freely, that the comparison I drew between you and other men will be one of my greatest tortures. No! there is nothing in the world to resemble you in worth and goodness!
Alexandre Dumas (The Count of Monte Cristo)
No matter; God wants Man, whom he has created and in whose heart he has so profoundly entrenched a love for life, to do all he can to preserve an existence that is sometimes so painful, but always so dear to him.
Alexandre Dumas (The Count of Monte Cristo)
Oh, Mercédès, I have spoken your name with sighs of melancholy, with groans of pain and with the croak of despair. I have spoken it frozen with cold, huddled on the straw of my dungeon. I have spoken it raging with heat and rolling around on the stone floor of my prison. Mercédès, I must have my revenge, because for fourteen years I suffered, fourteen years I wept and cursed. Now, I say to you, Mercédès, I must have my revenge!
Alexandre Dumas
Oh," said the count, "I only know two things which destroy the appetite, — grief — and as I am happy to see you very cheerful, it is not that — and love. Now after what you told me this morning of your heart, I may believe" —
Alexandre Dumas (The Count of Monte Cristo)
Hold! I must have lost it," said the young man maliciously, pretending to search for it. "But fortunately the world is a sepulcher; the men, and consequently the women, are but shadows, and love is a sentiment to which you cry, 'Fie! Fie!
Alexandre Dumas (The Three Musketeers (The D'Artagnan Romances, #1))
Wake up, my darling, and look at me," said Valentine with her adorable smile. Maximilien uttered a loud exclamation, and frantic, doubtful, dazzled, as though by a celestial vision, he fell upon his knees. -www.online-literature.com/dumas/crist...
Alexandre Dumas
I know that I have been a fool, a madman, to believe that the snow could have been animated, that the marble could grow warm; but what would you expect? The lover easily believes in love, nor has my journey been entirely in vain, since I behold you now.
Alexandre Dumas (The Three Musketeers)
Lead two sheep to the butcher’s, two oxen to the slaughterhouse, and make one of them understand that his companion will not die; the sheep will bleat for pleasure, the ox will bellow with joy. But man—man, whom God created in his own image—man, upon whom God has laid his first, his sole commandment, to love his neighbor—man, to whom God has given a voice to express his thoughts—what is his first cry when he hears his fellow-man is saved? A blasphemy. Honor to man, this masterpiece of nature, this king of the creation!
Alexandre Dumas (The Count of Monte Cristo)
The pretty landlady was desolate. She would have taken D'Artagnan not only as her husband, but as her God, he was so handsome and had so fierce a mustache.
Alexandre Dumas (Premium Collection - 27 Novels in One Volume: The Three Musketeers Series, The Marie Antoinette Novels, The Count of Monte Cristo, The ... Hero of the People, The Queen's Necklace...)
A month of love like that, and there would have remained only the corpse of heart or body.
Alexandre Dumas fils (La Dame aux Camélias)
D'Artagnan obeyed like a child, without resistance or even objection, which proves that he was very positively in love.
Alexandre Dumas (The Three Musketeers)
Love gives one a kind of goodness.
Alexandre Dumas fils (La Dame aux Camélias)
Oh, believe me, that when three great passions, such as sorrow, love, and gratitude fill the heart, ennui can find no place.” “You
Alexandre Dumas (The Count of Monte Cristo)
My friend, let us enjoy the present and give no thought to the evils of the future.
Alexandre Dumas (The Count Of Monte Cristo / Le Comte De Monte Cristo: English French Parallel Text Edition (The Count of Monte Cristo, part 2 of 6))
When you wish to obtain some concession from a man’s self-love, you must avoid even the appearance of wishing to wound it.” “I
Alexandre Dumas (The Count of Monte Cristo)
Believe me, when a woman loves a man, you do not win her heart by crossing swords with him.
Alexandre Dumas (The Count of Monte Cristo)
Youth is a flower of which love is the fruit; happy is he who, after having watched its silent growth,
Alexandre Dumas (The Count of Monte Cristo)
Youth is a flower of which love is the fruit; happy is he who, after having watched its silent growth, is permitted to gather and call it his own.
Alexandre Dumas (The Count of Monte Cristo)
Youth is the flower of which love is the fruit; Happy the gatherer who picks it after watching it slowly mature.
Alexandre Dumas (The Count of Monte Cristo: Abridged Edition)
I have in my heart three feelings with which one can never be bored: sadness, love and gratitude.
Alexandre Dumas (The Count of Monte Cristo)
How many ways does the heart take, how many reasons does it invent for itself, in order to arrive at what it wants!
Alexandre Dumas fils (La Dame aux Camélias)
Mi tese le labbra, si lisciò nuovamente i capelli, e uscimmo dalla stanza, Marguerite cantando, io quasi impazzito. Nel salotto mi disse a bassa voce, fermandosi: "Vi sarà sembrato strano che io vi abbia accettato subito: lo sapete da cosa dipende? Dipende" riprese, prendendomi una mano ed appoggiandosela sul cuore, di cui sentii i battiti violenti e accelerati, "dal fatto che, dovendo vivere meno a lungo degli altri, mi sono ripromessa di vivere più in fretta.
Alexandre Dumas fils (La Dame aux Camélias)
...and though it was three in the morning, and he had to traverse some of the nastiest quarters in Paris, trouble passed him by. Everyone knows that God watches over drunkards and lovers.
Alexandre Dumas (The Three Musketeers)
I cannot think that man is meant to find happiness so easily! Happiness is like one of those palaces on an enchanted island, its gates guarded by dragons. One must fight to gain it; and, in truth, I do not know what I have done to deserve the good fortune of becoming Mercédès, husband.
Alexandre Dumas
At least it was not I who ever encouraged you in that hope, Fernand," replied Mercedes; "you cannot reproach me with the slightest coquetry. I have always said to you, 'I love you as a brother; but do not ask from me more than sisterly affection, for my heart is another's.' Is not this true, Fernand?
Alexandre Dumas (The Count of Monte Cristo)
God wills it that man whom he has created, and in whose heart he has so profoundly rooted the love of life, should do all in his power to preserve that existence, which, however painful it may be, is yet always so dear.
Alexandre Dumas
But the heart of a woman is such that, however arid it may become when the winds of prejudice and the demands of etiquette have blown across it, there always remains one corner that is radiant and fertile -the one that God has dedicated to maternal love.
Alexandre Dumas
People have always associated the country with love, and they have done well; nothing affords so fine a frame for the woman whom one loves as the blue sky, the odours, the flowers, the breeze, the shining solitude of fields, or woods. However much one loves a woman, whatever confidence one may have in her, whatever certainty her past may offer us as to her future, one is always more or less jealous. If you have been in love, you must have felt the need of isolating from this world the being in whom you would live wholly.
Alexandre Dumas fils (La Dame aux Camélias)
Count, for me with Valentine there could be an infinite, immense, unknown happiness, a happiness too great, too complete and too divine for this world. Since this world has not given it to me, Count, that means that there is nothing for me on earth except despair and desolation.
Alexandre Dumas (The Count of Monte Cristo)
Go," said the count deliberately, "go, dear friend, but promise me, if you meet with any obstacle to remember that I have some power in this world; that I am happy to use that power in the behalf of those I love; and that I love you, Morrel." "I will remember it," said the young man, "as selfish children recollect their parents when they want their aid. When I need your assistance, and the moment may come, I will come to you, count.
Alexandre Dumas (The Count of Monte Cristo)
Lead two sheep to the butcher’s, two oxen to the slaughterhouse, and make one of them understand that his companion will not die; the sheep will bleat for pleasure, the ox will bellow with joy. But man — man, whom God created in his own image — man, upon whom God has laid his first, his sole commandment, to love his neighbor — man, to whom God has given a voice to express his thoughts — what is his first cry when he hears his fellow-man is saved? A blasphemy. Honor to man, this masterpiece of nature, this king of the creation!
Alexandre Dumas (The Count of Monte Cristo)
«Sono solo al mondo». «Allora amerete me. Se siete giovane, sarò vostro compare. Se siete vecchio, sarò vostro figlio. Ho un padre che dovrebbe avere settant’anni, se è ancora in vita. Amavo solo lui e una fanciulla di nome Mercédès. Mio padre non mi ha dimenticato, ne sono sicuro. Ma lei, Iddio solo sa se mi pensa ancora. Amerò voi come amavo mio padre».
Alexandre Dumas (Il Conte di Montecristo)
Here is a man who was resigned to his fate, who was walking to the scaffold and about to die like a coward, that's true, but at least he was about to die without resisting and without recriminations. Do you know what gave him that much strength? Do you know what consoled him? It was the fact that another man was to die like him, that another man was to die before him! Put two sheep in the slaughter-house or two oxen in the abattoir and let one of them realize that his companion will not die, and the sheep will bleat with joy, the ox low with pleasure. But man, man whom God made in His image, man to whom God gave this first, this sole, this supreme law, that he should love his neighbour, man to whom God gave a voice to express his thoughts - what is man's first cry when he learns that his neighbour is saved? A curse. All honour to man, the masterpiece of nature, the lord of creation!
Alexandre Dumas (The Count of Monte Cristo)
Then, my friend, you should love me a little less, or understand me a little better.
Alexandre Dumas fils (La Dame aux Camélias)
Into these pavilions he admitted the elect, and there, says Marco Polo, gave them to eat a certain herb, which transported them to Paradise, in the midst of ever-blooming shrubs, ever-ripe fruit, and ever-lovely virgins. What these happy persons took for reality was but a dream; but it was a dream so soft, so voluptuous, so enthralling, that they sold themselves body and soul to him who gave it to them, and obedient to his orders as to those of a deity, struck down the designated victim, died in torture without a murmur, believing that the death they underwent was but a quick transition to that life of delights of which the holy herb, now before you, had given them a slight foretaste.” “Then,” cried Franz, “it is hashish! I know that—by name at least.
Alexandre Dumas (The Count of Monte Cristo)
Let us not despise the woman who is neither mother nor daughter nor wife. Let us not limit our esteem to family life, narrow our tolerance to simple egotism. Given that heaven rejoices more at the repentance of one sinner than over a hundred good men who have never sinned, let us endeavor to make heaven rejoice. We may be rewarded with interest. Let us leave along the path the alms of our forgiveness for those whose earthly desires have marooned them, so that a divine hope may save them, and, as the wise old women say when they prescribe a remedy of their own invention, if it doesn't help, at least it can't hurt.
Alexandre Dumas fils (The Lady of the Camellias)
Tu, tu che non vuoi ch'io mi renda conto della tua posizione, e hai la vanità di mantenere a me la mia; tu che, conservandomi il lusso nel quale vivevo, conservi la distanza morale che ci separa; tu, infine, che non giudichi il mio affetto abbastanza disinteressato per dividere con me quello che possiedi, e basterebbe a vivere insieme felici, mentre preferisci rovinarti, schiavo di un pregiudizio ridicolo. E credi tu davvero ch'io possa paragonare una carrozza e alcuni gioielli col tuo amore? E che il mio bene consista in vanità che accontentano quando non si ha amore per nulla, ma diventano subito meschine quando si ama? Tu pagherai i miei debiti, impegnerai il tuo patrimonio e insomma mi manterrai! Quanto potrà durare tutto ciò? Due o tre mesi, e sarà troppo tardi allora vivere come ti propongo, perché allora tu dovrai accettare tutto da me, ciò che un gentiluomo non può fare. Oggi invece, con i tuoi otto o diecimila franchi di rendita, possiamo vivere. Io venderò il mio superfluo, e da questa sola vendita ricaverò duemila franchi di reddito. Affitteremo un bell'appartamento per tutti e due. L'estate andremo in campagna, non in una casa con questa, ma in una casetta che basti a due persone. Tu sei indipendente, io libera, e siamo giovani: in nome di Dio, Armando, non ricacciarmi nella vita che fui costretta a condurre un giorno.
Alexandre Dumas fils (La Dame aux Camélias)
It is this, that ever since I have seen you, I know not why, you have taken a place in my life; that, if I drive the thought of you out of my mind, it always comes back; that when I met you to-day, after not having seen you for two years, you made a deeper impression on my heart and mind than ever; that, now that you have let me come to see you, now that I know you, now that I know all that is strange in you, you have become a necessity of my life, and you will drive me mad, not only if you will not love me, but if you will not let me love you.
Alexandre Dumas fils (La Dame aux Camélias)
To be loved by a pure young girl, to be the first to reveal to her the strange mystery of love, is indeed a great happiness, but it is the simplest thing in the world. To take captive a heart which has had no experience of attack, is to enter an unfortified and ungarrisoned city. Education, family feeling, the sense of duty, the family, are strong sentinels, but there are no sentinels so vigilant as not to be deceived by a girl of sixteen to whom nature, by the voice of the man she loves, gives the first counsels of love, all the more ardent because they seem so pure.
Alexandre Dumas fils (La Dame aux Camélias)
What am I?—the law. Has the law any eyes to witness your grief? Has the law ears to be melted by your sweet voice? Has the law a memory for all those soft recollections you endeavor to recall? No, madame; the law has commanded, and when it commands it strikes. You will tell me that I am a living being, and not a code—a man, and not a volume. Look at me, madame—look around me. Has mankind treated me as a brother? Have men loved me? Have they spared me? Has anyone shown the mercy towards me that you now ask at my hands? No, madame, they struck me, always struck me!     "Woman,
Alexandre Dumas (The Count of Monte Cristo)
Ah, now,' the count said casually, 'you must do as you wish, Viscount, because this is your business and you are in charge; but I must say that in your place I should say nothing of all these adventures. Your life story is a novel; and people, though they love novels bound between two yellow paper covers, are oddly suspicious of those which come to them in living vellum, even when they are as gilded as you are capable of being. Allow me to point out this difficulty to you, Monsieur le Vicomte, which is that no sooner will you have told your touching story to someone, that it will travel all round society, completely distorted. You will have to play the part of Antony, and Antony's day has passed somewhat. You might perhaps enjoy the reputation of a curiosity, but not everyone likes to be the centre of attention and the butt of comment. It might possibly fatigue you.
Alexandre Dumas (The Count of Monte Cristo)
Yes, indeed, I have often thought with a bitter joy that these riches, which would make the wealth of a dozen families, will be forever lost to those men who persecute me. This idea was one of vengeance to me, and I tasted it slowly in the night of my dungeon and the despair of my captivity. But now I have forgiven the world for the love of you; now that I see you, young and with a promising future, — now that I think of all that may result to you in the good fortune of such a disclosure, I shudder at any delay, and tremble lest I should not assure to one as worthy as yourself the possession of so vast an amount of hidden wealth.
Alexandre Dumas (The Count of Monte Cristo)
What passed in the mind of this man at the supreme moment of his agony cannot be told in words. He was still comparatively young, he was surrounded by the loving care of a devoted family, but he had convinced himself by a course of reasoning, illogical perhaps, yet certainly plausible, that he must separate himself from all he held dear in the world, even life itself. To form the slightest idea of his feelings, one must have seen his face with its expression of enforced resignation and its tear-moistened eyes raised to heaven. The minute hand moved on. The pistols were loaded; he stretched forth his hand, took one up, and murmured his daughter's name. Then he laid it down seized his pen, and wrote a few words. It seemed to him as if he had not taken a sufficient farewell of his beloved daughter. Then he turned again to the clock, counting time now not by minutes, but by seconds. He took up the deadly weapon again, his lips parted and his eyes fixed on the clock, and then shuddered at the click of the trigger as he cocked the pistol. At this moment of mortal anguish the cold sweat came forth upon his brow, a pang stronger than death clutched at his heart-strings. He heard the door of the staircase creak on its hinges—the clock gave its warning to strike eleven—the door of his study opened; Morrel did not turn round—he expected these words of Cocles, "The agent of Thomson & French." He placed the muzzle of the pistol between his teeth. Suddenly he heard a cry—it was his daughter's voice. He turned and saw Julie. The pistol fell from his hands. "My father!" cried the young girl, out of breath, and half dead with joy—"saved, you are saved!" And she threw herself into his arms, holding in her extended hand a red, netted silk purse.
Alexandre Dumas (The Count of Monte Cristo)
My son," said the old Gascon gentleman, in that pure Bearn PATOIS of which Henry IV could never rid himself, "this horse was born in the house of your father about thirteen years ago, and has remained in it ever since, which ought to make you love it. Never sell it; allow it to die tranquilly and honorably of old age, and if you make a campaign with it, take as much care of it as you would of an old servant. At court, provided you have ever the honor to go there," continued M. d'Artagnan the elder, "—an honor to which, remember, your ancient nobility gives you the right—sustain worthily your name of gentleman, which has been worthily borne by your ancestors for five hundred years, both for your own sake and the sake of those who belong to you.
Alexandre Dumas (The Three Musketeers (The D'Artagnan Romances, #1))
To be loved by a pure young girl, to be the first to reveal to her the strange mystery of love, is indeed a great happiness, but it is the simplest thing in the world. To take captive a heart which has had no experience of attack, is to enter an unfortified and ungarrisoned city. Education, family feeling, the sense of duty, the family, are strong sentinels, but there are no sentinels so vigilant as not to be deceived by a girl of sixteen to whom nature, by the voice of the man she loves, gives the first counsels of love, all the more ardent because they seem so pure. The more a girl believes in goodness, the more easily will she give way, if not to her lover, at least to love, for being without mistrust she is without force, and to win her love is a triumph that can be gained by any young man of five-and-twenty. See how young girls are watched and guarded! The walls of convents are not high enough, mothers have no locks strong enough, religion has no duties constant enough, to shut these charming birds in their cages, cages not even strewn with flowers. Then how surely must they desire the world which is hidden from them, how surely must they find it tempting, how surely must they listen to the first voice which comes to tell its secrets through their bars, and bless the hand which is the first to raise a corner of the mysterious veil! But to be really loved by a courtesan: that is a victory of infinitely greater difficulty. With them the body has worn out the soul, the senses have burned up the heart, dissipation has blunted the feelings. They have long known the words that we say to them, the means we use; they have sold the love that they inspire. They love by profession, and not by instinct. They are guarded better by their calculations than a virgin by her mother and her convent; and they have invented the word caprice for that unbartered love which they allow themselves from time to time, for a rest, for an excuse, for a consolation, like usurers, who cheat a thousand, and think they have bought their own redemption by once lending a sovereign to a poor devil who is dying of hunger without asking for interest or a receipt. Then, when God allows love to a courtesan, that love, which at first seems like a pardon, becomes for her almost without penitence. When a creature who has all her past to reproach herself with is taken all at once by a profound, sincere, irresistible love, of which she had never felt herself capable; when she has confessed her love, how absolutely the man whom she loves dominates her! How strong he feels with his cruel right to say: You do no more for love than you have done for money. They know not what proof to give. A child, says the fable, having often amused himself by crying "Help! a wolf!" in order to disturb the labourers in the field, was one day devoured by a Wolf, because those whom he had so often deceived no longer believed in his cries for help. It is the same with these unhappy women when they love seriously. They have lied so often that no one will believe them, and in the midst of their remorse they are devoured by their love.
Alexandre Dumas (La Dame aux Camélias)
Look, look,” cried the count, seizing the young men’s hands—“look, for on my soul it is curious. Here is a man who had resigned himself to his fate, who was going to the scaffold to die—like a coward, it is true, but he was about to die without resistance. Do you know what gave him strength?—do you know what consoled him? It was, that another partook of his punishment—that another partook of his anguish—that another was to die before him. Lead two sheep to the butcher’s, two oxen to the slaughterhouse, and make one of them understand that his companion will not die; the sheep will bleat for pleasure, the ox will bellow with joy. But man—man, whom God created in his own image—man, upon whom God has laid his first, his sole commandment, to love his neighbor—man, to whom God has given a voice to express his thoughts—what is his first cry when he hears his fellow-man is saved? A blasphemy. Honor to man, this masterpiece of nature, this king of the creation!
Alexandre Dumas (The Count of Monte Cristo)
He then said something in Arabic to Ali, who made a sign of obedience and withdrew, but not to any distance. As to Franz a strange transformation had taken place in him. All the bodily fatigue of the day, all the preoccupation of mind which the events of the evening had brought on, disappeared as they do at the first approach of sleep, when we are still sufficiently conscious to be aware of the coming of slumber. His body seemed to acquire an airy lightness, his perception brightened in a remarkable manner, his senses seemed to redouble their power, the horizon continued to expand; but it was not the gloomy horizon of vague alarms, and which he had seen before he slept, but a blue, transparent, unbounded horizon, with all the blue of the ocean, all the spangles of the sun, all the perfumes of the summer breeze; then, in the midst of the songs of his sailors, -- songs so clear and sonorous, that they would have made a divine harmony had their notes been taken down, -- he saw the Island of Monte Cristo, no longer as a threatening rock in the midst of the waves, but as an oasis in the desert; then, as his boat drew nearer, the songs became louder, for an enchanting and mysterious harmony rose to heaven, as if some Loreley had decreed to attract a soul thither, or Amphion, the enchanter, intended there to build a city. At length the boat touched the shore, but without effort, without shock, as lips touch lips; and he entered the grotto amidst continued strains of most delicious melody. He descended, or rather seemed to descend, several steps, inhaling the fresh and balmy air, like that which may be supposed to reign around the grotto of Circe, formed from such perfumes as set the mind a dreaming, and such fires as burn the very senses; and he saw again all he had seen before his sleep, from Sinbad, his singular host, to Ali, the mute attendant; then all seemed to fade away and become confused before his eyes, like the last shadows of the magic lantern before it is extinguished, and he was again in the chamber of statues, lighted only by one of those pale and antique lamps which watch in the dead of the night over the sleep of pleasure. They were the same statues, rich in form, in attraction, and poesy, with eyes of fascination, smiles of love, and bright and flowing hair. They were Phryne, Cleopatra, Messalina, those three celebrated courtesans. Then among them glided like a pure ray, like a Christian angel in the midst of Olympus, one of those chaste figures, those calm shadows, those soft visions, which seemed to veil its virgin brow before these marble wantons. Then the three statues advanced towards him with looks of love, and approached the couch on which he was reposing, their feet hidden in their long white tunics, their throats bare, hair flowing like waves, and assuming attitudes which the gods could not resist, but which saints withstood, and looks inflexible and ardent like those with which the serpent charms the bird; and then he gave way before looks that held him in a torturing grasp and delighted his senses as with a voluptuous kiss. It seemed to Franz that he closed his eyes, and in a last look about him saw the vision of modesty completely veiled; and then followed a dream of passion like that promised by the Prophet to the elect. Lips of stone turned to flame, breasts of ice became like heated lava, so that to Franz, yielding for the first time to the sway of the drug, love was a sorrow and voluptuousness a torture, as burning mouths were pressed to his thirsty lips, and he was held in cool serpent-like embraces. The more he strove against this unhallowed passion the more his senses yielded to its thrall, and at length, weary of a struggle that taxed his very soul, he gave way and sank back breathless and exhausted beneath the kisses of these marble goddesses, and the enchantment of his marvellous dream.
Alexandre Dumas (The Count of Monte Cristo)
Look, look,’ the count continued, grasping each of the two young men by the hand. ‘Look, because I swear to you, this is worthy of your curiosity. Here is a man who was resigned to his fate, who was walking to the scaffold and about to die like a coward, that’s true, but at least he was about to die without resisting and without recriminations. Do you know what gave him that much strength? Do you know what consoled him? Do you know what resigned him to his fate? It was the fact that another man would share his anguish, that another man was to die like him, that another man was to die before him! Put two sheep in the slaughter-house or two oxen in the abattoir and let one of them realize that his companion will not die, and the sheep will bleat with joy, the ox low with pleasure. But man, man whom God made in His image, man to whom God gave this first, this sole, this supreme law, that he should love his neighbour, man to whom God gave a voice to express his thoughts – what is man’s first cry when he learns that his neighbour is saved? A curse. All honour to man, the masterpiece of nature, the lord of creation!’ He
Alexandre Dumas (The Count of Monte Cristo)
What passed in the mind of this man at the supreme moment of his agony cannot be told in words. He was still comparatively young, he was surrounded by the loving care of a devoted family, but he had convinced himself by a course of reasoning, illogical perhaps, yet certainly plausible, that he must separate himself from all he held dear in the world, even life itself. To form the slightest idea of his feelings, one must have seen his face with its expression of enforced resignation and its tear-moistened eyes raised to heaven. The minute hand moved on. The pistols were loaded; he stretched forth his hand, took one up, and murmured his daughter's name. Then he laid it down seized his pen, and wrote a few words. It seemed to him as if he had not taken a sufficient farewell of hIs beloved daughter. Then he turned again to the clock, counting time now not by minutes, but by seconds. He took up the deadly weapon again, his lips parted and his eyes fixed on the clock, and then he shuddered at the click of the trigger as he cocked the pistol. At this moment of mortal anguish the cold sweat came forth upon his brow, a pang stronger than death clutched at his heart-strings.
Alexandre Dumas
I think that every one whom you may ask how to write a play will reply, if he really can write one, that he doesn't know how it is done. It is a little as if you were to ask Romeo what he did to fall in love with Juliet and to make her love him; he would reply that he did not know, that it simply happened. Well, my dear friend, if you want me to be quite frank, I'll own up that I don't know how to write a play. One day a long time ago, when I was scarcely out of school, I asked my father the same question. He answered: "It's very simple; the first act clear, the last act short, and all the acts interesting.
Alexandre Dumas fils
Look, look," cried the count, seizing the young men's hands - "look, for on my soul it is curious. Here is a man who had resigned himself to his fate, who was going to the scaffold to die - like a coward, it is true, but he was about to die without resistance. Do you know what gave him strength? - do you know what consoled him? It was, that another partook of his punishment - that another partook of his anguish - that another was to die before him. Lead two sheep to the butcher's, two oxen to the slaughterhouse, and make one of them understand that his companion will not die; the sheep will bleat for pleasure, the ox will bellow with joy. But man - man, whom God created in his own image - man, upon whom God has laid his first, his sole commandment, to love his neighbor - man, to whom God has given a voice to express his thoughts - what is his first cry when he hears his fellow man is saved? A blasphemy. Honor to man, this masterpiece, this masterpiece of nature, this king of the creation! The people all took part against Andrea, and twenty thousand voices cried, "Put him to death! put him to death!" Franz sprang back, but the count seized his arm, and held him before the window. "What are you doing?" said he. "Do you pity him? If you heard the cry of 'Mad dog!' you would take your gun - you would unhesitatingly shoot the poor beast, who, after all, was only guilty of having been bitten by another dog. And yet you pity a man who, without being bitten by one of his race, has yet murdered his benefactor; and who, now unable to kill any one, because his hands are bound, wishes to see his companion in captivity perish. No, no - look, look!
Alexandre Dumas
My friend,” said Monte Cristo, with an expression of melancholy equal to his own, “listen to me. One day, in a moment of despair like yours, since it led to a similar resolution, I also wished to kill myself; one day your father, equally desperate, wished to kill himself too. If anyone had said to your father, at the moment he raised the pistol to his head—if anyone had told me, when in my prison I pushed back the food I had not tasted for three days—if anyone had said to either of us then, ‘Live—the day will come when you will be happy, and will bless life!’—no matter whose voice had spoken, we should have heard him with the smile of doubt, or the anguish of incredulity,—and yet how many times has your father blessed life while embracing you—how often have I myself——” “Ah,” exclaimed Morrel, interrupting the count, “you had only lost your liberty, my father had only lost his fortune, but I have lost Valentine.” “Look at me,” said Monte Cristo, with that expression which sometimes made him so eloquent and persuasive—“look at me. There are no tears in my eyes, nor is there fever in my veins, yet I see you suffer—you, Maximilian, whom I love as my own son. Well, does not this tell you that in grief, as in life, there is always something to look forward to beyond? Now, if I entreat, if I order you to live, Morrel, it is in the conviction that one day you will thank me for having preserved your life.
Alexandre Dumas (The Count of Monte Cristo)