Firefly River Quotes

We've searched our database for all the quotes and captions related to Firefly River. Here they are! All 44 of them:

Simon: You're in a dangerous line of work, Jayne. Odds are you'll be under my knife again, often. So I want you to understand one thing very clearly: No matter what you do or say or plot, no matter how you come down on us, I will never, ever harm you. You're on this table, you're safe... 'cause I'm your medic. And however little we may like or trust each other, we're on the same crew. Got the same troubles, same enemies, and more than enough of both. Now, we could circle each other and growl, sleep with one eye open, but that thought wearies me. I don't care what you've done, I don't know what you're planning on doing, but I'm trusting you. I think you should do the same. 'Cause I don't see this working any other way. River: Also, I can kill you with my brain.
Ben Edlund
Fireflies out on a warm summer's night, seeing the urgent, flashing, yellow-white phosphorescence below them, go crazy with desire; moths cast to the winds an enchantment potion that draws the opposite sex, wings beating hurriedly, from kilometers away; peacocks display a devastating corona of blue and green and the peahens are all aflutter; competing pollen grains extrude tiny tubes that race each other down the female flower's orifice to the waiting egg below; luminescent squid present rhapsodic light shows, altering the pattern, brightness and color radiated from their heads, tentacles, and eyeballs; a tapeworm diligently lays a hundred thousand fertilized eggs in a single day; a great whale rumbles through the ocean depths uttering plaintive cries that are understood hundreds of thousands of kilometers away, where another lonely behemoth is attentively listening; bacteria sidle up to one another and merge; cicadas chorus in a collective serenade of love; honeybee couples soar on matrimonial flights from which only one partner returns; male fish spray their spunk over a slimy clutch of eggs laid by God-knows-who; dogs, out cruising, sniff each other's nether parts, seeking erotic stimuli; flowers exude sultry perfumes and decorate their petals with garish ultraviolet advertisements for passing insects, birds, and bats; and men and women sing, dance, dress, adorn, paint, posture, self-mutilate, demand, coerce, dissemble, plead, succumb, and risk their lives. To say that love makes the world go around is to go too far. The Earth spins because it did so as it was formed and there has been nothing to stop it since. But the nearly maniacal devotion to sex and love by most of the plants, animals, and microbes with which we are familiar is a pervasive and striking aspect of life on Earth. It cries out for explanation. What is all this in aid of? What is the torrent of passion and obsession about? Why will organisms go without sleep, without food, gladly put themselves in mortal danger for sex? ... For more than half the history of life on Earth organisms seem to have done perfectly well without it. What good is sex?... Through 4 billion years of natural selection, instructions have been honed and fine-tuned...sequences of As, Cs, Gs, and Ts, manuals written out in the alphabet of life in competition with other similar manuals published by other firms. The organisms become the means through which the instructions flow and copy themselves, by which new instructions are tried out, on which selection operates. 'The hen,' said Samuel Butler, 'is the egg's way of making another egg.' It is on this level that we must understand what sex is for. ... The sockeye salmon exhaust themselves swimming up the mighty Columbia River to spawn, heroically hurdling cataracts, in a single-minded effort that works to propagate their DNA sequences into future generation. The moment their work is done, they fall to pieces. Scales flake off, fins drop, and soon--often within hours of spawning--they are dead and becoming distinctly aromatic. They've served their purpose. Nature is unsentimental. Death is built in.
Carl Sagan (Shadows of Forgotten Ancestors: Earth Before Humans by ANN DRUYAN' 'CARL SAGAN (1992-05-03))
Those hours given over to basking in the glow of an imagined future, of being carried away in streams of promise by a love or a passion so strong that one felt altered forever and convinced that even the smallest particle of the surrounding world was charged with purpose of impossible grandeur; ah, yes, and one would look up into the trees and be thrilled by the wind- loosened river of pale, gold foliage cascading down and by the high, melodious singing of countless birds; those moments, so many and so long ago, still come back, but briefly, like fireflies in the perfumed heat of summer night.
Mark Strand (Almost Invisible: Poems)
River Tam (Summer Glau): No power in the 'verse can stop me.
Joss Whedon
No power in the 'verse can stop me!
River Tam from Firefly
There was something oddly restful about the fireflies. He couldn't put his finger on it but he drew comfort from it anyway. The way they'd seemed not separate entities but a single being, a moving river of light that flowed above the dark water like its negative image and attained a transient and fragile dominion over the provinces of night.
William Gay (Provinces of Night)
The Mississippi and its paddle boats, and the rivers of Bengal and their gleaming steamers evoked a similar atmosphere of romance, of long, song-filled voyages, high winds and lonely sunsets.
Qurratulain Hyder (Fireflies in the Mist)
Fireflies winked, and the darkening bay breathed and sighed like a great dolphin and the thin pure curve of a young moon hung in the green sky...
Anne Rivers Siddons (Colony)
She ought to have recognized love's scarcity early on. If success were gold, lying in rivers, love was a diamond, buried hundreds of feet beneath the surface of the earth and unrecognizable in its natural form.
Kristin Hannah (Firefly Lane (Firefly Lane, #1))
In there,” River said. “I was just stroking the horses. They have such soft noses, did you know that? Apart from the bristles. And their breath, when they snort, it’s warm on your hand. I like it. It smells of friendliness.
James Lovegrove (Big Damn Hero (Firefly #1))
Knowing it was her last night on the Arabella, Maia fought against sleep. She must remember it all--the lapping of the water against the side of the boat, the white moths, the fireflies… Finn, too, was awake. “When we’re grown up I’ll come back for you, I promise. No one can stop us then.
Eva Ibbotson (Journey to the River Sea)
But I also know this: even though water chooses the path of least resistance, it ultimately defines its own course. Rivers divide and merge, they braid and weave, the form complex wholes. They move apart only to rejoin at a defferent point. The geography of our lives would reconnect us again.
Shona Patel (Teatime for the Firefly)
Cecilia’s words were like a river of lights, an aerial torrent, like fireflies glowing.
Agustina Bazterrica (Tender Is the Flesh)
say, some things take a long time in coming, but when they finally arrive, all we need to do is enjoy them and be grateful.
Ava Miles (Fireflies and Magnolias (Dare River, #3))
going to bust our buttons eating all the food, but not
Ava Miles (Fireflies and Magnolias (Dare River, #3))
Did you know the number of women killed by a male partner in a ten-year span is greater than all of our brave troops’ casualties from Iraq and Afghanistan
Ava Miles (Fireflies and Magnolias (Dare River, #3))
If success were gold, lying in rivers, love was a diamond, buried hundreds of feet beneath the surface of the earth and unrecognizable in its natural form.
Kristin Hannah (Firefly Lane (Firefly Lane #1))
even though water chooses the path of least resistance, it ultimately defines its own course. Rivers divide and merge, they braid and weave, they form complex wholes. They move apart only to rejoin at a different point.
Shona Patel (Teatime for the Firefly)
There’s a river of sadness in me; it’s always been there, but now it is rising, spilling over its banks. I know there’s a possibility that if I’m not careful, it will become the biggest part of me and I will drown in it.
Kristin Hannah (Fly Away (Firefly Lane #2))
It was beginning to get late in the afternoon. On the edge of the earth, the sun slowly diminished. An unexpected calmness dropped in the atmosphere. In one short life, this drama would end. And that would be the end of it all; those, who suffered the worst, were the ones most deluded by the notion that this life was forever. Oh, how calm? How peacefully the River Murma flowed today? A mere twitter of a bird in the heavy groves, the shepherd’s distant tune caught in the flute wafted through the air. There appeared to be no grimy crimes threatening such delightful sensations of undulated serenity. The night forest illuminated by fireflies everywhere. Lights sparkled, as they flew ubiquitous around the slim, tall trees and the heavy bushes of the blue forest.
Mehreen Ahmed (Moirae)
That evening we sat around the campfire. The clouds that had gathered overhead all day broke up and the moonlight shimmered on the Cocus River. The current glittered a silvery reflection. Nor was the Jungle dark. Hundreds of fireflies danced about - it was a magnificent evening
Yossi Ghinsberg (Jungle: A Harrowing True Story of Survival)
I used to imagine a boyfriend who could see me, you know? It was more than attention. I wanted to be known. I imagined us parking a car out by the river, hidden by the tall grass, fireflies everywhere, and I could talk and he would listen and nod, his eyes wide in the dark. And the way I imagined it, he would want to listen. He would want to see me. And he’d listen until he knew everything there was to know.” Tiffany laughed at herself. “There were times I imagined it so long, I ran out of things to tell him, and we’d just look at each other. In a way, that was the best part.
Andrew J. Graff (Raft of Stars)
He was going to kill you,” she said. “And me. Fair’s fair. An eye for an eye, a tooth for a tooth, a candy for a candy, a penny for your thoughts.” “Still and all. We don’t kill unless we have to.” River reflected on this, then smiled brightly. “Okay! That’s a good rule.” “I like to think so.
James Lovegrove (Big Damn Hero (Firefly #1))
When a volcano lets fly or an earthquake brings down a mountainside, people look upon the event with surprise and report it to each other as news. People, in their whole history, have seen comparatively few such events; and only in the past couple of hundred years have they begun to sense the patterns the events represent. Human time, regarded in the perspective of geologic time, is much too thin to be discerned—the mark invisible at the end of a ruler. If geologic time could somehow be seen in the perspective of human time, on the other hand, sea level would be rising and falling hundreds of feet, ice would come pouring over continents and as quickly go away. Yucatáns and Floridas would be under the sun one moment and underwater the next, oceans would swing open like doors, mountains would grow like clouds and come down like melting sherbet, continents would crawl like amoebae, rivers would arrive and disappear like rainstreaks down an umbrella, lakes would go away like puddles after rain, and volcanoes would light the earth as if it were a garden full of fireflies. At the end of the program, man shows up—his ticket in his hand. Almost at once, he conceives of private property, dimension stone, and life insurance. When a Mt. St. Helens assaults his sensibilities with an ash cloud eleven miles high, he writes a letter to the New York Times recommending that the mountain be bombed.
John McPhee (In Suspect Terrain (Annals of the Former World Book 2))
If geologic time could somehow be seen in the perspective of human time, on the other hand, sea level would be rising and falling hundreds of feet, ice would come pouring over continents and as quickly go away . . . continents would crawl like amoebae, rivers would arrive and disappear like rainstreaks down an umbrella, lakes would go away like puddles after rain, and volcanoes would light the earth as if it were a garden of fireflies.
John McPhee
Where are your monuments, your battles, martyrs? Where is your tribal memory? Sirs, in that gray vault. The sea. The sea has locked them up. The sea is History. First, there was the heaving oil, heavy as chaos; then, likea light at the end of a tunnel, the lantern of a caravel, and that was Genesis. Then there were the packed cries, the shit, the moaning: Exodus. Bone soldered by coral to bone, mosaics mantled by the benediction of the shark's shadow, that was the Ark of the Covenant. Then came from the plucked wires of sunlight on the sea floor the plangent harp of the Babylonian bondage, as the white cowries clustered like manacles on the drowned women, and those were the ivory bracelets of the Song of Solomon, but the ocean kept turning blank pages looking for History. Then came the men with eyes heavy as anchors who sank without tombs, brigands who barbecued cattle, leaving their charred ribs like palm leaves on the shore, then the foaming, rabid maw of the tidal wave swallowing Port Royal, and that was Jonah, but where is your Renaissance? Sir, it is locked in them sea sands out there past the reef's moiling shelf, where the men-o'-war floated down; strop on these goggles, I'll guide you there myself. It's all subtle and submarine, through colonnades of coral, past the gothic windows of sea fans to where the crusty grouper, onyx-eyed, blinks, weighted by its jewels, like a bald queen; and these groined caves with barnacles pitted like stone are our cathedrals, and the furnace before the hurricanes: Gomorrah. Bones ground by windmills into marl and cornmeal, and that was Lamentations - that was just Lamentations, it was not History; then came, like scum on the river's drying lip, the brown reeds of villages mantling and congealing into towns, and at evening, the midges' choirs, and above them, the spires lancing the side of God as His son set, and that was the New Testament. Then came the white sisters clapping to the waves' progress, and that was Emancipation - jubilation, O jubilation - vanishing swiftly as the sea's lace dries in the sun, but that was not History, that was only faith, and then each rock broke into its own nation; then came the synod of flies, then came the secretarial heron, then came the bullfrog bellowing for a vote, fireflies with bright ideas and bats like jetting ambassadors and the mantis, like khaki police, and the furred caterpillars of judges examining each case closely, and then in the dark ears of ferns and in the salt chuckle of rocks with their sea pools, there was the sound like a rumour without any echo of History, really beginning.
Derek Walcott (Selected Poems)
Her first impression had been that he was ugly— huge and gangly with eerie transparent eyes. But when he’d smiled at her, lights danced across those blue eyes like sparkles on a river, and she’d seen beauty in his unfamiliar features. How could anyone with a smile that warm be evil or untrustworthy? After she got over her initial fear, she even found the man’s size appealing and powerfully masculine. Fireflies flitted and glowed in her stomach whenever their eyes met.
Bonnie Dee (Captive Bride)
I pull into the field & cut the engine. It's simple: I just don't know how to love a man gently. Tenderness a thing to be beaten into. Fireflies strung through sapphired air. You're so quiet you're almost tomorrow. The body was made soft to keep us from loneliness. You said that as if the car were filling with river water. Don't worry. There's no water. Only your eyes closing. My tongue in the crux of your chest. Little black hairs like the legs of vanished insects. I never wanted the flesh. How it never fails to fail so accurately. But what if I broke through the skin's thin page anyway & found the heart not the size of a fist but your mouth opening to the width of Jerusalem. What then? To love another man--is to leave no one behind to forgive me. I want to leave no one behind. To keep & be kept. The way a field turns its secrets into peonies. The way light keeps its shadow by swallowing it.
Ocean Vuong (Night Sky with Exit Wounds)
Knowing it was her last night on the Arabella, Maia fought against sleep. She must remember it all--the lapping of the water against the side of the boat, the white moths, the fireflies… Finn, too, was awake. “When we’re grown up I’ll come back for you, I promise. No one can stop us then.” But she wasn’t grown up and nor was he, and Finn was going on alone. The professor had tried to persuade him to come back with them, but Finn only said, “I promised my father I’d go and find the Xanti. I promised.” Now, though, lying in the dark, he realized how much he hated the idea of going on by himself. He wasn’t afraid exactly; he knew he could do it--but it suddenly seemed utterly dismal to go on without his friend. “We could still run away into the forest,” said Maia. But Finn said no. “Minty really cares about you. The professor told me she nearly went mad when she thought you’d been killed in the fire. You can’t play tricks on her--or on him. They’re good people. It’s just…oh, why can’t grown-ups understand that we might know what is right for us just as well as they do?
Eva Ibbotson (Journey to the River Sea)
Pieces of my self. I have come to realise that our soul is not a static element or something that we can ever put in words. It is something that we find and embrace in bits and pieces flowing through an endless journey of life. Sometimes we find a halo of it in the setting sun while sometimes we chase its harmony in a distant sunrise. We have moments in Life, defining our traits, when some incident or some part of our Life changes forever rather takes shape forever but that too is not entirely rigid, they too flow with our soul and may be years or even moments later they change shape into something that twinkles more with our soul. It is a process of learning, unlearning and relearning where everything that we assemble in this Lifetime is like a free flowing river which meanders its way onto an ocean. And the ocean is Love. Not the Love that we often imagine it be, it is something beyond any imagination or definition. It is an air that absorbs every other force of Nature and releases them through the filter of Wisdom. It is about understanding our innermost fear and fighting it out with the indomitable courage that is always lurking in the deepest part of our heart. It is about knowing how contagious kindness can be and becoming the reflector of grace through our very existence. It is about embracing every chapter of our life with gratitude for the path that our spirit has chosen beyond boundaries and limits. It is about growing and healing. Growing through a voyage that is endless in this Cosmic ocean and healing through the balm of connections. I have realised that every connection that we make even if it is for a fraction of a second stays on within our soul and every alley that we explore leads us to a place that is closer to our destination. Sometimes the Destination gets blurred through the noises of all that is tangible in our surroundings and we often grow exhausted on this journey, it is then that we grow, trying to walk over a pyre of our failures, lost bonds, detours and everything that are capable of pulling us down they become stars, like the fireflies that show us the path to bring us closer to our soul, to put back the pieces of our self. They make us all that we stand as a whole. So especially when we run out of our strength somewhere in some hidden alley of our soul, something burns in our soul, a flicker of our passion guiding us home, where the pieces of our soul dance in a mad harmony to awaken the flame that lights our way onto a destination, wandering along the edge of a purpose that breathes through scattered pieces of our self, basking in the halo of eternity.
Debatrayee Banerjee (A Whispering Leaf. . .)
The log stretched across the stream. It had been there for some time. Sticks, feathers, and debris had caught on stray branches protruding from one end. The stream flowed beneath the log, lazy and blackish-green, just before it widened and joined the Connecticut River. Pine trees grew thick along one bank, while reeds whispered along the other.
Luanne Rice (Firefly Beach (Hubbard's Point / Black Hall series))
Be like the firefly: although small, it casts its own light. Be like the water: good and transparent. Be like the river: always moving forward. Above all things, be like the heavens: a home for God.
Unknown
Her brother had undergone a tremendous transformation from badass country singer to family man. She wished Clayton would do the same. As far as she could tell, he preferred relationships shorter than the expiration date on a gallon of milk—if that.
Ava Miles (Fireflies and Magnolias (Dare River, #3))
Mama said I should always remember I had a lot to be grateful for, but it was nothing to feel guilty about. That such privilege was the impetus to help and support others who weren’t as fortunate.
Ava Miles (Fireflies and Magnolias (Dare River, #3))
You can’t heal what you won’t talk about.” “Thank you, Dr. Freud. Now you sound like my wife.
Ava Miles (Fireflies and Magnolias (Dare River, #3))
If your life had been different, you wouldn’t be who you are. Now you can help other people because of who you are and the privilege you’ve known. Try to remember that when the voice in your head gets the best of you.
Ava Miles (Fireflies and Magnolias (Dare River, #3))
Yes, everything they did, they needed to do for themselves—first, last, and always. It was the only way a person could be strong for the other people in their life.
Ava Miles (Fireflies and Magnolias (Dare River, #3))
like fireflies in the perfumed heat of summer night" Those hours given over to basking in the glow of an imagined future, of being carried away in streams of promise by a love or a passion so strong that one felt altered forever and convinced that even the smallest particle of the surrounding world was charged with purpose of impossible grandeur; ah, yes, and one would look up into the trees and be thrilled by the wind- loosened river of pale, gold foliage cascading down and by the high, melodious singing of countless birds; those moments, so many and so long ago, still come back, but briefly, like fireflies in the perfumed heat of summer night. Mark Strand,Almost Invisible: Poems (‎ Knopf; 1st edition, March 13, 2012)
Mark Strand (Almost Invisible: Poems)
like fireflies in the perfumed heat of summer night" Those hours given over to basking in the glow of an imagined future, of being carried away in streams of promise by a love or a passion so strong that one felt altered forever and convinced that even the smallest particle of the surrounding world was charged with purpose of impossible grandeur; ah, yes, and one would look up into the trees and be thrilled by the wind- loosened river of pale, gold foliage cascading down and by the high, melodious singing of countless birds; those moments, so many and so long ago, still come back, but briefly, like fireflies in the perfumed heat of summer night. Mark Strand,Almost Invisible: Poems (‎Knopf; 1st edition, March 13, 2012)
Mark Strand (Almost Invisible: Poems)
Silent morning Quiet nature in dim light It is almost peaceless of the chirping of birds Waiting for the sunrise Feeling satisfied with pure breath Busy life- in pursuit of livelihood, running people In the intensity of the wood-burning sun, astray finch Sometimes the advent of north-wester I’m scared The calamitous heartache of the falling Caesalpinia pulcherrima! Listen to get ears Surprisingly I saw the unadulterated green weald Vernal, yellow and crimson colors are the glorious beauty of the unique nature An amazing reflection of Bengal The housewife’s fringe of azure color sari fly in the gentle breeze The cashew forest on the bank of flowing rivers white egret couple peep-bo The kite crookedly flies get lost in the far unknown The footstep of blustery childhood on the zigzag path Standing on a head-high hill touches the fog Beckoning with the hand of the magical horizon The liveliness of a rainy-soaked juvenile Momentary fascinated visibility of Ethnic group’s pineapple, tea, banana and jhum cultivation at the foot of the hill Trailer- shrub, algae and pebble-stone come back to life in the cleanly stream of the fountain Bumble bee is rudderless in the drunken smell of mountain wild flower The heart of the most beloved is touched by pure love In the distant sea water, pearl glow in the sunlight Rarely, the howl of a hungry tiger float in the air from a deep forest The needy fisherman’s ​​hope and aspiration are mortgaged to the infinite sea The waves come rushing on the beach delete the footprint to the beat of the dancing The white cotton cloud is invisible in the bluey The mew flies at impetuous speed to an unknown destination A slice of happy smile at the bend of the wave The western sky covered with the crimson glow of twilight Irritated by the cricket’s endless acrid sound The evening lamp is lit to flickering light of the firefly The red crabs tittup wildly on the beach Steadfast seeing Sunset A beautiful dream Next sunrise.
Ashraful
There's a river of sadness in me; it's always been there, but now it is rising, spilling over its banks. I know there's a possibility that if I'm not careful, it will become the biggest part of me and I will drown in it.
Kristin Hannah (Fly Away (Firefly Lane, #2))
It has been a thousand years since I started trekking the earth A huge travel in night’s darkness from the Ceylonese waters to the Malayan sea I have been there too: the fading world of Vimbisara and Asoka Even further—the forgotten city of Vidarva, Today I am a weary soul although the ocean of life around continues to foam, Except for a few soothing moments with Natore’s Banalata Sen. Her hair as if the dark night of long lost Vidisha, Her face reminiscent of the fine works of Sravasti, When I saw her in the shadow it seemed as if a ship-wrecked mariner in a far away sea has spotted a cinnamon island lined with greenish grass. “Where had you been lost all these days? ” yes, she demanded of me, Natore’s Banalata Sen raising her eyes of profound refuge. At the day’s end evening crawls in like the sound of dews, The kite flaps off the smell of sun from its wings. When all colours take leave from the world except for the flicker of the hovering fireflies The manuscript is ready with tales to be told All birds come home, rivers too, All transactions of the day being over Nothing remains but darkness to sit face to face with Banalata Sen.
Jibanananda Das (Banalta Sen)
She used to think that success was like gold, worth sifting through mud for, and that love would always be there, waiting somehow on the riverbanks for her when she was done panning. She couldn’t imagine now why she’d thought that, given her background. She ought to have recognized love’s scarcity early on. If success were gold, lying in rivers, love was a diamond, buried hundreds of feet beneath the surface of the earth and unrecognizable in its natural form.
Kristin Hannah (Firefly Lane (Firefly Lane #1))
The Boy Who’d Escaped from Wolves and Grown Up was an animal of the dusk that moved through wooded landscapes, silent and invisible. It lived in a world that others never saw, never faced, never knew or wanted to know existed - a world that ran like a dark current beside our own, a world of crickets and fireflies, unseen except as a microsecond’s flare in the corner of your eye, already vanished by the time your head turned toward it.
Dennis Lehane (Mystic River)