“
When I was a kid--10, 11, 12, 13--the thing I wanted most in the world was a best friend. I wanted to be important to people; to have people that understood me. I wanted to just be close to somebody. And back then, a thought would go through my head almost constantly: "There's never gonna be a room someplace where there's a group of people sitting around, having fun, hanging out, where one of them goes, 'You know what would be great? We should call Fiona. Yeah, that would be good.' That'll never happen. There's nothing interesting about me." I just felt like I was a sad little boring thing.
”
”
Fiona Apple
“
Nothing that you do will ever feel good if you let people convince you that you have no choice.
”
”
Fiona Apple
“
I only write when I'm angry or sad, so because that's when I just have to write... If I'm having a good time and I'm happy and things are going really well, why would I want to stop what I'm doing to go and write at the piano?
”
”
Fiona Apple
“
It's refreshing to see you using your psychology skills for evil as well as for good.
”
”
Kristin Walker (A Match Made in High School)
“
I'm thinking about three things this morning. The obstacle is the path. Today is a good day. And what comes is a gift.
”
”
Satya Robyn
“
But l’m good at being uncomfortable
So I can’t stop changing all the time.
”
”
Fiona Apple
“
You know, when I see a good-looking man, the first thing I think about is sex. I want to see him naked, and I imagine running my hands impatiently over his hot body.
I can’t help it: it’s just how I am.
”
”
Fiona Thrust (Naked and Sexual (Fiona Thrust, #1))
“
As Jack began to climb the stairs, Fiona looked up at her new home. Five stories of stately mansion
rose above her head. Heavy molding around the large windows and doors bespoke a quality and
craftsmanship that was obvious even in the dim night. “Good God! It’s massive!”
Jack paused with his foot on the last step. “I do wish you’d keep those comments until we are in bed,
love. I would appreciate them all the more there.
”
”
Karen Hawkins (How to Abduct a Highland Lord (MacLean Curse, #1))
“
Good, stupid high school boys aren't worth It" She throws an arm over my shoulder. "They're trained to like a certain type of girl, with highlights and pretty nails- the kind who are good at remembering to put on lotion every morning after they shower." She smiles like she's got a dirty secret. "And let's face it..... sluts.
”
”
Siobhan Vivian (Same Difference)
“
When you’re honest, what compares with the gorgeous thrill of sex? What brings you the same sense of wonder, pleasure, and fulfilment?
I can’t think of anything as good.
”
”
Fiona Thrust (Naked and Sexual (Fiona Thrust, #1))
“
So, is it wrong to dream, to want the things we don’t have?’ ‘No, my darling, never give up your dreams. But just make sure they don’t distract you too much from the good things that there are in your day-to-day life, even if that life is by no means perfect. Because there always are good things
”
”
Fiona Valpy (Sea of Memories)
“
I do not knock on Fiona’s door when I’m trying to have an upbeat good time; I am coming to her with the shattered pieces of my heart in my hands, setting the pointy shards at her feet, and lying very still until she stomps on them with her words.
”
”
Samantha Irby (Wow, No Thank You.)
“
Manners are a sensitive awareness of the feelings of others. If you have that awareness, you have good manners'. - Emily Post
”
”
Fiona Ferris (Chic Inspiration: Imaginative ways to live a more magical life)
“
Hey, listen,' I say. " Fascinating as this is, we've got to go now. I have to collect the invites for my funeral."
That shuts them up. Fiona looks astonished." Really?
" Yeah." I grab Zoey's arm. "It's a shame i can't be there myself - i like parties. Text me if you think of any good hymns!
”
”
Jenny Downham (Before I Die)
“
I heard him sweeping with the broom, and then he suddenly stopped.
I had obviously got his attention, and he was looking.
Take a good look, honey, I thought. Take a good look at what I’m offering.
I liked the sound of that silence. Do you know what I mean? Have you heard that silence yourself?
I love that silence you get, when a man who you fancy notices your body.
In a weird way, it’s so loud, it’s deafening.
It could be because of the way you sway your hips, your legs, or thrust your breasts.
And you just know his erection is talking to him, about what he’d like to do to your body. How he’d like to have his delightfully wicked way with you, undress you, smother your naked skin with hungry urgent kisses, and thrust his hard and moist cock deep inside the pouting red lips of your mouth…
I think you get my drift.
There’s a lovely tension in that moment; I call it the lust moment.
When a sexy man sees what you’ve deliberately put out on offer, and he stops in his steps as his lust lights up his mind, and puts him on a new track.
”
”
Fiona Thrust (Naked and Sexual (Fiona Thrust, #1))
“
Are you saying...you can make people normal again?" I breathe out, the idea too tantalizing for my own good.
Allie nods. "That's the goal.
”
”
Natalie Whipple
“
It’s no good living in a world at peace if your own head is at war with itself.
”
”
Harry Bingham (Talking to the Dead (Fiona Griffiths, #1))
“
There’s someone in town asking for directions to Bhaile Anois,” she said. “He checked in late last night at the inn.”
Any and Dan exchanged uneasy glances.
“What does he look like?” Amy asked.
Fiona narrowed her eyes. “Sneaky, for certain,” she said. “And he’s quite a waster. Good for nothin’ but complaining. Nora over at the inn said he’s never satisfied with the temperature if his tea, and he asked for a cashmere throw in his room.”
Any and Dan exchanged another glance.
“IAN,” they said together, and sighed.
“You know the eejit?” Fiona asked.
“The eejit is our cousin,” Amy said.
“Distant cousin,” Dan added. “Very, very distant.
”
”
Jude Watson (Nowhere to Run (The 39 Clues: Unstoppable, #1))
“
He handed the dust pan and brush over. I knew they wouldn’t be much use in cleaning the floor. I also knew the real reason he had given them to me: so he could look furtively at me, as I bent over.
That idea turned me on.
I welcomed it, and decided to give him a good look at what he wanted.
”
”
Fiona Thrust (Naked and Sexual (Fiona Thrust, #1))
“
You have that whole Superman thing going on with your glasses.'' I said, pointing at my own face. He tilted his head and gave me a confuse look. Shit. I was so dumb. I'd have been better off letting the staring continue. ''I mean, like, because Superman wears glasses.''
''You mean Clark Kent.''
''Um...'' Now it was my turn to be confused.
''Clark Kent wears the glasses and when he takes them off he's Superman.''
''Duh.'' I said with self-deprecating laugh. ''I'm more of a Marvel girl.''
''That's a good choice. Marvel is better than DC any day.
”
”
Fiona Cole (Voyeur (Voyeur, #1))
“
Adrienne ate her steak, the béarnaise, the garlicky fries- did she even need to say it? It was steak frites from a rainy-day-in-Paris dream. The steak was perfectly seasoned, perfectly cooked, pink in the middle, juicy, tender. The salad was tossed in a lemony vinaigrette but it tasted so green, so young and fresh, that Adrienne began to worry. This person Fiona had a way. If the staff meal tasted this good then the woman was possessed, and Adrienne didn't want a possessed woman on her case.
”
”
Elin Hilderbrand (The Blue Bistro)
“
He closed his eyes and grew rigid beneath me. “Don’t give me that look.”
“What look? Your eyes are closed, you can’t see me.”
“I feel the look. It’s the Fiona death stare of cruel disappointment.”
“I have a cruel disappointed look?”
“Yes. It’s like getting a spanking, and not the good kind.
”
”
Penny Reid (Happily Ever Ninja (Knitting in the City, #5))
“
Fiona, my love, as much as I adore you, I cannot stand your brothers. Any of them."
"Gregor is much nicer now that he's married. Even you must admit that."
"Only when Venetia is with him. When she's not, he's as annoying as ever."
Fiona's lips quirked into a smile, her green eyes gleaming. "Rather like you, I hear."
"Who has been carrying tales?"
"Everyone." She placed her hand on her husband's cheek and smiled up into his blue eyes. With his dark auburn hair and devastating good looks, "Black Jack" Kincaid had once been the scourge of London's polite society. Now he was her own personal scourge, one she couldn't imagine living without.
”
”
Karen Hawkins (To Catch a Highlander (MacLean Curse, #3))
“
That’s a good choice. Marvel is better than DC any day.
”
”
Fiona Cole (Voyeur (Voyeur, #1))
“
I want our baby so badly it’s all I’ve thought of. I’ve dreamed of him for months. I can’t wait to hold our son and watch him grow up to be as good of a man as his father.
”
”
Fiona Murphy (His For More Than One Night)
“
How can I ever see the world as a good and kind place to be when I know what obscene cruelty humanity is capable of?
”
”
Fiona Valpy (The Dressmaker's Gift)
“
There was no point in anything. No pleasure in being good and clever either, if there was no one to praise and be proud of me. But that felt dangerously close to self-pity, and I would not give in to self-pity.
”
”
Fiona Mountain (Lady of the Butterflies)
“
She stood behind her mother's chair and brushed her hair gently for about five minutes, drawing the brush smoothly from forehead to nape, over and over, in the way her mother liked. It was the only sustained physical contact she seemed to enjoy. Her usual mode of a kiss good-bye, for instance, was the kiss-and-push-you-on-your-way. She wasn't a snuggler. No surprise, really, that this acceptable affection came via a prickly implement.
”
”
Fiona Wood (Cloudwish (The Six Impossiverse #3))
“
I'm not good with hospitals. The endless buildings, trees dotted around like apologies, and inside, it's job functions you can't understand and that air of incomprehensible busyness. Curtained-off beds and death settling like falling snow.
”
”
Harry Bingham (Talking to the Dead (Fiona Griffiths, #1))
“
He briefly glanced in our direction but was too far away for me to see his eye color; they’d looked like dark pools you’d get lost in. And not in the dreamy, good way. In the, fall into a dark pit of nothingness, hoping to find any light, only to find more darkness, kind of way.
”
”
Fiona Cole (Blame it on the Champagne (Blame it on the Alcohol, #1))
“
Were you serious when you said I might win someday at Wimbledon?"
Claire answered, "There's so much that's pure luck, good or bad. The weather can be terrible. We always say we should re-schedule Wimbledon and hold it in the summer!"
I frowned. "Wimbledon is in the summer."
Claire sighed. "It's a joke, Fiona."
"Oh.
”
”
Fiona Hodgkin
“
Kilgore here will keep the record straight.”
“Kilgore?”
“The tape recorder. I name things. If you name things, then you treat them better.” Fiona motioned with her chin to a poster tacked to the opposite wall. “Does she have a name?”
“She” was a bikini-clad model spraying a Lamborghini with a garden hose and, no, she didn’t—at least, not one I knew. I lowered my eyes.
“We’ll call her Prudence, then,” Fiona said. “Now whenever you wake up, you can say, ‘Good morning, Prudence, how’s tricks? Still in the car washing game, I see.’”
“‘How’s tricks’?”
“‘How’s things,’” Fiona explained. “Slang from the good ol’ days. I learned it from a kid in a newsie cap.”
“A newsie cap?”
“We’re getting ahead of ourselves.
”
”
Aaron Starmer (The Riverman (The Riverman Trilogy, #1))
“
Will suddenly remembered that a boy at his old school had had a mum like Fiona - not exactly like her, because it seemed to Will that Fiona was a peculiarly contemporary creation, with her seventies albums, her eighties politics and her nineties foot lotion, but certainly a sixties equivalent of Fiona. Stephen Fullick's mother had a thing about TV, that it turned people into androids, so they didn't have a set in the house. 'Did you see Thund...' Will would say every Monday morning and then remember and blush, as if the TV were a parent who had just died. And what good had that done Stephen Fullick? He was not, as far as Will was aware, a visionary poet, or a primitive painter; he was probably stuck in some provincial solicitor's office, like everyone else from school. He had endured years of pity for no discernible purpose.
”
”
Nick Hornby (About a Boy)
“
How did you find us?” I asked. He glanced over my shoulder, and I followed his gaze to a wincing Nova. “You little tattletale,” Raelynn scolded with a tiny shove. Nova, completely unrepentant, rolled her eyes. “It’s for your own good. You sure as shit weren’t giving up your driver’s phone number, and I know Vera’s passcode. It was the only way to stop us all from vomiting in some back alley with a homeless man who would ask us if we wanted to live in his box.” “That was one time,” Raelynn defended.
”
”
Fiona Cole (Blame it on the Champagne (Blame it on the Alcohol, #1))
“
Jean knew that for every man or woman who came to see her, and put their bag down, or took off their hat, or unfastened their coat, and sat in the buttoned brown upholstered chair, there came into the consulting room with them a whole life lived, and a cluster of human intimacies. She knew that very often the sore arm, or the asthma, the bronchitis or the shingles, the infected finger or the worry over another pregnancy, carried the fray of that life. She would listen, and she would treat, and often she was sure that the first did more good than the second.
”
”
Fiona Shaw (Tell It to the Bees)
“
Overcooked, flabby pasta or a blob of tomato ketchup was enough to incense Frank; a plate of soggy pasta in Matteo’s Italian restaurant in Los Angeles, owned by his childhood buddy, Matty Jordan, had Frank storming into the kitchens. He looked around wildly, “Where are all the Italians?” he roared at the startled Filipino kitchen staff. Not content, he shot back upstairs and threw his plate of pasta against the wall. As he walked out, he dipped his finger in the tomato sauce and signed the smear: Picasso (Matty very good-naturedly put a frame around this later).
”
”
Fiona Ross (Dining with the Famous and Infamous (Dining with Destiny))
“
Oh. I get it." Abby laughed. "This is where you bid on someone to wash your car."
"Naked," Charli said.
"Or check the shower tiles."
"Also naked."
Abby laughed. "I'm guessing that as long as there's wet and naked, we're all good."
Fiona let out a long sigh.
"What was that?" Charli asked with a lift to her perfect brows. "Have you got a victim---I mean a participant in mind?"
Fiona glanced across the hall. "Have you seen Jackson's fireman buddy?"
"No." Charli looked across the room. "Should we?"
"Too late," Fiona said. "I've got first dibs."
At that moment, Abby noticed the Wilder boys walk across the front of the room near the stage. Individually, they were stunning. As a group, they looked as appetizing as a decadent box of chocolates. Abby couldn't tear her eyes away from Jackson. Put him in a fireman suit, a tux jacket and jeans, or a simple T-shirt and cargo shorts, and he took her breath away.
Truthfully, she liked him best in noting at all.
"Holy guacamole." Charli gestured to a tall, dark, and devastating man walking with the group. "Is that who you are talking about?"
Fiona nodded. "I want to lick him up one side and down the other like a cherry Popsicle."
"Honey, you bid as high as you can go," Charli said. "And if you run out of money, you just let me know. I'd be happy to chip in.
”
”
Candis Terry (Sweetest Mistake (Sweet, Texas, #2))
“
Paper Bag"
I was staring at the sky, just looking for a star
To pray on, or wish on, or something like that
I was having a sweet fix of a daydream of a boy
Whose reality I knew, was a hopeless to be had
But then the dove of hope began its downward slope
And I believed for a moment that my chances
Were approaching to be grabbed
But as it came down near, so did a weary tear
I thought it was a bird, but it was just a paper bag
Hunger hurts, and I want him so bad, oh it kills
'Cause I know I'm a mess he don't wanna clean up
I got to fold 'cause these hands are too shaky to hold
Hunger hurts, but starving works, when it costs too much to love
And I went crazy again today, looking for a strand to climb
Looking for a little hope
Baby said he couldn't stay, wouldn't put his lips to mine,
And a fail to kiss is a fail to cope
I said, 'Honey, I don't feel so good, don't feel justified
Come on put a little love here in my void,' he said
'It's all in your head,' and I said, 'So's everything'
But he didn't get it I thought he was a man
But he was just a little boy
Hunger hurts, and I want him so bad, oh it kills
'Cause I know I'm a mess he don't wanna clean up
I got to fold 'cause these hands are too shaky to hold
Hunger hurts, but starving works, when it costs too much to love
Hunger hurts, but I want him so bad, oh it kills
'Cause I know I'm a mess he don't wanna clean up
I got to fold 'cause these hands are too shaky to hold
Hunger hurts, but starving works, when it costs too much to love
Hunger hurts, but I want him so bad, oh it kills
Because I know that I'm a mess that he don't wanna clean up
I got to fold because these hands are just too shaky to hold
Hunger hurts, but starving, it works, when it costs too much to love
”
”
Fiona Apple
“
You cracked up. You were looking at me and laughing.
And I said, What? And you said, I love you.
And we were both completely shocked. Because it was a little premature, surely.
And you said it again, as though you were checking the flavor, and it tasted perfectly right. You said it again, softly, I love you; you were looking right into my heart. You said it again, almost shouting. And you were laughing and it was as though you were so happy you couldn't believe that someone had given you this good thing.
And it was partly that, and it was partly because you were thinking you'd had a premature decision, whereas guys your age were more generally associated with premature ejaculation. As well as inability to speak girl and commitment problems to anything other than games with buttons.
And the best part was when you said, You love me, too. And all I had to do was nod. Because it was true.
”
”
Fiona Wood
“
Our two taco specials get shoved up on the serving counter, crispy, cheesy goodness in brown plastic baskets lined with parchment paper, sour cream and guacamole exactly where they should be.
On the side.
There is a perfect ratio of sour cream, guac, and salsa on a shredded chicken tostada. No one can make it happen for you. Many restaurants have tried. All have failed. Only the mouth knows its own pleasure, and calibration like Taco Heaven cannot be mass produced.
It simply cannot.
Taco Heaven is a sensory explosion of flavor that defies logic. First, you have to eye the amount of spiced meat, shredded lettuce, chopped tomatoes, and tomatillos. You must consider the size and crispiness of the shells. Some people–I call them blasphemers–like soft tacos. I am sitting across from Exhibit A.
We won’t talk about soft tacos. They don’t make it to Taco Heaven. People who eat soft tacos live in Taco Purgatory, never fully understanding their moral failings, repeating the same mistakes again and again for all eternity.
Like Perky and dating.
Once you inventory your meat, lettuce, tomato, and shell quality, the real construction begins. Making your way to Taco Heaven is like a mechanical engineer building a bridge in your mouth. Measurements must be exact. Payloads are all about formulas and precision. One miscalculation and it all fails.
Taco Death is worse than Taco Purgatory, because the only reason for Taco Death is miscalculation.
And that’s all on you.
“Oh, God,” Fiona groans through a mouthful of abomination. “You’re doing it, aren’t you?”
“Doing what?” I ask primly, knowing damn well what she’s talking about.
“You treat eating tacos like you’re the star of some Mythbusters show.”
“Do not.”
“Do too.”
“Even if I do–and I am notconceding the point–it would be a worthwhile venture.”
“You are as weird about your tacos as Perky is about her coffee.”
“Take it back! I am not that weird.”
“You are.”
“Am not.”
“This is why Perky and I swore we would never come here with you again.”
Fiona grabs my guacamole and smears the rounded scoop all over the outside of her soft taco.
I shriek.
“How can you do that?” I gasp, the murder of the perfect ratio a painful, almost palpable blow. The mashed avocado has a death rattle that rings in my ears.
Smug, tight lips give me a grimace. “See? A normal person would shout, ‘Hey! That’s mine!’ but you’re more offended that I’ve desecrated my inferior taco wrapping with the wrong amount of guac.”
“Because it’s wrong.”
“You should have gone to MIT, Mal. You need a job that involves nothing but pure math for the sake of calculating stupid shit no one else cares about.”
“So glad to know that a preschool teacher holds such high regard for math,” I snark back. And MIT didn’t give me the kind of merit aid package I got from Brown, I don’t add.
“Was that supposed to sting?”
She takes the rest of my guacamole, grabs a spoon, and starts eating it straight out of the little white paper scoop container thing.
“How can you do that? It’s like people who dip their french fries in mayonnaise.” I shudder, standing to get in line to buy more guac.
“I dip my french fries in mayo!”
“More evidence of your madness, Fi. Get help now. It may not be too late.” I stick my finger in her face. “And by the way, you and Perky talk about my taco habits behind my back? Some friends!” I hmph and turn toward the counter.
”
”
Julia Kent (Fluffy (Do-Over, #1))