Fiona Goode Quotes

We've searched our database for all the quotes and captions related to Fiona Goode. Here they are! All 100 of them:

When I was a kid--10, 11, 12, 13--the thing I wanted most in the world was a best friend. I wanted to be important to people; to have people that understood me. I wanted to just be close to somebody. And back then, a thought would go through my head almost constantly: "There's never gonna be a room someplace where there's a group of people sitting around, having fun, hanging out, where one of them goes, 'You know what would be great? We should call Fiona. Yeah, that would be good.' That'll never happen. There's nothing interesting about me." I just felt like I was a sad little boring thing.
Fiona Apple
Nothing that you do will ever feel good if you let people convince you that you have no choice.
Fiona Apple
I only write when I'm angry or sad, so because that's when I just have to write... If I'm having a good time and I'm happy and things are going really well, why would I want to stop what I'm doing to go and write at the piano?
Fiona Apple
It's refreshing to see you using your psychology skills for evil as well as for good.
Kristin Walker (A Match Made in High School)
I'm thinking about three things this morning. The obstacle is the path. Today is a good day. And what comes is a gift.
Satya Robyn
You know, when I see a good-looking man, the first thing I think about is sex. I want to see him naked, and I imagine running my hands impatiently over his hot body. I can’t help it: it’s just how I am.
Fiona Thrust (Naked and Sexual (Fiona Thrust, #1))
As Jack began to climb the stairs, Fiona looked up at her new home. Five stories of stately mansion rose above her head. Heavy molding around the large windows and doors bespoke a quality and craftsmanship that was obvious even in the dim night. “Good God! It’s massive!” Jack paused with his foot on the last step. “I do wish you’d keep those comments until we are in bed, love. I would appreciate them all the more there.
Karen Hawkins (How to Abduct a Highland Lord (MacLean Curse, #1))
But l’m good at being uncomfortable So I can’t stop changing all the time.
Fiona Apple
Good, stupid high school boys aren't worth It" She throws an arm over my shoulder. "They're trained to like a certain type of girl, with highlights and pretty nails- the kind who are good at remembering to put on lotion every morning after they shower." She smiles like she's got a dirty secret. "And let's face it..... sluts.
Siobhan Vivian (Same Difference)
So, is it wrong to dream, to want the things we don’t have?’ ‘No, my darling, never give up your dreams. But just make sure they don’t distract you too much from the good things that there are in your day-to-day life, even if that life is by no means perfect. Because there always are good things
Fiona Valpy (Sea of Memories)
When you’re honest, what compares with the gorgeous thrill of sex? What brings you the same sense of wonder, pleasure, and fulfilment? I can’t think of anything as good.
Fiona Thrust (Naked and Sexual (Fiona Thrust, #1))
I do not knock on Fiona’s door when I’m trying to have an upbeat good time; I am coming to her with the shattered pieces of my heart in my hands, setting the pointy shards at her feet, and lying very still until she stomps on them with her words.
Samantha Irby (Wow, No Thank You.)
Manners are a sensitive awareness of the feelings of others. If you have that awareness, you have good manners'. - Emily Post
Fiona Ferris (Chic Inspiration: Imaginative ways to live a more magical life)
Hey, listen,' I say. " Fascinating as this is, we've got to go now. I have to collect the invites for my funeral." That shuts them up. Fiona looks astonished." Really? " Yeah." I grab Zoey's arm. "It's a shame i can't be there myself - i like parties. Text me if you think of any good hymns!
Jenny Downham (Before I Die)
I heard him sweeping with the broom, and then he suddenly stopped. I had obviously got his attention, and he was looking. Take a good look, honey, I thought. Take a good look at what I’m offering. I liked the sound of that silence. Do you know what I mean? Have you heard that silence yourself? I love that silence you get, when a man who you fancy notices your body. In a weird way, it’s so loud, it’s deafening. It could be because of the way you sway your hips, your legs, or thrust your breasts. And you just know his erection is talking to him, about what he’d like to do to your body. How he’d like to have his delightfully wicked way with you, undress you, smother your naked skin with hungry urgent kisses, and thrust his hard and moist cock deep inside the pouting red lips of your mouth… I think you get my drift. There’s a lovely tension in that moment; I call it the lust moment. When a sexy man sees what you’ve deliberately put out on offer, and he stops in his steps as his lust lights up his mind, and puts him on a new track.
Fiona Thrust (Naked and Sexual (Fiona Thrust, #1))
It’s no good living in a world at peace if your own head is at war with itself.
Harry Bingham (Talking to the Dead (Fiona Griffiths, #1))
Are you saying...you can make people normal again?" I breathe out, the idea too tantalizing for my own good. Allie nods. "That's the goal.
Natalie Whipple
There’s someone in town asking for directions to Bhaile Anois,” she said. “He checked in late last night at the inn.” Any and Dan exchanged uneasy glances. “What does he look like?” Amy asked. Fiona narrowed her eyes. “Sneaky, for certain,” she said. “And he’s quite a waster. Good for nothin’ but complaining. Nora over at the inn said he’s never satisfied with the temperature if his tea, and he asked for a cashmere throw in his room.” Any and Dan exchanged another glance. “IAN,” they said together, and sighed. “You know the eejit?” Fiona asked. “The eejit is our cousin,” Amy said. “Distant cousin,” Dan added. “Very, very distant.
Jude Watson (Nowhere to Run (The 39 Clues: Unstoppable, #1))
He handed the dust pan and brush over. I knew they wouldn’t be much use in cleaning the floor. I also knew the real reason he had given them to me: so he could look furtively at me, as I bent over. That idea turned me on. I welcomed it, and decided to give him a good look at what he wanted.
Fiona Thrust (Naked and Sexual (Fiona Thrust, #1))
You have that whole Superman thing going on with your glasses.'' I said, pointing at my own face. He tilted his head and gave me a confuse look. Shit. I was so dumb. I'd have been better off letting the staring continue. ''I mean, like, because Superman wears glasses.'' ''You mean Clark Kent.'' ''Um...'' Now it was my turn to be confused. ''Clark Kent wears the glasses and when he takes them off he's Superman.'' ''Duh.'' I said with self-deprecating laugh. ''I'm more of a Marvel girl.'' ''That's a good choice. Marvel is better than DC any day.
Fiona Cole (Voyeur (Voyeur, #1))
Adrienne ate her steak, the béarnaise, the garlicky fries- did she even need to say it? It was steak frites from a rainy-day-in-Paris dream. The steak was perfectly seasoned, perfectly cooked, pink in the middle, juicy, tender. The salad was tossed in a lemony vinaigrette but it tasted so green, so young and fresh, that Adrienne began to worry. This person Fiona had a way. If the staff meal tasted this good then the woman was possessed, and Adrienne didn't want a possessed woman on her case.
Elin Hilderbrand (The Blue Bistro)
He closed his eyes and grew rigid beneath me. “Don’t give me that look.” “What look? Your eyes are closed, you can’t see me.” “I feel the look. It’s the Fiona death stare of cruel disappointment.” “I have a cruel disappointed look?” “Yes. It’s like getting a spanking, and not the good kind.
Penny Reid (Happily Ever Ninja (Knitting in the City, #5))
Fiona, my love, as much as I adore you, I cannot stand your brothers. Any of them." "Gregor is much nicer now that he's married. Even you must admit that." "Only when Venetia is with him. When she's not, he's as annoying as ever." Fiona's lips quirked into a smile, her green eyes gleaming. "Rather like you, I hear." "Who has been carrying tales?" "Everyone." She placed her hand on her husband's cheek and smiled up into his blue eyes. With his dark auburn hair and devastating good looks, "Black Jack" Kincaid had once been the scourge of London's polite society. Now he was her own personal scourge, one she couldn't imagine living without.
Karen Hawkins (To Catch a Highlander (MacLean Curse, #3))
That’s a good choice. Marvel is better than DC any day.
Fiona Cole (Voyeur (Voyeur, #1))
I want our baby so badly it’s all I’ve thought of. I’ve dreamed of him for months. I can’t wait to hold our son and watch him grow up to be as good of a man as his father.
Fiona Murphy (His For More Than One Night)
How can I ever see the world as a good and kind place to be when I know what obscene cruelty humanity is capable of?
Fiona Valpy (The Dressmaker's Gift)
There was no point in anything. No pleasure in being good and clever either, if there was no one to praise and be proud of me. But that felt dangerously close to self-pity, and I would not give in to self-pity.
Fiona Mountain (Lady of the Butterflies)
Maybe in the afterlife,’ I say, feeling sorry for him. ‘She’s my cadaver, Dad. And after today I can’t take her anywhere because I severed her optic nerve, so she’s got one eye hanging out. It’s not a good look.
Fiona Neill (The Betrayals)
She stood behind her mother's chair and brushed her hair gently for about five minutes, drawing the brush smoothly from forehead to nape, over and over, in the way her mother liked. It was the only sustained physical contact she seemed to enjoy. Her usual mode of a kiss good-bye, for instance, was the kiss-and-push-you-on-your-way. She wasn't a snuggler. No surprise, really, that this acceptable affection came via a prickly implement.
Fiona Wood (Cloudwish (The Six Impossiverse #3))
I'm not good with hospitals. The endless buildings, trees dotted around like apologies, and inside, it's job functions you can't understand and that air of incomprehensible busyness. Curtained-off beds and death settling like falling snow.
Harry Bingham (Talking to the Dead (Fiona Griffiths, #1))
He briefly glanced in our direction but was too far away for me to see his eye color; they’d looked like dark pools you’d get lost in. And not in the dreamy, good way. In the, fall into a dark pit of nothingness, hoping to find any light, only to find more darkness, kind of way.
Fiona Cole (Blame it on the Champagne (Blame it on the Alcohol, #1))
Were you serious when you said I might win someday at Wimbledon?" Claire answered, "There's so much that's pure luck, good or bad. The weather can be terrible. We always say we should re-schedule Wimbledon and hold it in the summer!" I frowned. "Wimbledon is in the summer." Claire sighed. "It's a joke, Fiona." "Oh.
Fiona Hodgkin
Will suddenly remembered that a boy at his old school had had a mum like Fiona - not exactly like her, because it seemed to Will that Fiona was a peculiarly contemporary creation, with her seventies albums, her eighties politics and her nineties foot lotion, but certainly a sixties equivalent of Fiona. Stephen Fullick's mother had a thing about TV, that it turned people into androids, so they didn't have a set in the house. 'Did you see Thund...' Will would say every Monday morning and then remember and blush, as if the TV were a parent who had just died. And what good had that done Stephen Fullick? He was not, as far as Will was aware, a visionary poet, or a primitive painter; he was probably stuck in some provincial solicitor's office, like everyone else from school. He had endured years of pity for no discernible purpose.
Nick Hornby (About a Boy)
How did you find us?” I asked. He glanced over my shoulder, and I followed his gaze to a wincing Nova. “You little tattletale,” Raelynn scolded with a tiny shove. Nova, completely unrepentant, rolled her eyes. “It’s for your own good. You sure as shit weren’t giving up your driver’s phone number, and I know Vera’s passcode. It was the only way to stop us all from vomiting in some back alley with a homeless man who would ask us if we wanted to live in his box.” “That was one time,” Raelynn defended.
Fiona Cole (Blame it on the Champagne (Blame it on the Alcohol, #1))
Overcooked, flabby pasta or a blob of tomato ketchup was enough to incense Frank; a plate of soggy pasta in Matteo’s Italian restaurant in Los Angeles, owned by his childhood buddy, Matty Jordan, had Frank storming into the kitchens. He looked around wildly, “Where are all the Italians?” he roared at the startled Filipino kitchen staff. Not content, he shot back upstairs and threw his plate of pasta against the wall. As he walked out, he dipped his finger in the tomato sauce and signed the smear: Picasso (Matty very good-naturedly put a frame around this later).
Fiona Ross (Dining with the Famous and Infamous (Dining with Destiny))
Paper Bag" I was staring at the sky, just looking for a star To pray on, or wish on, or something like that I was having a sweet fix of a daydream of a boy Whose reality I knew, was a hopeless to be had But then the dove of hope began its downward slope And I believed for a moment that my chances Were approaching to be grabbed But as it came down near, so did a weary tear I thought it was a bird, but it was just a paper bag Hunger hurts, and I want him so bad, oh it kills 'Cause I know I'm a mess he don't wanna clean up I got to fold 'cause these hands are too shaky to hold Hunger hurts, but starving works, when it costs too much to love And I went crazy again today, looking for a strand to climb Looking for a little hope Baby said he couldn't stay, wouldn't put his lips to mine, And a fail to kiss is a fail to cope I said, 'Honey, I don't feel so good, don't feel justified Come on put a little love here in my void,' he said 'It's all in your head,' and I said, 'So's everything' But he didn't get it I thought he was a man But he was just a little boy Hunger hurts, and I want him so bad, oh it kills 'Cause I know I'm a mess he don't wanna clean up I got to fold 'cause these hands are too shaky to hold Hunger hurts, but starving works, when it costs too much to love Hunger hurts, but I want him so bad, oh it kills 'Cause I know I'm a mess he don't wanna clean up I got to fold 'cause these hands are too shaky to hold Hunger hurts, but starving works, when it costs too much to love Hunger hurts, but I want him so bad, oh it kills Because I know that I'm a mess that he don't wanna clean up I got to fold because these hands are just too shaky to hold Hunger hurts, but starving, it works, when it costs too much to love
Fiona Apple
seduced by the illusion that money and glamour would change her life, distracting her from the reality of what was happening in the world around her. As time went by, though, and the mood in the city around her changed, Claire felt a change happening within herself as well. Her heart had begun to mend – as hearts will do if they are given enough exposure to time and the kindness of good friends – and as it mended, it transformed into something new. The hard lesson that she’d learned had forced her to reflect on the person she really was, and on the person she wanted to be, and she discovered a new core of resolve within herself.
Fiona Valpy (The Dressmaker's Gift)
Oh. I get it." Abby laughed. "This is where you bid on someone to wash your car." "Naked," Charli said. "Or check the shower tiles." "Also naked." Abby laughed. "I'm guessing that as long as there's wet and naked, we're all good." Fiona let out a long sigh. "What was that?" Charli asked with a lift to her perfect brows. "Have you got a victim---I mean a participant in mind?" Fiona glanced across the hall. "Have you seen Jackson's fireman buddy?" "No." Charli looked across the room. "Should we?" "Too late," Fiona said. "I've got first dibs." At that moment, Abby noticed the Wilder boys walk across the front of the room near the stage. Individually, they were stunning. As a group, they looked as appetizing as a decadent box of chocolates. Abby couldn't tear her eyes away from Jackson. Put him in a fireman suit, a tux jacket and jeans, or a simple T-shirt and cargo shorts, and he took her breath away. Truthfully, she liked him best in noting at all. "Holy guacamole." Charli gestured to a tall, dark, and devastating man walking with the group. "Is that who you are talking about?" Fiona nodded. "I want to lick him up one side and down the other like a cherry Popsicle." "Honey, you bid as high as you can go," Charli said. "And if you run out of money, you just let me know. I'd be happy to chip in.
Candis Terry (Sweetest Mistake (Sweet, Texas, #2))
Kilgore here will keep the record straight.” “Kilgore?” “The tape recorder. I name things. If you name things, then you treat them better.” Fiona motioned with her chin to a poster tacked to the opposite wall. “Does she have a name?” “She” was a bikini-clad model spraying a Lamborghini with a garden hose and, no, she didn’t—at least, not one I knew. I lowered my eyes. “We’ll call her Prudence, then,” Fiona said. “Now whenever you wake up, you can say, ‘Good morning, Prudence, how’s tricks? Still in the car washing game, I see.’” “‘How’s tricks’?” “‘How’s things,’” Fiona explained. “Slang from the good ol’ days. I learned it from a kid in a newsie cap.” “A newsie cap?” “We’re getting ahead of ourselves.
Aaron Starmer (The Riverman (The Riverman Trilogy, #1))
You cracked up. You were looking at me and laughing. And I said, What? And you said, I love you. And we were both completely shocked. Because it was a little premature, surely. And you said it again, as though you were checking the flavor, and it tasted perfectly right. You said it again, softly, I love you; you were looking right into my heart. You said it again, almost shouting. And you were laughing and it was as though you were so happy you couldn't believe that someone had given you this good thing. And it was partly that, and it was partly because you were thinking you'd had a premature decision, whereas guys your age were more generally associated with premature ejaculation. As well as inability to speak girl and commitment problems to anything other than games with buttons. And the best part was when you said, You love me, too. And all I had to do was nod. Because it was true.
Fiona Wood
Our two taco specials get shoved up on the serving counter, crispy, cheesy goodness in brown plastic baskets lined with parchment paper, sour cream and guacamole exactly where they should be. On the side. There is a perfect ratio of sour cream, guac, and salsa on a shredded chicken tostada. No one can make it happen for you. Many restaurants have tried. All have failed. Only the mouth knows its own pleasure, and calibration like Taco Heaven cannot be mass produced. It simply cannot. Taco Heaven is a sensory explosion of flavor that defies logic. First, you have to eye the amount of spiced meat, shredded lettuce, chopped tomatoes, and tomatillos. You must consider the size and crispiness of the shells. Some people–I call them blasphemers–like soft tacos. I am sitting across from Exhibit A. We won’t talk about soft tacos. They don’t make it to Taco Heaven. People who eat soft tacos live in Taco Purgatory, never fully understanding their moral failings, repeating the same mistakes again and again for all eternity. Like Perky and dating. Once you inventory your meat, lettuce, tomato, and shell quality, the real construction begins. Making your way to Taco Heaven is like a mechanical engineer building a bridge in your mouth. Measurements must be exact. Payloads are all about formulas and precision. One miscalculation and it all fails. Taco Death is worse than Taco Purgatory, because the only reason for Taco Death is miscalculation. And that’s all on you. “Oh, God,” Fiona groans through a mouthful of abomination. “You’re doing it, aren’t you?” “Doing what?” I ask primly, knowing damn well what she’s talking about. “You treat eating tacos like you’re the star of some Mythbusters show.” “Do not.” “Do too.” “Even if I do–and I am notconceding the point–it would be a worthwhile venture.” “You are as weird about your tacos as Perky is about her coffee.” “Take it back! I am not that weird.” “You are.” “Am not.” “This is why Perky and I swore we would never come here with you again.” Fiona grabs my guacamole and smears the rounded scoop all over the outside of her soft taco. I shriek. “How can you do that?” I gasp, the murder of the perfect ratio a painful, almost palpable blow. The mashed avocado has a death rattle that rings in my ears. Smug, tight lips give me a grimace. “See? A normal person would shout, ‘Hey! That’s mine!’ but you’re more offended that I’ve desecrated my inferior taco wrapping with the wrong amount of guac.” “Because it’s wrong.” “You should have gone to MIT, Mal. You need a job that involves nothing but pure math for the sake of calculating stupid shit no one else cares about.” “So glad to know that a preschool teacher holds such high regard for math,” I snark back. And MIT didn’t give me the kind of merit aid package I got from Brown, I don’t add. “Was that supposed to sting?” She takes the rest of my guacamole, grabs a spoon, and starts eating it straight out of the little white paper scoop container thing. “How can you do that? It’s like people who dip their french fries in mayonnaise.” I shudder, standing to get in line to buy more guac. “I dip my french fries in mayo!” “More evidence of your madness, Fi. Get help now. It may not be too late.” I stick my finger in her face. “And by the way, you and Perky talk about my taco habits behind my back? Some friends!” I hmph and turn toward the counter.
Julia Kent (Fluffy (Do-Over, #1))
Good men have only to do nothing, for evil to conquer" (137).
Fiona Hill (The Love Child)
Luca stepped away and turned around to give Cass privacy. She wrestled out of her waterlogged dress and slipped the fresh chemise over her head. She tugged the skirt over her hips. The dry fabric felt good against her skin. She slipped her arms through the sleeves of her bodice and stopped. The ties were in the back. She had no way to lace it without Siena’s help. A sob escaped from her lips. Luca was at her side in an instant. “Cass. What is it?” he asked. “Are you hurt?” “I need Siena,” Cass whispered, feeling incredibly stupid. “I--I can’t lace this bodice. I--” “I’ll help you,” Luca said. With slow, fumbling fingers, Luca threaded the first lace through the highest hole. He dropped it and grabbed the lace on the other side. Cass started to tell him it was faster if he threaded one lace through all of the holes first, and then did the same on the other side. But she stopped. There was something comforting about Luca’s painstakingly slow progress, about the methodical but innocent way his hands grazed her back repeatedly. “Thank you,” Cass said, when he had made it all the way to the bottom and knotted the silk pieces in a clumsy bow.
Fiona Paul (Belladonna (Secrets of the Eternal Rose, #2))
Starling, I haven’t stopped thinking of you--I can’t. I know that you are engaged and want to do right by your family, but you and I belong together. Call it fate if you like. I prefer to think of it as the natural order of things. Just as mixing ochre and sapphire produces the most vibrant green, you and I, when combined, become more alive. I’ve stopped doing business with Angelo de Gradi. I’ve left that life behind. I’m working as an artist in residence for a wealthy patron now. The work she has me do is a bit pedestrian, but perhaps it will lead to bigger projects. I meant what I said. One day I will paint whole chapels for you. I spend every waking minute becoming a better artist, a better man. One day I will offer you the life you deserve, the life we both desire. One day I’ll be good enough, or I’ll die trying…
Fiona Paul (Belladonna (Secrets of the Eternal Rose, #2))
Luca would make the perfect husband. He was handsome and kind and smart, a good man, from a well-established Venetian family. And he loved her. He loved her so much, he would die for her; he had proven that already. But Falco was…Falco. Just the taste of his name on her lips made Cass a little dizzy. Her situation was hopeless: betrothed to one man, wildly in love with another.
Fiona Paul (Belladonna (Secrets of the Eternal Rose, #2))
Cass returned her attention to the pendant. As she struggled to work the tiny clasp behind her neck, she thought about the day Luca had given it to her. She’d been in the garden, reading, when he had come around the front of the house, a pale lily cradled in his hands. “Grazie,” she’d said when he rested the lily next to her on the bench. Her eyes had flipped back to her book. She didn’t mean to ignore him, but she was at a good part in her story. “Cass.” He’d angled his head toward the back of the garden, where roses bloomed in the wooden trellis. Stuck among them was another pale pink lily. Cass had arched an eyebrow, but then given in and closed her book. She and Luca had played this game when she was younger, both at his family palazzo and at Agnese’s. Luca used to hide little presents for her and mark the hiding spots with lilies. A smile playing across her lips, Cass got up to look at the second pink lily that he had poked into the trellis. Behind the delicate petals, a gold box was tied to the wood. Inside it, this necklace. Cass remembered the soft touch of Luca’s hands and the tickle of his breath on her skin as he bent low to work the tiny clasp.
Fiona Paul (Belladonna (Secrets of the Eternal Rose, #2))
I was sneaking her a bit of breakfast when I saw the messenger approaching. She’s fine. Bored, but fine.” “Good. Now help me get dressed before Donna Domacetti arrives and starts telling lurid tales without me.
Fiona Paul (Belladonna (Secrets of the Eternal Rose, #2))
Luca exhaled deeply, touching his forehead to hers. “I don’t want you to get hurt, Cass.” His voice threatened to break apart on the last word. He reached his other hand up to stroke Cass’s cheek with a single fingertip. “I don’t want you to die,” Cass whispered. A droplet of sweat fell from her chin and landed on the dusty floor in front of the cell. Inside of her, a wound opened, spilling sadness and rage throughout her body. Luca was brave. Luca was innocent. Luca would never let her rot away in a prison cell. Their fingers were still intertwined, their foreheads touching. Connected. So close. Their eyelashes practically weaving together. Cass realized she could kiss him. She could just tilt her head slightly and their lips would meet. For the first time she wanted to. She wanted to show him that she cared for him, that she was a good and decent woman, not the kind of person who would just let him die because it was convenient to do so. Luca reached up with his free hand again. Cass felt certain he was going to angle her mouth toward his. Her eyelids started to flutter closed, but then stopped when she felt a point of pressure against her throat. She realized her cloak had fallen open, and that her lily pendant was exposed. Luca was touching it. “I’m so glad you’re wearing it,” he whispered, his voice growing hoarse. “It’ll be something for you to remember me by.
Fiona Paul (Belladonna (Secrets of the Eternal Rose, #2))
I’ll refill this, and then we’ll get you positioned.” “Positioned?” Cass fumbled over the word. Falco pulled her over to the divan, then left her standing beside it as he strode across the room to a tall armoire hidden in a shadowy corner. “I’m going to paint you, of course.” “Paint me?” “Are you going to repeat everything I say?” He returned to her and placed a full glass of cloudy brown liquid in her hand. “Sorry. That was the last of the wine. All I’ve got left is Tommaso’s special brew.” Cass made a face, but accepted the glass. “I’d like to see some of your paintings,” she said, in an attempt to stall. Part of her had been hoping that Falco would want her to sit for him ever since she met him, but now that it was happening, she felt horribly self-conscious. Falco smiled. “You want to see if I’m any good before you become my latest victim?” “No, I just--” “I’m joking.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
Slipping the collar of her fur-lined cloak around her neck, she fumbled with the clasp. Her bodice slipped down around her waist. Falco sat on the divan, watching her with amusement. “Need help?” he asked. Cass imagined Falco methodically threading the satin laces through each eyelet, his hands repeatedly brushing across her back as he worked. “I’m fine,” she said curtly, pressing her arms tight to her sides to hold up her bodice. “I can see that.” Falco’s brown hair was sticking up in clumps. Cass had to resist the urge to return to the divan to run her fingers through it. She considered her reflection in an unbroken section of the mirror. Her skirts were wrinkled and her bodice twisted crookedly to one side. She looked like a six-year-old who had tried to dress herself. The strand of amethyst stones still hung around her neck. She started to remove it. “Keep it for now,” Falco said, yawning. He leaned back on the divan like he wished he could fall back to sleep. “It looks good on you.” Cass stroked the necklace with her good hand. She flung her velvet cloak over her shoulders and wrapped it around her whole body. There. She looked almost civilized. She’d just have to hide behind her cloak until she got home.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
All finished. Don’t look, though. You and your man must be surprised together.” “Siena,” Cass cautioned quickly. “He is not my man.” “If he looked at me the way he looks at you, I would not be so quick to denounce him,” Siena teased, her eyes brightening in a way that reminded Cass quite a bit of Feliciana. She stepped back from Cass and gave a satisfied nod. “And now--for me. Shall I change into something more revealing as well?” Cass realized that Siena intended to accompany her. “I--I think it’s better if Falco and I go off on our own.” Siena’s flawless skin paled. “Unchaperoned? But that’s unacceptable. If your aunt found out, she’d run me out of the villa, if she didn’t kill me first.” So true. Cass could just hear Agnese shrieking about what Matteo would think. “She won’t find out,” Cass promised. “She’ll be gone for days. And I won’t make a very realistic prostitute with a maidservant in tow.” Cass didn’t bother to point out that of all the rules she might break that evening, departing with Falco unchaperoned was the very least of them. Siena agreed reluctantly, but her good mood had vanished. She led Cass back to the portego, to where Falco waited. A slow smile spread over the boy’s face. “Almost perfect,” he murmured. He bent down and gave the seam of Cass’s dress a yank. Cass yelped. The shiny fabric slit up the side so that a hint of her shapely calf peeped out. “Now it’s perfect.” Cass glared at him. Siena gasped, then clapped a hand over her mouth. “Please be careful,” she begged. “Your aunt would never forgive me…” Falco flashed his dazzling smile at the lady’s maid. “Nothing bad will happen to her. You have my word.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
Mariabella is divine,” Maximus said, leaning in toward Cass. “Beautiful and talented. She used to assist me in my act from time to time. I wouldn’t be surprised if she was the beauty your brother fell in love with.” “What did--does--she look like?” Cass asked. Maximus pulled a rose out of thin air. “She has silky dark hair and the most delicious set of lips.” He reached out his index finger as though to touch Cass’s lips and then seemed to think better of it. “You resemble her, in a way. Except you don’t have her birthmark.” He traced the shape of a heart in the air. Cass’s blood accelerated in her veins. A heart-shaped birthmark. It had to be the same girl. Mariabella. A maid missing from Joseph Dubois’s estate, and now a dead courtesan, one of his chosen companions. Could it possibly be a coincidence? Emotions churned together in her stomach--excitement and wonder and fear. And more excitement. She leaned in to give the conjurer an impulsive peck on the cheek. The conjurer pressed the rose into her palm. “I think your master is watching us.” Cass glanced up and saw Falco staring at her--no, at them--from the doorway of the portego. Cass hadn’t even heard the front doors open. “I see you’ve met my beautiful signorina,” Falco said, nodding to the conjurer as he snaked his fingers around one of Cass’s small wrists. The conjurer winked at Cass. “Indeed. There’s something magical about her, wouldn’t you say?” “You’ve no idea,” Falco said. He pulled her across the room, out of the conjurer’s earshot. “Is it safe to leave you alone for a few minutes while I go speak to the owner of the house?” “No need,” Cass said. She couldn’t help but smile triumphantly. “I’ve not only learned the name of the dead girl, but I also know where she lives.” Falco arched an eyebrow. “All that, and you still found the time to bat your eyelashes at some traveling con man? That is impressive.” “I wasn’t batting anything,” Cass said. “I was appreciating his performance. Come on. I’ll fill you in on the way to her place.” As the two passed the conjurer, Falco’s grip on her was so tight, she was afraid he was going to leave a bruise. “Good-bye, Maximus,” she called behind her. “Thank you for the magic.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
As I’ve been telling you, Cassandra, you need to be cautious. People are not always what they seem.” Cass lifted her chin and forced herself to sound casual. “I feel very safe here on San Domenico.” She added, for good measure, “Especially now that you’re staying with us.” Luca smiled faintly. “I’m glad to hear it. I thought maybe you were finding my presence burdensome.” He flicked his eyes toward the mantel clock. “You should probably get dressed.” Luca was already dressed. He wore black breeches and boots with a wine-colored silk doublet that fit snugly across his broad shoulders. A gold embroidered velvet cape hung from one shoulder. Most of his thick blondish hair was covered by a small-brimmed black velvet hat adorned with a plume of burgundy and white feathers. “You look nice,” Cass said, partially to soften him and partially because it was true. “So do you,” he responded instantly. “I mean, you will--I mean, you do now too, but--” She turned back toward her room as Luca fumbled over his words. His politeness was sort of charming. So different from the men in the streets who hollered and clapped when women walked by. He probably wouldn’t even try to kiss her again unless she specifically told him it was all right. For a brief second, Cass wondered what it would be like to stand on her tiptoes and press her mouth against Luca’s pale lips. His beard had grown out some in the past few days. What would it feel like against the smooth skin of her cheek?
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
Are you all right?” she asked Luca. “You’re not injured?” Luca rubbed at his right side. “A cracked rib, perhaps.” He winced. “But I always expected that being your fiancé would come with an element of risk.” Amazingly, Cass managed to smile. “Thank you,” she said, feeling heat rise to her cheeks. “For saving me. I don’t know what would have happened if--if you hadn’t…” Luca looked down at her, his light brown eyes soft with emotion. “That was quick thinking with the lantern. I think you saved me too.” He removed her hand from her neck, entwining his fingers in hers. “We make a good team.” Cass felt a rush of warmth. She rested her head against his chest for a moment. His heart thudded quickly beneath the fabric of his tunic. Cass stretched up on her tiptoes and planted a quick kiss on his cheek. “Thank you,” she whispered again. Luca reddened. “Come,” he said. “We should see that you’re attended to.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
I remember when you were a child. You used to have a nickname for all the flowers. You called the marigolds ‘fireflies,’ I recall, and lilies were ‘ladies’ purses.’” “I can’t believe you remember that,” Cass said. “You hardly even played out here with me.” “Remember how I used to hide things for you?” Cass remembered. Before they were engaged, Luca would bring her little treasures, things he found when he was out wandering around. Once it was a string of green ceramic beads. Another time he left her a smooth stone shaped like a heart. He used to mark the hiding places with lilies stolen from Agnese’s own plants. Cass had forgotten about the game until Luca mentioned it. “I liked that game,” Cass said. “I was sad when you got older and stop playing it. You practically quit talking to me.” “I got nervous around you after our arrangement became official,” Luca said. “I used to watch you sometimes, though.” “That’s kind of creepy, don’t you think?” Cass raised an eyebrow, and couldn’t help but crack a small smile. “You stopped being just a little girl.” A red flush crept across Luca’s high cheekbones. “I wasn’t very good at talking to women. I’m still not.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
I got nervous around you after our arrangement became official,” Luca said. “I used to watch you sometimes, though.” “That’s kind of creepy, don’t you think?” Cass raised an eyebrow, and couldn’t help but crack a small smile. “You stopped being just a little girl.” A red flush crept across Luca’s high cheekbones. “I wasn’t very good at talking to women. I’m still not.” His shyness surprised her. Luca, the man, was proving to be so different from the boy she remembered. She thought of what Mada had said about growing to love somebody. She looked down at her hands and said haltingly, “My behavior has been inexcusable these last few days, so I won’t try to excuse it. I can only imagine what you must think of me.” Luca finally dared to sit on the bench across from Cass. “It’s all right,” he said, still twirling the rosebud in his big hands. “I guess your aunt sprang it on you, announcing our engagement so suddenly.” He smiled, but Cass could tell it was forced. Hurt still lingered in his eyes. “You know, most girls wouldn’t mind being Signora da Peraga.” “I know,” Cass said. She could think of nothing else to say. Luca said, this time with a warm smile, “But you are different from most girls, aren’t you, Cassandra?” Her hands tightened around her journal. Somehow Luca managed to see something good in her, even where there was nothing good to see. And yet, his words reminded her of Falco’s. “I’d prefer it if the idea of our engagement didn’t make you miserable,” Luca continued. “Does it?” he asked softly. “Make you miserable?” A few days ago, all Cass had wanted was to escape from her obligation to marry, and now she felt Luca loosening the band around her neck, unlocking the door to her cage. But Cass couldn’t tell him the truth. She had already hurt Falco. She wouldn’t hurt Luca and Agnese too. Being with Luca made sense. Being with Falco was madness. “I hate seeing you so sad,” Luca said after a pause. “I hate to think I may be the cause of your unhappiness.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
I got nervous around you after our arrangement became official,” Luca said. “I used to watch you sometimes, though.” “That’s kind of creepy, don’t you think?” Cass raised an eyebrow, and couldn’t help but crack a small smile. “You stopped being just a little girl.” A red flush crept across Luca’s high cheekbones. “I wasn’t very good at talking to women. I’m still not.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
She and Falco understood each other, finally. It was the best possible outcome--the only possible outcome. But as she refolded a single corner of muslin over the canvas, an overwhelming sense of loss gripped her. This painting, this letter, it was Falco’s good-bye. Even if he remained in Venice, he would be gone to her. They would exist side by side, but in parallel worlds that never crossed over.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
She looked again at Falco’s painting of her--for her. Even though her expression was full of joy, he’d somehow managed to catch a hint of sadness in her form. The hesitance in how she lay there, as though expecting that happiness to vanish at any moment. This must be what Falco meant when he said he had done it for the art. For the first time, Cass understood. This, this truth, was exactly what she wanted to capture in her writing. She felt like weeping, but she wasn’t sure why. She and Falco understood each other, finally. It was the best possible outcome--the only possible outcome. But as she refolded a single corner of muslin over the canvas, an overwhelming sense of loss gripped her. This painting, this letter, it was Falco’s good-bye. Even if he remained in Venice, he would be gone to her. They would exist side by side, but in parallel worlds that never crossed over. Cass couldn’t believe she had ever thought Falco might be a murderer. What he had done went against the Church, but he did have reasons. Maybe de Montaigne was right. Perhaps Cass had no right to judge what Falco was doing--what he must do--to survive. She had never known, would never know, what it was like to want for money. For anything, really, except for love. Maybe love was to be the one thing that would remain forever out of reach. The thought was unbearable. Cass sat down at the servants’ table and laid her head down against the rough canvas. She tried to feel each individual brushstroke through her cheek. Each stroke was a part of Falco, a tiny piece of the man she loved.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
I’ve not only learned the name of the dead girl, but I also know where she lives.” Falco arched an eyebrow. “All that, and you still found the time to bat your eyelashes at some traveling con man? That is impressive.” “I wasn’t batting anything,” Cass said. “I was appreciating his performance. Come on. I’ll fill you in on the way to her place.” As the two passed the conjurer, Falco’s grip on her was so tight, she was afraid he was going to leave a bruise. “Good-bye, Maximus,” she called behind her. “Thank you for the magic.” Outside the house, Falco kept his hand wrapped around Cass as they headed down the marble staircase. The tall boy in the vest was gone. “So who’s Paolo?” she asked, pausing at the bottom of the steps to catch her breath. The night had definitely taken a turn for the better. “My roommate,” Falco answered shortly. “Friendly,” Cass said, remembering how the boy had looked straight through her. “Seems to me you have no shortage of admirers,” Falco said. And then, abruptly: “You know conjurers are nothing but common criminals, right? I’d check your pockets--I wouldn’t be surprised if several coins are missing.” Cass’s eyes widened. “I believe I’ve heard the same about artists. And it almost sounds like…But surely it’s not in the nature of a patron of a common prostitute to be jealous.” One of her ankles wobbled, and Cass had to grab on to Falco’s waist to keep from falling over. Falco pushed her away playfully and then pulled her tightly to his chest. “Funny,” he whispered in her ear. “But I doubt there’s anything common about you.” He shook his dark hair back from his face. “Ready to get serious now?” “What do you mean, Master?” she asked, half reeling from the heat of Falco’s breath on her jawbone. A rush of warmth surged through her body. “You’re the one who figured out where our murdered prostitute lived,” Falco said. “Lead the way, Signorina Avogadore.” Falco linked his arm through hers.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
Take your cloak off,” she said quickly. “Trying to undress me?” Falco asked. He slid out of his cloak and looked questioningly at Cass. “Hold it up,” she ordered. She adjusted his hands so that the cloak shielded her, and fumbled to undo the bindings around her chest. She began to sweat as she unknotted the laces; in the dark, images of Agnese and Luca floated in front of her, their faces cold with disapproval. “You all right in there?” Falco asked. “You’re thrashing about like you’re performing a self-exorcism.” Cass emerged a minute later, red faced but triumphant. She waved her ivory-colored stays above her head. “Now,” she said, “I can breathe.” Falco plucked the fabric from her hand. He fingered it and feigned surprise. “Good Lord. What is this thing made of?” he asked. “Steel?” “Whalebone.” Cass clasped a hand over her mouth to stifle a yelp as Falco tossed her stays over the edge of the Rialto Bridge. “Consider yourself liberated,” he said. “Do you feel better?” Cass couldn’t respond. She couldn’t describe it, the way it felt to be able to inhale and exhale completely, like for once she was using all of her lungs. Her satin chemise curled and folded against her bare chest, giving her the sensation of being both cold and hot at the same time. Falco touched his forehead to hers again. His nose brushed against the side of her cheek. Cass’s heart sped up. But this time, he didn’t try to kiss her. He just held her in the dark, his mouth so close to hers that their breath mingled together like mist off the canals.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
What are you doing here, anyway?” Cass asked. Luca’s smile vanished. “I thought you’d be happy to see me,” he said. “And your aunt wanted to plan a betrothal ceremony. Didn’t she tell you?” Instantly, Cass’s good mood dissipated. A betrothal ceremony? Once she had undergone the official ritual, there would be no going back on her marriage. She would belong to Luca da Peraga. Like his fur-lined cloak or the feather in his hat, Cass would be just one more pretty thing for Luca to call his own. No more studying. No more adventures. She would become, as Falco said, a caged bird, beating its wings against the bars of its prison. “No, she didn’t tell me,” Cass said hoarsely, trying to push Falco from her mind. His sparkling eyes. The crooked smile. The tiny jagged scar under his right eye. “We can talk about it more tomorrow,” Luca said kindly, perhaps mistaking her dread for nervousness. “I’ll be out running some errands in the morning, but I’ll see you at dinner?” Cass nodded. A pair of servants came for Luca with armfuls of bed linens and towels. Cass fled the library in front of them. She didn’t want to watch Luca settle in to the bedroom next to her. She didn’t want to think about what it meant for the two of them, and for her future.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
Paolo is the learned one of us,” Falco explained. “His master is a scholar as well as a painter, so he is always getting his hands on literature from abroad.” He winked at Cass. “He is not nearly so dumb as his jokes--and his looks--would suggest.” “True,” Paolo said good-naturedly. “And I find I gravitate to the French.” He drained his mug and signaled the barkeep for a refill. “Last week I was reading an essay by Michel de Montaigne.” “Not more of this.” Nicolas, a stocky blond with the beginnings of a beard, rolled his eyes. “Why do you two always feel the need to impress the ladies with your knowledge of all things dull?
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
Learned and lovely,” he said. “I see now why you’ve been spending time with her, Falco. Just because she cannot be your bride doesn’t mean she cannot be your muse.” Cass’s good mood faded instantly. Even in the dingy taverna, the reality was obvious to everyone. She and Falco could never be together. “Let’s get out of here, my lovely muse,” Falco said, as if sensing that Paolo’s words had upset her. He pulled her chair back for her, and she stood and adjusted her skirts. Cass bid the other artists good night and let Falco lead her to the door. “Falco.” Paolo’s sharp voice cut through the hazy darkness. Falco turned around. “Yes?” “I trust she knows little of your line of work?” Cass felt Falco’s body tense up momentarily, and then relax. “We’ve spoken briefly about the work I do for Tommaso, if that’s what you mean.” Paolo stared at Falco without speaking. Nicolas and Etienne looked up as well. Cass could have sworn they were having an entire conversation without words. “Let’s go.” Falco broke the spell by turning away. He pulled Cass through the door and out into the night. “What was that about?” she asked, shivering in the damp air. Falco put an arm around her and pulled her close. “Who knows,” he said. “Paolo feels the need to make himself a pain to everybody. I just let him pretend he’s in charge.” Falco led Cass behind the bakery where a small batèla was tied. “Are you ready for our next adventure?” he asked, untying the ropes of the wooden rowboat as though he stole boats every night of his life. “Skulking about the outskirts of a few wealthy palazzos should be child’s play compared with some of the work we’ve done.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
So what was the good doctor doing at a chapel so late? Seeking counsel? A late-night confessional perhaps?
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
Are you all right?” he asked. “Yes,” Cass said. “Now.” “When I heard someone had been attacked, I didn’t want to believe it was you.” He pushed her tangled hair back from her face. “Then I heard she had fought the attacker off and sent the poor bastard fleeing into the streets.” Falco cracked a smile. “I knew it was my starling.” Cass leaned into Falco, allowing him to wrap her in an embrace. She breathed in deeply. As always, Falco smelled like a mixture of paint and minty soap. “How did you find me?” Falco pulled away and smiled at her. “The whole city’s been buzzing about this wedding for weeks,” he said. “I paid a servant to let me in. Had to trade away a perfectly good pair of breeches for this outfit, I’ll have you know.” Cass had to restrain herself from embracing him again. She wanted to pull him against her. She imagined his soft lips on hers, the way he would weave his fingers in her hair. But then she thought of Luca, of the way he had looked at her in the wine room, like his whole world would have gone dark if he hadn’t gotten to her in time. He had saved her.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
I know how strong you are, Cassandra, but I hate the thought of leaving your side even for an instant. Perhaps we’re crazy to fight the Order by ourselves. Perhaps you should remain here and I should take the pages we have to the Senate and ask them to hear my testimony.” Cass’s mother had stolen pages from the Book of the Eternal Rose and left them in the Caravello tomb for Cass to find, but they weren’t enough to implicate Dubois or Belladonna. Cass shook her head vehemently. “Don’t be ridiculous. Dubois owns the Senate. They wouldn’t hear your testimony. They’d probably execute you immediately.” Leaning close to Luca, she ran her fingers through his hair and then pressed her lips to his cheek. “I risked the world to get you back.” She thought of Siena and Agnese. “I have lost everything else that matters. I will not lose you too.” Luca turned toward her. Cradling her face with one hand, he closed the gap between them until his forehead rested against hers. “I never imagined you…” “What?” Cass whispered, the soft word melding with Luca’s breath. The sharp smell of the theriac balm tickled her nose. She could see the beginnings of a beard already growing out on his cheeks. “Wouldn’t want you to die?” He leaned away so that he could look into her eyes. “That you would look at me as you are, and speak in this manner. Not as if you’d feel responsible if something happened to me, but as if you’d feel…lost.” Cass felt her heart opening. It was like Luca had put into words something she hadn’t been able to herself. “Without you, I would be lost,” she admitted. He tilted her chin upward. Softly, he pressed his lips to hers. Reaching up into her bonnet, he buried one of his hands in her hair. Without breaking the embrace, she yanked the hat from her head. Luca’s grasp tightened on her hair, and pleasure raced through her body. He tried to pull her into his lap using only his good arm, but ended up half dragging her across the wooden crate. The medicinal ointments went flying onto the floor, the containers rolling across the wet stones with a clatter.
Fiona Paul (Starling (Secrets of the Eternal Rose, #3))
I didn’t come here to ruin your wedding, Cassandra.” Falco smiled crookedly. “When I saw you with Luca, it looked to me as if you were where you were supposed to be. I suppose I just had to lay eyes on you one last time to be certain, you understand?” “Oh, Falco.” Cass dropped his hands and wrapped her arms around his neck. “I will never forget you,” she murmured. “Nor I, you,” Falco said after they had broken apart. “I’m returning to Florence, but I truly hope our paths cross again.” He turned to leave, but then stopped. “Tell Luca that he’d better take good care of you. If he hurts you, I’ll come back for him.” He winked. “I’ll come back for both of you.” Cass watched his form retreat. As he turned into the hallway, she called out to him. “Falco.” He glanced back. “Yes?” “You can stay if you like,” she said. “For the wedding.” Falco smiled slightly. “I feel as if I’ve overstayed my welcome as it is.
Fiona Paul (Starling (Secrets of the Eternal Rose, #3))
As she passed through the wrought-iron gate, she found herself walking the same path she had walking the night she went to bid good-bye to Liviana. The night she had found Mariabella’s body and met Falco. The night her whole life had changed forever.
Fiona Paul (Starling (Secrets of the Eternal Rose, #3))
Jackson uses the silence to give me a bunch of stapled sheets. The title page says: Torture Survivors' Handbook. Information on Support and Resources for Torture Survivors in the UK. "This thing is mostly aimed at people coming here from abroad. But you should read it. And use it." I hold the book in my hands. I say, "They got the apostrophe in the right place. That's good.
Harry Bingham (This Thing of Darkness (Fiona Griffiths, #4))
Jackson thumps the desk again. Partly a 'need to think about this' gesture. Partly a 'good work, Constable' one. Mostly though, he's just a big Welshman and their hormones go funny unless they hit something now and again.
Harry Bingham (This Thing of Darkness (Fiona Griffiths, #4))
Thanks, Fi. Well, you've really freed up my evening.' He doesn't sound completely thrilled. 'Good. I was hoping I could drop by, maybe. But I didn't want to watch Morse.' 'Whereabouts are you?' 'Peering in through your front window. Is that a new sofa?
Harry Bingham (Talking to the Dead (Fiona Griffiths, #1))
You couldn’t make sense of illness or pain or the long good-bye, but you would deal with it because you had no choice, which he had come to value as a spiritual condition worth pursuing.
Fiona Maazel (A Little More Human)
Besides, she was always the type to dig in, to nest. What made Rose happiest was sitting in a comfy armchair on a rainy day, reading a good book. Crossing China by train or driving the Mongolian deserts paled in comparison. She was a homebody at heart, like her father. Unsure of
Fiona Davis (The Dollhouse)
Luca stood, backlit by the moon, a sword dangling from his belt. A leather vest hung open over his plain shirt, and a cloth bag dangled from one hand. Cass opened her mouth to speak, but Maximus found words before her. “Signore? Is everything all right?” he asked. A small wave crashed up onto the rocks, soaking his boots and breeches. “Rowan suggested I return with the two of you. He thought a proper meal and a night’s rest in a real bed would do me more good than another half day of training.” Luca looked questioningly at Cass. “If that’s all right with you, of course.” “I’m certain Octavia could find you a place to sleep at Palazzo Dolce…if that’s all right with you,” she said slowly. Luca was not the kind of man who bedded down in brothels. Cass worried he might think ill of her once he saw where she had been staying. Still, he stood before her with his arm outstretched, and she would not turn him away. “Anything would be an improvement over sleeping outside on the hard ground and eating the same beans every day,” Luca said, his mouth tilting into a shy smile. Maximus chuckled. “Welcome to my childhood,” he said. “I haven’t been able to stomach a plate of beans since I came of age.
Fiona Paul (Starling (Secrets of the Eternal Rose, #3))
The undead…The streets are no longer safe.” “The streets were never safe,” the woman responded pragmatically as she held out a copper coin. She had the same stern tone and squat build as Narissa. “I heard the vampires are handsome men who gain their victims’ trust by seducing them.” “Hah. Then I shan’t worry,” the stout woman said. “It’s been fifteen good years since any man at all has tried to seduce me.” Cass smothered a smile. Now the woman reminded her more of Agnese than Narissa. Her aunt had always been blunt about certain things.
Fiona Paul (Starling (Secrets of the Eternal Rose, #3))
Already she looked markedly different. And Flavia wasn’t even close to finished. Next, she started on Cass’s face. A warm cloth and a cool cream were followed by a dusting of tawny golden powder that made Cass’s skin glisten like the bricks of the Palazzo Ducale when the afternoon sun spread across its façade. “You’re very good at this,” Cass said grudgingly. “If you saw what I looked like with a bare face, you’d understand why.” Flavia made a hideous face in the mirror. “Not even the lepers would have me.
Fiona Paul (Starling (Secrets of the Eternal Rose, #3))
Mon Dieu, that’s good hot chocolate. What’s in it?’ ‘The secret is to put a couple of cinnamon sticks in with the milk as you heat it. It adds that certain je ne sais quoi.
Fiona Valpy (The French for Christmas)
You are the love of my life, Luce. You are the happy ending I'm always finding for my clients. You are the breath of fresh air that makes me feel alive. You are all I want. All the good and the bad, I'm here, I'll help shoulder the burden, because you are worth it. All of it I love you. I want you. I'm here.
Fiona Riley (Miss Match)
Temperance fixed a smile on her face as she greeted the Henshalls.
Fiona Ford (The Good Time Girls at Christmas (The Good Time Girls Trilogy, #2))
To Jane it felt in that heartbeat that she was witnessing every good thing that could happen to a person: sunlight, warmth, safety, sensual pleasure, emotional delight, and an inexplicable joy that comes with the happiness of knowing you love this person and that you are loved in return.
Fiona McIntosh (Tapestry)
Finding shared ground with fellow Christians is a valuable enterprise. Restoration scriptures teach repeatedly of a universal Church comprising all those who “come unto Christ,” including “holy men” and women Joseph “[knew] not of,” a community culled from all ages and cultures.2 Those same scriptures admonish us to seek after the truth in “all good books, . . . languages, tongues, and people,” as well as in scriptural records not belonging to the standard works, such as the Apocrypha.3 The Restoration scriptures encourage us as individuals and as a Church community to seek after good everywhere and make it a part of our religion. “The grand fundamental principle of Mormonism is to receive truth let it come from where it may.”4 As the Prophet Joseph Smith stated: If the Methodists, Presbyterians, or others have any truth, then we should embrace it. One must “get all the good in the world” if one wants to “come out a pure Mormon.”5
Fiona Givens (The Christ Who Heals: How God Restored The Truth That Saves Us)
Jean knew that for every man or woman who came to see her, and put their bag down, or took off their hat, or unfastened their coat, and sat in the buttoned brown upholstered chair, there came into the consulting room with them a whole life lived, and a cluster of human intimacies. She knew that very often the sore arm, or the asthma, the bronchitis or the shingles, the infected finger or the worry over another pregnancy, carried the fray of that life. She would listen, and she would treat, and often she was sure that the first did more good than the second.
Fiona Shaw (Tell It to the Bees)
I see.' Clara muttered under her breath. 'The type of woman who's only good on her back.' 'I was from behind, actually.
Fiona Davis (The Masterpiece)
Though she be but little, she is fierce. I am powerful, beautiful, brilliant, and brave. Don’t be afraid to give up the good to be great.
Fiona Cole (Savior (Voyeur, #3))
I'm Fiona Goode. I'm in charge everywhere.
Fiona Goode
One night, my husband, Rodney, and I were surfing YouTube videos when we stumbled on a video of a Fiona Apple concert. It was an “aha!” moment for me. I thought: This woman is telling the truth with her body. She’s not what you would typically call a good dancer, she was jerky and unconcerned about looking pretty, but something about her was raw and real. She was moving with her wounds, with her limitations—she was moving truthfully. She wasn’t hiding, and she wasn’t afraid to be vulnerable and expose herself through her voice and movements. Her courage and honesty made her dance mesmerizing and powerful. It penetrated something deep inside me. When you bow to someone and say, “Namaste,” it means, “The deepest part of me acknowledges the deepest part of you.” Fiona Apple’s performance was a Namaste from her body to mine. I want to have the courage to be as honest in my life, my teaching, and in this book as she was in that dance. Yoga can bring you to this kind of truth by helping you to observe, then to let go of, the habits you cling to and the stories you use to protect yourself. As you practice, you become intimate with your body, which many of us spend a lifetime either alienated from or waging war with. Yoga practice can pierce emotional places that most of us guard or avoid. Our bodies are intelligent, more a source of direct truth than our minds, but we rarely listen to the wisdom that’s buried in our beautiful chambers.
Colleen Saidman Yee (Yoga for Life: A Journey to Inner Peace and Freedom)
The master etiology, the story that explains the human condition itself-- the tale that answers life's most agonizing questions about pain and suffering and undeserved struggle-- it is the story on Genesis, chapter 3, which the Christian world calls the Fall. In the Mormon narrative, therefore, circumstances that define the reality of the human predicament are not a blatant choice between Good and Evil but a wrenching decision to be made between competing sets of Good.
Givens, Terryl and Fiona
Kids need you. They might be unfeeling and selfish and make you crave strong drink, in huge quantities, but they don’t do it on purpose. Once,
Fiona Gibson (As Good As It Gets?)
Well, that might be fine for the lot of you,” Kerry broke in, “but given you’re siding with Mr. Wingman here, it hardly does me any good. What happened to the whole sisterhood thing? And this after I came to you, hat in hand--” “You were dragged in,” Fiona reminded her. “Laundry basket in hand. Then we had to all but sit on you to squeeze the details out of you. If you want us to be all supportive and on your side, then, you know, you have to actually give us something to side with. So far, all we’ve heard is how you didn’t know how he felt, and then he sent your entire world spinning off its axis with that--” “Fiona--” Kerry said, clear warning in her tone. But it was too late. Logan had walked back to the group and was just saying he had a sailboat lined up and did they want a captain or were they going to sail it themselves, when he overheard the last bit of Fiona’s statement and paused. He turned to look at Kerry, then perhaps a tad more menacingly at Cooper. “With that…what?” Before Cooper could remind him about their recently established wingman/bro code status, Logan’s wife slid past him and hooked her arm through her husband’s and tipped up on her toes to kiss him on the cheek. “Remember our first kiss?” She gave him a meaningful look to go with what was clearly a very private smile. “So I really don’t think you want to go there. Do you?” Logan cleared his throat. “Right, so…as you were,” he finally said. “I’ve got to get back to the station. Keep the mean streets of Blueberry Cove safe.” “Coward!” Kerry called after his retreating back. “See?” Delia said. “We have our ways.” “Except you’re supporting the wrong side,” Kerry said. “Oh, that all depends on how you define ‘sides,’” Grace put in. “We’re on the side of love.” She drew out that last word, making it sound almost like a coo, with Fiona joining her, both of them adding an exaggerated batting of lashes, aimed first at Kerry, then at Cooper. Fiona added a little heart made by steepling her fingers together. Logan looked back over his shoulder. He was grinning now. “If you know what’s good for you, you’ll head back to the airport right now,” he called to Cooper. Cooper lifted his hand in a wave. “No worries, mate.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
We have our ways.” “Except you’re supporting the wrong side,” Kerry said. “Oh, that all depends on how you define ‘sides,’” Grace put in. “We’re on the side of love.” She drew out that last word, making it sound almost like a coo, with Fiona joining her, both of them adding an exaggerated batting of lashes, aimed first at Kerry, then at Cooper. Fiona added a little heart made by steepling her fingers together. Logan looked back over his shoulder. He was grinning now. “If you know what’s good for you, you’ll head back to the airport right now,” he called to Cooper. Cooper lifted his hand in a wave. “No worries, mate.” He glanced at the group of openly speculating women, then at Kerry, who was shooting emerald green daggers his way, and thought ummm…“On second thought,” he shouted. “Hold on, I’ll join you!” He trotted after Logan, then turned so he was facing the women as he continued jogging backward. “Just getting the boat rental details, luv,” he called back to Kerry. “Back in a jiff.” He blew Kerry a kiss, then added a wink, chuckling when Fiona grabbed Kerry’s arm as she swung it upward in a gesture he seriously doubted was going to be a wave. He knew she was feeling shoved along a path she hadn’t yet decided she wanted to take and he might have been more concerned about her prickly attitude except for one thing. Sent her world spinning off its axis, had I? Well, all righty, then. As shaky starts went, he’d keep his focus on that little nugget of truth and build from there. Whistling a jaunty tune, he turned back and set off to catch up with Logan.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
I was trying to apologize,” she said, relief and humor easing into her eyes and curving her lips. “You didn’t answer my question.” He thought he might snap off the end of the pier, he was gripping it so hard. In response, she ducked her hand into the pocket of her shorts and pulled out a folded and now somewhat crumpled piece of paper. “Here. Read for yourself.” He took the paper, realizing he was acting like a complete yobbo, and knew then that perhaps he wasn’t nearly so cool and levelheaded about this whole endeavor as he’d led her to believe. The truth of it being, he only really wanted her to figure out what would make her happy if what made her happy was him. Under her amused stare, he unfolded the paper and read: Dear Hook, I’m trying to be a good and supportive sister and help get Fiona and her ridiculously long veil down the aisle before I strangle her into submission with every hand-beaded, pearl-seeded foot of it. At the moment, sitting here knee-deep in crinolines and enough netting to outfit every member of Downton Abbey, I can’t safely predict a win in that ongoing effort. That said, I’d much rather be spending the time with you, sailing the high seas on our pirate ship. Especially that part where we stayed anchored in one spot for an afternoon and all the plundering was going on aboard our own boat. I’ve been thinking a lot about everything everyone has said and have come to the conclusion that the only thing I’m sure of is that I’m thinking too much. I’ve decided it was better when I was just feeling things and not thinking endlessly about them. I especially liked the things I was feeling on our picnic for two. So this is all to say I’d like to go, um, sailing again. Even if there’s no boat involved this time. I hope you won’t think less of me for the request, but please take seeing a whole lot more of me as a consolation prize if you do. Also? Save me. Or send bail money. Sincerely, Starfish, Queen of the High Seas, Plunderer of Pirates, especially those with a really clever right Hook. He was smiling and shaking his head as he folded the note closed and tucked it in his shirt pocket. “Well?” she said at length. “Apology accepted” was all he said. “And?” He slid a look her way. “And…what?” She’d made him wait three days, and punitive or not, he wasn’t in any hurry to put her out of her misery. Plus, when he did, it was likely to be that much more fun. “You’re going to make me spell it out, aren’t you? Don’t you realize it was hard enough just putting it in writing?” “I accept your lovely invitation,” he said, then added, “I only have one caveat.” Her relief turned to wary suspicion as she eyed him. “Oh? And that would be?” “Will you wear the crinolines?
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
You say romantic, I say stalker,” Kerry grumbled to Fiona as they pushed their way into the Rusty Puffin. “Please,” Fiona retorted, adding an eye roll for good measure. She was a master of those. “Mr. Dead Sexy From Down Under, a hardworking, successful man you greatly admired, with a family you apparently adored, flies halfway around the world to propose to you? Take a poll. That’s off-the-charts romantic.” “Right,” Kerry said, turning toward her as the heavy door swung closed behind them. “And then I turned him down and he’s still here, hounding me. Stalker.” “I hardly think asking you to lunch--a lunch you said yes to, by the way--then hiring a sailboat to take you out on the bay could be considered hounding, much less stalking. That’s still firmly in the romantic category. I mean, if you really meant no, I’m sure he’d be on the next plane back to Oz.” Kerry stopped completely, fists on her hips now. “What makes you think I didn’t really mean no?” “Well, for one, you’re awfully worked up over the guy. In that she-doth-protest-too-much kind of way.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
Where were you planning on heading next, then, if not Australia?” Fiona asked. “Oh, I’ll just toss a dart at the map like I usually do,” Kerry said, as blithely as she could. Fiona eyed her closely, as if checking her sincerity. “Well, whenever you do head back out--wherever and with whomever that might be--we’ll make sure Gus hires someone to help him with the pub. So, you know, don’t let that part affect your decision making or anything.” “‘Wherever or with whomever’?” Kerry repeated with a roll of her eyes. Fiona beamed sweetly again. “Just saying.” “All kidding aside, I’m not the settling down type, Fi.” At the flash of real sadness Kerry saw flicker through her too-optimistic-for-her-own-good sister, she made a show of sliding Fiona’s arm out from where it had been looped through hers and dropping it as if she was suddenly contagious. “Don’t go trying to spread all your bride cooties on me,” she teased, hoping to shift them back to their more comfortable pattern of affectionately swapping insults, and far, far away from delving in to the fears and worries that were truly the reason behind her defensive attitude. Kerry knew her family and extended family--hell, everyone in the Cove--only wanted what was best for her, wanted her to be happy. She just wanted the space and time to figure out what, exactly, that was going to be, all by herself. “Some of us aren’t meant for home and hearth. For white picket fences. Or silly cattle dogs and stone fire pits.” It was only when Fiona’s gaze sharpened again that she realized she’d said that last part out loud. A knowing smile played at the corners of Fiona’s mouth and her eyes sparked right back to matchmaker life. “Don’t,” Kerry warned. “Whatever do you mean?” Fiona said with false innocence. “I hear what you’re saying. And I believe you. At least, I believe you believe you.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
She shielded her eyes from the sun, her truck keys dangling down the back of her free hand, as Cooper lowered the passenger window and leaned forward so he could see her. “G’day, Starfish. Need a lift?” She needed a lot of things. Hot coffee, sisters who weren’t nosy, a clear vision about what should be next on her life agenda. Being inside a small, sporty vehicle, trapped mere inches from Cooper Jax, even for the short ride down to Half Moon Harbor? That she definitely did not need. “I’m good, thanks. And can we retire the nickname? Please?” He’d begun calling her that after she’d regaled him with a steady string of childhood stories of life lived by the sea, and he’d commented that she seemed too big a fish for such a small pond. A starfish, as it were. She’d rolled her eyes at the very bad pun, but the nickname had stuck. Aussies were big on nicknames. And the honest truth of it was, she hadn’t minded hearing him call her that, even though it had been a joke, delivered as a ribbing, not an endearment. Now? Now she wasn’t sure how he meant it, or what it made her feel when he said it. Better to just bury it right, Ker? Like you do everything that makes you uncomfortable. She really needed to find a way to strangle her little voice. “I’ve got a meeting,” she went on, not giving him a chance to respond. He nodded to the basket in her arms. “Yes, I can see that. Demanding lot, laundry.” She glanced down, then back at him. “No, with my sisters. About Fiona’s wedding.” “Yes, I heard about it.” She didn’t ask how he could possible know that, or who he’d been talking to this time, because any person in town could have brought him up to speed on the goings-on about pretty much any person he wanted to know about. The downside to being home. One of the great things about being a wanderer was that folks only knew whatever parts of her story she opted to share with them. Cooper, she realized now, had already known more than pretty much anyone she’d met in her travels up to that point. God only knows what he’d learned in the twenty-four hours he’d been in the Cove. She didn’t want to examine how that made her feel either. “Three McCrae weddings in less than a year,” he commented, as if casually discussing the weather. Then he grinned. “Is it catching?
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
You say romantic, I say stalker,” Kerry grumbled to Fiona as they pushed their way into the Rusty Puffin. “Please,” Fiona retorted, adding an eye roll for good measure. She was a master of those. “Mr. Dead Sexy From Down Under, a hardworking, successful man you greatly admired, with a family you apparently adored, flies halfway around the world to propose to you? Take a poll. That’s off-the-charts romantic.” “Right,” Kerry said, turning toward her as the heavy door swung closed behind them. “And then I turned him down and he’s still here, hounding me. Stalker.” “I hardly think asking you to lunch--a lunch you said yes to, by the way--then hiring a sailboat to take you out on the bay could be considered hounding, much less stalking. That’s still firmly in the romantic category. I mean, if you really meant no, I’m sure he’d be on the next plane back to Oz.” Kerry stopped completely, fists on her hips now. “What makes you think I didn’t really mean no?” “Well, for one, you’re awfully worked up over the guy. In that she-doth-protest-too-much kind of way. And secondly, Logan said Cooper told him you two had agreed on him staying the full month he’d taken off from the cattle station, to give you both time to figure out if there was something worth pursuing together.” “He said that? To Logan?” At Fiona’s smug nod, Kerry’s eyebrows drew together. “What else did Cooper tell him? And how could you even know that? We left the docks together before Cooper came back. We didn’t talk to him again, or Logan.” Fiona turned her phone around so the screen faced Kerry. “It’s called texting. Maybe they don’t have that in Tanzania or on deserted South Pacific atolls, but here in America, we--” “Okay, okay,” Kerry said, waving her hands, still disgruntled. “It doesn’t matter. For the record, I said yes to lunch just to keep him from showing up every time my back is turned.” She sent a pointed look at her sister. “You know, like a stalker. I didn’t agree to an entire afternoon out on the bay with him.” “You didn’t agree to that lollapalooza of a kiss either. But that happens and suddenly he’s not on the next plane home. Just saying, Ms. Protests Too Much.” Kerry opened her mouth, then closed it again, then folded her arms across her chest. “I never should have told you about that.” Fiona grinned. “I know.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
was absolute, having built layers of snitches to watch his snitches to watch his crews. Politicians, police, even some members of the FBI were firmly in his back pocket, and he kept them there by bribery, extortion, and good old-fashioned threats of violence. Old Man O’Shea, as he was referred to by the locals, showed no mercy. To anyone. He ruled with an iron fist and had no softness within him for anyone, including his own sons. Kieran and Conall were born to him from his wife, Fiona, a raven-haired, blue-eyed beauty he’d met on the Emerald Isle. Rumor had it he beat her, degraded her, and eventually killed her spirit, which then killed her body. Paddy made sure nothing could ever be proven. Fionn and Shannon were his children by his lifelong mistress, Gillian. At least, it was suspected she was his longtime mistress. She hadn’t actually been seen for years. His sons had not been raised by their mothers. When each boy turned six, he was taken and raised
Reana Malori (Conall (Irish Sugar #2))
Each of us knows the pain and the delight of being who we are. This is very true. There is good and evil in everyone, and so much beauty in that imperfection.
Fiona Higgins (Wife on the Run)
Fiona and her friends moved over to the bar. She loved the energy of all this. She loved being in a room full of people who were searching for fun, for excitement, people who had dressed for good times, people who wanted to make tonight
Alex South (Swarm)
When she added that graduates were known for having a “natural physical endowment,” Darby could have sworn she looked right at her, and not in a good way. What the heck did that mean? Pretty? Buxom? She’d pulled her shoulders back and sat up straighter. The classes were tedious, for the most part: typing, shorthand, communication, and spelling tests.
Fiona Davis (The Dollhouse)