Fingerprint Memories Quotes

Tonight, I feel like my whole body is made out of memories. I'm a mix-tape, a cassette that's been rewound so many times you can hear the fingerprints smudged on the tape.

Rather than dwelling on the past, we should make the most of today, of the here and now, doing all we can to provide pleasant memories for the future…If you are still in the process of raising children be aware that the tiny fingerprints that show up on almost every newly cleaned surface, the toys scattered about the house, the piles and piles of laundry to be tackled, will disappear all too soon, and that you will, to your surprise, miss them, profoundly.

And since we don’t just forget things because they don’t matter but also forget things because they matter too much because each of us remembers and forgets in a pattern whose labyrinthine windings are an identification mark no less distinctive than a fingerprint's, it’s no wonder that the shards of reality one person will cherish as a biography can seem to someone else who, say, happened to have eaten some ten thousand dinners at the very same kitchen table, to be a willful excursion into mythomania

On the brightening air drifts a scent of refreshed stone, moistened soil. She feels the earthy fingerprint of the cold morning air spread over her skin as if she is in the act of undressing. Her body has an early morning weightlessness about it. She might almost be a memory of herself. Conjured up by the sleeping city.

Tonight, I feel like my whole body is made out of memories. I’m a mix tape, a cassette that’s been rewound so many times you can hear the fingerprints smudged on the tape.

We all leave something behind us. A bird in flight will lose a snow-white feather, and flowers in the hedgerows will drop their petals. And people? We leave memories. Footprints in the dust and fingerprints on everything we've touched, warmth in every hand we've held. We become stories that are spoken of, for always. And in this way, we carry on.

I am reclaiming The restaurants, The bars, the parks, the storefronts crosshatched With your fingerprints. I fold the memories into Cranes, tuck them away. - Making room

I am wishing of a memory, where you gave me everything you had and where I offered you the pieces that were left of me.

A person’s library is like a fingerprint. The books on their shelves are a collection of memories and wishes. They’re as unique as a snowflake.

I’ve never understood why the heart always reacts. A shot of adrenaline is all it takes, triggered by a thought. A word. A memory. And every time the reaction is singular, a fingerprint of a moment. Sometimes it’s a flutter, a flicker of wings in your chest. Others, it’s a relentless vise that stops the beat, if only for a second. It might be a hot burn, spreading like wildfire in your ribs, or an icy cold space, empty and void. But the heart always reacts. Even after seven years, just hearing his name inspired any of those reactions or a dozen more. And

The essence of this knowledge was the ability to `see all' and to `know all'. Was this not precisely the ability Adam and Eve acquired after eating the forbidden fruit, which grew on the branches of the tree of the knowledge of good and evil'? · Finally, just as Adam and Eve were driven out of the Garden, so were the four First Men of the Popol Vuh deprived of their ability to `see far'. Thereafter `their eyes were covered and they could only see what was close ...' Both the Popol Vuh and Genesis therefore tell the story of mankind's fall from grace. In both cases, this state of grace was closely associated with knowledge, and the reader is left in no doubt that the knowledge in question was so remarkable that it conferred godlike powers on those who possessed it. The Bible, adopting a dark and muttering tone of voice, calls it `the knowledge of good and evil' and has nothing further to add. The Popol Vuh is much more informative. It tells us that the knowledge of the First Men consisted of the ability to see `things hidden in the distance', that they were astronomers who `examined the four corners, the four points of the arch of the sky', and that they were geographers who succeeded in measuring `the round face of the earth'. 7 Geography is about maps. In Part I we saw evidence suggesting that the cartographers of an as yet unidentified civilization might have mapped the planet with great thoroughness at an early date. Could the Popol Vuh be transmitting some garbled memory of that same civilization when it speaks nostalgically of the First Men and of the miraculous geographical knowledge they possessed? Geography is about maps, and astronomy is about stars. Very often the two disciplines go hand in hand because stars are essential for navigation on long sea-going voyages of discovery (and long sea-going voyages of discovery are essential for the production of accurate maps). Is it accidental that the First Men of the Popol Vuh were remembered not only for studying `the round face of the earth' but for their contemplation of `the arch of heaven'?

How long could we remain true to the girls? How long could we keep their memory pure? As it was, we didn’t know them any longer, and their new habits—of opening a window, for instance, to throw out a wadded paper towel—made us wonder if we had ever really known them, or if our vigilance had been only the fingerprinting of phantoms.

I turned my palms upward in the sunlight. In an instant, they felt warm, as though the light were seeping into the skin, soaking into the very lines of my fingerprints. The light ruled over everything out here. Bathed in light, each object glowed with the brilliant colour of summer. Even intangibles such as time and memory shared the goodness of the summer light.

How do I describe him now? Where do I start? How do I distill the first impression created in those few distance seconds? How do I extract his finished portrait, composed of layer upon layer of color, back into the pale, hasty pencil sketch that my eyes drew the first time they landed on him? How can I use a mere few lines to paint the whole picture with all its breadth and depth? Is it even possible to attain that sort of scrutiny, that measure of lucidity, when the hands of loss keep touching the memory, staining it with their fingerprints?

No one wants to learn an instrument, Rachel. It's grueling repetition. And besides, you're too old to start. Concert violinists who learn the traditional way begin when they're six or seven." Risa can't help but listen to the irritating conversation taking place between the well-dressed woman and her fashionably disheveled teenage daughter. "It's bad enough they'd be messing in my brain and giving me a NeuroWeave," the girl whines. "But why do I have to have the hands, too? I like my hands!" The mother laughs. "Honey, you've got your father's stubby, chubby little fingers. Trading up will only do you good in life, and it's common knowledge that a musical NeuroWeave requires muscle memory to complete the brain-body connection." "There are no muscles in the fingers!" the girl announces triumphantly. "I learned that in school." The mother gives her a long-suffering sigh. "Think of them like a pair of gloves, Rachel. Fancy silk gloves, like a princess wears." Risa can't stand it anymore. Making sure she's low enough so that her face can't be seen, she gets up, and as she walks past them, she says, "You'll have someone else's fingerprints.

I’ve never understood why the heart always reacts. A shot of adrenaline is all it takes, triggered by a thought. A word. A memory. And every time the reaction is singular, a fingerprint of a moment. Sometimes it’s a flutter, a flicker of wings in your chest. Others, it’s a relentless vise that stops the beat, if only for a second. It might be a hot burn, spreading like wildfire in your ribs, or an icy cold space, empty and void. But the heart always reacts. Even after seven years, just hearing his name inspired any of those reactions or a dozen more. And there was one every single time.

How long could we remain true to the girls? How long could we keep their memory pure? As it was, we didn’t know them any longer, and their new habits - of opening windows, for instance, to throw out a wadded paper towel - made us wonder if our vigilance had been only the fingerprinting of phantoms. Our talismans ceased to work. Lux’s tartan, when touched, summoned only a hazy memory of her wearing it in class - one bored hand fiddling with the silver kilt pin, undoing it, leaving the folds unfastened on her bare knees, about to fall open any minute but never… We had to rub the skirt for minutes to see it clearly. And every other slide in our carousel began to fade in the same way, or we clicked and absolutely nothing fell into the projection slot, leaving us staring at goose bumps on a white wall.

That's what we do. Embellish. Decorate. Unvarnished truth has only limited appeal. Some events are a joy to recall, but others are best modified, even forgotten. They live in some lumber-room of the mind, housed somewhere you wouldn't want to go alone and never after dark. If I make a mistake in my work or if I change my mind, I can unpick. Undo what I've done. I can make good my errors and no one is the wiser. If they looked, even through a magnifying glass, all observers would see would be the tiny holes where my needle had travelled. I can erase even that evidence by scratching carefully at the weave of the lining with my needle, until the holes are no longer visible. But life isn't like that. Mistakes once made are rarely reversible. The holes they leave in the fabric of life aren't tiny and they can't be scratched away. You have to live with them as best you can. Work round them. That's why you have to come to terms with memory. You can't obliterate the past or eradicate it from the mind, even when, for our own good, memory enfolds us in a blanket of forgetfulness. There are always traces left, marks where time gripped us and left its telltale fingerprint.

Her father had once told her that water has a memory; that every rock, every stone, every grain of muddy sediment leaves something of a fingerprint in the water that flows over it. Grace liked this idea, imagining the water of the great lakes and oceans of the world to echo with the memories of the places, people, and events it had passed on its journey.

we both mistake solitude for safety find comfort in wishing ourselves untouchable you a cloud & i fog daily i remind myself every life must be s e e d e d with fingerprints i say a prayer to an unnameable god the constant motion rotating constellations across a sky that will always be my favorite blue the cactus that has & will continue to bloom every spring of my life & hope it's enough to find you whistling a song only birds sing in morning's memory waiting for me to be present in our living

And he'd said nothing or something that amounted to nothing, and I tongued this memory like a burn in my mouth until the bathwater cooled and shook me back into my body where my fingerprints were ruffled.

No one can take her away from you, Camilla. She’s your daughter. You’re bound for life, and by something that runs much deeper than blood and shared memories. You’re bound by your echoes.” She turns back, a little crease between her brows. “Echoes?” I smile, because she looks like she needs a smile. “It’s something my mother used to say. She believed we each possess an echo, a kind of spiritual fingerprint, and that those echoes connect us to the ones we love, binding us forever.

How can I move on When your fingerprints are still on my heart Your voice still resonates all through my nerves Your smile still ingrained in my soul Nothing lasts forever is a lie You’ll live in my memories and I will love you forever There is no goodbye!!

The last barbecue I went to was at Sarah's house and I almost text her to tell her how when you have so many memories with one person, it's like a crime scene after they're gone. Fingerprints everywhere, sometimes visible and sometimes only popping out at the eye when a light is shined from a specific angle.

I turned my palms upward in the sunlight. In an instant, they felt warm, as though the light were seeping into the skin, soaking into the very lines of my fingerprints. The light ruled over everything out here. Bathed in light, each object glowed with the brilliant color of summer. Even intangibles such as time and memory shared the goodness of the summer light.

A vivid image of a man with a pencil through his left eye orbit flashed before me, complete with bloody smudges of my fingerprints on the yellow shaft of the pencil. Thank you, dear memory, for once again attempting to sabotage my conversation.

It's too late to sleep anyway. The coffee's gone cold, so I just heat up another pot. Tonight, I feel like my whole body is made out of memories. I'm a mix tape, a cassette that's been rewound so many times you can hear the fingerprints smudged on the tape. Press play.

And so here I am, left with the one true currency all of us possess.” Eaton lightly taps his index finger against his temple. “When we get to the point of death, whether we know it’s coming or not, all we’ve ever accumulated in life that matters are memories. Things we’ve done. People we’ve loved. Lands we’ve explored. Memories are the truest measure of wealth, and yet they can’t be passed down, not really. Stories can be told, but our memories, those things as unique as our fingerprints, all crumble along with our bones.

Elderly Woman Behind The Counter In A Small Town" I seem to recognize your face Haunting, familiar, yet I can't seem to place it Cannot find the candle of thought to light your name Lifetimes are catching up with me All these changes taking place I wish I'd seen the place But no one's ever taken me Hearts and thoughts they fade, fade away Hearts and thoughts they fade, fade away I swear I recognize your breath Memories like fingerprints are slowly raising Me you wouldn't recall for I'm not my former It's hard when you're stuck upon the shelf I changed by not changing at all Small town predicts my fate Perhaps that's what no one wants to see I just wanna scream "Hello!" My God it's been so long Never dreamed you'd return But now here you are, and here I am Hearts and thoughts they fade away Hearts and thoughts they fade fade away Hearts and thoughts they fade fade away Hearts and thoughts they fade away Hearts and thoughts they fade fade away Hearts and thoughts they fade fade away Hearts and thoughts they fade fade away Pearl Jam, Vs. (1993)

Language is a person's signature, like his fingerprints. It contains his birth and growth, memories and past.

There was no one like her on the whole of the planet, no one who had ever lived or ever would. There was not a single other person with her fingerprints, with her memories, with the blood beating in her veins. She was herself, and she was alive right now, despite everything.

tracing –Can track the fingerprint of any electronic device from the web of satellites. Tekfabrik –Multipurpose nano-fabric capable of changing color, size, and texture. Self-cleaning. Thread –High capacity memory stick about the size of a short piece of angel hair pasta. Torgon –Curse word similar to f-word. Also used as torg, torged, or torging. Traditionals –Name used to describe ordinary humans without implants, etc. Trapicers –Mysterious revolutionary group. Tru-chair –Chair that conforms to the sitter’s anatomy and delivers acupressure. Uses energy by harvesting body heat. VM –Virtual

On a gray afternoon I sit in a silent room and contemplate din. In the street a single car passes - a rapid bass vowel - and then it is quiet again. So what is this uproar, this hubbub, this heaving rumble of zigzag static I keep hearing? This echo chamber spooling out spirals of chaos? An unmistakable noise as clearly mine as fingerprint or twist of DNA: the thrum of regret, of memory, of defeat, of mutability, of bitter fear, made up of shame and ambition and anger and vanity and wishing. The soundtrack of a movie of the future, an anticipatory ribbon of scenes long dreaded, of daydreams without a prayer of materializing. Or else: the replay of unforgotten conversations, humiliating, awkward, indelible. Mainly it is the buzz of the inescapably mundane, the little daily voice that insists and insists: right now, not now, too late, too soon, why not, better not, turn it on, turn it off, notice this, notice that, be sure to take care of, remember not to. The nonstop chatter that gossips, worries, envies, invokes, yearns, condemns, self-condemns.