Filling Someone's Shoes Quotes

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If you are trying to decide among a few people to fill a position hire the best writer. it doesn't matter if the person is marketer, salesperson, designer, programmer, or whatever, their writing skills will pay off. That's because being a good writer is about more than writing clear writing. Clear writing is a sign of clear thinking. great writers know how to communicate. they make things easy to understand. they can put themselves in someone else's shoes. they know what to omit. And those are qualities you want in any candidate. Writing is making a comeback all over our society... Writing is today's currency for good ideas.
Jason Fried (Rework)
How do you end a story that’s not yours? Add another sentence where there is a pause? Infiltrate the story with a comma when really there should have been a period? Punctuate with an exclamation point where a period would have sufficed? What if you kill something breathing and breathe life into something the author wanted to eliminate? How do you get inside the mind of a person who isn’t there? Fill the shoes of someone who will never again fill his own?
Shaila M. Abdullah
And as the train whistled its imminent departure, a small girl wearing neat plaits and someone else's shoes climbed its iron stairs. Smoke filled the platform, people waved and hollered, a stray dog ran barking through the crowds. Nobody noticed as the little girl stepped over the shadowed threshold; not even Aunt Ada, who some might've expected to be sheperherding her orphaned niece towards her uncertain future. And so, when the essence of light and life that had been Vivien Longmeyer contracted itself for safekeeping and disappeared deep inside her, the world kept moving and nobody saw it happen.
Kate Morton (The Secret Keeper)
Little girls are taught fairy tales that are filled with magic. Cinderella is taught to wait in the kitchen for a guy with the right shoe! Snow White is given the message that if she waits long enough, her prince will come. On a literal level, that story tells women that their destiny depends on waiting for a necrophile (someone who likes to kiss dead people) to stumble through the woods at the right time. Not a pretty picture!
John Bradshaw (Homecoming: Reclaiming and Healing Your Inner Child)
She was perhaps seventeen when it happened. She was in Central Park, in New York. It was too warm for such an early spring day, and the hammered brown slopes had a dusting of green of precisely the consistency of that morning's hoarfrost on the rocks. But the frost was gone and the grass was brave and tempted some hundreds of pairs of feet from the asphalt and concrete to tread on it. Hers were among them. The sprouting soil was a surprise to her feet, as the air was to her lungs. Her feet ceased to be shoes as she walked, her body was consciously more than clothes. It was the only kind of day which in itself can make a city-bred person raise his eyes. She did. For a moment she felt separated from the life she lived, in which there was no fragrance, no silence, in which nothing ever quite fit nor was quite filled. In that moment the ordered disapproval of the buildings around the pallid park could not reach her; for two, three clean breaths it no longer mattered that the whole wide world really belongs to images projected on a screen; to gently groomed goddesses in these steel-and-glass towers; that it belonged, in short, always, always to someone else.
Theodore Sturgeon (E Pluribus Unicorn)
Hire great writers If you are trying to decide among a few people to fill a position, hire the best writer. It doesn’t matter if that person is a marketer, salesperson, designer, programmer, or whatever; their writing skills will pay off. That’s because being a good writer is about more than writing. Clear writing is a sign of clear thinking. Great writers know how to communicate. They make things easy to understand. They can put themselves in someone else’s shoes. They know what to omit. And those are qualities you want in any candidate.
Jason Fried (Rework)
Sad truth is. . . we all end up alone on some death bed. Yeah? No way to take anybody else's place and no way we can be lying on the same one.” I was at the edge of the white-wed cloth. My shoes filled with concrete, as did my head, looking at the empty shell of what was once a woman full of wonder. “Any way to make someone feel not so alone?” she asked. “The only thing anyone can ever do is help someone feel a little less lonely before they get there.” “How does someone do that?” “Memories. Help create memories. Better ones. Ones to replace the old.
S.D. Lawendowski (Snapped)
I've thought of myself a girl on several occasions because I like to polish shoes and find household tasks amusing. There was once even a time when I insisted on mending a torn suit with my own hands. And in winter I always light the heating stoves myself, as though this were the natural course of things. But of course I'm not a real girl. Please give me a moment to consider all this would entail. The first thing that comes to mind is the question of whether I might possibly be a girl has never, never, not for a single moment, troubled me, rattled my bourgeois composure or made me unhappy. An absolutely by no means unhappy person stands before you, I'd like to put quite special emphasis on this, for I have never experienced sexual torment or distress, for I was never at a loss for quite simple methods of freeing myself from pressures. A rather curious, that is to say, important discovery for me was that it filled me with the most delightful gaiety to imagine myself someone's servant.... My nature, then, merely inclines me to treat people well, to be helpful and so forth. Not long ago I carried with flabbergasting zeal a shopping bag full of new potatoes for a petit bourgeoise. She's have been perfectly able to tote it herself. Now my situation is this: my particular nature also sometimes seeks, I've discovered, a mother, a teacher, that is, to express myself better, an unapproachable entity, a sort of goddess. At times I find the goddess in an instant, whereas at others it takes time before I'm able to imagine her, that is, find her bright, bountiful figure and sense her power. And to achieve a moment of human happiness, I must always first think up a story containing an encounter between myself and another person, whereby I am always the subordinate, obedient, sacrificing, scrutinized, and chaperoned party. There's more to it, of course, quite a lot, but this still sheds light on a few things. Many conclude it must be terribly easy to carry out a course of treatment, as it were, upon my person, but they're all gravely mistaken. For, the moment anyone seems ready to start lording and lecturing it over me, something within me begins to laugh, to jeer, and then, of course, respect is out of the question, and within the apparently worthless individual arises a superior one whom I never expel when he appears in me....
Robert Walser (The Robber)
You choose this moment to act like the Abnegation?” His voice fills the room and makes fear prickle in my chest. His anger seems too sudden. Too strange. “All that time you spent insisting that you were too selfish for them, and now, when your life is on the line, you’ve got to be a hero? What’s wrong with you?” “What’s wrong with you? People died. They walked right off the edge of a building! And I can stop it from happening again!” “You’re too important to just…die.” He shakes his head. He won’t even look at me--his eyes keep shifting across my face, to the wall behind me or the ceiling above me, to everything but me. I am too stunned to be angry. “I’m not important. Everyone will do just fine without me,” I say. “Who cares about everyone? What about me?” He lowers his head into his hand, covering his eyes. His fingers are trembling. Then he crosses the room in two long strides and touches his lips to mine. Their gentle pressure erases the past few months, and I am the girl who sat on the rocks next to the chasm, with river spray on her ankles, and kissed him for the first time. I am the girl who grabbed his hand in the hallway just because I wanted to. I pull back, my hand on his chest to keep him away. The problem is, I am also the girl who shot Will and lied about it, and chose between Hector and Marlene, and now a thousand other things besides. And I can’t erase those things. “You would be fine.” I don’t look at him. I stare at his T-shirt between my fingers and the black ink curling around his neck, but I don’t look at his face. “Not at first. But you would move on, and do what you have to.” He wraps an arm around my waist and pulls me against him. “That’s a lie,” he says, before he kisses me again. This is wrong. It’s wrong to forget who I have become, and to let him kiss me when I know what I’m about to do. But I want to. Oh, I want to. I stand on my tiptoes and wrap my arms around him. I press one hand between his shoulder blades and curl the other one around the back of his neck. I can feel his breaths against my palm, his body expanding and contracting, and I know he’s strong, steady, unstoppable. All things I need to be, but I am not, I am not. He walks backward, pulling me with him so I stumble. I stumble right out of my shoes. He sits on the edge of the bed and I stand in front of him, and we’re finally eye to eye. He touches my face, covering my cheeks with his hands, sliding his fingertips down my neck, fitting his fingers to the slight curve of my hips. I can’t stop. I fit my mouth to his, and he tastes like water and smells like fresh air. I drag my hand from his neck to the small of his back, and put it under his shirt. He kisses me harder. I knew he was strong; I didn’t know how strong until I felt it myself, the muscles in his back tightening beneath my fingers. Stop, I tell myself. Suddenly it’s as if we’re in a hurry, his fingertips brushing my side under my shirt, my hands clutching at him, struggling closer but there is no closer. I have never longed for someone this way, or this much. He pulls back just enough to look into my eyes, his eyelids lowered. “Promise me,” he whispers, “that you won’t go. For me. Do this one thing for me.” Could I do that? Could I stay here, fix things with him, let someone else die in my place? Looking up at him, I believe for a moment that I could. And then I see Will. The crease between his eyebrows. The empty, simulation-bound eyes. The slumped body. Do this one thing for me. Tobias’s dark eyes plead with me. But if I don’t go to Erudite, who will? Tobias? It’s the kind of thing he would do. I feel a stab of pain in my chest as I lie to him. “Okay.” “Promise,” he says, frowning. The pain becomes an ache, spreads everywhere--all mixed together, guilt and terror and longing. “I promise.
Veronica Roth (Insurgent (Divergent, #2))
She's barely gained consciousness and when she sees me standing over her naked, I can imagine my virtual absence of humanity fills her with mind-bending horror. I've situated the body in front of the new Toshiba Television set and in the VCR is an old tape and appearing on the screen is the last girl I filmed. I'm wearing: a Joseph Abboud suit, tie by Paul Stuart, shoes by J. Crew, a vest by someone Italian and I'm kneeing on the floor beside a corpse eating the girl's brain gobbling it down spreading Grey Poupon over hunks of the pink fleshy meat. "Can you see?" I asked the girl not on the Television set. "Can you see this, are you watching?" I whisper. I try using the power drill on her, forcing it into her mouth but she's conscious enough, has strength to close her teeth clamping them down and even though the drill goes through the teeth quickly it fails to interest me. So I hold her head up, blood dribbling from her mouth and make her watch the rest of the tape. While she's looking at the girl on the screen bleed from almost every possible orifice I'm hoping she realizes that this would've happened to her no matter what. That she would've ended up here lying on the floor in my apartment hands nailed to posts, cheese and broken glass pushed up into her cunt. Her head cracked and bleeding purple no matter what other choice she might have made.
Bret Easton Ellis (American Psycho)
Familiar things, their touch and sight and sound, had become an ache of heart—all encompassing—which filled the waking day and penetrated sleep. Strangely—and in a way it shamed her at the time—there were never nightmares; only the steady procession of events as they had been that memorable day at Madison airport. She had been there to see her family leave for Europe: her mother, gay and excited, wearing the bon voyage orchid which a friend had telegraphed; her father, relaxed and amiably complacent that for a month the real and imagined ailments of his patients would be someone else’s concern. He had been puffing a pipe which he knocked out on his shoe when the flight was called. Babs, her elder sister, had embraced Christine; and even Tony, two years younger and hating public affection, consented to be kissed. “So long, Ham!” Babs and Tony had called back, and Christine smiled at the use of the silly, affectionate name they gave her because she was the middle of their trio sandwich. And they had all promised to write, even though she would join them in Paris two weeks later when term ended. At the last her mother had held Chris tightly, and told her to take care. And a few minutes later the big prop-jet had taxied out and taken off with a roar, majestically, though it barely cleared the runway before it fell back, one wing low, becoming a whirling, somersaulting Catherine wheel, and for a moment a dust cloud, and then a torch, and finally a silent pile of fragments—machinery and what was left of human flesh. It was five years ago. A few weeks after, she left Wisconsin and had never returned.
Arthur Hailey (Hotel)
But what Ianthe and Tamlin had said... 'You don't think it sends a bad message if people see me learning to fight- using weapons?' The moment the words were out, I realised the stupidity of them. The stupidity of- of what had been shoved down my throat these past months. Silence. Then Mor said with a soft venom that made my understand the High Lord's Third had received training of her own in the Court of Nightmares, 'Let me tell you two things. As someone who has perhaps been in your shoes before.' Again, that shared bond of anger, of pain throbbed between them all, save for Amren, who was giving me a look dripping with distaste. 'One,' Mor said, 'you have left the Spring Court.' I tried not to let the full weight of those words sink in. 'If that does not send a message, for good or bad, then your training will not, either. Two,' she continued, laying her palm flat on the table, 'I once lived in a place where the opinion of others mattered. It suffocated me, nearly broke me. So you'll understand me, Feyre, when I say that I know what you feel, and I know what they tried to do to you, and that with enough courage, you can say to help with a reputation.' Her voice gentled, and the tension between them all faded with it. 'You do what you love, what you need.' Mor would not tell me what to wear or not wear. She would not allow me to step aside while she spoke for me. She would not... would not do any of the things that I had so willingly, desperately, allowed Ianthe to do I had never had a female friend before. Ianthe... she had not been one. Not in the way that mattered, I realised. And Nesta and Elain, in those few weeks I'd been at home before Amarantha, had started to fill that role, but... but looking at Mor, I couldn't explain it, couldn't understand it, but... I felt it. Like I could indeed go to dinner with her. Talk to her. Not that I had much of anything to offer her in return.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
I always had trouble with the feet of Jón the First, or Pre-Jón, as I called him later. He would frequently put them in front of me in the evening and tell me to take off his socks and rub his toes, soles, heels and calves. It was quite impossible for me to love these Icelandic men's feet that were shaped like birch stumps, hard and chunky, and screaming white as the wood when the bark is stripped from it. Yes, and as cold and damp, too. The toes had horny nails that resembled dead buds in a frosty spring. Nor can I forget the smell, for malodorous feet were very common in the post-war years when men wore nylon socks and practically slept in their shoes. How was it possible to love these Icelandic men? Who belched at the meal table and farted constantly. After four Icelandic husbands and a whole load of casual lovers I had become a vrai connaisseur of flatulence, could describe its species and varieties in the way that a wine-taster knows his wines. The howling backfire, the load, the gas bomb and the Luftwaffe were names I used most. The coffee belch and the silencer were also well-known quantities, but the worst were the date farts, a speciality of Bæring of Westfjord. Icelandic men don’t know how to behave: they never have and never will, but they are generally good fun. At least, Icelandic women think so. They seem to come with this inner emergency box, filled with humour and irony, which they always carry around with them and can open for useful items if things get too rough, and it must be a hereditary gift of the generations. Anyone who loses their way in the mountains and gets snowed in or spends the whole weekend stuck in a lift can always open this special Icelandic emergency box and get out of the situation with a good story. After wandering the world and living on the Continent I had long tired of well-behaved, fart-free gentlemen who opened the door and paid the bills but never had a story to tell and were either completely asexual or demanded skin-burning action until the morning light. Swiss watch salesmen who only knew of “sechs” as their wake-up hour, or hairy French apes who always required their twelve rounds of screwing after the six-course meal. I suppose I liked German men the best. They were a suitable mixture of belching northerner and cultivated southerner, of orderly westerner and crazy easterner, but in the post-war years they were of course broken men. There was little you could do with them except try to put them right first. And who had the time for that? Londoners are positive and jolly, but their famous irony struck me as mechanical and wearisome in the long run. As if that irony machine had eaten away their real essence. The French machine, on the other hand, is fuelled by seriousness alone, and the Frogs can drive you beyond the limit when they get going with their philosophical noun-dropping. The Italian worships every woman like a queen until he gets her home, when she suddenly turns into a slut. The Yank is one hell of a guy who thinks big: he always wants to take you the moon. At the same time, however, he is as smug and petty as the meanest seamstress, and has a fit if someone eats his peanut butter sandwich aboard the space shuttle. I found Russians interesting. In fact they were the most Icelandic of all: drank every glass to the bottom and threw themselves into any jollity, knew countless stories and never talked seriously unless at the bottom of the bottle, when they began to wail for their mother who lived a thousand miles away but came on foot to bring them their clean laundry once a month. They were completely crazy and were better athletes in bed than my dear countrymen, but in the end I had enough of all their pommel-horse routines. Nordic men are all as tactless as Icelanders. They get drunk over dinner, laugh loudly and fart, eventually start “singing” even in public restaurants where people have paid to escape the tumult of
Hallgrímur Helgason
And for all of Martin’s actions of peace and love, he was targeted with violence, harassed, arrested, blackmailed, followed by the FBI, and eventually murdered. For all of the pedestals MLK is now put on, far above the reach of ordinary black Americans, Martin was in his life viewed as the most dangerous man in America. Martin was the black man who asked for too much, too loudly. Martin was why white America couldn’t support equality. Because no matter what we ask for, if it threatens the system of White Supremacy, it will always be seen as too much. When we were slaves nursing their babies, we were not nice enough. When we were maids cleaning their homes we were not nice enough. When we were porters shining their shoes we were not nice enough. And when we danced and sang for their entertainment we were not nice enough. For hundreds of years we have been told that the path to freedom from racial oppression lies in our virtue, that our humanity must be earned. We simply don’t deserve equality yet. So when people say that they don’t like my tone, or when they say they can’t support the “militancy” of Black Lives Matter, or when they say that it would be easier if we just didn’t talk about race all the time—I ask one question: Do you believe in justice and equality? Because if you believe in justice and equality you believe in it all of the time, for all people. You believe in it for newborn babies, you believe in it for single mothers, you believe in it for kids in the street, you believe in justice and equality for people you like and people you don’t. You believe in it for people who don’t say please. And if there was anything I could say or do that would convince someone that I or people like me don’t deserve justice or equality, then they never believed in justice and equality in the first place. Yes, I am a Malcolm. And Martin, and Angela, Marcus, Rosa, Biko, Baldwin, Assata, Harriet, and Nina. I’m fighting for liberation. I’m filled with righteous anger and love. I’m shouting, as all before me have in their way. And I’m a human being who was born deserving justice and equality, and that is all you should need to know in order to stand by my side.
Ijeoma Oluo (So You Want to Talk About Race)
Sometimes the best way to relax, unwind, and get everything straightened out... is to curl up with a good book. – Douglas Pagels, from 100 Things to Always Remember and One Thing to Never Forget Give something of yourself to the day... even if it’s just a smile to someone walking the other way. – Douglas Pagels, from 100 Things to Always Remember and One Thing to Never Forget Even if you can’t just snap your fingers and make a dream come true, you can travel in the direction of your dream, every single day, and you can keep shortening the distance between the two of you. – Douglas Pagels, from 100 Things to Always Remember and One Thing to Never Forget Rest assured that, whenever you need them, your guardian angels are great about working overtime. – Douglas Pagels, from A Special Christmas Blessing Just for You Never forget what a treasure you are. That special person in the mirror may not always get to hear all the compliments you so sweetly deserve, but you are so worthy of such an abundance... of friendship, joy, and love. – Douglas Pagels, from You Are One Amazing Lady I love that I get to wake up every morning in a world that has people like you in it. – Douglas Pagels, from You Are One Amazing Lady Be someone who doesn’t make your guardian angel work too hard or worry too much. – Douglas Pagels, from Wishing You a Happy, Successful, Incredible Life! Each day is a blank page in the diary of your life. Every day, you’re given a chance to determine what the words will say and how the story will unfold. The more rewarding you can make each page, the more amazing the entire book will be. And I would love for you to write a masterpiece. – Douglas Pagels, from Wishing You a Happy, Successful, Incredible Life! Practice your tree pose. I want you to have a goal of finding a way to bring everything in your life into balance. Let the roots of all your dreams go deep. Let the hopes of all your tomorrows grow high. Bend, but don’t break. Take the seasons as they come. Stick up for yourself. And reach for the sky. – Douglas Pagels, from Wishing You a Happy, Successful, Incredible Life! Remember that a new morning is good medicine... and one of the joys of life is realizing that you have the ability to make this a really great day. – Douglas Pagels, from Wishing You a Happy, Successful, Incredible Life! Find comfort in knowing that “rising above” is something you can always find a way to do. – Douglas Pagels, from Wishing You a Happy, Successful, Incredible Life! Look up “onward” in the thesaurus and utilize every one of those synonyms whenever you’re wondering which direction to go in. – Douglas Pagels, from Wishing You a Happy, Successful, Incredible Life! Don’t judge yourself – love yourself. – Douglas Pagels, from Wishing You a Happy, Successful, Incredible Life! If you have a choice between a la-di-da life and an ooh-la-la! one, well... you know what to do. Choose the one that requires you to dust off your dancing shoes. – Douglas Pagels, from Wishing You a Happy, Successful, Incredible Life! Write out your own definition of success. Fill it with a mix of stardust and wishes and down-to-earth things, and provide all the insight you can give it. Imagine what it takes to have a really happy, rewarding life. And then go out... and live it. – Douglas Pagels, from Wishing You a Happy, Successful, Incredible Life!
Douglas Pagels
I like planned parenthood. I support the woman's right to choose if she wants to murder her future baby. I do feel for the janitor though, this one time he was taking out the trash filled with all of the dead baby bodies... (I mean let's face it, that's where they put them. So let's be mature about this please. No laughter or funny comments. These are dead babies we’re talking about,) Anyways, the bag ripped, and squish! All the heads, torsos, everything oozed out of the bag. He was trying to mop up all the placenta juices and bodies when he slipped. It looked like a 3-Stooges bit. He had stepped on one skull for traction, and had another foot jammed so far up a stillborn's ribcage, it looked like he was wearing a shoe. He was mopping it up when someone's dog broke its leash and came running to slurp up the mess. Oh the horror! That dog must have ate at least 3 or 4 babies that day. Talk about a sticky situation! Rape is bad... But... Sometimes girls rape guys too. I'll give you an example. Anytime a guy wants to have sex, and the girl says no, she's raping the guy into not having sex. See if you can follow me here, the guy doesn't want to not have sex, but he's forced... Against his will... To not fuck her. If that's not reverse rape I don't know what is. And nobody is talking about it! Obviously it is a less extreme form of rape, but it's equal because it's much more common. You know who I feel sorry for? You guessed it: White men.
Mike Sov (I Like Poop)
Why, Reshi?"The words poured out of Bast in a sudden gush. "Why did you stay there when it was so awful?" Kvothe nodded to himself, as if he had been expecting the question. "Where else was there for me to go, Bast? Everyone I knew was dead." "Not everyone," Bast insisted. "There was Abenthy. You could have gone to him." "Hallowfell was hundreds of miles away, Bast," Kvothe said wearily as he wandered to the other side of the room and moved behind the bar. Hundreds of miles without my father's maps to guide me. Hundreds of miles without wagons to ride or sleep in. Without help of any sort, or money, or shoes. Not an impossible journey, I suppose. But for a young child, still numb with the shock of losing his parents. . . ." Kvothe shook his head. "No. In Tarbean at least I could beg or steal. I'd managed to survive in the forest for a summer, barely. But over the winter?" He shook his head. "I would have starved or frozen todeath." Standing at the bar, Kvothe filled his mug and began to add pinches of spice from several small containers, then walked toward the great stone fireplace, a thoughtful expression on his face. "You're right, of course. Anywhere would have been better than Tarbean." He shrugged, facing the fire. "But we are all creatures of habit. It is far too easy to stay in the familiar ruts we dig for ourselves. Perhaps I even viewed it as fair. My punishment for not being there to help when the Chandrian came. My punishment for not dying when I should have, with the rest of my family." Bast opened his mouth, then closed it and looked down at the tabletop, frowning. Kvothe looked over his shoulder and gave a gentle smile. "I'm not saying it's rational, Bast. Emotions by their very nature are not reasonable things. I don't feel that way now, but back then I did. I remember." He turned back to the fire. "Ben's training has given me a memory so clean and sharp I have to be careful not to cut myself sometimes." Kvothe took a mulling stone from the fire and dropped it into his wooden mug. It sank with a sharp hiss. The smell of searing clove and nutmeg filled the room. Kvothe stirred his cider with a long-handled spoon as he made his way back to the table. "You must also remember that I was not in my right mind. Much of me was still in shock, sleeping if you will. I needed something, or someone, to wake me up." He nodded to Chronicler, who casually shook his writing hand to loosen it, then unstoppered his inkwell. Kvothe leaned back in his seat. "I needed to be reminded of things I had forgotten. I needed a reason to leave. It was years before I met someone who could do those things." He smiled at Chronicler. "Before I met Skarpi.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
You choose this moment to act like the Abnegation?” His voice fills the room and makes fear prickle in my chest. His anger seems too sudden. Too strange. “All that time you spent insisting that you were too selfish for them, and now, when your life is on the line, you’ve got to be a hero? What’s wrong with you?” “What’s wrong with you? People died. They walked right off the edge of a building! And I can stop it from happening again!” “You’re too important to just…die.” He shakes his head. He won’t even look at me--his eyes keep shifting across my face, to the wall behind me or the ceiling above me, to everything but me. I am too stunned to be angry. “I’m not important. Everyone will do just fine without me,” I say. “Who cares about everyone? What about me?” He lowers his head into his hand, covering his eyes. His fingers are trembling. Then he crosses the room in two long strides and touches his lips to mine. Their gentle pressure erases the past few months, and I am the girl who sat on the rocks next to the chasm, with river spray on her ankles, and kissed him for the first time. I am the girl who grabbed his hand in the hallway just because I wanted to. I pull back, my hand on his chest to keep him away. The problem is, I am also the girl who shot Will and lied about it, and chose between Hector and Marlene, and now a thousand other things besides. And I can’t erase those things. “You would be fine.” I don’t look at him. I stare at his T-shirt between my fingers and the black ink curling around his neck, but I don’t look at his face. “Not at first. But you would move on, and do what you have to.” He wraps an arm around my waist and pulls me against him. “That’s a lie,” he says, before he kisses me again. This is wrong. It’s wrong to forget who I have become, and to let him kiss me when I know what I’m about to do. But I want to. Oh, I want to. I stand on my tiptoes and wrap my arms around him. I press one hand between his shoulder blades and curl the other one around the back of his neck. I can feel his breaths against my palm, his body expanding and contracting, and I know he’s strong, steady, unstoppable. All things I need to be, but I am not, I am not. He walks backward, pulling me with him so I stumble. I stumble right out of my shoes. He sits on the edge of the bed and I stand in front of him, and we’re finally eye to eye. He touches my face, covering my cheeks with his hands, sliding his fingertips down my neck, fitting his fingers to the slight curve of my hips. I can’t stop. I fit my mouth to his, and he tastes like water and smells like fresh air. I drag my hand from his neck to the small of his back, and put it under his shirt. He kisses me harder. I knew he was strong; I didn’t know how strong until I felt it myself, the muscles in his back tightening beneath my fingers. Stop, I tell myself. Suddenly it’s as if we’re in a hurry, his fingertips brushing my side under my shirt, my hands clutching at him, struggling closer but there is no closer. I have never longed for someone this way, or this much. He pulls back just enough to look into my eyes, his eyelids lowered. “Promise me,” he whispers, “that you won’t go. For me. Do this one thing for me.” Could I do that? Could I stay here, fix things with him, let someone else die in my place? Looking up at him, I believe for a moment that I could. And then I see Will. The crease between his eyebrows. The empty, simulation-bound eyes. The slumped body. Do this one thing for me. Tobias’s dark eyes plead with me. But if I don’t go to Erudite, who will? Tobias? It’s the kind of thing he would do. I feel a stab of pain in my chest as I lie to him. “Okay.” “Promise,” he says, frowning. The pain becomes an ache, spreads everywhere--all mixed together, guilt and terror and longing. “I promise.
Veronica Roth
Sustain a positive outlook. Cultivate a can-do spirit, and you will be an inspiration to employees. And, when that's a tall order, fake it until you make it! • Be known as a fair person. Employees want to be treated fairly, and you must take the necessary steps to make sure they feel that is the case. • Keep an eye on morale. Morale at the workplace can be affected positively or negatively by an incident that, although it might seem insignificant to you, might be very important to your employees. A contented group of employees will do more and better work than an unhappy group. • Set an example. If you want your employees to work hard and succeed, then set an example by doing so yourself. Be a spectacular role model! • Take responsibility for your actions. If something goes wrong and it's your fault, step up to the plate and acknowledge whatever it is that went wrong and why. • Maintain your sense of humor. Don't take yourself too seriously, and don't be in such a hurry that you haven't got time to tell or listen to a positive (tasteful) story. Studies suggest laughter and good humor go a long way in helping employees function well in the workplace. • Acknowledge good work through praise. Everyone wants to hear “well done” now and then, so make sure you acknowledge good work. Say it privately and say it within earshot of others, too. • Give credit for ideas. If one of your employees comes up with a great idea, by all means give that person the credit he or she deserves. Don't allow anyone to take an employee's idea and pass it off as his own. (Managers are sometimes accused of stealing an employee's idea; be scrupulous about avoiding even a hint of such a thing.) Beyond the basic guidelines listed above, a good manager must possess other positive qualities: • Understanding: Conventional wisdom dictates that you walk in someone else's shoes before you judge her. Keep that in mind when dealing with people in the workplace. • Good communication skills: Keep your communication skills in good working order. You might want to join speaking organizations to learn how to be a better public speaker. But don't stop there. You communicate when you send a memo, write e-mail, and lead a meeting. There's no such thing as being a “perfect” communicator. An excellent manager will view the pursuit of this art as a work in progress. • Strong listening skills: When was the last time you really listened to someone when he was talking to you? Did you give him your full, undivided attention, or was your mind thinking about five other different things? And when you are listening, do you really know what it is people are trying to tell you? (You might have to ask probing questions in order to get the message.) • Leadership: Employees need good leaders to help guide them, so make sure your leadership skills are enviable and on-duty. • Common sense: You'll need more than your fair share if you expect to be a good manager of people. Some managers toss common sense out the window and then foolishly wonder what happened when things go wrong. • Honesty: Be honest and ethical in all of your business dealings — period! • A desire to encourage: Encouragement is different than praise. Encouragement helps someone who hasn't yet achieved the goal. Employees need your input and encouragement from time to time in order to be successful, so be prepared to fill that role.
Marilyn Pincus (Managing Difficult People: A Survival Guide For Handling Any Employee)
this is for those in our lives who are there for us; those who we can close our eyes and fall and promise that they will catch us; those who make us feel insecure because we know if they ever left us we would be destroyed though we do not want to show it; those who sleep later than us and wake earlier than us to make us breakfast, to pack our lunch, to greet us when we come home; those who we are never able to properly show our gratitude to; those we can never quite repay; those who hide our secrets; those who are patient with our flaws; those who swing before we realize there is someone to defend ourselves against; this is for those who teach us to better ourselves; for those who lead by example of what strength is; for those who complete us; for those who hold us down in our presence and in our absence; this is for those who have shown us no one else can fill their shoes; and no matter how hard someone else could have tried, would have tried, who thought they had a better place in our lives actually never did, and they could never do the job that those are present now are doing; we remain grateful that we have something that others would sacrifice much to get;
synonymous
But you can’t forget how easy it is to seduce people,” Ben said. “You see that everywhere, be it politics or religion. Even here in Europe, populists have been wildly successful despite the fact that this continent has a lot of experience with fanatical right- and left-wing ideology.” “Most people yearn for guidance,” Fritz said. “They want others to determine their lives for them, at least when all is said and done. In politics, the only people who are respected are so-called ‘strong’ leaders or politicians who show the way. It’s hardly surprising these people don’t have a basic understanding of democracy.” “That’s the problem,” said Ben. “People love to be told what they should do. And the worse they have it, the more grateful they are for a strong hand to push them.” “That said, we don’t exactly have it that bad here in Europe,” Hannes added. “Sure, there’s always some economic crisis and unemployment is rising, but still most people have it good enough that they can’t be enthralled by some dictator.” “Economic crises aren’t the only reason people turn to extremism,” Fritz said. “It’s also about personal crises. Look at the faces on the bus. How many people look happy?” “They’re probably just tired,” Ben joked. “But it’s true. There are plenty of studies which suggest that people in poorer countries are happier than we are. But when did you last hear politicians discuss the question of how we actually want to live? Emotional needs are basically irrelevant. It’s all about growth, recovery, optimization, and efficiency. If you work day after day in some office like a robot, there’s an inner emptiness that reality shows and dramas on television can no longer fill. Take a look at the nonsense the masses tune into night after night. You can’t consume real feelings, you have to live them.” “But that’s exactly what our society has forgotten how to do,” Fritz said. “You need someone to advise you on how to be ‘happy.’ At some schools, students can now choose Happiness as an elective. How sad is that? Have we become so far removed from real life that we have to introduce happiness as a school subject? How can society not understand something so fundamental?” “Now some charismatic, eloquent politician appears who knows exactly how to appeal to people,” Ben said. “Do you really think we would be completely immune to a politician’s temptations and promises today?” “Okay, okay!” Hannes laughed and raised his hands. “I give up. At the next neo-Nazi march, I’ll be standing in the front line of the counterdemonstration, I promise. But speaking of robots—I spent way too long spinning on the hamster wheel today. And Fritz has already given me a list of things to do tomorrow. It’s been lovely chatting, but I have to hit the hay.” “Man! But we’ve only just started planning the revolution,” Ben joked. “No, my young colleague’s right.” Fritz rose from his chair. “I just have to use the bathroom and then I’ll be on my way.” “It’s straight ahead.” Ben showed him the way and handed Hannes another beer. “Come on, you Goody Two-Shoes. Let’s have a
Hendrik Falkenberg (Time Heals No Wounds (Baltic Sea Crime #1))
Reading Group Guide  1.   The river town of Hobnob, Mississippi, is in danger of flooding. To offset the risk, the townspeople were offered the chance to relocate in exchange for money. Some people jumped at the opportunity (the Flooders); others (the Stickers) refused to leave, so the deal fell through. If you lived in Hobnob, which choice would you make and why? If you’d lived in New Orleans at the time of Hurricane Katrina, would you have fled the storm or stayed to protect your house? Did the two floods remind you of each other in terms of official government response or media coverage?  2.   How are the circumstances during the Prohibition era (laws against consuming or selling alcohol, underground businesses that make and sell booze on the black market, corruption in the government and in law enforcement) similar to what’s happening today (the fight to legalize and tax marijuana, the fallout of the drug war in countries like Mexico and Colombia, jails filled with drug abusers)? How are the circumstances different? Do you identify with the bootleggers or the prohibitionists in the novel? What is your stance on the issue today?  3.   The novel is written in third person from two different perspectives—Ingersoll’s and Dixie Clay’s—in alternating chapters. How do you think this approach adds to or detracts from the story? Are you a fan of books written from multiple perspectives, or do you prefer one character to tell his/her side of the story?  4.   The Tilted World is written by two authors. Do you think it reads differently than a book written by only one? Do you think you could coauthor a novel with a loved one? Did you try to guess which author wrote different passages?  5.   Language and dialect play an important role in the book. Do you think the southern dialect is rendered successfully? How about the authors’ use of similes (“wet towels hanging out of the upstairs windows like tongues”; “Her nylon stockings sagged around her ankles like shedding snakeskin.”). Do they provide necessary context or flavor?  6.   At the end of Chapter 5, when Jesse, Ham, and Ingersoll first meet, Ingersoll realizes that Jesse has been drinking water the entire time they’ve been at dinner. Of course, Ham and Ingersoll are both drunk from all the moonshine. How does this discovery set the stage for what happens in the latter half of the book?  7.   Ingersoll grew up an orphan. In what ways do you think that independence informed his character? His choices throughout the novel? Dixie Clay also became independent, after marrying Jesse and becoming ostracized from friends and family. Later, after Ingersoll rescues her, she reflects, “For so long she’d relied only on herself. She’d needed to. . . . But now she’d let someone in. It should have felt like weakness, but it didn’t.” Are love and independence mutually exclusive? How did the arrival of Willy prepare these characters for the changes they’d have to undergo to be ready for each other?  8.   Dixie Clay becomes a bootlegger not because she loves booze or money but because she needs something to occupy her time. It’s true, however, that she’s not only breaking the law but participating in a system that perpetrates violence. Do you think there were better choices she could have made? Consider the scene at the beginning of the novel, when there’s a showdown between Jesse and two revenuers interested in making an arrest. Dixie Clay intercepts the arrest, pretending to be a posse of gunslingers protecting Jesse and the still. Given what you find out about Jesse—his dishonesty, his drunkenness, his womanizing—do you think she made the right choice? If you were in Dixie Clay’s shoes, what would you have done?  9.   When Ham learns that Ingersoll abandoned his post at the levee to help Dixie Clay, he feels not only that Ingersoll acted
Tom Franklin (The Tilted World)
We encourage people to take real vacations, although not to promote “work-life balance.” If someone is so critical to the company’s success that he believes he can’t unplug for a week or two without things crashing down, then there is a larger problem that must be addressed. No one should or can be indispensable. Occasionally you will encounter employees who create this situation intentionally, perhaps to feed their ego or in the mistaken belief that “indispensability” equals job security. Make such people take a nice vacation and make sure their next-in-line fills in for them while they are gone. They will return refreshed and motivated, and the people who filled their shoes will be more confident. (This is a huge hidden benefit of people taking maternity and paternity leaves too.)
Eric Schmidt (How Google Works)
my arms, around my legs, and suddenly the force field disappeared. I could move again! The only problem was, the instant I did, my clothes all fell off. The laser had sliced my shirt, my pants, my shoes and socks, even my underwear, into pieces—and had done it all without touching my skin. “Get me out of here!” I yelled. “Get me some clothes!” No answer. Did that mean there wasn’t anyone there? Just as well, I decided, since I didn’t have any clothes on. But how long were the aliens going to leave me here? Or was someone watching me even now—watching, but not speaking? That made sense, in a way. If the alien mission was to study earthlings, then probably they were doing that right now—especially since I was the only one they had. I decided if I was going to be the sample earthling, I was going to do my best not to act like an idiot. So I began to take deep breaths. I felt myself getting a little calmer. I mean, it wasn’t like no one had ever seen me naked before. I’ve been to the doctor. And next year I would be taking showers in gym class. Come to think of it, given my choice of getting stuck naked in front of a bunch of aliens, or in a seventh-grade gym class, I’d choose the aliens any day. At least they won’t flick your butt with a wet towel! Unfortunately, just as I was getting calm, my little chamber started to fill with gas. Was this a test, to see if I would panic? Were they going to knock me out and do some medical exams? Or were they going to kill me and dissect me? I held my breath until my lungs were
Bruce Coville (My Teacher Glows in the Dark (My Teacher Is an Alien Book 3))
Secret #3 The Third Secret Follows From 1 & 2 Everything you do should be done so that the hiring manager feels totally comfortable asking you to join her team. For that reason, here are things you should never say: “Sorry I’m late.” Your lateness communicates that this job is not that important to you. It also communicates that you’re not organized, and therefore, you’re not dependable. “Do you mind if I get this?” If you decide to take a call during an interview, you’ve communicated that this job is not that important to you. (The only reason a hiring manager might excuse this behavior is if your parent or spouse is deathly ill.) “I’m applying for this job because it will give me ...” Don’t talk about what the job can do for you. Talk about what you can do for the company. "I'm not sure if I'm a good fit for this job, but ... There are few things more foolish than expressing doubt about a job in an interview. The interview is the time to sell yourself and all you have to offer. If you express doubt, you will make the hiring manager write you off. After all, she’s trying to fill a role, so why should she waste time on someone with doubts? “I need …” The interview is not a time to talk about your needs. It is your time to explain how you can address the hiring manager’s needs. “How much paid time off do I get during the first year?” Asking about time off gives the hiring manager the impression that you’ll take as much time off as you can. Even if this is true, sending this type of message doesn’t help you. "I'm getting divorced/pregnant/going through a tough time." You’ll never sell yourself to a hiring manager if you say things that make her think you’ll be distracted and not able to focus on the job. If you’re uncertain about whether you should say something to the hiring manager or not, put yourself in her shoes and consider how such comments will make her feel.
Clark Finnical (Job Hunting Secrets: (from someone who's been there))
There was a scrape and crunch of shoes, then a small, smooth hand slid toward her. But it was not Chaol or Sam or Nehemia who lay across from her, watching her with those sad turquoise eyes. Her cheek against the moss, the young princess she had been—Aelin Galathynius—reached a hand for her. ‘Get up,’ she said softly. Celaena shook her head. Aelin strained for her, bridging that rift in the foundation of the world. ‘Get up.’ A promise—a promise for a better life, a better world. The Valg princes paused. She had wasted her life, wasted Marion’s sacrifice. Those slaves had been butchered because she had failed—because she had not been there in time. ‘Get up,’ someone said beyond the young princess. Sam. Sam, standing just beyond where she could see, smiling faintly. ‘Get up,’ said another voice—a woman’s. Nehemia. ‘Get up.’ Two voices together—her mother and father, faces grave but eyes bright. Her uncle was beside them, the crown of Terrasen on his silver hair. ‘Get up,’ he told her gently. One by one, like shadows emerging from the mist, they appeared. The faces of the people she had loved with her heart of wildfire. And then there was Lady Marion, smiling beside her husband. ‘Get up,’ she whispered, her voice full of that hope for the world, and for the daughter she would never seen again…. She would not let that light go out. She would fill the world with it, with her light—her gift. She would light up the darkness, so brightly that all who were lost or wounded or broken would find their way to it, a beacon for those who still dwelled in that abyss. It would not take a monster to destroy a monster—but light, light to drive out darkness. She was not afraid. She would remake the world—remake it for them, those she had loved with this glorious, burning heart; a world so brilliant and prosperous that when she saw them again in the Afterworld, she would not be ashamed. She would build it for her people, who had survived this long, and whom she would not abandon. She would make for them a kingdom such as there had never been, even if it took until her last breath… Aelin Galathynius smiled at her, hand still outreached. ‘Get up,’ the princess said. Celaena reached across the earth between them and brushed her fingers against Aelin’s. And arose.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
But when she became hungry, everything changed. She became incapable of empathy, of putting herself in someone else’s shoes, and hardly considered another person or the smallest etiquette. In these situations, I had no choice but to wait until she filled her stomach. She seemed like an animal then, or even worse a sociopath, someone who could easily take a piece of bread from a starving child or elderly person. But once satiated, she emerged like an enlightened saint.
Kwon Yeo-Sun (Lemon)
I like that my closet is filled (to the brim) with my clothes and shoes and that I don’t have to save half the space for anyone else’s clothes and shoes. (I especially like this.) I like that I can eat cold pizza for breakfast and cereal for dinner if I choose to. I like that I can flip the two meals without concern that someone won’t like my random tastes. I really like that I can use my kitchen cabinets for storage space rather than for dishes or canned foods. I like that I don’t own a garlic press, nor do I know how to use one. I like that I have no need to know that right now. I like that I choose my own bedtime, my own alarm clock setting, my own home décor, my own vacation spots, my own TV channels, my own meals, my own life. I like that I’m only thinking and planning for one. I like that I have multiple remote controls and no clue what they go to, but I’m afraid to toss them out because they could be connected to a device that I might someday want to use again . . . and I control them all. I like that I can sit on my balcony on a cool autumn night with a blanket and a cup of hot cocoa and talk to God for hours, because I don’t have anywhere else to be or anyone else to be with. I like that my heart belongs to Him and is safe with Him. I like that He is the only entity I feel the need to consult with before making big life decisions . . . and I like that I have the luxury of a deeply intimate walk with Him, because He has my undivided attention and undistracted devotion. I’m pretty sure God really likes that too. So, after giving it all very careful consideration . . . I don’t think I’m merely settling for my life. I think I’ve chosen it.
Mandy Hale (Don't Believe the Swipe: Finding Love without Losing Yourself)
EXCEPT for the man who thought Sarphatistraat was the most beautiful place in Europe, I’ve never met anyone more peculiar than the freeloader. The freeloader you found lying in your bed with his dirty shoes on when you came home late; the freeloader who smoked your cigars and filled his pipe with your tobacco and burned your coal and peered into your cupboards and borrowed your money and wore out your shoes and took your coat when he had to go home in the rain. The freeloader who always ordered in someone else’s name, who sat and drank jenever like a prince at the outdoor tables of the Hollandais on other people’s tabs, who borrowed umbrellas and never brought them back, who heated Bavink’s secondhand stove until it cracked, who wore his brother’s double collars and loaned out Appi’s books, and took trips abroad whenever he’d hit up his old man for money again, and wore suits he never paid for. His first name was Japi.
Nescio (Amsterdam Stories (New York Review Books))
But here’s the thing: Martin Luther King was not the “MLK” of his time, not the “MLK” of legend. Martin Luther King was public enemy number one. Seen as an even greater threat by our government, and a large portion of society, than Malcolm X was. Because what Martin Luther King Jr and Malcolm X fought for was the same: freedom from oppression. At times they used different words and different tactics, but it was their goal that was the threat. Their goal of freedom from racial oppression was and is a direct threat to the system of White Supremacy. And for all of Martin’s actions of peace and love, he was targeted with violence, harassed, arrested, blackmailed, followed by the FBI, and eventually murdered. For all of the pedestals MLK is now put on, far above the reach of ordinary black Americans, Martin was in his life viewed as the most dangerous man in America. Martin was the black man who asked for too much, too loudly. Martin was why white America couldn’t support equality. Because no matter what we ask for, if it threatens the system of White Supremacy, it will always be seen as too much. When we were slaves nursing their babies, we were not nice enough. When we were maids cleaning their homes we were not nice enough. When we were porters shining their shoes we were not nice enough. And when we danced and sang for their entertainment we were not nice enough. For hundreds of years we have been told that the path to freedom from racial oppression lies in our virtue, that our humanity must be earned. We simply don’t deserve equality yet. So when people say that they don’t like my tone, or when they say they can’t support the “militancy” of Black Lives Matter, or when they say that it would be easier if we just didn’t talk about race all the time—I ask one question: Do you believe in justice and equality? Because if you believe in justice and equality you believe in it all of the time, for all people. You believe in it for newborn babies, you believe in it for single mothers, you believe in it for kids in the street, you believe in justice and equality for people you like and people you don’t. You believe in it for people who don’t say please. And if there was anything I could say or do that would convince someone that I or people like me don’t deserve justice or equality, then they never believed in justice and equality in the first place. Yes, I am a Malcolm. And Martin, and Angela, Marcus, Rosa, Biko, Baldwin, Assata, Harriet, and Nina. I’m fighting for liberation. I’m filled with righteous anger and love. I’m shouting, as all before me have in their way. And I’m a human being who was born deserving justice and equality, and that is all you should need to know in order to stand by my side.
Ijeoma Oluo (So You Want to Talk About Race)
My name is Comet Caldwell,” I said, wincing slightly at the way my voice echoed around the room. “I’m seventeen and...this is my poem. “Before you Real life was a blurred Monet, Dripping Tuesday’s pale blue Into Wednesday’s dull gray; All color muted to a lesser hue. It was hot chocolate gone tepid, And a winter with no snow. Sea air somehow turned fetid, Favorite shoes you outgrow. Before you, Real life was without magic, No acts of heroism in sight. Just girl, not savior, not telepathic, No fight of dark against light. There were no wizards or warlocks, Angels and demons didn’t exist. Its only charm was in its boardwalks, Where sand and sea always kissed. Before you, I preferred the dreams I could buy; A plethora of worlds to explore. Lose myself in the beauty of a lie, Have friends who never keep score. Where there’s truth in true romance, And uncool shy girls become heroes. Where days are filled with thrilling happenstance, And people have answers nobody here does. Before you, I judged without truly knowing, Let people slip through my hands. Saw someone flashy and outgoing, And determined they’d never understand. You made me see everyone’s layers, All their secrets and fears. Proving we’re all merely players, Who smile through our tears. Before you, I believed real, true, glorious living Was in adventure, was in the extraordinary. But I’ve learned that time is not so forgiving, And the real beauty of life is in the fragile ordinary
Samantha Young (The Fragile Ordinary)
Well, shit. He bowed his head and squeezed his eyes shut as it dawned on him. She had been grieving her mom today, had been probably screaming inside as the agony tormented her, but instead of coming to him—her mate—for any kind of comfort or even to just confide in him or cry on his shoulder, she had retreated within herself. Because she hadn’t felt like she could come to him, had probably thought that he wouldn’t want her to. Then when he, like a bastard, refused to give her the space she needed, she had finally sought comfort. The fact that the only place she thought she could find it was a shoe box filled with memories of her dead true mate was like a blow to Trey’s gut. A blow he deserved. Guilt knifed through him as he thought about how much of a prick he had been to Taryn. Dante was right. Although this mating was temporary, that didn’t mean that Trey should be able to just cast her aside. She had become his responsibility the second he claimed her, but all he’d done was try to escape that responsibility when he got a little spooked by his wolf and some primal instincts. He had frozen her out, just as she had done to him today. The feelings of rejection, anger, and desolation he had experienced earlier were things that she had obviously been suffering with all this time. In total silence. Shit, she hadn’t deserved that, hadn’t deserved his cold shoulder, especially when she was being so loyal to their deal. It was a wonder that she hadn’t left—it wasn’t as if she couldn’t have sneaked off. It was clear by the way she had led them on a merry chase and covered her tracks so well that she had the ability at least to try to make a run for it. It wasn’t as though fear of him kept her here. She hadn’t once expressed any fear of him, not even when his wolf had gone feral. Although Roscoe was dead and she didn’t need Trey anymore, she had stayed to fulfill her end of the deal. Even though he’d been a total ass. Even though his grandmother constantly strove to make her feel unwelcome. Even though it meant having to lie to her friends and repeatedly claim that her true mate had been nothing but a good friend. One thing was for sure—she was a better person than he would ever be. She was someone who any male would be proud to have as his mate, temporary or not.
Suzanne Wright (Feral Sins (The Phoenix Pack, #1))
v. [trans.] put someone or something into (a space or container) so that it is completely or almost completely full: I filled up the bottle with water;the office was filled with reporters.    [intrans.] (fill with) become full of: Eleanor's eyes filled with tears.  become an overwhelming presence in: a pungent smell of garlic filled the air.  cause (someone) to have an intense experience of an emotion or feeling: his presence filled us with foreboding.  appoint a person to hold (a vacant position): the number of high-tech jobs and the people who can fill them.  hold and perform the expected duties of (a position or role): she fills the role of the “good” child.  occupy or take up (a period of time): the next few days were filled with meetings.  be supplied with the items described in (a prescription or order): she needed to fill a prescription.  block up (a cavity in a tooth) with cement, amalgam, or gold.  [intrans.] (of a sail) curve out tautly as the wind blows into it.  (of a weather system) increase in barometric pressure. Compare with DEEPEN.  [trans.] (of the wind) blow into (a sail), causing it to curve outward.  [POKER] complete (a good hand) by drawing the necessary cards.   n. (one's fill) an amount of something that is as much as one wants or can bear: we have eaten our fill;I've had my fill of surprises for one day.    an amount of something that will occupy all the space in a container.  material, loose or compacted, that fills a space, esp. in building or engineering work: loose polystyrene fill.  the action of filling something, esp. of shading or color in a region of a computer graphics display.  (in popular music) a short interjected phrase on a particular instrument.    fill the bill see BILL1.  fill someone's shoesINFORMAL take over someone's function or duties and fulfill them satisfactorily.    fill in act as a substitute for someone when they are unable to do their job: my producer will have to have someone
Oxford University Press (The New Oxford American Dictionary)