Fight Club Movie Quotes

We've all been raised on television to believe that one day we'd all be millionaires, and movie gods, and rock stars. But we won't. And we're slowly learning that fact. And we're very, very pissed off.

I see in the fight club the strongest and smartest men who've ever lived. I see all this potential and I see squandering. God damn it, an entire generation pumping gas, waiting tables, slaves with white collars, advertising has us chasing cars and clothes, working jobs we hate so we can buy shit we don't need. We're the middle children of the history man, no purpose or place, we have no Great war, no Great depression, our great war is a spiritual war, our great depression is our lives, we've been all raised by television to believe that one day we'd all be millionaires and movie gods and rock stars, but we won't and we're slowly learning that fact. and we're very very pissed off.

We’re the middle children of history, man. No purpose or place. We have no Great War. No Great Depression. Our Great War’s a spiritual war… our Great Depression is our lives. We’ve all been raised on television to believe that one day we’d all be millionaires, and movie gods, and rock stars. But we won’t. And we’re slowly learning that fact. And we’re very, very pissed off.

Remember this. The people you're trying to step on, we're everyone you depend on. We're the people who do your laundry and cook your food and serve your dinner. We make your bed. We guard you while you're asleep. We drive the ambulances. We direct your call. We are cooks and taxi drivers and we know everything about you. We process your insurance claims and credit card charges. We control every part of your life. We are the middle children of history, raised by television to believe that someday we'll be millionaires and movie stars and rock stars, but we won't. And we're just learning this fact. So don't fuck with us.

Advertising has us chasing cars and clothes, working jobs we hate so we can buy shit we don't need. We're the middle children of history. No purpose or place. We have no Great War, No Great Depression. Our great war is a spiritual war. Our great depression is our lives. We've all been raised on television to believe that one day we'd all be millionaires and movie gods and rock stars, but we won't. We're slowly learning that fact. And we're very, very pissed off.

Advertising has us chasing cars and clothes, working jobs we hate so we can buy shit we don't need. We're the middle children of history, man. No purpose or place. We have no Great War. No Great Depression. Our Great War's a spiritual war... our Great Depression is our lives. We've all been raised on television to believe that one day we'd all be millionaires, and movie gods, and rock stars. But we won't. And we're slowly learning that fact. And we're very, very pissed off.

We have no Great War. No Great Depression. Our Great War's a spiritual war. Our Great Depression is our lives. We've all been raised on television to believe that one day we'd all be millionaires, and movie gods, and rock stars. But we won't. And we're slowly learning that fact. And we're very, very pissed off.

Advertising has us chasing cars and clothes, working jobs we hate so we can buy shit we don't need, and the things you own, end up owning you. We're the middle children of history, man. No purpose or place. We have no Great War. No Great Depression. Our great war is a spiritual war. Our great depression is our lives. We've all been raised on television to believe that one day we'd all be millionaries, and movie gods, and rock stars, but we won't. We're slowly learning that fact.

We are the middle children of history, raised by television to believe that someday we’ll be millionaires and movie stars and rock stars, but we won’t. And we’re just learning this fact,” Tyler said. "So don’t fuck with us.

We are the middle children of history, raised by television to believe that someday we’ll be millionaires and movie stars and rock stars, but we won’t. And we’re just learning this fact,

We are the middle children of history, raised by television to believe that someday we'll be millionaires and movie stars and rock stars, but we won't. And we are just learning this fact. [...] So don't fuck with us.

We are the middle children of history, raised by television to believe that someday we’ll be millionaires and movie stars and rock stars, but we won’t. And we’re just learning this fact,” Tyler said. “So don’t fuck with us.

I want you to do me a favor. I want you to hit me as hard as you can." I looked around and said, okay. Okay, I say, but outside in the parking lot. So we went outside, and I asked if Tyler wanted it in the face or in the stomach. Tyler said, "Surprise me." I said I had never hit anybody. Tyle said, "So go crazy, man." I said, close your eye. Tyler said, "No." Like every guy on his first night at fight club, I breathed in and swung my fist in a roundhouse at Tyler's jaw like in every cowboy movie we'd ever seen, and me, my fist connected with the side of Tyler's neck.

Can you also write down that under no circumstances can either of us tell anyone the truth?” I ask him. “The first rule of Fight Club,” Peter says knowingly. “I’ve never seen that movie.” “Of course you haven’t,” he says, and I make a face at him. Also: mental note, watch Fight Club.

I love you, Sloane, and if you think I'm letting you go that easily, you're mistaken. I've spent half my life running from the hard stuff and taking the easy way out because I'd never wanted anything enough to work for it. Then I met you, and I finally understood what people meant when they said love is worth fighting for. I know it sounds like a cliché, and if you heard this in a movie, you'd probably write a scathing review about it but I mean it. I've learned to fight for what’s important, and there's nothing in this world that's more important to me than you. Not the club, not my inheritance, not my reputation.

We are the middle children of history, raised by television to believe that someday we'll be millionaires and movie stars and rock stars, but we won't.

His name was Tyler Durden, and he was a movie projectionist with the union, and he was a banquet waiter at a hotel, downtown, and he gave me his phone number. And this is how we met.

God damn it, an entire generation pumping gas, waiting tables – slaves with white collars. Advertising has us chasing cars and clothes, working jobs we hate so we can buy shit we don't need. We're the middle children of history, man. No purpose or place. We have no Great War. No Great Depression. Our great war is a spiritual war. Our great depression is our lives. We've all been raised on television to believe that one day we'd all be millionaires, and movie gods, and rock stars, but we won't. We're slowly learning that fact.” ―Tyler Durden,Fight Club (by Chuck Palahniuk)

You’re a projectionist and you’re tired and angry, but mostly you’re bored so you start by taking a single frame of pornography collected by some other projectionist that you find stashed away in the booth, and you splice this frame of a lunging red penis or a yawning wet vagina close-up into another feature movie. This is one of those pet adventures, when the dog and cat are left behind by a traveling family and must find their way home. In reel three, just after the dog and cat, who have human voices and talk to each other, have eaten out of a garbage can, there’s the flash of an erection. Tyler does this.

Remember this,” Tyler said. "The people you’re trying to step on, we’re everyone you depend on. We’re the people who do your laundry and cook your food and serve your dinner. We make your bed. We guard you while you’re asleep. We drive the ambulances. We direct your call. We are cooks and taxi drivers and we know everything about you. We process your insurance claims and credit card charges. We control every part of your life. "We are the middle children of history, raised by television to believe that someday we’ll be millionaires and movie stars and rock stars, but we won’t. And we’re just learning this fact,” Tyler said. "So don’t fuck with us.

We are the middle children of history, raised by television to believe that someday we'll be millionaires and movie stars and rock stars, but we won't. And we're just learning this fact," Tyler said. "So don't fuck with us.

We are the middle children of history, raised by television to believe that someday we’ll be millionaires and movie stars and rock stars, but we won’t. And we’re just learning this fact,” Tyler said. “So don’t fuck with us.” The

Chuck Palahniuk “Advertising has us chasing cars and clothes, working jobs we hate so we can buy shit we don't need. We're the middle children of history. No purpose or place. We have no Great War, No Great Depression. Our great war is a spiritual war. Our great depression is our lives. We've all been raised on television to believe that one day we'd all be millionaires and movie gods and rock stars, but we won't

The numbers really grew when we were at war, when all the fellas who used to be inside their homes watching TV saw that the action movies they were watching inside were actually happening outside, and so they came out of their homes to join the fun, because even though we were firing real guns, it was all a game for most of us. Scrooge, former leader of the Rebellion Raiders street gang that once boasted of having some ten thousand members

Remember this. The people you're trying to step on, we're everyone you depend on. We're the people who do your laundry and cook your food and serve your dinner. We make your bed. We guard you while you're asleep. We drive the ambulances. We direct your call. We are cooks and taxi drivers and we know everything about you. We process your insurance claims and credit card charges. We control every part of your life. We are the middle children of history, raised by television to believe that someday we'll be millionaires and movie stars and rock stars, but we won't. And we're just learning this fact. So don't fuck with us.

that line in the movie Fight Club: “You are not your job, you’re not how much money you have in the bank. You are not the car you drive. You’re not the contents of your wallet.

I’ll write you a note a day,” Peter says suddenly, with gusto. “That’ll drive her ass crazy.” I write down, Peter will write Lara Jean one note every day. Peter leans in. “Write down that you have to go to some parties with me. And write down no rom coms.” “Who said anything about rom coms? Not every girl wants to watch rom coms.” “I can just tell that you’re the kind of girl who does.” I’m annoyed that he has this perception of me, and even more annoyed that he’s right. I write, NO DUMB ACTION MOVIES. “Then what does that leave us with?” Peter demands. “Superhero movies, horror movies, period films, documentaries, foreign films--” Peter makes a face, grabs the pen and paper from me, and writes down, NO FOREIGN FILMS. He also writes, Lara Jean will make Peter’s picture her phone wallpaper. “And vice versa!” I say. I point my phone at him. “Smile.” Peter smiles, and ugh, it’s annoying how handsome he is. Then he reaches for his phone and I stop him. “Not right now. My hair looks sweaty and gross.” “Good point,” he says, and I want to punch him. “Can you also write down that under no circumstances can either of us tell anyone the truth?” I ask him. “The first rule of Fight Club,” Peter says knowingly. “I’ve never seen that movie.” “Of course you haven’t,” he says, and I make a face at him. Also: mental note, watch Fight Club.

But in 1947, when his older brother Clyde, a World War II hero who had earned a Purple Heart, was killed by a New Hebron police officer, it became a matter of life and death. A White police officer had targeted Clyde at the movie theater, striking him in the back of the head with a club. Clyde, not knowing who had hit him, responded to the coward’s attack with a defensive posture. When he did, the police officer fired two shots into his abdomen. JP was with his brother—an American hero—in the ambulance and in the Colored hospital when he died. JP’s brother went all the way to Europe to fight against Hitler and the Nazis only to die at the hands of a racist police officer in America.

Our trial period doesn’t end until tomorrow, which means we’re not over yet. Not officially.” “I already made my decision.” “It doesn’t count when there’s still time to change your mind.” “Don’t make this harder than it has to be.” “I’ll make it as hard as I can,” I said fiercely. “I love you, Sloane, and if you think I’m letting you go that easily, you’re mistaken. I’ve spent half my life running from the hard stuff and taking the easy way out because I’d never wanted anything enough to work for it.” I swallowed. “Then I met you, and I finally understood what people meant when they said love is worth fighting for. I know it sounds like a cliché, and if you heard this in a movie, you’d probably write a scathing review about it”—Sloane choked out a laugh—“but I mean it. I’ve learned to fight for what’s important, and there’s nothing in this world that’s more important to me than you. Not the club, not my inheritance, not my reputation.

There’d been so many dynamic films in 1999 that viewers would need time to fully absorb what had happened, and many of the year’s commercial letdowns enjoyed remarkable afterlives. The exploding DVD and cable TV markets that revived Office Space and Fight Club would resuscitate many of the year’s commercial failures. They’d also ensure that hits such as The Matrix and The Sixth Sense would appear on late-night TV for years on end, their various body bends and plot twists becoming familiar to even the most casual film viewers.

Or maybe you employ one of Palahniuk’s most cited Fight Club lines—“ You are not a beautiful or unique snowflake”—as a putdown for anyone you perceive to be overly sensitive foes, which is how several right-wing nationalists used the term during the 2016 presidential election.

Fight Club’s quiet 1996 release came just a few years after the arrival of the so-called men’s movement, in which dissatisfied dudes looking to reclaim their masculinity would gather for all-male retreats in the woods. They’d bang drums and lock arms in the hope of escaping what had become a “deep national malaise,” noted Newsweek. “What teenagers were to the 1960s, what women were to the 1970s, middle-aged men may well be to the 1990s: American culture’s sanctioned grievance carriers, diligently rolling their ball of pain from talk show to talk show.

It was an epiphany that would propel other 1999 films such as Fight Club, The Matrix, and American Beauty—stories in which the heroes abandon their jobs before finding themselves.

Vanished In the dark lights, We come out and play We are its children, And we’re here to stay Running through the streets, Hungry for strays No invitation, To take me away I’m not cruel, But thats still what you see Club to club, Come see this city with me Hungry for life, Without your pity I dont want it, But it comes anyway You go sexual city You till can’t say she won’t start up a fight You go the city 'Cause in the city of life she can't, she can't wait In the darkness, A killer awaits To kill a life, And the lies you make You do another, So this death can live Just keep on dancing, To the movie you’re in The smell of your sweat, Just lures me in Your heartbeat, Does sing to me Your running feet, Beats my blood My ghost inside you, Soon will be Now it’s over, You’ve taken your life The dark grows thin, And I’m left to hide I don’t regret it, But it’s sad anyway Now were both dead, And scared of the black This life of games, And diligent trust It’s the things we do, Or the things we must I’m now tired of being cussed So go sleep forever end to dust

Did you have a fight?” he asks, and my eyes dart over to his face. “Just say you’re sorry and that you love him, and then him and Jade can come over for movie night.” How simple children are. Why can’t adults be like this? Apologize. Love. Be happy. Like it’s all that easy. I wish it were.

Traditions are conditioned reflexes. Throughout Part 2 of this book, you will find suggestions for establishing family traditions that will trigger happy anticipation and leave lasting, cherished memories. Traditions around major holidays and minor holidays. Bedtime, bath-time, and mealtime traditions; sports and pastime traditions; birthday and anniversary traditions; charitable and educational traditions. If your family’s traditions coincide with others’ observances, such as celebrating Thanksgiving, you will still make those traditions unique to your family because of the personal nuances you add. Volunteering at the food bank on Thanksgiving morning, measuring and marking their heights on the door frame in the basement, Grandpa’s artistic carving of the turkey, and their uncle’s famous gravy are the traditions our kids salivated about when they were younger, and still do on their long plane rides home at the end of November each year. (By the way, our dog Lizzy has confirmed Pavlov’s observations; when the carving knife turns on, cue the saliva, tail wagging, and doggy squealing.) But don’t limit your family’s traditions to the big and obvious events like Thanksgiving. Weekly taco nights, family book club and movie nights, pajama walks, ice cream sundaes on Sundays, backyard football during halftime of TV games, pancakes in Mom and Dad’s bed on weekends, leaf fights in the fall, walks to the sledding hill on the season’s first snow, Chinese food on anniversaries, Indian food for big occasions, and balloons hanging from the ceiling around the breakfast table on birthday mornings. Be creative, even silly. Make a secret family noise together when you’re the only ones in the elevator. When you share a secret that “can’t leave this room,” everybody knows to reach up in the air and grab the imaginary tidbit before it can get away. Have a family comedy night or a talent show on each birthday. Make holiday cards from scratch. Celebrate major family events by writing personalized lyrics to an old song and karaoking your new composition together. There are two keys to establishing family traditions: repetition and anticipation. When you find something that brings out excitement and smiles in your kids, keep doing it. Not so often that it becomes mundane, but on a regular and predictable enough basis that it becomes an ingrained part of the family repertoire. And begin talking about the traditional event days ahead of time so by the time it finally happens, your kids are beside themselves with excitement. Anticipation can be as much fun as the tradition itself.

Welcome to the Blackcastle Book Club’s official group chat!” “Seriously? You put a picture from The Land Before Time as the group’s profile picture?” “Why not? It’s a good movie.” “Dude, that’s so wrong. It’s a children’s film, and we’re reading about dinosaurs boning.” “It’s a good thing we’re not making them read the books, isn’t it? But fine, I see your point. I wanted to keep it a surprise, but since you insist on policing my admin decisions, I’ve changed the picture to the cover of this month’s book club pick. Gentlemen, prepare yourselves for **drumroll please** Shagging the Spinosaurus!” “We already guessed that was the book of the month. We saw you reading it the other day Aren’t you supposed to read it with the rest of the club? Why are you reading it early?” “Yeah, that’s CHEATING.” “It’s called vetting. Also, I’m the admin. I can do what I want.” “I tried looking for it at the bookstore yesterday and couldn’t find it. Donovan, what was the name of the store you went to?” “Uh… I don’t remember. Just some shop I stumbled on in the city. I’m sure you can buy the book online.” “I don’t understand. How do you shag a spinosaurus?” “The same way you shag a triceratops and a T-rex, genius.” “Oh, you sound so bloody confident. Are you speaking from experience?” “Gentlemen, let’s get back on track! This is a book club, not a fight club. Our first official meeting is on Wednesday. I want everyone to come prepared with at least one discussion question.” “Dibs on the ‘how do you shag a spinosaurus’ question.” “You can’t ask that. It has to be a THOUGHTFUL question.” “How thoughtful do you want us to be? We’re literally reading about dinosaurs fucking.” “And humans If you forget them, that’s human erasure.” “Fuck off, Donovan.” “Spoken like someone who doesn’t have the IQ to come up with a good question.” “Yeah? Let’s wait until Wednesday and see. I bet my question will be better than yours.” “You’re on. May the better questioner win.” “Okayyy. Moving on. Noah, since you refuse to participate in the LITERARY side of our club, you’re in charge of snacks.” “Fine.” “I’m thinking we could do a themed event with dinosaur crackers. Do you think they make custom spinosaurus ones?” “So we’re going to eat the little dude while we read about him getting it on? That’s so wrong.” “Poor Spiny. He deserves better.” “It was an IDEA. I don’t see you guys coming up with anything better.” “How about jungle juice to stay with the dinosaur theme?” “Dinosaurs didn’t live in the jungle.” “How do you know? Were you there?” “Lol.” “Don’t talk to your captain like that.” “You’re our football captain. You’re not the president of this book club. Also, I just looked it up and they did live in jungles, so you’re wrong.” “Wait, we have a president?” “Yes, it’s me. Anyway Noah, can you call the dinosaur cracker company and ask them for custom spinosaurus snacks? Hello? Noah?” Noah Wilson left the conversation.

HELPING KIDS MANAGE EMOTIONAL FLASHBACKS This list is for social workers, teachers, relatives, neighbors and friends to help children from traumatizing families. It is adapted from the steps at the beginning of this chapter. Depending on the age of the child, some steps will be more appropriate than others. Even if you are not in a position to help other kids, please read this list at least once for the benefit of your own inner child. Help the child develop an awareness of flashbacks [inside “owies”]: “When have you felt like this before? Is this how it feels when someone is being mean to you?” Demonstrate that “Feeling in danger does not always mean you are in danger.” Teach that some places are safer than others. Use a soft, easy tone of voice: “Maybe you can relax a little with me.” “You’re safe here with me.” “No one can hurt you here.” Model that there are adults interested in his care and protection. Aim to become the child’s first safe relationship. Connect the child with other safe nurturing adults, groups, or clubs. Speak soothingly and reassuringly to the child. Balance “Love & Limits:” 5 positives for each negative. Set limits kindly. Guide the child’s mind back into her body to reduce hyper-vigilance and hyperarousal. a. Teach systemic relaxation of all major muscle groups b. Teach deep, slow diaphragmatic breathing c. Encourage slowing down to reduce fear-increasing rushing d. Teach calming centering practices like drawing, Aikido, Tai Chi, yoga, stretching e. Identify and encourage retreat to safe places Teach “use-your-words.” In some families it’s dangerous to talk. Verbal ventilation releases pain and fear, and restores coping skills. Facilitate grieving the death of feeling safe. Abuse and neglect beget sadness and anger. Crying releases fear. Venting anger in a way that doesn’t hurt the person or others creates a sense of safety. Shrink the Inner Critic. Make the brain more user-friendly. Heighten awareness of negative self-talk and fear-based fantasizing. Teach thought-stopping and thought substitution: Help the child build a memorized list of his qualities, assets, successes, resources. Help the child identify her 4F type & its positive side. Use metaphors, songs, cartoons or movie characters. Fight: Power Rangers; Flight: Roadrunner, Bob the Builder; Freeze: Avatar; Fawn: Grover. Educate about the right/need to have boundaries, to say no, to protest unfairness, to seek the protection of responsible adults. Identify and avoid dangerous people, places and activities. [Superman avoids Kryptonite. Shaq and Derek Jeter don’t do drugs.] Deconstruct eternity thinking. Create vivid pictures of attainable futures that are safer, friendlier, and more prosperous. Cite examples of comparable success stories.